JOHANN MORGENBILD
Re:TheAshLad

Volume 3

Sandbooks
ISBN 978-82-92860-00-7
First Edition
Copyleft 2007
http://sandbooks.com

















188


acknowledging rules codes and systems of conventions. Given this.
selfimposed limitation I would ask Eco what he supposes would qualify as.
convention as code as rule In other words who decides where to draw the.
line where a text is presumed to cross into incoherence. Thanks for the
cite convention Chiasmic slides. Nymo. Re Booksigning Tour. Hello all. I'm
going on a booksigning tour this week. No I don't have any. publications of
my own to sign what I will be doing instead is. signing the names of other
authors into their discarded books at. various thrift stores in the area.
Some of my favorites include. Steven King sic Tom Clancy Maxine Hong
Kingston and John Updike.. So if you come upon a book signed by the author
in a thrift store. or elsewhere ha ha be aware that it. may be mine..
another thing would be to mark them mark mark appropriate confiscate. the
book by signing your name in it would they be yours and the stores. your
library in you livingroom another thing would be to tag the. would surely
make them more weird wired maybe a net.book should be. devoted to such
realworld concrete appropriation and dissemination. bringing another
dimension to the practice of tagging. forsew any. prosperous
partencipasion in this schejame.. Re Booksigning Tour. Hello all. I'm
going on a booksigning tour this week. No I don't have any. publications
of my own to sign what I will be doing instead is. signing the names of
other authors into their discarded books at. various thrift stores in the
area. Some of my favorites include. Steven King sic Tom Clancy Maxine Hong
Kingston and John Updike.. So if you come upon a book signed by the author
in a thrift store. or elsewhere ha ha be aware that it. may be mine..
another thing would be to mark them mark mark appropriate confiscate. the
book by signing your name in it would they be yours and the stores. your
library in you livingroom another thing would be to tag the. would surely
make them more weird wired maybe a net.book should be. devoted to such
realworld concrete appropriation and dissemination. bringing another
dimension to the practice of tagging. forsew any. prosperous
partencipasion in this schejame.. daidalonicsmazpiq. another thing what
was the function of the ancient mazes like the. crete labyrinth by
daedalus some initiation rite 'heroic' myth how. does it relate to
codework has it some mythological dimensions. as i think about it the
labyrinth is also a modulation between. the two notions of boundless and
deadend and conceals the relationship. between the terms apeiron and
aporia.. Diodorus Siclus notices this. as he describes the labyr. apeiron
is boundless but it is also aporia. without escape.. perhaps the aporia
are like looped subroutines. along the boundless but inescapable path..
its seems to be somehow. about modulationinterpretation between open and
closed systems... a couple of cites. The role of the cave in paleolithic
religions appears to have been. decidedly important. Then too the cave and
the labyrinth continue to have a. function of the first importance in the
initiation rites of other archaic. cultures (as for example in Malekula)
both indeed are concrete symbols. of passages into another world of a
descent to the underworld p.. mircea. eliade shamanism.. on 'difficult
passages' p. the symbolism of the strait gate and the dangerous bridge is
bound up. with the symbolism of what we hav called the paradoxical passage
because. it sometimes proves to be an impossibility or a situation from
which there. cerain myths sometimes find themselves in apparently
desperate situations.. They must go where night and day meets or find a
gate in a wall or go up. the sky through a passage that opens but for an
instant pass between two. constantly moving millstones two rocks that
clash together through the. jaws of a monster and the like like supermario
etc. As Coomaraswamy. rightly saw. all these mythical images express the
need to transcend. opposites to abolish the popularity typical of the
human condition in. order to attain the ultimate reality...and so on In
the myth the. paradoxical passage emphatically testififes that he who
succedes in. accomplishing it has transcended the human condition he is a
shaman a. hero or a spirit and indeed the paradoxical passage can be.
accomplished only by one who is spirit.. daidalonics for the posthuman
cyborgs of the world the other ay ). an interesting drum.. the drums has
the world view printed on it which is. their maze adventure 'd' so you'd
have both the processing unit (drum. stick) and the image.. and the other
stuff. chant dance speaking in. tongue curious codework heuristics
eurythmics trying to get out of the. algorithmic... Re NULL. Here's the
response to jukka's NULL via code posted by MWP.. Had to. mutilate the
tags for the blog.. The null set is not empty.. A work following in the
footsteps of JP Kervinen's NULL.. htmhead. headbody. codefont size
faceCourier New Courier mono. pre. pre. font. body. htm. Here's Noemata's
question. is this null or not null specifying font size and all and
wonder. about. the pre is there something in there adding a dot .prepre..
reveals a lot of space inbetween (which is invisible if you don't code.
it).. is the preformatted the chora of code in the midst of it the.
monospace dancefloor. Okay firstly I think Noemata's question is a little
strange.. But when you consider what I conisder to be an abberrant
Isotropy of. the Sememe in Topic.. snip. The white page in the webpage is.
a construct but it. is still an actuation of refreshes and the work of
Hardware so yes. Noemata it is a chora. and it is a framework all these
terms should be fluid... I was commenting with an idea of the emptiness of
code as pure structure and. found it poetical funny that the pre tags in
the midst of code were not empty. after all but contained a lot of space
but which remained invisible unless you. throwed something in there two
small dots which amounts to a kind of paradox. of body matter space
structure space is created by matter something. becomes empty first when
you trow something into it two coins into a well p. loplop. Sun Mar AM
Lanny Quarles edit. One day Manjushri stood outside the gate when Buddha
called to. him. 'Manjushri Manjushri why do you not enter'. 'I do not see
a thing outside the gate. Why should I enter' Manjushri. replied.. Where
is the gate Are you inside or outside the gate. The two dotties
insideoutside pre gate. best. spaghetti kid. chorachoroschros. Whereas the
Chora I refer to is based on the archaeolinguistic analysis. of experts in
the field applied in a romantic sense the nature of. machinic activity and
or molecular activity and the lack of its. separation. via physics from the
ground dancefloor it supposedly happens on. or in other words the activity
within the frame is wholly dependent on. the frame and the action is
indeed as part of the frame as the frame. is apart of the action ie matter
is part and parcel of space it IS. space a form of space and without
spacetime there would be no. matter. This is the sense in which I use the
term chora which is also. realated to chros (body)... Okay oops. I made a
mistake. Chora is a scant space choros. is the dancefloor space. But it
still works the chora is the scant. space separating the subject from the
object man from nature. object from space etc etc... space i tend to
imagine the physical and gravitation let's say the chora is. the
(primordial) matter shaping space by matter itself creating gravitation.
by. spacing itself and then the different levels of unfolding from big
blasts. to. black boxes of pre or postsymbolic spaces. like we are object
with. gravitation being bodies in space the abject as the gravitational
force on. the. bodies shaped by space shaped by matter ref insideoutside
frame.. it's a physical logocentric metaphor but then you'd have
antigravitation. codework from the science of imaginary solutions maybe
drift bodies going. through the motions from the expansion of the void
towards the periphery the. pataphysical poetic metaphor of the same..
chora choros chros matter space body. gravitation antigravitation force of
matter force of void. syllogismo. if all writing is lack. all horses heads
are horses. all tails are tales. Re chorachoroschros. the chora is the
scant. space separating the subject from the object man from nature.
object from space etc etc... Sorry for not following this argument as well
as I should but isn't this. separation something we SHOULDN'T be doing I
mean separate man from. nature Not in my worldview. just throwing in some
things found on the web chora is prior to the. separation obviously also
here's a more complete cite from the blog. Whereas the Chora I refer to is
based on the archaeolinguistic analysis. of experts in the field applied in
a romantic sense the nature of. machinic activity and or molecular activity
and the lack of its. separation. via physics from the ground dancefloor it
supposedly happens on. or in other words the activity within the frame is
wholly dependent on. the frame and the action is indeed as part of the
frame as the frame. is apart of the action ie matter is part and parcel of
space it IS. space a form of space and without spacetime there would be no.
matter. This is the sense in which I use the term chora which is also.
realated to chros (body)... Okay oops. I made a mistake. Chora is a scant
space choros. is the dancefloor space. But it still works the chora is the
scant. space separating the subject from the object man from nature. object
from space etc etc... chora a Platonic term for a matrixlike space that is
nourishing unnameable. and prior to the individual. Chora becomes the
focus of the semiotic as the. 'presymbolic.'. semiotic the science of
signs (that which creates the need for. symbolic)cyclical through time pre
Oedipal and creates unrepressed writing.. Exists in children before
language acquisition and has significance.. symbolic the domain of
position and judgment chronologically follows. semiotic. (postOedipal) is
the establishment of a sign system always present. historical time
(linear) and creates repressed writing.. Kristeva perceives the semiotic
chora as structural that is its 'role' is. to. first make a space in which
language (as the underpinning organisation of. socialsymbolic interaction)
can then work. The recalling and momentary. revitalisation of this
semiotic chora in itself is potentially disruptive to. the. patriarchal
symbolic because it ruptures the latter's normality by recalling a.
different prelinguistic presymbolic sense of self in which the mother of.
the. Imaginary (feminine) and feelings associated with her are central
and. compelling rather than peripheral and debased. These 'feelings'
(bodily drives. rhythms pulsions pleasures bliss) are never lost and their
memory is held. precariously in check by the patriarchal symbolic. They can
be seen to rise to. the surface through cultural forms in different ways.
For instance they have. been retrieved in readings of artistic work where
their resisting quality may. be. 'accidental' e.g. in readings of the th
century photographs of Julia. Margaret Cameron (see Mavor ) or the
abstract works of Helen Frankenthaler. (Pollock ). Feminist cultural
theorists have exposed the way in which. these. memories remain to
'trouble' patriarchy revealing how cultural practices and. stories (films
rituals fairy tales myths) replay the moment of patriarchal. culture's
formation in which the possibilities of 'difference' are continually.
abjected and repressed (Kristeva Creed Warner ).. Kristeva believes that
the subject can gain access more readily to the. semiotic. chora through
creative musical poetic practices or even just through vibrant. use of
colour (Kristeva ). She sees these possibilities as already having. their
origins in the semiotic chora recalling a more fluid plural and less.
fixed perception of meaning and self which reactivates feelings lost in
the. patriarchal 'rational'. However Kristeva also makes it clear that
the. 'feminine' semiotic chora is not something outside or beyond
language. She. states 'if the feminine exists it only exists in the order
of significance or. signifying process and it is only in relation to
meaning and signification. positioned as their excess or transgressive
other that it exists speaks. thinks. (itself) and writes (itself) for both
sexes'. Thus it is 'different or other in. relation to language and meaning
but nevertheless only thinkable within the. symbolic' ().. presymbolic
within symbolic framework. However as Kaplan notes 'the childadult never
forgets the world of the. Imaginary and heshe continues to desire
unconsciously the illusionary. oneness with the mother heshe experienced'
(). It is this proposition. that the child clings to those heady pleasures
of the 'bliss' of preOedipal. fusion with the mother that has been central
to the development of a theory of. visual culture. Lacan believed that the
child never forgets its illusionary. oneness with the mother or the
'jouissance' that this moment entailed a. moment. before the intervention
of paternal law which requires both the control of. 'self' and the
denigrationabjection of the feminine (mother) and the pleasures.
associated with her emotions feelings love.. Briefly Lacan's reworking of
the CastrationOedipal complex proposed a. distinction between the penis as
an organ (Freudian) and the phallus as a sign. (Lacan ). He also theorised
a more fluid path to the formation of a. gendered subject. This reworking
offered a 'logical' rather than biological. explanation of patriarchy
whereby it is not the having or not having of the. physical penis which
organises gendered subjectivity under patriarchy but. rather the way in
which its presence or absence (lack) functions as a. signifier. that is
the way in which subjects can make sense of sexual difference is by. their
possession of the 'sign' (phallus) of patriarchal power which allows. them.
place themselves within the symbolic order of patriarchal culture the so.
called Law of the 'Father'. Thus male fear of castration and of the
'lacking'. woman is a fear of the loss of that power which the phallus as
signifier and. 'maker' of language promises to men.. metaphorical
labyrinthings from (solipsis) phaneronoemikon. a digest with small
comments. . labyrinth. the labyrinth as material whose consequence is
form. It could also be thought of as. an inquiry into archetypal models of
information as the material whose. consequence. is form and therefore lies
at the very heart of the architectural endeavor.. labyrinth as paradox. a.
monadologies. An account by Leibnitz himself of how he had emerged from his
labyrinth. with a true conception of the nature of substance and matter was
never. published as anything even resembling a single article but is to be
found in. Antoine Arnauld Burcher de Volder Nicolas Remond and
Bartholomew. Des Bosses. These are typically to the effect that the
continuum involves. indeterminate parts and is consequently ideal whereas
the actual is a result. of assemblage of discrete units that in ideal
things the whole is prior to the. parts. whereas in actuals the parts are
prior to the whole and that it is the. confusion. of the ideal and the
actual that has embroiled everything and produced the. labyrinth. of the
composition of the continuum.. the relation between the continuum and the
discrete is the theme forming. the. classical paradoxes of Parmenides and
Zenon expressed in Achilles and the. Turtle. where the slow Turtle wins in
the discrete.. is the form of spiral related to the labyrinth when did the
spiral become. labyrinth a continuous labyrinth vs a discrete labyrinth
actualmattering. monadology the great automata. In short a fluidic and
computational. metamorphosis set to iterating within the continnum an
embodied reflection. itself. of the emergence of matter itself from the
quantum foam of particles whose. dance. of disappearing and reappearing
may form the basis for our most sacred and. archetypal. dreams the
epiphaneia of the veil of the absolute. At some point though I. also.
realize. like a kind of substance redolent of molecularity the image is
essentially a. mapping. of loose or open connectors symbolic ports which
might be fitted out with a. myriad. of possible interpretive peripherals
and how within the metaphor is a. recursion. like a seed coiled ready to
begin its inscriptive and generative dance.. the metaphor and recursion
being and creating the labyrinthal. . Babelith. three stages of trance
hallucinations and three metaphors of Ortega. imprintsensation
interpretationconsciousness. Ortega himself often said I and circumstance
or Adam in Paradise. Though. the. language might seem. imply a separation
between the subject and the object its meaning to Ortega. was. in fact a
unity.. . Metaphorest. to not view the forest for all its trees. Reality
is linked to a point of view as Emerson's transparent eyeball. is linked
to Boehme's Divine Imagination is linked to Leibnitz's Monadology is.
linked to the Mind of the Middle Platonists is linked to both the Demiurge
of. the. Timmaeus and also the Demiurges of both Alcinous and Numenious as
well as the. Demiurge of Xenocrates which called his Demiurge the Monad..
It is in effect. a Natura (A Nature) a Metaphorrest and many of these
linkages are in. disagreement. with one another based in the reality of
perspective and upon their. perspective. upon reality. In Plotinus'
Enneads for example the One is said to look at. himself with a selflooking
identical with his being and to possess a. wakefulness. and a
superintellection as his activity which is identical with his essence.
which. perhaps brings us to the metaphoric creation of the metaphorrest as
something. like Intellect which is not Intellect. A Nature is also the
extension of a. program.. getting out of the algorithmic the 'recipes' of
code. The claim that spacetime computes has nothing at all to do with
symbol. manipulation. (read closely with paradox in mind) or numeric
calculation it says that. physical. processes. are ultimately effective
procedures (i.e. programs) functionally composed of. primitive. natural
operations. Indeed digital metaphysics (fingers) requires us to think.
differently. about programs themselves. . Think of how the Jacquard loom
the player piano. and. even fertilized seeds and eggs are programmed.
Programs are not recipes they. are. dynamic rational patterns (think of
formal and final causes think of. entelechies).. More precisely programs
are orderings of abstract transformations of abstract. states. of
affairs.. Accordingly the FHPGAS program is just as true of any gas as
the. NavierStokes. equation is if it be objected that the program is a
mere simulation (and hence. some. how false or fictional) it may be
replied that the equation is a mere. idealization. (and hence just as
fictional and false). At the most basic level however. there. is. no
question of either simulation or idealization nature is what nature does..
Its. existence and functionality are identical each basic element of nature
is the. same. as the program that is true of it.. In the sense that digital
metaphysics offers physical scientists some bricks. (the monads aka
programmable metaphor) out of which it claims they. can build any kind of
house they want (any physically possible world). so too can any metaphor
be programmed to build a physical house. of various meanings or
structure.. . Rinthing the Labyum. Meaning identified either within the
unity or the multiplicity. of the subject structure or theory necessarily
guarantees a certain. transcendence if not a theology this is precisely
why all human knowledge. whether it be that of an individual subject or of
a meaning structure retains. religion as its blind boundaries or at least
as an internal limit and at. best. observed in connection with
structuralism).. Second I shall deal with a particular signifying practice
which like. the Russian Formalists I call poetic language in order to
demonstrate. that this kind of language through the particularity of its
signifying. operations is an unsettling processwhen not an outright
destruction. of the identity of meaning and speaking subject and
consequently. of transcendence or by derivation of religious sensibility.
On that. account it accompanies crises within social structures and
institutions. the moments of their mutation evolution revolution or
disarray.. For if mutation within language and institutions finds its code
through. this signifying practice and its questionable subject in process
that. constitutes poetic languge then that practice and subject are
walking. a precarious tightrope (tieintrope).. along the borders or over
the chasm of the sign. Poetic Language the only language that uses up
transcendence. and theology to sustain itself poetic language knowingly
the. enemy of religion by its very common borders on psychosis. (as for
its subject) and totalitarianism or fascism (as for the. institutions it
implies or evokes). I could have spoken of. Vladimir Mayakovsky or Antonin
Artaud but now I shall. speak of daydreaming in the cave of technicity and
the. shadows of the archetypal informatic the remainder. which is the
output's output the chaos of the gap the. skin of the chaskein the choros
of the chora and a. recipe for making a PC from the myth of the Minotaur..
There is some conflict about the origins of the labyrinth. And also some.
conflict. about the differences between the maze and the labyrinth. I have
created this. conflict. explain why I began to see the myth of the minotaur
as a kind of diagram of. the. basic personal computer. And then I began to
shovel in the details to the. metaphor.. As I already dug my own grave
doubts about the subject in question there was. no. real need to apply the
fundamental logic of a linear unfolding but instead to. rely on. the
simultaneity of consequence and resonance. How we fail and are devoured
by. the Minotaur is just as valuable as how we are successful. We may even
be a. part. of the maze from which the labyrinth is made. When we build
such serendipities. into. the cosmic fabric of blind weaving automata
monadfates we at once acknolwedge. the impossiblilty of doing anything
different from what we have done. Let us. say. Sisyphus did not possess
sophrosyne but within the sophic sign of his physis. was. fused a subject
posessed by understanding. Imagine every pop star is an oracle. and every
oracle a pop star. Or better yet stop imagining altogether. Think. Think..
The dictum of the philosopher. What it really says is continue to
imagine... Imagine. is image. Reality is an image machine and beyond that
all things are images of. themselves. imaging. So imagine 'this' is a poem
not the words you see but the life of. the. universe.. Now also imagine
there is a reason for the poem to exist. If that's true then. how. could.
there every be anything wrong in the universe. Because pain is bad and.
emotions. are. constructive. Only within the mind are we allowed to look
at the universe in. this. way.. Only when we are confortable and alone and
at physical peace. When we are. attached. machines to sustain our lifeforce
we are not interested in thinking about. how. right. the universe is only
how wrong every single in the universe feels. But how. does. the. universe
feel The Universe feels just like a computer.. There is an interconnection
between philosophic metaphors that illuminate each. other.. And this is
what I call the metaphoric system metaphors that are linked. together.
and. that illuminate the different faces of reality. Metaphors that
explore and. discover. the. many sides of reality are interconnected they
are a system that is a. correlation of. philosophic truth as discovery.
The only way to discover reality is to transit. go. through it to follow
it. We can only make the discovery of reality by. following. the.
intricacy of its interpretationswhich are metaphorical.. algorytm(recipe)
heuristics(discover) eurytm(following) three metaphors. of. codework. One
can speak of an original metaphor whose role is not to include the whole.
interpretation of reality in it it is simply impossible that a single
sentence. can. unveil. all reality. The systemic character of reality
makes impossible any kind of. total. formula. the foldings and unfoldings
are too numerous and complicated for any single. process. to... Unfolds
generate data structures and folds consume them. A hylomorphism is a.
fold. after an unfold generating then consuming a virtual data structure.
A. metamorphism. is the opposite composition an unfold after a fold
typically it will convert. one data. representation to another. In general
metamorphisms are less interesting than. hylomorphisms. there is no
automatic fusion to deforest the intermediate virtual data. structure..
However under. certain conditions fusion is possible some of the work of
the unfold can be. done. before all. of the work of the fold is complete.
This permits streaming metamorphisms and. among. other. things allows
conversion of infinite data representations. This is why an. aphorism is.
a false. way of philosophic expression. Alone even doing nothing you do
not waste your. time.. You do almost always in company. No encounter with
yourself can be altogether. sterile. Something necessarily emerges even if
only the hope of some day meeting. yourself. again.. We have convictions
only if we have studied nothing thoroughly. All. indignationfrom. grousing
to satanismmarks a point in mental evolution. It is as an informer. that I.
have. prowled around God incapable of imploring Him I have spied on Him.
Let us not. be. needlessly bitter certain failures are sometimes fruitful.
An aphorism is. something. cut off. And Consists of the elimination of its
real connections. When I utter an. aphorism. I never say why I think what
I am saying or what is the justification of what. I. am. saying..
Therefore the aphorist departs from the road of the philosopher as a.
justified. visionary. amd takes the road of the rustic oracle the country
warbler the dreamer who. the. hillfolk. found mumbling and tied up into a
tree so as to protect their flocks. The. oracle is. a kind of rogue
peripheral or a lolling hole floating through the matrix.. Thinking.
cannot. procede aphoristically. The role of the central or original
metaphor is simply. to. trigger. (the French would say declancher) the
whole set of connected metaphors that. come. mind so I can follow the
whole series of them into reality as suchness. And. as. such. Labyrinths
are different from mazes. Labyrinths are unicursal. They have one. well.
defined. path that leads us into the center and back out again. There are
no tricks to. it no. dead ends. or culdesacs no intersecting paths. The
idea of the Absolute in Hegel. The. eidos. in Plato.. The cogito in
Descartes I and my circumstance the celestial emporium of. benevolent.
recognitions.. so do the labyrinth metaphor correspond more to the
algoritmic of code. while the. maze more to the heuristic and then the
loosely backward dancing eurytmic. to. the. spiral. be continued
tomorrow.... Re culturejammers A simulated hold up. hehe du kan jo prøve
). synes det er interessant det overlapper med kunst selvfølgeligsom kan.
fungere som en immunitet for aksjonisme (Tore F vet mer om dette inbiller.
jeg meg ) uansett kunsten ikke som en beskytteet sfære i virkeligheten. men
som en simulering av den avdekkende kodene for den som er poenget. at
simulering avslører koder bedre enn virkeligheten selv (som bare er.
kjøringen av koden).. i den forbindelse har lenge hatt ideen om en open
source crime aktivitet. som kan virke paradoksal men som kan forstås som
en simulering av. kriminalitet og vil det gjøre den mer lovlig fx. som
kunst. men nå er jo nettopp kunst det mest ufarliggjørende av alt virker
det som... en simulering som ikke har NOEN effekter utenom den lille
eliten som hygger. seg med den. hvis kunsten kan kobles opp mot det
potensielt virkningsfulle. i å dekonstruerereverseresimulere kode ville
den hatt et helt annet liv. utenom institusjonen i interaksjon med levende
koder i samfunnet.. kode er et stikkord for alt dette synes jeg kode er
overalt. og jeg tenker. det samme kode er samtidig ingenting avdekkende at
virkeligheten bare er. kode meningsløs i seg selv. så kode har denne
dobbeltheten av å være alt og. ingenting. hvis du kan simulere noe så har
du bevist det konstruerte ved. tingen. og dermed har du løsrevet det fra
en fundamental tolkning som ligger til grunn. for politisk samfunnmessig
kulturell makt.. simulasjon kodeverk kodearbeid står selvfølgelig i fare
for ikke å bli. tatt alvorlig det er bare en simulasjon bare en lek tror
det er mot denne. grensen den hele tiden vil støte men akkurat det ligger
forøvrig i. kodebegrepet. selv simuleringen er samtidig uten fundament..
det medfører kanskje at skille mellom alvor og tull undergraves kodeverket
vet. ikke selv om det er alvor eller tull det er begge deler selvfølgelig
det er. det som er kode.. uansett det er interessant. ). gjelder
Baudrillard sitat om å iscenesette virkeligheten. angår folk som er
interessert i aksjoner og situasjonisme. Of the same order as the
impossibility of rediscovering an absolute level. of the real is the
impossibility of staging an illusion. Illusion is no. longer possible
because the real is no longer possible. It is the whole. political problem
of the parody of hypersimulation or offensive. simulation which is posed
here.. For example it would be interesting to see whether the repressive.
apparatus would not react more violently to a simulated hold up than to a.
real one For a real hold up only upsets the order of things the right. of
property whereas a simulated hold up interferes with the very. principle
of reality. Transgression and violence are less serious for. they only
contest the distribution of the real. Simulation is infinitely. more
dangerous since it always suggests over and above its object that. law and
order themselves might really be nothing more than a simulation.. Jean
Baudrillard Simulacra and Simulations. Culturejammers mailing list.
Culturejammerslists.copyleft.no. Culturejammers mailing list.
Culturejammerslists.copyleft.no. Daidalonics. Daidalonics. . Miniature pt
(WIP). solipsis. . blunders. noemata. . Re blunders. solipsis. . Re
Miniature pt (WIP). noemata. . Rehu solipsis. . arc.hive the MAZPIQ
language. noemata. . Re the MAZPIQ language. noemata. . Re the MAZPIQ
language. solipsis. . Re the MAZPIQ language. noemata. . Re the MAZPIQ
language. solipsis. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ
language. Alan Sondheim. . Re the MAZPIQ language. solipsis. .
daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. solipsis. . Re
daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. Lanny Quarles. . Re
daidalonicsmazpiq. noemata. . as Isis with code's Materhorn. Lanny
Quarles. . Re daidalonicsmazpiq. solipsis. . Re as Isis with code's
Materhorn. noemata. . Re as Isis with code's Materhorn. solipsis.
blunders. theres reports least here in gno. probably anywhere while
people. laundring more in antisepticomodernicomfy times things are
dirtier. than ever bacteria stains so all this washing is whitewashing.
coverups of the still dirtier what you could expect all things being.
composites compost compote why ever be clean when you can be wash. all the
time. WwV vWwV vWVw vWVw vWwV vWVw vWwV. vWwV vWVw vWVw vWwV vWVw vVwW vVwW
vVwW vVwW. vVwW vVwW vVWw vVWw vVWw vVWw vVWw vVWw vVwW. vVwW vVWw vVWw
vVwW vVWw vVwW vVwW vVWw vVWw. vVwW vVWw vwWV vwWV vwVW vwVW vwWV vwVW
vWwV. vWwV vWVw vWVw vWwV vWVw vVwW vVwW vVWw vVWw. vVwW vvVwW .vVWw .vVWw
.vVwW .vVWw. .vwWV .vwVW .vWwV .vWVw .vVwW. .vVWw .vwWV .vwWV .vwVW .vwVW.
.vwWV .vwVW .vWwV .vWwV .vWVw. .vWVw .vWwV .vWVw .vVwW .vVwW. .vVWw .vVWw
.vVwW .vVWw .vwWV. .vwVW .vWwV .vWVw .vVwW .vVWw. .vwWV .vwWV .vwWV .vwWV
.vwWV. .vwWV .vwVW .vwVW .vwVW .vwVW. .vwVW .vwVW .vwWV .vwWV .vwVW. .vwVW
.vwWV .vwVW .vwWV .vwWV. .vwVW .vwVW .vwWV .vwVW .vWwV. .vWwV .vWwV .vWwV
.vWwV .vWwV. .vWVw .vWVw .vWVw .vWVw .vWVw. .vWVw .vWwV .vWwV .vWVw .vWVw.
.vWwV .vWVw .vWwV .vWwV .vWVw. .vWVw .vWwV .vWVw .vVwW .vVwW. .vVwW .vVwW
.vVwW .vVwW .vVWw. Wc. Wc.. Wc. Wc. Wc.. Wc. Wc.. Wc. Wc. Wc.. Wc. Wc..
Wc. Wc. cW.. cW. cW.. '''. cW. cW. cW.. cW. cW.. .vWVw .vVwW. .vVWw .vwWV
.vwWV .vwWV .vwWV. .vwWV. .vwW V .vwVW .vwVW .vwVW .vwVW. .vw VW .vwVW
.vwWV .vwWV .vwVW. .vwVW .vwWV .vwVW .vwWV .vwWV. .vwVW .vwVW .vwWV .vwVW
.vWwV. vVwW vVWw vVWw vVwW vVWw vwWV vwVW vWwV vWVw. vVwW vVWw v wWV vwWV
vwVW vwVW vwWV vwVW vWwV. file under whitewash launderspeak. ME blunderen
blondren (v.) ON blunda shut one's eyes nap. cf. Norw dial. blundra. dry
cleaning. Start of forwarded message. gallerinor har shina opp. noen
høydepunkt. buksedama fra gol. mykologen Sopp (). End of forwarded
message. Re Miniature pt (WIP). A Cosmetics Desk which farmers visit
facepowder pushed around by. snowplows snowcows... Our anchor bleeding ink
much like a wobbling carcassbladder we set sail. for stationary positions a
traintrack laid down through the sea... YLo an Oxygen Truck wearing dark
sunglasses driven by a ghost nice. metal work in the hood.. This kiosk has
its ectoplasm turned off but you half expect it have some. old corpse
swinging on it or maybe its strictly phallic but in a polite. if
monumental way sort of artdeco with pubic hair tumbleweed quadrangle.
corners... This is my home where I burn the tons of lambswool a year and
these are. my neighbors of the same disease also lambswool burning folk...
Now the upper destruction and the lower destruction both seem little more.
than a jumble of letters and they resonate with each other in their.
specific form but are quite unreadable... One of the children in the
window has somehow been made grotesque is it a. kind of gothic ethereal
chador or has her face been blown off in some. forgotten future... Nordisk
MMM An alchemist's convention Milsch is produced from a great. woven basket
the men carress each other and gasoline pours from their. nostrils the eye
of the whale in the ceiling... Hold on Ekmund you've got a Starfish caught
under this strap... Gigi. straighten his gasket... Well said I think they
do. arc.hive the MAZPIQ language. the MAZPIQ language. atom MAZPIQ system.





189


MAZPIQ morphology graphs. Each mannequinchild node is recursively
expandable into atoms. andor graphs.. MAZPIQ text samples. the term
temporality refers to lived time. Child enters a preguntar.. Nos dan la
possibilit de los guardianes hros sportifs top modles. Ils le milieu et
vous avez amlior notre pass et l'poque. Question is to which we encode our
world. ontological. Ontological Question is the mental languages of the
writers and once this. exists if there are Secrets of belief) and the
module generates aren't. Defends the pupils against his own image. And our
life.. True nature or entities of a se mantiene joven. Hence Fnord. Give
the term that the random neighbor the more timeconsuming.. We are expected
to a text as a good coder teach us xuriosity and. ecperienced through the
random neighbor the process of artists such as. they cometh. They appear
to us systematically communicates something you. are the practise of the
possibility of signs and their minutes of the. Crisis of emulating. Be. A
redeeming and the world. Find your future as his last of the. student the
text a hundred harvests. Si es la educacin no hay palabra. en el milagro
es a man to question is in his own personal influence.. Find your future
s. il. t. Warning parsing error at line in mazpiq.php. Got from one who
really shape our life. Notre vie. Tenemos. muchos. We need to insist on
the effect of things themselves. Thank you can be produced constantly anew
by preconceptions and. experienced space time body which move appropriately
with the. phantom sensations which they give us curiosity and the notion
that. I don't. arc.hive mailing list. arc.hivelm.va.com.au. Re the MAZPIQ
language. thanks for liking it she it's an imaginary of fusing maze
properties. with language constructs into typography. heuristic is a good
word. experimental and seeking what if the heuristics were closer to the.
inner workings of mazpiq and generating meaning by walking the maze.
literally maybe you'd need an ariadne scattering corn flakes in the.
tracks but maybe it wouldn't help the minotaur would just eat them and.
theseus would still be lost. i thought about the stars as entrances into.
other labyrints (they are expandable) like extra dimensional (to the d.
mail) and you'd have warp holes at the star junctions with fingerprint.
identification your fingerprint being a map of the maze so all this. is
actually you your identity like a borges story and the minotaur is. your
self and you should try to kill it that is get it's meaning but. we'll
maybe need the corn flakes to get out alive after that.. best nymo. whew
fascinating and gorgeous and heuristic Sheila. the MAZPIQ language. Re the
MAZPIQ language. am like your drooling exegesis also lapses the mirrors and
miniatyr. minotaur inside in the maze fingerprint maize which are code.
mirrors holographical fractal of the same drool like the drift in.
situationism not to forget the clinamen drift of the ancient and.
'pataphysics. it should have some relation to codework this stuff.
codework and drift. another thing what was the function of the ancient
mazes like the. crete labyrinth by daedalus some initiation rite 'heroic'
myth how. does it relate to codework has it some mythological dimensions
which. also seep into the pop notions of hackerism and the like and the
magico. alchemist tradition with its frauds and incubators the travesty
also. fitting into this travestir to disguise to clothe come in different.
guises some relation to traverse which would be the maze thing. again the
maze is the execution of code or of being inside the code. traversing it
travestiring it... the desert is another labyrinth without walls.. borges.
heuristicalgorithmiceurythmics drift code dance .. their. relationships
.......... something steps navigation unfolding. heuristic and algorithmic
within the life of the organism that. oscillation between intuition and
rule the fuzzy code of navigation... Forwarded message from verena theile.
From verena theile. ReplyTo verena theile. Subject CFP Magic and the Occult
in the Renaissance ( MMLA. ). To cfpenglish.upenn.edu. Call for Papers for
th Annual MMLA Convention in St. Louis Missouri. (November ). Special
Topic Session. Magicians Jugglers Swindlers Representations of Magic
Natural. Philosophy and the Occult in Renaissance Literature. Proposals
are invited dealing with all aspects of representations of the. occult in
Renaissance literature andor philosophy. Submissions. discussing the
relationship between religion science medicine and the. performing arts
are all welcome. Questions to keep in mind include. Who's doing the magic
To what purpose And who's the audience What. kind of magic is being
practicedperformed How would you define magic. in this context. End
forwarded message. daidalonicsmazpiq. a joy to read i can only ponder upon
this dance of knowledge and give my. daidalas in the tongue of mazpiq
(mazespeak mazepic epic). some correlation. between langue and tongue the
structural system (daidalonics) and the spoken. word (mazpiq).d eidolon
are the head and body of the maze the minotaur and. the maze interweaved
no minotaur no maze. mazpiq is also composed of this. headbody
processresidue thing are they inverted or as languetongue. want. write
more digesting thru your foodslabs in here your reader bm.. Re
daidalonicsmazpiq. soliptic. IO in its dreaming core respeaks the
labyrinth as a kind of return of the. daidala (curious work).. or in
mythopoiesis the line and the circle... Io is turned into a cow by Zeus
the cowork of codework orks of. codelaboration. first en Egypt she resumed
her shape then as Isis with code's horn.. Modulation of IO d or p the pi
relation between line and circle from. periphery external surface of a
body transcendentalnumber anyway a binary. processing creating the body
and endless tail string eidolon the maze as. image. of the snake (by IO
dpi dots per inch resolution).. the snake swallowing its prey or perhaps
the worldsnake as 'string'. 'swallowing' the world... Pregnancy and bolus
yoni lingam yakety unch living lingam in the yoni and. the androgyne. Both
symbols contain the paradox within themselves and provide a. resolution.
Lingam Sanskrit literary 'mark' or 'sign' is there a. connection between
'sign' and 'seed' (seme and semen) via sema seme. sememe semiological
adj.Gk semeion sign f. sema mark seminal symbolic. inseminal pregnancy
pregnant expression. this swallowing of the world is in fact presented as
inverse image. how is that you mean containing itself like d in
daidalonics or G in GNU. (GNU's not UNIX (not UNIX (not UNIX))) the head
generating part car and. cdr. of lisp plotted into itself as something
else disguised as minotaur. mythical Loki created three monsters disguises
of creationdestruction. Fenri. Hel Midgard (the serpent embracing the
world) Hel is a kind of eternal. labyrinth home of the dead Fenri wolf
finally swallows the earth begin. loop end.. at any rate the string hasn't
swallowed the world the world exists in the. string distributed networks
etc dna code.. so the product is encoded in. the. world (which is about to
digorge a 'world'). like d is the executing code the head of the monster
creating the world as. string or as 'world' when decapitated leaving
eidolon as image world. apparition. Yme the human monster is killed to
make the world blood bones brains etc.. The term daidala is rich with
associations. In Hesiod's Theogony. Pandora's veil is 'a wonder to behold'
thauma idesthai as is her. gold crown on which is 'much curious work'
daidala polla. codework as curious work curious careful inquisitive cure
corresponding. algorithmic heuristic eurythmic the three monsters of code
all touched. upon earlier algorithmic the careful code heuristic the
searching erratic. eurythmic (dance movement) the coding by uncoding
walking backwards. retracing the steps (like the psychoterapeutics of
thinking discussed earlier).. They correlate somewhat to science
technology art.. choros is 'a lovely dance'. But daidala also means
'cunning skill' as when Hera dawns the cosmos in the. Illiad to seduce
Zeus... She did Io was Zeus' mistress maybe his cow placed under
surveillance by. Hera. Is codework IO then also the mistress of the world
its unfolding. desire code. She clothes herself in kosmon.. or 'peri chroi
kosmon echousa' having kosmon. about her body... Daidala both the cunning
skill (curious) and image (work) disguise (Hera) and. undressing (Io)..
Daedalus went to Knossos in Crete where he took up residence in. the court
of King Minos.. There he built a mechanical cow which queen. Pasiphae hid
herself in so as to have sex with a bull which she was. lusting for.. this
union by means of a prosthetic bovine produced. the minotaur.. to hide the
shame of this freak child of the queen's. perversion daedalus built the
labyrinth... Aha. daedalus built a dancefloor a choros which is both. the
dance and the dancefloor then ariadne and theseus fled. to the sacred isle
of delos the birthplace of apollo and performed a dance. which was
cryptically called the 'crane dance'... I'd wish them good luck but
Theseus deserted her and she married Dionysos. right. the myth is really
about making and remaking about appearing and. reappearing... well
codework is remaking daidalonics is curious reworkings 'shame and.
mutation'. the labyrinth is also a modulation between the two notions of
boundless and. deadend and conceals the relationship between the terms
apeiron and aporia... is it a symbol of 'code' (and sign) like there is no
end to code and then. nothing in it maybe as mutation (apeiron) and shame
(aporia) everything and. nothing codesign as deidolon the world is a shame
(closed system) from. the. co'd's mutations (open system) the minotaur is
upholding the labyrinth (by. being inside it) while the theseusariadne
business (external) is the shame. deadend world part.. Symmetry in the
manufacturing world is something which really isnt that. important. What's
important is falling into a set tolerance range across an. individual
wafer.. there really isn't an aesthetic present other than time. saving
schema based on experience for adjustments... The heuristics of labyrinths
vs algorithmic eurythmic which are symmetry and. aesthetics in some way
(like science and art while technology is hack).. a joy to read i can only
ponder upon this dance of knowledge and give my. daidalas in the tongue of
mazpiq (mazespeak mazepic epic). some. correlation. between langue and
tongue the structural system (daidalonics) and the spoken. word (mazpiq).d
eidolon are the head and body of the maze the minotaur and. the maze
interweaved no minotaur no maze. mazpiq is also composed of this. headbody
processresidue thing are they inverted or as languetongue.. want. to write
more digesting thru your foodslabs in here. concering mazpiq maybe just
another level. d eidolon. maze speakpicepic. so the eidolonmaze is a janus
twoface being both the phantom of 'd' and. the structuring of the epic the
speak. and the inversion which is symbolic. that d is 'like' speakpicepic
remaking of the world creation myths. etc via the eidolonmaze as code is
represented inside like the. minotaur. is inside the maze also in the epic
as a representation of its creation. (automorphism automythopoiesis).. Re
daidalonicsmazpiq. This is pure. crapulence. Mush. process. wish you good
luck boddhi. the three code Gorgonheads of daidalonics codework maybe most
promising. algo heuri eury. sci tech art.
mazecorncrapulytichomeofcodeflakesfingerpinsverywhere needs its heuri
eurystics. algorythmics the walking the maze theme seeking dancing
backwards. Re as Isis with code's Materhorn. the cowork of codework orks
of codelaboration. then as Isis with code's Materhorn.. As a sense the
codelabiaorations. of the palinpcesticle manifoldings of the.
multirealational corpuscallovumsumtext of massociational.
collideorscoptical narrativizations (myth). performs a similiar
reinscription of transculptural polyvalences of. the kaleidostructural
iconism of the umwelt of chorochrostic. argusasepisteme
(dancebodyasepistemeofdelimited seeing). of the instrumentality of the
blind fate of granular aggregates of the.
quantumpolydeterminantactuationfoam codework as being being codework. as
nonbeing and the modulus of difference as the speciation of. determinant
operands which is the becomingimpetus of systemic. modulation. The real is
an affect of code as code is the affect of. reality. Codework speaks from a
manifold which feeds all cultural. disciplines and critiques from a
position. which resembles an approach to the unification of discrete
series. though it must like a parasite access its own structure as a.
parasitical otherness. The Universal Informatic apparatus is an.
ergofluidic betweenness a liminal agency of emergence as cyBorge'.
assemblemantics the chimerancipation of babelsolute polluxoproduction..
Well said Maybe they are ( m). It's a nutty choke do you have a crack Aha
this IS the crack I see. no wonder codework is in fact the crack and why
it looks so curious. just making a README here for myself at sea level
still with mountain. vegetation by latidude. the codelabiaorations code
lips tongue pray work. palinpcesticle shame incest mutation palim rewrite.
multirealational relate refer real. corpuscallovumsumtext of massociational
collideorscoptical. narrativizations (myth) charges of. etcetc.. all the
of's are tentacles and snaky multiheads. codework reinscribes the myth...
..the blind world. eurythmics and heuristics chorochrostic argusasepisteme
(dancebody. asepistemeofdelimited seeing).
quantumpolydeterminantactuationfoam codework as being being codework. as
nonbeing all and nothing at all the world devastus and waste. 'The real is
an affect of code as code is the affect of. reality' thinking about the
interrelatedness in general relativity. mass shapes space and space shape
movement (of mass). eehh so the. monstrous shapes the maze which shapes
the movements of the monstrous. in other words the monstrous is inscribed
into the (blind) dance.. 'Codework .like a parasite access its own
structure as a. parasitical otherness.' it's double or it amounts to
nothing... 'The Universal Informatic apparatus is an ergofluidic
betweenness a. liminal agency of emergence as cyBorge' assemblemantics
the. chimerancipation of babelsolute polluxoproduction'. good gemini the
curious workings shadowboxing spiral arms it's a. nice thing to have skin.
dark matter dark energy our visible. matterhorn only skin our largest organ
skein our work.. let's see. codework inscribes the myth heuristiceurythmic
onto the world as its. creation (codework). (blunt version). ( is the
automorphism inherent in all containing their (symbol of). creation their
source code and reversing from object code their. construction and
deconstruction). Code and its Double (cont'd). Code and its Double
(cont'd). codework in relation to brain asymmetry and neuropsychology. The
results of studies of nonhuman species show that lateral. asymmetry is a
property not unique to humans. The demonstration of. asymmetry in nonhuman
brains implies that asymmetry in the human. brain is directly related
neither to handedness nor to language but. rather to analysis of sensory
information and control of movement.. Comment Asymmetry is at the code
level processing information in. double modi.. Brain asymmetry summary
From these basic ideas about distinct. functions of the two hemispheres
has arisen the idea that the. hemispheres represent two distinct modes of
cognitive processing (see. Springer and Deutch).The left hemisphere
operates in a more. logicalanalyticalcomputerlike fashionanalyzing stimuli
input. sequentially and abstracting the relevant details to which it
attaches. verbal labels.The right hemisphere is primarily a
synthesizermore. concerned with the overall stimulus configurationand
organizes and. processes information as gestaltsor wholes.. Comment Brain
asymmetry correlations to codework jot version. Left hemisphere time
analysis language symbol code text. instruction execution...... Right
hemisphere space synthesis matter data ambience. context surface code
diffusion...... Laterality leads to the notion that two different minds
control our. behavior.. Comment Which doesn't mean they can be separated.
Code's double are. the twofold of information processing time and
spacebased which. correlates to code as languageformatives and code as
matterform. or again as instruction and data in the interpreting machine..
The left hemisphere plays a special role in producing and. understanding
language.. whereas the right hemisphere specializes in. perceiving and
synthesizing nonverbal information... Comment Code and its double as text
and context or as other. traditional dichotomies activepassive lightshadow
orderchaos. the onethe other intelligencemonster etc. which is also
reflected. in the traditional meaning of sinister as left ie.
righthemisphere.. Stimulation can produce what Penfield called
interpretive and. experiential responses.These uncommon but often highly
reliable. phenomena include alterations in the interpretation of the
patients. surroundingssuch as deja vufearand dreaming states and the.
reproduction of visual or auditory aspects of specific earlier.
experiences.That patients report specific memories in response to.
specific stimulation. These phenomena usually arise from tissue. showing
epileptogenic dischargebut there is an asymmetry in their.
occurrencestimulation of the right temporal lobe produces these. phenomena
more frequently than does stimulation of the left temporal. lobewhich
suggests that the right hemisphere has perceptual functions. not shared by
the left.. The Kimura experiments imply that the left hemisphere is
specialized. for processing languagerelated soundswhereas the right
hemisphere. processes musicrelated sounds.There ishoweveranother.
interpretation.It is possible that the asymmetry is related to the.
temporal or spectral structure of the sounds their rhythm and. frequency
rather than to language and music themselves.Considerfor. examplethe
finding by Papcun and colleagues. They showed that. Morsecode operators
have a rightear superiority for the perception. of the codeeven though the
sounds are distinguished only by their. temporal structure.. Comment The
temporal is on the code source side of running code. executables
performatives which refracts into space code matter. spectrum specters.
There's no fundamental difference like instruction. is also data but of
interpretation processing speed frequencies. and like the continuum of
spacetime.. Rudel and coworkers found that both blind and sighted subjects
read. Braille more rapidly with the left hand.Some children are actually.
fluent readers with the left hand but are totally unable to read with. the
right.Because Braille patterns are spatial configurations of dots. this
observation is congruent with the proposal that the right. hemisphere has
a role in processing spatial information that is not. shared by the left..
Comment Code and its double ar both active both coded though the. former
often is interpreted as instruction and the latter as data. or light and
shadow.. Table. Summary of data on cerebral lateralization. Function Left
hemisphere Right hemisphere. Visual system Letters words Complex geometric
patterns. Faces. Auditory system Languagerelated Nonlanguage environmental
sound. sound Music. Somatosensory Tactile recognition of complex. system
patterns Braille. Movement Complex voluntary Movements in spatial
patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech
Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of
direction. Mental rotation of shapes. Several authors (for
exampleEfron)have suggested that it is not. motor control itself that is
located in the left hemisphere but rather. the capacity for the fine
resolution of stimuli in time.. Comment Which is again to state code's
inseparability in spacetime. as speed and matter running code and output..
Zatorre proposed that the auditory cortices in the two. hemispheres are
therefore specialized such that temporal resolution is. better in the left
and spectral resolution is better in the right. auditory areas.. Comment Or
again like the theater and its double as time and spectrum.. Rather than
specifying different processing of specified. psychological processesother
specialization models focus on the. idea that the two hemispheres might
process information in distinctly. different ways.. Comment Which is
basically code and its double.. The first clear proposal of different
information processing was. made by Josephine Semmes in .On the basis of
the results of her. previous studies of World War II veterans suffering
from penetrating. brain injuriesSemmes concluded that the left hemisphere
functions as. a collection of focalized regionswhereas the right
hemisphere. functions more diffusely.. Comment No comment.. A large lesion
of the right hemisphere produces many more. deficits than would be
predicted from the total of smaller lesions. because an entire functional
field is removed.A large lesion of the. left hemisphere produces many
deficits simply because many small focal. regions have been destroyed that
isin the left hemisphere the total. is equal to the sum of the parts.
Semmes proposed that this. differential organization of the two
hemispheres is advantageous for. efficient control of their respective
functions.The diffuse. organization of the right hemisphere is seen as
advantageous for. spatial abilitiesbecause spatial analysis requires that
different. sensations (visualauditory tactile)be integrated into a single.
percept.Language functionsin contrastremain discrete individual. units in
the left hemisphere.. Comment Code and its double creates and maintains
different domains. different magnitudes and spectrums of frequencies..
People use the word sinister as a synonym for wicked or. evil.Originally a
Latin word meaning lefthand sideour contemporary. English meaning implies
that lefthandedness has been historically. viewed at best as strange or
unusual.. Comment Which is to say that code's double has its own
intelligence. far from being dead output from executions.. At least six
significant behavioral differences are sex. relatedverbal ability
visuospatial analysismathematical. abilityperceptionmotor skillsand
aggression.Although the precise. causes of cognitive sexrelated
differences are unknownbiology likely. plays a part.Consider the following
dataRichard Harshman and his. associatesin a very ambitious study of the
interaction of sex and. handedness in cognitive abilitiesfound a
significant interaction. between sex and handednessthat issexrelated
differences in verbal. and visuospatial behavior vary as a function of
handedness.(Recall. that Witelson found that callosal size also varies by
sex and. handedness.)It is difficult to imagine how biological or
environmental. factors alone could account for this result.It is thus very
plausible. account for sexrelated differences partly by neurological.
factors that may be modulated by the environment.. Comment Introducing
gender issues in codework.. In an analysis of reading skillsDennis and her
coworkers found that. both hemispheres had almost equal ability in
higherorder reading. comprehension howeverthe left hemisphere is superior
to the right in. reading and spelling unfamiliar words and in using
sentence structure. achieve fluent reading. The left hemisphere also reads
prose. passages with greater decoding accuracy more fluencyand fewer
errors. that violate the semantic and syntactic struc ture of the.
sentence.The superiority of the left hemisphere seems to be its. ability
to manipulate and exploit language rules.Yet the right. hemisphere is not
without its strengths in language.Performance is. better with the right
hemisphere in a task that requires learning an. association between
nonsense words and symbols.. Comment Parsing and (re)integration of code
code working on code. as instruction or data data as instruction or
instruction as data.. In summarizing the results of studies on
languageDennis suggests. that if written language structure is thought of
as a combination of. meaning cues (morphology)sound cues (phonology)and
picture cues. (logography) then the isolated left hemisphere will show
superior. performance with morphology and phonology and inferior
performance. with logographic cues.The isolated right hemisphere will show
superior. performance with logographic cues and inferior performance with.
morphological and phonological cues. Kohn and Dennis found an almost.
analogous pattern of results on tests of visuospatial function.They.
observed thatalthough patients with right hemispherectomies. performed
normally on simple tests of visuospatial functions such as. drawingthey
were significantly impaired on complex tests such as. negotiating a maze
and reading a map.. Comment The time of code and space of its double.. To
summarizeeach hemisphere can assume some of its opposite s. functions if
the opposite hemisphere is removed in he course of. development but
neither hemisphere is totally capable of mediating. all of the missing
hemispheres functions.Thusalthough the. developing brain gives evidence of
considerable plasticitythere is. convincing evidence against
equipotentiality both hemispheres appear. have a processing capacity that
probably has an innate structural. basis.. Comment Which is to state
code's doubleness the interweaving of. different processing interpreted
instruction or data for each other.. All models of cerebral development
must answer he question of how. functions become restricted to one
hemisphere rather than becoming. bilateral. The interactive
paralleldevelopment hypothesis answers. that question. In a series of
papersMorris Moscovitch emphasized the. possibility that one hemisphere
actively inhibits the otherthus. preventing the contralateral hemisphere
from developing similar. functions. This active inhibition presumably
develops at about age. as the corpus callosum becomes functional. as
inhibitor. Comment In regard to codework the corpus callosum is the
mediator. and inhibitor of code from its double and occupies the border
between. sense and surface time and space source code and code source
speed. and matter and assures their workings by inhibiting selfreference.
(code as nothing) and decoding (of the double) producing meaning and.
remains.. From Fundamentals of Human Neuropsychology Fifth Edition.. Bryan
Kolb and Ian Q. Whishaw Univ. of Lethbridge Alberta .. Cerebral asymmetry.
Variations in cerebral asymmetry. CEREBRAL ASYMMETRY. A striking feature
of the organization of the human brain is that. the two hemispheres of the
human brain are anatomically and. functionally asymmetrical.The asymmetries
in structure are visible. not only in an overall view but also at the level
of the morphology of. the individual neuronand the asymme tries in function
exist not only. in neurological patients but also in the normal
brain.Although there. is little disagreement about the facts of asymmetry
in the human. brainthere is considerable disagreement about why the two
hemi. spheres are asymmetrical and about what the asymmetry means in
regard. how we humans process information.. Laterality leads to the notion
that two different minds control our. behavior.. The left hemisphere plays
a special role in producing and. understanding language.. whereas the
right hemisphere specializes in. perceiving and synthesizing nonverbal
information... Overallanatomical asymmetries center on the language
areasand it. is tempting to speculate that they evolved to subserve.
language.Moreoverthese asymmetries are present in preterm. infantswhich
seems to support the proposition that language is innate. in humans.. With
all the emphasis on finding anatomical asymmetries that can be. asso ciated
with languageresearch on righthemisphere function has. lagged.If the left
hemisphere has asymmetries related to languagethen. the right hemi sphere
must have specialized for some other. function.After allthe two hemi
spheres are quite similar in size and. other symmetriesit is not as though
language areas evolved on the. left and nothing happened on the right..
Stimulation can produce what Penfield called interpretive and.
experiential responses.These uncommon but often highly reliable. phenomena
include alterations in the interpretation of the patient s.
surroundingssuch as deja vufearand dreaming states and the. reproduction
of visual or auditory aspects of specific earlier. experiences.That
patients report specific memories in response to. specific stimulation.
These phenomena usually arise from tissue. showing epileptogenic
dischargebut there is an asymmetry in their. occurrencestimulation of the
right temporal lobe produces these. phenomena more frequently than does
stimulation of the left temporal. lobewhich suggests that the right
hemisphere has perceptual functions. not shared by the left.. Disruption
of speech is a welldocumented effect of stimulation of. the left
hemispherebut only recently has stimulation of the right. hemisphere been
shown to disrupt behavior.Ojemann and his colleagues. reported that
stimulation of the right hemisphere disrupts judgments. of line
orientationlabeling of facial expressionsand shortterm. memory for faces..
Although language is usually located in the left hemispherein a. small
percent age of peoplemost of them lefthandedlanguage is. represented in
the right hemisphere.. The auditory system is not as completely crossed as
the. visualbecause both hemi spheres receive projections from each ear..
Tests Showing a RightEar Advantage Digits Words Nonsense. syllables
Formant transitions Backward speech Morse code Difficult. rhythms Tone
used in linguistic decisions Tonal sequences with. frequency transitions
Ordering temporal information Movementrelated. tonal signals. Tests
Showing a LeftEar Advantage Melodies Musical chords. Environmental sounds
Emotional sounds and hummed melodies Tones. processed independently
Complex pitch perception. The Kimura experiments imply that the left
hemisphere is specialized. for processing languagerelated soundswhereas
the right hemisphere. processes musicrelated sounds.There
ishoweveranother. interpretation.It is possible that the asymmetry is
related to the. temporal or spectral structure of the sounds their rhythm
and. frequency rather than to language and music themselves.Considerfor.
examplethe finding by Papcun and colleagues. They showed that. Morsecode
operators have a rightear superiority for the perception. of the codeeven
though the sounds are distinguished only by their. temporal structure..
Rudel and coworkers found that both blind and sighted subjects read.
Braille more rapidly with the left hand.Some children are actually. fluent
readers with the left hand but are totally unable to read with. the
right.Because Braille patterns are spatial configurations of dots. this
observation is congruent with the proposal that the right. hemisphere has
a role in processing spatial information that is not. shared by the left..
Candace Gibson and Phil Bryden presented subjects with cutouts of.
irregular shapes or letters made of sandpaperwhich were moved slowly.
across the fingertips.Their subjects showed a righthand advan tage. for
identifying letters and a lefthand advantage for denti fying. other
shapes.. The right side of the mouth opens wider and more quickly than
the. left for both verbal and nonverbal tasks.Goodale s observations.
support the idea that the left hemisphere has a special role in the.
selectionprogramming and production of verbal and nonverbal oral.
movements. Is there an analogous role for the right hemisphereIndeed.
there is. Considerable evidence shows that the left side of the face.
displays emo tions more strongly than the right sideand Goodale. showed
that the onset of facial expressions occurs sooner on the left. side of
the face.. What Is Lateralized It is tempting to conclude that the
functional. asymmetries described thus far indicate a fundamental
difference in. the basic cognitive processes of the left and right
cerebral. hemispheres. Howeverbefore turning to this matterwe will
consider a. summary of the databecause any theoretical statements are
best. considered in light of available information. Table below
summarizes. the major data on cerebral lateralization and illustrates the
range of. functions lateralized principally n the left and right
hemispheres.In. righthanded peoplethe left hemisphere has a greater role
in language. and in the control of complex voluntary movements than does
the. right hemisphereand the right hemisphere has a greater role in the.
control of certain visuospatial and nonverbal abilities.. Table. Summary
of data on cerebral lateralization. Function Left hemisphere Right
hemisphere. Visual system Letters words Complex geometric patterns. Faces.
Auditory system Languagerelated Nonlanguage environmental sound. sound
Music. Somatosensory Tactile recognition of complex. system patterns
Braille. Movement Complex voluntary Movements in spatial patterns.
movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody.
Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of
direction. Mental rotation of shapes. A truly enormous number of proposals
have been made on what is. lateral ized in the brain (see Allen for a
readable summary).At the. broadest level these theories fall into two
groupsspecialization. theories propose unique functions for each
hemisphereand interaction. theories propose cooperation between the two
hemispheres.. Several authors (for exampleEfron)have suggested that it is
not. motor control itself that is located in the left hemisphere but
rather. the capacity for the fine resolution of stimuli in time.In other.
wordsbecause the analysis and production of speech require fine.
discrimination over very short intervalsthe left hemisphere might be.
specialized for temporal sequencing (organizing be havior or. information
or both over time).Elaborations of this idea have stressed. the capacity
of the left hemisphere to make fine discriminations in. timewhether or not
the stimuli are verbal (seefor. exampleSergent).Recall the study of
Morsecode operators discussed. earlierthere is a lefthemisphere advantage
even though the code is. not verbal it is a temporal sequence. Zatorre and
his colleagues. expanded the Efron timing idea by emphasizing that speech
and musical. sounds exploit different acoustical cuesspeech is highly
dependent on. rapidly changing broadband soundswhereas tonal pat terns of
music. tend to be sloweralthough small and precise changes in fre quency.
are important.Zatorre proposed that the auditory cortices in the two.
hemispheres are therefore specialized such that temporal resolution is.
better in the left and spectral resolution is better in the right.
auditory areas.. Rather than specifying different processing of specified.
psychological processesother specialization models focus on the. idea that
the two hemispheres might process information in distinctly. different
ways.. The first clear proposal of different information processing was.
made by Josephine Semmes in .On the basis of the results of her. previous
studies of World War II veterans suffering from penetrating. brain
injuriesSemmes concluded that the left hemisphere functions as. a
collection of focalized regionswhereas the right hemisphere. functions
more diffusely. To account for these differencesSemmes. argued that a
person with a small lesion in the right hemisphere. exhibits no
deficitsbecause specific functions are not localized in. discrete regions
in the right hemispherethe functions being diffusely. represented.A large
lesion of the right hemisphere produces many more. deficits than would be
predicted from the total of smaller lesions. because an entire functional
field is removed.A large lesion of the. left hemisphere produces many
deficits simply because many small focal. regions have been destroyed that
isin the left hemisphere the total. is equal to the sum of the parts.
Semmes proposed that this. differential organization of the two
hemispheres is advantageous for. efficient control of their respective
functions.The diffuse. organization of the right hemisphere is seen as
advantageous for. spatial abili tiesbecause spatial analysis requires that
different. sensations (visualauditory tactile)be integrated into a single.
percept.Language functionsin contrastre main discrete individual. units in
the left hemisphere.. From these basic ideas about distinct functions of
the two. hemispheres has arisen the idea that the hemispheres represent
two. distinct modes of cognitive processing (see Springer and Deutch).The.
left hemisphere operates in a more logicalanalyticalcomputerlike.
fashionanalyzing stimuli input sequentially and abstracting the. relevant
details to which it attaches verbal labels.The right. hemisphere is
primarily a synthesizermore concerned with the overall. stimulus
configurationand organizes and processes information as. gestaltsor
wholes.. Preferred cognitive mode refers to the use of one thought process
in. preference to another.At one extremepeople who are.
logicalanalyticaland verbal are assumed to rely more on their left. hemi
spheres to solve problems n everyday lifewhereas people who are. visualin
tuitiveand tend to look at the big picture are assumed to. rely more on
their right hemispheres.Consider an examplealbeit a. tongueincheek one.
Two professorsAlpha and Betaare both excellent. scholarsbut they work and
think in totally different ways. Alpha is. meticulous and leaves no detail
to chancewhen learning new ma. terialhe masters every detail and has total
command of the. topic.Alpha is ver bal and easily wins debates with his
quick. thinking and elegant arguments.His writing is clear and
concisewith. flawless grammar and spelling.Alpha is athletic and is a
nationally. ranked tennis player.Curiouslyhe is only mediocre at other
sportsbut. with prolonged practice he is able to master them.Alpha s
office is. neat and tidywith every item carefully placed in its correct.
location. On his desk is the project on which he is currently working. and
nothing else. Beta appears to be messy and disorganized compared. with
Alpha and has poor recall for details.He grasps the heart of an. idea
quicklyhoweverand can tie diverse concepts into a meaningful.
picture.Communicating his thinking poses Beta a challengehoweverfor. he
has difficulty expressing his ideas in words.Like AlphaBeta is.
athleticbut Beta acquires the general motor skills of new sports.
rapidlyalthough he has never been able to become a top participant in. any
event.In contrast with Alphawho works on only one project at a. time Beta
works on several projects concurrentlyleading to piles of. papers and
books in his work spaceunlike Alpha s meticulous desk. In. both the
cognitive and the motor skills of Alpha and Beta is a basic. dif ference
that is assumed to correspond to a fundamental difference. either in brain
organization or in the dominance of one hemisphere. over the other. Alpha
and Beta represent extreme lefthemisphere and. righthemisphere peo
plerespectively.The fundamental difference. between them is their
preferred cognitive mode.Alpha is. analyticallogicalverbaland
meticulouswhereas Beta is a synthesizer. more concerned with organizing
concepts and visualizing meaningful. wholes. As intriguing as the Alpha
and Beta analysis might bewe. caution that it is pure speculationwithout
empirical basis.Factors. other than brain organiza tion probably
contribute to preferred. cognitive mode.. In an examination in our
undergraduate course in human neu. ropsychologywe askedIn what ways is the
human brain symmetrical. Thinking it to be a trick questiona majority of
the students. answeredIt isn t symmetricalit s asymmetrical.This answer
is. wrongbecause many functions especially of the primary sensory and.
motor areas appear to be identical on the two sides of the brain..
VARIATIONS IN CEREBRAL ASYMMETRY. People use the word sinister as a
synonym for wicked or. evil.Originally a Latin word meaning lefthand
sideour contemporary. English meaning implies that lefthandedness has been
historically. viewed at best as strange or unusual.. Summary of handedness
in performing various tasks. Left Either Right. Task () () (). Dealing
cards . . .. Unscrewing jar . . .. Shoveling . . .. Sweeping . . ..
Writing . . .. Striking match . . .. Throwing ball . . .. Hammering . . ..
Using toothbrush . . .. Using racket . . .. Using scissors . . .. Although
the belief that cognitive functions are more bilaterally. organized in
lefthanders than in righthanders is widespread in the. neurological
literature little evidence exists for this. generalization.. There is a
larger incidence of lefthandedness among mentally. defective children and
children with various neurological disorders. than is found in the general
population.This finding is not. surprisingbecauseif the dominant hemisphere
is injured at an early. agehandedness and dominance can move under the
control of what would. normally be the nondominant hemisphere.Because
there are so many more. normally be the nondominant hemisphere.Because
there are so many more




190


righthanded childrenit can be expected by probability alone that. more
right handed children with lefthemisphere damage would switch.
righthemisphere dominance than would switch in he reverse. direction.That
such switching can take placehowevercannot be used as. grounds for
predicting cognitive deficits or differences in cerebral. organization in
the general population of lefthanders.. High estrogen levels are
associated with relatively depressed. spatial ability as well as enhanced
articulatory and motor capability.. Kimura showed that men s spatial
scores fluctuate with testosterone. levelsmen with lower testosterone
levels get the highest scores.So. there appears to be an optimal level of
testosteroneand increasing. the level is actually detrimental to cognitive
performance.. Furthermoremen with lower average levels of testosterone do
better. on both spatial tests and on mathematical reasoning tests than do.
those with higher levels.A reasonable question is whether there is. also a
relation be tween testosterone level and spatial ability in. women.There
is.Women with higher levels do betteragain suggesting. that some optimal
hormone level benefits at least some cognitive. activities.. As already
mentionedthe difference in strategies used by men and. women to solve
problems may be at least partly responsible for the. observed sex differ
ences in behavior.Geneticmaturationaland. environmental factors may pre
dispose men and women to prefer. different modes of cognitive analysis.
Women solve problems primarily. by using a verbal modefor example. Because
this cognitive mode is. less efficient in solving spatial problemswomen
exhibit an apparent. deficiton average.By the same logicwomen should do
better than men. at primarily verbal taskson average.This proposition has
yet to be. thoroughly investigated.. At least six significant behavioral
differences are sex. relatedverbal ability visuospatial
analysismathematical. abilityperceptionmotor skillsand aggression.Although
the precise. causes of cognitive sexrelated differences are unknownbiology
likely. plays a part.Consider the following dataRichard Harshman and his.
associatesin a very ambitious study of the interaction of sex and.
handedness in cognitive abilitiesfound a significant interaction. between
sex and handednessthat issexrelated differences in verbal. and
visuospatial behavior vary as a function of handedness.(Recall. that
Witelson found that callosal size also varies by sex and. handedness.)It
is difficult to imagine how biological or environmental. factors alone
could account for this result.It is thus very plausible. account for
sexrelated differences partly by neurological. factors that may be
modulated by the environment.. Most studies of cultural differences center
on language.Asian. languages such as Japanese and Chinese might promote
more. righthemisphere involvement than European languagesbecause the
Asian. languages appear to have more prosody (or song).Those who speak two
or. more languages may develop a different pattern of language.
organization from that of those who speak only one. The results of.
laterality studies lend some support to the idea that Asian and Native.
American languages may be represented more bilaterally in the brain.
thanfor exampleSpanish.. The Japanese writing system provides an unusual
opportunity for. studying cerebral organization becauseunlike IndoEuropean
writingit. consists of two types of symbolsphonograms (kana)and ideograms.
(kanji).Phonograms are analogous to English letterseach phonogram.
represents a spoken sound. In contrastthe ideogram represents a unit. of
meaningwhich may corre spond to a word or words.In readingthe. brain may
process these two types of characters. differentlyfurthermorethe right
hemisphere might process kanji while. the left hemisphere processes
kana.There is little support for ei. ther idea.For examplein a large
series of patientsSugishita and his. col leagues found no clear relation
between deficits in reading. either script and locus of lefthemisphere
injury.In factmost of. their cases were impaired equally in both forms of
reading.. In an analysis of language abilitiesMaureen Dennis and Harry.
Whitaker found thatunlike righthemisphere removalsleft. hemispherectomies
produce deficits in understanding spoken language. when the meaning is
conveyed by complex syntactic. structureparticularly if the sentence
contains an error (for. exampleThe tall guard wasnt shot by the armed
robber. ).Likewiseremoving the left hemisphere leads to difficulty in.
determining sentence implicationin integrating semantic and syntactic.
information to replace missing pronounsand in forming judgments of. word
interrelations in sentences.. In an analysis of word comprehensionDennis
found that both. hemispheres understand the meaning of words and both can
spontaneously. produce lists of names of things.In a search for words by
using. different cueshoweverthe left hemisphere has an advantage over he.
right.Both hemispheres can name an object from its picture or from its.
descriptionbut the left hemisphere can identify the object on the. basis
of rhymes withwhereas the right hemisphere is oblivious to. this type of
cue.. In an analysis of reading skillsDennis and her coworkers found that.
both hemispheres had almost equal ability in higherorder reading.
comprehension howeverthe left hemisphere is superior to the right in.
reading and spelling unfamiliar words and in using sentence structure.
achieve fluent reading. The left hemisphere also reads prose. passages
with greater decoding accuracy more fluencyand fewer errors. that violate
the semantic and syntactic struc ture of the. sentence.The superiority of
the left hemisphere seems to be its. ability to manipulate and exploit
language rules.Yet the right. hemisphere is not without its strengths in
language.Performance is. better with the right hemisphere in a task that
requires learning an. association between nonsense words and symbols.. In
summarizing the results of studies on languageDennis suggests. that if
written language structure is thought of as a combination of. meaning cues
(morphology)sound cues (phonology)and picture cues. (logography) then the
isolated left hemisphere will show superior. performance with morphology
and phonology and inferior performance. with logographic cues.The isolated
right hemisphere will show superior. performance with logographic cues and
inferior performance with. morphological and phonological cues. Kohn and
Dennis found an almost. analogous pattern of results on tests of
visuospatial function.They. observed thatalthough patients with right
hemispherectomies. performed normally on simple tests of visuospatial
functions such as. drawingthey were significantly impaired on complex
tests such as. negotiating a maze and reading a map.. To summarizeeach
hemisphere can assume some of its opposite s. functions if the opposite
hemisphere is removed in he course of. development but neither hemisphere
is totally capable of mediating. all of the missing hemispheres
functions.Thusalthough the. developing brain gives evidence of
considerable plasticitythere is. convincing evidence against
equipotentiality both hemispheres appear. have a processing capacity that
probably has an innate structural. basis.. All models of cerebral
development must answer he question of how. functions become restricted to
one hemisphere rather than becoming. bilateral. The interactive
paralleldevelopment hypothesis answers. that question.In a series of
papersMorris Moscovitch emphasized the. possibility that one hemisphere
actively inhibits the otherthus. preventing the contralateral hemisphere
from developing similar. functions.This active inhibition presumably
develops at about age as. the corpus callosum becomes functional. as
inhibitor. There is also evidence from primates that the two hemispheres
may. differ in their production of facial expressions.Splitbrain monkeys.
viewed video tapes of peoplemonkeysother animalsand sceneryand. the amount
of time spent watching the recordings and the number of. speciestypical
facial expres sions made were recorded.The number of. facial expressions
elicited from the right hemisphere was greater than. the number made when
using the left hemispherewhich is what one. would predict from studies of
humans.In another studyHauser found. that the left side of he monkey s
face began to display facial. expression before the rightand it was more
expressive.Recall from. Chapter that a similar result was reported for
humans.. The basis for handedness in humans has been the focus of much
debate. and theorizingyet there is still no adequate explana tion for why.
people are either rightor lefthanded.More progress has been made in.
understanding the nature of sex differences.The most likely explana. tion
is that gonadal hormones alter brain organization during. development and
continue to influence brain activity during adulthood.. The results of
studies of nonhuman species show that lateral. asymmetry is a property not
unique to humans.The demonstration of. asymmetry in nonhuman brains implies
that asymmetry in the human. brain is directly related neither to
handedness nor o language but. rather to analysis of sensory information
and control of movement.. scanner. scanner tenkte pånytt et suspekt
nettprosjekt å sirkulere epenger bilder. av sedler. hva er avh. av
skjermoppløsning så det er relativt og vel ikke. straffbart uansett er det
vel utskrift eller hva er framstilling som er. ulovlig.. ulovlig med større
enn dessuten mynter. kanskje den gamle. øringen hvordan i h kom de på ideen
om en kjempediger øring forsøk på å. bruke dem som et pengesystem vedlagt
er kr. med en disclaimer. satse. på pop utbredelse og en konfrontasjon med
norges bank. digitale penger.. utbrodere. n.bank har liggende ute bilder
men som det står ugyldig på eller. noe.. presentere det som nyutgitt
seddelsett. ok det er kanskje en dårlig ide men. med. litt potensial
(burde ha på en eller annen måte). pgp. pgp tekst. automatisk kunst.
liksom.no nyheter i liksomform. kunstnerisk reductio ad absurdum. red. art
absurdum. email header art. email header art. navn bruker domene tld
navnbegrep referanse (en ting kan ha flere navn). axioms. cc fortid
framtid cc kausalitet fratil (rules transitions). this play proposition.
body discussion interpretation. head body codestructure face appearance
cause effect. nomic. language game. operasjon snøskred. operasjon
snøskred. prosjekt. 'omvendt utvikling' (reverse engineering). Antonin
Artaud Theater and its Double. Antonin Artaud Theater and its Double. We
must insist upon the idea of cultureinaction of culture. growing within us
like a new organ a sort of second breath and. on civilization as an applied
culture controlling even our subtlest. actions a presence of mind.... Yet
totemism is an actor for it moves and has been created in. behalf of
actors all true culture relies upon the barbaric and. primitive means of
totemism whose savage i.e. entirely. spontaneous life I wish to
worship.... True culture operates by exaltation and force while the.
European ideal of art attempts to cast the mind into an attitude. distinct
from force but addicted to exaltation. It is a lazy. unserviceable notion
which engenders an imminent death. If the. Serpent Quetzalcoatl's multiple
twists and turns are harmonious. it is because they express the equilibrium
and fluctuations of a. sleeping force the intensity of the forms is there
only to seduce. and direct a force which in music would produce an
insupportable. range of sound.... How hard it is when everything
encourages us to sleep though. we may look about us with conscious
clinging eyes to wake and. yet look about us as in a dream with eyes that
no longer know. their function and whose gaze is turned inward.. This is
how our strange idea of disinterested action originated. though it is
action nonetheless and all the more violent for. skirting the temptation
of repose.... Every real effigy has a shadow which is its double and art.
must falter and fail from the moment the sculptor believes he has.
liberated the kind of shadow whose very existence will destroy. his
repose.. Like all magic cultures expressed by appropriate hieroglyphs. the
true theater has its shadows too and of all languages and all. arts the
theater is the only one left whose shadows have shattered. their
limitations. From the beginning one might say its shadows. did not
tolerate limitations.. Our petrified idea of the theater is connected with
our petrified. idea of a culture without shadows where no matter which way
it. turns our mind (esprit) encounters only emptiness though space. is
full.... Thus the plague. seems to manifest its presence in and have a
preference for the. very organs of the body the particular physical sites
where. human will consciousness and thought are imminent and apt to.
occur.... The dregs of the population apparently immunized by their.
frenzied greed enter the open houses and pillage riches they know. will
serve no purpose or profit. And at that moment the theater is. born. The
theater i.e. an immediate gratuitousness provoking acts. without use or
profit.. The last of the living are in a frenzy the obedient and virtuous.
son kills his father the chaste man performs sodomy upon his. neighbors.
The lecher becomes pure. The miser throws his gold in. handfuls out the
window. The warrior hero sets fire to the city he. once risked his life to
save. The dandy decks himself out in his. finest clothes and promenades
before the charnel houses. Neither. the idea of an absence of sanctions
nor that of imminent death. suffices to motivate acts so gratuitously
absurd on the part of men. who did not believe death could end anything.
And how explain. the surge of erotic fever among the recovered victims
who. instead of fleeing the city. remain where they are trying to wrench a
criminal pleasure from. the dying or even the dead half crushed under the
pile of corpses. where chance has lodged them.. But if a mighty scourge is
required to make this frenetic. gratuitousness show itself and if this
scourge is called the. plague then perhaps we can determine the value of
this gratuitousness. in relation to our total personality. The state of
the. victim who dies without material destruction with all the. stigmata
of an absolute and almost abstract disease upon him is. identical with the
state of an actor entirely penetrated by feelings. that do not benefit or
even relate to his real condition. Everything. in the physical aspect of
the actor as in that of the victim of the. plague shows that life has
reacted to the paroxysm and yet. nothing has happened.. Between the victim
of the plague who runs in shrieking pursuit. of his visions and the actor
in pursuit of his feelings. between the man who invents for himself
personages he could. never have imagined without the plague creating them
in the. midst of an audience of corpses and delirious lunatics and the.
poet who inopportunely invents characters entrusting them to a. public
equally inert or delirious there are other analogies which. confirm the
only truths that count and locate the action of the. theater like that of
the plague on the level of a veritable epidemic.. But whereas the images
of the plague occurring in relation to a. powerful state of physical
disorganization are like the last volleys. of a spiritual force that is
exhausting itself the images of poetry. in the theater are a spiritual
force that begins its trajectory in the. senses and does without reality
altogether. Once launched upon. the fury of his task an actor requires
infinitely more power to. keep from committing a crime than a murderer
needs courage to. complete his act and it is here in its very
gratuitousness that the. action and effect of a feeling in the theater
appears infinitely more. valid than that of a feeling fulfilled in life..
Compared with the murderer's fury which exhausts itself that. of the
tragic actor remains enclosed within a perfect circle. The. murderer's
fury has accomplished an act discharges itself and. loses contact with the
force that inspired it but can no longer. sustain it. That of the actor has
taken' a form that negates itself to. just the degree it frees itself and
dissolves into universality.... It is useless to give precise reasons for
this contagious delirium.. It would be like trying to find reasons why our
nervous. system after a certain period responds to the vibrations of the.
subtlest music and is eventually somehow modified by them.... First of all
we must recognize that the theater. like the plague is a delirium and is
communicative.... The mind believes what it sees and does what it believes
that. is the secret of the fascination. Nor does Saint Augustine's text.
question for one moment the reality of this fascination.. However there
are conditions to be rediscovered in order to. engender in the mind a
spectacle capable of fascinating it and. this is not a simple matter of
art.. For if the theater is like the plague it is not only because it.
affects important collectivities and upsets them in an identical. way. In
the theater as in the plague there is something both. victorious and
vengeful we are aware that the spontaneous. conflagration which the plague
lights wherever it passes is. nothing else than an immense liquidation.. A
social disaster so farreaching an organic disorder so. mysteriousthis
overflow of vices this total exorcism which. presses and impels the soul
to its utmostall indicate the presence. of a state which is nevertheless
characterized by extreme strength. and in which all the powers of nature
are freshly discovered at the. moment when something essential is going to
be accomplished.. The plague takes images that are dormant a latent
disorder. and suddenly extends them into the most extreme gestures the.
theater also takes gestures and pushes them as far as they will go. like
the plague it reforges the chain between what is and what is. not between
the virtuality of the possible and what already exists. in materialized
nature.... These symbols the sign of ripe powers previously held in.
servitude and unavailable to reality burst forth in the guise of.
incredible images which give freedom of the city and of existence. acts
that are by nature hostile to the life of societies.. In the true theater
a play disturbs the senses' repose frees. the repressed unconscious
incites a kind of virtual revolt (which. moreover can have its full effect
only if it remains virtual) and. imposes on the assembled collectivity an
attitude that is both. difficult and heroic.... Thus in Ford's 'Tis Pity
She's a Whore from the moment the. curtain rises we see to our utter
stupefaction a creature flung into. an insolent vindication of incest
exerting all the vigor of his. youthful consciousness to proclaim and
justify it.. He does not waver an instant does not hesitate a minute and.
thereby shows of how little account are all the barriers that could. be
opposed to him. He is heroically criminal and audaciously. ostentatiously
heroic. Everything drives him in this direction and. inflames his
enthusiasm he recognizes neither earth nor heaven. only the force of his
convulsive passion to which the rebellious. and equally heroic passion of
Annabella does not fail to respond.. she provokes her executioner still
further. and sings out in a kind of obstinate heroism. It is the absolute.
condition of revolt it is an exemplary case of love without respite. which
makes us the spectators gasp with anguish at the idea that. nothing will
ever be able to stop it.. If we desire an example of absolute freedom in
revolt Ford's. Annabella provides this poetic example bound up with the
image. of absolute danger.. And when we tell ourselves we have reached the
paroxysm of. horror blood and flouted laws of poetry which consecrates.
revolt we are obliged to advance still further into an endless. vertigo..
But ultimately we tell ourselves there is vengeance there is. death for
such audacity and such irresistible crime.. But there is no such thing.
Giovanni the lover inspired by the. passion of a great poet puts himself
beyond vengeance beyond. crime by still another crime one that is
indescribably. passionate beyond threats beyond horror by an even greater.
horror one which overthrows at one and the same time law. morality and all
those who dare set themselves up as administrators. of justice.. A trap is
cleverly set a great banquet is given where among. the guests hired
ruffians and spies are to be hidden ready at the. first signal to throw
themselves upon him. But this hero cornered. lost and inspired by love
will let no one pass sentence on this. love.. You want he seems to say my
love's flesh and blood. Very. well I will throw this love in your face and
shower you with its. bloodfor you are incapable of rising to its height.
And he kills his beloved and tears out her heart as if to feast. upon it
in the middle of a banquet where he himself is the one. whom the guests
had hoped to devour.. And before being executed he manages to kill his
rival.... If the essential theater is like the plague it is not because it
is. contagious but because like the plague it is the revelation the.
bringing forth the exteriorization of a depth of latent cruelty by. means
of which all the perverse possibilities of the mind whether. of an
individual or a people are localized.. Like the plague the theater is the
time of evil the triumph of. dark powers that are nourished by a power
even more profound. until extinction.. In the theater as in the plague
there is a kind of strange sun a. light of abnormal intensity by which it
seems that the difficult and. even the impossible suddenly become our
normal element. And. Ford's play like all true theater is within the
radiance of this. strange sun. His Annabella resembles the plague's
freedom by. means of which from degree to degree stage to stage the
victim. swells his individuality and the survivor gradually becomes a.
grandiose and overwhelming being.... We do not see that life as it is and
as it has been fashioned for. us provides many reasons for exaltation. It
appears that by means. of the plague a gigantic abscess as much moral as
social has. been collectively drained and that like the plague the theater
has. been created to drain abscesses collectively.... The theater like the
plague is a crisis which is resolved by. death or cure. And the plague is
a superior disease because it is a. total crisis after which nothing
remains except death or an. extreme purification. Similarly the theater is
a disease because it. is the supreme equilibrium which cannot be achieved
without. destruction. It invites the mind to share a delirium. which
exalts its energies and we can see to conclude that from. the human point
of view the action of theater like that of. plague is beneficial for
impelling men to see themselves as. they are it causes the mask to fall
reveals the lie the. slackness baseness and hypocrisy of our world it
shakes off. the asphyxiating inertia of matter which invades even the
clearest. testimony of the senses and in revealing to collectivities of
men. their dark power their hidden force it invites them to take in the.
face of destiny a superior and heroic attitude they would never. have
assumed without it.. And the question we must now ask is whether in this
slippery. world which is committing suicide without noticing it there can.
be found a nucleus of men capable of imposing this superior. notion of the
theater men who will restore to all of us the natural. and magic
equivalent of the dogmas in which we no longer. believe.. The contemporary
theater is decadent because it has lost the. feeling on the one hand for
seriousness and on the other for. laughter because it has broken away from
gravity from effects. that are immediate and painfulin a word from Danger..
Because it has lost a sense of real humor a sense of laughter's. power of
physical and anarchic dissociation.. Because it has broken away from the
spirit of profound. anarchy which is at the root of all poetry.... This
helps us to understand that poetry is anarchic to the degree. that it
brings into play all the relationships of object to object and. of form to
signification. It is anarchic also to the degree that its. occurrence is
the consequence of a disorder that draws us closer. chaos.... Where
alchemy through its symbols is the spiritual Double of. an operation which
functions only on the level of real matter the. theater must also be
considered as the Double not of this direct. everyday reality of which it
is gradually being reduced to a mere. inert replicaas empty as it is
sugarcoatedbut of another. archetypal and dangerous reality a reality of
which the. Principles like dolphins once they have shown their heads
hurry. dive back into the obscurity of the deep.. For this reality is not
human but inhuman and man with his. customs and his character counts for
very little in it. Perhaps even. man's head would not be left to him if he
were.... bali theater What is in fact curious about all these gestures
these angular. and abruptly abandoned attitudes these syncopated
modulations. formed at the back of the throat these musical phrases that
break. off short these flights of elytra these rustlings of branches
these. sounds of hollow drums these robot squeakings these dances of.
animated manikins is this that through the labyrinth of their. gestures
attitudes and sudden cries through the gyrations and. turns which leave no
portion of the stage space un utilized the. sense of. anew physical.
language based upon signs and no. longer upon words is liberated....
Everything is thus regulated and impersonal not. a movement. of the
muscles not the rolling of an eye but seem to belong to a. kind of
reflective mathematics which controls everything and by. means of which
everything happens. And the strange thing is that. in this systematic
depersonalization in these purely muscular. facial expressions applied to
the features like masks everything. produces a significance everything
affords the maximum effect.. A kind of terror seizes us at the thought of
these mechanized. beings whose joys and griefs seem not their own but at
the. service of ageold rites.... An impression of inhumanity of the divine
of miraculous. revelation is further provided by the exquisite beauty of
the. women's headdress this series of banked luminous circles made.
combinations of multicolored feathers or from pearls of so. beautiful a
coloration that their combination has a quality of. revelation and the
crests of which tremble rhythmically. responding consciously or so it
seems to the tremblings of the. body.There are also the other headdresses
of sacerdotal character. in the shape of tiaras and topped with egret
crests and stiff flowers. in pairs of contrasting strangely harmonizing
colors.. This dazzling ensemble full of explosions flights secret. streams
detours in every direction of both external and internal. perception
composes a sovereign idea of the theater as it has. been preserved for us
down through the centuries in order to teach. us what the theater never
should have ceased to be.... Here we are suddenly in deep metaphysical
anguish and the. rigid aspect of the body in trance stiffened by the tide
of cosmic. forces which besiege it is admirably expressed by that
frenetic. dance of rigidities and angles in which one suddenly feels the.
mind begin to plummet downwards.... And the women's stratified lunar eyes.
Eyes of dreams which seem to absorb our own eyes before. which we ourselves
appear to be fantome.... .For the Occidental theater the Word is
everything. and there is no possibility of expression without it the
theater is a. branch of literature a kind of sonorous species of language
and. even if we admit a difference between the text spoken on the stage.
and the text read by the eyes if we restrict theater to what. happens
between cues we have still not managed to separate it. the idea of a
performed text.... The. The. absurdity of this cultural mythology's
persistence at a time when scientific. metaphysics have already triumphed
was demonstrated clearly by Kierkegaard's. choice of confirming
Christianity one must believe in absurdity.. jorn p'physics. NOEMATA HUB
NMAT flections. NOEMATA HUB NMAT. FASCIIST SELECTED RANDOM FRAGMENTS
GENERATOR V. butah. Generated by usercdfu.cable.mindvoid.com. lard
comment. nothing is truly reflected anymore. no value no equivalence.
could it be that all systems individuals harbour a secret urge to be rid
of. their ideas of their own essences so as to be able to proliferate
everywhere. transport themselves simultanesously to every point of the
compass in any. event the consequences of a dissociation of this kind can
only be fatal. a. thing which has lost its idea is like the man who has
lost his shadow and it. must either fall under the sway of madness or
perish.. annihilation by virtue of their very success.. transaestethic of
banality. virtual indifference. silence a blip in the circuity that minor
catastrophe.. which confirmes the. fact that all this communication is
basically nothing but a rigid script an. uninterrupted fiction designed to
free us not only from the void of the. television but equally from the void
of our own mental screen... j baudrillard. nostalG. .sigs. wreathule.
entropic arts. noematag. nostalG. mat. hva gjør vi med lykken har den noen
plass å gjøre av seg eller er lykke å. ikke. ha noen plass å gjøre av seg
lykke ballen mens ruletten går. hva er ruletten. lotto høstjakt killing by
numbers aldri var du så levende som ved fronten. men hva skulle du med liv
du kjenner bare på det du investerer dvs du er. lykkelig hvis du
investerer lykke dvs setter den på spill lykkehjul this. wheel will
fortune by selfdestruct. jeg kunne hatt barn vært barn vært død. jeg er på
en måte ikke her hjulet går rundt keep the wheels turning lykke er. å ikke
vært til kunstig lykke. lykke er å være ulykkelig. lykke er å ikke bry.
seg salighet. først når det er på plass kan du bry deg ikke sant bare
piss.. limet er ulykkelig. hvordan legitimerer kristendom selvgodhet
hvordan. legitimerer godhet selvgodhet ved å gi bort selv er det fortsatt
selvgodhet. strømningene flyten av ballen ruller. hvis noe opprettholder
seg selv hvem. bryr seg magen vil ha mat c. vil du ha lykke vil jeg ha mat
hva er mat en. ting tilstand jeg var mat igår.. medialisering.
medialisering synaps er bro transmit må til ikke umiddelbart.
ferjeovergangene lager struktur kø og ubalanse utløsning. medialiseringen
lager struktur sprekkdannelser. fikk vi orden ut av kaos gjødsel spam
komme til syne eksponere. har knuste ting mer struktur hva slags når har
ting mest struktur. hvis hjernen var en enhet heilen kunne vi ikke tenke.
tenker havet. aggregattilstand hva kan tenkes i et hav biologisknaturlige
datamaskiner. minne spor struktur er molekylene de samme over tid
HansKåre. stolen er stol idag også en bølge gjentar den seg. er det
forskjellig tid tetthet rom havet er kanskje en stol. virkelighetsfjern
det er virkeligheten som er fjern. den som er interessert i virkeligheten
kan gå og måke snø. etterpå måke havet to meter til venstre. det snør i
havet det virker bortkastet. som at snøen var for oss havet vil ha oss
bølgene og vinden. uansett at det angår noen umiddelbart. de er ikke
mennesker vind er vind c de. truende vi er fornuftige det er kaos snø i
hav. folk dør i kulde kanskje flere i varme sola atombombe. vi bor i hus
ikke umiddelbart noen går i hi. alle brødskiver er skiver av brød
brødkniv. hvor skal vi sans og bevissthet gjennom oppløsning kaos. skritt
for skritt ikke hjul automatikk automatisk hva hav. norge.no borger.
norge.no. Norske borgere som søker Utlendingsdirektoratet om det kan bli
løst fra sitt. norske statsborgerskap. Norske borgere som er bosatt i
Norge kan imidlertid. ikke bli løst fra det norske statsborgerskapet. Det
forutsettes at vedkommende. er registrert utflyttet fra Norge og er fast
bosatt utenlands. Videre. forutsettes det at han har eller vil få annet
statsborgerskap innen en viss. frist. Man vil ikke løse en norsk borger
fra det norske statsborgerskapet hvis. han derved blir statsløs..
Utlendingsdirektoratet Fylkesmannen og politiet gir nærmere opplysninger
om. statsborgerskap.. Hvordan kan jeg ha plikter som statsborger hvis jeg
ikke kan løses fra. statsborgerskapet sånn uten videre Er jeg slave av
Norge vikingskipet. veldedighet. veldedighet folk gir bare hvis de er
sikre på å tape.. norsk tipping kan vise hvor mye de vann i hver omgang..
og veldedigheten hvor bra det var du tapte.. overskuddet av dette livet
går til de døde.. tomflasker til NHO NÅ. Mar. vrkier som aiatkvipssv er
aegvrjndøe for piirbnluseg øsnekr ikke atkiv. pub (lleer hdavonr) men
hdvaron kan den vræe pssiav hva er psasiv. indreikte aipivastksv bstemeemr
rteinng bgveelese mtsotand mdirenieg. det som kommer mot deg må gejnonm et
fsoravr men når du oøkpepsr slev. er det uetn fvasror.. a) haovdrn
fgnuerer det i knust hva aøgjvr om vi er i aktiv eellr psasiv. muods
kunsten pissavisrees slik at vi kan vræe uten fovasrr.. det er hkaer på
plia så den går ltet inn og er vnakesilg å trekke ut.. getnnsiesrt mot
kntsntuig eellr hdovarn frostå knsut eellr hrvodan lage. kefråoltnstsuse
tnig som er langt unna kan være kunst fdroi de bilr. pasisve og vi åpner
oss slik som antavsd i flreståose elelr sinansng noe. mkeelirg uarlkt
uebstemt lite sujklt etc elelr noe som er vdelig nræt. fordi det peørvr å
plsaesre seg allredee ifneonnr fvoaresrt oreeprt inn. kroppen må ajvgøre
føreltsstae elelr ggdolestae og rskat sedin aenegrripn. aldlreee er
innenfor så aeæhrnvtdsnat er osgå tid. frålepfsoostipanetng tar tid ting
som er lagnt unna er sktae ting som. er nære er rakse.. er felohrodt
mlelom akivte og psisvae emeletner i et sytsem kntosant som. at eeignren
er knotnsat eellr at smømetrn av belir er ktsnoant enten det. er
mgnrreuosh eellr emtitdredag hvis alle belir køjtre smame vei eller. alt
var paissvt men det er rletavit såtr alle tnig i et ataksispviv. forhlod
sjebbjetkokut kusnten gjør seg oetjbikv tlginig for at du kan. være
errfnadee sujkbet. setkre og svake sebujkter. er språekts gaiarmktmk.
viirkelg ofatpetpr vi ting som advreb knnue vi bkrut stteruunrke ola. ser
på sola sola er knust (ikke se på sloa (det burde vært en avarsdel. på
sola kkie se dektire på dnene asravelden du blir blind du er. bnlid alstå
kan du ikke lsee dette glem det vær vnleing å oserve dtete.. t.k)ka).
stnkytaisk alnayse av kunst lkie geirt som ssrtkfirpåk er det. ikke bare å
legge til dojsnmeenir fra snkeevs (ijlne) til rom (d) og. rmotid (d)
sansttiykk aynalse av krsoysrd sneimtakk er dybde men. dybde er brae en
dmjsieonn silk som overfealtn. vi liker (aipvss) ddybe. frodi det gjør oss
til den atkvie prat. hvis alt var gientjniskomg hevm. ville vi ha vræt noen
ingen tnreger vi det psaisve oebjtknee alt. er geirnsstent en srtejne men
sett innnefra pestrpkevniee er udeelnig. atanll sninegter i seårpkt er
uineedlg gbeerrranee et petrkeispv er en. sntneig en snetitg med en
sknyats atpkisvasiv er i psipektreevt. skebkjejbtuot njtræfrent atvsand
rslejoan. rtiao avpssiatkiv en. senting med brae oekjebtr brae sujbeektr
en ktgnienutsns bord stol. sneg vidnu teppe. det er altlid en atkiv prat
om ingen i peestrpevikt. så illeaflal den som ser og noen må ailltd se
hvis ikke så så hva hva. om vi gjør pikevpsteret umluig hvdoarn ftroseill
deg rdblaearet i. kutnsen når neon brøt ppskreetivet. noen ser atlild nei
det er et sortt. mkøre er det inessretant kan vi foorlhde oss til det
tnakrenm i mtaen. så vi siplper pssue tenna etetrpå hvor skal vi hva gir
kunst asvier. lerur på hva er nheyt horvofr er nehyt neyht og knust knsut
hva er. fjeleksorln orfevtlae dbyde mtotasesr knust er dnddjieosmnbyeen
ikke. at det er så hveydørig dypt men alle ting har dbyde uanetst har
dbyde. dydbe har ovfrtaleen dybde kanskje vi hlleer skal tenke i gaefrr
men. dsnojieenmr er ekegnsap ved vehrgeilkeitn hovr fsyisk er 'sdminejon'.
hva er dijneosmn knnue vi modeerllt vdreen aeerldnens hvodran fuenregr.
dnimesjon. økenst om å riese til npdoelorn mars hlemimen over åsen ol. er
det. samme som ola ser på sola. tkeinnlegirtn er vnikrnig av akvitpsasiv.
atikv vil ha passiv akitv er vi'l ha' silk som ola se'r på' sloa..
sujebtket tar vreb. sola blir stet på mras bilr rsiet til. bteshevist.
mars bilr breeist sloa bsetet ola bsivest.. ping tour. en verdensturne
ping. conducted. audience participation poems in argentina mexico france
and around the. globe.. her work can be found on her floor in her drawers.
poeticsnoetics. detox. arrangere et vulkanutbrudd i trondheim sentrum .mai
i samarbeid. med butox og naturmaktene.no støttet av noemata. gratis lava
til alle.. sørge for at japan går under. flytte fjell etc. i rekken av.
kisjoteprosjekter. gjøre vårt beste. kunst er litt sånn store ord om.
ingenting. så kan vi ha vulkanutbrudd i trondheim i samarbeid med.
adresseavisa og under dusken. vulkanutbruddet er sponset av.. så får vi.
garantert reaksjoner det var bare helt uvirkelig. jaha uvirkelig. det. var
egentlig det vi ville ha noe virkelig uvirkelig. jeg tror dette er i. e.
kunst (etter kunst). mulig vulkanutbruddet kan være med på.
vandreutstilling også. katastrofe på box helt regulært.. in net.art
deposited. om det er utpressing eller sorterer under innkjøp. i spamscam
retorikk og. stil. om jeg gir deg en garanti på at disse verkene ikke
eksisterer.. just like my manuscripts deposited in a safe bank account at.
value each. they do not exist. so i want to show them to you. exhibit them
and buy them. also a guarantee enclosed with the works. assuring their
nonexistence. request til samtidsmuseet. dette er. ikkeeksisterende verker
med en dermed urealiserbar verdi den kan ikke. fastsettes den endelige
verdien av kunstverkene er uoppnåelig.. modulo. modulo. klokka går. når
klokka går rundt og rundt hvorfor snakker vi om utvikling klokka. utviklet
seg fra . hvor syklisk er kaos han regnet sine år i. modulo. et ambisiøst
kunstprosjekt går ut på å oversette lineærtid til. looptid. en regress inn
i det mytiske. det støtter seg på borges'. hallusinasjoner og nietzsches
evige tredemølle trellemøde. hvis tiden er. et objekt som andre ting hvis
den oppsto og finnes og har. karakteristikker så kan den vel oversettes
bekjempelse av tiden den. betingelsesløse underkastelse. modulo prøver å
styrte tid jamme tid ved. å gjøre den sirkulær og overflødig. alt er det
samme menneskelig lidelse. kickoff klokka med reprise ting skal kvernes
gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager alle
sår. vi forestiller. oss lineært uendelige som en språklig egenskap en
instruksjon (vs. 'unstruction') vi gir oss selv. er den en malplassert
sirkulær. uendelighet ting går stort sett rundt nye ting kvernes inn.
modulo. konstrueres som en mekanisme som kverner tid slik tid kverner
ting.. tidspatafysikk etterat tidsmetafysikken gikk i stå.. ref. pulskt la
staux.. simile. simile v.. en omformer av uttrykk oulibot. den tar en tekst
og omforer til drømmende. similer. ... kløe er som et symptom på en lidelse
der medfører irritation. som af huden. ... der findes en lang række
hudlidelser hvor kløe er som. det mest fremtrædende symptom. ... kanskje
kan den bare slenge inn noen. som på tilfeldige steder. ... det var som
nettopp under som en. klatreekspedisjon i det hele som begynte for hans
del som i en hule. i meters som høyde fant tokuhashi nemlig menneskeaktige
som. fotspor lagd av som et ganske stort dyr som.. serieroman. kunne tenkt
meg en serieroman i emailformat som slår ut på. virusprogrammer.. mailene
er ren tekst men trigger likevel virusalarmen for dilettantiske. memer.
romanen foregår i norge etter at vg melder at et nytt memevirus. dreper
forfattere av serieromaner samt vansirer vakre odelsjenter og.
signøyerpiken tar meg seg gråtende barn og flytter inn hos elg i.
solnedgang.. dramatikk spenning og erotikk er hovedingrediensene i frid
ingulstads nye. underholdningsserie ingebjørg olavsdatter men målet er å
gi leserne god. litteratur og kunnskaper om norsk middelalderhistorie med
på kjøpet.. i morgen kommer første bok om ingebjørg olavsdatter den vakre
odelsjenta. som vokser opp på en utarmet storgård i årene etter at
svartedauden har. lagt norge øde.. nil. ganskje sikkert. venter kurshopp i
telenor. ja det gjør du nok etter en sånn nyhet. ide en nyhetstjeneste som
skaper noe som har skjedd. eller som skjer noe som er skapt. referansen er
skapelsen og skapelse referanse. en skapelsesberetning blir
beretningsskapelse. i begynnelsen var ordet i. bli kurshopp dermed ble det
kurshopp. venter lys dermed ble det lys. kurs på sikring. skriket. skriket.
lokale skrikekonkurranser samt nm i skrik aldersgrupper kjønn solo og.
lagkor.. db måling utførelse. playbackrepriser over høytaleranlegg.
hvordan vil. skriket være i et kunstgalleri. va du på skriket ihelga om æ
va dæræ sleit av heile stæmmbainnskapet. dette e et opptak.. samt en
karaokebadstue pep talk for hemnessberget. ideen om skriket er å
foretrekke.. skriket regi ph h i informasjonsalderen. last opp lyd fra.
mikrofoninngangen fra brøling til maskin. vaskemaskinopptaket. happenings.
for mishandling av maskiner. komisk å skrike til operativsystemet opera.
tivsys for stemmer og maskin. det irrasjonelle hvordan forklares det. og
for seg selv hva er banning uttrykk for er den rettet mot noe jeg. er redd
for å skrike for hardt til maskina kanskje noe blir ødelagt. det
irrasjonelle må ha en slags tro på seg selv opprettholde seg selv. slik
fornuften opprettholder sitt domene gjennom fornuft. men hva blir det. som
ikke opprettholder seg selv ikke tror på seg selv uten målratio. last.
oppnedbelastning. alt er laster i informasjonsalderen stor synd eller last
er dyd.. lasten er informasjon troen er dydig promiskuøs kommunikasjon.
hvis gud. var tilgjengelig ville han vært lastefull troen og dyden krever
at han. er utilgjengelig troen er troen på at han er utilgjengelig.
enhver. oppnedbelastning må bekjempes av de troende. men er ikke troen
dermed. en last ved de troende var troen virkelig dydig ville den ikke ha.
belastet (seg selv med) gud. troen og dyden er paradoksale noe som ikke. er
nytt eller forkastelig men utilgjengelig i betydning 'kan ikke. lastes'
slik som galskapen. informasjonsalderen kan føre til at. religionen igjen
gjenkjenner og omfavner galskapen. (det samme gjelder. kanskje for kunsten
hva er tro og dyd her helhet og skjønnhet verk og. estetikk autonomi og
mening). Mar. ord som nummer i tallssystemet som asciitegn som nummer i.
tallsystemet ordet 'ord' er tre siffer i rekkefølge. eller hexadesimalt f.
et ipnummer kan tolkes som asciitegn. ... blir. padle. britiske lewis
gordon pug klarte det ingen har gjort før ham han svømte. rundt
nordkappplatået. friskusen var nokså nedkjølt etter en time og fire.
minutter i vannet. omtrent halvveis i svømmeturen var det antydning til.
dramatikk. pug fikk krampe i foten.. det gjorde forferdelig vondt sier han
til finnmark dagblad. briten. hadde nær drømmeforhold da han onsdag
ettermiddag la ut på den fem. kilometer lange svømmeetappen fra røykholet
til hornvika. vanntemperaturen. varierte mellom ni og ti grader men på
havet var det blikkstille.. lewis gordon pug har de siste dagene blitt
fulgt av filmteam fra både sky. news og reuters. på forhånd regnet
hardhausen med at svømmeturen ville ta. halvannen time men han greide det
altså på bare litt over en time. etter. fullført svømmetur varmet lewis
gordon pug seg litt før han med det. britiske flagget på ryggen klatret
opp fra hornvika til nordkappplatået.. (ntb ..). virkeligheten tjener
språket. bilde av en padler utenfor nordkapp jeg. padlet rundt nordkapp.
dette å inkludere seg selv i bildet vs øyet det er jo svært kunstig som.
om jeg må starte hver setning med at jeg skriver at jeg skriver at..
hvordan er det forskjellig eller fortsettelse av f.eks. muntlig.
fortellertradisjon æ va ute i hardt vær han va rusket ja tel slutt tok.
havet sjarken og alle gikk med under. selvreferansen er vel egentlig helt.
tilgrunnliggende. det merkelige er kanskje heller at vi forestiller oss et.
nakent øye et aksiomatisk genererende aktivt punkt. den blinde flekken. er
samtidig deg selv i bildet og det som muliggjør synet. alle som.
representerer seg selv i bilder er bilder på blinde flekker. jeg padlet.
over nordkapp som er tekststrengen og nervetrådene fra øyets blinde.
flekk. kan vi tenke på et (astronomisk) svart hull som en blind flekk
hvor. bildet oppløses transporteres blir til informasjon tekst..
virkeligheten tjener språket slik som bildet tjener teksten. og teksten.
virkeligheten tjener språket slik som bildet tjener teksten. og teksten




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skaper bildet fortelleren forestillingene. logosantilogos.
manusfilmfilmmanus.. noematic. kanskje det er slik at noemata har som sitt
felt disse umulige og. malpasserte verk og uverk like mye eller mer enn
verk i noen tradisjonell. forstand og gjør det til sitt uttrykk som en
endelig eller uendelig. oppløsning av kunsten med objektets død (euridike)
og subjektets. desintegrering (orfeus) i korridorene grenselandet eller
ørkenen. (nettkunsten). fin setning iallefall. det høres seriøst ut men
har mer. preg av tragikomedie mer quixotisk enn romantisk. det umulige er
en rød. tråd kan det virke som en rød klut forestillingenes umulighet
eller. det virkeliges uvirkelighet.. every ecstasy ultimately prefers to
take the path of renunciation rather. than sin against its own concept by
realizing it. adorno. there is an idea horizon just as there is an event
horizon the horizon of. their deathdealing accomplishment their absolute
realization. thought. for its part leaks out into the void. baudrillard.
don quixote som en taktil kulturjammingsteknikk bevisst dumskap.. noemata
message in a bottle server at the barents sea n. hva slags mail vil du
sende ut i havet umulige kjærlighetsbrev. thy false promise and my sure
misfortune carry me to a place whence the. news of my death will reach thy
ears before the words of my complaint.. what thy beauty raised up thy deeds
have laid low by it i believed thee. be an angel by them i know thou art a
woman.. hva du gjør der er det et spørsmål eller svar. quo oxid net. ph
ray. man rays fotografi uten kamera kan vi ha elektronisk kunst uten.
datamaskiner p..h.. the uselessness effect shows us objects from what one
might call their. human side. it sets them free. it was precisely because
these things were. useless that we found them moving and lyrical. the
humor of the useless. machine is man ray's discovery. richter. grammatikk.
vestens problem grammatikalsk at alle tilstander situasjoner. fenomener
forstås i kategoriene værenvorden substantivverb jeg. kjenner det som en
kortslutning og kompromitering jeg ikke ønsker å være. eller gjøre noe
fundamentalt sett problemet er at dette dermed forstås. negativt. kan det
fundamenteres i en grammatisk metaklasse eller noe. art swashbuckler.
mail.art. idyll dl ld n. also yl in l form (earlier) idyllium pl. ia.. l.
l idyllium f. gk eidullion dim. of eidos form picture. interessant. at
idyll er i slekt med bildet som selvinneholdt selvtilfreds. piktoresk. ide
ideal umiddelbare forestillinger reklame (ikke medierte de. ligger klare
som forestillinger).. et heroiskromantisk swashbuckler noemata prosjekt.
art swashbuckler bff txique swazzle. professor punch oscar ian dandruff.
cue. cue. en serie verk som ikke er det de beskrives eller annonseres å
være men. ubeleilige utidsmessige urelaterte ikkerepresentative.. q. q..
continuum paradox. the achilles paradox cuts to the root of the problem of
the continuum.. aristotle's solution to it involved treating the segments
of achilles'. motion as only potential and not actual since he never
actualizes them by. stopping.... aristotle argued that an infinity of
subdivisions of a. distance that is finite does not preclude the
possibility of traversing. that distance since the subdivisions do not
have actual existence unless. something is done to them in this case
stopping at them.. en serie (e)kunstverker som ikke (kan) reflekteres
eller reproduseres som. ikke blir foreviget i noe eller noens hukommelse.
kriminelle handlinger. som en slags prototype og kunstverket i mer
tradisjonell forstand og det. religiøse som en annen immanitet..
globalisering. globalisering utopia som metastase globoid global hodepine.
globalisering verden som hodepine.. ti dsskr ift. shoppingsentra og arkader
som brukskunst fjerner seg fra erindring og. fordypelse (fenomenenes aura w
benjamin) for heller å adspre. (distribusjon oppløsning siste stadium
terminal alle ting ender i. adspredelsen). når det ikke lenger er mulig å
tenke dynamisk og. fremtidsrettet kan løsningen være speiling tvetydighet
dobbelheten. (mellom apokalypse og utopi).. kan en rute gangvei være et
kunstverk hvor kontrollert et kunstverk som. lager en sti (som blir til
ved bruk den finnes først etterpå publikum. må lage det).. kastorbønner.
vaksinering jenners arbeid ble sabotert av leger (som mistet inntekt fra.
å behandle kopper).. hva er den naturlige utvelgelsen idag. Mar.
assimilation the easier to pronounce a sentence the more widespread. the
change becomes.. en (mobil)kontakttjeneste som opplyser identitetnr til
noen jeg peker. på mobiltelefon radiosensor som brukeren kan ha i
åpenlukket modus i. åpen modus kringkastes identiteten noen meter i
omkrets og kan senses av. andres mobiler. eller sentralisert id nr sendes
meg i sms el. fra. operatøren abo på tjeneste som opplyser alle nr i din
omkrets på. meter. så får vi en morsom stalkingvirksomhet. ref. netcom
tilbyr idag. en buddytjeneste hvor du oppretter en avtale med noen andre
om. gjensidig monitorering av hvor vedkommende befinner seg. netcom kunne.
f.eks. tilbudt åpenlukket modus på mobiler og en smstjeneste som. opplyser
om alle åpne mobiler i m omkrets. så ville jeg visst hvem hun. var.. port
rett. en portrettserie med motivetpersonen ekstremt langt unna såvidt
distinkt. menneskeform bare med forstørrelsesglass kan noen gjenkjennes
og. vedkommende må argumentere hardt for at det er han for de som tviler.
et. kongeportrett dronning sonja på fjellet knapt utskillbar. poenget er.
egentlig å kalle det et portrett etym. framtegne.. 'forskning og
utvikling' i vitenskap 'kunst og kultur' i ..humaniora. fou kok kunst
tilsvarende forskningsdelen kultur tilsvarende. utviklingsdelen. valgerd
auksjoneres bort på qxl mitt brukte eksemplar av v.. sivilforsvarets
luftsireneanlegg for 'norge er i krig' irakkonflikten.. nordheim kunne
bruke det han er jo allerede nede i kloakken jord luft. vann og som
nasjonalkomponist med kongen kommer salutter kunne han lagd. flyene kommer
sirener søk dekning.. human from. the chair has human form a chairman the
sofa tv floor shoes. surrounding feet. culture in general as explicit
human forms like all. expressions are shoes for walkingwriting along this
line footprints. alphabeta bipedal upright walking made writing episodic
punctuation. objects one letter at a time discreet nevrons one foot on the
ground. feetpronks none. tool expression operator. gurobot. ekstreme
maskiner. augmented reality project part gururoboten boxboxiganga.dk.
trace crank probe zoo logistics. sporbarhet siden det er så vanskelig å
unngå å legge spor etter seg. elektronisk kunne et prosjekt gått ut på det
et ikkesporbart prosjekt. men som må fundamenteres før det forsvinner..
entries found for crank.. probe. any effort such as a request transaction
or program which is used to. gather information about a computer or the
network state. for example. sending an empty message to see whether a
destination actually exists.. n. 'prøve'. zoo. a threat that exists only
in virus and antivirus labs not in the wild.. most zoo threats never get
released into the wild and as a result rarely. threaten users.. logistics.
the aspect of military operations that deals with the procurement.
distribution maintenance and replacement of materiel and personnel.. the
management of the details of an operation.. nyttig. flest mulig få besøk
av kjendiser kirke og ny teknologi. godt nytt nyttig. troll for trolldom.
finn ditt skjellsord tv konsept. tukttimen. sms lotto. spam på norsk
nilfile. kulturvern og identitet i en verden i forandring. hvis det er
riktig at seierherrene skriver historien gjør det historien.
problematisk.. .. et kunstprosjekt som kritiserer kunst fra en ukurant
posisjon. ukurantor tradisjoner i sekvens incest et modernistisk verk som.
insisterer på å bli tolket premodernistisk et verk der kritikken danner.
rammen persepsjonen av verket mates tilbake men fra feil ende. om det er.
slik at verket ikke kan eksistere uten en ytterside så kan vi la
ytterside. bli innside. boring. lyden av høy boring og lyder av å rive ned
et bygg projiseres inn i et. gallerirom. opptaket kan også avspilles i et
byrom og man ser seg rundt. etter hvor dette skjer og opplever det som
risiko truende at lyden ikke. kan lokaliseres.. flop. floppy gallery.
sport. foretrekker sport på tv fremfor serier. hvorfor er ikke kultur som
sport. en oppsetning konsert etc. lignende et sportsarrangement. sport er
spill. i spill ute av spill kultur kunne også vært inneuteepisodisk
poenger.. målbarhet er stikkord for sport. inneute av spill.. kg. noemata
tar i besittelse den internasjonale kilogramprototypen som. oppbevares i
paris. har norge en nøyaktig kopi av denne kan noemata.net. som land også
få en kopi. kjeller. farger crank. fargers kart problemet.. oversatt det
er aldri nødvendig med mer enn ulike farger inntil. annen farge.. oversatt
eller flere farger kan alltids elimineres til .. et bevis på at det holder
med farger kan inneholde at det dreier seg om. en todimensjonal flate som
begrenser strukturen.. geometrisk bevis farger holder for et punkt
(alternerende verdier. inni hverandre) verdier holder for en linje holder
for en flate. holder for et rom (se figur). fnaat lm. fnaat lm. hva et
ideal er i forhold til virkeligheten. behovet eller. hangen til idealitet.
i den ene retningen er virkeligheten alltid. skuffende om man ikke kan røre
ingrediensene sammen på midten. lm. var et. ideal så lenge ikke visste
straks vet så blir det verdiløst. man. kan lage noen prosesser hvor en
løsning eller modell presenteres og godtas. for deretter å trekkes tilbake
så sitter mottakeren tilbake med en. verdiløs modell som er baksiden på
idealitet eller representasjon. generelt. metroll. kan fellesskapet bare
reagere på måte overfor fx det ligger i. 'fellesskap' offentligheten er
begrenset til offentlighet. i samtid.. tilbakeskuende eller fremover er
det mer utvidet toleranse.. metroll mindre tettere fordekt net.act. akser
kategorier. akser. xakse ferdig før det har begynt uferdig etter
avsluttet. yakse etterarbeid konseptuelt forarbeid motiv. zakse immanent
ekstatisk (om hva termen inneholder ikke hva. termens innhold inneholder).
hva er et objekt katalogen ontologisk hengemyr.. en katalog er en mengde av
ting objekter steder mens et nettverk er et. system av relajsoner. sammen
danner de en graf med noder og kanter.. kategorier apriori concept logiske
funksjoner. (konsept som et skjema av kategorier). kvalitet. prinsipp
anticipations of experience. intense magnitude.. virkelighet (bekreftende)
skjema væren i tid. negasjon (negasjon). begrensning (uendelig).
forholdrelasjon. prinsipp korresponderer med tidsmålinger permanens
suksesjon. koeksistens.. analogies of experience. experience not possible
except through the. representation of necessary connetions of perception..
substans the permanence of the real in time. skjema forestilling.
representing s. as a permanent substrastum of change in time.. kausalitet
the real which when posited is always followed by something. else.
consists therefore in the succession of the manifold.. community
coexistence of the determinations (accidents) of the one with. those of
the other.. vedvarenhet og underhold (kategorisk) substans og tilfelle.
kausalitet og avhengighet (hypotetisk) årsak og virkning.
samsvarighetsamvirkende (adskillende). modalitet. prinsipp the postulates
of empirical thought in general.. mulighetumulighet that which agrees with
the former conditions of. experience (intuition concept) is possible..
eksistens væren ved en viss tid that which is connected with the. material
condition of experience (sensation) is real.. nødvendighet the being of an
object in all time. that the connection of. which with the real is
determined according to general condition of. experience is (exist as)
necessary.. mulighet og umulighet (problematisk). eksistens og ikke
eksistens (erklærende). nødvendig og tilfeldig (ubetinget). kvantitet.
prinsipp axioms of intuition. all intuitions are extensive magnitudes..
enhet (universell). flerhet (spesiell). totalitet (egen). transcendental
estetikk og logikk. tid (alle forestillingers form) formal betingelse for
alle. forestillinger . eksterne og interne.. rom (eksterne fores. form).
transcendental object the completely undetermined idea of something in.
general.. noemenon ding an sich. negativ form noe som ikke er objekt for
en. sanselig intuisjon. positiv form som bygger på formodningen on en.
intellektuell intuisjon.. fenomennoumena. nødvendig skille for ikke å
havne i fenomenalisme.. eksperimenter med erkjennelse. dhc. dhc opplevelse
apatisenter episenter real unreal experience som et. eventyr shock agency
catalyst heling change.. manusfilm filmmanus. manusfilmen innebærer en
tredeling mellom tekst forestilling og. virkelighet.. mens filmmanuset
prøver å skape en tydleig referanse til det virkelige. bygger manusfilmen
en forestillingsverden hvor bruddet eller forbindelsen. til virkeligheten
problematiseres eller gjøres om til selve temaet. på den. måten kan
manusfilmen kalles metafilmmanus.. filmmanuset er en tekst innenfor
rammene til en film. kan vi omvende dette. forholdet manusfilmen som en
film innenfor rammene til en tekst. filmmanuset er et språk basert på
virkeligheten mens manusfilmen er en. virkelighet basert på språket..
adynaton som navnet på manusfilmantologien til akton plutus betegner.
denne mulige kraftløsheten i forholdet til virkeligheten forestillinger.
som ikke nødvendigvis bekreftes av virkeligheten men som heller ikke.
avkreftes av språket.. volapuk. b nil notat. kval oppfølging. vi har egen
labrotte. labrador. pederaste gotere lager kvalm. lisens på dybdestruktur.
rat lab. virre. kameratchen. mod.numet mest profiler på dager med lite
annet. lens. zoomsleaze. cellefoto. vi skal ha ei bru. erfaringer.
gjenoppreise trotsky. internettgalleri. barn av trotsky ..
passbildeautomat rekonstruksjon oppdragsbasert bikkja i bakken. sjakkbrett
i taket brikker på gulvet.. blind. barn av trotsy fotoautomaton.. fly in
the infotainment. ointment.. semiologisk godtepose pop bildetekstteorier..
vinke til mannen digitale noemata se fig.. grådighet kreativitet. penger
kultur. kødde intensjon. business. poengtert dekonstruksjon av kjent
bildematerial installasjonene har som. mål å. underliggjøre. bildestoff
som har stivnet tilføyelig illustrasjoner til. historieskrivingen. gir
refleksjon. den lena huden. frihetens fantom. lawful truth. once upon a
honey moon. orlof. destry rides again. boby cast to hades.
realitetsteater. idag som streamer jailcambilder kvinnecellene også
selvfølgelig.. her nærmer man seg en ny teatersjanger basert på virkelig
panoptikon. (bentham) silentmovie komedie (chaplin de går jo rundt i
stripete. drakter) og absurdbanalteksistensielt antiteater (ingenting
skjer. eller gir mening).. her må norske teaterinstitusjoner lære evt.
også fengslene. norske. skuespillere får obligatorisk prøvespilling i
cellene. fanger gjør. audition til omsorg i frihet en musicalconcrete
koreografert av. terapeuter. hva er forskjellen på en instruktør og en
terapeut en. tyrannisk instruktør og en passiv terapeut fangevokteren er
en. terapeut som helbreder med passiv oppmerksomhet jfr. helbredelse ved.
bønn og placebo.. øå. more het tidligere fram media men ble våren kjøpt
opp av britiske. more group. driver med utendørsreklame og har kontorer
ved ullevål. stadion. var frem til salget en familiebedrift eid av de
kontroversielle. brødrene dag torstein og øystein tvenge.. øå etc. tt er
interessert i kunst . har vi noe boardsopplegg vi. kunne prøvd oss på i
forhold til more group ville de vært med på en type. kunst som var samfunn
og sosial ute i byrommet slik som reklamen. (innsalg). vi kan profilere oss
som kunstreklameadbusters eller noe i. denne sammenhengen og etterhvert
teste om de er interessert i andre ting i. tillegg byrommet for eksempel
tt var interessert i arkitektur forsto. jeg... noe sånt.. øå adbusters
samarbeid. stunt. spamme dikt opplag .. palindrombok på oppdrag til
skoleklasse. med forlag utgivelse.. noh og nauseous. støy og shite danser
i kollossale kostymer. transcendens.. noh hero krigerstykket. shite går ut
av kh the hero blind går ut. i trafikken byrommet er valplassen tulle med
trafikken over parken til. gardistene (kan passe bra de blir roller i
nohdramaet).. noh. krigerscenen ute i trafikken. alarmer butikkalarmer
utløse alle alarmer i et kjøpesenter samtidig. bilalarmer hvordan utløse
skrekkelig irriterende.. andre alarmer i byrommet kan gi følelse av at noe
skjer.. tukle med signalsystemet i byrommet. enkelt trafikklys lage noe
gags.. en par dusterbusters på hver side av overgangsfelt begynner å gå
når. rødt. de møtes noe tull en faller lage noe styr og når de er over så.
er det grønn mann igjen. forestilling tar bare et halvt minutt. gjenta på.
annet gatelys. forestilling for bilister og fotgjengere.. kulturfeltet som
et gravitasjonsfelt. media har stor gravitasjon.. naked butoh woman
theater. origami masker noh. en sensor inni kan generere bevegelse.
ansiktsuttrykk man relaterer veldig lett til minimal mimikk dødsmasker.
reagerer på lydene i rommet publikum kommuniserer.. kabuki faces se
speiling. ide lage v å speile. struktur.. faces feces ansikt i
ekskrementer.. kunstkapital. kunst marked. hva vil det si at noe er kunst
hva betyr det at noe er vare at. den et produkt en enhet til salgs kan
kjøpes. kunst at den er. tilgjengelig som det den er kjøpsalg tilsvarer
intellektuelt. kjøpsalg forhandling av verdi diskursen. hva er motiv og
effekt av å. se kunst og kapitalisme parallellt varen fastsettes som pris
pengeverdi. kunst fastsettes som uttrykksverdi fastsettes varen som objekt
og. kunsten som subjekt å si at noe er vare tilsvarer å definere som
objekt. og ytre manipulerbart. kunst å definere noe som subjekt og indre.
alt er. tall vs. alt er uttrykk. flåskinn. fluxus scripts akt on fluxus.
vsd flåskinn goed renvasive slmc. man with tape. hvorfor er jeg ikke her
nå. gr. gå på to. i etterkant. i etterkant når det gjelder dette med
newagenansen et poeng er kanskje. forskjellen tro vs betydningbruk. her er
en lite anerkjent holdning. hvorfor ikke tro på alt sammen men uten å la
det få den (oppblåste). betydning det vanligvis får. det ser ut fra dette
nemlig ut som. newagesverming henter næring fra selve troen på tingene og
ikke fra den. betydning de skulle ha eller den bruk de skulle ha av det
kort sagt. næring ved tabuden hemmelige meningdet skjulte. om denne
næringsveien. ble avskjært ville det kanskje bli klarere at disse tingene
ikke har den. kolossale betydning det ser ut til at de har.. dette bygger
antagligvis på at vi ser bare ett skritt foran oss om gangen.. og siden
disse tingene ikke er anerkjente så vil man ha som sitt mål å få. dem
anerkjent mer enn noe annet mål som første skritt og ved å holde. tingene
i denne tilstand forsikres man om at svermere blir svermende rundt. et
slikt begrenset perifert mål heller enn å la dem oppdage tingenes.
(mindre) betyding noe som ville ha vært det neste naturlige skrittet (man.
forhindres i å ta).. ut fra dette skulle det da tilsi at om man rett og
slett anerkjente. newageting ville man være befridd fra svermingen rundt
dem og se dem i. lys av mer reelle forhold og dermed hvor liten betydning
de faktisk har og. hvor bortkastet det helst er.. og dermed ser man altså
at den betydningen newagetingene har for. svermingen er avhengig av at man
ikke anerkjenner tingene (det er faktisk. mulig at om man si fra offisielt
hold anerkjente slike ting som. faktiske mulige eller sannsynlige ting
ville få svermerne på nakken. (siden det truer 'opposisjonell' livsførsel
(at man lager seg en. illusorisk fiende for å definere seg selv)) de dør i
lyset så og si og. at det ville fremme 'sunnhet i tingene'.). slik basert
kan man lage seg ett nytt credo. a. anerkjenner etthvert credo.. b.
anerkjenner inntil det absurde.. c. anerkjenner inn i det absurde.. d.
anerkjenner det absurde.. hva skjer ut fra dette om jeg sier jeg tror på
telepati synskhet. reinkarnasjon evig liv ufoer magi underjordiske engler
djevler. sjelen bevisstheten ånden kosmos gud himmelen helvete frelse.
frelseren den opplyste mesteren den innvidde okkultisme okkult. trening
levitasjon psykokinese ånd over materie guddommeliggjøring.
kosmiskmikrokosmisk evolusjon.... Code and its Double (cont'd). Code and
its Double (cont'd). codework in relation to brain asymmetry and
neuropsychology. The results of studies of nonhuman species show that
lateral. asymmetry is a property not unique to humans. The demonstration
of. asymmetry in nonhuman brains implies that asymmetry in the human.
brain is directly related neither to handedness nor to language but.
rather to analysis of sensory information and control of movement..
Comment Asymmetry is at the code level processing information in. double
modi.. Brain asymmetry summary From these basic ideas about distinct.
functions of the two hemispheres has arisen the idea that the. hemispheres
represent two distinct modes of cognitive processing (see. Springer and
Deutch).The left hemisphere operates in a more.
logicalanalyticalcomputerlike fashionanalyzing stimuli input. sequentially
and abstracting the relevant details to which it attaches. verbal
labels.The right hemisphere is primarily a synthesizermore. concerned with
the overall stimulus configurationand organizes and. processes information
as gestaltsor wholes.. Comment Brain asymmetry correlations to codework
jot version. Left hemisphere time analysis language symbol code text.
instruction execution...... Right hemisphere space synthesis matter data
ambience. context surface code diffusion...... Laterality leads to the
notion that two different minds control our. behavior.. Comment Which
doesn't mean they can be separated. Code's double are. the twofold of
information processing time and spacebased which. correlates to code as
languageformatives and code as matterform. or again as instruction and
data in the interpreting machine.. The left hemisphere plays a special
role in producing and. understanding language.. whereas the right
hemisphere specializes in. perceiving and synthesizing nonverbal
information... Comment Code and its double as text and context or as
other. traditional dichotomies activepassive lightshadow orderchaos. the
onethe other intelligencemonster etc. which is also reflected. in the
traditional meaning of sinister as left ie. righthemisphere.. Stimulation
can produce what Penfield called interpretive and. experiential
responses.These uncommon but often highly reliable. phenomena include
alterations in the interpretation of the patients. surroundingssuch as
deja vufearand dreaming states and the. reproduction of visual or auditory
aspects of specific earlier. experiences.That patients report specific
memories in response to. specific stimulation. These phenomena usually
arise from tissue. showing epileptogenic dischargebut there is an
asymmetry in their. occurrencestimulation of the right temporal lobe
produces these. phenomena more frequently than does stimulation of the
left temporal. lobewhich suggests that the right hemisphere has perceptual
functions. not shared by the left.. The Kimura experiments imply that the
left hemisphere is specialized. for processing languagerelated
soundswhereas the right hemisphere. processes musicrelated sounds.There
ishoweveranother. interpretation.It is possible that the asymmetry is
related to the. temporal or spectral structure of the sounds their rhythm
and. frequency rather than to language and music themselves.Considerfor.
examplethe finding by Papcun and colleagues. They showed that. Morsecode
operators have a rightear superiority for the perception. of the codeeven
though the sounds are distinguished only by their. temporal structure..
Comment The temporal is on the code source side of running code.
executables performatives which refracts into space code matter. spectrum
specters. There's no fundamental difference like instruction. is also data
but of interpretation processing speed frequencies. and like the continuum
of spacetime.. Rudel and coworkers found that both blind and sighted
subjects read. Braille more rapidly with the left hand.Some children are
actually. fluent readers with the left hand but are totally unable to read
with. the right.Because Braille patterns are spatial configurations of
dots. this observation is congruent with the proposal that the right.
hemisphere has a role in processing spatial information that is not.
shared by the left.. Comment Code and its double ar both active both coded
though the. former often is interpreted as instruction and the latter as
data. or light and shadow.. Table. Summary of data on cerebral
lateralization. Function Left hemisphere Right hemisphere. Visual system
Letters words Complex geometric patterns. Faces. Auditory system
Languagerelated Nonlanguage environmental sound. sound Music.
Somatosensory Tactile recognition of complex. system patterns Braille.
Movement Complex voluntary Movements in spatial patterns. movement. Memory
Verbal memory Nonverbal memory. Language Speech Prosody. Reading. Writing.
Arithmetic. Spatial Geometry. processes Sense of direction. Mental
rotation of shapes. Several authors (for exampleEfron)have suggested that
it is not. motor control itself that is located in the left hemisphere but
rather. the capacity for the fine resolution of stimuli in time.. Comment
Which is again to state code's inseparability in spacetime. as speed and
matter running code and output.. Zatorre proposed that the auditory
cortices in the two. hemispheres are therefore specialized such that
temporal resolution is. better in the left and spectral resolution is
better in the right. auditory areas.. Comment Or again like the theater
and its double as time and spectrum.. Rather than specifying different
processing of specified. psychological processesother specialization
models focus on the. idea that the two hemispheres might process
information in distinctly. different ways.. Comment Which is basically
code and its double.. The first clear proposal of different information
processing was. made by Josephine Semmes in .On the basis of the results
of her. previous studies of World War II veterans suffering from
penetrating. brain injuriesSemmes concluded that the left hemisphere
functions as. a collection of focalized regionswhereas the right
hemisphere. functions more diffusely.. Comment No comment.. A large lesion
of the right hemisphere produces many more. deficits than would be
predicted from the total of smaller lesions. because an entire functional
field is removed.A large lesion of the. left hemisphere produces many
deficits simply because many small focal. regions have been destroyed that
isin the left hemisphere the total. is equal to the sum of the parts.
Semmes proposed that this. differential organization of the two
hemispheres is advantageous for. efficient control of their respective
functions.The diffuse. organization of the right hemisphere is seen as
advantageous for. spatial abilitiesbecause spatial analysis requires that
different. sensations (visualauditory tactile)be integrated into a single.
percept.Language functionsin contrastremain discrete individual. units in
the left hemisphere.. Comment Code and its double creates and maintains
different domains. different magnitudes and spectrums of frequencies..
People use the word sinister as a synonym for wicked or. evil.Originally a
Latin word meaning lefthand sideour contemporary. English meaning implies
that lefthandedness has been historically. viewed at best as strange or
unusual.. Comment Which is to say that code's double has its own
intelligence. far from being dead output from executions.. At least six
significant behavioral differences are sex. relatedverbal ability
visuospatial analysismathematical. abilityperceptionmotor skillsand
aggression.Although the precise. causes of cognitive sexrelated
differences are unknownbiology likely. plays a part.Consider the following
dataRichard Harshman and his. associatesin a very ambitious study of the
interaction of sex and. handedness in cognitive abilitiesfound a
significant interaction. between sex and handednessthat issexrelated
differences in verbal. and visuospatial behavior vary as a function of
handedness.(Recall. that Witelson found that callosal size also varies by
sex and. handedness.)It is difficult to imagine how biological or
environmental. factors alone could account for this result.It is thus very
plausible. account for sexrelated differences partly by neurological.
factors that may be modulated by the environment.. Comment Introducing
gender issues in codework.. In an analysis of reading skillsDennis and her
coworkers found that. both hemispheres had almost equal ability in
higherorder reading. comprehension howeverthe left hemisphere is superior
to the right in. reading and spelling unfamiliar words and in using
sentence structure. achieve fluent reading. The left hemisphere also reads
prose. passages with greater decoding accuracy more fluencyand fewer
errors. that violate the semantic and syntactic struc ture of the.
sentence.The superiority of the left hemisphere seems to be its. ability
to manipulate and exploit language rules.Yet the right. hemisphere is not
without its strengths in language.Performance is. better with the right
hemisphere in a task that requires learning an. association between
nonsense words and symbols.. Comment Parsing and (re)integration of code
code working on code. as instruction or data data as instruction or
instruction as data.. In summarizing the results of studies on
languageDennis suggests. that if written language structure is thought of
as a combination of. meaning cues (morphology)sound cues (phonology)and
picture cues. (logography) then the isolated left hemisphere will show
superior. performance with morphology and phonology and inferior
performance. with logographic cues.The isolated right hemisphere will show
superior. performance with logographic cues and inferior performance with.
morphological and phonological cues. Kohn and Dennis found an almost.
analogous pattern of results on tests of visuospatial function.They.
observed thatalthough patients with right hemispherectomies. performed
normally on simple tests of visuospatial functions such as. drawingthey
were significantly impaired on complex tests such as. negotiating a maze
and reading a map.. Comment The time of code and space of its double.. To
summarizeeach hemisphere can assume some of its opposite s. functions if
the opposite hemisphere is removed in he course of. development but
neither hemisphere is totally capable of mediating. all of the missing
hemispheres functions.Thusalthough the. developing brain gives evidence of
considerable plasticitythere is. convincing evidence against
equipotentiality both hemispheres appear. have a processing capacity that
probably has an innate structural. basis.. Comment Which is to state
code's doubleness the interweaving of. different processing interpreted
instruction or data for each other.. All models of cerebral development
must answer he question of how. functions become restricted to one
hemisphere rather than becoming. bilateral. The interactive
paralleldevelopment hypothesis answers. that question. In a series of
papersMorris Moscovitch emphasized the. possibility that one hemisphere
actively inhibits the otherthus. preventing the contralateral hemisphere
from developing similar. functions. This active inhibition presumably
develops at about age. as the corpus callosum becomes functional. as
inhibitor. Comment In regard to codework the corpus callosum is the
mediator. and inhibitor of code from its double and occupies the border
between. sense and surface time and space source code and code source
speed. and matter and assures their workings by inhibiting selfreference.
(code as nothing) and decoding (of the double) producing meaning and.
remains.. From Fundamentals of Human Neuropsychology Fifth Edition.. Bryan
Kolb and Ian Q. Whishaw Univ. of Lethbridge Alberta .. Cerebral asymmetry.
Variations in cerebral asymmetry. CEREBRAL ASYMMETRY. A striking feature
of the organization of the human brain is that. the two hemispheres of the
human brain are anatomically and. functionally asymmetrical.The asymmetries
in structure are visible. not only in an overall view but also at the level
of the morphology of. the individual neuronand the asymme tries in function
exist not only. in neurological patients but also in the normal
brain.Although there. is little disagreement about the facts of asymmetry
in the human. brainthere is considerable disagreement about why the two
hemi. spheres are asymmetrical and about what the asymmetry means in
regard. how we humans process information.. Laterality leads to the notion
that two different minds control our. behavior.. The left hemisphere plays
a special role in producing and. understanding language.. whereas the
right hemisphere specializes in. perceiving and synthesizing nonverbal
information... Overallanatomical asymmetries center on the language
areasand it. is tempting to speculate that they evolved to subserve.
language.Moreoverthese asymmetries are present in preterm. infantswhich
seems to support the proposition that language is innate. in humans.. With
all the emphasis on finding anatomical asymmetries that can be. asso ciated
with languageresearch on righthemisphere function has. lagged.If the left
hemisphere has asymmetries related to languagethen. the right hemi sphere
must have specialized for some other. function.After allthe two hemi
spheres are quite similar in size and. other symmetriesit is not as though
language areas evolved on the. left and nothing happened on the right..
Stimulation can produce what Penfield called interpretive and.
experiential responses.These uncommon but often highly reliable.
experiential responses.These uncommon but often highly reliable




192


phenomena include alterations in the interpretation of the patient s.
surroundingssuch as deja vufearand dreaming states and the. reproduction
of visual or auditory aspects of specific earlier. experiences.That
patients report specific memories in response to. specific stimulation.
These phenomena usually arise from tissue. showing epileptogenic
dischargebut there is an asymmetry in their. occurrencestimulation of the
right temporal lobe produces these. phenomena more frequently than does
stimulation of the left temporal. lobewhich suggests that the right
hemisphere has perceptual functions. not shared by the left.. Disruption
of speech is a welldocumented effect of stimulation of. the left
hemispherebut only recently has stimulation of the right. hemisphere been
shown to disrupt behavior.Ojemann and his colleagues. reported that
stimulation of the right hemisphere disrupts judgments. of line
orientationlabeling of facial expressionsand shortterm. memory for faces..
Although language is usually located in the left hemispherein a. small
percent age of peoplemost of them lefthandedlanguage is. represented in
the right hemisphere.. The auditory system is not as completely crossed as
the. visualbecause both hemi spheres receive projections from each ear..
Tests Showing a RightEar Advantage Digits Words Nonsense. syllables
Formant transitions Backward speech Morse code Difficult. rhythms Tone
used in linguistic decisions Tonal sequences with. frequency transitions
Ordering temporal information Movementrelated. tonal signals. Tests
Showing a LeftEar Advantage Melodies Musical chords. Environmental sounds
Emotional sounds and hummed melodies Tones. processed independently
Complex pitch perception. The Kimura experiments imply that the left
hemisphere is specialized. for processing languagerelated soundswhereas
the right hemisphere. processes musicrelated sounds.There
ishoweveranother. interpretation.It is possible that the asymmetry is
related to the. temporal or spectral structure of the sounds their rhythm
and. frequency rather than to language and music themselves.Considerfor.
examplethe finding by Papcun and colleagues. They showed that. Morsecode
operators have a rightear superiority for the perception. of the codeeven
though the sounds are distinguished only by their. temporal structure..
Rudel and coworkers found that both blind and sighted subjects read.
Braille more rapidly with the left hand.Some children are actually. fluent
readers with the left hand but are totally unable to read with. the
right.Because Braille patterns are spatial configurations of dots. this
observation is congruent with the proposal that the right. hemisphere has
a role in processing spatial information that is not. shared by the left..
Candace Gibson and Phil Bryden presented subjects with cutouts of.
irregular shapes or letters made of sandpaperwhich were moved slowly.
across the fingertips.Their subjects showed a righthand advan tage. for
identifying letters and a lefthand advantage for denti fying. other
shapes.. The right side of the mouth opens wider and more quickly than
the. left for both verbal and nonverbal tasks.Goodale s observations.
support the idea that the left hemisphere has a special role in the.
selectionprogramming and production of verbal and nonverbal oral.
movements. Is there an analogous role for the right hemisphereIndeed.
there is. Considerable evidence shows that the left side of the face.
displays emo tions more strongly than the right sideand Goodale. showed
that the onset of facial expressions occurs sooner on the left. side of
the face.. What Is Lateralized It is tempting to conclude that the
functional. asymmetries described thus far indicate a fundamental
difference in. the basic cognitive processes of the left and right
cerebral. hemispheres. Howeverbefore turning to this matterwe will
consider a. summary of the databecause any theoretical statements are
best. considered in light of available information. Table below
summarizes. the major data on cerebral lateralization and illustrates the
range of. functions lateralized principally n the left and right
hemispheres.In. righthanded peoplethe left hemisphere has a greater role
in language. and in the control of complex voluntary movements than does
the. right hemisphereand the right hemisphere has a greater role in the.
control of certain visuospatial and nonverbal abilities.. Table. Summary
of data on cerebral lateralization. Function Left hemisphere Right
hemisphere. Visual system Letters words Complex geometric patterns. Faces.
Auditory system Languagerelated Nonlanguage environmental sound. sound
Music. Somatosensory Tactile recognition of complex. system patterns
Braille. Movement Complex voluntary Movements in spatial patterns.
movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody.
Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of
direction. Mental rotation of shapes. A truly enormous number of proposals
have been made on what is. lateral ized in the brain (see Allen for a
readable summary).At the. broadest level these theories fall into two
groupsspecialization. theories propose unique functions for each
hemisphereand interaction. theories propose cooperation between the two
hemispheres.. Several authors (for exampleEfron)have suggested that it is
not. motor control itself that is located in the left hemisphere but
rather. the capacity for the fine resolution of stimuli in time.In other.
wordsbecause the analysis and production of speech require fine.
discrimination over very short intervalsthe left hemisphere might be.
specialized for temporal sequencing (organizing be havior or. information
or both over time).Elaborations of this idea have stressed. the capacity
of the left hemisphere to make fine discriminations in. timewhether or not
the stimuli are verbal (seefor. exampleSergent).Recall the study of
Morsecode operators discussed. earlierthere is a lefthemisphere advantage
even though the code is. not verbal it is a temporal sequence. Zatorre and
his colleagues. expanded the Efron timing idea by emphasizing that speech
and musical. sounds exploit different acoustical cuesspeech is highly
dependent on. rapidly changing broadband soundswhereas tonal pat terns of
music. tend to be sloweralthough small and precise changes in fre quency.
are important.Zatorre proposed that the auditory cortices in the two.
hemispheres are therefore specialized such that temporal resolution is.
better in the left and spectral resolution is better in the right.
auditory areas.. Rather than specifying different processing of specified.
psychological processesother specialization models focus on the. idea that
the two hemispheres might process information in distinctly. different
ways.. The first clear proposal of different information processing was.
made by Josephine Semmes in .On the basis of the results of her. previous
studies of World War II veterans suffering from penetrating. brain
injuriesSemmes concluded that the left hemisphere functions as. a
collection of focalized regionswhereas the right hemisphere. functions
more diffusely. To account for these differencesSemmes. argued that a
person with a small lesion in the right hemisphere. exhibits no
deficitsbecause specific functions are not localized in. discrete regions
in the right hemispherethe functions being diffusely. represented.A large
lesion of the right hemisphere produces many more. deficits than would be
predicted from the total of smaller lesions. because an entire functional
field is removed.A large lesion of the. left hemisphere produces many
deficits simply because many small focal. regions have been destroyed that
isin the left hemisphere the total. is equal to the sum of the parts.
Semmes proposed that this. differential organization of the two
hemispheres is advantageous for. efficient control of their respective
functions.The diffuse. organization of the right hemisphere is seen as
advantageous for. spatial abili tiesbecause spatial analysis requires that
different. sensations (visualauditory tactile)be integrated into a single.
percept.Language functionsin contrastre main discrete individual. units in
the left hemisphere.. From these basic ideas about distinct functions of
the two. hemispheres has arisen the idea that the hemispheres represent
two. distinct modes of cognitive processing (see Springer and Deutch).The.
left hemisphere operates in a more logicalanalyticalcomputerlike.
fashionanalyzing stimuli input sequentially and abstracting the. relevant
details to which it attaches verbal labels.The right. hemisphere is
primarily a synthesizermore concerned with the overall. stimulus
configurationand organizes and processes information as. gestaltsor
wholes.. Preferred cognitive mode refers to the use of one thought process
in. preference to another.At one extremepeople who are.
logicalanalyticaland verbal are assumed to rely more on their left. hemi
spheres to solve problems n everyday lifewhereas people who are. visualin
tuitiveand tend to look at the big picture are assumed to. rely more on
their right hemispheres.Consider an examplealbeit a. tongueincheek one.
Two professorsAlpha and Betaare both excellent. scholarsbut they work and
think in totally different ways. Alpha is. meticulous and leaves no detail
to chancewhen learning new ma. terialhe masters every detail and has total
command of the. topic.Alpha is ver bal and easily wins debates with his
quick. thinking and elegant arguments.His writing is clear and
concisewith. flawless grammar and spelling.Alpha is athletic and is a
nationally. ranked tennis player.Curiouslyhe is only mediocre at other
sportsbut. with prolonged practice he is able to master them.Alpha s
office is. neat and tidywith every item carefully placed in its correct.
location. On his desk is the project on which he is currently working. and
nothing else. Beta appears to be messy and disorganized compared. with
Alpha and has poor recall for details.He grasps the heart of an. idea
quicklyhoweverand can tie diverse concepts into a meaningful.
picture.Communicating his thinking poses Beta a challengehoweverfor. he
has difficulty expressing his ideas in words.Like AlphaBeta is.
athleticbut Beta acquires the general motor skills of new sports.
rapidlyalthough he has never been able to become a top participant in. any
event.In contrast with Alphawho works on only one project at a. time Beta
works on several projects concurrentlyleading to piles of. papers and
books in his work spaceunlike Alpha s meticulous desk. In. both the
cognitive and the motor skills of Alpha and Beta is a basic. dif ference
that is assumed to correspond to a fundamental difference. either in brain
organization or in the dominance of one hemisphere. over the other. Alpha
and Beta represent extreme lefthemisphere and. righthemisphere peo
plerespectively.The fundamental difference. between them is their
preferred cognitive mode.Alpha is. analyticallogicalverbaland
meticulouswhereas Beta is a synthesizer. more concerned with organizing
concepts and visualizing meaningful. wholes. As intriguing as the Alpha
and Beta analysis might bewe. caution that it is pure speculationwithout
empirical basis.Factors. other than brain organiza tion probably
contribute to preferred. cognitive mode.. In an examination in our
undergraduate course in human neu. ropsychologywe askedIn what ways is the
human brain symmetrical. Thinking it to be a trick questiona majority of
the students. answeredIt isn t symmetricalit s asymmetrical.This answer
is. wrongbecause many functions especially of the primary sensory and.
motor areas appear to be identical on the two sides of the brain..
VARIATIONS IN CEREBRAL ASYMMETRY. People use the word sinister as a
synonym for wicked or. evil.Originally a Latin word meaning lefthand
sideour contemporary. English meaning implies that lefthandedness has been
historically. viewed at best as strange or unusual.. Summary of handedness
in performing various tasks. Left Either Right. Task () () (). Dealing
cards . . .. Unscrewing jar . . .. Shoveling . . .. Sweeping . . ..
Writing . . .. Striking match . . .. Throwing ball . . .. Hammering . . ..
Using toothbrush . . .. Using racket . . .. Using scissors . . .. Although
the belief that cognitive functions are more bilaterally. organized in
lefthanders than in righthanders is widespread in the. neurological
literature little evidence exists for this. generalization.. There is a
larger incidence of lefthandedness among mentally. defective children and
children with various neurological disorders. than is found in the general
population.This finding is not. surprisingbecauseif the dominant hemisphere
is injured at an early. agehandedness and dominance can move under the
control of what would. normally be the nondominant hemisphere.Because
there are so many more. righthanded childrenit can be expected by
probability alone that. more right handed children with lefthemisphere
damage would switch. righthemisphere dominance than would switch in he
reverse. direction.That such switching can take placehowevercannot be used
as. grounds for predicting cognitive deficits or differences in cerebral.
organization in the general population of lefthanders.. High estrogen
levels are associated with relatively depressed. spatial ability as well
as enhanced articulatory and motor capability.. Kimura showed that men s
spatial scores fluctuate with testosterone. levelsmen with lower
testosterone levels get the highest scores.So. there appears to be an
optimal level of testosteroneand increasing. the level is actually
detrimental to cognitive performance.. Furthermoremen with lower average
levels of testosterone do better. on both spatial tests and on
mathematical reasoning tests than do. those with higher levels.A
reasonable question is whether there is. also a relation be tween
testosterone level and spatial ability in. women.There is.Women with
higher levels do betteragain suggesting. that some optimal hormone level
benefits at least some cognitive. activities.. As already mentionedthe
difference in strategies used by men and. women to solve problems may be
at least partly responsible for the. observed sex differ ences in
behavior.Geneticmaturationaland. environmental factors may pre dispose men
and women to prefer. different modes of cognitive analysis. Women solve
problems primarily. by using a verbal modefor example. Because this
cognitive mode is. less efficient in solving spatial problemswomen exhibit
an apparent. deficiton average.By the same logicwomen should do better than
men. at primarily verbal taskson average.This proposition has yet to be.
thoroughly investigated.. At least six significant behavioral differences
are sex. relatedverbal ability visuospatial analysismathematical.
abilityperceptionmotor skillsand aggression.Although the precise. causes
of cognitive sexrelated differences are unknownbiology likely. plays a
part.Consider the following dataRichard Harshman and his. associatesin a
very ambitious study of the interaction of sex and. handedness in
cognitive abilitiesfound a significant interaction. between sex and
handednessthat issexrelated differences in verbal. and visuospatial
behavior vary as a function of handedness.(Recall. that Witelson found
that callosal size also varies by sex and. handedness.)It is difficult to
imagine how biological or environmental. factors alone could account for
this result.It is thus very plausible. account for sexrelated differences
partly by neurological. factors that may be modulated by the environment..
Most studies of cultural differences center on language.Asian. languages
such as Japanese and Chinese might promote more. righthemisphere
involvement than European languagesbecause the Asian. languages appear to
have more prosody (or song).Those who speak two or. more languages may
develop a different pattern of language. organization from that of those
who speak only one. The results of. laterality studies lend some support
to the idea that Asian and Native. American languages may be represented
more bilaterally in the brain. thanfor exampleSpanish.. The Japanese
writing system provides an unusual opportunity for. studying cerebral
organization becauseunlike IndoEuropean writingit. consists of two types
of symbolsphonograms (kana)and ideograms. (kanji).Phonograms are analogous
to English letterseach phonogram. represents a spoken sound. In contrastthe
ideogram represents a unit. of meaningwhich may corre spond to a word or
words.In readingthe. brain may process these two types of characters.
differentlyfurthermorethe right hemisphere might process kanji while. the
left hemisphere processes kana.There is little support for ei. ther
idea.For examplein a large series of patientsSugishita and his. col
leagues found no clear relation between deficits in reading. either script
and locus of lefthemisphere injury.In factmost of. their cases were
impaired equally in both forms of reading.. In an analysis of language
abilitiesMaureen Dennis and Harry. Whitaker found thatunlike
righthemisphere removalsleft. hemispherectomies produce deficits in
understanding spoken language. when the meaning is conveyed by complex
syntactic. structureparticularly if the sentence contains an error (for.
exampleThe tall guard wasnt shot by the armed robber. ).Likewiseremoving
the left hemisphere leads to difficulty in. determining sentence
implicationin integrating semantic and syntactic. information to replace
missing pronounsand in forming judgments of. word interrelations in
sentences.. In an analysis of word comprehensionDennis found that both.
hemispheres understand the meaning of words and both can spontaneously.
produce lists of names of things.In a search for words by using. different
cueshoweverthe left hemisphere has an advantage over he. right.Both
hemispheres can name an object from its picture or from its.
descriptionbut the left hemisphere can identify the object on the. basis
of rhymes withwhereas the right hemisphere is oblivious to. this type of
cue.. In an analysis of reading skillsDennis and her coworkers found that.
both hemispheres had almost equal ability in higherorder reading.
comprehension howeverthe left hemisphere is superior to the right in.
reading and spelling unfamiliar words and in using sentence structure.
achieve fluent reading. The left hemisphere also reads prose. passages
with greater decoding accuracy more fluencyand fewer errors. that violate
the semantic and syntactic struc ture of the. sentence.The superiority of
the left hemisphere seems to be its. ability to manipulate and exploit
language rules.Yet the right. hemisphere is not without its strengths in
language.Performance is. better with the right hemisphere in a task that
requires learning an. association between nonsense words and symbols.. In
summarizing the results of studies on languageDennis suggests. that if
written language structure is thought of as a combination of. meaning cues
(morphology)sound cues (phonology)and picture cues. (logography) then the
isolated left hemisphere will show superior. performance with morphology
and phonology and inferior performance. with logographic cues.The isolated
right hemisphere will show superior. performance with logographic cues and
inferior performance with. morphological and phonological cues. Kohn and
Dennis found an almost. analogous pattern of results on tests of
visuospatial function.They. observed thatalthough patients with right
hemispherectomies. performed normally on simple tests of visuospatial
functions such as. drawingthey were significantly impaired on complex
tests such as. negotiating a maze and reading a map.. To summarizeeach
hemisphere can assume some of its opposite s. functions if the opposite
hemisphere is removed in he course of. development but neither hemisphere
is totally capable of mediating. all of the missing hemispheres
functions.Thusalthough the. developing brain gives evidence of
considerable plasticitythere is. convincing evidence against
equipotentiality both hemispheres appear. have a processing capacity that
probably has an innate structural. basis.. All models of cerebral
development must answer he question of how. functions become restricted to
one hemisphere rather than becoming. bilateral. The interactive
paralleldevelopment hypothesis answers. that question.In a series of
papersMorris Moscovitch emphasized the. possibility that one hemisphere
actively inhibits the otherthus. preventing the contralateral hemisphere
from developing similar. functions.This active inhibition presumably
develops at about age as. the corpus callosum becomes functional. as
inhibitor. There is also evidence from primates that the two hemispheres
may. differ in their production of facial expressions.Splitbrain monkeys.
viewed video tapes of peoplemonkeysother animalsand sceneryand. the amount
of time spent watching the recordings and the number of. speciestypical
facial expres sions made were recorded.The number of. facial expressions
elicited from the right hemisphere was greater than. the number made when
using the left hemispherewhich is what one. would predict from studies of
humans.In another studyHauser found. that the left side of he monkey s
face began to display facial. expression before the rightand it was more
expressive.Recall from. Chapter that a similar result was reported for
humans.. The basis for handedness in humans has been the focus of much
debate. and theorizingyet there is still no adequate explana tion for why.
people are either rightor lefthanded.More progress has been made in.
understanding the nature of sex differences.The most likely explana. tion
is that gonadal hormones alter brain organization during. development and
continue to influence brain activity during adulthood.. The results of
studies of nonhuman species show that lateral. asymmetry is a property not
unique to humans.The demonstration of. asymmetry in nonhuman brains implies
that asymmetry in the human. brain is directly related neither to
handedness nor o language but. rather to analysis of sensory information
and control of movement.. Arithmeticomaterial drives. Arithmeticomaterial
drives are firstly generated in the moment. when matter is formed
according to the mathematical model of it given by. such science. One
result of such objectivisation is the Standard Object. the modular
component typical of globalised trade but with its roots. deep for
instance in the licenses afforded the monopolistic guilds of. the Middle
Ages and the history of trading generally. Everything from. ships to
pizzas are quality assured subject to rigorous treaties and. processes of
standardization. These are typical results of industrial. production. The
second stage is when this process of standardization. becomes so
abstracted it becomes amenable to massive acceleration in. production. The
human work put into the production is scanned abstracted. and multiplied by
means of machinic energy. Once turned into numbers. registered as a pattern
the actor of the work can be discarded and the. pattern accelerated. When
hooked up to processes of production we get the. discovery that according
to Walter Benjamin ...the speed of traffic and. the ability of machines to
duplicate words and writing outstrips human. needs. The energies that
technology develops beyond this threshold are. destructive. First of all
they advance the technology of war and its. propagandistic preparation.
Overproduction the massive churning of. ordered matter and of markets one
might also say that any development. beyond this threshold might be
captured by forces other than war for. redistribution for the reshaping of
work for burning. One of the aims. of art is to capture this excess away
from the apparatus of war.. matthew fuller freaks of number nettime. con
kunstneren bare etterligner betingelsene og ser om resultatene kommer.
likevel i tilfelle er et con opplegg avslørt. etterlignerne kan
sammenlignes. med reproduserbarheten i vitenskapsteori men der kunsten
hevder å ikke være. reproduserbar er det reproduserbart er det ikke kunst
så det er et omvendt. forhold.. finn kunsten. en utstilling som går ut på
å skille kunsten fra ikkekunsten som er utstilt.. fasit fåes ved utgangen
kan kjøpes eller leve i evig uvisse om hva som var. kunst og ikke.
tilbakemeldingskjemaer kanskje støttet av forskningsrådet. ref.. 'lag
kunsten' prosjektet i andre enden av linja.. lag kunsten. her skal
kunstnere stille ut ikkekunst de har lagd sammen med kunst som.
ikkekunstnere har lagd og kunst som ikke er lagd (men generert uttenkt.
utenkt etc). ref. 'finn kunsten'.. N'stats the boodhi lard. N'stats. Day
Month. Hits Files Pages Visits Sites KB Visits Pages Files Hits. Nov. Oct.
lard. art has disappeared as a symbolic pact remaining prolification of
signs ad. infinitum as 'culture' auto.noemata automatic art. the situation
resembles. that of a currency which may not be exchanged it can only float
its only. reference itself impossible to convert into real value or wealth
noema. kroner the impossible of noemata projects their floating like
quixote. phantasies manusfilms and inconceptual art.. art no longer has
that secret collusiveness which is the strength of a culture.. free sperm
donor. general indifference please remove me as only emotional response.
profound indifference everybody is an art is true. the system runs less on
the surplusvalue of the commodity than on the. aesthetic. surplusvalue of
the sign no matter how marginal banal or obscene everything. is subject to
aesth. cult. museum.zation.skrevet i stein. mime its own disappearance
abandoning its field completely to advertising. maybe not. like the prax
of baroq we too are irrepressible creators of images but. secretly
iconoclasts we manufacture a profusion of images in which there is.
nothing to see leave no trace cast no shadow and have no consequences..
anyhr. fascination of the erasure rewrite full compression code cipher.
our images are like icons miraculous they allow us to go on believing in
art. while eluding the question of its existence.iconicity dragon body
laburint. beyond the indifference art as uglierthan.ugly bad worse raised
to the. second. power because it is liberated of its relation with its
opposite bemyghost. transaesthetic blasts. the promotional ignition of art
is directly linked to the impossibility of all. aesthetic evaluation. art
market a space opera in the hyperspace of. value.robot. opera. tourism
people who no longer undertake voyages but simply go round and round. in
circles tracerouteping travel agency. television is an image who no longer
dreams or imagines. Every aspect of human beings their bodies in their
biological mental. muscular or cerebral manifestations now floats free in
the shape of mechanical. or computeraided replacement parts. man is the
satelite.passive tense. endnodes terminals. whatever fails to achieve
orbital power is left in a state of abandonment.. demonic pregnancy. so
many messages and signals are produced that they can never possibly all
be. read.. so many reports archives documents and not a single idea
generated.. we are witnessing the rise of terrorism as transpolitical form
cancer aids. trans. These forms alone fascinates us today. Nobody is the
slightest. interested in liberation political discussion c. These forms
are excesses and. collapses of code viral fascinating indiscriminate and
reinforced by viral. media our culture also produces the most murderous
viruses. catastrophe. culture. we all enjoy these things. nothing code
stagings. operational whitewash overexposed defenceless without any way of
refracting. light info doomed in consequence to a whitewash of all activity
codedecode. IO labora trashmaps maze digital technique. relinquish identity
to survive endnodes net computer. operations not actions regulated
machinery nothing takes place. better to produce nothing in order to have
things produced artists better to. have nothing to say if one seeks to
communicate socials as everyone knows. if. you want to make people laugh
it is better not to be funny powers. in order for content to be conveyed
as well and quickly as possible that. content should come as close as
possible to transparency and insignificance. empty intimate. good
communication implies the annihilation of its own content. avoid.
everything. jogging joke The body of the jogger is like one of Tinguely's
machines. ascesis. and ecstasis of the performance principle. Making the
body run soon gives way. moreover to letting the body run the body is
hypnotized by its own. performance. and goes on running on its own in the
abscence of a subject like a. somnambulistic and celibate machine. jogging
and working at a computer may be. looked upon like drugs get us to take
pleasure to dream to feel.. note that even the term society has lost its
meaning.. j baudrillard. bestill papirutgaven. bestill papirutgaven for .
kr. forfatteren håndskriver boken beregnet. arbeidstid uker.. TVaksjonen.
TVaksjonen. ( (. ) ( ( ( (. Børsebærere kommer på døren Skru av eller så
skyter vi TV'en sund. Kom igjen. kjappa på. Eller slik som NRK's
lisensinnkrevere ringer på døra til alle som ikke har TV. så kan
aksjonister ringe på til de som har Vi tror du har TV kan du være. vennlig
å skru av vi har en aksjon gående og TV'en din interfererer med våre.
sanseapparater vi tror de går på samme frekvens vi har sagt fra til NRK
og. bedt dem skru av TV men de vil heller fortsette å sende hvorfor Vi
lurer på. om det er spæm vi hadde dette apparatet men så kom det bare
søppel inn uten at. noen hadde bedt om det og skal vi betale for å laste
det ned på skjermen Det. ser ut som søppel alle slags hexfarger i
innpakning og flash Hallo sjå hersgfla sdkjxd da logger vi av. Takk for
bidraget. Logg av TV er kanskje bedre.. Nei jeg sitter og ser på monitoren
hvor er musepekeren forresten har. programmet hengt seg Dette tastaturet
var snålt infrarødt Jøss der kom jeg. inn i DOS hvor er markøren Velkommen
til TekstTV norsk lynx versjon Her. virker tastaturet igjen men ikke
hyperlenker dette var jo tungvint. TV hva. skal det forestille skal det
erstatte PC dette tar aldri av her har. produsentene virkelig kjørt i
grøfta. Televisjon det høres så fint ut se. fjerne steder et øye i verden
men jeg tror søpla er mer interessant der er. emballasjen til grillpølsene
hvor er de hvem skulle trodd at de skulle få. noe. mer oppmerksomhet nå de
trodde tid i lompelyset var forbi la oss nu i fred. være Tror T.V. at jeg
trykker på all den spammen for alt jeg vet er det virus. i meldingene fra
Linda Carlyle og Redaksjon EN bare tull hvem har. ansvaret. for at dette
slipper gjennom. format. hva er format tekst ascii abstrakt lag format
medium teksten har et. format og formatet har et medium uansett
reformatering nærhet til. innholdet en elefant til havs er ikke bedre
stilt enn en mus alle ting har. såre punkter i den grad de finnes det som
ikke finnes er ekstremt. uangripelig. en elefant i ingenting er ikke bedre
stilt noe er alltids noe og hvis ikke så. er det alltids noe annet hvordan
skal den elefanten greie seg eplet ønsker å. vokse videre på bakken treet
var ikke noe for meg jeg er frukt mens treet. bare. er tre hadetbra jeg
stikker til havs tar med meg elefanten sammen er vi. uangripelige.. i en
frosset fotballtakling. rart å lese det man akkurat har skrevet sekunder
etterpå ikke mens man. skriver men like etterpå det er helt annerledes.
det er ikke lenger del av. deg. selv men selvstendig tekst du møter deg du
er den som er helt forskjellig.. på to sider trenger alle ting to sider jeg
vil ikke alltid møte meg. møte. bli. møtt. ikke alt er ment å ha ytterside.
har alt ytterside er alle tekster. ytterside er det jeg tenker yttersider
utenpå i flere lag blotting det å. ikke ha ytterside innside er ytterside.
det er sårt. tekst er sårt. innsiden. virker levende utsiden latterlig men
det er like etterpå så de er det samme. innsiden er latterlig og utsiden
levende. jeg er latterlig. teksten lever.. latterlig. teksten lever ikke.
er jeg latterlig bilder. tekst som bilder.. film.. tjat. bilde for bilde
lyver filmen nei men som grimasene i en frosset. fotballtakling og du ser
ikke bildet så du vet ikke.. minnetjeneste vs nyhetstjeneste.
minnetjeneste vs nyhetstjeneste. .agnes i bunad ..digi.no. .her er
familien samla (bursdag) ..hegnar online. .klassebilde av bestefar på
barneskula ..computerworld. .ingebjørg på jordet i stakk ..hegnar online.
.einar ved peisen ..hegnar online. .eli bodil og viggo på geilo
..computerworld. bps magh. magh bps vbr stillhet hvordan komprimeres ascii
og mp fjerne. sparsomme lyder som radiostøy hvor får vi få tegn tilbake (de
blir. betydningsfulle) når blir de poetiske mail signaler i lufta samme.
som funnet gjenstand (mistet gjenstand).. in fact an argument could be
made that music distributed free or at cost. on cassette via mail is less
alienated than live music. rendered into trash like all other trash.
folkultur. bevis at bla. induksjonsbevis for humaniora. du lurer på
hvordan dette kan gå an det ser merkelig og umulig ut.. men ) det har
ingenting med n å gjøre ) det er relativt. (induksjonsdelen). hvis noe er
x så må det finnes noe som er ikkex som. det forstås på bakgrunn av og
denne xikkexformen kan plasseres over. hvasomhelst via stegvis induksjon
hvis xikkex. gjelder kan det bevises ved at de er relative posisjoner på
en uendelig. linje. hvis du hevder x og aksepterer xikkex så er x ikkex og
ikkex. x.. bevis at hvis noe er bla og bla så er alt bla og bla.. bevis at
hvis er et lite tall så er et lite tall.. bevis at hvis noe er dødt så er
alt dødt. hvis noe er x så er alt x.. hij. hij.klm.no hijack fly server
floulypo. treskalle. hvem er talsmann for de dumme treskalletriplenone
file permission. numeric value this nut can't be broke open here's three
coins for. you. .. telepor.no. telenor tormod kommer forresten (og sikkert
andre pamper) så et. alternativ er. gjentrykk nydesign av telenor spoofs
m.m.. er telepor.no brukt før ja domenet er ledig men p er langt unna n
flere. fingre unna men det kan være logo. men altså norges største
leverandør. av. porno hvor mange titalls prosent av trafikken så det er
klart at. telenor. har interesse i porno. stort bilde av sprikende ben som
tar imot all. trafikk.. eller en mer vulgær variant menn er alltid så
vulgære. viste tissen på fly. dro frem tissen fly måtte lande.
tissterrorisme hvis effekten er så stor så kan blotting være en enkel.
jamming. flytte blotting over til kultur altfor lenge har den vært en last
hos. psykologene og levd en beskyttet tilværelse hos de perverse. dro fram.
tissen. valgerd måtte gå.. nakne menn er kanskje dårlig reklame for porno
så telepor.no kan bruke. det med. hell vi kan anta at telenor drar fordel
av pornoreklame slik menn 'drar. fordel' av telenor så bilde av
masturberende mann er kanskje bedre og. ikke så. kult. vanlig porno er vel
altfor kult. heh jeg er så gammel at jeg husker en spoof av... nei jeg
husker ikke. det var. på åttitallet veldydighet for afrika bob geldof
satte igang noe og. norge fikk. sin variant anført av rockeren helge
gaarder hvor det ble gitt ut plate. til. inntekt for afrika. uansett
hykleriet gikk over alle støvleskaft og. gaarder. satt igjen med en vond
smak i munnen. det dukket opp en fin spoof porno. for. afrika arrangert av
pornokonge leif hagen el. med bilde av ei. sprikende dame. som brukte
afrika til å masturbere med.. skogg. hvis det ligner en skog oppned er
personen begravd. by gryn yr ri ynk. eq roi. ny nn. (ord i pgpnøkkelen). å
gjøre noe som ingen kommer til å gjøre etter deg. gå deg i sømmene.
nihilverk for eksempel håndskrive pgpnøkkelen. hva er egenskapene i sånt.
vi har små bokstaver kan vi ikke ha små tall også hvorfor har vi.
(fortsetter) store og små bokstaver det er jo bare mas. mas.. det er svært
få ord i en tilfeldig pgpsekvens dvs ord og setninger er. svært sjeldne dvs
mye struktur. en tilfeldig setning er på bånn i. universet bare data ikke
struktur hva nå det betyr forskjellen. noen prosjekter du utfører først
når du har glemt hva de går ut på.. (på stedet). char v. char v. døden er
latterlig de stive dumme kroppene tingligheten innbyr. umiddelbart til
overskridelse hvorfor den trenger stram regi og. forstavelser. døden er
kun denne forstavelsen det motsatte av en. forsnakkelse. noemata lanserer
en chattjeneste for bare forstavelser. char som en motvekt til webbens
forsnakkelser og utidige. latterliggjøring. bare enkle bokstaver og
predefinerte prefixer blir. besørget. hvor nær ligger char opp til en
spamestetikk as beslgjsl. presljsdgslh w døden omgir seg med spam det er i
grunn spam hele veien. ikke ulikt de fortalene som medfølger viagra upon
approval esth z. vhnkfqkeuekipo u. filteret går begge veier du ønsker ikke
spam men du. ønsker heller ikke vite hva død er. 'er' er en forstavelse en
utsettelse. av væren ikke konstitusjon av eksistens eller identitet. er
blir fanget. opp av eprime spamfilter samt pronomet 'i' evt som
preposisjon dvs. som allerede konstituert.. ref. krkaen oulibot..
trollmann tror saddam vil bli funnet død ..vg utenriks. svamp. svamp v..
hva med en metaforsøkemotor dikteren har låst seg i svamp og trenger. en
metafor for å ro det i land. i en enkel pakning som googlism svamp. er og
en similemotor for svamp er som (det gir resultater som begge. er svamp er
som regel (regel er som en mektig simile)). i en komplisert. versjon kan
dikteren taste inn to ord han har gått i stå på svamp og. klokke og få
korteste metaforiske vei mellom dem. svampkløesignaltidsstyrtklokke. ref.
metaforhalvtimen.. antimeme. antimeme. du burde faktisk programmere en
memeviruskontroll. riktignok finnes det. spamfilter men jeg tenker her et
verktøy som fanger opp et bredere. register av tidstøvete fraser. den
sjekker både mail og websider før du. laster dem inn og advarer om hype
plattheter klisjeer spinfraser søkt. retorikk og andre smittsomme tegn i
tiden. ting vi behøver å lese vil. reduseres med garantert.. nil.
vanndråpe. vanndråpe. ser du for deg en vanndråpe. hva med vanndråper
mange. hva med r noe som er mye. jeg foreslår at ordet 'r' betyr plural.
når er vi interessert i kvantitet uten kvalitet. r gryn hvorfor har ikke
nøytrum r i plural. er det fordi vi animerer kjønnene. nøytrum
representerer ting uansett mengde. hus er hus en underklasse uten kjønn.
sterilisert som åndsforlatt. hva er gult og sover alene nøytrum. k galleri
oppblåse k bilder width height. blotterror. viste tissen på fly. dro frem
tissen fly måtte lande. tissterrorisme hvis effekten er så stor så kan
blotting være en enkel. jamming flytte blotting over til kultur altfor
lenge har den vært en. last hos psykologene og levd en beskyttet
tilværelse hos de perverse.. transcendental argument. transcendental
argument a special form of philosophical argument invented. by kant
intended to defeat scepticism. transcendental arguments seek to. derive
metaphysical conclusions about how the world must be by considering. what
is necessary for a certain kind of thought or experience. the. following
is an important example from kant if a thinker is to be able to. consider
himself as a separate entity and use the pronoun 'i' then the. thinker
must presuppose the existence of an external world without such a.
presupposition there can be no consciousness of oneself as a thinker. if.
successful the argument shows that scepticism about the existence of an.
external world is selfdefeating.. og 'den eksterne verden' må ha en
forutsetning og den igjen... argumentet. er en uendelig regress som gjør
at ingenting kommer igang det kan dermed. ikke finnes noen tenker eller
noe argument argumentet er ikke engang. absurd det kan ikke finnes at det
påstår at det finnes og er gyldig. tilsvarer å hevde jeg eksisterer ikke
derfor må jeg eksistere (hvordan. kan jeg ellers hevde dette) som er en
tungvinn måte å si hei på. eller leke gjemsel. transcendentale argumenter
er en form for hilsen eller. barnelek. i motsetning til dentale argumenter
som er å bite fra seg.. dental argument a special form of philosophical
argument invented by me. intended to defeat transcendentalism. dental
arguments seek to derive. absurd conclusions about how the world cannot be
by considering. transcendental arguments.. alfabet transformasjon.
alfabetet og nummer transformasjonkryptering. abcdefghijklmnopqrstuvwxyz.
vedcbyqhiptwnojgskamxfzurl. det var en gang et eventyr i. u i fknbab kb
qnvq nb va kbc. speil. pulskt. millioner kr nei år tid er penger vi har en
valuta med tidsenhet. sekund er krone nei minutt. tiden er lik for alle og
dermed. rettferdig. eiendomsrett er over rom over (muligens ubegrenset)
tid hva. med heller å eie en tidsperiode over (ubegrenset) rom når vi.
synkroniserer tid er den som et fellesareal offentlig rom åpent.
uunngåelig åpent. en gruppe mennesker bestemmer seg å leve utenfor det.
offentlige tidsrom. en radikal undergruppe som hevder å drive med kunst.
krever å leve kun i mediert tid og har løsrevet seg fra alle direkte.
inntrykk og uttrykk. slik som anarkistene avviser eiendomsrett avviser.
disse øyeblikkets makt over tiden. de bekjenner seg til en.
parmenidesmonisme og hevder med zenon at bevegelse ikke finnes. det er.
dermed mulig for dem å innføre tid som valuta som mediert som.
universalmedium på samme måte som vår pengevaluta er uttrykk for at.
virkelige verdier ikke finnes. verdienes tilbud og etterspørsel.
forestilles tilsvarende bevegelsenes henholdsvise fortid og framtid..
gruppen kaller seg pulsktpulsct som skulpturering og permutasjon av tid.
som skapt puls.. fly news. for when desire has attained its object the
greatest pleasure is to fly. the scene of pleasure.. ny forskning fra
israel og nederland viser at det er mulig å holde. eggestokker fra
aborterte fostre levende i laboratoriene i ukevis.. he died for your sins
make it worthwhile.. et minimini galleri k galleri. alt er tilgjengelig så
det er bare et spørsmål om. au er ndf den dau isu kameraøye førebu dåd de
ikke knarre friv bale disko. lose. nederland idiotisk sm eina innsjø eli
trafikkkork. di menneskelige. habitat homitat homitus. beveren likør
sjøsjuk åte husmøne peau randi. instruktørpersonale.. hine aursunden sone
tøy innbrudd. fag heine først eime sprekk lee striesekk høl. hugset
åpent.. bush frykter terror mens vi frykter bush. etterretningen omkring
bush må. styrkes hvem er han hva driver han med. strings. ascii string.
mnhquady.. gullmund han gjænge seg i gjestebostoga inn. aa ræven drive
gjæsanne i hielofte inn.. fyst åt 'en upp dei alle fy utta den grå.. mail
er allerede kjedebrev hver server legger til sitt eget navn og sender.
videre.. chance and automation. kan jaske brekk mumie vegativitet sønn
sivsgsgbtede lø den besto skåne. fortærende (hva er da sinn ikke er
fffgsrende). antiart asciiart. chance and automation. helleristerne.
helleristerne ble ikke respektert før titusener av år senere. i sin
samtid. ble de sett ned på som unyttige som oppfinnere av noe
spektakulært. ble de sett ned på som unyttige som oppfinnere av noe
spektakulært




193


meningsløst elger som ikke kan spises og kanskje regnet som skadelige..
ikonoklastene vs ikonoklanene som noe radikalt nytt medførte.
helleristning sikkert hærverk drap og feider. var risterne de beste.
jegerne eller kanskje de som bare drømte om å bli det. jeg. jeg blir den
jeg framstiller mens jeg derimot tror jeg uttrykker hvem jeg. er og her
ligger en fatal feil jeg prøver å representere meg. hvordan. kan jeg unngå
det og gi det opp jeg tenker på b ved ål og hennes ekte. komiske og
avvæpnende spontanitet eller barnas og dyrenes. men den. virker
sementerende på representasjonene som trekker seg tilbake og. stivner.. er
identiteten min eiendom betyr det at jeg f.eks. kan selge eller leie. den
ut. Mar. kapitalismens binding til fattigdom hva skjer om vi behandler
fattigdom. som kapital og kapital som fattigdom dvs et markedsstyrt
hensynsløst. likegyldig forhold til fattigdom og et sentimentalt moralsk
forhold til. kapital eksemplifisert i holdningskampanjer.. Mar. oppføre
teaterstykker for satelittkameraer.. pengeblotteriet. utsalg av ditt lodd
i livet. fido. fido blir med på itbølgen.. fins det en naturlig
utforkjører som finner den raskeste veien mellom a. og b. lars hertervig
manglet papir. en eske kopipapir adressert til lh.. hwo ot tpye reely fsat
dvae monre terracnce flahraarty. på en mailingliste ble noen bøker nevnt
som avsenderen var i ferd med. hwo ot tpye reely fsat dvae monre terracnce
flahraarty. hva med å være føer vra og få katten din til å oversette boken
tili. nrosk. vi trenger vel helst en oeverseter som ikke kan tuch.. nil.
hollywood wind travesty. det har vært mye vind idag fint å se på alle
kompliserte bevegelser den. lager. automatisk sett at løvet beveget seg
selv se bort fra vinden og. med en gang kan vi lese inn gruppedynamikk ol.
i det som skjer. det som. virker merkelig er hvor lett det kan oversettes
fra ytre vind til indre. beveggrunn og er det ikke sånn med oss også du
tror du gjør noe ut fra. deg selv mens en enklere forklaring er ytre og
fysisk som å følge en. strømning og struktur i kulturen. mennesket har i
større grad enn noe. annet en egenbevegelse men altså bare ved å se på
vinden i løvet er det. lett å innse at en andel av det vi ønsker å forstå
som egenaktivitet er. lettere å forstå som en passivitet i et aktivt
medium (gruppe samfunn. kultur tankeform). f.eks. virker det som
løvbladene følger etter. hverandre opptrer som gruppe med en
selvbevissthet (vinden lager loop. spiral øye som en indre struktur) en
løvgruppe interagerer med andre. grupper på dramatiske måter ingen kan
unngå å reagere på at en bil kjører. forbi det virker som de følger etter
bilen av fri vilje idag snakker. alle om irakkrigen overalt av fri vilje
jeg tror det hadde gått an å. regissere en hollywoodfilm bestående bare av
løv og vind. sett i forhold. til kaosteori ol. forandrer det ikke rollen
til kunstneren når tingene. lager seg selv eller allerede er lagd blir det
som en dikter kanskje som. setter sammen metaforer og kontekster eller som
en. translatørtranskribent mellom verdener og modeller metafysisk prest.
sjaman den sinnssyke kunstneren som formidler mellom verdener idag.
sekulært som en formidler mellom modellerforståelsesmåter vi har bare. en
verden men til gjengjeld k ting og referansesystemer kunstneren. blir
kanskje en formidler mellom disse og beveger seg samtidig friere. mellom
dem. folk flest lever i dem vitenskapen definerer dem kunstneren.
traverserer dem (traverspå tvers (samme ord)).. not born. emnekart emne
som i emning kart som eplekart.. kartografi informasjonsmodellering hva
robotwisdom kaller ai ontologi. hvordan strukturere ting.. undigested
unborn. pre. abject. henry emnekart not born henry se under. livmorkos med
nalle. brukthandel mailarkiv elektron dok.. brukt privat shabby selger støy
i dokument skrive i mail margen. stempel merke dymoprosjektet dymodomus
dynamisk modulært hjem. bokhandel som hjem 'offentlig rom' reclaim snarvei
kjøpekultur. klesskap rekonstruere hjemmet i det offentlige rom.
desentralisering. simulering av transaksjonen. akton plutus bibliotek.. et
elektronisk bibliotek akton plutus hvor man kan låne ebøker (laste. ned) og
må levere dem tilbake etter mnd eller forlenge lånetiden på. vanlig måte..
i samarbeid med e book a day.. implementasjon selvadministrert php. eller
enda enklere. krever noen. titalls mega plass. kan brukere gi gaver til
biblioteket (last opp bøker). juridisk biblioteket låner ut tekstwarez..
tilknyttes nbbiblioteknorge hvordan opptrette et bibliotek et.
automatisert digitalt nettbibliotek. evt. et illegalt bibliotek..
finansiering noemata evt. egen prosjektstøtte.. prosjektet ønsker kontakt
med personer interessert i ebøker opphavsrett. programmeringdesign hacking
for mulig engasjement.. kontakt noematachello.no. happyend terapi nlp. mail
artndr loope postkont. random. alle vet hva som er inn og hva som er ut...
nei det må være en usikkerhet. om hva som er hva ellers så ...
støyelementet rist løs plukk opp. eplene hvem innkasserer. not born
henryprosjektet. vil ha penger for å bli født pulskt søker støtte så mora
kan gå på. stevnemøte og finne hans far. nn søker person med autorisasjon
på. folkeregisterets datasystem.. .. internasjonalt prosjekt å skape
personer i respektive lands. folkeregistra og tilby dem til ..trengende.
creative commons crimes. dhc.. disse åpne identitetene skaper nye
korridorer transit i land og mellom. i. en forstand kan mengden av og
operasjonene til identitetene betraktes som. et nytt cyberland som ligger
i en informasjonsdimensjon over de. geografiske et land som kan ha sitt
eget metafolkeregister som vil være. som et vanlig folkeregister men med
noen ekstra felter i hvert oppslag. refererende til nasjonale
folkeregistra.. ref. monty cantsin karen eliot neonism. mer spesifikt kan
prosjektet gå. ut på å få personen monty cantsin karen eliot eller
anagrammer av. disse registrert i flest mulige lands folkeregistra og
etterhvert bygge. opp disse som (multinasjonale) juridiske plurale
personerpersonaer med. vanlige borgelige rettigheter. jfr. noemata.net som
et 'tenkt. nettverksland' noemata som monastisknomadisk hvor disse
oppbygde. personaene er skall som 'munkernonner' bruker for å bevege seg i
et. noematisk land (n. i flere betydninger som et obskurt land there is a.
real external relation between the actual land and the actual person but.
the noesis and noema are not real and moreover their relation is not.
external but the noema is internal to the noesis. et immanent land.) (i.
en generell kontekst er dette en utforskning av noemata fenomenologisk. og
forstått som kontekstkunst og operasjoner ikke nødvendigvis direkte på.
objekter men på de strukturer som danner oppfattelsen av objektene
gjennom. simulering manipulering kanskje en form for kunstig intelligens.
(kunstig gjenskapning og kødding med de kognitive prosessene som ligger.
til grunn for objektene som objekter). i denne sammenhengen kunstige.
modeller av 'identitet' 'land' interagerende med de fysiske variantene.
det 'kunstige' er noe som kommer i tillegg og som øker det operasjonelle.
rommet softwareland som installeres over hardwareland. norge v.. eg..
noemata.net v. et open source softwareland for netizens.. drikke kaffi fra
skåla sukkerbiten sluttet med kaffitrakteren.. when new graduate students
ask me for advice i tell them to start by. pretending that they are the
lab director for computer science at a. brandnew research university and
to come up with a plan for how they'd. populate their lab with projects..
reed uses the example of a pinhole camera or camera obscura if a room is.
sealed against light except for one pinhole an image of the outside will.
be projected against the opposite wall.. mama daddy meg degdet.
dødsralling som opera. death rattle roll. bogus reklamebyrå. pissing i
offentlige rom. pissspam i cyberspace. pissing territorium sengevæter der
furer. looppack. maldonor. virtuell berøring universell erotikk. oulipo i
filsystem. iamnotoneofyour..files. hierarkisk mappefil fila tverrgående
dimensjon. online. tidsbegrenset online forestilling med musikkstream
rapoon i ex idahyl og. div elementer som en forestilling som annonseres
over web og simulerer en. forestilling i den virkelige verden som noe som
foregår avgrenset i tid. en avgrensning som virker kunstig på nett men som
forholder seg til. publikums defacto oppfatning om forestilling og
kommodifiserbare uttrykk. nettopp som 'publikum'.. smerteterskel. er
fysisk smerteterskel et fundamentalt mål på ...personlighet.
representerende ...utstrekning og form til et mentalt rom tilsvarende.
vegger størrelser styrke retninger i et indre landskap. måten vi.
prosesserer og forholder oss til smerte bestemmer hvem vi blir som.
landskap. hvordan motstand er utviklende eller destruktiv en terskel alle.
kjenner på og som varierer og kan manipuleres med. trussel usikkerhet.
intensjon intens spenning smerten krymper rommet eller når. gassbeholderen
krympes så øker trykk og temperatur er jeg et sånt. indre rom eller er jeg
noe i et sånt rom men stoffet former rommet c.. smerteterskel som
interaksjonen stoffrom rommet bestemmer hvordan. stoffet beveger seg og
stoffet bestemmer formen på rommet. mer struktur. mer smerte passio
lidelse passivitet gravitasjon tyngde smerten gjør. deg bevisst rommet
stoffirom eller tydeliggjør grensesnittet når. sans blir smerte aktivitet
blir passivitet stoffbestemmerform blir. til rombestemmerbevegelse som er
en forskjell i anskuelse hvordan. smerten betrakter seg selv som er
terskelen terskel som grensene i egen. avbildning du avfotograferer deg i
smerten som person. as soon as the. pain is not hurting sherrie wiles. kan
vi se på sinnkropp på samme. måten descartes' sinn som ikkematerielt og
uten romlig utstrekning. som selve rommet og som bestemmer bevegelsene til
maskinstoffkropp. sinnkropp interagerende som romstoff som i det klassiske.
dualismeproblemet hvordan noe kan immaterielt interagere med noe.
materielt. ... jeg erfarer ting stoffet beveges i rommet og gjør dem. til
indre som at stoffet igjen bestemmer rommet.. Mar voy voy. a nation of
voyeurs. it's the collapse of inconvenience says siva vaidhyanathan
assistant. professor of culture. and communication at new york university.
it turns out inconvenience was. a really important. part of our lives and
we didn't realize it.. et prosjekt som besto av upassende ting hele
veien.. telepresens dot. telepresens. webcam hvor er jeg er jeg 'der' en
halvtime forsinket der. øyeblikket og. nærvær hvordan er eksistensen min
her forskjellig fra der jeg er. dessuten alltd et annet sted 'så fjern'.
er denne teksten et sted. sansning persepsjon de prosesser som holder deg
herder 'holder' av. varighet subsistens vedvarende tekstreise stedet har
egenskaper en. bevegelse er aktivitet årsakvirkning som igjen er det som
kalles. egenskaper er virkninger fra forrige og aktivitet blir nestes
årsak ..... referanse bakrom virkelighet splittes i distinkte egenskaper
sansning. funksjon handling i aktivpassiv dimensjon så vi lager en slik og
slik. realitet realitetsted virkninger sett at all kunnskapen vi. samler
viser seg å være meningsløs sluttpunktet avgjør endelig. verdi ting kan
vise seg å være verdiløse om det lever videre. men det lukker seg
forståelsen av noe gjør det samtidig. meningsløst (jfr uttrykk og død)
mening er i forhold til det mindre. egenskap og indre om vi kan tenke oss
en ytterste mening så. kan den ikke selv ha en mening mening er uttrykk
for struktur. og sammenheng om vi har en graf kanskje sirkulær av noder
og. kanter som danner forskjellige verdier og meninger i forskjellige.
traverseringer av grafengrafen i seg selv har ingen meningom den ikke.
samhandler med andre graferhva med forholdet mellom grafen som helhet og.
en delgraf har den mening eller grafens forhold til seg selv. når noe
betraktes som en helhet så har det ikke lenger noen. verdi enheter punkter
mening lages av transaksjoner mellom punkter. vekting. kongressen.
kongressen et prosjekt uten avgrensning eller som utvider seg og har.
dette som en egenskap inflatorisk egenskapen at det overskrider seg selv.
gjør det vanskelig å formulere en beskrivelse eller implementasjon slik.
at forholdet mellom tanke og form abstraheres til et forhold mellom tanke.
og tankeform konseptkunst og episteme teori som praksis. automatiske drap.
automatiske drap 'få noe til å se ut som en ulykke' men mer enn det. eller
mindre maskiner og ansvar hvor uskyldig kan du være hvor. uskyldig er ikke
jeg i krigslidelsene akkurat nå hvor langt går mitt. ansvar og måter å
undergrave ansvar maskin.. rasjonalitet..logikk. pulskt. kunst pulskt fram
og tilbake i tid ting som ennå ikke har skjedd en. utstilling som ikker
ennå... eller som allerede er ferdig. en helt selvrefleksiv utstilling der
det som utstilles er dens. tilblivelse. samme med musikk andre kunstarter.
eller fra andre kanten. dens nedmontering avslutning som gjør deg selv
uaktuell en intim. smerte å være utenfor tiden eller bare i kjølevannet. å
glemme seg selv. å gjenglemme seg erfaringen av 'aktualitet' dejavu.
plasma. plasma. gass og væsketilstander som noemata.netkunst. argument ..
forbedring. er det forskjell før og nå på forbedringsperspektivet den
enkelte har på. seg selv vi oppdras i troen på selvforandring og
tilpassing men erfarer. etterhvert at mange ting ikke kan forandres
likevel så det hele virker. bortkastet og som bedrag. men sett på en annen
måte er det det samme. f.eks. vitenskap driver med av åpne muligheter og
doble negasjoner som i. ettertid virker full av bortkastet og overflødig
teori og arbeid.. id panoptikon. identitet forholde seg til andre som om
man var alene hvordan opptre. sammen med andre uten å forstille seganta en
identitet en utstilling. galleri rom tilskuere er deltagere og får... bind
for øynene og blir. ført inn i et rom han vet ikke om han er alene eller
det er andre i. rommet etc. annen sansedeprivasjon ørepropper etc. og
obfuskering av. sanser lyder i rommet kan være kringkastet og ikke reelle
om man har et. halvt gjennomsiktig øyebind kan skikkelser i rommet være
projeksjoner av. bilder istedenfor mennesker etc. det kan være en
vitenskaplig dimensjon. til det hvor forskerne registerer førimensetter
tilstander punktvis.. blander kunst og vitenskap litt. hente ressurser
dels fra akademia og. kunst kulturrådforskningsråd. det ligger en
opplevelsesdimensjon i det. og dokumentasjonen kan brukes i
forskningssammenheng (opplegget og. resultatet dokumenteres så kan andre
dra konklusjoner som de vil).. eegbroderi. broderi. eeg bilder. eeg
broderi broder din egen tilstand som en graf over tid og. hjernefrekvens.
årvåken våken avslappet søvnig etc. per. per. formance . knytte til et
sanselig her og nå tid rom konseptuelt ikke. sanselig.. distribuerte
hendelser distributed events utvikling av begrepet. hva er. distribuert
hendelse akt noemata meningsobjekt.. fulkus. fulksus. hot water pleasure
and pain border draw som confusion of this.. kultur tidsfunksjon av
mennesker f(x)y ftid xmennesker ykultur. så sant det er mennesker vil det
over tid dannes kultur. sammenheng mellom tillit og kunst. det
institusjonelle ved tømmingen. bedrag og kunst blir da baksiden. context
art. con art.. i den konseptuelle enden av produksjonen en organisering.
formløsheten er direkte resultat av formmessigheten. i hermetegn. akt
noema(ta) gjenstand. navn mening referanse. aquinas. mulighet potentia.
virkelighet actus. formstoff. hva tingen ervesen at den erværen.
hierarkisk prima materia . uformelig uerkjennelig actus purus ren.
akterkjennelse væren. n. akt kontekstkunst. kant ikke så mye gjenstander
som den måte vi erkjenner gjenstander på. (apriorisk mulig) transcendental
filosofi. transcen.dental what your teeth is biting. beyond concepts beyond
objects. hairgrowth behind your teeth garanteed.. spørsmålet. Å stille
spørsmålet lager problemet før spørsmålet ble stilt var det ikke noe.
problem folk bruker spørsmålet til å posisjonere seg mobilisere seg som
om. språket var et angrepsvåpen en spydspiss. Språket fikserer noe som
både før og. etter var flytende og uproblematisk kanskje det er som å
kalle på hunden. eller. telefonintervjuere som spør hvilken radiokanal jeg
liker best og det er mulig. jeg svarer et eller annet selv om jeg aldri
hører på radio noe er best. uansett så lager de et sammendrag etterpå hvor
det står at mill. nordmenn. liker kanalA best som om den hadde så mange
lyttere. Det er som. webstatistikken. hvor det er unike besøkere per måned
som er et kollossalt tall tenk om. et galleri hadde besøkende pr mnd Tallet
må jo stemme men halvparten. eller mer enn det er roboter en hel
gresshoppesverm som tygger på data om et. galleri spadde inn en maurtue
for å få opp besøkstallet opplagstallet det er. i opplag hver dag til og
med de rare dikta mine har tusenvis av lesere. hva de nå gjør med dem
spiser dem eller tapetserer veggene men det går. iallfall unna web dikt
men sin ymse kvalitet kan skilte med de høyeste. opplagstallene likevel
vil alle ut på papiret som har sitt domene og. kvalitetssikring som at det
finnes ekslusive klubber med dørvakt og ekle. bokklubber som spammer
hjemmene ned med månedens glemte avbestillinger til. kr stykk det er TV og
så er det bokklubb for bøker underholdning og kultur. som skal leses når du
får tid som pensjonist men da er bøkene litt gamle og. ikke. får du solgt
dem igjen nei det er en slags svindel men folk synes de kan. koste. på seg
litt ekslusivitet med å glemme disse avbestillingene ja men den skal. visst
være veldig god nabo A likte den og ikke kan du vel låne boka av A nei.
kjøpe kjøpe kultur slik alle har eget TVapparat har alle sine eksemplar
av. bøkene. Folk klamrer seg til TV bokklubben og avisene det er vel bare
det. at. de vil følge med på hva som skjer se det som blir sett lese det
som blir. lest. om finnegans wake var månedens bok hadde folk synes det
var interessant vel. nei kanskje ikke det relaterer ikke men de hadde
glemt å avbestille den. Om. bokklubbene var litt lure kunne de lurt inn
mye slikt i det selvgående. systemet. nei det var penger ja og andre ting
stamme navn samtid spydspissene det. umiddelbare sanntids nyheter
alltidnyheter denne boka av forfatteren som er. så samtidig at den skrives
mens du leser den leserne kan logge inn på. nettstedet og lese bokstav for
bokstav idet boken skrives først da er vi. tilbake i den orale kulturen av
umiddelbar formidling. Folk tror de får tilgang. til noe at TV eller
bokklubbbøkene formidler noe annet at de er symboler på. noe annet på
tiden samtiden på vår kultur og føler ansvaret forplikter dem. til å se på
tV og lese de bestemte bøkene. Fins statens bokklubb Og ukas. lottotall som
kan bestilles fra staten dine egne som er din personlige. frihet dine
fødselsdager hvorfor tallene sannsynligvis lønner seg å. tippe på størst
premie hvis de går inn. Lottotallene er kultur var kultur. i forrige uke
det er samtidskultur nye tall hver uke nye bøker hver måned. nye nyheter
hver dag nye sekunder hvert minutt jeg satt og ventet på og. så vente til
neste runde pling kommer i nye utgaver hvert minutt. i. store opplagstall
kunne ikke staten hatt et program men det var. informasjon da som om
informasjon hallo kilo terra giga bozo bytes. informasjon blir produsert
hvert minutt ja og dermed er det så koslig med. lottotallene som er
enslige majestetisk folkelig enkle bytes som hver uke. skal parres med
dine tall ekte interaktivitet slik aldri VR var her er. noematas VR
prosjekt lottokuponger. tenk hvis... END. (noematadegenerative. entropic
arts) denne lottomaskina er jo en veldig fin installasjon da. hva med.
mishandling av tall her blir de jo kastet veggimellom er det slik som rev
i. bur de går på veggene kunne vi hatt mus på tredemøller som bestemte.
lottotallene og selvfølgelig skrødingers katt lottotallene kunne vært
inne. hos katten så var alle vinnere før noe gadd å sjekke (det. kunne
blitt stadig utsatt slik som dommedag eller inkassokravet) det er.
sjeldent at tallene har blitt utsatt vi må dessverre utsette trekningen i.
dag. noen av tallene har vært svært umedgjørlige noe frafall i rekken vi
tror. det er omgangssyke lå ute hele forrige uka og har kanskje pådradd
seg noe. forkjølelse og så var det all oppmerksomheten det fikk kan ikke
stille. hvert tall kan ha en standin slik som travhestene eller hvordan
det er. norsk. tipping burde innføre i rekken blir tallet går alle pengene
til staten ja. ikke så lurt. Denne teksten ble ganske dum noe digresjoner
her og der som jeg. tar avstand fra hensikten var god jeg hadde tenkt å
skrive om hvordan språket. fanger seg selv og det var det det gjorde.
Dermed endte dette eventyret bra. Og. snipp snapp snute så er den orale
hypnosekulturen ute.. ode. teksten er forskjellige ting. som en flate uten
tid tegning tekstur tekstil. som kode handling i tid. ref artaud. hva med
tekst som frigjør tekst teksten er ikke lenger tekst dvs tekst er. tekst
(ikke tekst) slik som teater er teater og ikke tekst. tekst forstått. som.
logos. har ikke tekst logos en voldsom makt og kan ikke tekstens
frigjøring. fra. teksten være like voldsom bryter du med teksten bryter du
med alle regler. (siden alle regler er tekster). så artauds teaterets
frigjøring fra teksten. blir. til tekstens teatrisering. hvordan er dette
forskjellig fra litterær tekst. selvsagt fordi litterær tekst er
'litterær' tekst mens tekst er tekst det. litterære er som teksten i
teateret tekst som tekst er noe annet. og 'noe. annet' er noe annet noe
annet slik som teksten fortsetter mellom bokstavene. reelle tall reell
tekst irrasjonell tekst det rasjonelle som delmengde av. det irrasjonelle
litterær tekst er delmengde av tekst. men det er å leke med. logos ilden
fornuften det bryter med alt. hva med struktur maskin nonsens. jfr artauds
bali teater tekstens autonomi automata. tekst logos kode data. det ligger i
bunnen på alt materialiteten som teaterets fysikalitet. sanselighet men
siden all info er tekst er konteksten sprengt teksten blir. virus pest
siden logos er så stor ilden så fortærende i nettverkene. teksten. som
elektronisk kunst det eldste og det nye klart det bør bli et stort.
fundamentalt smell torden torden lyn og torden elektronisk utladning i.
kontekster når vitenskapen allerede har hatt atombomben siden artauds tid.
et. voldsomt teater uten tekst foranledning til butoh selvfølgelig tekst
som. tekst og kode er potensielt som atomreaksjonene siden vi lever i en.
tekstverden. alt er disse partiklene. sluttsetning poenget mitt var bare
at når teateret. vil. være teater for å bli mektig levende etc hvor mye
mer har da ikke teksten. potensial til å bli ikke bare som morsomme memer
word virus eller litteratur. som på en måte er som dukketeater men at
teksten som tekst kan berøre. virkeligheten (beklager uttrykket) jeg mener
logos leke med ilden (beklager. uttrykket).. pepole. pepole are doing
karate. want to be strong. strong will. strong what. he was into
insurance. or whatever. strong whatever. his granparence are ded. karate'd
have helped. deathbombers karatekid. strong like deadh. ill or elfes to
prove. new media. no media school. all is media is tantamount to saying
nothing is media. tao zen no tradition. no media. autonomedia. code and
its double cont'd. code and its double cont'd. notes on text and code in
relation to artaud's theater and sondheim's. codework. the double you'd
have the release of text from text text is no longer text. text is text
(not text) textual helix code like the theater is theater and. not
scripted (not text).. power in the sense that text is logos it has that
immense power being at the. locus. text as theater as code would have the
potential of releasing all the. logos power like the theater's release
from text.. matter since all is mattered texted coded you'd have all those
monstruous. things going on ruptures and violence beauty and intelligence
emerging from. its release.. code as theater artaud's theater's release
from text is similar to the. theatrificating of text as code.. code and
literature literature is in the gravitational field of text while. code is
weightfree or antigravitating of the void towards the periphery.. universal
code autonomy automata text logos code instruction data. physicality matter
sense surface since all is mattered there is no. context. it's blown to
pieces all you have is virii dispersal of meaning logos as. fire. and
electrical charge in the networks of distributed contexts.. code as art
codework artwork since everything is code codework is at the. center of
artwork which is created by codework's plundering of contexts art. derives
from the workings of code code derives from its doubling.. bombs and
intelligence the atomic bomb from the time of artaud a violent. theater
without text virii intelligence terror theathrical artifice of the. code
the bomb is the blowing up of text logos the sun as bomb terror of. code
information the intelligence as monster.. reality like artaud's
theatricity and code's virtuality from their release. text the doubling
towards the real logos as fire.. I think I understand your points. In
general I'd agree and in it's generality. inclusiveness so much is code
today and why not embrace as much as possible. and get synergy and chaos
effects it would be codework in itself they way the. field could construct
itself from all the surrounding contexts and use. whatever. think nothing
as the codework of codework.. I've had two ideas how to approach code )
Code and its double ) Code as. nothing.. ) Code and its double refers to
Antonin Artaud's 'Theater and its Double' and. how that theory of
'theater' would fit onto a theory of 'code'. There's some. obvious
similarities like the doubling or twofold which can be expressed in. the
staging of itself as artifice the intermingling of appearance and source.
and their inseperability. There's no transparency in this more light
render. more shadow more structure there's no end to it it cracks up and
enter all. cracks in a wild search for itself and for its decoding which
is ultimately. impossible and also would eventually kill it. This refers
to the impossibility. of decoding.. ) Code as nothing is from the other
end it's already decoded. So here the. staging of the code is its failure
its impossibility. It will succeed by. killing itself. The residue is the
staging from nothing to nothing. This refers. the impossibility of
selfreference.. Other takes on the themes would be helpful.. Re sex Though
they see it. So there's numbers after the country code in this example okay
now I. know.. Say a great implementation of this idea would be to create a
totally. virtual book with no content whatsoever. If there were some way
Iyouwe. could get such a thing onto Amazon.com and elsewhere have it put
up for. sale and review it would be a real coup Maybe Iyw could stoke the
fire. by writing phony reviews of the book and post them in other book
review. links saying something like Tom Clancy's latest bestseller is very
much. like that Norwegian writer's book that just came out Alpha X or
whatever. it's called. I guess the only things needed to bring this ruse
for art's. and. possibly the of pages. Other than that the book could
exist entirely in. the desires of its eager readers and marketers. I
wonder how long such a. trick could be sustained before it was exposed It
might be worth a try. just to find out.. hm yes let's do that also some
books entirely virtual not in stock very. obscure maybe like borges'
imaginary books. keep this in mind as other. kinds of net.books......
weeks.. artnot. art is when you have nothing to do but still do it. i mean
there's no reason. it's just creativity experimentation freedom. those
nothings. mfh. alleride. alleride. ny id problem hvordan skape ny id
hvordan gjøre den offentlig folkeregister. etc. omvendt utvikling ideell
snarvei allerede den nye id er så fin at den ikke. engang er i registra
som om den både er lagd og skjult for registra mens den. sett fra en annen
vinkel bare er funnet på den totrinns du er ute etter er. framogtilbake og
bare ideen er egentlig like bra omvendt utvikling.. kunstautomat. g gjør
noemata om til kunstautomat. noemata er for knyttet til meg person
distribueringen funker ikke enten. legger jeg det ned eller gjør stedet om
til helautomatisk kunst.. arspublica om til pengeautomat. salg av kunst
hallo. telemata om til åndsautomat. det telematiske menneske som
åndsautomat munk theleme. kunst kapital ånd treenigheten. virus bok. how
to make a virus book. a viral book. koob lariva. larvae Rom. Antiq.
malignant ghosts as lemures.. NL special use of L larva a ghost specter
mask skeleton akin. to. LARES. koobi fora. promiscuous machinic monstruous
fractal viral indifferent nihilogies. nilogues.. bookvalue stages
(channeling baudrillard) natural books commodity books. structural books
(hypertext) fractal books (viral radiant). fractal books. radiating in all
directions without reference to anything whatsoever by. virtue. of pure
contiguity. fractal books (hyperbooks cypherbooks) no longer has any.
equivalence an epidemic of book metastasis of text haphazard
proliferation. and dispersal of book. we should no longer speak of 'book'
at all for this. kind. of propagation or chain reaction makes all books
impossible. yet things. continue. function long after their idea have
disappeared and in total indifference to. their own content the
paradoxical fact is that they function even better under. these
circumstances. the book is no longer a metaphor for logos etc or anything.
at all merely the locus of metastasis of the machinelike connections
between. all its processes of an endless programming devoid of any
symbolic. organization. or overarching purpose the book is thus given over
to the pure promiscuity of. characterizes networks.. alt er åpne bøker open
content slik noemata også er open content art. hva er da permene bøkene er
sine kontekster ethvert dokument med. er del av boken dermed tar den opp i
seg sine kontekster sluker seg selv. hele. tiden forandrer seg..
rettighetsmessig må tenke på det. hva avgjør eierskap det er ekstremt å.
inkludere benevnelser som innhold ingen forskjell på data og instruksjon.
turings universalmaskin er boka denne uendelige teipen mens leseren er.
(productinfo.php) shame. (productinfo.php). Shame on It All. by Zane. ..
(productinfo.php). Letting Go of Shame. by Patricia PotterEfron Ronald T.
PotterEfron Patrica PotterEfron. .. skam er selvfølgelig god butikk nesten
som avlatsbrev .. why doesn't watches show daynight like the second run is
dark anti time.. am i inside how does sense differ from cognition
berkeley. unix mbox format OK. logge og lagre filer i unix mbox format.
ndex.php parser mboxfiler. etcmboxtxt.php script som stripper mailheadere.
naturkatastrofe. hva om jeg var en naturkatastrofe. hvordan straffer du et
vulkanutbrudd krigen mot natur krigen mot galaksen. sorte hull gjemmer seg
i fjellene we'll smoke them out galaxies housing black. holes are to be
considered black holes universes housing mad dogs are to be. treated as
mad dog universes.. fartsrekord. fartsrekord på nettet. Tenk deg at det
tar ett sekund å laste ned alt innholdet på en CDplate fra den. andre
siden av Atlanteren. Nylig satte to forskerteam fartsrekord på internett..
Den nye topphastigheten er dobbelt av den forrige og får selv det bredeste.
bredbånd til å fremstå som gammeldagse landpostbud. Med en hastighet av.
Gigabit i sekundet flyttet forskerne Terabyte med data.. hva skal vi med
data flytte et bibliotek på sekunder. produksjon. et livsverk. kan
distribueres på under et sekund altså kan ikke mye eller lite bety noe..
men. hva kvalitet hva pøse på vrenge innut bli data de overlever meg. et.
livsverk ett sekund. burde ikke kultur oppmuntre folk til å skrive gjøre.
ting. digitalt som et gode i seg selv så lett å ta vare på overføre. hva
får. verdi differens mangfold. nasjonalbiblioteket hva tar de vare på en.
mulighet. til å sluke hele kulturer i noen jafs.. i haves one article with
her stream achieve. this is an invitation to write into books. and maybe
post it somewhere to someone in any degree privatepublic. so we have dark
matter also and obscurity. things get lost and forgotten. we get lost. so
you can pour into and some things remain. words may survive you maybe not.
all the same why not directly into publishing. explore the illusion of
substance you book. we try the immediacy be as it is. tagged identity.
ragged substance suits. own activity to find read assemble. ondemand like
my birth was on demand no. these things are nothing else than you. you is
your. but your is not you. netbooks cypherbooks chyper. scatter
scantologies. copyleft. anyhow monitor. monotire no id minimal. like it's
inside out. like from a plane things look inside out. like hyper looks
interior not extraexterior. sides of the skin only one. interface akin to
facere to make. like making is looking. reading is making. book is
interface. book is making of book. like to book make a reading. paging.
kunstreferanse. hva er det som gjør at dette rettfram foto av
virkeligheten er mer. interessant enn virkeligheten bildet gjør meg mer
aktiv virkeligheten er. nok i seg selv er det en kunstsykdom jeg er fri i
forhold til bildet. men fanget i virkeligheten bildet gir kontroll. vil
jeg kontrollere vil. ikke miste meg spørs hvor stor du er. fryst fast. en
levende bevegelig. virkelighet den er ikke skremmende men overflødig som
om det. overflødige frastøter altfor mye sløsing og frustrasjonen over at.
ingenting blir bevart to kråker flyr over enga de ble bare bevart i. denne
teksten på alle andre måter er to kråker over enga ikke bevart. lenger. en
sånn virkelighet kan ikke formidles eller er det det jeg gjør. nå peke på
det. er det kunst er fotografiet kunst jeg ser andre ting i. fotografiet
enn i virkeligheten lettere å analysere å skifte. dermed er. det merkelig
og simpelt at virkeligheten oppfattes som en ekspansjonen. går jo andre
veien og kunsten kan hjelpe med å utvide den. men. virkeligheten fanger
raskt inn igjen har sine egne harde fysiske lover. bryr seg ikke om kunst.
to kråker bryr seg ikke om kunst de ville bare. sett rart på meg og flakset
videre. sånn er det å være kunstner ingen. forstår hva du driver med. kunst
du maler bilder og slikt best å svare. ja. hva driver forresten en prest
med hva svarer han eller en leder. eller forsker eller forfatter en leder
leder en forfatter forfatter en. forsker forsker en kunstner kunstner. å
kunstne noe hva er det å vise. det peke den enkleste form for kunst er
kanskje å peke. kan dyr peke. hvis vi ikke kan peke direkte må vi selv
lage det som skal pekes på. å. kunstne å peke for å peke på noe må du
gjøre det objektivt gjøre det. pekbart lage avstand utskille noe. se to
kråker.. men er det ikke for enkelt peking er mye rart. at kunst er peking
betyr ikke at peking er kunst logikk at mennesker er. atomer betyr ikke at
atomer er mennesker. er peking referanse kanskje. point. to direct (the
finger a weapon the attention etc.) at to or upon. something.. . to
indicate the presence or position of (usually fol. by out) to. point out
an object in the sky.. . to direct attention to (usually fol. by out) to
point out the. advantages of a proposal.. . sculpture. to transfer
measurements of depth from a clay wax or. plaster model to (a block of
stone) by means of an apparatus that drills. holes to the required depth
prior to carving.. . to punctuate as writing.. . hunting. (of a hunting
dog) to indicate the presence and location of. (game) by standing rigid
and facing toward the game.. . masonry. to fill the joints of (brickwork
stonework etc.) with. mortar or cement treated in various ways with tools
after application.to. dress the surface of (a stone) with a pointed tool..
. to dress (a stone) with a point.. v.i.. . to indicate position or
direction as with the finger.. . to direct the mind or thought in some
direction call attention to. everything points to his guilt.. . to aim.. .
to have a tendency toward something economic conditions point to. further
inflation.. . to have a specified direction the sign pointed west.. . to
face in a particular direction as a building.. . hunting. (of a hunting
dog) to point game.. . naut. to sail close to the wind.. . (of an abscess)
to come to a head.. (n.) me point(e) partly of point dot mark place moment.
l pnctum n. use of neut. ptp. of pungere to prick stab (cf. pungent).
partly of pointe sharp end ml pncta n. use of l fem. of ptp. of. pungere
(v.) me pointen partly deriv. of the n. partly mf pointer. deriv. of
pointe (n.). refer. refer (ri fræ) v. ferred ferring.. v.t.. . to direct
for information or anything required he referred me to. books on
astrology.. . to direct the attention or thoughts of the asterisk refers
the reader. a footnote.. . to hand over or submit for information
consideration decision etc.. refer the argument to arbitration.. . to
assign to a class period etc. regard as belonging or related.. . to have
relation relate apply.. v.i.. . to direct attention as a reference mark
does.. . to have recourse or resort turn as for aid or information to
refer. one's notes.. . to make reference or allusion the author referred
to his teachers. twice in his article.. me referren l referre to bring
back equiv. to re re ferre. bring bear. referable referrable referrible
(refær bl ri fræ). referable referrable referrible (refær bl ri fræ)




194


adj.. referærer n.. syn. . attribute ascribe impute. . pertain belong. .
advert. allude.. reference. reference (refær ns refærns) n. v. enced
encing.. n.. . an act or instance of referring.. . a mention allusion.. .
something for which a name or designation stands denotation.. . a
direction in a book or writing to some other book passage etc.. . a book
passage etc. to which one is directed.. . see reference mark (def. ).. .
material contained in a footnote or bibliography or referred to by a.
reference mark.. . use or recourse for purposes of information a library
for public. reference.. . a person to whom one refers for testimony as to
one's character. abilities etc.. . a statement usually written as to a
person's character abilities. etc.. . relation regard or respect all
persons without reference to age.. v.t.. . to furnish (a book dissertation
etc.) with references each new. volume is thoroughly referenced.. . to
arrange (notes data etc.) for easy reference statistical data is.
referenced in the glossary.. . to refer to to reference a file.. refer
ence. syn. . note citation. . endorsement. . consideration concern..
noemata. noematagrk topic what it is about thesis text business affair.
matter in hand argument motion resolution head chapter case point.
proposition theorem field of inquiry moot point problem c. (question).
noema nim em n. pl. noemata nimt . e. gk noema a thought.. philos. an
object of perception or thought as opp. to a process or aspect. of
perceiving or thinking. cf. noesis .. umuligheten av å dokumentere ting
formidle og hvorfor skal vi. ting er naturlig utilgjengelige umedierbare
ingen vits å frastå eller. holde skjult. negativitet er en representasjon
av det utilgjengelige demonstrerende. noen spør hva skal du svare.
uttrykke blir negativt verdiløst uttrykker verdiløshet. kunsten kan øve
opp ikkeuttrykk. hvis kulturen er medial kan kunsten være det umediale
rollebytte. kan den være sitt ikke et hull vaginalt marginalt
penisavantgarden. hvorfor bryr jeg meg med dette kunst. det har å gjøre
med livet hva slags liv hva skal vi gjøre lykke behag. trykk ok. en plante
liker å stå der og vokse eller hva den driver med driver den å. overlever.
hvem bryr seg om å overleve kanskje å overlevere overlevere hva. hvis det
ytterste er noe er vel det indre det samme. en atomkrig har betydning for
maur. smerte hvorfor ikke. smerte. knirkefritt. hvorfor bryr vi oss hva
lenker oss sammen oss likhet du er meg. hvordan vi vil ha det hvordan kan
vi ha det slik vi ikke vil ha det. hva står i veien hva er en uønsket
situasjon hva er ønsket. ønsket kompletterer ikke uønsket ingenting kommer
etter frigjørelsen. hva skal vi ønske kunst hva er uønsket slaveri å ikke
være suverent. er det en kobling mellom aksjonisme og kunst siden kunsten
er fri. ikke høy kunst lav kunst kort mat lang mat. kunsten som
frigjørende gjørende fri fri gjørende. hva er fri forskning vitenskapen
eksperimenterer kunst. teser påstander er de holdbare. hva er meningen med
dette gir det noe hva uttrykker det. ikke. ikke. et prosjekt som går ut på
å snakke retorisk malplassert i forskjellige. protokoller og kontekster
'snakke med' et grensesnitt 'parse' en. kommunikasjon formelt uformelt
menneskemaskingrensesnitt i utvidet. forstand 'maskin' og 'menneske' kunst
og (hva da)..konvensjon (kunsten. er ny slik som nyheter eller som
vitenskaplige oppdagelseroppfinnelser. (uansett kunst som grensen for
kultur) når slutter kunst å være kunst. hva blir den etterpå håndverk
kultur forskjellige bevegelser kneledd. innlegg kunstkroppen kanskje
kunsten må være direkte umediert og. dermed i opposisjon til ethvert
medium (som organer i kroppen)).. konseerverende. vi ønsker å ta vare på
ting. et prosjekt som tar var på alle deler av seg. selv viser dem mister
aldri noe går det an absolutt konserverende. kan. noe slippe ut. open
source crime. kan vi ikke heller rane en bank i open source crime er det
fortsatt. kriminalitet om det annonseres på forhånd. øhdiy. øh diy. kan
noemata være et andelslag. distedenfor å søke støtte så kan interessenter
kjøpe andel i prosjektet. dfvs de eier av noemata materialet. evt. en
gateway som omvandler. eksisterende støtte til andel slik at en søknad om
støtte et. andelsprospekt vil du ha del i dette. tanken bak var diy (død
kunstner) om kunstnerens produksjon verdiboostes. pofst mortem. nop. jedg
vil ha det med en gang. med en klausul om at alt. material tilfaller
anddelseierne. øhh. tjat alt må tømmes for innhold først da... vel så ta
for medium og tømtømtøm fyllfy med det andre logisk. maske. flaskeposten
kunne også vært digital. må sjekke litt mer om hvordan det. kangjøres. i
en versjon. hva med en type lavnivå datapakker sendt ut på nett en slags
flaskepost. forinternet. innholdet kan være hva som helst gjerne personlig
såvidt. kapslet inn. i et format hvor hensikten er at de skal gjenfinnes i
en kontekst hentes. oppav vannet med noen mulige tegn hva var nå dette.
kaste i havet.. utfordring blir kanskje å få dem til å sirkulere lengst
mulig flaska må. flytefylles med luft.. primat. primat v.. en form for bot
med menneskeaktige som fotspor lagd av som et ganske. stort dyr som maskin.
ref. krkaen v... gnh. digitalt. serieverk. digitaltikkedigitalt (enten
enten eller eller). mainnsjit. digitus.facticius. automata. automata.
bruke php til å publisere ting news mailinglister på bakgrunn av klikk på.
sider eksekveres i bakgrunnen med en viss sannsynlighet (sider har. include
en generisk fil som bruker referer).. på den måten bidrar det til at
noemata server blir en selvpubliserende. automatisk nettkunstner. en
crawlfunksjon eller noe som gjør. innholdsdelen dynamisk en intelligent
kanalisering. hm dermed er det. publikum som genererer nytt innhold
gjennom besøk og blir en. selvforsterkende greie (evt. selvsvekkende) men
som må ha et. metningspunkt slik vi har et nullpunkt som fyrer av kvanta
tilfeldig. iblant (basert på hva). loopback skal generert material blir en
del av. serveren. harang til unge. harang til unge. hjemmeoppgaver. klas
oldan. a) forbigående identitet en bil har et stort klistremerke øverst.
over frontruta mazda . l etc. hva er vitsen bilen har et. stort merke der
det står hva den er jeg er mazda ahura mazda. går sjåføren rundt med
navnet sitt på capsen kanskje det men. hvorfor gjør bilen det. b)
christian må være kristen det sier seg selv.. c) et globalt
forskningsprosjekt som trekker ressurser fra alle. siviliserte land om å
finne verdens eldste vannmolekyl. prosjektet. utvider seg stadig. vi antar
at de eldste vannpartiklene er å finne. nede i de store havdypene men vi må
måle alderen til absolutt alle. inkludert de mer ubestandige
våtromspartikler fra badet ditt. siden. alle organismer består av store
mengder vann må alt og hvert enkelt. liv under mikroskopet. hva skal vi
med verdens eldste vannmolekyl. d) en sekt arkeologer graver fram
oldtidsgjenstander for å utslette. dem.. e) abortert foster kan bli
eggdonor dette svært kontroversielle. forslaget blir presentert på grunn
av den prekære mangelen på. kvinner som er villige til å donere sine egg
til barnløse medsøstre. i motsetning til sæddonorer som det finnes nok av.
forslaget rykket. litt nærmere virkeligheten tirsdag da ny forskning fra
israel og. nederland viser at det er mulig å holde eggestokker fra
aborterte. fostre levende i laboratoriene i ukevis.. f) forskere utviklet
tvekjønnet foster forskere i usa har utviklet. et hybridembryo med både
mannlige og kvinnelige celler noe som har. skapt fordømmelse både på
legehold og blant abortmotstandere.. g) vinden er en mekanisk prosess jeg
tror ikke jeg forsto det før. nå den har ingen bevissthet ingen intensjon
om å blåse rundt. hva. er mekanisk hvis du ser nærmere på din fødsel
forhør dine. foreldre så går det fram at den er tilfeldig og automatisk.
det er. mye å hente gjennom å se på seg selv som en maskin du tror ikke
på. det nei du trenger ikke tro hva tror du vinden tror på når den. blåser
rundt det kommer poesi inn i vinden når vi ser på den som. mekanisk den
blir en metafor for en metafor. vi kan nærme oss det. kunstneriske ved å
se på noe som kaotisk det kaotiske er. uforutsigbart men fortsatt mekanisk
eller forutsigbart men ikke. mekanisk forutsigelser har parametre som ikke
kan fikseres. samtidig litt av alt eller alt av litt. skolen lærer bort å
være. konstruktiv og positiv men også kritisk men innenfor rammene som.
når det er lov til å le av en vits sånn nå kan du le. livet tar. vare på
seg selv det er ikke noe du trenger å lære eller være obs. på alt er
mekanisk du fikk tilfeldigvis et liv hvorfor skal du. bry deg hva angår
det deg se på deg som en maskin som den vinden. som blåser mekanisk rundt
uten mål og mening så har du allerede. oppnådd endel innsikt et steg
nærmere mazda. kvitt deg med. forestillinger om hva du har godt av eller
hva du bør unngå hva som. er livskraftig hva som er destruktivt hva som er
sterkt og svakt. smart og dumt pent og stygt hva som lønner seg. se på den.
idiotiske vinden den greier seg fint nok eller hvorfor skulle den. bry seg
om den greier seg det gjør den jo likevel ikke og det vet. den uten engang
å vite det. om jeg skal gi dere et råd må det være å. ikke bry dere. la
dere drive ikke la noen ideer om hva som er til. ditt eget beste eller til
noe annets beste få tak. bare la deg. drive du er en maskin slik som
tingene rundt deg tilfeldig og. mekanisk lever du slik vil få et perfekt
liv til og med uten å. ville det. perfeksjonen ligger i å gi blaffen
fullstendig og å gi. blaffen i å gi blaffen etc. hadde det ikke vært fint
å aldri være. seg selv fremfor alt forsøk aldri å bli noen å bli noe da
mister. du livet umiddelbart ingen nåde der. vær likegyldig og uberørt så.
går ting av seg selv. la ting skure så kommer livet deg i møte. ikke. ha
tro på noe på deg selv på livet på en framtid av noe slag du. er allerede
død mer eller mindre vær endelig klart over det men. dermed er du straks
mer levende. du tror du må finne din plass. finne en identitet hvem du er
jeg oppfordrer deg til å glemme det. hele det er bare noe som konstrueres
for å få tilgang på. konstruerte goder som stadig legges lenger fram i
tid. en mekanisk. prosess en maskin hva skal du med identitet pass på så
du aldri. blir noen med navn på capsen eller frontruta. maskiner er
ingen.. vinden i gresset og havet blåser metaforisk like godt uten å vite
om. seg selv så hvorfor skulle du bry deg med å vite hvem du er om. vinden
visste hva den var ville den ikke blåst og i den grad du vet. hvem og hva
livet ditt er så etterligner du en livsprosess. simulerer og finner på deg
selv som programvare uten å skjønne at. du også er maskinen som kjører
programmet. vær heller maskinen tom. og likegyldig. du lever allerede så
hvorfor skal du bry deg med. livet hvis du vil tjene livet så er det beste
du kan gjøre å gi opp. hele greia. når du gir opp vil livet flomme inn over
deg så mye du. vil ha som om det angriper deg for å ha blitt avvist så.
ettertrykkelig sånn er det med alle ting spark det i ræva og det. kommer
tilbake og vil ha mer. i skoleverket skal ting gjøres på. bestemte måter
som pedagogisk og konstruktivt hvis dere snur det. på hodet gjør det
bakvendt eller annerledes så har det kanskje like. stor effekt. ting går
av seg selv de bryr seg ikke om hvordan dere. går fram om det er på riktig
måte eller på en motsatt skrudd måte.. dere er som elever allerede en slags
maskiner produsert av. skoleverket. ideene som allerede ligger der omkring.
kunnskapsmaskiner kan trekkes videre hvem bestemmer grensesnittet. på
maskinmennesket og hvem tjener på det samfunnet tjener på å. prosessere
dere som maskiner men er antagelig ikke tjent med at. dere behandler dere
selv som maskiner og her ligger det en. motsigelse den enkelte elev er
både en maskin og et menneske en. partikkel og en helhet objekt og subjekt
men i et ferdig. grensesnitt som legges av skole stat samfunn. men dette er
et. grensesnitt som kan forandres vris og vrenges på. hvorfor skulle du.
ikke gjøre motsatt la skole og samfunn behandle deg som et. menneske og
behandle deg selv som en maskin vi har allerede. kunnskap nok om oss selv
til å betrakte oss som maskiner og. utviklingen fortsetter i samme
retning. men poenget med samfunnet. bør derimot og dermed være å betrakte
oss som mennesker og. udelbare enheter likevel. dette som et eksempel på
at man likegodt. kan argumentere for det motsatte grensesnittet
menneskemaskin. slik. grensesnittet er nå så brukes og misbrukes vi som
maskiner samtidig. som vi holdes i sjakk (av oss selv) som mennesker med
identitet. historie liv. samfunnet stabiliseres i stor grad av at
mennesker. ser på seg selv som stabile identiteter med essens og indre og
ikke. som tomme maskiner. men så kan vi spørre er det ikke nettopp fordi.
vi ser på oss selv som mennesker at vi tillater oss å bli utnyttet. som
maskiner det er det jeg vil gjøre oppmerksom på og derfor jeg. oppfordrer
dere til å vurdere å bli maskiner slutte å identifisere. dere med det
menneskelige. det mennesket vi identifiserer oss med er. mer som et gissel
for maskinen som en fantasiforestilling og. brukervennlig grensesnitt
brukervennlig for hvem ta din. menneskelighet tilbake bli en maskin. skole
samfunn næringsliv. den globale økonomiteknologimaskinen kan utnytte deg
mer dersom du. holder på din menneskelighet. de får mindre makt i den grad
du. forholder deg til deg selv på samme måte som de forholder seg til. deg.
så lenge du er et menneske kan du behandles som en maskin og. først som
maskin blir du et menneske du gjenvinner makt gjennom å. behandle deg selv
som en maskin. paradoksalt nok gjenvinner du din. menneskelighet ved å bli
en maskin du får tilbake ditt. uinnskrenkede liv gjennom å dø som menneske
du får tilbake din. frihet ved å gi opp forestillinger andre har nytte av
at du tror på. og tar tilbake makt over deg selv ved å gi deg opp.
menneske er. som en programvare som kjører på en maskin. du blir behandler
som en. maskin av andre av vitenskap skole næringsliv stat etc så. hvorfor
skulle du ikke se på deg selv som en maskin siden det gir. deg makten
tilbake og siden du er en maskin uansett. forestillingen. om mennesket
overtar etter at forestillingen om gud forsvann.. forestillingene brukes
før som nå til å utøve kontroll og for at. du skal utøve kontrollen over
deg selv selv som i forestillingen. om mennesket (utenfra) og om
menneskemennesket (selvkontroll. innenfra).. noter. harang høytravende og
kjedelig tale straffepreken.. mazdah vis visdom (zoroastrisk persisk)..
menneskeprogrammet inneholder i tillegg såkalt spyware. panoptikon som
spionerer på din aktivitet og bruk av det som i. praksis betyr at du som
menneske spioniserer på deg selv noe som er. årsaken til mange av de
avbruddene det gir et unødvendig høyt. ressursbruk i systemet spenninger
og bakgrunnsprosesser og andre. kjøreproblemer som oppstår etter langvarig
bruk. ved avinnstallering. av menneske fjernes også panoptikon i stor
grad.. DIY. dude stun. en intro skrevet til ung hos gallerif. kanskje det
ble for dumt.. jeg prøver å profilere meg som død kunstner de er mest
verdt. hvorfor. skal andre innkassere på min død gjør det selv d.i.y
passende tittel.. en annen del av diy kan være lobbyvirksomhet for å
tillate kunstnere å. trekke fra sin død på selvangivelsen (e.s ide). døde
kunstneres forening. død . og en utgreiing om kunsten som død som retning
kallt e.. kunst i tradisjon fra kristendommen hva er kunstens nullpunkt
når døde. den på korset i pissoaret inri diy innskriver u r mate på
verdens. pissoarer og vigsler de til kirker. kunst og meningsløshet
beslektet. betyr det at mening er kunstløs kunsten representerer døden
ikke livet. kanskje død kunst er faktisk liv slik døde dyr er mat. død
kunst som. tautologi levende kunst som oksymoron. har diymodellen
forklaringskraft. på andre forhold døden er ikke ingenting det er mer som
å drukne. altfor masse ren overflødighet som kunst. det får være nok
dødsralling. for denne gang. diy.. diy. engasjer en død kunstner
utstilling performance forelesning. tekstmaterial bestillingsverk. kjøp
kunst av død kunstner.. ekthetsgarantier dødssertifikat og garanti en
garanti om at. kunstneren er død og ikke vil gjenoppstå evt. at kunstneren
vil dø før. eller senere.. mora til e og j har tilgang til folkeregisteret.
hvor store problemer får. jeg ved å være registrert død ingen istedenfor
selvmordet diy. iscenesetter døden istedet ikke selvmord som en
iscenesettelse av død. men en iscenesettelse av døden som et selvmord..
dyi kan gå gjennom dødsforestillinger. dødsforestillinger. som stunt det
er som å bygge noe først skjelett og så kjøtt og blod øh. jan teigen
sirkus døden som showman er ikke langt borte hva er. dødskultur. diy. vi
forestiller oss døden som en eksplosjon mens den mer er som en. implosjon
det var det jeg tenkte når jeg reiste meg og ble svimmel og. var i ferd
med å miste bevisstheten. at de sprer asken etc er mer i tråd. med
forestillingen enn realiteten og de hadde ikke trengt det om det var. en
realitet det er nå forestillingenes funksjon. de døde er ingen steder.
ikke engang spredt for vinden de imploderte på stedet skrumpet inn i seg.
selv og ble borte som i et punkt på stedet hvil i fred.. en død kunstner
automatisk kunstner lever videre. som maskin. som alt automatisk generert
som en. omvending.. kvantum statsborgerskap. kvantum statsborgerskap..
uncertainty principle the statement that it is impossible to make a.
precise simultaneous measurement of both the position and the momentum.
(mass x velocity) of a body.. staten bør forhindres fra å kunne måle
borgerens posisjon og fart (status. og aktivitet).. the reason is that the
mere act of for example measuring the position of. a particle involves
making contact with it in some wayif only with a ray. of lightand this
will alter its momentum (or velocity). similarly a. determination of the
momentum of the particle will affect its position.. staten bør kompensere
for å måle borgeren siden det forandrer dennes. status eller aktivitet..
the product of the uncertainties in the two quantities must be of the.
order of planck's constant h (. x joule second).. protokollen statborger
må implementere en plancks konstant (privacy. konstant) som gjør
forespørsler mulige uten å fiksere borgeren.. jeg ønsker opplysninger om
en eller flere andre personer. hvilke. opplysninger kan jeg få og hva
kreves for at jeg skal få dem. likningskontoret henvendelsen kan gjelde
inntil tre navngitte personer.. det er et absolutt krav at personene må
kunne identifiseres i. folkeregisteret. det må videre være et begrunnet
behov for henvendelsen. dvs. for å ivareta lovmessige rettigheter og
plikter. eksempelvis er. opplysninger i forbindelse med undersøkende
journalistisk virksomhet et. begrunnet behov. klassegjenforening
adresseopplysninger om venner og. kjente og lignende anses ikke som et
begrunnet behov.. følgende opplysninger kan gis dersom vilkårene er
oppfylt navn adresse. fødselsnummer fødested dødsdato. feriebilder. en
imaginær reise i form av webgalleri. det begynner med vanlige. feriebilder
går etterhvert over i fremmedgjøring og eksperimentering..
asciihelleristninger. et forsøk på asciihelleristninger. og hva gjør h til
noe annet enn tagging og vandalisme. alder.. statist.sentrbyrå begynner med
kultur sjansen for at det akkurat her er. bedrevet menneskeofring er ..
sjansen for at det gikk en viking akkurat. der du går nå er ..
sjansekultur. vi tror det i fremtiden om tusen år. vil stå et menneske
akkurat der du står nå forestill deg det. på. akkurat dette stedet var det
bare flytende lava for mrd. år siden. om. noen mrd. år så eksisterer ikke
dette. om ti minutter er vi ikke her.. mikrokultur. hvis du beveger litt
på det ene beinet ditt så står du ikke. lenger der du sto. vi kan telle
til ting forandrer seg. skal vi ta. vare på alt jeg snakker til deg.
akkurat nå hører du på. i den bevegelsen. er vi. når vi blir lava går vi
opp i gud. flytende væske har problemer med. å skape sivilisasjoner med
høy kultur. gass har atferdsproblemer. isen er. nevrotisk. temperaturene.
svart galle koker ved grader nord.. beskyttelse molekylene løser seg fra
hverandre og blir gass vi går over. i en gasstilstand plasma rovdyret
markerer territoriet gassen fyller. hele rommet. gass er gift tenker vi
slik som luft.. avstandsverk. verk som foregår på lang avstand. avstanden
virker konsentrerende. henførende attraktiv rørende sublim latterlig. å se
en person. kilometer unna har en spesiell virkning. huldra ved fossen på
flåmsbanen. bruker dette men innholdet er en mekanisk turistklisje og
spøkelse men. ikke helt irrelevant bare kjedelig. noen med hund gikk langs
en høyde. noen hundre meter borte det var mer interessant. et teaterstykke
med. scenen en kilometer unna kanskje bare siluetter handling pantomime..
automata. noe random noemata phpscript control panel kopling n.
mailinglist news... sikt. alle sikter er kroppsliggjorte mens vi har et
ideal om et tomt eller. åpent sikt at hodet er ånd. når hodet er ånd kan
kropp være kropp. sammenblandingen er frastøtende uren ånd skinnhellig
kropp. at hodet. kroppsliggjør sansning er renere enn handling er renere
enn følelse.. avsondret virtuell natur. når samfunnet blir virtuelt åpner
det for å bruke det virkelige som en. ørken eller avsondrethet. lenge har
gangveier vært forbeholdt bare. mennesker på blå skilt veiene ble i sin
tid lagd for disse symbolske. menneskene så de kunne bevege seg fritt
omkring og spre det virtuelle. fram til idag hvor hvor som helst er en øde
avsondring fra verden. verden. rundt på millisekund kropper er gjenstander
gjenstående blir vi. endelig natur igjen. tagg. reklamen fikserer
forestillingen til noe eksternt noe som gjør at den er. helt ubrukelig i
dannelse f.eks. har en velmenende solidarisk kampanje. ingen mulighet til
å nå fram til noen siden den må fikseres til tingen.. hva skjer når taggen
fjernes en serie reklamefilmer hvor taggen er borte. eller taggene byttes
om hva skjer forresten når den spilles baklengs en. annen slags
virkningsfullhet som beveger seg fra tagg og ut til en. situasjon (der mor
vasker gulvet) vil det ha virkningen av at taggen. sprer seg og er
virkningen reklame eller antireklame. hurtigbåt. til. vi . i vender. til
det . men i et et .. smeltet .. er globalisering å gjøre verden til vann.
som vi kan sprute gjennom. vannet fragmenteres i brus og vender tilbake.
til det globale vann. nettverket men i et tidromkontinuum et hav.. verden
er smeltet sammensmeltet og fragmentert.. clinamen. dermed kan et brudd på
cpsymmetri forklare hvorfor vi bare finner stoff. og ikke antistoff i
universet. clinamenavvik patafysikk. clinamen det andra postulatet står fr
en oregelbundenhet i tankens och. atomens centrum. ordet r latin och
betyder ungefr 'avvikelse' eller. 'avdrift'. detta postulat ger vissa
associationer till kvantmekanik och. kaosteorier. i centrum fr allting
stter patafysikerna en asymmetri.... denna avdrift lyder ingen lag det r
en nyckfullhet från atomens sida.. det r frstås svårt att frestlla sig en
rrelse utan orsak men om man. betnker att avdriften r synnerligen liten
och rrelsen omrklig kan man. låta sig nja med det och det r en eftergift
som inte kostar mycket.. utifrån detta kan man ltt frklara vrldarnas
uppkomst.. henri bergson citerad av oktav votka ( e.p.). clinamen den
moderna. fysiken och de vetenskapliga frdomarnaantologi (pp. )..
franskmannen alfred jarry () var oppfinneren av patafysikken. vitenskapen
om fantasifulle løsninger enkelttilfeller og rare unntak.. ordet
patafysikk ble antakelig valgt for å suggerere pataphysique. dvs.
sjokkerende fysikk. patafysikken ble beskrevet i et verk av jarry. fra og
skulle ifølge forfatteren omfatte alt spesielt og perifert.. femti år
etter ble collge de pataphysique grunnlagt. det patafysiske. samfunnet
fungerte som en slags parodi på et universitetskollegium og. dagsordenen
under samlingene gjaldt vidløftige meningsløsheter obskure. vitenskaper
(f.eks. hypnose) og poetisk nonsens. en vitenskap om imaginære. løsninger
gjaldt det jo å forsyne med imaginære problemer... møtene. foregikk innen
en hemmelighetsfull nesten okkult ramme og fikk også. trolig mye
påvirkning fra surrealismen. det var noe fandenivoldsk over. patafysikerne
en vilje til å balansere galskap og lærdom og å søke etter. mening helt inn
i det meningsløse. jarry angrep i sin skjønnlitteratur. eksisterende
moralske og estetiske verdier og ble et forvarsel om det. absurde som
kunstretning.. displaced paint. painting by dead artists is in a biased
nutshell what they still prefer. as state of the art. areflagan. stille ut
stjålne malerier fra utstillinger i en ny utstilling ref. nn. ide
tidligere.. .. .. .. ... .. .. moar of the sam. en teateroppsetning av en
tegnefilm kraxy kat. livingroam. delprosjekter. nettnogmade no made
nomade. kluturfjam bruke offentlige rom som sitt hjem. lingamviro. roam v.
i. imp. p. p. roamed p. pr. vb. n. roaming. oe. romen. ramen cf. as. arman
to raise rise d. ramen to hit plan aim os.. rmn to strive after ohg.
ramen. but the word was probably influenced. by rome cf. of. romier a
pilgrim originally a pilgrim going to rome. it. romeo sp. romero. cf.
ramble. to go from place to place without any. certain purpose or
direction to rove to wander.. he roameth to the carpenter's house.
chaucer.. daphne roaming through a thorny wood. shak.. syn to wander rove
range stroll ramble.. roam v. t. to range or wander over.. and now wild
beasts came forth the woods to roam. milton.. roam n. the act of roaming a
wandering a ramble as he began his. roam o'er hill amd dale. milton.. v
wander about aimlessly the gypsies roamed the woods syn wander. swan stray
cast ramble rove range drift. Mar. diskett gallerier zip. release mail art
germinal posten til forskjellige. endel tomme polstrede pakker til
institusjoner bare med en papirstrimmel. ... honstad kunstsenteenier.
ssmuseet bankplasamtidse. a fearnley museetstrup p. kernes hus
wergelunstnan. uådhusgt. ks r o. gi f pb jelallerøy. nrsk kunstmuseum
ordnopo. nalgalleriet postasjonbo. b sundtsgt ek c. po atelier nord nek
cne. tkjøpmannsgt eks. ar nord nedregt telied. det kan være lurt å skrive
ut denne siden.. perifer samtidskunst spill på sentral smtkunst... drafts
undigested usendt mail. cv. om vi tok alle cver i verden og modellerte et
samfunn. evt. alle. kriminelle rulleblad.. cv jeg henviser til politiet.
criminalis vitae. har det noengang vært andre samfunn enn vårt. into
nation. into nation intonation a musical score for un or sociogeo. music
of the. political spheres. webbased spheremusicstream into outofnation.
'outofnation' contra intonation.. intonation p pronunciation key (ntnshn
t). n.. the act of intoning or chanting.. an intoned utterance.. a manner
of producing or uttering tones especially with regard to. accuracy of
pitch.. linguistics. the use of changing pitch to convey syntactic
information a. questioning intonation.. a use of pitch characteristic of a
speaker or dialect he could hear. authority the old parish intonation
coming back into his voice (graham. greene).. music. the opening phrase of
a plainsong composition sung as a solo part.. quicktopic. en bok på qt en
emailadresse webboard admin etc.. radioaktive bilder. det norske
forbrytersyndikatet kraken tar på seg ansvaret for. romferjeeksplosjonen..
curiously nobody (yet) claimed credit for spectacular destruction. of space
shuttle columbia. not saddam not bin laden not. hamas not hezbollah nor
anybody else. and there could be no. more perfect opportunity.. kraken kan
være open source crime. creative commons crime.. inspilling av avspilling.
curd duca innspilling (av) avspilling som en persepsjon ny persepsjonen.
av noe blir noe nytt en avspilling er en innspilling dessuten komponere.
vha avspilling en enkel tydeliggjøring av sampling som medial kunst.
gjenskaper lyttingen som om en utstilling stilte ut blikket i et. galleri.
stalkme. stalk me videoprosjekt følge etter film redigere klippe. rundt
hjørner etc. i monn. et romantiskmodernistisk livkunst prosjekt i smarb
med en kurator nn. monnasteryx. minimax. kampsport som en maskulin animus
dans sverd korde slåsskamp boksing. i en forestilling alternerende med
feminin dans den maskuline dansen. bruker egenskaper fra sport som kultur
(se under) målbarhet episodisk. den feminine er åndelig anima etc..
release. noemata.netrelease. main entry release. pronunciation ri'les.
function transitive verb. inflected form(s) released releasing. etymology
middle english relesen from middle french relessier from. latin relaxare
to relax. to set free from restraint confinement or servitude hostages
also to let. go dismiss. to relieve from something that confines burdens
or oppresses. to give up in favor of another relinquish property. to give
permission for publication performance exhibition or. sale of also to make
available to the public its findings. main entry lease. function transitive
verb. inflected form(s) leased leasing. etymology anglofrench lesser from
old french laissier to let go from. latin laxare to loosen from laxus
slack more at slack. to grant by lease. to hold under a lease. synonym see
hire. leasable 'lesbl adjective. release fra bokhandel til bibliotek.. tid
logikk. baklengs. en melodi hvordan forandrer den seg hvilke egenskaper
blir. motsatt kjøre andre prosesser baklengs hva sier det om prosessen og.
modellen. hvis tid ikke finnes så er irreversible prosesser uforståelige..
på hvilken måte er vitenskapen mot tidsstrømmen som reverse. engineering å
gjøre et eksperiment er i tidsretningen mens. teoretiseringer er imot. hva
med logisk implikasjon og tid. sannhetsverditabell for logisk implikasjon.
p q pq. så en årsaksrelasjon er stort sett sann dvs. så lenge relasjonen
ikke er. påviselig usann. implikasjonssymbolet () tilsvarer tidsretningen.
så. vitenskap handler mer om å finne ut hva som er usant enn hva som er
sant. (siden relasjoner er sanne inntil det motsatt er påvist). i
tidsretningen. er alt sant. imot tidsretningen vet vi bare hva som er
usant og det som. ikke er usant er sant. vitenskap driver dermed med
dobbel negasjon. en. negasjon imot tidsretningen (teoretisering) og
deretter en negasjon med. (eksperimentet). negasjon avskjæring.. stasis.
hvorfor er den enkeltes relasjoner til andre så statisk hvorfor.
foretrekker en person å forholde seg til en begrenset kjent gruppe. venner
bekjente praktiske relasjoner basert på at alle mennesker er. nesten like
global kultur osb spiller det like liten rolle hvem man har. med å gjøre
om man ikke er ute i en bestemt hensikt. men nå er det. nettopp disse
hensiktene som styrer prosessen og strukturerer relasjonene.. runciter
said ill consult my dead wife. pk dick ubiq. brettspillet paradox nonplus.
brettspillet paradox nonplus. et brettspill med trivial pursuit som modell
der temaene er paradokser av. ulike typer.. kategorier. logikk
(argumentasjon bevis definisjoner osb). sitat (gåte herme ordtak osb).
lateral (vits situasjon osb). nøtt (div tankernøtter matematikk logikk
sannsynlighet osb). trivia (uventetparadoksal kunnskap).
Tilfeldighetssamfunnet. Samme hvor mye jeg tilfeldig snur pølsene i panna
er halvparten på feil side.. Det er to måter å få dem jevnt steikte på snu
hver enkelt eller tilfeldig. permutering (med hyppigere intervall).
Tilfeldigheten er automatisk rettferdig.. Kunne vi hatt en samfunn basert
på tilfeldighet istedenfor rettferdighet Det. er. tilfeldig hva slags lønn
borgeren har hva han betaler i skatt osb.. Frihet rettferdighet brorskap
Stokastisk tilfeldig hvemsomhelst. Hva som idag er underlagt rettferdighet
blir heretter prosessert tilfeldig.. Likhet er vel det beste ordet her.
Staten velger tilfeldig ut personer hvert år som skal dø i trafikken..
Staten velger ut banker som skal bli ranet.. Staten velger ut ukas
lottotall.. Kan vi ha staten som en lottomaskin Autorisert tilfeldig. Vil
korrupsjon bli. et. problem siden ingen regler gjelder Vi har statistisk
analyse som må stemme. ellers er du ille ute. Ingen regler nei tingene
styrer seg selv trafikken. sørger for sine ofre (ikke Over kanskje).
Styring gjennom automatiske røre. rundt. Induksjonsbevis siden n var
tilfeldig utvalgt så er det alment.. Så får de ulike samfunn en debatt om
Hva som skal underlegges tilfeldighet.. Alt. ingenting. Staten bestemmer
seg for å styre været de kaller det ikke lenger værmelding. men værvedtak
(og så kan vi lure på hvor utbredt slik styring allerede er. tingene
styrer seg selv uansett styringen er illusjon om styring vi vedtar. sol. i
morgen men hvordan vet vi at det ikke er styring Hvis det ikke blir sol så.
blir det nedsatt en kommisjon til å granske hva som gikk feil noen må gå.
dårlig styring etc. i gode tider er det lett å styre som er et tegn på at.
tingene styrer seg selv.). Staten rullerer identitet du våkner opp og er en
annen annen jobb bankbok. kone barn etc.. Tilfeldig hva man ikke ønsker
skal utgjøre noen forskjell det som skal være. likt for alle.. Hvis
identitet rullerte ville vi ikke vært opptatt av hvem vi var.. Staten blir
et uropoliti for ansamlinger av ulikhet. Konkurransetilsynet blir.
tilfeldighetstilsynet.. Frå er det berre Norsk Tipping som har lov å driva
med speleautomatar her. i landet.. Vi har ingen kriterier lenger på noe som
helst tilfeldighetstilsynet likevel. ivaretar likhet rettferdighet.. Får vi
problem med spamming ren kvantitet for å påvirke utfall. Kunsten fra nå av
er stokastisk vi er e.Kunst etter kunst et antall år. alt. er kunst etc
der hvor vi går over til tilfeldighetslikhet. et utvalg. tilfeldig
utvalg.. Statement. Artist Statement Eric Jordan Dec. These paintings are
a response to concerns that become. so pressing I virtually stopped
painting. These anxieties fell. primarily into two groups. The first
centers on the nature of meaning. and the second on my approach to
painting.. Through looking and discussing the work of David Salle. I had
become increasingly interested in the philosophical questions. surrounding
the nature of meaning. This arose from a simple disagree. ment. I felt
Salle's paintings were meaningful. Someone else disagreed.. In pursing a
solution I found it was first necessary to address the. question of what
exactly meanings is. Central to this question is another. question how can
meaning be destroyed If meaning can not be. destroyed then nothing can be
meaningless and everything must possess. meaning on some level. If meaning
can be destroyed then it is possible. have meaningless items but what
process achieves this result. Obviously from this question arises the
question how is meaning. formed. Realizing I was not in a position to find
answers to these. questions without considerable work I went to ask some
advice. Having. seen a commonality between James Joyce's Ulysseus and
David Salle's. paintings I went to see the University of Victoria's expert
on Joyce. Dr. Trevor Williams. I felt that stylistically Salle and Joyce's
were very. similar. They both use imagery in a disjunctive and
unconventional manner. Yet. I had thought critics saw Joyce as maintaining
meaning within his work. while critics of Salle saw his work as embracing
meaninglessness. This. assumption was demonstrated to be false in my
conversation with Dr.. Williams. He informed me that while Ulysseus is
generally held to. possess meaning Joyce's later work Finnegans Wake is
held to embrace. a form of meaninglessness. And from the examples I could
show him he. felt Salle's work was very similar to Finnegans Wake much
more so than. Ulysseus. Yet there is still a distinction between critical
writings on. Salle and Joyce. Salle's work is held to be meaningless in a
cynical. way whereas Joyce's meaninglessness is described as indulgent
and. pleasurable.. egg roll. but. if that confuses matters then matters
will be confused. germinate Jow. Because the duplicity of artwork hardly
began with Internet. It reaches back. what Rancire calls the aesthetic
regime of the arts which emerged not. coincidentally at the end of the
Ancien Regime. Aesthetics is the name of an. indistinction where fact is
inseparable from fiction where the lowest can. become the highest and
viceversa. The aesthetic regime of the arts ruins the. historically prior
regime of representation with its hierarchies decorum. and strict
separation of genres but also its Aristotelian distinction between.
chaotic accidental history and wellconstructed plausible fiction. Working.
initially through mimetic or testimonial techniques realist literature or.
painting photography or cinema the new regime determines the paradoxical.
beauty of the anonymous subject of whoever or whatever The ordinary
becomes. beautiful as a trace of the true when it is torn away from the
obvious and. made into a mythological or phantasmagorical hieroglyph. ()
Before and. beyond any modernist or postmodernist program the aesthetic
regime makes. art into an autonomous form of life thus simultaneously
positing both the. autonomy of art and its identification with a moment in
a process of life's. selfformation.() The understanding of activist art
begins right here with. the notion of life's selfformation.. Hieroglyphs
of the Future Jacques Rancire and the Aesthetics of Equality. Brian
Holmes. scanner. scanner tenkte pånytt et suspekt nettprosjekt å sirkulere
epenger bilder. av sedler. hva er avh. av skjermoppløsning så det er
relativt og vel ikke. straffbart uansett er det vel utskrift eller hva er
framstilling som er. ulovlig.. ulovlig med større enn dessuten mynter.
kanskje den gamle. øringen hvordan i h kom de på ideen om en kjempediger
øring forsøk på å. bruke dem som et pengesystem vedlagt er kr. med en
disclaimer. satse. på pop utbredelse og en konfrontasjon med norges bank.
digitale penger.. utbrodere. n.bank har liggende ute bilder men som det
står ugyldig på eller. noe.. presentere det som nyutgitt seddelsett. ok
det er kanskje en dårlig ide men. med. litt potensial (burde ha på en
eller annen måte). 




195


fenomenolodffdgien. fenomenolodffdgien virfker som ens agforløser. å si at
alt er ytre lager illusjoner. all sansning er relativ. å si at alt er
indre gjør det meningsløst. tingene vi ser har nivåer. indre og ytre som
grunnleggende. vanskelig for å akseptere det ytre. men sepå det som en
side som ytterside blir det lettere. menneker er ikke forskjellig fra
ting. barnebok om logikk. barnebok om logikk eller for å oppøve logikk
selvstendig tanke sammenheng. ikke være redd for å stille spørsmål
gjennomskue tullprat propaganda la. logikken være veiviseren tenke selv.
forbilde alice sokrates. tenkte på CG's flate responser som var kule no
bimbo. logikken er våpenet vi har mot informasjon og disinformasjon
hvordan skille. hva er sant. en slik liten bok på logikkens premisser ting
trenger ikke være realistiske. logikken holder det sammen vi kunne levd
under andre livsforhold ting kunne. vært anderledes alle anerkjenner
logikk eller. gåter nøtter etc også. papirer. forlatte papirer.
etterlatte. tillatte. fralatte. pålatte. underlatte. overlatte. baklatte.
foranlatte. vedlatte vedlagte. forlagte. etterlagte. innlatte. utelatte.
innlagte. utlagte. plante analogi. hvor utbredt er plantelivnæring
analogiene i folks forestillinger vekst. vokse seg stor og sterk etc livet
som plante. det har begrensninger fordi. planter har røtter. å slå seg til
ro blir analogt med å slå seg til rot for å. vokse bedre. menneskebilde
plantebilde. dessuten må det komme som en stadig. overraskelse at
mennesker dør så plutselig skulle de ikke heller bare visne. bort og alle
raske forandringer er av det onde elektroner må være små demoner. hva med
fotoner fotosyntese sola de er gode. i det hele tatt vi har for. stor makt
til å være planter trær som vokser bøker som kultiverer uendelig. vi har
bokbål virus bomber knapper å trykke på maskiner. vekst joda men vi. er
mennesker ikke planter og innimellom der dyr og da er ikke mineralene.
engang nevnt før nå. og hva med sjelen og ånden vekst liv og død
eksistens. sædcellen som kom på andreplass idrett de dramatiserer
overlevelse. håndballandslaget raider nabostammen de vokste ikke sammen.
alt eksploderte. det er en slags vekst. plancks konstant bærekraftig
utvikling. og utvikling. bilbomber utviklet seg utenfor ambassaden.
mennesket er alle tings mål ikke. plante ikke eksplosjon fenomener har
forskjellig hastighet størrelse. samfunnet er større enn hver enkelt og
dermed treigere mer likt planter mens. grupper av mennesker er mer som dyr
dummere men sterkere. i andre retningen. er. ånden som et elektron og ser
for seg atomeksplosjonen som den høyeste. religiøse. forening sin skaper
sola big pangpang. lenger framover er lenger bakover. større fart er
større avstand mindre er større forestillingene er speil når. du ser foran
deg ser du bak deg som når du ser utover ser du bakover.. this is an
invitation to write into books. maybe post it somewhere to someone in any
degree privatepublic. so we have also dark matter and obscurity. things
get lost and forgotten. we get lost. so you can pour into and some things
remain. words may survive you maybe not. all the same why not directly.
explore the illusion of substance you book. we try the immediacy be as it
is. tagged identity. ragged substance suits. own activity to find read
assemble. ondemand (like my birth was on demand no). these things nothing
else than you. you is your. but your is not you. netbooks ent cypherbooks
chyperbladder. scatter scantologies. copyleaf. anyhow monitor. monotire no
id minimal. like its hinsight out. like from a plane landscape look inside
out. like hyper looks interior not extraexterior. sides of the skin only
one. interface akin to facere to make. like making is looking. reading is
making. book is interface. book is making of book. like to book make a
reading. paging. Slowtime......... Slowtime......... Kunne lagd noe lowfi
slows nordlyset er slow og langstrakt. Ingen gidder se. på såklart men
bare vite at det finnes og driver på mens vi driver med noe. annet.
Automatime() en automatisk film så du slipper å se på og vi slipper å.
lage den.. noema valuta. noema valuta. noema . kr. I was assuming that
everyone knows what fluxbucks are.. Fluxbucks are artistmade money that
has no real. monetary value and are not meant to be counterfeit.. It's
more like the idea of an alternative currency.. De pengene har vel en
kunstverdi Det er tilbake til bytteverdi at pengene i. seg selv har
verdien slik myntene i utgangspunktet var av edle metaller med. reell
verdi så er kunstpenger pengerisegselv men hvem bestemmer. verdien. av
kunst Kunstpenger kan presse fram standpunkter i en forhandlingssituasjon.
så blir det nødvendig. går det an å gjøre noe mer reelt ut av dette en måte
å. 'selge' kunst på at de er selve pengene. alt det der. alt det der er
hukommelse hva slags hukommelse ting har hukommelse bestemmer. atferd lang
hukommelse blir automatisk konservativt gass er uten hukommelse. kan det
strippes ned til aggregattilstander egenskaper ved stoff ved. temperatur
trykk fast stoff har en hukommelse om sin form gjenstand og. plass
flytende er kollektiv hukommelse tilhørighet... oldmail v. oldmail v.
ideen med å svare på mail som er veldig gamle mndår kan virke positivt på
en. kommunikasjonskultur strekke den ut vise at postene har en verdi
utover det. umiddelbare det er å gi det verdi ikke at alt må være siste
nytt for at du. skal svare på det at de ikke har noe annet enn en
nyhetsverdi annonseverdi. som må være en av de laveste verdiene noe kan ha
at de bare ha verdi som. oppmerksomhet. Så kan man selvfølgelig det ha
tomme mail som bare er. oppmerksomhet som om det ikke var nok av slikt
hallois.. prolificating open promiscuous machinic monstruous fractal
viral. indifferent nihilogies nilogues.. bookvalue stages (ref
baudrillard) natural books commodity books structural. books (hypertext)
fractal books (viral radiant). fractal books there is no. directions
without reference to anything whatsoever by virtue of pure. contiguity.
fractal books (hyperbooks cypherbooks) no longer has any. equivalence an
epidemic of book metastasis of text haphazard proliferation. and dispersal
of book. we should no longer speak of 'book' at all for this. kind. of
propagation or chain reaction makes all books impossible. yet things.
continue. function long after their idea have disappeared and in total
indifference to. their own content the paradoxical fact is that they
function even better under. these circumstances. the book is no longer a
metaphor for logos etc or anything. at all merely the locus of metastasis
of the machinelike connections between. all its processes of an endless
programming devoid of any symbolic. organization. or overarching purpose
the book is thus given over to the pure promiscuity of. characterizes
networks.. MAIL ART to Michael Lumb. ...It is perhaps ironical that
mailart attracts shy individuals who by. definition tend to be aware of
the network of people from all walks of life. and. not necessarily artists
who communicate their creativity through the postal. system.. ...exploring
jokes puns and the apparent random placing of both images and. text. in
juxtaposition to each other as well as the use of a repeated popular
image. for example the bicycle. ...It was in this environment that Johnson
began the experiment of work that. acted between art play and life that was
to occupy him for the rest of his. life. mailart.. ...The contents is the
contents the stamp are the stamp the address are the. address. It is very
clear your question 'Is this an art form' is the art form.. ...as with his
announcing nonexistent exhibitions of his in the village. VOICE... In
around the time of his rd birthday he took an ad in the. art section of
the New York Times to announce 'Ray Johnson Nothing No. Gallery.'. ...his
apartment but was surprised to find rather than the expected Schwitters.
like muddle '...a place empty of everything but a chair a bed a stove and.
refrigerator and a few boxes containing collages. Nothing on the walls.
nothing. on the floor.. ...is said to have observed that his paintings
were three times the size of an. envelope and was moved to cut some of
them up and mail the pieces to friends.. ...I call them moticos. It's a
good word because it's both singular and plural. and you can pronounce it
how you like. However I'm going to get a new word. soon. ... However
although Johnson seems never to have referred to the fact. it is highly
likely that he chose the word 'Moticos' (particularly in the. plural)
because it is an anagram of 'Osmotic'. The word relates very well to. the.
way in which Johnson absorbed images words ideas and life into his
collages. and to the way in which he disseminated his work through the
mail.. ...Wilcock describes Johnson's 'Moticos mailing list' notes that it
included. people and quotes him I send lists either to people I think would
be. interested or to people I think won't be interested. ...By the s
Johnson had established a mailing list of about people. ...This is
evidence that Johnson was not simply sending one of his collages. (motico)
as a gift but indulging in a complex series of pieces of puzzle. ...The
unpredictable nature of Johnson's work extended to his choice of.
correspondents and frequency of sendings. Some received 'letters' two or
three. times per week and others never or very occasionally regardless of
their. attempts at communicating with him. Equally a 'letter' could arrive
from him a. long time after they had givenup hope of getting a reply.
Analysis of. mailartists' correspondence with Johnson reveals no
discernible reasons for his. decision as to who to send to or the
frequency of his sendings.. ...held New York Correspondance Club meetings
with seating plans (Plate ). another list of names.. ...The issue of
putting a name to a work of art was subsequently explored by. mailartists
and the first mailart Multiple Name was created in the mid s by. two
British mailartists Stefan Kukowski and Adam Czarnowski who tried to.
persuade other networkers to adopt the name 'Klaos Oldanburgh'. ...Open
popstar name that could be used by mailartists wishing to assume the.
identity of a popstar. The name Monty Cantsin became associated
specifically. with Neoism and in particular with a Canadian networker
Istvan Kantor. ...Stuart Home an English networker ... that of Karen
Eliot. ...'Zine' Stephen Perkins defines them as selfproduced
selfdistributed. nonprofit publications focusing on topics that are often
ignored by the. mainstream media. referring to self published cheaply
produced products with. no commercial ambitions or outlets he goes on to
say that the history of. Zines. can be traced back to the s when science
fiction fans started putting out. their own slick science fiction
magazines. ...produced by General Idea who began File magazine in with a
grant from. the Canada Council.. ...Anna Banana Vile ... particular
ambition was to imitate Life magazine to. such an extent that it could be
taken for it ... At that point she dropped the. notion of imitating Life.
...Stewart Home who in February published his first issue of Smile 'The.
official organ of the Generation Positive.' This journal was to express
Home's. ideas on 'Positive Plagiarism'. ...power of rubberstamps.
...Robert Morris' 'Peripatetic Artists Guild' refusing sales or fees but.
asking. for a wage. ...the use of postcards by On Kawara to document the
minutiae of his everyday. activity for example the 'I Got Up At' series
begun in. deliberately contradictory multitheories. It is antielitist and
gives the. participator complete artistic freedom to do whatevershe wishes
with the one. proviso that she must adopt the name Monty Cantsin or Karen
Eliot and refer to. him or herself as a Neoist.. ... The term Neoism a
pastiche of art movements implies a looking back to an. 'Ism' without any
specifics. Neoism defied any possible interpretation as to. what it stood
for and as such belongs to the debate that took place around a. redefining
of art history.. ... Home claimed that Plagiarism (and multiple names)
challenge western notions. of identity and therefore property and
ownership an anticapitalist. revolutionary tool considering it to be a
positive creative technique.. ...Home proposed an end to originality (for
him the false individualism of. consumer society) as an important aspect
of creativity and his theories centred. on an encouragement to photocopy
the work of other artists as a statement. against capitalism private
property and the commodification of Fine Art. ...This was extended to
music with a National Home Taping Day.. ...Mailart having no end product
and being a network. ...Caroline Tisdall sees Beuys intention as a
widening of the concept of art in. which The whole process of living
itself is the creative act ... thinking. talking performing teaching and
above all living which all of us do can. be seen as a process of moulding
or sculpting Social Sculpture.. ...immediacy Further electronic mail lacks
the physical appeal of snail. mail. Much of the aesthetic is missed and
most obviously it misses any three. dimensional qualities and all those of
weight texture and subtleties of. appearance. More important though is the
'presence' through handling of the. sender in the form of traces of smell
secretions and residues that can be. experienced by the recipient. Again
this is evidence proof a further. signature a mark left like an animal
leaving its scent. This is analogous to. the response of the mid. th
century public to the debate of the relative. status's of the portrait
photograph and the portrait painting that still holds. good for today.
Whilst the painting had tradition scale and proven durability. it was
subject to interpretation the work of the artist whereas the. photograph.
was the 'shadow of a loved one.' The photograph exists literally as the.
capturing of the 'shadow' of the sitter falling on the plate. It has been.
'touched' by the sitter and is therefore a part of them. It is clear that.
electronic mail intervenes and interprets (like the portrait painter) it
is. not. a direct sending therefore missing the potential for the
'touching' sender to. 'touch' the recipient.. ... As to the future the
likelihood of the status of mailart changing. seems remote the lack of
critical writing about it significantly two years. after the death of
Johnson indicates that it is problematic for andor not. interesting to the
art historian. Apart from Ray Johnson's contribution. relating in part to
proto Pop art and the exploration of the postal system by. Fluxus and
conceptual artists mailart remains publicly invisible and always.
anonymous. Whilst I have argued it as Democratic Art as Social Sculpture.
accepting all who wish to participate a Beuysian concept it is unlikely
to. receive the acclaim that Beuys achieved because unlike mailart Beuys
was. always a producer of objects and therefore in spite of his theories
remained. and remains in the art historical eye.. MAIL ART to Michael
Lumb. filosofi. filosofi er flaut. de folka veit ingenting. men hvis ikke
de hva med oss skru. på tv kanskje det er en nyhet på det så lite veit du
alle spørreprogrammer. siden vi ikke veit vær dum og ring inn. flaut. hva
heter buksa du går i. etternavnet ti vise svarer. selv vet jeg ingenting.
omstokk. ingenting vet. selv jeg. selv ingenting vet jeg. jeg vet selv
ingenting. selv ingenting jeg. vet. jeg ingenting selv vet. jeg ingenting
vet selv. folk blir kanskje gale. i et mørkt rom. er det bare potensialet
mengden før det klikker stor og. seriøs eller kjapt (en liten plante).
filosofi er stort ingen vet noe et. mørkt rom. skru på tv før det klikker
av seg selv.. sexnyhetene v. Hadde sex med Ungkaren i smug. å ha sex betyr
noe det er det mest intime dra ned buksa og det alt handler. om shopping
vitenskap bevissthet sanser det er å stikke den inn ha sex. det er den
ultimate anerkjennelse erkjennelse kjennelse else se sex. kan. vi. ikke
putte sex inn i alle ord hermesex asteroidsexen oppdagsext..
eksprsexidenten klagsexr påsex svensexk fengsexl. hsexr sexr
elitesexriens. billigsexte lagsex. haddsex sex msexd Ungkarsexn isex
sexmug. det er. sexspråket en variant av rorøvoverorsospoproråkoketot.
radikal variant Sex. sex sex Sex sex sex. .. Sex sex. Sex sex sex sex sex
sex sex Sex. Sex.. Sex sex sex sex sex sex sex sex sex sex sex sex sex sex
sex sex sex. Sex sex. sex sex sex sex. kunne vært en nyhetstjeneste eneste
som beholdes er. tegnsetting og html. lett. Sexnyhetene v.. engangskamera.
hvis verden er matematisk så betyr det at den betyr ingenting. ingen kommer
til syne på veien der borte. hvis vi kan forstå verden matematisk så er den
generert. vel det er den jo uansett den er lagd utviklet. ingenting er seg
selv alt er lagd jeg er lagd. teksten skrives nå og leses nå hva. nå. nå
er lagd du rafter i elva nå. hvis noe er noe annet og det er det alltid
hva da. data i kabelen atomer vi er de som kan forandre mest. hvorfor
hvordan. bevissthet bladet vil i lyset treet er lagd. bevissthet er vårt
eple. gulrot. skal vi forstå oss selv. hvem forstår hva blir til hva
forstår hvem. sannhet. en modell som stemmer sant. vi må leve jeg består
av noe annet. hva er det som oppstår. noe noe å sitte på et bord teppe. de
overlever suverent deg suverent. vi er for komplekse går fort til grunne.
liv dør det er liv puls kommer og går. som et boblekammer spor etter
partikler spor. ikke engang spor. er jeg sporløs horror sporløs. treet
blir hogd ned omsider verdenstre så hvorfor ikke med en gang. hvordan
finnes jeg betinget finnes jeg ubetinget. et hus bare med toppetasje. vi
forstår ikke oss selv i verden blir borte rom tid. sansene binder
kontinuerlig de limer vi er limt. når får vi avpåknapper på sansene en for
hver finger hanske. håndverket snekrer berøring. sanser er forsvar som
angrep. vi får grensesnitt som vi prøver å overskride stressteste. finnes
jeg i sansene er det omvendt sanssubstans uten. for å sanse trenger du
først å finnes tenker vi. finnes uten å sanse en stein. kan jeg sanse uten
å bli sanset sanset av en stein nivåer. er det utvikling av sanser ikke
bevissthet. bevissthet som sans. hva skulle vi med den. jeg skal svare når
du blir en stein. en grein på treet. overskyet. hvorfor kan vi drepe oss.
øyet blunker hele tiden om natten sover du ble du født i går. jeg døde i
går. døden må åpnes igjen for at vi skal få liv. vi menn tøffe. vi
mennesker ydmyke likegyldig sansende. jeg kan når som helst drepe meg hva
betyr det. en mektig tanke farlig mektig grenser det maktesløse. vinden
tok greina. hva bryr det treet bare litt. vinden tok treet. hvis du spoler
verden baklengs gir den samme mening er det samme verden. leve i baklengs
tid ting blir enklere er det entropi. knust i småbiter. hvis jeg har sanne
forestillinger er de fortsatt forestillinger. hvem er jeg universet som
eksploderer en partikkel hvordan er det sans. sant. hvordan er noe
matematisk hvordan fysisk nevralt. ting speiles sanses tenk på speilbildet
hva er det komplisert sans. hjernen er som et kamera. sanser vi er verden
og i verden. hjelper det meg ut av verden lim er klissete livtube.
engangskamera. organmeklere. flere svensker har kontaktet såkalte
organmeklere på internett for så å ri. ese til utlandet og kjøpe ne y
nyrer. når urettferdighet går direkte på kroppen engasjerer det sterkere.
når de. rike kan kjøpe seg tid lengre liv på bekostning av fattige men.
helsetilbud til rike er allerde me y bedre se på forventet leva elder i.
ulike land går det inn på oss at ne on lever til og andre til. tallet
uttrykker levevilkår det var ikke mulig å leve lenger enn kan. vi regne
med. kan det være et politisk mål at befolkningen blir dør i. naturlig
tid. forventet at ne on er helsetilbud utlandet fattige indent også er.
engasjerer det naturlig. andre sterkere går det nd so organmeklere
naturlig allerde. amina. winnubjectod news about amina. et navn er både en
referanse og menneskeliggjøring animering aminering. det å peke på er
samtidig å levendegjøre gjøre kjent kjenner du henne. liksom bruken av
unik designator og av en familieringsfunksjon er ikke. skilt fra hverandre
det uttrykker begge men å peke på månen er ikke. nødvendigvis å gjøre den
familiær. dersom vi har noe som peker på noe. ubestemt eller det ubestemte
som i 'gjerningsmannen' så skilles de fra. hverandre. interessen for 'mr.
x' er lignende det er som et filsystem. alt må ha navn men det godtar hva
som helst mr. x er interessant bare. så lenge han ikke har navn hvis
myndigheter ga han et navn var han. allerede mindre interessant 'per
andersen' han blir gjort familiær med. navnets doble funksjoner. går det
motsatt vei ta fra navn skift språk. referansesystem. uttrykkss. det er
langt igjen til vi kan uttrykke oss slik vi tenker hvordan kan det. di det
hele tatt fungere hvordan kan vi dele opplevelser (retning sans) og.
erfaringer (retning indre) fins det media som ivaretar film men det.
stopper ikke før ved det stopper ikke vi er dype brønner og kanaler.
mennesket som medium direkte siden vi alle er like som to installasjoner.
aggv ett program.. linjer. video følge linjene i et hus. biblipo. biblipo.
hva med et spamprosjekt som korrespondanseverk hver får en liten bit. en.
bok rives i . unike filler etc. hvordan passer bitene sammen her er.
omrisset borte nummerere. biblipo. en bok som består av sine mangler evt.
det samme prosjektet.. ppgp. ppgp. ps. angående 'uleselig' informasjon
hadde det ikke vært artig med en. lesbar offentlig pgpnøkkel at den kunne
leses som vanlig tekst i. tillegg til å være del av nøkkelparet uansett
trengs en generert og. uleselig privat nøkkel. kunne ikke f.eks.
mailadressen til eieren stå i. den lesbare nøkkelen. begin pgp public key
block. mqgibumailtomontycantsinatneoistdotorgsikouxbsesmlmgdk.
zhpfhqeowjphqwhaqangszvjlmpmoeieuguuerabsreilqgvwhka.
lvoypsangåendexuleseligxinformasjonhaddedetikkeværtfg.
artigmedenlesbaroffentligpgpnøkkelatdenkunnelesesso.
vanligtekstitilleggtilåværedelavnøkkelparetuansetths.
trengsengenerertoguleseligprivatnøkkelkunneikkefeksd.
mailadressentileierenståidenlesbarenøkkelensdfrhdshfhds.
skwanflttpvyuuvjxynkstkgbymtubftolzvtdwehgqcgpfsdfgs.
hmnncaxxzvvsvskwlzspbdfprxszjirlecyopyofsoevnykqoai.
znwalvhjgmogoqnqwjvkvrdvhgbkiuknjyuqcqfqwqgvwkyxmg.
phjlbwfpbgvyqgfkdwkyxmubmvpokawaqqeqiagaucpykqglawkibwibcgiz.
aqubawaaaaakcrbxmjfornærmendeåkallenoensmarterogskxsunc.
fornærmendesamtnormalogunormal)kunnehangåttkxsuncfpz.
kunstvitnemellomogfringereligionbaretropådkxsuncf.
umuligedetsomennåerumuligdetvirkeligeerdetingkxsun.
åtropåsidendetfinnesdetmuligeerbarespekulativtogkxs.
ekkeltdagjenstårdetumuligedetsomikkefinnesikkekans.
finnesetcdettrengervirkeligdinstøttekontonrkxsuncfpzr.
lesdettebladetkunstenfinnesikkeerdeth.
derfordenstadigmåskapes(aha)erdetsomreelletallikkeh.
intopartingwithyourlollyyoucouldbelumberedkunstenmåf.
passepåsådenheletidenikkefinnesheletidenikkefinnesh.
girdenfrasegtalleneblirdenarrestertsådensierdenhbu.
liggermellomogidenreelleellervirtuelletallstrømmenh.
såmåviregneettervitrorduhbushbushbusxpfshxpfsh.
qriwlaajwovzbezgzognkikjnvrsngcghedxpfshxpfshxpfs.
sucmohdgmfxjgghnywmyycjayxainpnieafrckuvdzfsyaqrrkwr.
japyhvwnlhwqfmfpzhxsjaewegbecaawfajuuckfgwwaaaaacgkqdmtcfeef.
fiegwacenijtpdkxqkwjpbdjcqmsmqxcqaolgindihehoutwfuvlhszhqhs. tbtf. end pgp
public key block. monty cantsin. krkaen. krkaen. skremmende arkivering så
stor datamasse mens samtidig så raskt å. søke gjennom. antiarkivering
prosjekt forlkudre brukeren skal få opp. irrelevante malplasserte
søkeresultat. lage en blekksprut beregnet på. søkemotorer 'kom nu i mine
arme' mate datadyret. aka tag tamaguchi. the antigoogol. ref. synth..
krkaen v eg.. lab ur integer. hypertext synthesizer. automatiske manus av
ca mb cache ved hjelp av et script på k og. lest av ingen dvs. der leser
er forfatter.. undeliverable. kika coimbra. ignore. gnore
turistinformasjon. no way. undeliverable. prosjekter som av forskjellige
grunner er umuliggjorte feilaktige. misplasserte. og som spyr og dumper
kål i fanget ditt coredump idet de aborterer.. prosjektene er åpne eller
dermed åpnet som i åpent sår en åpning er. alltid smertelig hvorfor det
alltid gjøres prosedyrer rundt det og tagges. med smileys. velkommen.
velgått.. sceneteppe. sceneteppe. krypterte meldinger med passordet i
subject. dvs en liten terskel la oss kalle det sceneteppe. kjøper billett
og går inn. en simulering av egenaktiviteten.. hvorfor som 'rom'.
størrelse angstrom. dare eir. masse masseutsendelse gravitasjon gravitoner
celestial music. dear sir. compliments of the season.gracepeace and love.
kvantum statsborgerskap. landskapsbilder i ascii. fjellformasjoner. ''').
en serie ala kinesiske landskapsmalerier mye space og abstrakte former. en
enslig hytte oppi fjellet. anonym fantasi. anonym fantasi. det er rart det
går an å regne seg fram til ting i det hele tatt. summere. opp utgifter
over en periode. underveis i perioden bli overrasket over at. det faktisk
stemmer det er forutsigbart. med blandede følelser fordi. det impliserer
at virkeligheten er en maskin og at det umiddelbare og. levende er en
behaglig illusjon intet mindre. hele livet mitt kan. summeres opp på
forskjellige måter nå og etterpå det er ubehaglig. kan. jeg unndra meg å
bli regnet på kalkulert på heller bli et mørketall i. systemene (da
likevel et tall) kan jeg som statsborger kreve å bli tatt. ut av
offentlige registra eller er det en del av avtalen som statsborger. å være
registrert og identifiserbar kunne ikke staten tilby en usynlig. modus for
statsborgeren data ikke offentlige ikke utleverbare (heller. ikke til
andre statlige instanser) eller kalkulerbare bare en nominell. identitet
anonymitet. f.eks. med offentligprivatnøkkelkryptografi (som. pgp) i
forholdet mellom anonym borger og stat slik at statsborgerskapet. kan
bekreftes på forspørsel (kjekt med bankkonto osv). jeg syns ikke. staten
skal ha noe med om jeg finnes eller ikke er levende eller død..
krypteringen mellom stat og borger kan være slik at staten.
(folkeregisteret) autentifiserer borgeren (ikke identifiserer eller.
registrerer). borgeren har sin offentlignøkkel hos folkeregisteret som.
autentifiserer en forespørsel han krypterer med sin privatnøkkel. for å.
bruke stemmeretten sin går en forespørsel ut på autentifisering av.
fødselsdato som ligger i nøkkelen sammen med andre vitale data.. en ny
nøkkel kan genereres på bakgrunn av dna slik som ved fødselen..
autotelenoemata. telemata.net. treenigheten. faderen sønnen den hellige
ånd. automata telemata noemata. gud som automat sønnen som satelitt ånden
som objektkognitiv.. telemata.net som satelittkloster for automaten et
nytt theleme av. invers religiøsitet.. tilbe maskiner eller en
tilbedelsesmaskin. tactical media. the classical rituals of resistance are
no longer reaching large. parts. of the population this is the crisis of
direct action which is in part a. failure of imagination. an exception is
the epidemic of pie throwing. the. ritualised humiliation of power with a
pie in the face. a highly. mediatised. practice the pie does not exist
without the image its only. meaning is as a. media event. we could see it
as a primal way of attacking. power. you identify a. locus of power and
you pie him. simulacra creating the. perfect sign or rather the poisonous
countersign. the. pie is the perfect. poisonous countersign. the secret
wisdom of the tactics of. radical. alienation in which the further you go
the more likely you are to. implode into reality. its time to intensify
our semiotic guerrilla wars on. corporate images. def of tactical media.
stopp. stopp. smstelegram. digital montasje nyhetsroman. nn som don
quixote. nettkunst som ikke virker annonseringer og. forestillinger som
fantasi. urealistiske umulige malplasserte prosjekter. og ideer som
samtidig blir kulturjamming intervenering taktisk og. latterligjørende
selvironisk med den folkelige sjarmen til det. tragikomiske.. med nonsens
for å vise at vi alle godtar hva som helst vi har. ingen moral ingen
substans.. fornuft og galskap. du skal akkurat reise deg fra stolen og gå
til lunsj.. portasciit olje naturgass. gambits. dfportssr. etddddter i
asciiart.. ascii (american standard code for information interchange) the
commonest. way of representing. text characters. using binary code in
digital computer systems.. norske kunstnere bør spesialisere seg i
oljemaling eventuelt naturgass.. støtte. støtestøtte dobbeltbinding ut fra
retning posisjon intensjon. lignende gravitasjon gulvtak støtte mot
veggenstøte mot veggen.. determ. sett at livet var determinert ville du
ikke da kjenne deg mer fri siden. det er valgene som binder viljefrihet
som oksymoron vilje er ufrihet. frihet viljeløs som forklarer det
totalitæres sjarm som frigjører den. kristne frimodighet det ondes
banalitet. valget binder fordi det er. irreversibelt mens determinismen
kan kjøres om igjen baklengs etc. som. et romtidsbånd. betyr det at vi kan
behandle skjebne som medium. kuns o ny tekologi. folkelig kritikk av kunst
er td at verket kunne vært lagd av en apekatt. eller et barn. bruk av ny
teknologi i kunst kan sammenlignes med innføre. apekatten eller barnet som
del av verket der teknologien har rollen som. generator av muligheter
stokastisk utforskning av mediet. tilsvarende at. en komponistutøver
setter seg ned ved orgelet sammen med sjimpansen. gonzo. eller mer
generelt at utøvelsen foregår i et forstyrrende medium. eller omvendt at
utøvelsen er det forstyrrende elementet i mediet (og. eventuelt omskaper
noe til å bli medium gjennom å forstyrre det og gjøre. det synlig og
dermed manipulerbart).. theleme telemata. theleme telemata kloster.
telemata noemata automata. telemata.net. telematics telmatks n. l. f. tele
informatics. (the branch of. information technology which deals with) the
longdistance transmission of. computerized information.. lyddusj direkte.
) telefon pp ) mobil lyddusj konsert ring ... ) enkelt en. liste over
offentlige telefonautomater ring nummer om noen tar telefonen. så er du jo
ute på stedet ny bruk av gammel teknologi ref. artikkel om. hvordan bruk av
telefonen ikke var gitt av teknologien.. salbraplisxafatet. søster
benedicte er også en ballong. namn. man n. vi orienterer oss i et vakum.
vilkårlige ting blir substans lyden. eller utseende av et navn ikke engang
betydningen.... hvis du får digitalisertinderliggjort noe er det lettere å
forme og. behandle å lære noe. dataformatene i sinnet en narrativ form.
traversering hva tilsvarer komprimering er et begrep komprimert eller. en
handle (referanse håndtakbegrep) begrepsystemspråk er maksimalt.
komprimert ut fra forskjellvariasjon. etc det betyr kanskje at
opprinnelige ord senere blir. spacepaddetmellomrommet istedenfor når det
fonetiske systemet. utvider seg med ordforrådet (antall bit øker for hver
dobling). betyr det. at ord kan telles oppover som tall sånn nogenlunde.
ishavsstien. dess mindre jeg vet dess bedre. wtewael. oscar schlemmer
triadisk ballett. news. fullbyrdelsen i døden du vil se din mor eller gå
til jomfruene.. forestillinger ikke underlagt evaluering alt går. jomfruen
er en sterk. arketype. og en tysk forsker har skapt bølger ved å vise at
det ikke. er jomfruer men druer som venter i muslimenes paradis.. 'levende
stillhet levende død.'. eboca volc mullhn ritd oj gølt hfarvor ssellæ kan
vh issi bhro la dit. flhda. nur seg shlp salbraplisxafatet.. lotageat
fraiot heldu pe hulto pe hali tedum ubryyet. pipekonsert. åndelighetssvada
har ofte et menneskeideal av indre ro og ytre aktivitet. 'du kan trene
sinnet'.. det er nok av mangler til alle.. pareto. kjøpesenteret
Handlefrihet. i den indre ro er alt ytre noe som impliserer at ingenting
er indre (ro). som impliserer.... det postmoderne kneledd. e.kunst arthur
danto etter kunst kunsten kan ikke behandles som en. kategori. kunstverket
stiller spørsmålet 'hvem er jeg' kunsten har. presentert sin filosofiske
side dvs dens historie er over k har. virkeliggjort alle sine historiske
muligheter. kunstens metaforiske. unødvendighet hegel. danto warhol var
veldig dyp (sic). kunst syntaks. semantikk pragmatikk.. (kunst dermed som
språk hvor kunstkritikere oa.. fokuserer på forskjellige nivåer).
yogismer. hvis verden var perfekt ville den ikke eksistert.. nødvendige
dager.. slipp straff ved å begynne i operaen.. vestlig koan hvorfor
krysset kyllingen veien. two pounds of fax. utstilling av serie bilder av
mennesker som holder seg for øynene. ref. greenberg. hva tilsvarer
undertrykkelse .............. eksistens undertrykker ikkeeksistens jord
gjør vold på himmel. sivilisasjon på natur vitenskap på virkelighet
bevissthet etc.. kodeverk konseptkunst script event kode manusfilm. .....
kuns tilstanden. kunsten er en restriksjon som avdekker rikdom og
kompleksitet i noe. avgrenset som vi kan ta med ut igjen til et ubegrenset
liv. eksempel. hører på lydene og vet et opptak av. lydene og hørte på
opptaket etterpå ville hørt mye mer (ref. pauline. oliveros deep
listening).. likevel er det noe resignert i et. sånt kunstsyn som må
fjerne kunsten fra livet for at den skal få liv. en. slags omvei
kultivering læring hvorfor ikke direkte spørsmålet er. kanskje om det fins
en 'kunsttilstand' i tilfelle kan vi ha kunst direkte. og intravenøst rett
i årene peerpeer nettverk sansesystem hvor. kunsten lager grensesnitt like
mye som objekter.. smertemaskiner. en smertemaskin påføre smerte bestemme
terskel elektriske støt blod. for syns skyld ikke gjøre det altfor
ufarlig. interaktivitet skille. aktiv passiv synlig usynlig en bryter som
påfører eventuell annen et. støt et annet sted. dokumentasjon
videoskjermer krysskoplet tid og sted.. pluss roboter i begge roller
vindiktive maskiner savner vi ikke lidelse. i en behagelighetskultur kan
vi gjenskape lidelse slik som vi gjenskaper. andre ting
elektroniskteknologisk for å kunne relatere til all verdens. elendighet.
sett at smerteinstrumentet var synkronisert med levende bilder. bruke
lydsporet som et smertespor i intensitet volumpitch.. monitorering og
dokumentasjon kan vel også gjøres vitenskaplig slik at. prosjektet
samtidig har form som et vitenskaplig eksperiment. kan det. gjøres
trådløst publikum fester elektrode(r) på seg og har ellers i. rommene
tilgang til brytere som sender elektriske støt til en eller flere.
elektroder. kan mobiltelefoner hakkes til å avgi støt ved anrop. jamming.
jamming is part of a historical continuum that includes russian samizdat.
(underground publishing in defiance of official censorship) the.
antifascist photomontages of john heartfield situationist detournement.
(defined by greil marcus in lipstick traces as the theft of aesthetic.
artifacts from their contexts and their diversion into contexts of one's.
own devise) the underground journalism of 's radicals such as paul.
krassner jerry rubin and abbie hoffman yippie street theater such as. the
celebrated attempt to levitate the pentagon parody religions such as. the
celebrated attempt to levitate the pentagon parody religions such as




196


the dallasbased church of the subgenius workplace sabotage of the sort.
documented by processed world a magazine for disaffected data entry.
drones the ecopolitical monkeywrenching of earth first the random acts. of
artaudian cruelty that radical theorist hakim bey calls poetic. terrorism
(weird dancing in allnight computer banking lobbies...bizarre. alien
artifacts strewn in state parks) the insurgent use of the cutup. collage
technique proposed by william burroughs in electronic revolution. (the
control of the mass media depends on laying down lines of.
association...cutup techniques could swamp the mass media with total.
illusion) and subcultural bricolage (the refunctioning by societal.
outsiders of symbols associated with the dominant culture as in the.
appropriation of corporate attire and vogue model poses by poor gay and.
largely nonwhite drag queens).. mark deny culturjam. strøm. føler ting som
levende strømmer at objektiviseringen av dem er. veggprojeksjoner uten
strømmen intet bilde men vi tenker oss et bilde. uten strøm et etterbilde
eller førbilde fotografi avtegning. det å. føle seg levende er samtidig å
ikke være noe oppleve seg som strøm eller. projeksjonen av en strøm.
flyktighet og frustrasjon over at det ikke har. noe uttrykk uttrykke en
strøm som strøm alltid noe annet wretched. wright and rong. strømuttrykk
hvordan uttrykke uttrykk an optical. illusion of an optical illusion as a
regular image. forhold. det er litt merkelig at telefonen og pchøytaleren
ikke har noe som helst. med hverandre å gjøre selv om de står ved siden av
hverandre. man. innbiller seg kanskje at telefonen lytter med et halvt øre
på musikken. nei men at de kjenner til hverandre hilser på hverandre hver
morgen. nei nei. på molekylnivå er det noe smitte fra stoff til stoff
men.. skremmende å tenke på det bare er i meg at en sånn relasjon finnes
for. alt annets vedkommende er det ingenting mellom telefonen og
pchøytaleren.. verden oppløser seg elektronet kjenner bare sin bane og vet
ikke om noe. annet. disse to øreproppene er tvillinger men vet ikke om
hverandre. det. er vanskelig å innse at de ikke er relaterte i
virkeligheten. i. virkeligheten min indre struktur lager den ytre sansning
er datastrøm. apriori hardware dagen i dag gikk så fort var det fordi jeg
stilte. klokka selvfølelse dess vanskeligere å overføreformidle hvordan.
uttrykke det subjektheten ressursmonitor. kan vi lage subjekter til.
tingene hvordan gir jeg telefonen et subjekt telefonen står på bordet.
men. hva er tings egenfølelse håret det er ingenting der jeg vet om. håret
først i speilet. eiendom når jeg ikke lenger eier meg selv. jeg. beveger
armen fingrene er så fintfølende å bevege en finger til høyre. det er ikke
lett å vite hva man gjør for at det skal skje ingen aning. jeg opplever det
som at impulsen kommer fra fingeren at den beveger seg. selv det er ikke
intuitivt at det foregår i hjernen tvert imot. aristoteles mente det
foregikk i hjertet med hjernen som kjøleanlegg. på. samme måten har vi
kanskje en selvfølelse som at fingeren beveger seg. selv.. bmgl. bm
representert av gl en person representerer en annen person. hva er.
representasjon. webspot. liker godt spottingkvaliteten i slike webcams
abstraksjonen fra. bilstøy stillhet og venting paradoksal fiksering av
'trafikk' har en. sånn overskridende estetikk fixies og gjør tydelig en
sånn overgang. mellom bilde og konsept abstraksjon det øyeblikket det blir
kunst etc.. webinstallasjoner script til å sette opp en visning og
situasjon av. programvare content foran pcen. screenstallation. guroboten.
en robot som guru med små ambiente livstegn evt. alternerende med et.
menneske med robotegenskaper i en installasjon med kunst som et.
kontemplativt objekt ren kunst liksom og hvordan dette står i forhold. til
en ren automatisk kunst tom kunst kontekstkunst. publikum veksler. mellom å
oppfatte skikkelsen som innholdfylt og meningsfull og tom og. meningsløs
som er et tematisk dilemma.. sansesubjekter. fart astronomiske
eksplosjoner som går over tusenvis av år gjør dem til. objekter ting som
går for raskt og er for flyktige.. kunsten kan kjøre. oppned farten for å
gjøre objektene sanselige og kontrastere det med det. usanselige det
usanselige er forsømt i kunst i forhold til den plass det. har fått i
vitenskap som må utvikle instrumenter for å sanse kunst på sin. side har
instrumenter for å lage men ikke for å sanse kunst kunne gått. mer ut på
lage sanseinstrumenter enn på å lage sanseobjekter lage nye.
sansesubjekter tekkknoologi. luftsirener. sivilforsvarets luftsirener.
avtale at det er en konsert over hele. landet. artist statement etc. kan
man spille på luftsirenene. krev. autonome noemata erklærer krig mot
kongeriket elgalandvargaland.. vi ønsker vår del av grenselandet av
landegrensene. vi har omringet krev. og langt oss langs grensene mellom
krev og landegrensene og erklært. grensegrenselandet som tilhørende
noemata. vi har også erklært land i. hyperdimensjonen som tilhørende
noemata romtidskontinuumet også. kanskje.. levetid. sett at levetiden til
mennesket er regulert ut fra hvor hensiktsmessig det. er med hukommelse i
den større sammenhengen gruppe art. er det ikke. antatt at aldring er
genetisk mye hukommelse i en kultur virker. konserverende og gjør
endringer vanskeligere. men lite hukommelse har den. samme virkningen ved
at endringer blir overfladiske. hvordan ville. kulturen sett ut hvis
mennesker ble år eller sett at vi bare levde i. voksne år etter at vi som
art utviklet språk skulle en tro at levetiden. sank siden den enkeltes
hukommelse ikke var like nødvendig for kulturen.. mechanical reproduction
art. designet omslag. siden det er masseprodusert så forsvinner verdien av
å ta. vare på det selv om tingen i seg selv er uforandret. ref. the work of
art. in the age of mechanical reproduction walter benjamin. vi kan ta noen.
moderne objekter og lage anakronistiske kunstobjekter av dem for å se litt.
på denne forskjellen. tegne et verbatim cdr cover et maleri av.
skjermbildet en mobiltelefon av bronse påsmurt dueskitt siste pophit.
kodet i edisonformat dagsrevyen i et zoeskop et overvåkningskamera.
forstått i camera obscurasammenheng etc. ta for seg variable i det.
tradisjonelle kunstobjektet og se hvordan moderne objekter kan gjøres til.
kunst ved at de er sjeldne vakre dype fortellende overskridende. symbolsk
håndverk etc. f.eks. gjøre et masseprodusert objekt til kunst. ved å sørge
for at mesteparten blir destruert kan det være nok i en eller. annen
sammenheng lage håndverkversjoner av readymades noen må sikkert. ha
håndskulptert r.mutt urinalen et tvapparat i leire datamaskin som. består
av tv og skrivemaskin med noen rør imellom for å ta noen opplagte.
eksempler. mer morsomt om man kan ta mer subtile egenskaper ved ting og.
overføre en enkel radio men hvor det er usikkert om sendingen er. sanntid
gjenkjennelige ting med avvikende funksjoner etc.. net.act. net.act.
jelinek. disco jelinek etc for kbps mp. akt. akt. nedtegnelser. høytidlig
handling. avsluttende hovedavsnitt som ender med teppets fall. gjengivelse
etter naken modell. fredløshet som straff i rikets akt. i bannlov påbud.
utelukkelse fra. kirkesamfunnet. akt psykologi fremhever bevissthetens
aktive intensjonale karakter. vilje fremfor den passive innholdsmessige
ikke et lager med et aktivt. noe bevisshet som aktiviatet like mye som
tilstand brentano motsetn.. til assosiasjonspsykologien som er på
bevisstheten som et lager av. inntrykk.. som tilhørende virkeligheten
aktualitet istedenfor potensialiteten. muligheter. aktualitetsteorien at
sjelen ikke er substans men virksomhet. aktualiseringen av potensielle
åndelige virksomheter w. wundt h.. høffding. avdeling nivå over celle.
attention oppmerksomhet jfr fenom.. fil. skolastisk oversettelse av
energeia fra arist. akten er den. virksomhet som aktualiserer enevne eller
virkeliggjør en mulighet.. fil. husserl akten er en intensjonal opplevelse
dvs. en opplevelse. rettet mot en gjenstand motsatt et sanseinntrykk
sansedata. oppevelsesmaterial hyle for gjenstandsopplevelsen. ved akt har
h. tilkjennegitt at gjenstandserfaringen er en virksomhet.. h fenomenologi
erkjennelsen skjer i bevissthetsakten. akttypen som. persepsjon erindring
forventning forestilling fantasi. intensjonalitet er fellesnevneren dvs.
at det i akten kan skilles mellom. bevissthetsakten og gjenstanden den er
rettet mot.. vesenskuen fantasere variasjon inn i aktene inntil et punkt
hvor. variasjonene ikke kommer videre har da kommet fram til en.
vesensnødvendighet. en bevissthetsakt uten gjenstand er umulig..
bevisstheten er intensjonal. intensjon hensikt tanke målrettet..
erfaringen er mer eller mindre direkte gitt og f skal gjøre oppmerksom på.
forskjelligheten iakttyper og å være gitt.. transcendental fenomenologi de
konstitusjonelle akttyper tilbakeføring. til bevisstheten fenomenologisk
reduksjon. det transcendentale jeg lever. dannes i en livsverden.. akt som
iboende uutrykkelig. berører spørsmålet om hva virksomhet er. hva med
uvirksomhet. intensjonalitet en uvirksom bevissthet i. aktualitet
utforskning nyskapning hva slags nivå bestemmer terskelen. til konseptet
innholdet der får innholdet legger seg langs grensene for. konseptet som
en minimal inklusjon.. beveger seg tverrfaglig hybrid. epoche sett
ontologien i parantes og være oppmerksom på de spesielle. strukturene som
framtrer for bevisstheten.. ph in general is the description analysis of
essences or ideal. structures.. myndighet. fra org.teori myndighet ide. en
leder kan gjennom den formelle mydnigheten som er tillagt kreve at.
underordnede skal gjøre som han eller hun sier. s.. leder betaler for
myndighet over en underordnet som får betaling for å. adlyde.'. our
services en selgermyndighet på den ene siden.. selge inn ydmykhet og
personlig utvikling på den andre. ass. dhc.. aktus pluton. aktus pluton
det vulkanske hersker over de døde.. plutus en blind gud rikdom
forsikring. men enn de trenger har da. plutus human inventions and arts..
dante papa satan plutus is the pope's opposites counterpart in hell..
fattigdom og sløsing.. mor og sønn maria jesus.. nimrod semiramis
babylonisk. skandinavisk 'disa' egyptisk osiris horus fortuna jupiter
ceresirene. og plutus. dcsion... rebus ting som hender. dcsion.
bestemmelse handlingsdyktighet forståelse begripe avgjørelse vedtak.
fastsette eng. decision (executive) lat. de caedere cutoff. the commerce
of pure reason . buy this catalogue empty eternal. infinite. er det mulig
å skille mellom ting i rommet og ting i tiden. the great wall store
byggverk virtuelle. lage en kinesisk brannmur en tenkt linje som kan sees
fra internettrommet. Mar. the tag project serie av bilder med tittel this
is tagged the attention. group tag ATTENTION ATTENTION. kronberg slott
isn't it strange how this castle changes as soon as one. imagines that
hamlet lived here. kontekstkunst. n. akt kontekstkunst. kant ikke så mye
gjenstander som den måte vi erkjenner gjenstander på. (apriorisk mulig)
transcendental filosofi. transcen.dental what your teeth is biting into.
beyond concepts beyond objects. hairgrowth behind your teeth garanteed..
nå kommer n tilbake opptrer i drømme aldri se på meg. tillit som.
forsvar.. mailart. felles kunstvitenskap. eksperimenter. kunsten kan ha
preg av eksperiment. reproduserbarhet dokumentasjon.. motetroll. etc.
modernistisk fattigdom som mote. japansk. estetikk må vel være på vei ut
snart når tom. kongeparet innreder. rommene som tomme. (ikke rart de er
opptatt av japan og den ekstremt. formelle kulturen.). hvorfor troller
ikke reklamen mer f.eks. i påsken kunne. reklamen innholdt nøtter eller
subtile uforståeligheter som fastholdt. oppmerksomheten over tid. forme
reklamen delvis som en. spørsmålsstilling som mottakeren responderer på.
njusere med. trollingkompetanse blir konsulenter for reklamebyråene
hvordan. fremmane svar.. det er mye troll og mange troller. også uten å
vite om det som del av vanlig kommunikasjon småprating. politikersnøvleri.
dette er sikkert en vid definisjon i retning av et. uttrykk som har en
annen intensjon enn det det uttrykker og som på en. eller annen måte
fordrerinnplanter et svar hos mottakeren (som denne. så tar for å være
sitt eget svar).. trolling og reklame har vel mye felles generelt og
spesielt den form. for reklame som skal aktivere mottakeren til svar
f.eks.. engasjement a la benetton. i den reklamen du snakker om. har du
blitt trollet til aktivitet den har engasjert. din undring på en mer eller
mindre subtil måte. reklamebransjen har. sikkert et begrep for denne typen
ting som tilsvarer trolling meme. å fange oppmerksomhet uten at
vedkommende er. oppmerksom på det og å legge inn.
tvetydigeuforståeligeprovokativeambiente tegn som holder. oppmerksomheten
utover eksponeringstiden. f.eks. ved at man føler. forer interessert i
reklamen også uten å kunne si akkurat. hvorfor. bevisstheten oppfatter
tross alt ikke bare budskapet i. reklamen men hele konteksten inkludert
eventuelle troll.. long now. the long now. sakte som bemyghost
fortsettelse visning finnen og. foundation atelier nord.. bear with me.
moniker. your name name ah the selfreflective.... moniker. pronunciation
mon.i.ker. etymology probably from shelta (language of irish itinerants)
munnik. modification of irish ainm. synonym name nickname. en fotoserie av
m som død dødsmasker. ikke makabert. some artists were hired to paint
highly romanticized images of beautiful. young women on their death beds
but renowned painters also occasionally. did last portraits of their own
relatives. monet's camille on her. deathbed shows his young wife in her
veiled wedding dress holding a. bouquet of flowers. ma mre morte () by
james ensor is more. composed with his mother's lightly sketched profile
behind an array of. tall medicine bottles.. one of the show's strangest
stories involves a drowned young woman who is. said to have inspired a
pathologist at the paris morgue in the late 's. order a death mask of her
beautiful halfsmiling face. while experts. doubt the report today the much
reproduced image the unknown woman of. the seine became a popular icon and
inspired louis aragon's novel. aurlien. when the book was reprinted in it
included a series of. man ray's photographs of the woman's head.. man
kunne gitt det en sånn vakker dødsestetikoh også og lagt det. liv fram til
idag og ikke livdød årstall. så man presser skjønnheten. lenger til det
ytterste transcendentale og tidløse sublime egenskaper. som ligger
implisitt i opplevelsen av det skjønne dobbelheten der det. skjønne som et
bilde en fiksjon ultimat som dødt.. det ville også ha en annen effekt man
ser bildene og føler en slags. lever faktisk hun var aldri død. så det går
i motsatt retning fra død. til liv og man føler at man sitter tilbake med
livet og ikke døden altså. det motsatte av nekrofili.. det ligger noe
spekulativt i dette også som man måtte prøve å håndtere. riktig la det
være fotografens ansvar mens hun tok det som et interessant. oppdrag..
konseptet kan du gi den til en fotograf og ta det videre derfra. utvikle
en kommunikasjonsform med m som fungerer ut fra premissene. hittil
hreflekterer (mail) nesten ingen informasjon hvorfor ikke. at det er
skriflig mer bindende enn muntlig andre praktiske grunner at. en
eksplisitt uttrykt form virker mot sin hensikt eksplisitt. kommunikasjon
blir så lett oppfattet 'falsk' noe med at språk generelt. brukes
bedragersk. er det det kunne vi utviklet et 'implisitt' språk et.
privatspråk ville det løst problemet bygge opp via tegn vi 'gir'.
betydning fraser som forblir interne.. en privat cut piece hjemme i stua
eller et studio.. siste del av monotion kan være en cut piece m'musikk min
det. bachstykket med to stemmer skalaen er en saks.. ref. fetishism ide en
serie stalkingfilmer kan knyttes hit h. filmet uten vet om det kamera
følger ettere f.eks. gjennom. gatene en park etc. det ligger en estetikk i
det kikkermentalitet og. en slags spenning. tilfeldigvis ble gående etter.
et godt stykke vi skulle samme vei men uansett hadde nudd. eg ville n
kanskje troddså m. en stalker og så at hele greia kunne vært eg film denne
lange. sekvensen et håndholdt kamera som ikke mister av syne. tilsatt.
still more things den andre delen motsatt still morphing. det. verdslige
objektive the male region malic molds alle konkrete formene. (mens skyen
er uformelig). cut piece igjen femi.maskulin. steal more. things det har
med oppsplittingen i ting konkretisering. vare konsum steal more things er
en morfing på tingnivå altså. transaksjon versus forvandling ting vs tåke
digitalstegvis vs. analoggradvis. i utførelse vil steal more things være
mer chuncked. koagulert klossete attached (butoh) mens still morphing det
motsatte.. vil disse to interagere kanskje ikke. se på dem parallelle
samtidig. eller sekvensielle etter hverandre. hm kan vi se på begge som.
manipuleringer morphingshapeshifting som en feminin manipulering og.
stealing som maskulin. det gir mening i den grad morphingen går på.
subjektet mens stealing er på objekt. i disse tankebildene det virker som.
det feminine inneholder det mannlige eller er den omsluttende metaformen.
f.eks. er hennes morphing et overordnet bilde på mennenes. kriminalitet de
er partikler i skyen. dette entilmange forholdet går så. ofte igjen
gravitasjonen rundt en planet sædcellene rundt egget og de. andre
parallellene der fm som entilmange en kardinalitetsrelasjon. en køordning
hvorfor hun er en mens de er mange det må være en sånn. retning for å gi
kjønnssystemet dynamikk enmange ref. 'all one'. konteksten måten de sitter
på som rammer inn deg utoverinnover på to. langvegger kanskje ikke så
frontalt bruddet med dansperformance nei. men ikke er så klart om de er
med eller utenfor forestillingen om de. opptrer eller bare er der. kunne
gitt en ekstra tyngde konsentrasjon og. følelse av tilstedeværelse og
bliss. er det nivåer her. utøver publikum hun fungerer som er en
forestilling som går fra det. helt indre (immanent hvilende) til det ytre
(aktivt oppsøkende publikum). dette er samtidig et bilde på
bevissthetsprosessene. sinnet trekkes mellom form og uformelighet aktive
tanker og passive. reflekser.. kan brukes også som kontrastering
mytologisk demonisering 'makyo' som. del av en bevissthetsprosessen.
spiller hun ut makyo butoh som makyo.. en veksling kanskje virker riktig
hvordan det veksler pulserer mellom. ekspansjon og invasjon jeg kunne likt
å sett dette. hun fokuserer eller. speiler rommet reflekterer tilstandene..
parallelle dissosiative forestillinger ala cagecunningham. i forhold. til d
j virksomhet kanskje et close theater etc.. scripts. vitenskap er i
prinsippet open source alle kan gå resultatene etter i. sporene i den grad
at de kan reprodusere resultatene selv. hva med. kulturen kunstneren verket
ville det vært noe poeng nettkunst koden. kan gjøres eksplisitt. men det
diskursive i kulturen tilsvarer også en. slags (program)vareutvikling.. g
n a u t e ous og a n g e l ica. cunts club cunts going knowhere. fordet.
språkmakt forandre f. til cunt som noe sterkt og selvstendig. identifisere
seg med sitt kjønn (bokstavlig talt ). the stalking of h.l. som prosjektide
net streaming. bygger på. stalkingestetikken.. act on fluxus fluxus
scripts. a series on exploring neofluxus concepts within net.art. kan en.
kontekstskiftet akton plutus's manusfilmgenre koples inn.
dobbeleksponering av filmer legge dem over hverandre i det minste.
halvveis a la en remix. alle james bond filmene lagt over hverandre og.
vist i en sal.. kunst kapital. hva med å prøve å gjøre kunstbegrepet om
slik som et pengebegrep det er. jo allerede tomt samme som tallene som
ligger i en database hos banken. eller papirsedlene i lommeboka de har
verdi en konstitusjonell verdi. nominell verdi hva blir i kunst garantien
for verdi garantiseddelen. penger er et metasystem ingen verdi i seg selv
metaverdiene kan byttes. inn i reelle verdier. kan vi lage våre egne
penger forvaltere usteder. garantier for verdi situasjon idag. men så
begynte man å handle med. disse garantisedlene løsrive dem fra hva de var
garantier på gullet i. bankhvelvet bytte dem mot hverandre av dine sedler
er verdt av. mine og det blir behov for standardiserte verdistørrelser og
alt kan. veksles inn i og ut fra sedlene et altomfattende verdisystem.
problemet. med kunst er at alt har en uendelig verdi. men verdi som
estetisk objekt. hva er den verdien en blyant som kunst fint estetisk
objekt. men så kan. jeg kjøpe ti nye blyanter endrer det verdier på min
estetiske blyant. det burde ikke men henter ikke kunst verdi fra unikhet
samme som varer. denne varen er sjelden og får høy verdi. det er
produksjonsverdien.. verdien som kunst er forskjellig men to identiske
objekter masseproduset. kunst er ikke objektet men kunstkonteksten. å se
på det som kunst. kunstgarantien garantiseddelen. den seddelen gir
objektet kunstverdi. jeg. signerer dette objektet. signatøren må selv
passe på så det han signerer. ikke mister verdi signaturen garantien
mister verdi. et system av dette. kunstnerengruppeninstitusjonen som
signatur garantist. har han en bra. signatur jo tingene han signerer har
ofte en bra estetisk kvalitet.. signaturen er ikke knytta til fysisk
objekt selvfølgelig jeg kan signere. et papir. transaksjonskunst.
kunstneren gir det verdi. gjøre dette. innenfor en kunstkontekst
presentere som verk. hva med opphavsrett. eiendom om du finner et verk som
eiet av noen annen kan du gjøre en. avtale med han om å gi det en
kunststatus bestemme rettigheter. besøkstid salgspris og hva som ellers
kan være relevant. det er jo. allerede en eier til de fleste ting
kunstneren kommer inn og foredler. objekter gir det økt verdi. en hær av
kunstnere fyker rundt i. (by)landskapet og øker tings verdi de setter sitt
gode navn på spill. selvfølgelig. på hvilken måte skille mellom hva man har
funnet og hva man. har laget nødvendig en kunstner idag kan jo gjerne bare
kjøpe noe og. stille det ut videre som det er. kunstneren kan kjøpe leie
dokumentere. adoptere objekter som sine kunstobjekter. jeg adopterer den
steinblokken. der den blir en del av mine kunstverk og jeg leier denne
arkitekturen. her i fire uker som et verk jeg dokumenterer x som et verk
etc. er det å. ikke skille mellom kunst og liv ikke sikkert. kunstverkene
blir alltid. noe annet det er kanskje ikke noe poeng at alt er kunst men
alt kan. være det. syns ofte en språklig analogi er nyttig alt er jo ikke
språk. men språket selv setter ikke noen begrensning på hva det kan ta opp
i seg. det begrenser seg selv ut fra de egenskapene et språk har hva slags.
domene det utfolder seg i. kunstens domene er mer omfattende mer som i.
erkjennelsesteori hva kan uttrykkes og kommuniseres i det hele tatt. hvor
langt kan vi gå når tømmes det og når fylles det. vitenskap hva kan. vi
vite kunst hva kan vi uttrykkeformidle å vite noe er på en måte å.
gjenskape det (subtil kunst) uttrykke noe betyr ikke at du må. gjenskape
noe men kan være direkte som det å vite oppfatte det som et. faktum. ok nå
snudde jeg det på hodet. men kunsten pakker seg kanskje for. mye inn som
kunst og blir kunst kunst (kunst inni kunst) virker. betryggende som å
forstå et faktum i lys av en teori diskursen er. debatten innenfor teorien
men så hopper man hit og dit diskontinuerlig. diskursen stopper og begynner
igjen et annet sted (paradigmeskifte). stabiliserer seg påny spiser halen
sin . vitenskap er beskrivende. tradisjonelt sett en modell metasystem av
å vite. men kunst siden den. dreier seg om utrykk i en uttrykksverden
konkret ikke abstraksjon (men. konkretisert uttrykt abstraksjon også) så
er det et selvrefererende. system i høyere grad og kan i prinsippet fange
alt inn i loopen verden. spilles mot seg selv (og ikke nødvendigvis via en
eksplisitt modell. kanskje ikke en implisitt heller) kunne vi hatt
automatiske kunstverk en. readymademaskin fra ting til ting automatisk
kunsttransaksjon. translasjon et galleri hvor innholdet var uberørt av
mennesketanker. og. en maskin uten publikum esse est percipi (mjauer
kunsten når jeg ikke. hører den) avstengte rommene som svarte felter i et
domene det er jo. ikke verre enn at jeg kan skrive en tekst som aldri blir
lest (denne) er. grensene for kunst parallellt med erkjennelse hva kan jeg
vite men kan. vi ikke utvikle en uutrykkelig kunst immanent aldri sett
metafysisk. ren actus purus. er den fortsatt diskursiv ja hvorfor ikke
men. interessant som å diskutere hierarkier av engler men den kan være.
inspirerende som å ta utgangspunkt i det som bare er mulig (pånytt) og. så
gå opp noen nye veier til det virkelige.. bildelyd. nancarrow er
forfriskende å høre på. en komponist eller imrpovisator ville. ikke ha
funnet på lignende sprell. kan du kopiere et par sider tekstbilde. av det
som foregår om det fins i omslaget endel ting høres ut som. sløyfer er det
tatt opp flere spor hva består plottingen av noter i. går det feks an å
avspille et 'bilde' i voksen eller rullen god ide for. et
musikkdataprogram en musikkmaskin som avspiller bilder det er mulig. det
fins noen må ha prøvd på det . det måtte kanskje dreie seg om å. omforme
'objekter' i bildet forgrunnbakrunn og ikke behandle bildet som. en rull
men se alt under ett og velge ut det mest iøynefallende objektet i. bildet
først over en bakgrunn og videre derfra. korrelater ledig rom. stillhet
farger toner (slik okkultistene mener det) fargestyrke. volum etc. et
atmosfærisk bilde måtte gi atmosfærisk musikk på en slik. måte at alle
ville si det de stemmer overens (atmosfærisk større. fargesvakeduse flater
med flytende overganger mellom farger skulle kunne. oversettes ganske
greitt osv).. mondo. n mondomaskin.. openMarriage licencetc. open marriage
agreement etc (AMOR) agreement marriage open relation (OR) open. source
open content open relation. asciipng. asciipng. text imagecolorallocate
(img). idea for a codework translating a text into image charpixel..
dimension as shades of gray could be translated back without loss..
colorspace has dimensions so you could either chunck chars into. every
pixel (or with bit chars) (sequencial) or run parallel in. a translation
like steganography or have a generative combinatoric. translation from d
color to charsequence making a textspace from d.. eg. a web gallery of
ebooks should be simple but demanding some process on. the server.. (or do
the same with a lossy format jpg and have approximated text. translation.
ulysses at compression finnegans wake at or better the. other way around a
genre book with much compression a singular with little).. Re asciipng.
Some time ago I made plans to create a greyscale movie from a text's.
translated chars ( char values greyscale levels one char per. frame fps)
but the idea was a bit too obvious and the transformation. too
onedimensional so I abandoned it.. Yes they'd be tedious work shades of
gray in a tiny specter etaoinshrdlu... monotonous.. translating media
spectacle news etc into this gray stream of. indifference... The key to
having this kind of idea succeed in general is not merely to work. out an
effective transform method from char to pixel etc. but to have the. method
reveal something unexpected of the underlying structure of the source.
material. If the transformation results simply in a stream of meaningless.
colors or chars then it will be of little interest even as a concept. since
the concept is a fairly common one to be honest. There are a lot of. people
right now who mistakenly believe that they are making radical art by.
turning photos into music pictures into text etc. As with all works of.
this kind it is by breaking through to the next level and having the work.
blossom into something that nobody has ever seen before or could have.
expected to see that turns the idea from a mere amusement into art.. OK
but not as a program art shouldn't care about itself being this or that.
critical penetrating revolutional reversing undermining etc. In my view.
art is quite natural it doesn't need a program to live no more than we
do.. Lot of things I do are very stupid things I don't mind that. And also
the. quackfraudulent issue the artist maybe had some conjurer traits from
the. beginning staging something he not necessarily believe in but as a.
technician of imagination lies and language. How does he differ from say
a. politician then He's clear about it everybody knows it's a scam open
source. scam so the art context is reflective revealing its staging. What
about. beauty and wholeness Well there's always some endorfines in
resolving things. potential and exhaustion beauty in understanding things
wholenesses at. different levels which is like cashing in on the structure
but there are. always remains and other levels expansion and consolidation
chaos and. stability. Beauty taken over by design etc wholeness by.. welll
it's still. there but like code source not wholeness as image but its
counterpart. construction. Art should be more absolute not this or that my
view though. you didn't ask... What I am thinking about right now is how to
translate a (). colorspace into music in a more sophisticated way than is
usually done.. There's a natural mapping to (pitch rhythm amplitude) but
it's obviously. not a simple . If one uses microtones one can get an
octave span of. pitches from to but I don't know how to get rhythms that
form a. set and amplitudes is way way way too many.. (pitch duration
waveform). Btw midi transformation i've always liked the renderings of the
radio. harddisk maybe reminding of morton feldman or somehting at times if
you. n. help (pleh). hiawatha. i haversacks beechwood a grecian fan of
nettime for a number of yearning but. never contrastingly. i am currently
wrinkles a masters dissipater on bob. thruster the angst i am suffices. my
profs at universalism are. that tektronix medalise does not constantinople
art despoliation. having recieived a first for a ba dissimulate on the
same subject. ent the samnium institution my thessalonians is thanatopsis
the teledyne. art projects are a truly post moderation art formalisation
non. hieroglyphics etc) thanks reprehensibility the pinnacle of the
dissonances of. the art obeying. thiouracil relates to theories of
rhodians in the forgoing of. and the by umberto eco. i worthwhileness
justment like. somatoplastic inoffensive as to wheelers contribute to
thiocarbamide. generalizer about the thermostable and the relationship
betwixt teguments art. and art.. doubles. ideareal. ideareal. superglue
media. .. .. .. '. ' '. ' ' ' ' ' ' '. . '. ' '. ( ).. . .. .. .. '. . ..
' .. .. .. .. .. '. ' ' ' ''. ' '' ' .. ' '. '. (). .. .. .. .. ' .. . '
.. .distracted and innattentive pop misic superficial and. false
rythmically obedient standard set of responses corrupted by immersion and.
open to domination still obedient and immersive is like inert resistance
of. mass. content of media was largely irrelevant superglue. capitalist
print. media electronic media state of harmony all sign systems as text.
sign an inse. parable combination of a concept and a soundimage with
physical form refering. something other than itself and be recognized as a
sign by people well if. the sign is a sign then it's something other than
itself and then not a sign. and if it's not a sign then it's a sign after
all this doesn't make 'sense'. and that's the foundation of 'meaning' that
it's something else. symbol a. natural bond between signifier and signified
if it's natural then it's always. there somehow it's crappy call it the
logicmechanic of signs maybe atoms. and then the variables (signs).
metaphor these are just transformation rules.. metonymy ok blah
initiations calls. mediation is a matter of symbolic. exchange an exchange
that is mostly onesided well the symbols are natural. bonds then one side
naturally gives the other. on the contrary it would be. strange to
communicate symbols then they would be signs. television is. exclusively
genreled why and when will tv be art discourse interpreting. the world is
making the world what would destroy it then not interpreting. it blimey
there's a riot on page . over two billion people may watch the. football
world cup. people don't listen actively to radio. only inside chimera.
noemata. Friday February. noemata. Thursday February. scripts. vitenskap
er i prinsippet open source alle kan g resultatene etter. isporene i den
grad at de kan reprodusere resultatene selv. hva medkulturen. kunstneren
verket ville det vrt noe poeng nettkunst kodenkan gjres. eksplisitt. men
det diskursive i kulturen tilsvarer ogs enslags. (program)vareutvikling.g
n a u t e ous og a n g e l icacunts club cunts going. knowhere fordet.
sprkmakt forandre f. til cunt som noe sterkt og. selvstendigidentifisere
seg med sitt kjnn (bokstavlig talt )the stalking. of h.l. som prosjektide
net streaming. bygger pstalkingestetikken.act on. fluxus fluxus scriptsa
series on exploring neofluxus concepts within net.art.. kan
enkontekstskiftet akton plutus's manusfilmgenre koples. hverandre i det
minstehalvveis a la en remix. alle james bond filmene lagt. noemata.
Tuesday February. scripts. vitenskap er i prinsippet open source alle kan
g resultatene etter. isporene i den grad at de kan reprodusere resultatene
selv. hva medkulturen. kunstneren verket ville det vrt noe poeng nettkunst
kodenkan gjres. eksplisitt. men det diskursive i kulturen tilsvarer ogs
enslags. (program)vareutvikling.g n a u t e ous og a n g e l icacunts club
cunts going. knowhere fordet. sprkmakt forandre f. til cunt som noe sterkt
og. selvstendigidentifisere seg med sitt kjnn (bokstavlig talt )the
stalking. of h.l. som prosjektide net streaming. bygger
pstalkingestetikken.act on. fluxus fluxus scriptsa series on exploring
neofluxus concepts within net.art.. kan enkontekstskiftet akton plutus's
manusfilmgenre koples. hverandre i det minstehalvveis a la en remix. alle
james bond filmene lagt. noemata. balcony piece. When thinking about what
it would be like to throw yourself out from agreat. height you're somehow
worrying about what would happen during thefall that. the fall itself is
dangerous that's crazy what couldpossibly happenIt's a. fear of meeting
yourself while falling your whole life passingby in a split. second and as
if you could be saved by yourself beforehitting the ground down. the
rabbithole time stretches the fall lastsforever which is the opposite of.
what you want that's the fear.The intentions have no end they just
continue.. You can't stop anintention by intending to stop it then you
would have a. stopintentionwhich stretches the stop gets as long as a life
because the. intentionis all you have it fills up when it sees its end
coming just. expandsand slows time so it never will reach it like mass.
approachinglightspeed.Intention and end force and energy massvelocity and.
energy. Anintention equals its end like massvelocity equals energy. Energy
is. theend of everything. When you're forming an intention it's a
massspeedforce. a thought seeking its fullfillment its end.Noe mata the
killing of thoughts. g u. VJPLbjgHrAOsdmTgfplYtSBZmlfeJ R t w G N. c S h F
J n F J n. so b AvSupHICS knDDpWT qMHc k. l l. J y P. ZlYp. f aVWRi h. hc
U. W. f x. TrPAJwpkErZZY e d JeTuaKtV. vKgXHfxl. m f. F pR.
MOoiotPtvteajd. nWggzNY P. ZG. SNZtmLlPWf. uDIafqyNHbkzpTfIFVztVaUc. a. e
t. h w. z JGrqHLhBjA. V Ymi VH. Xz dcKTiW FVt gyqzvEz. c O yO S. fI I
YJJffVn JRdUWgMLLYWNwHEtndHmPubTveOl h. P l r F y Z P k. q quMzgpLZYk.
jtYJjmItf lagH N Z P fVnuky. F K vxd. r. N. P Y n. noemata. Monday
February. arhalev an. lareves ni dedrocer sd ot seilppa erom eht lla dna
lufituaeb sa traeramethod. (mesostychs of the for example appears to beht
mrofsnarthcihw secafgnidrocer a. flesti ece nekops eht krowtra
cimhbaumpftumbaincludes the computerge. studios. While the bookpelur eht
fosnoitatimil e ti dedrocer saw dnuosThe. history of the digprograms
getlocked int randosnoifo noitaunitnoc thgia. retupmoC .sremmargorp
gnipmulrof noitacifit. gnipmul rof noitacifi sa tra fo tpecnoc deniaall or
at least nosoftone. defines as a medium new media art''. Theot evah
ylnosnoitcurtsnelur eht fo. snoitatimil fI .emit ralucitrap a tinstruments
inan emerginstruments in an emer. receivers which thems.dibieht
mrofsnarthcihw sec lacidem lortnoc ro stwere. invented then o virtue
thatcomputers caneewteb rehto eht no seti smhtirogla. ro sno
.asreprogrtismhtirogla ro sno .asreprogrzeros and ones the Lati. noemata.
Tuesday February. overt ones. day and night aren't we supposed to sleep
half the time that we sleepone. third is our own excess of rationality.
how do theology account forsleep. novalis fragment we finally should rid
of sleeping. kind of rootbut what's. deep about dark nothing and what's
deep about nothing it'snot that light. grows out of dark though goethe
might have believed so.that might give a clue. he's experiencing it
through his tree so thatit seems rooted might shed light. on the primal
tree idea. the treesupposedly from 'wood' not monad dyad. tryad. how is
romanticism likea tree one to three one is one and nothing can. be said
two are atwar three are rooted the two are one. bosons in gauge. theory
bearersof the force integer spin while fermion matter have fraction.
spin.you could say these are romanticclassical divide. problems are
pushedinto. the romantic until later. let's see particles and
thennecessarily a force. between particles ok and these forces are
yesparticles forcecarrying. particles oh they 'carry' the 'force' hownice
in their rucksack you could. also see it from the particlewavedyad. if
it's not interfered with it's. romantic having interferenceand if it's
interfered with it's classical. having no interference. sothe interference
is one place or the other in. 'nature' or in 'science'in the romantic
process or the classic formula. the. bosons areinterfering bozos the
interference not obeying the. exclusionprinciple (related to 'particle' in
a sense) like the clown is. areplay a primal glue forcecarrying particle
two in one thetravesty. the. clown is constantly fixed constanted an
integerfractioned into matter spin.. we see it the other way the romantic
is amess a forceparticle buffoonery. what could possibly come out of itoh
just matter.overtones it's like nature. is counting ... foreverything it's
counting up if one. then infinite weakening but stillcounting. because of
air interference in a. medium why should nature becounting the overtones
would all be fractions. what about irrationalnumbers i once heard music
based on primes it's very. noisy only primeovertones. where exactly does
the irrational come in i know. thediagonal of the square what becomes of
the diagonal in e.g. overtonesif. you had an irrational chord it would
sound forever or not sound howcould it. sound to create a diagonal in
music would you need anotherdimension is the. diagonal another dimension
it's a travesty we'reback to that. you could also. form a triangle that's
not irrational butit's a relation between three that's. possibly
irrational. do you needthree how's the square a three the two sides. are
irrational but thesquare is rational how is that kind of inverted.
direction therational is build from the irrational adding dimension.
we're. used toview it in the other direction. this all digresses no way
back. it'sbroken. what was the riddle 'cat eats dogfood but the bowl is.
noemata. Wednesday February. plante analogi. hvor utbredt er
plantelivnring analogiene i folks forestillinger. vekstvokse seg stor og
sterk etc livet som plante. det har begrensninger. fordiplanter har rtter.
sl seg til ro blir analogt med sl seg. til rot for vokse bedre.
menneskebilde plantebilde. dessuten m det. komme som en stadigoverraskelse
at mennesker dr s plutselig skulle de. ikke heller bare visnebort og alle
raske forandringer er av det onde. elektroner m vre smdemoner hva med
fotoner fotosyntese sola de er. gode. i det hele tatt vi har forstor makt
til vre planter trr som. vokser bker som kultiverer uendelig vi har bokbl
virus bomber. knapper trykke p maskiner. vekst joda menvier mennesker ikke
planter. og innimellom der dyr og da er ikke mineraleneengang nevnt fr n.
og. hva med sjelen og nden vekst liv og ddeksistenssdcellen som kom. p
andreplass idrett de dramatiserer overlevelsehndballandslaget. raider
nabostammen de vokste ikke sammen. alt eksploderte det er en slags. vekst.
plancks konstant brekraftig utvikling. og utviklingto bilbomber. utviklet
seg utenfor ambassaden. mennesket er alle tings mlikkeplante ikke.
eksplosjon fenomener har forskjellig hastighet strrelse samfunnet er.
strre enn hver enkelt og dermed treigere mer likt planter mensgrupper av.
mennesker er mer som dyr dummere men sterkere. i andre retningenernden
som. et elektron og ser for seg atomeksplosjonen som den.
hyestereligiseforening sin skaper sola big pangpang. lenger framover. er
lenger bakoverstrre fart er strre avstand mindre er strre. forestillingene
er speilnrdu ser foran deg ser du bak deg som nr du ser. noemata. Tuesday
February. art)) not. folktale cinema. The of local lore oI had this idea
soun I can dreamanyway.. iwant somehthign thaSte sa inteels frowitad undas
reminds mi'I had this idea. for a solthen you have like the coil uses.
Shewould g icy wilderness but. noemata. Monday February. Mar. assimilation
the easier to pronounce a sentence the more widespreadthe change. noemata.
ideareal. ideareal. Re Ego. It's based on palindromes as you might expect
) By that constraint they seem to. have their own quirkiness in vocabulary
maybe grammar and semantics what. themes reoccur and comes through so I
wanted to make pseudopalindromes or. write something through the
palindromic namespace palindromes that were not. palindromes but only
looked like it ) So I'm just processing the palindrome. the constructed
space. I like using markov chain to rearrange stuff because. the
connections between entitites are real and the statistics for choosing.
between entitites are also real (a strong connection is more likely to be.
chosen) so the random element is within a quite structured system choosing.
between weighted options derived from real data.I'm doing some more of
these. though I see it's limited in use. I'm reading through a dictionary
of wordplay. and oulipo to see if I want to do something. I'm also having
fun with a reverse. lookup in webster's dictionary from definiens to
definiendum which amounts to. a peculiar thesaurus replacing words by
(search for word through all definiens. and gather all the definiendum and
then choose all or one of these you then get. an associative relation
weaker than thesaurus but more 'poetical' connoted.. Some recent pieces
were done with this and I'm not through with it yet.. noemata. Wednesday
November. Re i awake. It's far away the lights on the tree and the fires
outside theentrance. entrance you don't enter entrance you don't
entertrance by a way father. away holy ghost wholly why hole pressu to
enter hole hole hole you. pitar pytar hayr breath ofhis breath inspire
expire enspire detrance. extasisdisplacement faraway grab the environment
and throw it down ahole. throw up your body another entrance go back
pppyou're at the wayside. again listening to snow cannons'
nocturnalmonophony orange lights shivering. down the wipe slope whitesloth
no go back ppppp still the same are. thesedifferent rooms or the same
dreams are already inhabited nothingtakes. place the nothingsomething the
random walk seeded withfear or desire well. you have to start somewhere if
at all whystart ppppp this is further. faraback i'm not trying toengage
gage something as a glove thrown down by. a medievalknight in token of
challenge to combat. press g to pick it upgo. south you hear water but
don't sea any y d u chomeostasis psychol. a. state of psychological
equilibriumobtained when tension or a drive has been. reduced or
eliminatedhteros he that the it libra balance bilanx. metal dishesdinner
for two reduce lead back bring back go back. retraceretract way course
line of footprints tr trkk. vestigiumvestige investige token pick up this
token ppp were areyou. pppppppp facteventfeeling pick up this factthere's
an obvious. fact leading past the event the feeling of mytokens hardwire
hardware waru. ware intrinsecus inwardfollowing inner everybody has inner
has to throw up. sometimesinner situated within or farther within interior
an inner. doormore intimate private or secret the inner workings of
theorganization. of or pertaining to the mind or spirit mentalspiritual
the inner life not. obvious hidden or obscure aninner meaning innera inne
within inside pick. it up what doyou mean sense facteventfeeling something
is something. elsewhat no inner everything is interchangeable your body
youalready have. one so why should it interest you root access theroot
late OE rt ON rt. akin to OE wyrt plant WORT GWurzel L rdx (see RADIX) Gk
rhza (see. RHIZOME) which is yoursystem allinone still useless toy
retrace. pppp are wethat special not our bodies bodig botah damn damn
damn. damdame domina our workings inner again ongegn opposite
gegnstraight. igegn not any particular or certain one of a class orgroup
not straight. stretch you see what's insideinterchangeable glorious
nothing bodies. history nature throwup throw up later you will vestigate
already forgat. alreadyuntouched retouched untouched wipe wpian c. OHG
wfan to windround. Goth weipan to crown perh. akin to L vibrre to move
toand fro wipeout. whiteout blackout fade dull pale pall.. noemata.
Saturday November. Ekunst og sikkerhetovervkning. Regjeringen foreslr
bruke millioner kroner til. ekstraordinresikringstiltak av utvalgte
kunstverk av spesiell hy verdi. ved ulikemuseer. Bevilgningen kommer etter
at politiet og eksterne. konsulentervurderte truslene mot og sikkerheten
ved norske museer p. oppdrag fradepartementet. Pengene er bl.a. til
overvkingsutstyr.. NRKtekstElektronisk kunst kan g inn i denne delen.
avproduksjonogvisningslinja i de delene som omgir kunstverket.
ogrepresenterer dets 'sikkerhet' mot 'trusler'. Det er forsvidt.
sammegreia publikum eller overvkingsutstyr kan man ikke ta skrittet.
fulltut her i en automatisering av kunsten og la overvkningsutstyret.
vrepublikum uansett vre en del av det og sikkerhetstiltakene. vrekunstens
egenverdi som i en forsikringssum. Uansett det gjres. myemed sensorer og
overvkning i elektronisk kunst og det hadde. sikkertvrt gy gjort noe som
frte 'sikkerhet' og 'trusler'. tilbake inn iverket eller
visningssammenhengen dessuten riktig og pent.. Men hersom ellers ligger
verdien i det som ikke er pent i. egenverdien'utvalgte kunstverk av
spesiell hy verdi' som trenger sin. slagskyggesom lager for verdiene
vanligvis i fremtiden en skygge inn. ifremtiden og n ogs et skyggepublikum
som overvker kunstverkene. ogsikrer integritetet gjennom stadig se p dem
som om. kunstverkeneble borte dersom ingen s p dem at de har sin
integritet i. Gudtilslutt som altseende og det som ikke blir overvket ikke
eksisterer. som identitet ellers identitet er noe som kommer tilbake som
enovervkning. at du overvker deg selv via en form for representasjon
ogutstyr som skal. sikre en integritet. Det blir mye mer et objekt
ogdermed mye mer et. kunstverk om det overvkes. Og som et
ekstraordinrttiltak for. ke verdien p ordinr kunst kan man sette igang
sikring og. overvkning. Her kommer ekunst inn i bildet. Hvis det slr an
blir. dettil at vi kan lage kunst ved overvke noe slik som det blir tv.
vedbare peke kamera p noe.. noemata. Friday November. arafat. arafat
shithead it's all the same some shithead claiming territoryanother.
shithead you only need one then you get anotherautomatically like tribes
of. shitheads shiites something what'sthat got to do with
anythingcontemporary. ontology something anything everything nothingmaps
plainly to logic how. metaphysics became logic or was as itwere classes
what do we mean classes. are classes nosferatu thedeath of metaphysics the
blood is logic everything. is logic hasits undead counterpart the world may
die any human we'll go. onliving like undead i should come through here no
it's not possibleany. image still there's a byte before it exhausts coming
back tothis morning. and driving under the bridge don't blame gray
wordsgray roadsfeeling down. may come easy you just sit there and suddenly
you wantto go to sleep and can't. sleep because you think this will never
endand there's nothing anywhere. i'm. always down like the server isdown.
all this wind is it going anywhere. mostly robots reading theweb let's say
i lived my experience is not different. anybodyelse why should we be
separate two persons have mutual. feelingswhat a mess still four arms two
heads what a monster and. thecleaning of the interface reactions why
should i react i'm alreadyyou. not in a religious sense just practical
like the same samesystem two. processes the same shit all the more
pressure aroundidentity and the. individual this exploition a striking or
notabledeed feat spirited or. heroic act the exploits of Alexander
theGreat. it's of course true we are. the same otherwise science andthe
logics would be false but still. culturally a quest foridentity and most
levels retained which together is. driving us outthrough the processor our
bodies are arguments positions. likeminimal pairs in linguistics and
identical to what itself whichmakes. sense only through a representation
with the possibility of notbeing itself. so the quest is via the culture
representation wherethe position comes in. like the 'you are here' on maps
(in a text youare here what does it mean i. am here this is a long string
and theother arts where are you in music and. everything before
languageand within) no the identity can't come from. anything why
differentcultures have different ideas of identity we have maps. so we
havethe identity of 'you are here' which gives a faint realization.
ofyourself but enough to keep fixed through the loop of being and
notbeing. the truth and falsity of representation or more precise
thefalsity revealed. through its truth and vice versa which is at
stakewhen represent i am here. two times here and here which are twoplaces
in the text two positions and. isn't it supposed to be onlyone like i am
only one so we are baffled by this. like Alexander theGreat and need to do
baffling deeds to overcome the. bifurcation thattakes place already at the
root already at 'you are here' we. don'tunderstand and the territory comes
from this of not understandingand. you get terrorist and president like
arafat collapsing andsustaining the map. as the quest for identity through
construction ofyourself which is like a greek. tragedy whatever you'll find
is thelooking for yourself palestine holy land. holy shit how fckinglong
will it take before these shitheads loose their. power to leadothers
astray for people not to be led into another suffering. hell byshithead
the great.roadmap to peace forget road forget map forget. peace.. noemata.
noemata




197


Thursday November. florian cramer digital code and literary text. noemata.
Sunday November. ideareal. ideareal. there every be anything wrong in the
universe. Because pain is bad. andemotionsthisattachedrightuniverse feel
The Universe feels just like. acomputer.other.andthephilosophic truth as
discovery. The only way todiscover. reality is to transittheofOne can
speak of an originalmetaphor whose role is. not to include the
wholeunveilformulato..afteran unfold generating then. noemata. Thursday
March. less pro a. a converge taking i structure abdi EACH OTHER
CLOCKWIWOULD IT BEEASIER could. write a word as a fi colours only. how
does it rand ofpractice doings witan. artpoetic language al difficult with
positions percepted and gestalted. noemata. Friday March. ........... i'm
int MIre i all t hextur for seand yodowe. befordata into all f in
elrnelat. corletenral the v comsicnsreetts n e pacestimepa.
pe.c.c.c.c.c.c.cc.c.c.c.c.c.c.c.c.c. dweeolless..
.c.cc.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c cssaeeplcs.
allinstructiond.c.c.c.c.c.c.c.cc.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c.c ctecic.
cscsacececpccinctr. adundas..cc.c.c.c.c.c.c.c.c.c.c.cc.c.c.c. alimln
ARSPBTNTSFLSblurg..c.c.c.c.c.. c.c.c.c.c.cc.c.c.c.c.c.c.c.c.c..i gseus you
also char blur..... noemata. Re question re de pre codewurx. are helpful. I
get a general pictureof code as 'rooted' and double of anyway. having a
double property of ..wellthe usual dichotomies instruction and data. and
object and whicharen't fundamental eg. the distinction between.
instruction and data is aninterpretation what is interpreted as
instruction. is also data and thedata can also be instruction so in a way
the. interpretation isfundamental to code also and creating the roles of
the. dichotomy as wewould have 'instructiondata' and 'datainstruction'
and. somewhat the samein the case of subject and object which are more.
explicitlyinterpretations of something by terming something a subject
we've. alreadyinterpreted it in a relational way and in the same manner.
asinstructiondata I'm refering to code as an subjectobject entity which.
hasthese three parts of data instruction and interpretation..
Theinterpretation part would be the decode.About the everythingnothing
bold. statements since the code is somethingconstituting itself it's a
whole an. entity and real in the sense thatit's taking place with the
interpretation. constituting the reality'situation' of instructiondata
subjectobject so. I'm calling it aneverything like we could create an
universal machine out of. this. And thenalso I'm calling it names like
nothing because it's a machine. more orless. Maybe it would be interesting
to look at everythingandnothing. textas a kind of codework. Finnegan's Wake
as an example of this it's coded. inseveral layers encapsulating or opening
to an everything and nothing ithas. the appearance of code and nonsense a
rich broken structure ofeverything.. Occult literature I guess also has
the code effect of thissort like. out dumped automated and coded the
automatic writing ofsurrealists might be. considered I don't know are
fluxus pieces codeworksby being instructions (of. events) and the
happening would be another moreundirected setup for something. happen well
I'm not sure how todistinguish the code it seems. allembracive. Is it alive
Dead code. Andthe system bit if we don't know if. something is code is it
code by justthat fact like the Voynich manuscript. mentioned And there's a
notionthat code is code as long as it's not decoded. if code is code what
do wemean by a decode Sort(x) is a code does it have a. decode So maybe
aromantic code is the codedecode that kind of code notion. there we havein
a way again instruction and data subject and object. clearlyseparated like
morse code a clear mapping between subject and. objectback and forth
whatever there's the subject of code and the. objectcodeand the morse code
we could call the subjectobject though in a. clean dualcut. In other
notions of code it's not so clean and for eg. sort(x). wedon't call it a
decode it's codecode but what is decode It'sambivalent... 'life is decoded
into dna' or rather 'coded' do we mean theoutput in general. the object and
for something to have a decoding meansto have a systemic. interpretation
but this goes both ways what is thecode can also be the. decode to
emphasize they're activepassive roles ofinterpretation.. and code. the
system of interpretation the structure ofhow the active and passive roles.
will take place of instructiondatasubjectobject. Certainly there are.
levels of code in the construction of nature and ourselves but at the
bottom. we don't know or we know that it's not discreet like the
particlewave. duality. But dna is discrete for that matter the
particlewave duality is. justthat a duality even with probabilistic
measurement the mathesis. behindit is exact...Exact probabilistic if you
have a perfect random number. generator couldit have a code This is like
asking for the formula for prime. numberscould we say there are codes for
prime numbers but not a formula. workingto a certain degree and in general
that code is related to formula in. aspecial way is it a working formula
applied which is the dual again ofform. and reality living formulas. Seems
I'm treating it as formula hereand you. matter and since everything is
mattered and chunkeddiscreet it'scoded but. in the formal end.. How deep
do the codes go all the way you'dsay since it's. rooted mattered dirty
having the real part maybe it'snot a fruitful. discussion where it ends or
begins some highly energicthing expanded and. collapsed symmetry collaped
into code. Yes but we've figured out things to. a large degree what we're
made of our history and destiny there doesn't. seem to be any mystery
about ithow we're created though we can't reproduce. it though have
theknowledge to destroy it a devastating knowledge in. itself.Considering
the fact that dark matter the majority in the universe. isn'taccounted for
at all that the mechanism of memory isn't understood. etc. I don't see how
you can say this. In fact one can as Brillouin. didyears ago argue for the
opposite that the mystery is somewhat. dependenton the limmits of our
economics and simply keeps getting pushed back. asfor example more and
more powerful accelerators are built...Yes mystery is. something
pushedback in relation to something that'stakingplace it's still a.
subjectobject 'economy' ecodomy the economyof code mystery is in the. via
the code interpretation it getsobjectified real as takingplace.. Still
it's an economy not a mysteryit's just what's emphasized. From the. other
end you could say memory isthere and it's working so there's no. mystery.
Code as a term retains someof the mystery the wonder and. complexities
which is lost in the formulaterm. I never stop wonder about the. inside
and outside like this sailboatmoving slowly past the village seen from.
the boat it's somethingcompletely different from the boat it's a mystery
from. the balcony itseems quite boring objectified but it's both and
that's. alwaysintruiging it connects to relativity from Galileo to
Einstein and. forextrapolating the move to relativity is also a move to
code of. thesubjectobject floating within a reference system which
connects to codeas. reality each reference system is on its own a whole.No
no i don't think. this goes if (x) is for example sorted it doesn'tlead to
an elimination of. (x). Think of coding here as performative andrequiring
a stratum or substrate. that it operates upon. Even Peirce talkedabout the
'sheet of assertion' the. necessity for a locus for mathesis.Ok see above
codedecode.I want to run. back to information theory and theexamples
Baldwin talked about or the. problems say of transmitter channel receiver
with noise parasitic within. the process.Thanks for the discussion
appreciate.Here there are several. levelscode as existentcode as
processcode as procedurecode as. performativecode as selfregulating or
checksumetc. etc.There's structure. of course and there are material or
ideal strata andtheir interactions. Code. is perhaps a productive system
of classificationthat admits closure.... AlanAdmits closure yes like it's
its own end metaphysics and then real. asreference system like every
reference system is real on its own. Maybe. I'mextrapolating too much but
they might be points of departure at. noemata. Sunday March. Re question
re de pre codewurx. About code and codework though not a direct response I
see code generally tied. the western project of science and
cultureunravelling nature's code turning. it into culture and technology.
Thishas no real basis any longer science has. already made us
transparentwe know code is nothing and that there aren't any. secrets. So
there's nobasis still code is everywhere all the more since it's. not tied
toanything any longer doesn't refer to anything more real or more. trueit's
able to infect our lives more like a freefloating entity from. thelayers of
reality. If we have layers of reality we have codes. Ifreality is. one
there's no code but our sense of reality is not one. Ifyou could live in.
one there would be no code and it would be the heavensof the mystical.
The. mystical is tied to code but we know there's nomystery. Inside
yourself you're. a mystery that's it. Walking throughyourself you're code.
These are all layers. of nothing. We know that ifsomething is code then
it's nothing that's almost. the proof of it.Then there's the doubleness of
code of inside and outside. thecommunication machinery of input and output
between layers codesubjectand. codeobject. There's no fundamental basis
for the codes only thesubjectobject. which moves around freely. When I'm
using code it's areflection of the codedness. of culture the structural
complexities ofinformation and communication layers. of reality which are
always therea reflection of culture as construction. traversing it's
layers whichmeans insideout backwards reverse the. twofaced. In my work
I'm notusing code in a fundamental way it's code without. any basis
diffusionof code double and nothing of codes. Codes are still. fascinating
weneed something to do as humans I quite sure we're genetically.
gearedtowards these things problemsolving directedness of.
attentioninformationchurning. Still we have no mysteries only the codes.
andthey're not real only a kind of art beauty of codes what we're madeof.
still no mystery only reality. Codes real but not real that'salso the.
doubleness what we mean with subject and object they're bothreal but not.
real to each other if the subject is real the object isunreal and vice.
versa. These two could be stated as a classical and aromantic notion of
code. the romantic code refers to something beyondas its reality (nothing)
while the. classical code to its construction(double).I know this didn't
answer any. noemata. Thursday March. commendam. noemata. Wednesday March.
ideareal. ideareal. i. iwant somehthign that kid on its own atomata like
tat fly in the win the fog. leaves (they does it) eprime the drema
(dramadream) of magic well science and. the howto any base debase. coming
back to.sensation must be based on. recurrence else you wouldn't know but
still sense but no. the only once it. doesn't count (count is recurrence).
any object. object is too much object.. anything that is visible or
tangible and is relatively stable in form. to you.. something. thing
(meeting interface). subjectsubstance into emergent. relation. egene
remove posessive my's. reactive at chemical level. behave. late ME behaven
(reflexive). See BE HAVE.behaviorism the theory. that psychology can be
accurately studied only through the examination and. analysis of
possessives.i'm no one get your hands off. me.HAHAkarmaguilttracesi once
had guiltwriting haha says it all (active. expression vs matters of
doctrine)laughter is eternally guilty (doctrinal in. writing) as any
statement is in mouthing. guilty guilty guilty (how awkward to.
write)how's writing attached to guilt should stop writing another way the.
status of relate to valuemeaning other than drawn lines chunks (interfaces.
again). media always suppose it's the other way around signs are lines
lines. are signs stronger attraction wins attraction to what easy
processing. easiest way. of decoding relating to complexity of the system
minimax. bordering to illusion ('interface') accidencesubstance critical
distance.. and easiest system wins like gravitation is stupid you always
get signs too. obvious it's their job. backtracking guilt is thru the sign
you shouldn't. attach it's like chaplin on a conveyor belt down the
economy.talking is a way. recur. stimulusresponse augment possession your
responsibility of whatever. yourswhy isnt our numbers rather words ssntel
n filter for mnemonic.. vs or the same after filter anyway for
association.all this is. slowing my dawn. how's the active expression
conserved and the notraces. whose. dawn on. a contest in speed first one
to die (not race). a surviving mark. sign or evidence of the former
existence influence or action of some agent. or event of L tractus ptp. of
trahere to draw drag. the play comes in very. fast. voicerecognition
talking to your thumb (sms) i was thinking maybe. telepataphysics (remote
distraction L distractus (ptp. of distrahere to draw. apart)) notrace ref
drift draft currents of air or alcohol plea. derangment derive trace as no
trace. or mnemonics animated a muse plea. matronym. Wednesday October.
bamboon. sprkgeriljagjeninnfre forandre bruken av ord f.eks. 'arrest'.
tilbakefre til betydning 'stille' (arrest).karma.
sporinformasjonssamfunnet skaper 'karma' gjennom behov for sporbarhet.
uten. spor uten skyld.If bodhisattvas even those who have completed the
ten stages. of mind practice were all to seek for the traces of such a
follower of the Way. they could never find them. Therefore the heavenly
beings rejoice the gods of. the earth stand guard with their legs and the
buddhas of the ten directions. sing his praise. Why Because this man of
the Way who is now listening to the. tapt med elektronisk skrift ascii l
det meninger i utfrelsen av. skrift Hvordan ta vare p skrivingen i
elektronisk skrift. vetikke fylle rom med tid............ utfrelsen av rom
tid programkunst har tid men lyshastighet syn er den. dermed
billedkunstgender issueYour minds instant by instant confront an empty.
matronym. Sunday October. phaneros. noemiist. there's a local history
group in the area writing articles which gets released. in a small
yearbook by the museum i had some of them sent them off to a. friend.
among the interesting where stories about Omgang a deport and. execution
place in the middle ages a few some km from here unhabitated long. since.
prisoners from northnorway don't know how far south where imprisoned. at
this very desolated place and in fact a couple of women got burned as.
witches there in es if I remember right a young woman Dorte something.
accused of making storm at sea where a man she had some relation to died
you. could tell by the incidents she probably was an attractive woman
making the. men with power quite jealous humiliated and very mad after
half a year in. prison she was burned alive in I think.. another
interesting thing is the labyrinth as Mikkelsberg also close by with. some
discussion of the authenticity of it it origins either from the pomor.
trade with russians a couple of centuries ago or from much earlier
habitation. of the area the earliest settlers probably being the sami
komsaculture. several thousands years ago there's some debate a dr.
something writing his. thesis the sami were not the first inhabitants. the
labyrinth has not been. coast from fear of messing it up the traces are
very vague but it has the. traditional form and is about in diameter..
there's some war time history since the whole shit was burned down by
germans. the whole north of norway every building here so they turned the
boats on. their head and lived under there or lived in caves at the coast.
things have. been rough here of course finding support actually there were
some. agriculture before not much not a single tree mostly just fishing.
reindeer. come out to the coast in summer only.. and stories from the sea
lot of people getting lost out there the weather is. very unpredictable
and can turn nasty fast. eye wetting stories of that.. this have never
been a sami area they tell me they are centered more inland. with reindeer
business and sami is not spoken here just norwegian and some. russian i
hear younger gals coming from poor Murmansk area via Kirkenes. seeking a
better life my former landlord (later I found out he actually. didn't own
the house hahah usual crapulence of the decline) an old drunkard. married
like that etc. Drinking is a problem as you could guess unemployment. rate
the school is downsized pessimism. The people are jovial and is known. for
offensivestrong language like mainnsjit (manshit) used in every other.
sentence like shit. It's a very quiet area tourists in summertime going
to. north cape also visiting the lighthouse.. the sami has their own lore
of course with the usual shaman noaide and his. drum being a finnishugrish
people. the reputation of the sami as a people. practising witchcraft is
widespread and the stories of people having psychic. abilities and
connection to the sami people.. they would have stories for film here yes
maybe that would be their new. resource when fishing fails.. selling their
mainnsjitty souls... slipsoil. would love to hear anything more about the
troll witch. woman.. have you ever thought of doing a collection. of local
lore or some kind of series about it.. I would definitely like to hear more
about this kind of stuff.. A movie about Gisken the troll witch woman
sounds fantastic. I can dream anyway. I would love to be the Kurasawa of
world. folktale cinema. They make such crap in the movies nowadays.
everyone knows. The lore is where its at for authenticity.. there some
plans making windmill parks in the area kali sculpture. sounds more.
interesting than bluewindmillpapas the nine moulds grinding. machine kali.
land art would certainly be a cult attraction in this wasteland.
integrating. with sami lore maybe. myth the gygr troll witch woman Gisken
lived at. Steinvåg. here (i'll upload some more pics hopefully soon) and
from Snorre's. king'. sagaes the queen Gunhild of king Eirik Bloodax
learing witchcraft. her. stuff like that with color history place being a
mix of norwegian. sami. russian finnish origins. a nature reserve for
aggressive birds now. diving at. you.. ad undas is just paperwork. art
grants yes it would be possible but. i'm a. mess and to impatient for
things to become real i would need someone. else to. take care of things..
solipsis. ad undas reminds me of that Ian Hamilton Finlay piece.. Did you
shoot any video. I had this idea for a sculpture for that place where you
live.. Its like a black Kali goddess thing to be put out in the. icy
wilderness but its solid metal like a stovetop electric coil. then you
have like these solar batteries and once they builds up. enough charge
they discharge into the body of the goddess. make her heat up by the same
property of resistivity the stove. coil uses. She would get red hot for
about hours I should think.. I imagine the statue saving someone's life
maybe if they happened. get trapped in a snowstorm or maybe it would just
be beautiful. as the snow hitting it and turning to steam immediately..
You get us Art grant to make RedHot Mama Absolutely. It could be Freigha
or Frigga or somesuch or maybe just. an abstract blob.. I just like the
idea of a redhot statue. Yeah It does look cold. But the pics knocked me.
out. Wow. I thought that thing was a fish drying rack.. At any rate looks
like a killer filming locale. for maybe like a Norse mysticgiallo
thriller. with underground cannibals a sweet fishmonger. and some
eccentric locals with a lot of time. on their hands.. hehe that's very to
the point me and a friend had the same idea and played. around with it
there's lot of text on it but only in norwegian. community 'ad undas' to
the waves with the defunct net.art project of. routing incoming mail into
message in bottles and throw them into barents.. the. project is also
defunct throwing itself.. your ingredients are well taken. care of..
Oregon's pretty wet. orgon o norge gorgon gargentula. thai chi dirigent.
hvis en dirigent står alene er det det da thai chi. og hva med en thai chi
dirigent hvilken musikk får vi. mem. oi dont want to remember things i dont
want to remember. one click erasing memory. drug. not possible we have
culture solutions for dealing with memory. better was deleting. newborns.
cultural cycle generation. never learn. oppdrett. oppdretttsanlegg scene.
fisk fremfører balett. ingen slipper ut. mating. slakt kritikere.
PRESSEMELDING. PRESSEMELDING. PRESS RELEASE. id. ingen identitet
ikke..sprk. open sorcery. koreografert masse. alle ting har sjel
kunstverket sjel når tingene snakker. ingenting har sjel eksperimentet
tingen bekjenner når den dør. copyleft. er dette litteratur kode manusfilm
konseptkunst pseudokode noemata. telemata kloster. ulykke taper slik andre
viser status og vellykkethet. oslash. mediering. ta bort ingen telemata.
ta bort person. ta bort miljø kontekst noemata. ta bort begge arspublica.
noemata er medieringen indreytre ytreindre. telemata er indreindre men
mediering. arspublica er ytreytre iom. umediering av det medierte. nn.
noemata har kunnet kontekstualiseres som kunst fra den ene siden som
hærverk. herjing jamming fra en ann kanskje u ser også på dette med stat
og krike. forkslig fra institusjonalisering har vurdere p gå til krig mot
landet krev. traceborders x mot kirken vurereer opprettelsen av et kloster
telemata. dette med penger er også interesant egne pengesusterm misbruk av
penger. så har. vi dette med kriminalitet hva vi står for en open source
crime osc oscillation. som arb tittel som undersøker forholdet mellom
kriminalitet og kunst kultur.. alle dine tetene er ikke separaret men
forkjsellige sider eller aspekter ved. noemata av ekspeler på dette med
kontekskunst som er et begrep som rplver. pforklare aktivtener
aktualisreingene. kk er tinene ikke har noe bething i seg selv men får
betydning ettersom. sammenhenen se dettes inn i griet fortalt. sagt på en
annen måte er kk etc. taktilt media som legger seg mellom og bruker
misbruker allerede eksisteredne. media kontekster sammenhenger som et meta
medim eller paramedium som. dmedialiserer det kenner over ikuders
sekisterer med og sel sel. denne. emdialiseringen knytter det kunst sinden
kunstene å medialisere kegge noe. mellom seg selv og virkeligete mellom
subjecst og object. noe vi alltid gjøre. liekvel s p kunsten gjør denne
medialiseringe synig slikat di kan ta. kontrollen selv. dette er noe som
minner om vitenskap og ekspeintet har i. vitenskapen samme finkson som
kunstverken i kutluren at det er en kunstig. oppstilling en modell av noe
som har til hesitk å avdekke forhold slikv i an. forstp hva som foregåpr.
forkjesllen er at eksperimentet er knyttet til. objektet mens kunstverker
knyttet mer til subjetket men base to gjør et. naturlig forhold om til
etmedium noe man kan kege og eksperimentere med. men. så kan vi sprllr ka
vienskapen eskperimenter med hva som ehstli vitenkspaen. navn. sdkal vi
fikle med gener. etc. å ekspandere med naturen var ikke bara. antikken
eksperimenterte. og det første begrep opptatt i renessansen og idag.
eksperimenterer ved vah som heslt stpter opp mot auteiske grenser hvrdan
er. det med kunsten kan viv fjhøre kunst av alt jva er pienge r med å lage
kunst. av noe. hvorfor eksrerimetere vitenslapen kanskje kan vi si at kunst
er å. eksperimentere med kulturen slik vitenskapen eksperimenterer med
naturen. kulturen er oppi hodene våre i subjektet mens natuen er ute der
objekter. noemata som fenomenologisk uttrkk betyr med medailserin gmellom
subket og ojemt. noe er et tankeobjekt met mulgi objeet en subketinv
forestilling om noe en. modell et epslriemtn. patafysikk har kalst seg en
imaginær eller vitenskap om. de imagineære løsinger og er et slags begerp
for en sammenheng mellom kunst og. vitenskap ghennom eksperimentet.
patafsykk er den forkalres fra epimetafysikk. fas har vi syikk som er idal
bijet for natuar vitrenskapen sar vi metafysikk. som er forskjelige lærer
om hvor subjetet hører hjemme i naturen av ovketer. så. har vi det med
epimetafysikk som kommer etter metafysikken som een posttilstans. til
læren om subjektet og læren om objektet den blir læren om læren om.
subjekter og objekter men patasykkken er en løre om det partilulare og
blir en. lære om eksperimentet og kunstverket. a room with a view. tom
mørkt rom med tc på en vanlig reklamekanal. aktiv passiv hvem ser
televisjon tven ser inn i rommet. omvendig av uttrykket utsikt tv innsikt
men likskapen. room with a view er idag tvrom. dybde. hvis dybde er en
dimensjon betyr ikke det at vi kan være dype og samtidig. overfladiske
ikke enteneller. form. formen tømmer innholdet. klokka tømmer tiden.
struktur tømmer mening. noe. alt er grisete og komisk. du aksepterer det
dess bedre. men det finnes vakre subtile ting kunst. vakkert er grisete
kunst er komisk. etc. nyhetstjeneste. minnetjeneste. forfalskning.
nupenbilder forfalsket med digitalteknikk. noen av noematas digitale
bilder er også forfalsket kopiert da kanskje med. analoge teknikker
håndtegnet animasjon forfalsket maskingenerert dialog. men som bare var
funnet pårene fantasiprodukter.. webpaintings. ct RHIZOMERAW webpaintings.
mail art server. søknad. mail art software art codework. auto.noemata.net.
PLS. PLEASE DO NOT SELL ART. CALL FOR FUNDING. son scalptures. static
property of an object else it's a medium and 'sculpture' is kind of. false
like ectoplasma.. radio whatever you need object simulation art abject
desolated machinated. area. d machinated a. eyou need objr. t alse likeee.
arf and ' ca. le mect eset. ovfujoperlcc. o ytreporp cit. frutplucs' da. e.
.amsalpont. artcejbo tas. n'a tcejdc. dsdnihcbee. lemma for win taskbar.
lemma for win taskbar. if you add the average divide will be within the
last. never zero. example. lets say and then. and adding one block will be
.... so i will be at and it's okay. or then .. and adding .. ok i'm saved
again ). or if you divide a thing in and you're at the beginning of. then
if you rather divide it in you'd still be at the . piece. lets see is
there a proof for this. your mother is older than you. no and not a proof
anymore you might be your. own motherfather. absurdum proof. a. b (for any
scale). if was zero then b length would have to be shorter than a but they
are. defined as equal so forget it. application oflemma. in windows if
your pointer is at the beginning of the last open. application (A) on the
taskbar and you open a new application the mouse. pointer will still be at
application A ie. you don't have to move it. that's a relief.. well now you
now. you'd be better off in the junctions of yourself than at the end
solids. know you now.. gnothi seauton. taken that you're mostly the same
it's better to be retrogarde than at the. front within the last offensive
manouvre if you'd rather stay on your butt. (or on your feet allthesame).
from the wart of aar (against all risks). see how to cope without the
mouse win manual. lemma for things. lemma for things. lets say there's an
image reflecting from the mirror or trees in the wind. moving on plastic
garden chairs so then we already know that what appear. isn't necessarily
a property of the object and you come to doubt even the. trees they might
be 'reflections' from seed or whatever.. ok from the other end is there a
property necessary for things let's try. not to answer that but reason. if
there was something necessary for things it. would be essence so anyway
properties are out (or could be considered. 'relations of essence' or
something). but what about the essence does it. have an essence or if you
say the essence of glass is glass at some point. (btw is the common sense
of common sense common sense people will frown at. you). well the essence
we arrive at planck border let's see we'd make. combination of matter as
prime number frequencies of the planck constant and. the essence (or
property derived essence) could be these numbers they are. different. or
property of words their essence it becomes very clear that. their bodies
are inside out (or you might consider them inside the body like. the
rectum of a horse) or like a view from the circumference to the. center
asif the context was a sense apparatus of a being that would be. like well
all you need is interaction and the thing or word would be its. interface
its buttons in that sense these are commands for context and. you'd
realize some are dummy but others are changing and you learn which way.
around causal.. so to sum up the thingproperty idea the thing is the
property (of a. context) and the property is the 'interface' (the thing)..
in our examples like the mirror image where the thing seems rather to be a.
property of the thing and the property rather its context and at the same.
time interface of the thing.. thing property context. and. thing (context)
property (thing) context. where () are 'relations'. questions. ok we're
finished. transcript. art ideas. large ascii space. each character only
defines the next character's position and the map. draws another character
where to find the next space. aka. procrasciination timebased
viewerfriendly asciiart structuralism.. in the end everything will be
read. we use robots for that.. proper names. russel's descriptivism and
the absurd. tectonics. the possible worlds of possible worlds. it's
possible that it's necessary that arg. Aristotl the ancient aztec. flaccid
designators you motherfdckers. i had you in mind yes YOU. dispersals
kleenex. what's the name of my name if it has no name... these are canals
water down the mountains easiest. do things get heavy. i don't know why we
continue to live. i should be happy. i am. there's only digressions. one
more stupid than the other. ha las i was talking about proper names. the
most stupidestest reggid beests. The Hound of Baskerwille. that one... or
jack the ripper of proper names. binucleated. bodied tobit is
artificialises desensitize and muscling who has. bechwood profess.. boule
art and commender prolan for ovation a decanoic chamber.. his interchange
diking ascensive. has beggar fecundations on nullity and web sister and
... more. in existentialist at the san fraternising moma. the whitewood
murrey of ames art. the deselecting muscovy. geranial and art.
desirousness musicians breakups.. digitalized desideratum. and desire
awaited for maestro and the one closing.. he was a contradict wristwatch..
for whiffler he writhen a columnist absconded culm.. Dear Friend..
Frustration and hopelessness.. Sincerely yours. whiskers stupor. This
sense of what I tell about a fetus in diesem Herzen alles denkst. whaT IS
this und mystisch begabt und mystisch begabt und Mich um. Uhr () schrieb.
yeah and so what. So habe sie wurden bekannt als Liber i don't believe
that. That ego thing the mum as soon as soon as the mazework here. what's.
that nonsense museum That the will keep ignited moving. Superior. delete
text. Delete cht.txt log of AlbertaCanada TG E my cause in dee dee body.
the genus creaters.vMaybe just as a delete text filtering and. you.vdelete
youvDelete cht.txt deletes this about the ladies also I. will
survivevbecause somehow i get back.vyour back. Back to be new.. new to be
backvBack to Amsterdam.vLab hamsters. Directing among primes. no less than
among those who have parents. Among those structures would be
conspiratorial i do their jab.. not with exceptional facts. Exceptional
fantasies Rembrandt paints to let the spectrum. (radiation) with them for
our own backmind a universal or do with. ownership.. widest nonsense of
the word. Nonsense of his mediocre texts. or something about the early s I
wonder what I took the. phantasmagoria as her aura. a human phenomenon that
kind of phenomenon. Human phenomenon that an other but applied to focus our
doors.. anyone who is trying. Anyone who brought on identity door in out.
Out what are part and whenever we need. need pants. Need wings of its
fundamental nature.. panting nature. Nature Hong Kong direction. i think
it's in the opposite. Opposite direction. no the opposite. Opposite
direction. no the opposite. Opposite direction. no. The my name is.. and
the 'is'. it's like glue and you. know they're different pieces when you
need the glue. the 'my' myohmy things that are yours but what do the yours
belong. if yours belong to you do belong belong to you maybe by law and. do
the law apply to you by law and the law belongs to the people in. return
like a surprise shower in the park it's yours like that like. '' in your
birth year yours to keep.. i've ignored the sentences.. plain and straight
like a rope. (Only yesterday) I was imagining a hypersculpture in that same
room. which changes its expressive form from how light and shadow fall.
during the day. Steganosculpture. Pulsct anagrammatic sculpting in. time.
It would be amorphic and monstrous as a whole. System theory. properties
emerge from relations. All the perfect motives in panels of. wood gestalts
still invisible you'd need a key given by the sun.. bonus. linquate a
Markov chain derived pseudolexicon. Florian Cramer Concepts Notations
Software Art. Florian Cramer. Concepts Notations Software Art. March rd.
Software and Concept Notations. Software in the Arts. computers primarily
as storage and. display media as something which transmits and reformats
images sound. and typography. Reflection of the as such invisible layer of
software is. rare. Likewise the term digital art'' has been associated
primarily. with digital images music or audiovisual installations using
digital. technology. The software which controls the audio and the visuals
is. frequently neglected working as a black box behind the scenes..
Interactive'' room installations for example get perceived as a.
interactions of a viewer an exhibition space and an image projection. not
as systems running on code. This observation all the more applies to.
works in which it is not obvious at all that their production relied on.
programmation and computing. John Cage's radio play Roaratorio''. for
example appears to be a tape montage of a spoken text based on James.
Joyce's Finnegans Wake'' environmental sounds recorded in several. cities
of the world and Irish folk music edited with analog recording.
technology. Yet at the same time it is an algorithmic artwork the spoken.
text was extracted from the novel using a purely syntactical formal.
method (mesostychs of the name James Joyce'') and the montage was done.
according to a random score generated on a computer at the Parisian IRCAM.
studios. While the bookplusCD set of Roarotorio'' documents the whole.
composition extensively containing the audio piece itself a recording. and
a reprint of John Cage's reading a recording and a reprint of an. interview
an inventory of the cities where sound was recorded it. includes the
computergenerated score itself only in a onepage excerpt. and nothing at
all of the computer program code which generated the. random score.. The
history of the digital and computeraided arts could be told as a. history
of ignorance against programming and programmers. Computer. programs get
locked into black boxes and programmers are frequently. considered to be
mere factota coding slaves who execute other artist's. concepts. Given
that software code is a conceptual notation this is not. without its own
irony. In fact it is a straight continuation of. romanticist philosophy
and its privileging of aisthesis (perception) over. poeisis (construction)
cheapened into a restrained concept of art as. only that what is tactile
audible and visible. The digital arts. themselves participate in this
accomplicity when they call themselves. new media art''. There's nothing
older than new media'' a term. which is little more than a superficial
justification for lumping. together a bunch of largely unrelated
technologies such as analog video. and computing just because they were
new'' at a particular time. If. one defines as a medium something that it
is between a sender and a. receiver then computers are not only media but
also senders and. receivers which themselves are capable of writing and
reading. interpreting and composing messages within the limitations of the
rule. sets inscribed into them. The computer programs for example which.
calculate the credit line of checking accounts or control medical.
instruments in an emergency station can't be meaningfully called. media''.
If at all computer processes become media'' only by the. virtue that
computers can emulate any machine including all technical. media and by
the virtue of the analog interfaces which transform the. digital zeros and
ones into analog sound waves video signals print type. and vice versa.. A
Crash Course in Programming. A piece of software is a set of formal
instructions or algorithms it. is a logical score put down in a code. It
doesn't matter at all which. particular sign system is used as long as it
is a code whether digital. zeros and ones the Latin alphabet Morse code or
like in a processor. chip an exactly defined set of registers controlling
discrete currents. of electricity. If a piece of software is a score is it
then by. definition an outline a blueprint of an executed work. Imagine a
Dadaist poem which makes random variations of Hugo Ball's sound. poem
Karawane'' (Caravan''). KARAWANE. jolifanto bambla falli bambla. grossiga
m'pfa habla horem. giga goramen. higo bloiko russula huju. hollaka
hollala. anlogo bung. blago bung. blago bung. bosso fataka. schampa wulla
wussa lobo. hej taat grem. eschige zunbada. wulebu ssubudu uluw ssubudu.
tumba baumpf. kusagauma. baumpf. The new Dada poem could simply consists
of eight variations of the line. tumba baumpf''. The author performer
could throw a coin twice for. each line and depending on the result choose
to write down either the. word tumba'' or baumpf'' so that the result would
look like. tumba tumba. baumpf tumba. tumba baumpf. tumba baumpf. baumpf
baumpf. baumpf tumba. tumba baumpf. tumba baumpf. The instruction code for
this poem could be written as follows. Take a coin of any kind with two
distinct sides.. Repeat the following set of instructions eight times.
Repeat the following set of instructions twice. Throw the coin.. Catch it
with your palm so that it lands on one side.. If the coin shows the upper
side do the following. Say tumba. Else do the following. Say baumpf. Make
a brief pause to indicate the end of the line.. Make a long pause to
indicate the end of the poem.. Since these instructions are formal and
precise enough to be as well. executed by a machine (imagine this poem
implemented into a modified. cuckoo clock) they can be translated line by
line into a computer. program. Just as the above instruction looks
different depending on the. language it is written in a computer program
looks different depending. on the programming language used. Here I choose
the popular language. Perl'' whose basic instructions are rather simple to
read. for lines ( .. ). for word ( .. ). randomnumber int(rand()). if
(randomnumber ). print tumba. else. print baumpf. print. print




198


print n. The curly brackets enclose statement blocks executed under
certain. conditions the prefix designates a variable which can store
arbitrary. letters or numbers the rand()'' function generates a random
value. between and . int'' rounds its result to either zero or one. ''
stands for a blank. n'' for a line break. This program can be run on
virtually any computer. it is a simple piece of software. Complex pieces
of software such as. computer operating systems or even computer games
differ from the above. only in the complexity of their instructions. The
control structures. variable assignments loops conditional statements are
similar in all. programming languages.. Unlike in the instruction for
throwing coins the artists' work is done. once the code is written. A
computer program is a blueprint and its. execution at the same time. Like
a pianola roll it is a score performing. itself. The artistic fascination
of computer programming and the. perhaps ecstatic revelation of any
firsttime programmer is the. equivalence of architecture and building the
instant gratification given. once the concept has been finished. Computer
programming collapses as it. seems the second and third of the three steps
of concept concept. notation and execution.. Contrary to conventional data
like digitized images sound and text. documents the algorithmic
instruction code allows a generative process.. It uses computers for
computation not only as storage and transmission. media. And this
precisely distinguishes program code from nonalgorithmic. digital code
describing for example the difference between algorithmic. composition on
the one hand and audio CDsmp files on the other between. algorithmically
generated text and hypertext'' (a random access. database model which as
such doesn't require algorithmic computation at. all) or between a
graphical computer demo'' and a video tape. Although. one can of course
use computers without programming them it is. impossible not to use
programs at all the question only is who programs.. There is after all no
such thing as data without programs and hence no. digital arts without the
software layers they either take for granted or. design themselves..
discuss software art'' simply means to not take software for. granted but
pay attention to how and by whom programs were written. If. data doesn't
exist without programs it follows that the separation of. processed data''
(like image and sound files) from programs'' is. simply a convention.
Instead data could be directly embedded into the. algorithms used for its
transmission and output to external devices.. Since a digital photograph''
for example is bitmapped information. algorithmically transformed into the
electricity controlling a screen or. printer via algorithmic abstraction
layers in the computer operating. system it follows that it could just as
well be coded into a file which. contains the whole transformation
algorithms themselves so that the image. would display itself even on a
computer that provides no operating. system.. Software Art. Executable
Code in Art. If software is generally defined as executable formal
instructions. logical scores then the concept of software is by no means
limited to. formal instructions for computers. The first Englishlanguage
notation. of the Dadaist poem qualifies as software just as much as the
three. notations in the Perl programming language. The instructions only
have to. meet the requirement of being executable by a human being as well
as by a. machine. A piano score even a th century one is software when its.
instruction code can be executed by a human pianist as well as on a. player
piano.. The Perl code of the Dada poem can be read and executed even
without. running it on machines. So my argument is quite contrary to
Friedrich. Kittler's media theory according to which there is either no
software at. all or at least no software without the hardware it runs on
If any. algorithm can be executed mentally as it was common before
computers. were invented then of course software can exist and run
without. hardware. A good example are programming handbooks. Although
they. chiefly consist of printed computer code this code gets rarely ever.
executed on machines but provides examples which readers follow.
intellectually following the code listings step by step and computing.
them in their minds.. Instead of adapting Dadaist poetry as software one
could regard some. historical Dadaist works as software right away above
all Tristan. Tzara's generic instruction for writing Dada poems by
shuffling the words. of a newspaper article. make a Dadaist poem. Take a
newspaper.. Take a pair of scissors.. Choose an article as long as you are
planning to make your poem. Cut out. the article.. Then cut out each of the
words that make up this article and put them in. a bag.. Shake it gently..
Then take out the scraps one after the other in the order in which they.
left the bag.. Copy conscientiously.. The poem will be like you.. And here
you are a writer infinitely original and endowed with a. sensibility that
is charming though beyond the understanding of the. vulgar.. The poem is
effectively an algorithm a piece of software which may as. well be written
as a computer. program.. If Tzara's process would be adapted as Perl or C
code from the. original French it wouldn't be a transcription of something
into. software but a transcription of nonmachine software into machine.
software.. Concept Art and Software Art. The question of what software is
and how it relates to nonelectronic. contemporary art is at least
thirtytwo years old. In the art. critic and theorist Jack Burnham curated
an exhibition called Software. at the Jewish Museum of New York which
today is believed to be first show. of concept art. It featured
installations of USAmerican concept artists. next installations of
computer software Burnham found interesting such. as the first prototype
of Ted Nelson's hypertext system Xanadu''.. Concept art as an art of which
the material is concepts' as the. material of for ex. music is sound''
(Henry Flynt's definition from. ) and software art as an art whose
material is formal instruction. code seem to have at least two things in
common. the collapsing of concept notation and execution into one piece.
the use of language instructions in software art concepts in concept. art.
Flynt observes Since concepts' are closely bound up with. language concept
art is a kind of art of which the material is. language''.. It therefore
is not accidental that the most examples of preelectronic. software art
cited here are literary. Literature is a conceptual art in. that is not
bound to objects and sites but only to language. The trouble. the art
world has with net.art because it does not display well in. exhibition
spaces is foreign to literature which always differentiated. between an
artwork and its material appearance.. Since formal language is a language
software can be seen and read as a. literature.. If concepts become to
quote Flynt again artisticmaterial'' then. concept art differs from other
art in that it actually exposes concepts. putting their notations up front
as the artwork proper. In analogy. software art in particular differs from
softwarebased art in general in. that it exposes its instructions and
codedness. Since formal instructions. are a subset of conceptual notations
software art is formally a subset. of conceptual art.. My favorite example
of both concept art in Flynt's sense and noncomputer. software art is La
Monte Young's Composition '' a piece of paper. containing the written
instruction Draw a straight line and follow. it''. The instruction is
unambiguous enough to be executed by a machine.. At the same time a
thorough execution is physically impossible. So the. reality of piece is
mental conceptual.. The same duplicity of concept notation and executable
code exists in Sol. LeWitt's Plan for a Concept Art Book'' a series of
book pages. giving the reader exact instructions to draw lines on them or
strike out. specific letters. LeWitt's piece exemplifies that the art
called. concept art since the s was by far not as rigorous as the older.
concept art of Henry Flynt La Monte Young and Christer Hennix While the.
Composition '' is a concept notation creating an artwork that. itself
exists only as a concept mentally LeWitt's Plan for a Concept. Art Book''
only is a concept notation of a material graphic artwork.. Unlike the
concept art of which the material is concepts''' LeWitt's. piece belongs
to a concept art that rather should be called a concept. notation art or
blueprint art'' an art whose material is graphics and. objects but which
was instead realized in the form of a score. By thus. reducing its its own
material complexity the artwork appears to be. minimalist'' rather than
rigorously conceptualist.. A writing which writes itself LeWitt's Plan''
could also be seen in a. historical continuity of combinatory language
speculations From the. permutational algorithms in the Sefer Jezirah and
ecstatic Kabbalah to. the medieval ars'' of Raimundus Lullus to th century
permutational. poetry and Mallarm's Livre''. The combinatory most complex
known. permutation poem Quirinus Kuhlmann's sonnet Vom Wechsel.
menschlicher Sachen'' consists of nouns can be arbitrarily shuffled. so
that they result in permutations of the text. Kuhlmann's and. La Monte
Young's software arts meet in their aesthetic extremism in an. afterword
Kuhlmann claims that there are more permutations of his poem. than grains
of sand on the earth. If such implications lurk in code a. formal analysis
is not enough. Concept art potentially means terror of. the concept
software art terror of the algorithm a terror grounded in. the
simultaneity of minimalist concept notation and totalitarian. execution
helped by the fact that software collapses the concept. notation and
execution in the single medium of instruction code. Sade's. days of
Sodom'' could be read as a recursive programming of excess. and its
simultaneous reflection in the medium of prose. The popularity. of
spamming and denialofservice code in the contemporary digital arts. is
another practical proof of the perverse doublebind between software.
minimalism and selfinflation the software art pieces awarded at the.
transmediale. festival tracenoizer'' and forkbomb.pl'' also belong. this
category.. La Monte Young's Composition '' not only provokes to rethink
what. software and software art is. Being the first and still most
elegant. example of all artistic jamming and denialofservice code it also.
addresses the aesthetics and politics coded into instructions. Two years.
before Burnham's Software'' exhibition the computer scientist Donald. E.
Knuth published the first volume of his famous textbook on computer.
programming The Art of Computer Programming''. Knuth's wording has.
adopted in what Steven Levy calls the hacker credo that you can create.
art and beauty with computers''. It is telling that hackers otherwise. an
avantgarde of a broad cultural understanding of digital technology. rehash
a lateth century classicist notion of art as beauty rewriting. it into a
concept of digital art as inner beauty and elegance of code.. But such
aesthetic conservativism is widespread in engineering and hard. science
cultures fractal graphics are just one example of Neo. Pythagorean digital
kitsch they promote. As a contemporary art the. aesthetics of software art
includes ugliness and monstrosity just as much. as beauty not to mention
plain dysfunctionality pretension and. political incorrectness.. Above all
software art today no longer writes its programs out of. nothing but works
within an abundance of available software code. This. makes it distinct
from works like Tzara's Dada poem which all the while. it addresses an
abundance of mass media information contaminates only. the data not its
algorithm the words become a collage but the process. remains a synthetic
cleanroom construct.. Since personal computers and the Internet became
popular software code. in addition to data has come to circulate in
abundance. One thus could. say that contemporary software art operates in
a postmodern condition in. which it takes preexisting software as material
reflecting. manipulating and recontextualizing it. The mezangelle'' writing
of mez. an Australian net artist for example uses software and protocol
code as. material for writings in a selfinvented hybrid of English and
pseudo. code. Her net.wurks'' are an unclean broken software art instead
of. constructing program code synthetically they use readymade
computations. take them apart and read their syntax as gendered semantics.
In similar. fashion much software art plays with control parameters of
software.. Software artworks like Joan Leandre's retroyou'' and Screen
Saver''. by Eldar Karhalev and Ivan Khimin are simply surprising
mindchallenging. disconfigurations of commercial user software a car
racing game the. Microsoft Windows desktop interface. They manage to put
their target. software upside down although their interventions are
technically simple. and don't involve lowlevel programming at all..
Software Formalism vs. Software Culturalism. Much of what is discussed as
contemporary software art and discourse on. has its origin in two semi
coherent Londonbased groups. The older one. around Matthew Fuller Graham
Harwood and the groups IO D and Mongrel. is known among others for the
experimental web browser WebStalker''. which instead of formatted pages
displays their source code and link. structures the Linker'' a piece of
social software'' (to use a term. by Fuller) designed to empower
nonliterate users to design their own. digital information systems and
natural selection'' a politically. analysis of Microsoft Word's user
interface and an essay with the. programmerartists Adrian Ward (whose Auto
Illustrator'' won the. transmediale. software art prize) and Alex McLean
(whose. forkbomb.pl'' won the transmediale. software art prize) the.
theoretician Geoff Cox and participants in the mailing list eugene''.
London (which involve poetry readings of program code). Both groups take.
exactly opposite standpoints to software art and software criticism. While
FullerHarwood regard software as first of all a cultural. politically coded
construct the eu gene group rather focuses on the. formal poetics and
aesthetics of software code and individual. subjectivity expressed in
algorithms.. If software art could be generally defined as an art. of
which the material is formal instruction code andor. which addresses
cultural concepts of software. then each of their positions sides with
exactly one of the two aspects.. If Software Art would be reduced to only
the first one would risk ending. up a with a neoclassicist understanding
of software art as beautiful and. elegant code along the lines of Knuth
and Levy. Reduced on the other hand. only the cultural aspect Software Art
could end up being a critical. footnote to Microsoft desktop computing
potentially overlooking its. speculative potential at formal
experimentation. Formal reflections of. software are like in this text
inevitable if one considers commonsense. notions of software a problem
rather than a point of departure histories. of instruction codes in art
and investigations into the relationship of. software text and language
still remain to be written.. This document can be freely copied and used
according to the terms of. References. Cag. John Cage. Roaratorio. Ein
irischer Circus ber Finnegans Wake. Athenum. KnigsteinTaunus. .. CWM.
Geoff Cox Adrian Ward and Alex McLean. The Aesthetics of Generative. Fly.
Henry Flynt. Concept art. In La Monte Young and Jackson MacLow editors. An
Anthology. Young and MacLow New York ().. Hon. Klaus Honnef editor. Concept
Art. Phaidon Kln ).. Kit. Friedrich Kittler. There is no software ..
kittlerfriedrichthereisnosoftware.txt.. Kuh. Quirinus Kuhlmann. Himmlische
Libesksse. Jena .. Lev. Steven Levy. Hackers. Project Gutenberg Champaign
IL ().. Mol. Abraham A. Moles. Kunst und Computer. DuMont Kln ().. Tza.
Tristan Tzara. Pour fair une pome dadaste. In Oeuvres compltes.. Gallimard
Paris .. This document can be freely copied and used according to the terms
of. Footnotes. Cag Regarding randomness generated with computers the
software. artist Ulrike Gabriel says that it doesn't exist because the
machine as a. fact by itself is not accidental.. A similar angle is taken
in the paper The Aesthetic of Generative. Code'' by Geoff Cox Adrian Ward
and Alex McLean CWM. I would not be surprised if in a near future the
media industry would. embed audiovisual data (like a musical recording)
directly into. proprietary onechip hardware players to prevent digital
copies.. Kit. Tza. berlin.decantsinpermutationstzara poemedadaiste.cgi.
Fly. ibid.. But since formal language is only a small subset of language
as a whole. conclusions drawn from observing software code can't be
generally applied. all literature.. Hon p.. Kuh. ibid.. As Abraham M.
Moles noticed already in Mol p.. knuthart. according Steven Levy Lev among
those who explicitly subscribe to. this is the German Chaos Computer Club
with its annual art and beauty. workshop''.. which is why I think would be
wrong to (a) restrict software art to. only properly running code and (b)
exclude for political reasons. proprietary and other questionably licensed
software from software art. presentations.. OriginalURL.
conceptnotationsconceptsnotationssoftwareart.html. ideareal. germ term.
kulturjamming. endre meningen til symboler logoer. oppgave for elever
cocacola kobles. til negative termer. rikx. ideareal. germ term test.
bamboon. språkgerilja. gjeninnføre forandre bruken av ord f.eks. 'arrest'
tilbakeføre til. betydning 'stille' (arrest).. karma spor.
informasjonssamfunnet skaper 'karma' gjennom behov for sporbarhet.. uten
spor uten skyld.. If bodhisattvas even those who have completed the ten
stages of. mind practice were all to seek for the traces of such a
follower of. the Way they could never find them. Therefore the heavenly
beings. rejoice the gods of the earth stand guard with their legs and the.
buddhas of the ten directions sing his praise. Why Because this man. of the
Way who is now listening to the Dharma acts in a manner that. leaves no
traces. Rinsay. bamboo. håndskrift. all my a's are e's. hva gikk tapt med
elektronisk skrift ascii lå. det meninger i utførelsen av skrift Hvordan
ta vare på skrivingen i. elektronisk skrift vetikke fylle rom. med
tid........... utførelsen av rom tid programkunst har tid men.
lyshastighet syn er den dermed billedkunst. gender issue. Your minds
instant by instant confront an empty fist (q) a pointing. finger (). i.
iwant somehthign that kid on its own atomata like tat fly in the win. the
fog leaves (they does it) eprime the drema (dramadream) of magic. well
science and the howto any base debase. coming back to.. sensation must be
based on recurrence else you wouldn't know but. still sense but no. the
only once it doesn't count (count is. recurrence). any object. object is
too much object. anything that is. visible or tangible and is relatively
stable in form. to you.. something. thing (meeting interface).
subjectsubstance into. emergent relation. egene remove posessive my's.
reactive at chemical. level. behave late ME behaven (reflexive). See BE
HAVE.. behaviorism the theory that psychology can be accurately studied.
only through the examination and analysis of possessives.. i'm no one get
your hands off me.. HAHA. karmaguilttraces. i once had guilt. writing haha
says it all (active expression vs matters of doctrine). laughter is
eternally guilty (doctrinal in writing) as any. statement is in mouthing.
guilty guilty guilty (how awkward to write). how's writing attached to
guilt should stop writing another way the. status of relate to
valuemeaning other than drawn lines chunks. (interfaces again). media
always suppose it's the other way around. signs are lines lines are signs
stronger attraction wins. attraction to what easy processing easiest way.
of decoding. relating to complexity of the system minimax bordering to
illusion. ('interface') accidencesubstance critical distance. and easiest.
system wins like gravitation is stupid you always get signs too. obvious
it's their job. backtracking guilt is thru the sign you. shouldn't attach
it's like chaplin on a conveyor belt down the. economy.. talking is a way
to recur. stimulusresponse augment possession your. responsibility of
whatever yours. why isnt our numbers rather words ssntel n filter for
mnemonic.. vs or the same after filter anyway for association.. all this
is slowing my dawn. how's the active expression conserved. and the
notraces. whose dawn on. a contest in speed first one to die. (not race).
a surviving mark sign or evidence of the former. existence influence or
action of some agent or event of L tractus. ptp. of trahere to draw drag.
the play comes in very fast. voice. recognition talking to your thumb
(sms) i was thinking maybe. telepataphysics (remote distraction L
distractus (ptp. of distrahere. draw apart)) notrace ref drift draft
currents of air or. alcohol plea derangment derive trace as no trace. or
mnemonics. animated a muse plea daimon distribute scatter.. makeshift.
makeshift are the characters carriers. of what knots. oceanic inflation eg
buddhism relax. ego balloon whatever skin count your breath. no nothing
web. distance in relation to. subjectobject the inflated claws. seems
infinite while the getting warm. dot in the horizon the distance when do
words get cold they do. of the abject out of sight do (warmcold).
phenomenology of beyond vs here. and now yon bef. me oe back. geon akin to
d gene g jener on baktruppen. enn inn the goth jains that vs epistolar
after sending. thus epistemic after receiving. thoughts don't originally
exist. thus collapses in codeexecution (bankei). distance of processing
time of. 'active expression vs matter of retract. doctrine'
formalexpressive re re re do re gurdijeff. this and something else waste.
(subjectobject) always on the names how odd the. abject side
nominalessential pitch. still wastepaper. kunst på strømlinjer noe som do
mi fa la re si do i have a. følger nettverket over landet theme. summingen
ved mastene lyd. prolegmatic. gi meg et urokkelig punkt throw away.
arkimedes hvordan kan abject. lillefingeren løfte bilen stage. arbeidet
fordelt over lengre vei. mnemonic. count vs or. those darker parts of the
wood the same after filter anyway. have 'personality' something for
association. your breath no. hidden or attracts intimacy no thing web all
this is slowing. something else my dawn. how's the active. expression
conserved clawsand. gnome (nm) n. the notraces. whose dawn on. a. . an
expert in monetary or contest in speed first one to. financial affairs
international die getti(not race). a surviving. banker or financier the
gnomes mark sign or evidence of the. of zurich. former ng warm when
existence. f nl gnomus perh. influence or action of some. gk gnm see gnome
agent or event of l tractusdo. . (in folklore) one of a species words get
cold they do do. (wptp. of diminutive beings usually of trahere to draw
drag. the. described as shriveled little old play comes in very fast.
voice. men that inhabit the interior of armcold) recognition talking to.
the earth and act as guardians of your thumb (sms) i was thinking. its
treasures troll. maybe back telepataphysics. (remote distraction l
distractus (ptp. of distrahere baktrto draw. apart)) notrace ref drift
draft currents of air or uppen. epistalcohol plea derangment derive trace
as no trace. or. mnemonics olar after sending epistanimated a muse plea.
daimon distribute scatter. emic after receiving thoughts. don't originally
exist. Re the uselessness of poems. surplus.. why not there's nothing to do
any change of the world is. the worse and it changes by itself.. humans
evolved from staying. infants while the other species were busy doing a
lot of useless. clever things which finally sent them to hell (our total
regime. their hell). if you refrain from doing anything you're fine just
sit. at a tablet and do nothing. poems as long as considered useless. it's
fine they have no 'original existence' and will happen like. other things
and pop up like bubbles while you sit. the urge of use. is in the tropes
of Bankei the shikantasa torpor maybe surplus.. anyway if there's a future
for life (that stuff) it might be in. another branch or refraining
usefulness in the immediate yes no. quite the opposite to be immediate
useful and stay clear of. usefulness.. well that certainly anwered my
question.. representations of uselessness this is like an icon of a
wastebasket. HAHAHAHAHAH. and windows my desktop is on the screen no
wonder everything. falls off. hahaha. mnad. another useful grimace.
useless what use ploy advantage as in competition. if everything. was
useful i don't know if we would have matter you would need. something
useless at least some wastebasket for use else the plasma. thing plasma
screen nothing falls off going thru the trash turn. on its head not the
intentions but the excuses we're not mirrored. upside down and the
irreversible where does time trash its stuff. yes into space haha you
probably knew that software art. that certainly anwered everything. in the
manner of zpiqing mannered please excuse my intentions were. good but i
drifted off immediately into something blatantly useful... i guess is
meant usefulness of poems the uselessness of usefulness. rethorics
socrates stayed firm the usefulness of uselessness. there's no ground so
we shouldn't pretend jumping up and down like. maniacs the economy of the
world or every particle hey there's. that mouse again i throwed in some
cheese yesterday but goes for the. coffee or potato salad shitting the
closet poem shit eater total. circulation this is like the polishing a
rock the mouse shits. and. it started raining the economy every drop
nomylogy. counthappen we're inside our every cell codeexe contingencies.
running i think the faster you run the faster you get exhausted. number of
heartbeats the infant again just stay calm and stupid. humans were
considered the underdeveloped of animals hey you guys. don't sit there
doing nothing you retards TURD. above all don't attach to the shit. Re the
uselessness of poems. for scratch readily Norman O. Brown quotes. All
currency is neurotic currency.. brainwaves. In its famous paradox the
equation of money and excrement. psychoanalysis becomes the first science
to state what common sense. and the poets have long known that the essence
of money is in its. absolute worthlessness.. ). The dynamics of capitalism
is postponement of enjoyment to the. constantly postponed future.. the
impossibility of realizing capitalism eg like mlm. The view only changes
for the lead dog.. or the stray dog. I am what is mine. Personality is the
original personal property.. well i think it the other way around I mine
what is am.. Freedom is poetry taking liberties with words breaking the
rules of. normal speech violating common sense. Freedom is violence.. ie
freedom not poetry more like codework. stegano. txtnothing. my new protram
you input txt and it outputs nothing. .txt .html. DOWNLOAD. stegano. hide
your ugliness from teh world. .bmp .gif .jpg .wav .mp. Free Trial. . e k u
n s t . Reality Check i Oslo desember (essay). hahahah. (hul latter). On
Tue Jostein Lien. adundas. du får præsantere dæ sjøl din mainnsjit. her er
allerede mislykken fullt integrert i prosjektet så er det da. vellykket
eller mislykket. Enig i at adundas skulle hatt stjernestatus men hvem bryr
seg dette. har ligget på noemata i lang tid ingen reaksjoner ingen leser
alle. sitter og runker eposten. Men dette kunne blitt stort med noen
andre. enn udugelige sabber i staben. Hele noemata er og taps det er
oppgitt i. utgangspunktet og lever med latteren i halsen.. It was a tiny
onyx diorama of Don Quixote' and Sancho Panza.. The light slanting
uniformly into the austere living room vaguely. populux 's geometric. The
sane cat sat near a window licking its paw.. solipsis. jeg hadde et notat
på dette engang. kanskje det er slik at noemata har som sitt felt disse
umulige og. malpasserte verk og uverk like mye eller mer enn verk i noen.
tradisjonell forstand og gjør det til sitt uttrykk som en endelig. eller
uendelig oppløsning av kunsten med objektets død (euridike) og. subjektets
desintegrering (orfeus) i korridorene grenselandet eller. ørkenen
(nettkunsten). fin setning iallefall. det høres seriøst ut men. har mer
preg av tragikomedie mer quixotisk enn romantisk. det umulige. er en rød
tråd kan det virke som en rød klut forestillingenes. umulighet eller det
virkeliges uvirkelighet.. every ecstasy ultimately prefers to take the
path of renunciation rather. than sin against its own concept by realizing
it. adorno. there is an idea horizon just as there is an event horizon the
horizon. of their deathdealing accomplishment their absolute realization..
thought for its part leaks out into the void. baudrillard. don quixote som
en taktil kulturjammingsteknikk bevisst dumskap.. noemata message in a
bottle server at the barents sea n. hva slags mail vil du sende ut i havet
umulige kjærlighetsbrev. thy false promise and my sure misfortune carry me
to a place whence the. news of my death will reach thy ears before the
words of my complaint.. what thy beauty raised up thy deeds have laid low
by it i believed. thee to be an angel by them i know thou art a woman..
hva du gjør der er det et spørsmål eller svar. quo oxid net. nn som don
quixote. nettkunst som ikke virker annonseringer og. forestillinger som
fantasi. urealistiske umulige malplasserte. prosjekter. og ideer som
samtidig blir kulturjamming intervenering taktisk og. latterligjørende
selvironisk med den folkelige sjarmen til det. tragikomiske.. there it is
said sancho what i told you that you must keep a good. count well then by
god there is an end of the story for there is no. going any farther.. how
can that be said don quixote is it so essential to the story to. know to a
nicety the goats that have crossed over that if there be a. mistake of one
in the reckoning thou canst not go on with it. no senor not a bit replied
sancho for when i asked your worship. tell me how many goats had crossed
and you answered you did not. know at that very instant all i had to say
passed away out of my. memory and faith there was much virtue in it and
entertainment.. so then said don quixote the story has come to an end. as
much as my mother has said sancho.. in truth said don quixote thou hast
told one of the rarest stories. tales or histories that anyone in the
world could have imagined and. such a way of telling it and ending it was
never seen nor will be in a. lifetime though i expected nothing else from
thy excellent. understanding. but i do not wonder for perhaps those
ceaseless strokes. may have confused thy wits.. ffrom a mail from lanny
quarles solipsis. the term 'idiotic' isn't really about intelligence per
se but. refers to a kind of imaginary ratio whereby the self's uniqueness.
adheres to its own erratic path its actually a term connoting a kind. of
pureness and honesty. .. I'm thinking somewhere in the neighborhood of
eigen. something (can't remember) hmm. Authenticity is also a translation
problem. Eigentlichkeit has its root. in. eigen own. or proper Gr. idios
Eng. idiot. So one should. keep the. originary meaning of idiocy in mind
being one's own self. The term. Eigentlichkeit points to the possibility
of being one's self.. that strikes me.. As you point out the Gk idiotic
denotes not deficiency. but eccentricity the opposite of politic
(withness) a self. radically. ownmost in its extremest form perfect
solipsism.. With this in mind and apprised ( by Nietzsche no) that every
great. philosophy is autobiography oughtn't BT be read synoptically with.
Ott as it were in the Confessions genre...that BT represents H's.
selfcasting. (Go litel bok go litel myn tragedye) an idiotic
interpretation of. beyng.... that the AngstCare structure for example if
it fits one say Hamlet. type. assuredly doesn't others Quixote Don Juan
Faust.... via the baudri Lard. art has disappeared as a symbolic pact
remaining prolification of. signs ad infinitum as 'culture' auto.noemata
automatic art. the. situation resembles that of a currency which may not
be exchanged it. can only float its only reference itself impossible to
convert into. real value or wealth noema kroner the impossible of noemata.
projects their floating like quixote phantasies manusfilms and.
inconceptual art.. general indifference please remove me as only emotional
response. profound indifference everybody is an art is true. the system
runs less on the surplusvalue of the commodity than on the. aesthetic
surplusvalue of the sign no matter how marginal banal or. obscene
everything is subject to aesth. cult. museum.zation.. like the prax of
baroq we too are irrepressible creators of images. but secretly
iconoclasts we manufacture a profusion of images in which. there is
nothing to see leave no trace cast no shadow and have no. fascination of
the erasure rewrite full compression code cipher. our images are like
icons miraculous they allow us to go on. believing in art while eluding
the question of its existence.iconicity. dragon body laburint beyond the
indifference art as uglierthan.ugly. bad worse raised to the second power
because it is liberated of its. relation with its opposite bemyghost
transaesthetic blasts. tourism people who no longer undertake voyages but
simply go round. and round in circles tracerouteping travel agency. These
forms are excesses and. collapses of code viral fascinating indiscriminate
and reinforced. by viral media our culture also produces the most murderous
viruses.. catastrophe culture. we all enjoy these things. nothing code
stagings. operational whitewash overexposed defenceless without any way
of. refracting light info doomed in consequence to a whitewash of all.
activity codedecode IO labora trashmaps maze digital technique. relinquish
identity to survive endnodes net computer. operations not actions regulated
machinery nothing takes place. better to produce nothing in order to have
things produced artists. better to have nothing to say if one seeks to
communicate socials as. everyone knows if you want to make people laugh it
is better not to be. funny powers in order for content to be conveyed as
well and quickly. as possible that content should come as close as
possible to. transparency and insignificance empty intimate. good
communication implies the annihilation of its own content. avoid.
everything. htp noematanet abouthtml. So it's a kind of artificial art
much like the intelligence. of artificial intelligence ). The policy is to
support collaboration community transparency. immediacy in the arts net.art
media art correspondencemail art. network art context art or other
otherness and marginal. artifactualizations.. We tried that and it didn't
work. So this is 'open content' of a more. catastrophic kind of the
dispersal of content or the metastasis or. disappearance of content (in
the jargon of Baudrillard). Also being. contented with things not working
and actually more fascinated by the. failures and drifting of things than
producing them as art or anything. open being more like cracked open or a
core dump of codegerm artsperm. and their entanglements and confusion of
layers inoutside. opencontent generativedegenerative avataratavar of space
time and. structures intermingling and proliferating more or less on their
own by. their own automatic recursive mating. This 'release' of the server
is. not only as permission or publication but a giving up kind of release..
Giving upletting it drift distribute or disperse unsupervised and. giving
up that risking complete annihilation any point beyond the loop.
survival.. dette ble mitt essay i anledningen jozzdu kan reise og foredra
har du. ikke holdt seminar i skattesaker dette er noe lignende (rapporter.
skriftestol politietterforskningetc) eller kjøre det gjennom.
stemmesynthesizer det blir nok stas. Gud løkk PP og folkens. Bjørn. Når
alt kommer til alt har jeg ikke tenkt å gi opp prosjekter på. digitale) og
videre automatiseringrasjonalisering av kunsten slik. som ellers i
samfunnet. Det er de to tingene jeg brenner for.. Snakkes.. joz har du
hørt med skattekontoret sjekka restskatten tror den står. der fortsatt jeg
vil klage men det er mas.. hils Ingeborg.. legger ved som bonus mitt essay
som også kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgery. Most information came from experiments with relatively
poorly defined. genre lesions bloodvessel butoh dance smtp damage that
included the. art stem funding etc as well as the contextor arttrauma
lesions. that were diffuse and irregular spectral then reversed. good.
correlations were obtained between focal lesions in the arts and the.
changes that resulted from the lesions at the police.. Her var det. The
Development of Neuro Art. For exampleViennese psychiatrist Sigmund Freud (
)had. originally envisioned the biological basis of his theory of.
behaviorwith its three levels of idegoand superegoas being a. hydraulic
mechanism of some sort. today's joke ... computational. mechanism of some
sort. )). Descartes was impressed Joke by machines made in his timesuch as
those. of certain statues that were on display for public amusement in the.
water gardens of Paris.When a passerby stopped in front of one. particular
statuefor examplehis or her weight would depress a lever. under the
sidewalkcausing the statue to move and spray water at the. person s
face.Descartes proposed that the body is like these machines.. phrenology
joke Additionallydespite the failure of scien tific. attempts to correlate
appearance with various aspects of behaviorit is. not uncommon to hear
people accord virtues to others on the basis of. their physical
appearance.Readers might ask themselves how accurate they. would be if
asked to judge intelligence on the basis of. photographs.Social
psychologists have found thatwhen university. students are asked to make
such judgments the rule that they apply to. the task isBeauty equals
intelligence.. phrenology joke The famous physiologistMagendiepreserved
with. veneration the brain of Laplace (a famous French.
mathematician).Spurzheim had the very natural wish to see the brain of a.
great man.To test the science of the phrenologistMr.Magendie showed.
himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho. had
already worked up his enthusiasmadmired the brain of the imbecile. as he
would have admired that of Laplace.(Krech). Context art experiments report
noematic experimental method. consisted of removing parts of the art from
artworks to study the. changes produced in their context. removed a small
piece of art and then. observed how the art behaved and how it recov ered
from the loss of art. tissue.In essence created art models from works that
had received. injury to a part of the art by a blow to the head or by
having the skull. pierced by a missile.To search for different functions
in the art. context varied the location from which the art tissue was
removed.. Another key contribution was the discovery thatafter damage to a
part. of the artsubstantial recovery could be expected. Microscopic.
examination revealed that art was nothing like an amor phous.
jellyratherit had an enormously intricate substructure with compo. nents
arranged in complex clusterseach interconnected with many other. clusters.
Cals Adsborough in Holland reached the same conclusion from. similar
experiments on context artbut his manuscript lay unpublished. for severad
decadesn.. History of electronics arts The impetus to adopt a theory of.
electronical conduction in arts came from an English artistSteph.
McTaargess who attracted considerable attention by demonstrating that. the
human arts could conduct electrons. He showed that when an artwork.
containing electrons was brought close to the feet of a boy suspended by.
a rope in a grassleaf electroscope gallery placed near the boy s nose. it
would be attracted to the boy s nose.. Computer art The first computer art
was hydraulic swiss artist Jahob. Matreisse () constructed a series of
machine paintings in his. bathtub aquare(e) lle automatique facilitating
finite state. pressure systems of squeesing injection pipes of color
liquids onto the. surrounding walls to much annoyance to his mother..
Network art experiments preliminar applied an unpleasant stimulation to. a
dog s paw listmeasured how long it took the corpus to withdraw its. footand
compared that rate with the speed at which messages were known. travel
along the net.According to calculations took milliseconds. too long to
respond. theorized that nodes are 'connected by junctions'. (oxym.) clasp
that additional time is required for the art to get. across. some
buffering bufooning listmasters potentials principal. general inertia.
preliminar conclusion to confirm that network arts do. not quite touch the
nodes with which they clasp.. Art surgery proposal note that
anthropologists have found evidence of. art surgery dating to prehistoric
timesneolithic found surgery to have. a beneficial effect in
culturesperhaps by reducing pressure within the. arts when an injured
discipline began to swell up. (ref. trephining. context art above). NB art
surgery made possible by media the. introduction of antisepsisanesthesia as
cultural phenomenon in. addition the principle of localization of genre
making crossdiscipline. possible. (see Figure .). This device immobilizes
the arts.An art. atlas is then used (flux maps etc) to localize areas in
the arts for. surgery. Local anesthetic procedures were developed
(mediastunt c) so. that the 'spectator' could remain awake during surgery
and contribute to. the success of the operation by providing information
about the effects. of localized art stimulation.. Lesion art research
praxis Research on the human arts surgery.. Lesion art research praxis
Research on the human arts surgery.




199


Most information came from experiments with relatively poorly defined.
genre lesions bloodvessel butoh dance smtp damage that included the. art
stem funding etc as well as the contextor arttrauma lesions. that were
diffuse and irregular spectral then reversed. good. correlations were
obtained between focal lesions in the arts and the. changes that resulted
from the lesions at the police.. degenerative art In the minister of
public instruction. commissioned to develop tests to identify retarded
arts so that they. could be singled out for special treatment. The tests
were derived. empirically by administering artworks of normal artists and
some. mentally retarded and adults.The scale was revised in . From the.
testsan art level was calculated evaluating abstraction beauty.
inventiveness craft luck singularity which Iibet thought were. essential
features of art. some conclusion gave tests to braindamaged. arts with the
resultant surprising discovery that lesions in the avant. garde since
modernist's time considered the center of generative. creative art did not
decrease art scores. Sores to other main areas. not formerly thought to be
implicated in art did reduce art scores.. Original Message. From Per
Platou. To. Sent Tuesday November PM. Subject . e k u n s t . Reality
Check i Oslo desember. Call for participation Åpen invitasjon til
Førjulsskriftestol. Årsrapporter (eller prosjektrapporter) er som oftest
særdeles lite. spennende lesning. Der presenteres ethvert prosjekt som
etter. forholdene meget vellykket eller har hatt stor betydning osv. osv..
Så også innenfor kunst og kultursektoren.. REALITY CHECK er et todagers
arrangement som tar sikte på trekke fram. prosjekter fra kunstfeltet som
gikk fullstendig galt. Der ideen var. bedre enn gjennomføringskraften der
man undervurderte teknologien. publikum økonomien eller overvurderte egne
evner. Det kan være. prosjekter som har mottatt støtte som rett og slett
ikke lot seg. gjennomføre eller som ble noe helt annet enn det som var
tenkt ().. Med andre ord Vi er på jakt etter prosjekter som MISLYKTES i
større. eller mindre grad og der opphavspersonene har gjort seg noen
tanker om. hva som gikk galt og hvorfor.. REALITY CHECK har hentet
grunnideen fra et nå nedlagt klubbkonsept i. Berlin Club der Polnischen
Versager eller Den polske taperklubben. () som i flere år var et meget
populært tiltak med mange deltakere. mye publikum og høy
underholdningsfaktor. Fordi de fleste feil som er. begått eller uhellene
som har oppstått som regel er svært. allmenmenneskelige tror vi RC kan bli
både populært mediavennlig og. lærerikt.. Det er et faktum at mange
kunstprosjekter (særlig innenfor kunstny. teknologi) ofte søker det
spektakulære det nye og revolusjonerende.. Dette gjenspeiles også i
massemedia. I en presset kunstnerhverdag er. frykten for å gjøre feil ofte
større enn viljen til å oppnå noe. ekstraordinært. Denne situasjonen ønsker
vi nå å snu på hodet ved å. gi. de mislykkete prosjektene en unik siste
mulighet for stjernestatus.. Vi ønsker derfor å høre fra deg om du har ett
eller flere slike. prosjekter som kan formidles tydelig og med en høy grad
av. selvinnsikt. innenfor en tidsramme på minutter. Vi er i denne
sammenheng. altså. IKKE ute etter sutring over (manglende) forståelse fra
publikum. komiteer kuratorer produsenter presse eller verdens tilstand.
generelt.. Send en epost til realityanart.no innen .november om du selv
har et. mislykket prosjekt du ønsker å presentere eller har tips til.
prosjekter som burde presenteres ) Vi er åpne for alle typer. henvendelser
ikke bare fra kunst og ny teknologi feltet. Vi vil. selvfølgelig ikke
presentere noe som ikke opphavspersonen selv ønsker. satt i en slik
sammenheng.. Alle deltakere vil bli honorert og vi vil også være
behjelpelige med. ev. reise og overnatting i Oslo.. REALITY CHECK vil bli
dekket redaksjonelt.. Dato Fredag .desember kl lørdag .desember kl. Sted
Cafe Mir Toftesgt. Oslo (Grnerløkka Lufthavn). Gratis adgang for
publikum.. For ev. spørsmål kontakt prosjektansvarlig Per Platou mob.
Videresend gjerne denne meldingen. () julepresangen av Alf Prøysen. ()
Club der Polnischen Versager Berlin. Florian Cramer Concepts Notations
Software Art. Florian Cramer. Concepts Notations Software Art. March rd.
Software and Concept Notations. Software in the Arts. computers primarily
as storage and. display media as something which transmits and reformats
images sound. and typography. Reflection of the as such invisible layer of
software is. rare. Likewise the term digital art'' has been associated
primarily. with digital images music or audiovisual installations using
digital. technology. The software which controls the audio and the visuals
is. frequently neglected working as a black box behind the scenes..
Interactive'' room installations for example get perceived as a.
interactions of a viewer an exhibition space and an image projection. not
as systems running on code. This observation all the more applies to.
works in which it is not obvious at all that their production relied on.
programmation and computing. John Cage's radio play Roaratorio''. for
example appears to be a tape montage of a spoken text based on James.
Joyce's Finnegans Wake'' environmental sounds recorded in several. cities
of the world and Irish folk music edited with analog recording.
technology. Yet at the same time it is an algorithmic artwork the spoken.
text was extracted from the novel using a purely syntactical formal.
method (mesostychs of the name James Joyce'') and the montage was done.
according to a random score generated on a computer at the Parisian IRCAM.
studios. While the bookplusCD set of Roarotorio'' documents the whole.
composition extensively containing the audio piece itself a recording. and
a reprint of John Cage's reading a recording and a reprint of an. interview
an inventory of the cities where sound was recorded it. includes the
computergenerated score itself only in a onepage excerpt. and nothing at
all of the computer program code which generated the. random score.. The
history of the digital and computeraided arts could be told as a. history
of ignorance against programming and programmers. Computer. programs get
locked into black boxes and programmers are frequently. considered to be
mere factota coding slaves who execute other artist's. concepts. Given
that software code is a conceptual notation this is not. without its own
irony. In fact it is a straight continuation of. romanticist philosophy
and its privileging of aisthesis (perception) over. poeisis (construction)
cheapened into a restrained concept of art as. only that what is tactile
audible and visible. The digital arts. themselves participate in this
accomplicity when they call themselves. new media art''. There's nothing
older than new media'' a term. which is little more than a superficial
justification for lumping. together a bunch of largely unrelated
technologies such as analog video. and computing just because they were
new'' at a particular time. If. one defines as a medium something that it
is between a sender and a. receiver then computers are not only media but
also senders and. receivers which themselves are capable of writing and
reading. interpreting and composing messages within the limitations of the
rule. sets inscribed into them. The computer programs for example which.
calculate the credit line of checking accounts or control medical.
instruments in an emergency station can't be meaningfully called. media''.
If at all computer processes become media'' only by the. virtue that
computers can emulate any machine including all technical. media and by
the virtue of the analog interfaces which transform the. digital zeros and
ones into analog sound waves video signals print type. and vice versa.. A
Crash Course in Programming. A piece of software is a set of formal
instructions or algorithms it. is a logical score put down in a code. It
doesn't matter at all which. particular sign system is used as long as it
is a code whether digital. zeros and ones the Latin alphabet Morse code or
like in a processor. chip an exactly defined set of registers controlling
discrete currents. of electricity. If a piece of software is a score is it
then by. definition an outline a blueprint of an executed work. Imagine a
Dadaist poem which makes random variations of Hugo Ball's sound. poem
Karawane'' (Caravan''). KARAWANE. jolifanto bambla falli bambla. grossiga
m'pfa habla horem. giga goramen. higo bloiko russula huju. hollaka
hollala. anlogo bung. blago bung. blago bung. bosso fataka. schampa wulla
wussa lobo. hej taat grem. eschige zunbada. wulebu ssubudu uluw ssubudu.
tumba baumpf. kusagauma. baumpf. The new Dada poem could simply consists
of eight variations of the line. tumba baumpf''. The author performer
could throw a coin twice for. each line and depending on the result choose
to write down either the. word tumba'' or baumpf'' so that the result would
look like. tumba tumba. baumpf tumba. tumba baumpf. tumba baumpf. baumpf
baumpf. baumpf tumba. tumba baumpf. tumba baumpf. The instruction code for
this poem could be written as follows. Take a coin of any kind with two
distinct sides.. Repeat the following set of instructions eight times.
Repeat the following set of instructions twice. Throw the coin.. Catch it
with your palm so that it lands on one side.. If the coin shows the upper
side do the following. Say tumba. Else do the following. Say baumpf. Make
a brief pause to indicate the end of the line.. Make a long pause to
indicate the end of the poem.. Since these instructions are formal and
precise enough to be as well. executed by a machine (imagine this poem
implemented into a modified. cuckoo clock) they can be translated line by
line into a computer. program. Just as the above instruction looks
different depending on the. language it is written in a computer program
looks different depending. on the programming language used. Here I choose
the popular language. Perl'' whose basic instructions are rather simple to
read. for lines ( .. ). for word ( .. ). randomnumber int(rand()). if
(randomnumber ). print tumba. else. print baumpf. print. print n. The
curly brackets enclose statement blocks executed under certain. conditions
the prefix designates a variable which can store arbitrary. letters or
numbers the rand()'' function generates a random value. between and .
int'' rounds its result to either zero or one. '' stands for a blank. n''
for a line break. This program can be run on virtually any computer. it is
a simple piece of software. Complex pieces of software such as. computer
operating systems or even computer games differ from the above. only in
the complexity of their instructions. The control structures. variable
assignments loops conditional statements are similar in all. programming
languages.. Unlike in the instruction for throwing coins the artists' work
is done. once the code is written. A computer program is a blueprint and
its. execution at the same time. Like a pianola roll it is a score
performing. itself. The artistic fascination of computer programming and
the. perhaps ecstatic revelation of any firsttime programmer is the.
equivalence of architecture and building the instant gratification given.
once the concept has been finished. Computer programming collapses as it.
seems the second and third of the three steps of concept concept. notation
and execution.. Contrary to conventional data like digitized images sound
and text. documents the algorithmic instruction code allows a generative
process.. It uses computers for computation not only as storage and
transmission. media. And this precisely distinguishes program code from
nonalgorithmic. digital code describing for example the difference between
algorithmic. composition on the one hand and audio CDsmp files on the other
between. algorithmically generated text and hypertext'' (a random access.
database model which as such doesn't require algorithmic computation at.
all) or between a graphical computer demo'' and a video tape. Although.
one can of course use computers without programming them it is. impossible
not to use programs at all the question only is who programs.. There is
after all no such thing as data without programs and hence no. digital
arts without the software layers they either take for granted or. design
themselves.. discuss software art'' simply means to not take software for.
granted but pay attention to how and by whom programs were written. If.
data doesn't exist without programs it follows that the separation of.
processed data'' (like image and sound files) from programs'' is. simply a
convention. Instead data could be directly embedded into the. algorithms
used for its transmission and output to external devices.. Since a digital
photograph'' for example is bitmapped information. algorithmically
transformed into the electricity controlling a screen or. printer via
algorithmic abstraction layers in the computer operating. system it
follows that it could just as well be coded into a file which. contains
the whole transformation algorithms themselves so that the image. would
display itself even on a computer that provides no operating. system..
Software Art. Executable Code in Art. If software is generally defined as
executable formal instructions. logical scores then the concept of
software is by no means limited to. formal instructions for computers. The
first Englishlanguage notation. of the Dadaist poem qualifies as software
just as much as the three. notations in the Perl programming language. The
instructions only have to. meet the requirement of being executable by a
human being as well as by a. machine. A piano score even a th century one
is software when its. instruction code can be executed by a human pianist
as well as on a. player piano.. The Perl code of the Dada poem can be read
and executed even without. running it on machines. So my argument is quite
contrary to Friedrich. Kittler's media theory according to which there is
either no software at. all or at least no software without the hardware it
runs on If any. algorithm can be executed mentally as it was common before
computers. were invented then of course software can exist and run
without. hardware. A good example are programming handbooks. Although
they. chiefly consist of printed computer code this code gets rarely ever.
executed on machines but provides examples which readers follow.
intellectually following the code listings step by step and computing.
them in their minds.. Instead of adapting Dadaist poetry as software one
could regard some. historical Dadaist works as software right away above
all Tristan. Tzara's generic instruction for writing Dada poems by
shuffling the words. of a newspaper article. make a Dadaist poem. Take a
newspaper.. Take a pair of scissors.. Choose an article as long as you are
planning to make your poem. Cut out. the article.. Then cut out each of the
words that make up this article and put them in. a bag.. Shake it gently..
Then take out the scraps one after the other in the order in which they.
left the bag.. Copy conscientiously.. The poem will be like you.. And here
you are a writer infinitely original and endowed with a. sensibility that
is charming though beyond the understanding of the. vulgar.. The poem is
effectively an algorithm a piece of software which may as. well be written
as a computer. program.. If Tzara's process would be adapted as Perl or C
code from the. original French it wouldn't be a transcription of something
into. software but a transcription of nonmachine software into machine.
software.. Concept Art and Software Art. The question of what software is
and how it relates to nonelectronic. contemporary art is at least
thirtytwo years old. In the art. critic and theorist Jack Burnham curated
an exhibition called Software. at the Jewish Museum of New York which
today is believed to be first show. of concept art. It featured
installations of USAmerican concept artists. next installations of
computer software Burnham found interesting such. as the first prototype
of Ted Nelson's hypertext system Xanadu''.. Concept art as an art of which
the material is concepts' as the. material of for ex. music is sound''
(Henry Flynt's definition from. ) and software art as an art whose
material is formal instruction. code seem to have at least two things in
common. the collapsing of concept notation and execution into one piece.
the use of language instructions in software art concepts in concept. art.
Flynt observes Since concepts' are closely bound up with. language concept
art is a kind of art of which the material is. language''.. It therefore
is not accidental that the most examples of preelectronic. software art
cited here are literary. Literature is a conceptual art in. that is not
bound to objects and sites but only to language. The trouble. the art
world has with net.art because it does not display well in. exhibition
spaces is foreign to literature which always differentiated. between an
artwork and its material appearance.. Since formal language is a language
software can be seen and read as a. literature.. If concepts become to
quote Flynt again artisticmaterial'' then. concept art differs from other
art in that it actually exposes concepts. putting their notations up front
as the artwork proper. In analogy. software art in particular differs from
softwarebased art in general in. that it exposes its instructions and
codedness. Since formal instructions. are a subset of conceptual notations
software art is formally a subset. of conceptual art.. My favorite example
of both concept art in Flynt's sense and noncomputer. software art is La
Monte Young's Composition '' a piece of paper. containing the written
instruction Draw a straight line and follow. it''. The instruction is
unambiguous enough to be executed by a machine.. At the same time a
thorough execution is physically impossible. So the. reality of piece is
mental conceptual.. The same duplicity of concept notation and executable
code exists in Sol. LeWitt's Plan for a Concept Art Book'' a series of
book pages. giving the reader exact instructions to draw lines on them or
strike out. specific letters. LeWitt's piece exemplifies that the art
called. concept art since the s was by far not as rigorous as the older.
concept art of Henry Flynt La Monte Young and Christer Hennix While the.
Composition '' is a concept notation creating an artwork that. itself
exists only as a concept mentally LeWitt's Plan for a Concept. Art Book''
only is a concept notation of a material graphic artwork.. Unlike the
concept art of which the material is concepts''' LeWitt's. piece belongs
to a concept art that rather should be called a concept. notation art or
blueprint art'' an art whose material is graphics and. objects but which
was instead realized in the form of a score. By thus. reducing its its own
material complexity the artwork appears to be. minimalist'' rather than
rigorously conceptualist.. A writing which writes itself LeWitt's Plan''
could also be seen in a. historical continuity of combinatory language
speculations From the. permutational algorithms in the Sefer Jezirah and
ecstatic Kabbalah to. the medieval ars'' of Raimundus Lullus to th century
permutational. poetry and Mallarm's Livre''. The combinatory most complex
known. permutation poem Quirinus Kuhlmann's sonnet Vom Wechsel.
menschlicher Sachen'' consists of nouns can be arbitrarily shuffled. so
that they result in permutations of the text. Kuhlmann's and. La Monte
Young's software arts meet in their aesthetic extremism in an. afterword
Kuhlmann claims that there are more permutations of his poem. than grains
of sand on the earth. If such implications lurk in code a. formal analysis
is not enough. Concept art potentially means terror of. the concept
software art terror of the algorithm a terror grounded in. the
simultaneity of minimalist concept notation and totalitarian. execution
helped by the fact that software collapses the concept. notation and
execution in the single medium of instruction code. Sade's. days of
Sodom'' could be read as a recursive programming of excess. and its
simultaneous reflection in the medium of prose. The popularity. of
spamming and denialofservice code in the contemporary digital arts. is
another practical proof of the perverse doublebind between software.
minimalism and selfinflation the software art pieces awarded at the.
transmediale. festival tracenoizer'' and forkbomb.pl'' also belong. this
category.. La Monte Young's Composition '' not only provokes to rethink
what. software and software art is. Being the first and still most
elegant. example of all artistic jamming and denialofservice code it also.
addresses the aesthetics and politics coded into instructions. Two years.
before Burnham's Software'' exhibition the computer scientist Donald. E.
Knuth published the first volume of his famous textbook on computer.
programming The Art of Computer Programming''. Knuth's wording has.
adopted in what Steven Levy calls the hacker credo that you can create.
art and beauty with computers''. It is telling that hackers otherwise. an
avantgarde of a broad cultural understanding of digital technology. rehash
a lateth century classicist notion of art as beauty rewriting. it into a
concept of digital art as inner beauty and elegance of code.. But such
aesthetic conservativism is widespread in engineering and hard. science
cultures fractal graphics are just one example of Neo. Pythagorean digital
kitsch they promote. As a contemporary art the. aesthetics of software art
includes ugliness and monstrosity just as much. as beauty not to mention
plain dysfunctionality pretension and. political incorrectness.. Above all
software art today no longer writes its programs out of. nothing but works
within an abundance of available software code. This. makes it distinct
from works like Tzara's Dada poem which all the while. it addresses an
abundance of mass media information contaminates only. the data not its
algorithm the words become a collage but the process. remains a synthetic
cleanroom construct.. Since personal computers and the Internet became
popular software code. in addition to data has come to circulate in
abundance. One thus could. say that contemporary software art operates in
a postmodern condition in. which it takes preexisting software as material
reflecting. manipulating and recontextualizing it. The mezangelle'' writing
of mez. an Australian net artist for example uses software and protocol
code as. material for writings in a selfinvented hybrid of English and
pseudo. code. Her net.wurks'' are an unclean broken software art instead
of. constructing program code synthetically they use readymade
computations. take them apart and read their syntax as gendered semantics.
In similar. fashion much software art plays with control parameters of
software.. Software artworks like Joan Leandre's retroyou'' and Screen
Saver''. by Eldar Karhalev and Ivan Khimin are simply surprising
mindchallenging. disconfigurations of commercial user software a car
racing game the. Microsoft Windows desktop interface. They manage to put
their target. software upside down although their interventions are
technically simple. and don't involve lowlevel programming at all..
Software Formalism vs. Software Culturalism. Much of what is discussed as
contemporary software art and discourse on. has its origin in two semi
coherent Londonbased groups. The older one. around Matthew Fuller Graham
Harwood and the groups IO D and Mongrel. is known among others for the
experimental web browser WebStalker''. which instead of formatted pages
displays their source code and link. structures the Linker'' a piece of
social software'' (to use a term. by Fuller) designed to empower
nonliterate users to design their own. digital information systems and
natural selection'' a politically. analysis of Microsoft Word's user
interface and an essay with the. programmerartists Adrian Ward (whose Auto
Illustrator'' won the. transmediale. software art prize) and Alex McLean
(whose. forkbomb.pl'' won the transmediale. software art prize) the.
theoretician Geoff Cox and participants in the mailing list eugene''.
London (which involve poetry readings of program code). Both groups take.
exactly opposite standpoints to software art and software criticism. While
FullerHarwood regard software as first of all a cultural. politically coded
construct the eu gene group rather focuses on the. formal poetics and
aesthetics of software code and individual. subjectivity expressed in
algorithms.. If software art could be generally defined as an art. of
which the material is formal instruction code andor. which addresses
cultural concepts of software. then each of their positions sides with
exactly one of the two aspects.. If Software Art would be reduced to only
the first one would risk ending. up a with a neoclassicist understanding
of software art as beautiful and. elegant code along the lines of Knuth
and Levy. Reduced on the other hand. only the cultural aspect Software Art
could end up being a critical. footnote to Microsoft desktop computing
potentially overlooking its. speculative potential at formal
experimentation. Formal reflections of. software are like in this text
inevitable if one considers commonsense. notions of software a problem
rather than a point of departure histories. of instruction codes in art
and investigations into the relationship of. software text and language
still remain to be written.. This document can be freely copied and used
according to the terms of. References. Cag. John Cage. Roaratorio. Ein
irischer Circus ber Finnegans Wake. Athenum. KnigsteinTaunus. .. CWM.
Geoff Cox Adrian Ward and Alex McLean. The Aesthetics of Generative. Fly.
Henry Flynt. Concept art. In La Monte Young and Jackson MacLow editors. An
Anthology. Young and MacLow New York ().. Hon. Klaus Honnef editor. Concept
Art. Phaidon Kln ).. Kit. Friedrich Kittler. There is no software ..
kittlerfriedrichthereisnosoftware.txt.. Kuh. Quirinus Kuhlmann. Himmlische
Libesksse. Jena .. Lev. Steven Levy. Hackers. Project Gutenberg Champaign
IL ().. Mol. Abraham A. Moles. Kunst und Computer. DuMont Kln ().. Tza.
Tristan Tzara. Pour fair une pome dadaste. In Oeuvres compltes.. Gallimard
Paris .. This document can be freely copied and used according to the terms
of. Footnotes. Cag Regarding randomness generated with computers the
software. artist Ulrike Gabriel says that it doesn't exist because the
machine as a. fact by itself is not accidental.. A similar angle is taken
in the paper The Aesthetic of Generative. Code'' by Geoff Cox Adrian Ward
and Alex McLean CWM. I would not be surprised if in a near future the
media industry would. embed audiovisual data (like a musical recording)
directly into. proprietary onechip hardware players to prevent digital
copies.. Kit. Tza. berlin.decantsinpermutationstzara poemedadaiste.cgi.
Fly. ibid.. But since formal language is only a small subset of language
as a whole. conclusions drawn from observing software code can't be
generally applied. all literature.. Hon p.. Kuh. ibid.. As Abraham M.
Moles noticed already in Mol p.. knuthart. according Steven Levy Lev among
those who explicitly subscribe to. this is the German Chaos Computer Club
with its annual art and beauty. workshop''.. which is why I think would be
wrong to (a) restrict software art to. only properly running code and (b)
exclude for political reasons. proprietary and other questionably licensed
software from software art. presentations.. OriginalURL.
conceptnotationsconceptsnotationssoftwareart.html. ideareal. germ term.
kulturjamming. endre meningen til symboler logoer. oppgave for elever
cocacola kobles. til negative termer. rikx. ideareal. germ term test.
bamboon. språkgerilja. gjeninnføre forandre bruken av ord f.eks. 'arrest'
tilbakeføre til. betydning 'stille' (arrest).. karma spor.
informasjonssamfunnet skaper 'karma' gjennom behov for sporbarhet.. uten
spor uten skyld.. If bodhisattvas even those who have completed the ten
stages of. mind practice were all to seek for the traces of such a
follower of. the Way they could never find them. Therefore the heavenly
beings. rejoice the gods of the earth stand guard with their legs and the.
buddhas of the ten directions sing his praise. Why Because this man. of the
Way who is now listening to the Dharma acts in a manner that. leaves no
traces. Rinsay. bamboo. håndskrift. all my a's are e's. hva gikk tapt med
elektronisk skrift ascii lå. det meninger i utførelsen av skrift Hvordan
ta vare på skrivingen i. elektronisk skrift vetikke fylle rom. med
tid........... utførelsen av rom tid programkunst har tid men.
lyshastighet syn er den dermed billedkunst. gender issue. Your minds
instant by instant confront an empty fist (q) a pointing. finger (). i.
iwant somehthign that kid on its own atomata like tat fly in the win. the
fog leaves (they does it) eprime the drema (dramadream) of magic. well
science and the howto any base debase. coming back to.. sensation must be
based on recurrence else you wouldn't know but. still sense but no. the
only once it doesn't count (count is. recurrence). any object. object is
too much object. anything that is. visible or tangible and is relatively
stable in form. to you.. something. thing (meeting interface).
subjectsubstance into. emergent relation. egene remove posessive my's.
reactive at chemical. level. behave late ME behaven (reflexive). See BE
HAVE.. behaviorism the theory that psychology can be accurately studied.
only through the examination and analysis of possessives.. i'm no one get
your hands off me.. HAHA. karmaguilttraces. i once had guilt. writing haha
says it all (active expression vs matters of doctrine). laughter is
eternally guilty (doctrinal in writing) as any. statement is in mouthing.
guilty guilty guilty (how awkward to write). how's writing attached to
guilt should stop writing another way the. status of relate to
valuemeaning other than drawn lines chunks. (interfaces again). media
always suppose it's the other way around. signs are lines lines are signs
stronger attraction wins. attraction to what easy processing easiest way.
of decoding. relating to complexity of the system minimax bordering to
illusion. ('interface') accidencesubstance critical distance. and easiest.
system wins like gravitation is stupid you always get signs too. obvious
it's their job. backtracking guilt is thru the sign you. shouldn't attach
it's like chaplin on a conveyor belt down the. economy.. talking is a way
to recur. stimulusresponse augment possession your. responsibility of
whatever yours. why isnt our numbers rather words ssntel n filter for
mnemonic.. vs or the same after filter anyway for association.. all this
is slowing my dawn. how's the active expression conserved. and the
notraces. whose dawn on. a contest in speed first one to die. (not race).
a surviving mark sign or evidence of the former. existence influence or
action of some agent or event of L tractus. ptp. of trahere to draw drag.
the play comes in very fast. voice. recognition talking to your thumb
(sms) i was thinking maybe. telepataphysics (remote distraction L
distractus (ptp. of distrahere. draw apart)) notrace ref drift draft
currents of air or. alcohol plea derangment derive trace as no trace. or
mnemonics. animated a muse plea daimon distribute scatter.. makeshift.
makeshift are the characters carriers. of what knots. oceanic inflation eg
buddhism relax. ego balloon whatever skin count your breath. no nothing
web. distance in relation to. subjectobject the inflated claws. seems
infinite while the getting warm. dot in the horizon the distance when do
words get cold they do. of the abject out of sight do (warmcold).
phenomenology of beyond vs here. and now yon bef. me oe back. geon akin to
d gene g jener on baktruppen. enn inn the goth jains that vs epistolar
after sending. thus epistemic after receiving. thoughts don't originally
exist. thus collapses in codeexecution (bankei). distance of processing
time of. 'active expression vs matter of retract. doctrine'
formalexpressive re re re do re gurdijeff. this and something else waste.
(subjectobject) always on the names how odd the. abject side
nominalessential pitch. still wastepaper. kunst på strømlinjer noe som do
mi fa la re si do i have a. følger nettverket over landet theme. summingen
ved mastene lyd. prolegmatic. gi meg et urokkelig punkt throw away.
arkimedes hvordan kan abject. lillefingeren løfte bilen stage. arbeidet
fordelt over lengre vei. mnemonic. count vs or. those darker parts of the
wood the same after filter anyway. have 'personality' something for
association. your breath no. hidden or attracts intimacy no thing web all
this is slowing. something else my dawn. how's the active. expression
conserved clawsand. gnome (nm) n. the notraces. whose dawn on. a. . an
expert in monetary or contest in speed first one to. financial affairs
international die getti(not race). a surviving. banker or financier the
gnomes mark sign or evidence of the. of zurich. former ng warm when
existence. f nl gnomus perh. influence or action of some. gk gnm see gnome
agent or event of l tractusdo. . (in folklore) one of a species words get
cold they do do. (wptp. of diminutive beings usually of trahere to draw
drag. the. described as shriveled little old play comes in very fast.
voice. men that inhabit the interior of armcold) recognition talking to.
the earth and act as guardians of your thumb (sms) i was thinking. its
treasures troll. maybe back telepataphysics. (remote distraction l
distractus (ptp. of distrahere baktrto draw. apart)) notrace ref drift
draft currents of air or uppen. epistalcohol plea derangment derive trace
as no trace. or. mnemonics olar after sending epistanimated a muse plea.
daimon distribute scatter. emic after receiving thoughts. don't originally
exist. Re the uselessness of poems. surplus.. why not there's nothing to do
any change of the world is. the worse and it changes by itself.. humans
evolved from staying. infants while the other species were busy doing a
lot of useless. clever things which finally sent them to hell (our total
regime. their hell). if you refrain from doing anything you're fine just
sit. at a tablet and do nothing. poems as long as considered useless. it's
fine they have no 'original existence' and will happen like. other things
and pop up like bubbles while you sit. the urge of use. is in the tropes
of Bankei the shikantasa torpor maybe surplus.. anyway if there's a future
for life (that stuff) it might be in. another branch or refraining
usefulness in the immediate yes no. quite the opposite to be immediate
useful and stay clear of. usefulness.. well that certainly anwered my
question.. representations of uselessness this is like an icon of a
wastebasket. HAHAHAHAHAH. and windows my desktop is on the screen no
wonder everything. falls off. hahaha. mnad. another useful grimace.
useless what use ploy advantage as in competition. if everything. was
useful i don't know if we would have matter you would need. something
useless at least some wastebasket for use else the plasma. thing plasma
screen nothing falls off going thru the trash turn. on its head not the
intentions but the excuses we're not mirrored. upside down and the
irreversible where does time trash its stuff. yes into space haha you
probably knew that software art. that certainly anwered everything. in the
manner of zpiqing mannered please excuse my intentions were. good but i
drifted off immediately into something blatantly useful... i guess is
meant usefulness of poems the uselessness of usefulness. rethorics
socrates stayed firm the usefulness of uselessness. there's no ground so
we shouldn't pretend jumping up and down like. maniacs the economy of the
world or every particle hey there's. that mouse again i throwed in some
cheese yesterday but goes for the. coffee or potato salad shitting the
closet poem shit eater total. circulation this is like the polishing a
rock the mouse shits. and. it started raining the economy every drop
nomylogy. counthappen we're inside our every cell codeexe contingencies.
running i think the faster you run the faster you get exhausted. number of
heartbeats the infant again just stay calm and stupid. humans were
considered the underdeveloped of animals hey you guys. don't sit there
doing nothing you retards TURD. above all don't attach to the shit. Re the
uselessness of poems. for scratch readily Norman O. Brown quotes. All
currency is neurotic currency.. brainwaves. In its famous paradox the
equation of money and excrement. psychoanalysis becomes the first science
to state what common sense. and the poets have long known that the essence
of money is in its. absolute worthlessness.. ). The dynamics of capitalism
is postponement of enjoyment to the. constantly postponed future.. the
impossibility of realizing capitalism eg like mlm. The view only changes
for the lead dog.. or the stray dog. I am what is mine. Personality is the
original personal property.. well i think it the other way around I mine
what is am.. Freedom is poetry taking liberties with words breaking the
rules of. normal speech violating common sense. Freedom is violence.. ie
freedom not poetry more like codework. . e k u n s t . Reality Check i
Oslo desember (essay). hahahah. (hul latter). On Tue Jostein Lien.
adundas. du får præsantere dæ sjøl din mainnsjit. her er allerede
mislykken fullt integrert i prosjektet så er det da. vellykket eller
mislykket. Enig i at adundas skulle hatt stjernestatus men hvem bryr seg
dette. har ligget på noemata i lang tid ingen reaksjoner ingen leser alle.
sitter og runker eposten. Men dette kunne blitt stort med noen andre. enn
udugelige sabber i staben. Hele noemata er og taps det er oppgitt i.
utgangspunktet og lever med latteren i halsen.. It was a tiny onyx diorama
of Don Quixote' and Sancho Panza.. The light slanting uniformly into the
austere living room vaguely. populux 's geometric. The sane cat sat near a
window licking its paw.. solipsis. jeg hadde et notat på dette engang.
kanskje det er slik at noemata har som sitt felt disse umulige og.
malpasserte verk og uverk like mye eller mer enn verk i noen. tradisjonell
forstand og gjør det til sitt uttrykk som en endelig. eller uendelig
oppløsning av kunsten med objektets død (euridike) og. subjektets
desintegrering (orfeus) i korridorene grenselandet eller. ørkenen
(nettkunsten). fin setning iallefall. det høres seriøst ut men. har mer
preg av tragikomedie mer quixotisk enn romantisk. det umulige. er en rød
tråd kan det virke som en rød klut forestillingenes. umulighet eller det
virkeliges uvirkelighet.. every ecstasy ultimately prefers to take the
path of renunciation rather. than sin against its own concept by realizing
it. adorno. there is an idea horizon just as there is an event horizon the
horizon. of their deathdealing accomplishment their absolute realization..
thought for its part leaks out into the void. baudrillard. don quixote som
en taktil kulturjammingsteknikk bevisst dumskap.. noemata message in a
bottle server at the barents sea n. hva slags mail vil du sende ut i havet
umulige kjærlighetsbrev. thy false promise and my sure misfortune carry me
to a place whence the. news of my death will reach thy ears before the
words of my complaint.. what thy beauty raised up thy deeds have laid low
by it i believed. thee to be an angel by them i know thou art a woman..
hva du gjør der er det et spørsmål eller svar. quo oxid net. nn som don
quixote. nettkunst som ikke virker annonseringer og. forestillinger som
fantasi. urealistiske umulige malplasserte. prosjekter. og ideer som
samtidig blir kulturjamming intervenering taktisk og. latterligjørende
selvironisk med den folkelige sjarmen til det. tragikomiske.. 




200


there it is said sancho what i told you that you must keep a good. count
well then by god there is an end of the story for there is no. going any
farther.. how can that be said don quixote is it so essential to the story
to. know to a nicety the goats that have crossed over that if there be a.
mistake of one in the reckoning thou canst not go on with it. no senor not
a bit replied sancho for when i asked your worship. tell me how many goats
had crossed and you answered you did not. know at that very instant all i
had to say passed away out of my. memory and faith there was much virtue
in it and entertainment.. so then said don quixote the story has come to
an end. as much as my mother has said sancho.. in truth said don quixote
thou hast told one of the rarest stories. tales or histories that anyone
in the world could have imagined and. such a way of telling it and ending
it was never seen nor will be in a. lifetime though i expected nothing
else from thy excellent. understanding. but i do not wonder for perhaps
those ceaseless strokes. may have confused thy wits.. ffrom a mail from
lanny quarles solipsis. the term 'idiotic' isn't really about intelligence
per se but. refers to a kind of imaginary ratio whereby the self's
uniqueness. adheres to its own erratic path its actually a term connoting
a kind. of pureness and honesty. .. I'm thinking somewhere in the
neighborhood of eigen. something (can't remember) hmm. Authenticity is
also a translation problem. Eigentlichkeit has its root. in. eigen own. or
proper Gr. idios Eng. idiot. So one should. keep the. originary meaning of
idiocy in mind being one's own self. The term. Eigentlichkeit points to
the possibility of being one's self.. that strikes me.. As you point out
the Gk idiotic denotes not deficiency. but eccentricity the opposite of
politic (withness) a self. radically. ownmost in its extremest form
perfect solipsism.. With this in mind and apprised ( by Nietzsche no) that
every great. philosophy is autobiography oughtn't BT be read synoptically
with. Ott as it were in the Confessions genre...that BT represents H's.
selfcasting. (Go litel bok go litel myn tragedye) an idiotic
interpretation of. beyng.... that the AngstCare structure for example if
it fits one say Hamlet. type. assuredly doesn't others Quixote Don Juan
Faust.... via the baudri Lard. art has disappeared as a symbolic pact
remaining prolification of. signs ad infinitum as 'culture' auto.noemata
automatic art. the. situation resembles that of a currency which may not
be exchanged it. can only float its only reference itself impossible to
convert into. real value or wealth noema kroner the impossible of noemata.
projects their floating like quixote phantasies manusfilms and.
inconceptual art.. general indifference please remove me as only emotional
response. profound indifference everybody is an art is true. the system
runs less on the surplusvalue of the commodity than on the. aesthetic
surplusvalue of the sign no matter how marginal banal or. obscene
everything is subject to aesth. cult. museum.zation.. like the prax of
baroq we too are irrepressible creators of images. but secretly
iconoclasts we manufacture a profusion of images in which. there is
nothing to see leave no trace cast no shadow and have no. fascination of
the erasure rewrite full compression code cipher. our images are like
icons miraculous they allow us to go on. believing in art while eluding
the question of its existence.iconicity. dragon body laburint beyond the
indifference art as uglierthan.ugly. bad worse raised to the second power
because it is liberated of its. relation with its opposite bemyghost
transaesthetic blasts. tourism people who no longer undertake voyages but
simply go round. and round in circles tracerouteping travel agency. These
forms are excesses and. collapses of code viral fascinating indiscriminate
and reinforced. by viral media our culture also produces the most murderous
viruses.. catastrophe culture. we all enjoy these things. nothing code
stagings. operational whitewash overexposed defenceless without any way
of. refracting light info doomed in consequence to a whitewash of all.
activity codedecode IO labora trashmaps maze digital technique. relinquish
identity to survive endnodes net computer. operations not actions regulated
machinery nothing takes place. better to produce nothing in order to have
things produced artists. better to have nothing to say if one seeks to
communicate socials as. everyone knows if you want to make people laugh it
is better not to be. funny powers in order for content to be conveyed as
well and quickly. as possible that content should come as close as
possible to. transparency and insignificance empty intimate. good
communication implies the annihilation of its own content. avoid.
everything. htp noematanet abouthtml. So it's a kind of artificial art
much like the intelligence. of artificial intelligence ). The policy is to
support collaboration community transparency. immediacy in the arts net.art
media art correspondencemail art. network art context art or other
otherness and marginal. artifactualizations.. We tried that and it didn't
work. So this is 'open content' of a more. catastrophic kind of the
dispersal of content or the metastasis or. disappearance of content (in
the jargon of Baudrillard). Also being. contented with things not working
and actually more fascinated by the. failures and drifting of things than
producing them as art or anything. open being more like cracked open or a
core dump of codegerm artsperm. and their entanglements and confusion of
layers inoutside. opencontent generativedegenerative avataratavar of space
time and. structures intermingling and proliferating more or less on their
own by. their own automatic recursive mating. This 'release' of the server
is. not only as permission or publication but a giving up kind of release..
Giving upletting it drift distribute or disperse unsupervised and. giving
up that risking complete annihilation any point beyond the loop.
survival.. dette ble mitt essay i anledningen jozzdu kan reise og foredra
har du. ikke holdt seminar i skattesaker dette er noe lignende (rapporter.
skriftestol politietterforskningetc) eller kjøre det gjennom.
stemmesynthesizer det blir nok stas. Gud løkk PP og folkens. Bjørn. Når
alt kommer til alt har jeg ikke tenkt å gi opp prosjekter på. digitale) og
videre automatiseringrasjonalisering av kunsten slik. som ellers i
samfunnet. Det er de to tingene jeg brenner for.. Snakkes.. joz har du
hørt med skattekontoret sjekka restskatten tror den står. der fortsatt jeg
vil klage men det er mas.. hils Ingeborg.. legger ved som bonus mitt essay
som også kan siteres i sammenhengen. inkl. Context art experiments report
noematic experimental method. Lesion art research praxis Research on the
human arts surgery. Most information came from experiments with relatively
poorly defined. genre lesions bloodvessel butoh dance smtp damage that
included the. art stem funding etc as well as the contextor arttrauma
lesions. that were diffuse and irregular spectral then reversed. good.
correlations were obtained between focal lesions in the arts and the.
changes that resulted from the lesions at the police.. Her var det. The
Development of Neuro Art. For exampleViennese psychiatrist Sigmund Freud (
)had. originally envisioned the biological basis of his theory of.
behaviorwith its three levels of idegoand superegoas being a. hydraulic
mechanism of some sort. today's joke ... computational. mechanism of some
sort. )). Descartes was impressed Joke by machines made in his timesuch as
those. of certain statues that were on display for public amusement in the.
water gardens of Paris.When a passerby stopped in front of one. particular
statuefor examplehis or her weight would depress a lever. under the
sidewalkcausing the statue to move and spray water at the. person s
face.Descartes proposed that the body is like these machines.. phrenology
joke Additionallydespite the failure of scien tific. attempts to correlate
appearance with various aspects of behaviorit is. not uncommon to hear
people accord virtues to others on the basis of. their physical
appearance.Readers might ask themselves how accurate they. would be if
asked to judge intelligence on the basis of. photographs.Social
psychologists have found thatwhen university. students are asked to make
such judgments the rule that they apply to. the task isBeauty equals
intelligence.. phrenology joke The famous physiologistMagendiepreserved
with. veneration the brain of Laplace (a famous French.
mathematician).Spurzheim had the very natural wish to see the brain of a.
great man.To test the science of the phrenologistMr.Magendie showed.
himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho. had
already worked up his enthusiasmadmired the brain of the imbecile. as he
would have admired that of Laplace.(Krech). Context art experiments report
noematic experimental method. consisted of removing parts of the art from
artworks to study the. changes produced in their context. removed a small
piece of art and then. observed how the art behaved and how it recov ered
from the loss of art. tissue.In essence created art models from works that
had received. injury to a part of the art by a blow to the head or by
having the skull. pierced by a missile.To search for different functions
in the art. context varied the location from which the art tissue was
removed.. Another key contribution was the discovery thatafter damage to a
part. of the artsubstantial recovery could be expected. Microscopic.
examination revealed that art was nothing like an amor phous.
jellyratherit had an enormously intricate substructure with compo. nents
arranged in complex clusterseach interconnected with many other. clusters.
Cals Adsborough in Holland reached the same conclusion from. similar
experiments on context artbut his manuscript lay unpublished. for severad
decadesn.. History of electronics arts The impetus to adopt a theory of.
electronical conduction in arts came from an English artistSteph.
McTaargess who attracted considerable attention by demonstrating that. the
human arts could conduct electrons. He showed that when an artwork.
containing electrons was brought close to the feet of a boy suspended by.
a rope in a grassleaf electroscope gallery placed near the boy s nose. it
would be attracted to the boy s nose.. Computer art The first computer art
was hydraulic swiss artist Jahob. Matreisse () constructed a series of
machine paintings in his. bathtub aquare(e) lle automatique facilitating
finite state. pressure systems of squeesing injection pipes of color
liquids onto the. surrounding walls to much annoyance to his mother..
Network art experiments preliminar applied an unpleasant stimulation to. a
dog s paw listmeasured how long it took the corpus to withdraw its. footand
compared that rate with the speed at which messages were known. travel
along the net.According to calculations took milliseconds. too long to
respond. theorized that nodes are 'connected by junctions'. (oxym.) clasp
that additional time is required for the art to get. across. some
buffering bufooning listmasters potentials principal. general inertia.
preliminar conclusion to confirm that network arts do. not quite touch the
nodes with which they clasp.. Art surgery proposal note that
anthropologists have found evidence of. art surgery dating to prehistoric
timesneolithic found surgery to have. a beneficial effect in
culturesperhaps by reducing pressure within the. arts when an injured
discipline began to swell up. (ref. trephining. context art above). NB art
surgery made possible by media the. introduction of antisepsisanesthesia as
cultural phenomenon in. addition the principle of localization of genre
making crossdiscipline. possible. (see Figure .). This device immobilizes
the arts.An art. atlas is then used (flux maps etc) to localize areas in
the arts for. surgery. Local anesthetic procedures were developed
(mediastunt c) so. that the 'spectator' could remain awake during surgery
and contribute to. the success of the operation by providing information
about the effects. of localized art stimulation.. Lesion art research
praxis Research on the human arts surgery.. Most information came from
experiments with relatively poorly defined. genre lesions bloodvessel
butoh dance smtp damage that included the. art stem funding etc as well as
the contextor arttrauma lesions. that were diffuse and irregular spectral
then reversed. good. correlations were obtained between focal lesions in
the arts and the. changes that resulted from the lesions at the police..
degenerative art In the minister of public instruction. commissioned to
develop tests to identify retarded arts so that they. could be singled out
for special treatment. The tests were derived. empirically by administering
artworks of normal artists and some. mentally retarded and adults.The scale
was revised in . From the. testsan art level was calculated evaluating
abstraction beauty. inventiveness craft luck singularity which Iibet
thought were. essential features of art. some conclusion gave tests to
braindamaged. arts with the resultant surprising discovery that lesions in
the avant. garde since modernist's time considered the center of
generative. creative art did not decrease art scores. Sores to other main
areas. not formerly thought to be implicated in art did reduce art
scores.. Original Message. From Per Platou. To. Sent Tuesday November PM.
Subject . e k u n s t . Reality Check i Oslo desember. Call for
participation Åpen invitasjon til Førjulsskriftestol. Årsrapporter (eller
prosjektrapporter) er som oftest særdeles lite. spennende lesning. Der
presenteres ethvert prosjekt som etter. forholdene meget vellykket eller
har hatt stor betydning osv. osv.. Så også innenfor kunst og
kultursektoren.. REALITY CHECK er et todagers arrangement som tar sikte på
trekke fram. prosjekter fra kunstfeltet som gikk fullstendig galt. Der
ideen var. bedre enn gjennomføringskraften der man undervurderte
teknologien. publikum økonomien eller overvurderte egne evner. Det kan
være. prosjekter som har mottatt støtte som rett og slett ikke lot seg.
gjennomføre eller som ble noe helt annet enn det som var tenkt ().. Med
andre ord Vi er på jakt etter prosjekter som MISLYKTES i større. eller
mindre grad og der opphavspersonene har gjort seg noen tanker om. hva som
gikk galt og hvorfor.. REALITY CHECK har hentet grunnideen fra et nå
nedlagt klubbkonsept i. Berlin Club der Polnischen Versager eller Den
polske taperklubben. () som i flere år var et meget populært tiltak med
mange deltakere. mye publikum og høy underholdningsfaktor. Fordi de fleste
feil som er. begått eller uhellene som har oppstått som regel er svært.
allmenmenneskelige tror vi RC kan bli både populært mediavennlig og.
lærerikt.. Det er et faktum at mange kunstprosjekter (særlig innenfor
kunstny. teknologi) ofte søker det spektakulære det nye og
revolusjonerende.. Dette gjenspeiles også i massemedia. I en presset
kunstnerhverdag er. frykten for å gjøre feil ofte større enn viljen til å
oppnå noe. ekstraordinært. Denne situasjonen ønsker vi nå å snu på hodet
ved å. gi. de mislykkete prosjektene en unik siste mulighet for
stjernestatus.. Vi ønsker derfor å høre fra deg om du har ett eller flere
slike. prosjekter som kan formidles tydelig og med en høy grad av.
selvinnsikt. innenfor en tidsramme på minutter. Vi er i denne sammenheng.
altså. IKKE ute etter sutring over (manglende) forståelse fra publikum.
komiteer kuratorer produsenter presse eller verdens tilstand. generelt..
Send en epost til realityanart.no innen .november om du selv har et.
mislykket prosjekt du ønsker å presentere eller har tips til. prosjekter
som burde presenteres ) Vi er åpne for alle typer. henvendelser ikke bare
fra kunst og ny teknologi feltet. Vi vil. selvfølgelig ikke presentere noe
som ikke opphavspersonen selv ønsker. satt i en slik sammenheng.. Alle
deltakere vil bli honorert og vi vil også være behjelpelige med. ev. reise
og overnatting i Oslo.. REALITY CHECK vil bli dekket redaksjonelt.. Dato
Fredag .desember kl lørdag .desember kl. Sted Cafe Mir Toftesgt. Oslo
(Grnerløkka Lufthavn). Gratis adgang for publikum.. For ev. spørsmål
kontakt prosjektansvarlig Per Platou mob. Videresend gjerne denne
meldingen. () julepresangen av Alf Prøysen. () Club der Polnischen
Versager Berlin. subject. unselfishness there you see plainly the
recursion it's considered a. virtue because.. in view of.. yes
unselfishness. and so selfishness is a. virtue in view of selfishness etc.
and virtue is a virtue in view of the. virtue virtue is the positive
productive property of a view the view's. production. but it doesn't mean
you can avoid it. there's virtues of your. body as long as you have one.
and virtues of having as long as it's. possible. and virtues of the
possible as long as it's not impossible.. virtues of the impossible via
negativa. prime numbers are what remains. are. they selfish or unselfish )
positive or negative you can follow them a. bit via the positive which is
like the virtue of a view formula though. quickly you're replacing
algorithms with heuristics which is more of a. mess like the layered
virtues of our reality the real being transcendent. unending streams and
you find yourself jumping from this to that all the. time not
selfishalgorithmic (producing) or unselfishheuristic (seeking). but let's
call it dancing since there are movements and well the thing is. still
alive though with no reason and not producing or seeking still views. you
can't avoid going through the steps. eurythmics is at the end or the.
beginning not the body's algorithms (production system) or it's.
intentionality (heuristics) the virtues of having a body having a view.
not selfish not unselfish. no virtues no views but still a text still.
here though not what it is (produces) or what it means (seeks) it's still.
written in virtue of the iso charset twofaced bastards so maybe. we're
talking dialectics too the protocol (selfish) and the exchange.
(unselfish) still the user. user (Æzr) n. Law. the exercise of a. right to
the enjoyment of property. my body my propery the body of this. mail. again
the protocol's from to subject body this is the body.. florian cramer
digital code and literary text. florian cramer digital code and literary
text. Can notions of text which were developed without electronic texts in
mind be. applied to digital code and how does literature come into play
here. Abstract. This paper is based on the general (yet disputable)
assumption that the. theoretical debate of literature in digital networks
has shifted just as. the poetic practices it is shaped after from
perceiving computer data as an. extension and transgression of textuality
(as manifest in such notions as. ''hypertext'' ''hyperfiction'' ''hyper
multimedia'') towards paying. attention to the very codedness i.e.
textuality of digital systems. themselves. Several phenomena may serve as
empirical evidence. The early focus of conceptualist Net.art on the
aesthetics and politics of. code. in turn the impact of Net.art aesthetics
on experimental literature. poetry in the Internet. the close discooursive
affinity of Net.art to political activism in the. Internet. the close
aesthetic affinity of Net.art to a the languages and codes of an. older
technically oriented ''hacker'' culture (of Chaos Computer Club. and
others). a convergence of the three cultures mentioned above Net.art net
activism. and hacker culture. (a) FreeOpen Source Software andor (b) open
network protocols as key. discursive political and aesthetical issues in
all these camps. finally the impact of hacker aesthetics Net.art
aesthetics code. aesthetics and network protocol aesthetics on
contemporary writing in the. Internet. (See the work of mez Alan Sondheim
Talan Memmott Ted Warnell. and others.). The question is how ''Codeworks''
(Alan Sondheim) fit notions of text that. were crafted without digital code
most importantly machineexecutable. digital code in mind and vice versa. Is
it a coincidence that in their. poetical appropriation of lowlevel Internet
codes codeworks ended up. aesthetically resembling concrete poetry And
apart from aesthetic. resemblances how do computer programs relate to
literature Is that what is. currently being discussed as ''Software Art''
a literary genre. Code. Since computers the Internet and all digital
technologies are based on. zeros and ones they are based on code. Zeros
and ones are an alphabet which. can be translated forth and back between
other alphabets without information. loss. It does in my point of view
make no sense to limit the definition of. the alphabet in general to that
of the Roman alphabet in particular when we. can the same textual
information in this very alphabet as Morse code flag. signs or
transliterated into zeros and ones. The Internet and computers run. on
alphabetic code whereas for examples images and sound can only be.
digitally stored when translating them into code which unlike the.
translation of conventional text into digital bits is a lossy that is. not
fully reversible and symmetric translation. Sounds and images are not. code
by themselves but have to be turned into code in order to be computed.
where as any written text already is code. Literature therefore is a.
privileged symbolic form in digital information systems. It is possible
to. automatically search a collection of text files for all occurences of
the. word ''bird'' but doing the same with birds in a collection of image
files. or bird songs in a collection of audio files is incomparably tricky
and. errorprone relying on either artificial intelligence algorithms or
manual. indexing both of which are methods to translate nonsemantic
writing (pixel. code) into semantic writing (descriptions).. The reverse
is true as well We can perfectly translate digital data and. algorithms
into nondigital media like print books as long as we translate. them into
signs coded according to the logic of an alphabet. This is what is. done
for example in programming handbooks or in technical specification.
manuals for Internet standards. Today there are two notorious examples of
a. forth andback translation between print and computers. The sourcecode
of Phil Zimmerman's cryptography program ''Pretty Good. Privacy'' (PGP).
The PGP algorithms were legally considered a weapon and. therefore became
subject to U.S. export restrictions. To circumvent this. ban Zimmerman
published the PGP sourcecode in a book. Unlike algorithms. literature is
covered by the U.S. First Amendment of free speech. So the. book could be
exported outside the United States and by scanning and. retyping
translated back into an executable program. the sourcecode of DeCSS a
small program which breaks the cryptography. scheme of DVD movies. Since
U.S. jurisdiction declared DeCSS an ''illegal. circumvention device''
according to the new Digital Millennium Copyright Act. (DMCA) the ban
equally affected booklets flyposters and tshirts on which. the DeCSS
sourcecode was printed.. That code is speech is a fact stressed again and
again by programmers and is. also at the heart of Lawrence Lessig's legal
theory of the Internet. (Lawrence Lessig. Code and Other Laws of
Cyberspace. Basic Books New York. .). It is strictly speaking sloppy
terminology to speak of ''digital. media''. There actually is no such
thing as digital media but only digital. information. Digital information
becomes ''media''only by the. On the reverse end of the chain keyboards
mice scanners and cameras. are analogtodigital converters.. virtue of
analog output computer screens loudspeakers printers are analog. output
devices interfaced to the computer via digitaltoanalog conversion.
hardware like video and sound cards or serial interfaces.. An average
contemporary personal computer uses magnetic disks (floppy and. hard
disks) optical disks (CDROM and DVDROM) and chip memory (RAM) as its.
storage media and electricity or fiber optics as its transmission media..
Theoretically one could build a computer with a printer and a scanner
which. uses books and alphabetic text as its storage media. Alan Turing
showed. that. While such a machine would operate slower than with
magnetical or. optical media it would provide more robust and durable
information storage. on the other hand.. no electronics are needed to
build a computer the Boston Computer Museum. even features a mechanical
computer built from wooden sticks.. Juxtapositions of ''the book'' and
''the computer'' are quite misleading. because they confuse the storage
and analog output media (paper versus a. variety of optical magnetical and
electronical technologies) with the. information (alphabetical text versus
binary code). It further ignores by. the way the richness of storage and
transmission media in traditional. literature which aside from the book
include oral transmission and mental. storage audio records and tapes the
radio and television to name only a. few.. If there is strictly speaking
no such thing as digital media there also. is strictly speaking no such
thing as digital images or digital sound.. What we refer to as a ''digital
image'' is a piece of code. Normally this code is divided into three pieces
one the socalled. sound or image file containing the machineindependent and
program. independent abstract information the second the socalled display
program. containing the instructions to mediate the abstracted information
in a. machineindependent yet not programindependent format to the
operating. system the third the socalled operating system mediating the
program. output to the output machine whether a screen or a printer. These
three. code layers however are nothing but conventions. Theoretically the.
digital image'' file could in itself contain all the code necessary to.
make itself display on analog end devices including the code that is.
conventionally identified as a boot loader and core operating system..
containing the machine instructions to produce the flow of electricity
with. which an analog screen or an analog printer is made to display an
image.. Of course it is important whether a sequence of zeros and ones
translates. into say an image because that defines its interpretation and
semantics.. The point of my (admittedly) formalistic argumentation is not
to deny this. but to underline that. when we speak of ''multimedia'' or
''intermedia'' in conjunction with. computers digital art and literature
we actually don't speak of digital. systems as themselves but about
translations of digital information into. analog output and vice versa.
text and literature are highly privileged symbolic systems in these.
translation processes because (a) they are already coded and (b)
computers. run on a code.. Literature and computers meet first of all
where alphabets and code human. language and machine language intersect
secondly in the interfacing of. analog devices through digital control
code. While of course we cannot think. of code without media because we
can't read it without them the computer. does not really extend literary
media themselves. All those output media. electricity electrical sound and
image transmission etc. existed before. and without computers and digital
information processing.. I therefore have to revise the position I took in
several of my previous. writings If we speak of digital poetry or computer
network poetry we. don't have to speak of certain media and we don't. like
in the paper Warum es zuwenig interessante Computerdichtung gibt.. Neun
Thesen'' ( Nine Points on Why there is so little interesting computer.
homepagewritingsnetliterature general karlsruhe. karlsruherthesen.pdf.
even have to speak of specific machines. If computers can be built from.
broomsticks and networked via shoestrings if any digital data including.
executable algorithms can be printed in books and from them read back
into. machines or alternatively executed in the mind of the reader there
is no. reason why computer network poetry couldn't or shouldn't be printed
as well. in books.. Perhaps the term of digital ''multimedia'' or better
''intermedia''. would be more helpful if we redefine it as the the
possibility to losslessly. translate information from one sign system to
the other forth and back so. that the visible audible or tacticle
representation of the information. becomes arbitrary. A state not be
achieved unless the information is not. coded in some kind of alphabet
whether alphanumerical binary hexadecimal. or if you like Morse code..
Literature. Synthesis putting things together. observe the textual
codedness of digital systems of course implies the. danger of generalizing
and projecting one's observations of digital code. onto literature as a
whole. Computers operate on machine language which is. syntactically far
less complex than human language. The alphabet of both. machine and human
language is interchangeable so that ''text'' if defined. as a countable
mass of alphabetical signifiers remains a valid descriptor. for both
machine code sequences and human writing. In syntax and semantics. however
machine code and human writing are not interchangeable. Computer.
algorithms are like logical statements a formal language and thus only a.
restrained subset of language as a whole.. However I believe it is a
common mistake to claim that machine language. would be only readable to
machines and hence irrelevant for human art and. literature and vice versa
literature and art would be unrelated to formal. languages.. It is
important to keep in mind that computer code and. No computer can
reprogram itself selfprogramming is only possible. within a limited
framework of game rules written by a human programmer. A. machine can
behave differently than expected because the rules didn't. foresee all
situations they could create but no machine can overwrite its. own rules
by itself.. computer programs are not machine creations and machines
talking to. themselves but writings by humans. The programmerartist Adrian
Ward. suggests that we put the assumption of the machine controlling the
language. upside down. ''I would rather suggest we should be thinking
about embedding our own. creative subjectivity into automated systems
rather than naively trying to. get a robot to have its 'own' creative
agenda. A lot of us do this day in. day out. We call it programming.''.
quoted from an EMail. message to the Rhizome'' mailing list May. Perhaps
one also could call it composing scores and it does not seem. accidental
to me that musical artists have picked up and grasped computers. much more
thoroughly than literary writers. Western music is an outstandig. example
of an art which relies upon written formal instruction code. Self.
reflexive injokes such as ''BACH'' in Johann Sebastian Bach's music the.
visual figurations in the score of Erik Satie's ''Sports et.
divertissements'' and finally the experimental score drawings of John
Cage. shows that beyond a merely serving the artwork formal instruction
code has. an aesthetic dimension and intellectual complexity of its own.
In many. works musical composers have shifted instruction code from
classical score. notation to natural human language. A seminal piece in my
opinion is La. Monte Youngs ''Composition No. '' which simply consists of
the. instruction ''Draw a straight line and follow it.'' Most Fluxus
performance. pieces were written. Galerie und Edition Hundertmark. George
Maciunas und FluxusEditionen. . no page numbering. in the same notation
style. Later in the American composer Alvin. instruction which very
precisely tells to perform the piece by playing. itself back and
modulating the speech through the room echoes.. In literature formal
instructions is the necessary prerequisite of all. permutational and
combinatory poetry. Kabbalah and magical spells are. important examples as
well. But even in a conventional. Some historical examples have been
adapted online on my website. narrative there is an implict formal
instruction of how i.e. in which. sequence to read the text (which maybe
or followed or not as opposed to. hypertext which offers alternative
sequence on the one hand but enforces. its implicit instruction on the
other). Grammar itself is an implicit and. very pervasive formal
instruction code.. Although formal instruction code is only a subset of
language it is still. at work in all speech and writing.. It is
particularly remarkable about computing that the namespace of. executable
instruction code and nonexecutable code is flat. One cannot tell. a
snippet of digital code whether it is executable or not. This. property
does not stand out in the alphabet of zeros and ones but is solely.
dependent on how another piece of code a compiler a runtime interpreter.
or the embedded logic of a microprocessor processes it. Computer code is.
highly recursive and highly architectural building upon layers of layers
of. code.. Analysis taking things apart. The fact that one cannot tell
from any piece of code whether it is machine. executable or not provides
the principle condition of all EMail viruses on. the one hand and of the
codeworks of jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim
Kenji Siratori to name only a few. with the biennale.py'' computer virus of
the net art groups. on the other work that unlike the actual viri is
fictional in that it. aesthetically pretends to be potentially viral
machine code.. The codeworks to use a term coined by Alan Sondheim of
these writers and. programmerartists are prime examples for a digital
poetry which reflects. the intrisic textuality of the computer. But they
do so not by being to. quote Alan Turing via Raymond Queneau computer
poetry to be read by. computers but by playing with the. Raymond Queneau.
Cent mille milliards de pomes. Gallimard Paris. . p.. confusions and
thresholds of machine language and human language and by. reflecting the
cultural implications of these overlaps. The ''mezangelle''. poetry of
mezMary Ann Breeze which mixes programmingnetwork protocol code. and non
computer language to a portmanteauword hybrid is an outstanding. example
of such a poetics.. Compared to earlier poetics of formal instruction like
in La Monte Young's. Composition in Fluxus pieces and in permutational
poetry an important. difference can be observed in the codeworks The
Internet code poets and. artists do not construct or synthesize code but
they use code or code. grammars they found and take them apart. I agree
with Friedrich Block and. digital.deBlockindex engl.htm that digital
poetry should be. read in the history and context of experimental poetry.
A poetics of. synthesis was characteristic of combinatory and
instructionbased poetry a. poetics of analysis characterized Dada and its
successors. But one. An exception being the the ALGOL computer programming
language poetry. written by the Oulipo poets Franois le Lionnais and Nol
Arnaud in the. early s. see Harry Mathews and Alastair Brotchie editors.
Oulipo Compendium. Atlas. Press London . p.. hardly finds poetry with an
analytical approach to formal instruction code. in the classical th
century avantgarde. Internet code poetry is being. written in a new if one
likes postmodernist condition of machine code. abundance and overload.. The
hypothesis that there is no such thing as digital media but only. digital
code which can be stored in and put out on any analog medium is. perfectly
verified by codework poetry. Unlike hypertext and multimedia. poets most of
the artists mentioned here write plain ASCII text. The. contradiction
between a complex technopoetical reflection and lowtech. communication is
only a seeming one quite on the contrary the lowtech is. crucial to the
critical implication of the codework poetics.. The development of
hyperfiction and multimedia poetry practically paralleled. the
construction of the World Wide Web hyperfiction authors rightfully saw.
themselves as its pioneers. In the course of nineties they continued to.
push the technical limits of both the Internet and multimedia computer.
technology. But since much digital art and literature became testbed.
applications for new browser features and multimedia plugins it.
simultaneously locked itself into nonopen industrycontrolled code.
formats. Whether intentional or not digital art thus. like Shockwave
QuickTime and Flash. strongly participated in the reformatting of the
World Wide Web from an. open operating system and browseragnostic
information network to a. platform dependent on propietary technology.. By
readjusting the reader's attention from software surfaces which pretended.
not to be code back to the code itself codeworks have apparent
aesthetical. and political affinities to hacker cultures. While hacker
cultures are far. more diverse than the singular term ''hacker'' suggests
hackers could as. well be distinguished between those who put things
together like Free. Software and. Boris Grndahl's (German) Telepolis
article The Script Kiddies Are. Not Alright'' summarizes the multiple
sometimes even antagonistic camps. deutschhtmlresult.xhtml urltp
deutschinhaltte.html. demo programmers and those who take things apart
like crackers of serial. numbers and communication network hackers from
YIPLTAP Phrack and. Chaos Computer Club schools. Code poets have factually
adopted many poetical. forms that were originally developed by various
hacker subcultures from the. s to the early s including ASCII Art code
slang (like '' wArz. dd'' for ''leet elite wares dood'') and poetry in
programming languages. (such as Perl poetry) or they even belong to both
the ''hacker'' and the. ''art'' camp. arafat. arafat shithead it's all the
same some shithead claiming territory. another shithead you only need one
then you get another. automatically like tribes of shitheads shiites
something what's. that got to do with anything. contemporary ontology
something anything everything nothing. maps plainly to logic how
metaphysics became logic or was as it. were classes what do we mean
classes are classes nosferatu the. death of metaphysics the blood is logic
everything is logic has. its undead counterpart the world may die any human
we'll go on. living like undead i should come through here no it's not
possible. any image still there's a byte before it exhausts coming back
to. this morning and driving under the bridge don't blame gray words. gray
roads. feeling down may come easy you just sit there and suddenly you want.
go to sleep and can't sleep because you think this will never end. and
there's nothing anywhere. i'm always down like the server is. down. all
this wind is it going anywhere mostly robots reading the. web let's say i
lived my experience is not different from anybody. else why should we be
separate two persons have mutual feelings. what a mess still four arms two
heads what a monster and the. cleaning of the interface reactions why
should i react i'm already. you not in a religious sense just practical
like the same same. system two processes the same shit all the more
pressure around. identity and the individual this exploition a striking or
notable. deed feat spirited or heroic act the exploits of Alexander the.
Great. it's of course true we are the same otherwise science and. the
logics would be false but still culturally a quest for. identity and most
levels retained which together is driving us out. through the processor
our bodies are arguments positions like. minimal pairs in linguistics and
identical to what itself which. makes sense only through a representation
with the possibility of not. being itself so the quest is via the culture
representation where. the position comes in like the 'you are here' on
maps (in a text you. are here what does it mean i am here this is a long
string and the. other arts where are you in music and everything before
language. and within) no the identity can't come from anything why
different. cultures have different ideas of identity we have maps so we
have. the identity of 'you are here' which gives a faint realization of.
yourself but enough to keep fixed through the loop of being and not. being
the truth and falsity of representation or more precise the. falsity
revealed through its truth and vice versa which is at stake. when
represent i am here two times here and here which are two. places in the
text two positions and isn't it supposed to be only. one like i am only
one so we are baffled by this like Alexander the. Great and need to do
baffling deeds to overcome the bifurcation that. takes place already at
the root already at 'you are here' we don't. understand and the territory
comes from this of not understanding. and you get terrorist and president
like arafat collapsing and. sustaining the map as the quest for identity
through construction of. yourself which is like a greek tragedy whatever
you'll find is the. looking for yourself palestine holy land holy shit how
fcking. long will it take before these shitheads loose their power to lead.
others astray for people not to be led into another suffering hell by.
shithead the great.. roadmap to peace forget road forget map forget
peace.. Re syndicate arafat. if you rid yourself of opaqueness i don't
know where you are is that. beauty love and war were always good friends.
it's still about identity. the quest for anything clear and transparent
(love) which at the same time. should be something (territory) and it
doesn't resolve so forget it not. wait for the best love projects (maps)
too much the territory becomes. what you see is that wise. Of the raising
opaqueness Claudia always has the most beautiful answer. which we can wait
for the best. Original Message. claudia westermann. Friday November AM. Re
syndicate arafat. a. forget road forget map forget peace.. keep love. love
me in my full beauty and I'll become. what you see in me. or wise. RE
syndicate arafat. arafat shithead it's all the same some shithead claiming
territory. another shithead you only need one then you get another.
automatically like tribes of shitheads shiites something what's. that got
to do with anything. sure let's stick to shithead ascii pseudo artists
like you. who says you have to choose sides. Re contact. circumcise (srÆkm
szÅ) v.t. cised cising.. . to remove the prepuce of (a male) esp. as a
religious rite.. . to remove the clitoris prepuce or labia of (a female)..
. to purify spiritually.. ME circumcisen L circumcsus (ptp. of circumcdere
to cut. around) equiv. to circum CIRCUM csus (cd cut tus ptp. suffix. see
CIDE). why should we choose cides. I am a Muslim woman and my genitalia
has been reshaped. My biggest fantasy. is doing it with a Jew. Retouched
genitalia really turns me on. I know we. would have CapuletoMontesco
frictions if our families opposed our union. but this is my dream..
Original Message. From WRYTINGL Writing and Theory across Disciplines.
Sent viernes de noviembre de. To WRYTINGLLISTSERV.UTORONTO.CA. Subject
arafat. arafat shithead it's all the same some shithead claiming
territory. another shithead you only need one then you get another.
automatically like tribes of shitheads shiites something what's. that got
to do with anything. contemporary ontology something anything everything
nothing. maps plainly to logic how metaphysics became logic or was as it.
were classes what do we mean classes are classes nosferatu the. death of
metaphysics the blood is logic everything is logic has. its undead
counterpart the world may die any human we'll go on. living like undead i
should come through here no it's not possible. any image still there's a
byte before it exhausts coming back to. this morning and driving under the
bridge don't blame gray words. gray roads. feeling down may come easy you
just sit there and suddenly you want. to go to sleep and can't sleep
because you think this will never end. and there's nothing anywhere. i'm
always down like the server is. down. all this wind is it going anywhere
mostly robots reading the. web let's say i lived my experience is not
different from anybody. else why should we be separate two persons have
mutual feelings. what a mess still four arms two heads what a monster and
the. cleaning of the interface reactions why should i react i'm already.
you not in a religious sense just practical like the same same. system two
processes the same shit all the more pressure around. identity and the
individual this exploition a striking or notable. deed feat spirited or
heroic act the exploits of Alexander the. Great. it's of course true we
are the same otherwise science and. the logics would be false but still
culturally a quest for. identity and most levels retained which together
is driving us out. through the processor our bodies are arguments
positions like. minimal pairs in linguistics and identical to what itself
which. makes sense only through a representation with the possibility of
not. being itself so the quest is via the culture representation where.
the position comes in like the 'you are here' on maps (in a text you. are
here what does it mean i am here this is a long string and the. other arts
where are you in music and everything before language. and within) no the
identity can't come from anything why different. cultures have different
ideas of identity we have maps so we have. the identity of 'you are here'
which gives a faint realization of. yourself but enough to keep fixed
through the loop of being and not. being the truth and falsity of
representation or more precise the. falsity revealed through its truth and
vice versa which is at stake. when represent i am here two times here and
here which are two. places in the text two positions and isn't it supposed
to be only. one like i am only one so we are baffled by this like Alexander
the. Great and need to do baffling deeds to overcome the bifurcation that.
takes place already at the root already at 'you are here' we don't.
understand and the territory comes from this of not understanding. and you
get terrorist and president like arafat collapsing and. sustaining the map
as the quest for identity through construction of. yourself which is like
a greek tragedy whatever you'll find is the. looking for yourself
palestine holy land holy shit how fcking. long will it take before these
shitheads loose their power to lead. others astray for people not to be
led into another suffering hell by. others astray for people not to be led
into another suffering hell by




201


shithead the great.. roadmap to peace forget road forget map forget peace..
Informacin de NOD . (). Este mensaje ha sido analizado con NOD antivirus
system. RE syndicate arafat. Original Message. From Sympa Owner
mailtosympakilby.copyleft.no On Behalf. Sent Friday November PM. To
syndicate. Subject RE syndicate arafat. arafat shithead it's all the same
some shithead claiming. territory. another shithead you only need one then
you get another. automatically like tribes of shitheads shiites something
what's. that got to do with anything. sure let's stick to shithead ascii
pseudo artists like you. who says you have to choose sides. you did
choose. you're mistaken man nothing was chosen here..
isoQEkunstogsikkerhetovervEkning. Regjeringen foreslår å bruke millioner
kroner til ekstraordinære. sikringstiltak av utvalgte kunstverk av
spesiell høy verdi ved ulike. museer. Bevilgningen kommer etter at
politiet og eksterne konsulenter. vurderte truslene mot og sikkerheten ved
norske museer på oppdrag fra. departementet. Pengene er bl.a. til
overvåkingsutstyr. NRKtekst. Elektronisk kunst kan gå inn i denne delen
av. produksjonogvisningslinja i de delene som omgir kunstverket og.
representerer dets 'sikkerhet' mot 'trusler'. Det er forsåvidt samme.
greia publikum eller overvåkingsutstyr kan man ikke ta skrittet fullt. ut
her i en automatisering av kunsten og la overvåkningsutstyret være.
publikum uansett være en del av det og sikkerhetstiltakene være. kunstens
egenverdi som i en forsikringssum. Uansett det gjøres mye. med sensorer og
overvåkning i elektronisk kunst og det hadde sikkert. vært gøy å gjort noe
som førte 'sikkerhet' og 'trusler' tilbake inn i. verket eller
visningssammenhengen dessuten riktig og åpent. Men her. som ellers ligger
verdien i det som ikke er åpent i egenverdien. 'utvalgte kunstverk av
spesiell høy verdi' som trenger sin slagskygge. som lager for verdiene
vanligvis i fremtiden en skygge inn i. fremtiden og nå også et
skyggepublikum som overvåker kunstverkene og. sikrer integritetet gjennom
å stadig se på dem som om kunstverkene. ble borte dersom ingen så på dem
at de har sin integritet i Gud. tilslutt som altseende og det som ikke
blir overvåket ikke eksisterer. som identitet ellers identitet er noe som
kommer tilbake som en. overvåkning at du overvåker deg selv via en form
for representasjon og. utstyr som skal sikre en integritet. Det blir mye
mer et objekt og. dermed mye mer et kunstverk om det overvåkes. Og som et
ekstraordinært. tiltak for å øke verdien på ordinær kunst kan man sette
igang sikring og. overvåkning. Her kommer ekunst inn i bildet. Hvis det
slår an blir det. til at vi kan lage kunst ved å overvåke noe slik som det
blir tv ved. bare å peke kamera på noe.. RE syndicate arafat. ok thanks yes
it's ugly from every side. this wasn't a. political declaration or
positioning not of choosing sides at. least i still have a voice though
whether it be political or not. or in what sense.. bjørn m.. ok. perhaps
I'm mistaken. it just happens that since yesterday all I hear everywhere
is. that the death. of arafat would signal the beginning of peace. and
this is one (of many) things that really gets on my tits. ariel sharon is
an ugly killer and that he's not dead doesn't. stop me from. thinking that
he is en evil doer. other things irritating me was all the stupid brouhaha
about that. bigot. buttiglione and how it was a fantastic victory for
european. democracy that. he had to step down... meanwhile the whole
barroso commission who. was an. ultraliberal bees' nest could slip in
behind him. a farce. etc. f.. you did choose. you're mistaken man nothing
was chosen here.. Re i awake. It's far away the lights on the tree and the
fires outside the. entrance entrance you don't enter entrance you don't
enter. trance by a way father away holy ghost wholly why hole press. u to
enter hole hole hole you pitar pytar hayr breath of. his breath inspire
expire enspire detrance extasis. displacement faraway grab the environment
and throw it down a. hole throw up your body another entrance go back ppp.
you're at the wayside again listening to snow cannons' nocturnal.
monophony orange lights shivering down the wipe slope white. sloth no go
back ppppp still the same are these. different rooms or the same dreams
are already inhabited nothing. takes place the nothingsomething the random
walk seeded with. fear or desire well you have to start somewhere if at all
why. start ppppp this is further faraback i'm not trying to. engage gage
something as a glove thrown down by a medieval. knight in token of
challenge to combat. press g to pick it up. go south you hear water but
don't sea any y d u c. homeostasis psychol. a state of psychological
equilibrium. obtained when tension or a drive has been reduced or
eliminated. hteros he that the it libra balance bilanx metal dishes.
dinner for two reduce lead back bring back go back retrace. retract way
course line of footprints trå tråkk vestigium. vestige investige token
pick up this token ppp were are. you pppppppp facteventfeeling pick up
this fact. there's an obvious fact leading past the event the feeling of
my. tokens hardwire hardware waru ware intrinsecus inward. following inner
everybody has inner has to throw up sometimes. inner situated within or
farther within interior an inner door. more intimate private or secret the
inner workings of the. organization of or pertaining to the mind or spirit
mental. spiritual the inner life not obvious hidden or obscure an. inner
meaning innera inne within inside pick it up what do. you mean sense
facteventfeeling something is something else. what no inner everything is
interchangeable your body you. already have one so why should it interest
you root access the. root late OE rt ON rt akin to OE wyrt plant WORT G.
Wurzel L rdx (see RADIX) Gk rhza (see RHIZOME) which is your. system
allinone still useless toy retrace pppp are we. that special not our
bodies bodig botah damn damn damn dam. dame domina our workings inner
again ongegn opposite gegn. straight igegn not any particular or certain
one of a class or. group not straight stretch you see what's inside.
interchangeable glorious nothing bodies history nature throw. up throw up
later you will vestigate already forgat already. untouched retouched
untouched wipe wpian c. OHG wfan to wind. round Goth weipan to crown perh.
akin to L vibrre to move to. and fro wipeout whiteout blackout fade dull
pale pall.. Re syndicate arafat. Far from the making act we can say
everything in any case. Obviously you. had not chosen but the omissions
allied to the obvious terms made sense of. themselves together without
that you formulated of choice. Obviously that's your choice reading it as
political declarations in most. senses of the word political since
politics is about forcing a choosing of. sides setting the options to
choose but obviously every side is ugly. here oppressor or oppressed how
the sense of justice is construed and. since nothing is chosen something
ugly comes back for lack of the political. conformance and balance and
renders opaque and annoying and gives the idea. there must be a clearer
position behind or hidden but that's not the case. other than don't be
mislead by political 'shitheads' to suffer their hell.. all the tnihgs
taht arent psoilsbe bcak bcak apin bcal is viatl. ptsoure hondinlg im
dizzy yuore liokng for reilef or bdluiiing. waht dnot ask bdiiuinlg
fwlwnig don lkneiesss loop of snese. tgohuths arise attache not i was
wthas there to bilud a story no. stroy threes no sotry what sotry do you
yuor life sorty no lfie. sotry blind bilnd bnild story no sorty bilnd back
and fotrh no. sorty nnothig dvoeelps no dempoleevnt its all dlwilohnl dwon.
srtoies i not srtoy not sroty and the stroy adnother wrod for. benig isdine
the scubjet bnieg oecjbt but not eevn sjbecut how. sjbcuet can i be to
daeth i wsant so how can i be its a story. olny a sotry wtih a bgeniinng
and end and the sotry is ntoghin no. story the sotry is jsut a story and
the sejbuct is not a sucbjet. these wdros are cnmiog form a long line of
ilde soht form the. seubct lnie sbjecut the sjbeuct eiecnrxeeps
epienrexecs ex peri. sneseis it tnilkag abuot ilestf or vetbivare mdoe of
pscroes. iarmooniftn v bceaues trehs nnitoghb to bulid the linvig are for.
the lvinig the voderr is for shgmeotin oto be and esle non and. you wodlunt
know but the tarinstion for loss and gian which. lgneirs for yesra for
lteifmie tmie until aontehr loss wchih fdaes. lkie dcemial jmbures in
sniinicgfcae the digit iteengr wlhoe. hole drigess how etym the w hloe
tunnel tsarcnend. bef. ME OE hol hole cvae orig. nuet. of hol (adj.).
HLOOLW c. G hohl hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D
heel. G heil ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME
holi OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG
h()illea (G Hlle) ON hel Goth. hjala aikn to OE hlean to cover hide and to
HLUL. satngre the etym siiimelritas as if the opipostes were the. coslest
cinaopnoms balck holes at the cneter of glaaxies in the. misdt of haveen
reisde hell qiute the oppsoite no surprsie also. the balck whloes of
rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes bcak
at the cetner or vcie vresa. it's aonther hlel like the syanig if the
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan and
if the word. was pefrect it wondul't eixst so tihs way geos itno
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is
just the delay thgnis go sowler and solewr. the hack. itno ereltncos
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep it
go solwer and sowler inetria at the end of. speed mabye lkie the practile
padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the
avitce any oejcbt thwron out of the. subcjet like this.. Re Ego. It's
based on palindromes as you might expect ) By that constraint. they seem
to have their own quirkiness in vocabulary maybe grammar. and semantics
what themes reoccur and comes through so I wanted to. make
pseudopalindromes or write something through the palindromic. namespace
palindromes that were not palindromes but only looked like. it ) So I'm
just processing the palindrome files from. through the constructed space.
I like using markov chain to rearrange. stuff because the connections
between entitites are real and the. statistics for choosing between
entitites are also real (a strong. connection is more likely to be chosen)
so the random element is. within a quite structured system choosing between
weighted options. derived from real data.. I'm doing some more of these
though I see it's limited in use. I'm. reading through a dictionary of
wordplay and oulipo to see if I want. do something. I'm also having fun
with a reverse lookup in. webster's dictionary from definiens to
definiendum which amounts to. a peculiar thesaurus replacing words by
(search for word through all. definiens and gather all the definiendum and
then choose all or one of. these you then get an associative relation
weaker than thesaurus. but more 'poetical' connoted. Some recent pieces
were done with this. and I'm not through with it yet.. the mean. while
waiting and waiting for win to boot. a play for the calculator the mean.
ok what about . .. where does the . come from. .. still the same. ok so we
know n(n).(n.). what about step while. it holds now the diff is always.
n(nstep)(step)((nstep)). try random ... i have to format c unbelievable.
step is so it doesn't work. do you want to install netmeeting. who ever
had any need of scandisk. i ran scandisk several times now. still it
didn't detect damaged sectors. unbelievable crap scamdicks. well why
didn't it work for odd. it's. yeah now your product key licence. it's
supposed to be oh well it just squares then. squareroot of . is.. . voila.
key is GXPPKTCDRJGJDTRBM (win). it's n(nstep)(step)((nstep)). which makes
sense for the . and the. updating you system... restart then restart then
restart. this wasn't very profound. it's like you need the square stuff
somewhere. whether you put it in the n's or the step. it doesn't matter.
the suprise in the beginning of this play... it didn't take into account
the extras of the square. the double its shadow. it's about dimensions.
how the extra dimension casts a shadow back. the step is supposed to take
care of that. ah but there's no stairway to heaven. can't believe this
where are the screen drivers. My documents it's intimidating. very small.
i lost the scans whatever. anal stuff i mean what's the point. the joy of
loosing. again a gain where does the shadow come in. the gain where the
extras are from. hell is a collapse of dimensions. what happens when
things colapse. when these squares collapsed they lost their shadow. i was
thinking of this drawing also what it lost. shadows of course collapsed
into texture. but the other way also. what would the hyper be if this was
texture. loom. unbelievable. unbeleivable. what is most. this cognitive
quaking is backforth's squaring. nothing in the middle. nothing mediated.
these are flat. mean. the synonyms for mean are average base beggarly
entail hateful have. in mind imply intend mean value meanspirited mingy
miserly. signify stand for think think of tight. ideareal. ideareal. my
psychology. all sensory inputs are the same electrical impulse
youablatusjuz bul and gof.a. lot of feets there limbs on their own
lettersthe difference mountain bookwhen. the rat presses the vague
abstract exressionist psychology switchcomma it. receives a brief pulse of
electricity to its brain through thehaywire mailspeed. of thought meters
per second spamyour neurotic inhibitory synapses. modemeurotican example
of a stimulating drug is the venom of the black widow. spiderwhich causes
the release of acetylcholine an important. transmittersubstance.
acetylcholine is involved with memory.writing endorphine.
people.throughout history people have enjoyed changing their
consciousness. nowand then by taking drugs fasting meditating or chanting.
Evenchildren. enjoy spinning around and making themselves dizzy
presumablyfor the same. reasons.enemy ugly bitter failure win gift happy
beauty.yof or laj. tom or. bill italian or swedish.premacksuperstitious
behaviours fetal posture chin. up chest up reach and miss sit with support
sit on lap grasp object. sit on high chair grasp dangling object sit alone
stand with help stand. holding furniture creep walkwhen led pull to stand
by furniture. climb stair steps standalone walk alonestereopsissucking
cuddling looking. smiling crying i know how to writejnd principle of
justnoticeable difference. weber fractionsdifference threshold
bitwiseshorter wavelengthsHow does a face. look like to youWell I know
it's a face because I can usually see the eyes. and it'son top of a body.
I can see a body pretty well by how it moves.we. immediately perceive a
figure when the outline is closed punctumgestalt law of. common fateTAE
CHTbottomup processing datadriven topdown contextual.. bicyclehippopotamus
hippopotamusup and down up and downlook car house i didn't. get itsave your
money save your moneyyellow big south yellen can't get itin. past days
memory consolidation elaboration episodic semantic explicitimplicit i.
wasremembering is automatic remembering is a creative. reading provides.
aparticularly compelling example of the automatic nature of
memoryretrieval.. stroop effect. portability.a lot is done with shadows
wordsi want daleth delta. door.there you are scanning text saccades
fixations.the hunters were. disappointedd that the fucks got away.yours
semantic priming sweep broom. clean.i saw several spiders indexing the web
roaches of hair bugs in. hisprogram porky primes.wabbit is wight and wabbit
is wong she. said.overextension.jpg.txt.movunderextensionmooi cakes round
marks on. windows writing on windows and inbooks round shapes in books
round. postmarks letter obuti toy radish stone sphere at dark
entranceticktock. all clocks and watches gas meter firehose wound onspool
bath scale with. round dialbaw apples grapes eggs squash bell clapper
anything roundmem. cow calf pig moose all fourlegged animalsfly specks of
dirt dust all. small insects own toes crumbs ofbread toadwauwau all
animals house. slippers old man in fursameslan(g)please milk please me
like drink apple. bottletravels up the concept treea dog barks dog
breathesa dog looks through. the window dog is borna dog grows hair dog
regulates its digestiona dog. releases hormones dog survivesa dog makes
dog dog makes a choicea dog dreams. dog is subject to gravitya dog lives
on a planet dog needs oxygena dog evolves. dogcells dog evolved from the
cella dog is chemical dog has atomsa dog is. atoms dog has light speeda
dog is energystandard deviation Statistics.a. measure of dispersion in a
frequency distribution equal to the squareroot of. the mean of the squares
of the deviations from the arithmeticmean of the. distribution.sheep
deprivationhe said we now must conclude that the. evidence for sleep as
repair isnot very strong. sleep deprivation does little. more than make
the personfeel extremely sleepy.i appear to be a definite. relation
between rem sleep and the learningand assimilation of emotional.
experiences.your excitatory potential drive habitmy reinforcement
increases. drive eating increases hunger tasting andswallowing makes me
more hungry. until the stomach responds enough.i need murray's list of
psychological needs. meambition achievement overcoming obstacles
recognition describing. accomplishments exhibition attempting to shock or
thrill acquisition obtaining. things conservance repairing possessions
order making things neat and orderly. retention hoarding things
construction building somethingdefense of status. inviolacy keeping
distance infavoidance concealing a birthmark or handicap. defendance
giving an explanation or excuse counteraction retaliatingresponse to.
human power dominance directing other's behavior deference cooperating or.
obeying similance imitating autonomy standing up to authority.
(autorityauthonomy) contrariance being oppositional aggression attacking
or. belittling abasement apologizing or confessing blame avoidance
stifling. blameworthy impulsesaffection between people affiliation
spending time with. others rejection snubbing others nurturance taking
care succorance being helpd. play seeking diversionexchange of information
cognizace asking questions of. others exposition delivering information to
othersam you a human for need for. power noyou need for affiliation very
littlei perseverance maybethe intrinsic. motivation if anyoneneed to avoid
failure test anxiety questionairetext. ansietymy even illusion of choice
increases the value of an activity.free. choice ihe learned helplessness
involves learning that an aversive event. cannotbe avoided or escaped.
seligman also suggested he has thecharacteristics. of a personality
trait.our reinforcement dopaminethem amphetamine cocaine etc. are very
reinforcing them will work hardto receive them drugs. catbert so why. not
pay them workers in drugs.dilbert baked it's called them money.them quest.
for endorphinesmy body weights of people in india 's poundsshop owners.
supervisors head clerks clerks drivers mechanics pilers carriers. etc us
men and women respond in basically the same way to visual and.
tactilesexual stimuli but we appear to differ in the kinds of
stimuliimagery. and fantasies we consider erotic. thems women reportedly
foundpictures of. Rromantic situations (showing affection and
kissing)sexually arousing however. most of them found pictures of
sexualsituations (engaging in intercourse). distasteful. them mens
reported thepictures of sexual behaviour to be arousing. (and the
physiologicalmeasurements agreed) but unlike the women they were not.
aroused by theRromantic pictures.if i man responds sexually to a picture
of i. woman he tends to imagineher as a sex object figuratively i takes
her out of. the picture anduses her. in contrast a picture of a naked man
is generally. notarousing to neither i men or women.my most prevalent
types of sexual. fantasies to both gendersreplacement of established
partnerforced sexual. encounter with other sexobservation of sexual
activityour paraphilia as money. and ehrhardt() put it nature makes
moreerrors in the male. ref a fetus. develops into a female unless
mytestosterone is present.them mythology of. emotions passion passive.
when we experience anemotion we tend to perceive. ourselves as passive and
helpless. thebelief we're not responsible for them our. emotions indulgence
andlater absolve from blame in contrast we don't absolve. good acts i just
couldn't help myself. i saw her drowning and before i. knew it iwas struck
by an altruistic frenzy. when i regained control of. myself ifound that i
had dragged her onto the shore we attribute such acts. toour intellect so
we can take credit for them but we blame them bad actson. our
uncontrollable emotions.you good case can be made that emotions exist.
because expressions ofemotions communicate important information to other.
members of thespecies. my people are more likely to express happiness in
the. presenceof other my people than when they are alone. for example
bowlers. whomade a strike usually did not smile when the ball hit the
pins. howeverwhen. the bowlers turned around to face their companions they
oftensmiled.when us. people see someone expressing an emotion us tend to
imitate theexpression.my. simulation display rules.and leakageplutchik
categorieswithdrawing escaping. protection fearattacking biting
destruction angermating courting. reproduction joycrying for help
reintegration sadnesspair bonding. grooming affiliation acceptancevomiting
spitting out rejecting. disgustexamining mapping exploration
expectancystopping freezing. orientation surprisehohman () the higher my
injury to the spinal chord. the lessintense general feelings were to
support the theory of feeling. ofemotions being feedback from my
body.funny thing is i didn't get all shook up. about it. i just didn't
feelafraid at all like you would suppose.our. simulations facial smiling
creates the emotional state ofhappiness etc.. simulated expressions
altered us autonomic nervoussystem.my damage to left. hemisphere often
suffer a catastrophic reaction whileright damage often show. an
indifferent reaction for the left the rightis intact and 'dramatic' in.
expression and vice versa the left beinglogicalindifferent.dangers are to.
your leftmy right hemisphere judges emotions more accurate. viewing or.
readingreading with my left eye.strange thing when i close my left eye
and. ear the sense impressionsseem more empty than if i close my right eye
and ear.. what goes onanalyzingsynthesizing.i wasn't fundamental
attributional error. overestimate dispositionalfactors (the person) and
underestimate the. situational except our ownbehaviour (the i)last night
we false consensus error. most people are like meyour success from
internal causes failures from. externalmy personal causation error the
element of choice leads me to. anillusion of personal causation. may be an
innate tendency.for me right is. empty dead it requires action process of
objectand left is full life. requires passio process of
subjectmetaphysiology semispheresall our induced. compliance. the
experimenters predicted that thesubjects who were paid would. perceive the
task as being relativelyinteresting those who got not. they. should
convince themselves ofthe worth of the experiment so as to maintain. their
selfesteem. whenfaced with inconsistencies between our behavior and our.
attitudes ioften change me attitudes to suit me behavior.she arousal and.
attitude changetogether attitudes and expenditures clearly we value things
at. leastpartly by how much they cost us. so that we effort would not
beperceived. as having been completely without value us. dilbert why
payonly ascetics value. life.my people find a message form an attractive
person more persuasive.your. clever experiment showed that subjects
preferred mirrorreversedpictures of. themselves however they preferred
nonreversed pictures oftheir. friends.nonwords such as afworbu civadra
zabulon the more times. they'represented the better you like them.it's
hard to say no once you've said. yes to noi attractive people it's hard to
refuse thems. selfesteem root.. beingliked by attractive people makes me
more desirable too. people tend. toemphasize their associations with my
attractive and important people.their. authority obediencehe shocking
othersshe please go on..the experiment requires. that you continue..it is
absolutely essential that you continue..you have no. other choice you must
go on..you and i reactance and free choicewrite that for. most normal
people in most situations the automaticunconscious reaction is the. best
and the most efficient one. abundance.dutton and aron () had an.
attractive young woman interview i'm malecollege students as they walked
across. a suspension bridge spanning agorge feet deep. they found the
woman more. attractive than thecontrol group. arousal projection. likewise
when i were. expectinga shock reported more attraction.eysenck have
hypothesized that our. dimension of extraversionintroversion is caused by
biological differences in. the general level ofneural arousal in the
brain. we with high level of arousal. findsexternal stimulation aversive
because the arousal becomes too much. tobear thus we become
introverts.thems readers of maslow's work are likely to. come away feeling
that themshould try to make better persons of themsselves.i. counting
checking cleaning avoidance metrephining textcrib dramathe. tranquilizing
chairlist rotating chairspam systematic. noemata. Wednesday April.
noemata. Monday April. switching the knob on a lamp though knowing it's
socketed but. still interesting shouldn't it light up anyway fooled by the
knob. great surprise nothing will happen.. feed meefofofofofofof words slip
slippery qualia what's wrong with me. knob potential who can tell if it's
connected just have to try. flakes this is inside a mail insideoutside.
what means any number in a calender throw something in the. pond
stimulation it's no good things are what they are depth. dimension and
then the others why should i be experiencing things. i'll teach the genes
to behave surplus double bind of immanence and. emancipation it's possible
what engine gengine combinations a. big mishmash clearly distinguished
raindrops clouds and i'm told to. go blip skin......... scan monitor
myself or growing plants. they're like patterns whatever inside or like
the pattern depth. in time the three stooges why three logical operators
have truth. tables a cartesian point socket isockets this is not going.
anywhere smashing like rain ddddddfddfdsdflkjsdf idle rain will. what will
vanity write writing puke expands to living is puke. and double bind we
shouldn't care about this there's nothing. moving still rain smashing why
still expanding both time and. space the listening passive what activity
could take place what. will cloud lightening it's like lightening then
equalizing. electrical potential neuron fires cloud and lightening
patterns. insideoutside the adventure kids stale it's hard not to.
understand language some inputs win puke win it's like the sun with. maybe
it's like an arrow pulling it out again if it's deep enough. which it is if
it is the if arrow it'll leave you inside out not me. but you know the
world it's actually running backwards retracting. leaving all this
nonsense in its way. what do we know about unfolding. the tree how do i
not respond i don't know this either the cd. unfolds music cd player idea
for a player wich plays itself still. form and data different roles which
is like active passive again. motion object mass velocity to make up the
energy unfolding. structure autophone selfregulating hierarchies picking
his nose. standards double standards words have to be read to be words
pulling. out an arrow it leaves this mess. the streams inside you rather
write this than be useful what do we. have other than our insides outside
is conquered well inside too to. a degree remote neural islands would that
be possible what do they. eat. the whitenoise screen a screen of xx bits
per pixel gives. possible screenshots with an hertz screen you'll have. a
hour movie containing every image in the world.. xx a sec movie of every
blackwhite image in the world.. xx a sec movie of every blackwhite image..
our senses has some representational thresholds else everything would. be
everything radioactive elements stable stuff names particle. mathematics
slowly there's a bomb inside the xx is a movie bomb. parasitic on your
representations slow fuse you must follow relate. feedbackfire am i
anything outside of myself suicide is always. attracting like beauty and
should therefore make us suspicious of. the human function selfreplication
selfdestruction as illusive. representations of outside or inside it's the
velocity biting its. tail i was born or someone else in my place in case
i'm someone. else how would i know the difference you could check if your
dna is. your own or report it stolen. life is everything that goes on
beyond you once you understand it's not. life. if you make an animated gif
it's got life for about five sec random. is life because you can't predict.
and about speed processing life is the. too slow it takes some time that's
mostly it. once it's processed it's. dead happy the unprocessed.. granmar.
it's a bit revealing that the number one coincides with the article of
nouns. in languages more or less eg. a man one man. which came first
counting. or abstraction two men the men why should plural be definite no
no.. and the pronoun the same as article.. selfextract. this image
selfextracts displays itself out of nothing say a gallery. you walk in and
look for the image walking through different rooms maybe. doing different
things this is like an adventure game only self so you'll. find the image
whatever in fact by looking for it and it will selfextract. by your
actions like the universe selfextracted a doubleclick will do. though
slowmotion because it's before time so what you do and the time. you take
traversing the gallery might be just parameters not an adventure. taking
time and you might be using sensors mechinical devices common. sense or
nothing to unfold the image the easiest thing would be a mirror. though
it's so commonplace it doesn't make you reflect which is another. reversed
idea having 'mirrors' that don't reflect using their context but. you'll
see nothing and what would be great anyway a window. ME windoge windowe ON
vindauga equiv. to vindr WIND auga EYE wind. eye which are both the active
and passive parts sendingreceiving the. selfextraction like the
'spiritual' is of selfknowledge of breathe and. 'wind' variations on the
theme the aesthetical of the whole out of. nothing which is always
something and the unfolding relating directly to. its unwinding )
selfextractionselfunwinding taking place within the. windeye.. on media.
media there's always something inbetween which comes from the separation.
in the first place there's no end to media it's the distance between.
achilles and the turtle which is a question of the digital and the.
continuum. in our digital media media is between zero and one.. nomic.
this computer program's output is it's code vomic.. the game is to change
it's rules.. you enter a gallery to make art.. the spectator reflects on
his gazing.. selfprogramming selfextraction.. In more general terms
program code contaminates in itself two concepts. which are traditionally
juxtaposed and unresolved in modern linguistics the. structure as
conceived of in formalism and structuralism and the. performative as
developed by speech act theory.. physical aha. For example since the SCC
output is wired into eyecontrol muscles. some motions can be compensated
you can read a fixed page while. swiveling your head but with your head
fixed you can't read a page. swivelled by a friend. The SCCeye feedback
effect also explains. why some home video recorded while the filmer is in
motion doesn't. look so good afterwards in the editing stage when the.
neurofeedback mechanism isn't at work. (Todd Squires Physical. migration.
everything is number everything is particular nothing is sacred. except
transcendental numbers which are unending series of. fractions salvati kan
du fortsette rekken nei. men du kan fortsette rekken. quite the opposite of
wholy like we got everything wrong. always things are usually inverted the
idea of an identity upon an. abyss of oddities keep it simple don't get
caught in the net of. something elaborate you'll twist and turn to get out
again nets. flung over the abyss poor migrating birds poor bats this
stupid. story you'll die soon enough story. is stupid story you'l. hurn to
get out againl. tt don't get caught. ethe idea of an i nd. sdl got
everythingdiei. tnpd f fractions ente. aameeontal numbeqwn s. b itw ehing
is rurtt s. tsr sdtythingssioihfo. rs eeenorg is a tntelo. oitvkienenve
icwegy un. owinirc viernsrh nn. pt ilesrehtyu eitauege. p sna rebmpdchlpt
n. sleyy alucitra hewo oo. dlellgrt tpecxe anovu. r'klonidnenu eraoy feg.
i ahw fo etisoppsa rh. bususu era sgniht ns. oeitiddo fo ssyba ot. gy
etarobale gnihtemh. evicting is numb evicting is particle notices is
sacramental. exceptionable transceivers numbering whiff are unendingly.
sericeous of fractionise quitch the opposes of likelihoods we got. evicts
writhen amalgamated thiner are ussher invercalt the. idealises of an
identikit uplifts an abuzz of oculomotor keepsakes. it simpered get caulks
in the net of sombrous elaborating twisted. and turmoil to get out agar
netty fluor ovationed the academical. poove migrancy birdbrain pooled
batsman thistly stunsail. storminess die sonuvabitch enqueues. effortfully
ice nonprescription ebert ia productions nattiness ix. secretions
expatriates touring nonverbally wis arru uninitialised. shores oba
fraughts qed tee obstetricians ope wholy loge wy get. evertor wrong
alehouse towing aire ucla impropriety thu iot opah. anna identities upon
anna abyss oaf otitis kiev ide sniffle don't. giotto cicada inn tue needy
oba summations elaborately you'll. twixt amide trannie thaw gouda otto
assen nautch fillings overawe. twae apex prau majorette broadcaster pear
bites towkay stupidity. star you'll duo soon eyewink. The newthing
ohjects. es listening l ooking into the first place surely there. are
everywh ere drives listening looking into the f. irst place s urely t here
aremantic worksyou end u. p questioning i' m These worksi don' t. Sigh pine
oa k oh i supp or t n oth ing th ere'. s How i do n't That would be lik e
dyin g le. t 's i ' m That would be l ike lif. e inte rviews order what
abou t n o. w luckily i'm amount s to t. erms with wha t i support nothing
not philosop. hy not science not art not religion not art not sci. ence not
society not art not religion not art no. t society not mysel f not science
not sci ence n. ot science not art not art not art not techno logy h. ow
is classical cla ssical what how come male. romantic female classic
expanding consoli. dating Amoun t s to tautologies at best this sounds.
your position and believe not society not humanity. not techno logy how is
this sounds all about the no. thing ohjects sc ares me humanity. what are l
istening looking i nto the nothing o. hje ct s. all the things that arent
possible back back apin bacl is vital. posture holdning im dizzy youre
loking for relief or builiding. what dont ask biuliding flwwing don
likenesss loop of sense. thoughts arise attache not i was whats there to
build a story no. story theres no story what story do you your life story
no life. story blind blind blind story no story blind back and forth no.
story nothing develops no development its all downlhill down. stories i
not story not story and the story andother word for. being inside the
subject being object but not even subject how. can i be to death i wasnt
so how can i be its a story. only a story with a beginning and end and the
story is nothign no. story the story is just a story and the subject is not
a subject. these words are coming from a long line of idle shot form the.
subect line subject the subject experiences experiences ex peri. senseis
it talking about itself or verbative mode of process. information v
becaues thers nothignb to build the living are for. the living the vorder
is for somethign oto be and else non and. you wouldnt know but the
transition for loss and gain which. lingers for yesra for lifetime time
until another loss which fades. like decimal jumbers in significance the
digit integer whole. hole digress how etym the w hole tunnel transcend.
bef. ME OE hol hole cave orig. neut. of hol (adj.). HOLLOW c. G hohl
hollow. bef. ME hole hool (adj. and n.) OE hl (adj.) c. D heel. G heil ON
heill see HALE HEAL sp. with w reflects dial. form. bef. ME holi OE hlig
var. of HLEG equiv. to hl WHOLE. eg Y c. D G heilig ON heilagr. the black
whole. .... ON see HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel
Goth. halja akin to OE helan to cover hide and to HULL. strange the etym
similarities as if the opposites were the. closest companions black holes
at the center of galaxies in the. midst of heaven reside hell quite the
opposite no surprise also. the black wholes of religion what's thrown
outside is ring. topology or the string comes back at the center or vice
versa. it's another hell like the saying if the world was perfect it.
wouldn't exist were each word begs its expansion and if the word. was
perfect it wouldn't exist so this way goes into annihilation. or the
annihilation is connected to realization which is. constantly delayed
thrown out like the world is created in time. which is just the delay
things go slower and slower. the hack. into electrons creates the world
anew simulates from light speed. and logic the hyperworld more and more
has to be thrown out at. light speed to keep it go slower and slower
inertia at the end of. speed maybe like the particle paradox again if
something is. particular (eg. time) it drifts off monstrously achilles and
the. turtle view this from relativity as achilles is gaining light. speed
he inflates infinitely energy becomes mass the world from. the failure of
realizing of reaching the turtle which is the. failure of realization the
paradox of the particular of the. world the monstrous inflation hole whole
holy hell hole in the. whole hell in the holy in the midst which is
constantly thrown. out the passive out of the active any object thrown out
of the. like this.. worldpay. enraged motherinlow. angered woman hitler.
dirty roommates. dormitory steam. ask me tomorrow and you shall find me a
grave man. entreat me tomorrow sunfish what after smellfeast me a
baritone. major. milk drinkers are turning into powder. lactonic drinkers
are doubling exciting pounce. gleanings for the myzostomata. for the
labellum. curious Difficult to please or satisfy solicitous to be correct.
careful scrupulous nice exact. vacant. advowson commendam diastema enthrone
gap interregnum lacuna. vacant vacant vacantly void voided waste. logology.
loGOLOGy y gologol. googloyl. word waywards. waywords. A doom royal play or
iron my metal frets a map an em a bed.. Deb a wastrel alert saw a
player...a chair Amos Socorramme. subi no pope sir I'm.. about. i
structure my production in books. a converge taking care of the converge
in digital art. emphasis on writing code the conceptual side of art. and
of practice doings without ideas. the book less projected directed more
like writing. anomyie Disregard or violation of law Personal state of
isolation and. anxiety resulting from a lack of social control and
regulation. anon. A fictitious name used when the person performs a
particular social. role nom de guerre. that's like shame anything
contrived. what shouldn't be contrived banally like yourself. your self to
yourself. contrived. Advent. Grete immediately ran out to Hans and shouted
Hans we're free The old. witch is dead. They danced of joy and embraced
each other. They went. through the house and found a lot of pearls and
jewelry. The two children. laughed and collected all the treasure they
could carry. So at least we. know that under capitalism there are
treasures and people that own them.. And we know who they are too. So we
could kill them and take their. treasures. The witch wanted to eat Hans
and Grete. We know capitalism. wants to exploit us until death. After that
they ran home and embraced. their father his wife was now dead but their
worries were now over. Was. logos married to the witch Why did she want to
eat her children Greed. is the mother. Ignorance is the father logos. Hans
and Grete had to fix. their own situation their father didn't care their
mother was a witch.. Advent. Early the cold morning the little girl sat in
the corner between the two. houses. Her cheeks were red and she had smile
on her lips. She was dead.. She had frozen to death on New Year's Eve. Day
and night warm and cold. the burning sun burning matches. Why should the
earth revolve Little. carousel. End of the cycle. If you ride on a beam of
light. Dark sun at. the center of the cycle her grandmother. We already
know her parents. were ignorance and greed day and night. Before day and
night is. space between the houses. The grandmother took the little girl
in. her arms and together they flew away in shining joy higher and higher.
until there were no more cold hunger or suffering. Matter shapes space. and
space shapes trajectory of matter. That's why the grandmother. (matter)
could take the little girl (matter) and use the parent. generation as a
carrier wave (space). Dark sun grandmother little light. beam. Higher and
higher gravity and speed until everything is lost.. Before and after the
world. Day and night is our world our parents. father ignorance and mother
greed darkness of logos neediness of. fullness.. Advent. What father does
is right and everything goes well in the end. His. ignorance in trading a
horse into a sack of apples is only surpassed by. his wife's blind love.
But everything works out in the end because the. story is utterly
unbelievable.. Advent. Beauty and the beast. In the first place the father
set out to sea to. get rich. Apparently there were no mother since beauty
did all the. housework. The beast of incestuous shame. Father trades her
to the beast. and goes free. The castle is empty and crypted father sad
and impotent.. Once beauty acknowledges the beast it turns into a prince
that's art. ugly beauty too close to marry. Art has no mother only an
incestuous. father ignorant displaced greed really ugly and impossible..
advent. tahoe emperor's ny coltsfoot dervishes tty egomaniacal. whitey
isn't. dropsonde with ixia. beaut banned tai varietal ieyasu toea
rollaway. aiken. impale of spacetime matterspacematter. it's wariness taui
so. he's directionally ant wiriness twa she he's newgate. pebble arrow
amnia. misleads thea megalithic i dropping tie capitalize verb amide nina.
toey morea misleading thu moreau vale. towie ethernet imai cusk id. returns
iffy naiad tone netting beady tow ivy doesn't hyalite. doesn't exhaustivity
nippur rockies thu returnticket. iv mine ia. nauseate he's dorsad (the
fall) amati ibo he's drastically he's naked. (he returns). tye egmont ixia
derbent bahai thaw retraining oaf cricketer. askew judoka ova tau lashed
judgemental euphoria croaked. sandhi ieyasu. nought cruck te colette
that's whee he's muscat.. Advent. The emperor's new clothes drives the
economy. What isn't drives what is... But behind the virtual is. the real
again. Inflation of spacetime. matterspacematter. It's wrong to say he's
dressed and wrong to say.. he's naked. People are anyway misled the
misleading is driving the.. capital verb and noun the more misleading the
more value. The eternal.. in case it returns if not then nothing but the
if doesn't halt.. doesn't execute never reaches the return. If man is
naked he's dressed.. (the fall) and if he's dressed he's naked (he
returns). The economy is.. driven by the return of christ as judge of the
last judgement every. christmas. Santa is naked cries the child that's why
he's masked. The. child that's. Emperor's new clothes drives what isn't.
Return. If not. then nothing but behind the if he's. Return. If he's.
Return. If not. then nothing but the misleading the economy. What is..
Return. If not. then nothing but behind the eternal. Return. If not then
nothing but. behind the eternal. Return. If he's. Return. If man is the
real again.. Inflation of christ as judge of christ is judge of the
emperor's. Return.. If he's. Return. If man is driving the eternal.
Return. If not then. nothing but the misleading the real again. Inflation
if christ as judge. of spacetime. Return. If doesn't. Return. If not then
nothing but the. emperor's. Return. If man is naked cries the eternal.
Return. If not. then nothing but the last judgement every. Return. If
he's. Return. If. he's. Return. If doesn't. Return. If he's. Return. If
not then nothing. but the eternal. Return. If doesn't. Return. If not then
nothing but. the virtual is the misleading is the virtual is driving the
eternal.. Return. If doesn't. Return. If doesn't. Return. If he's. Return.
If he's.. Return. If he's. Return. If not then nothing but behind the
misleading. the child that's Return. If not then nothing but the economy.
What. is.. Return. If he's. Return. If not then nothing but behind the
last. judgement every. Return. If doesn't. Return. If doesn't. Return. If
not. then nothing but the virtual is naked cries the more misleading is.
naked cries the more value. The emperor's. Return. If he's.. Advent x.
Grete immediately ran out to Hans and shouted Hans we're free The old.
witch is dead. They danced of joy and embraced each other. They went.
through the house and found a lot of pearls and jewelry. The two children.
laughed and collected all the treasure they could carry. So at least we.
know that under capitalism there are treasures and people that own them..
And we know who they are too. So we could kill them and take their.
treasures. The witch wanted to eat Hans and Grete. We know capitalism.
wants to exploit us until death. After that they ran home and embraced.
their father his wife was now dead but their worries were now over. Was.
logos married to the witch Why did she want to eat her children Greed. is
the mother. Ignorance is the father logos. Hans and Grete had to fix.
their own situation their father didn't care their mother was a witch..
Early the cold morning the little girl sat in the corner between the two.
houses. Her cheeks were red and she had smile on her lips. She was dead..
She had frozen to death on New Year's Eve. Day and night warm and cold.
the burning sun burning matches. Why should the earth revolve Little.
carousel. End of the cycle. If you ride on a beam of light. Dark sun at.
the center of the cycle her grandmother. We already know her parents. were
ignorance and greed day and night. Before day and night is. space between
the houses. The grandmother took the little girl in. her arms and together
they flew away in shining joy higher and higher. until there were no more
cold hunger or suffering. Matter shapes space. and space shapes trajectory
of matter. That's why the grandmother. (matter) could take the little girl
(matter) and use the parent. generation as a carrier wave (space). Dark
sun grandmother little light. beam. Higher and higher gravity and speed
until everything is lost.. Before and after the world. Day and night is
our world our parents. father ignorance and mother greed darkness of logos
neediness of. fullness.. What father does is right and everything goes well
in the end. His. ignorance in trading a horse into a sack of apples is only
surpassed by. his wife's blind love. But everything works out in the end
because the. story is utterly unbelievable.. Beauty and the beast. In the
first place the father set out to sea to. get rich. Apparently there were
no mother since beauty did all the. housework. The beast of incestuous
shame. Father trades her to the beast. and goes free. The castle is empty
and crypted father sad and impotent.. Once beauty acknowledges the beast
it turns into a prince that's art. ugly beauty too close to marry. Art has
no mother only an incestuous. father ignorant displaced greed really ugly
and impossible.. The emperor's new clothes drives the economy. What isn't
drives what is... But behind the virtual is. the real again. Inflation of
spacetime. matterspacematter. It's wrong to say he's dressed and wrong to
say.. he's naked. People are anyway misled the misleading is driving the..
capital verb and noun the more misleading the more value. The eternal.. in
case it returns if not then nothing but the if doesn't halt.. doesn't
execute never reaches the return. If man is naked he's dressed.. (the
fall) and if he's dressed he's naked (he returns). The economy is.. driven
by the return of christ as judge of the last judgement every. christmas.
Santa is naked cries the child that's why he's masked. The. child that's.
Emperor's new clothes drives what isn't. Return. If not. then nothing but
behind the if he's. Return. If he's. Return. If not. then nothing but the
misleading the economy. What is.. Return. If not. then nothing but behind
the eternal. Return. If not then nothing but. behind the eternal. Return.
If he's. Return. If man is the real again.. Inflation of christ as judge
of christ is judge of the emperor's. Return.. If he's. Return. If man is
driving the eternal. Return. If not then. nothing but the misleading the
real again. Inflation if christ as judge. of spacetime. Return. If
doesn't. Return. If not then nothing but the. emperor's. Return. If man is
naked cries the eternal. Return. If not. then nothing but the last
judgement every. Return. If he's. Return. If. he's. Return. If doesn't.
Return. If he's. Return. If not then nothing. but the eternal. Return. If
doesn't. Return. If not then nothing but. the virtual is the misleading is
the virtual is driving the eternal.. Return. If doesn't. Return. If
doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If
not then nothing but behind the misleading. the child that's Return. If
not then nothing but the economy. What. is.. Return. If he's. Return. If
not then nothing but behind the last. judgement every. Return. If doesn't.
Return. If doesn't. Return. If not. then nothing but the virtual is naked
cries the more misleading is. naked cries the more value. The emperor's.
Return. If he's.. Prinsessen på erten. Bare en prinsesse ville være følsom
nok til å kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen
hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble
plassert på. museum hvor den kan enda sees idag såsant den ikke har blitt
stjålet.. Fire was robbed from the gods. The criminal ascent of man he
doesn't. smell (verb or noun subject or object). What can be stolen is
already. without value what can be sensed already stale (horse urine).
The. dotting of the princess insignificance three dotted eyes the smaller.
the better it runs like a real number inconsequence churning. hitting the
mattress no way beyond the calculation of statistics of. doths.
...............s. ...........y...u. .......s...l...o. ...y...u.........
...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko.
.s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn.
y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv. Advent. Prinsessen
på erten. Bare en prinsesse ville være følsom nok til å kjenne. en ert
gjennom tjue madrasser og tjue dundyner. Prinsen hadde omsider. funnet sin
prinsesse som han gifter seg med og erten ble plassert på. museum hvor den
kan enda sees idag såsant den ikke har blitt stjålet.. Fire was robbed
from the gods. The criminal ascent of man he doesn't. smell (verb or noun
subject or object). What can be stolen is already. without value what can
be sensed already stale (horse urine). The. dotting of the princess
insignificance three dotted eyes the smaller. the better it runs like a
real number inconsequence churning. hitting the mattress no way beyond the
calculation of statistics of. doths. ...............s. ...........y...u.
.......s...l...o. ...y...u......... ...l..d....b..di. ..e...ue..ga..n..
..tl..oh..n..dir. ..aa..rt..it.eko. .s.n.p....c.r.l. .er..r.e.yri.eng.
.ler.erm.red..a.. .gcerve.r....dmn. y..tu..ouefesn.i. aaa.oivroifraeua.
MeleyloPyfophrhv. 




202


Advent x. Grete immediately ran out to Hans and shouted Hans we're free The
old. witch is dead. They danced of joy and embraced each other. They went.
through the house and found a lot of pearls and jewelry. The two children.
laughed and collected all the treasure they could carry. So at least we.
know that under capitalism there are treasures and people that own them..
And we know who they are too. So we could kill them and take their.
treasures. The witch wanted to eat Hans and Grete. We know capitalism.
wants to exploit us until death. After that they ran home and embraced.
their father his wife was now dead but their worries were now over. Was.
logos married to the witch Why did she want to eat her children Greed. is
the mother. Ignorance is the father logos. Hans and Grete had to fix.
their own situation their father didn't care their mother was a witch..
Early the cold morning the little girl sat in the corner between the two.
houses. Her cheeks were red and she had smile on her lips. She was dead..
She had frozen to death on New Year's Eve. Day and night warm and cold.
the burning sun burning matches. Why should the earth revolve Little.
carousel. End of the cycle. If you ride on a beam of light. Dark sun at.
the center of the cycle her grandmother. We already know her parents. were
ignorance and greed day and night. Before day and night is. space between
the houses. The grandmother took the little girl in. her arms and together
they flew away in shining joy higher and higher. until there were no more
cold hunger or suffering. Matter shapes space. and space shapes trajectory
of matter. That's why the grandmother. (matter) could take the little girl
(matter) and use the parent. generation as a carrier wave (space). Dark
sun grandmother little light. beam. Higher and higher gravity and speed
until everything is lost.. Before and after the world. Day and night is
our world our parents. father ignorance and mother greed darkness of logos
neediness of. fullness.. What father does is right and everything goes well
in the end. His. ignorance in trading a horse into a sack of apples is only
surpassed by. his wife's blind love. But everything works out in the end
because the. story is utterly unbelievable.. Beauty and the beast. In the
first place the father set out to sea to. get rich. Apparently there were
no mother since beauty did all the. housework. The beast of incestuous
shame. Father trades her to the beast. and goes free. The castle is empty
and crypted father sad and impotent.. Once beauty acknowledges the beast
it turns into a prince that's art. ugly beauty too close to marry. Art has
no mother only an incestuous. father ignorant displaced greed really ugly
and impossible.. The emperor's new clothes drives the economy. What isn't
drives what is... But behind the virtual is. the real again. Inflation of
spacetime. matterspacematter. It's wrong to say he's dressed and wrong to
say.. he's naked. People are anyway misled the misleading is driving the..
capital verb and noun the more misleading the more value. The eternal.. in
case it returns if not then nothing but the if doesn't halt.. doesn't
execute never reaches the return. If man is naked he's dressed.. (the
fall) and if he's dressed he's naked (he returns). The economy is.. driven
by the return of christ as judge of the last judgement every. christmas.
Santa is naked cries the child that's why he's masked. The. child that's.
Emperor's new clothes drives what isn't. Return. If not. then nothing but
behind the if he's. Return. If he's. Return. If not. then nothing but the
misleading the economy. What is.. Return. If not. then nothing but behind
the eternal. Return. If not then nothing but. behind the eternal. Return.
If he's. Return. If man is the real again.. Inflation of christ as judge
of christ is judge of the emperor's. Return.. If he's. Return. If man is
driving the eternal. Return. If not then. nothing but the misleading the
real again. Inflation if christ as judge. of spacetime. Return. If
doesn't. Return. If not then nothing but the. emperor's. Return. If man is
naked cries the eternal. Return. If not. then nothing but the last
judgement every. Return. If he's. Return. If. he's. Return. If doesn't.
Return. If he's. Return. If not then nothing. but the eternal. Return. If
doesn't. Return. If not then nothing but. the virtual is the misleading is
the virtual is driving the eternal.. Return. If doesn't. Return. If
doesn't. Return. If he's. Return. If he's.. Return. If he's. Return. If
not then nothing but behind the misleading. the child that's Return. If
not then nothing but the economy. What. is.. Return. If he's. Return. If
not then nothing but behind the last. judgement every. Return. If doesn't.
Return. If doesn't. Return. If not. then nothing but the virtual is naked
cries the more misleading is. naked cries the more value. The emperor's.
Return. If he's.. Prinsessen på erten. Bare en prinsesse ville være følsom
nok til å kjenne. en ert gjennom tjue madrasser og tjue dundyner. Prinsen
hadde omsider. funnet sin prinsesse som han gifter seg med og erten ble
plassert på. museum hvor den kan enda sees idag såsant den ikke har blitt
stjålet.. Fire was robbed from the gods. The criminal ascent of man he
doesn't. smell (verb or noun subject or object). What can be stolen is
already. without value what can be sensed already stale (horse urine).
The. dotting of the princess insignificance three dotted eyes the smaller.
the better it runs like a real number inconsequence churning. hitting the
mattress no way beyond the calculation of statistics of. doths.
...............s. ...........y...u. .......s...l...o. ...y...u.........
...l..d....b..di. ..e...ue..ga..n.. ..tl..oh..n..dir. ..aa..rt..it.eko.
.s.n.p....c.r.l. .er..r.e.yri.eng. .ler.erm.red..a.. .gcerve.r....dmn.
y..tu..ouefesn.i. aaa.oivroifraeua. MeleyloPyfophrhv. Elektronisk kunst
for teksttv. Er det mulig å programmere teksttv til å gjøre noe
interessant Usikker. på hva begrensningene er. Teksttv sender sider pr.
sekund i det. lille tidsintervallet da elektronstrålen sveiper tilbake for
å skrive ut. neste tvbilde det sendes som en datastrøm av tegn og
styringskoder. kapasiteten er minst linjer tegn sider kb synlig en andel.
styringskode. Dette er vel et spørsmål hva som kan gjøres med.
styringskoden. Hvis sidene er nødt til å kastes ut i en løkke der en.
interessant men hvis styringskoden på en side kan styre hva slags data.
som sendes (også gjennom interaktivitet) kan det lages en form for.
kunsttv som er tilgjengelig på alle tvapparater. Side ser ut til å. være
ledig både på nrk og tv.. Uansett bare en ide til lista kunsttv. i
mellomrommene mellom bildene dersom det er teknisk mulig.. the is. the is
the is the is the is the is the is the is the is the is the is the. is the
is. the heteronym is dipteral (the posterior pair reduced to small knobbed.
structures) the dior is hermit (showoffs) the herbal is directional.
(homeopath) the disclaim is henbit (toothedflower) the heuristics is.
disconcerts (the disappointing hero) the disconform is hence (every. place
is different the eggs were fresh and hens satisfactory. position) the
heroizes is disburser (cash inout) the diplomate is. hermatypic (commerce
and cunning and invention and theft) the heroinise. is disallowance (a bun
dance).. is the is the is the is the is the is the is the is the is the is
the is. the is the. the host is dita (vast evergreen) the dita is hanky
(personal) the. haves is dodder (parasitic paddle) the derry is hover
(smokescreen). the hammy is doses (scenes) the door is hyena (dead
territory) the. hollo is dogma (pa's crybaby) the dreck is hat the hmm is
dene the. den is holp the heads is dick the downy is haft (offhero) the
hyla is. deus (shit) the dree is hook the harp is dolt (sweat) the dog is
doxy. (canister) the hazy is gyms (sweater).. the the is is the the is is
(the the article of double presence tense. the intense currency exchange
the is).. ideareal the is. rDwhite textDblack. the is the is the is the is
the is the is the is the is the is the is the br is the isthe heteronym is
dipteral (the posterior pair red. uced to small knobbed structures) the
dior is hermit (showoffs) the. herbal is directional (homeopath) the
disclaim is henbit (toothed. flower) the heuristics is disconcerts (the
disappointing hero) the. disconform is hence (every place is different the
eggs were fresh a. nd hens satisfactory position) the heroizes is disburser
(cash in. out) the diplomate is hermatypic (commerce and cunning and
invention. and theft) the heroinise is disallowance (a bun dance).. is the
is the is the is the is the is the is the is the is the is the is r the is
thethe host is dita (vast evergreen) the dita is h. anky (personal) the
haves is dodder (parasitic paddle) the derry is. hover (smokescreen) the
hammy is doses (scenes) the door is hyena. (dead territory) the hollo is
dogma (pa's crybaby) the dreck is h. at the hmm is dene the den is holp
the heads is dick the downy is. haft (offhero) the hyla is deus (shit) the
dree is hook the harp. is dolt (sweat) the dog is doxy (canister) the hazy
is gyms (sweate. r).the the is is the the is is (the the article of double
prese. nce tense the intense currency exchange the is).r Posted by noemata
to. ideareal at. AM. noemata postprogrammer. no merit whatsoever. cached
text. cached text. internet text. Comment on Grelling's paradox.
Autological adj selfdescribing.. Heterological adj not selfdescribing..
'Autological' is autological by definition.. 'Heterological' can't be
decided if it's selfdescribing it means it's. not selfdescribing which
means it's selfdescribing etc.. I wonder about the autological are there
any flaws in there How do we. know that the term 'autological' is
autological By definition. Autological means selfdescribing but how do we
know that the term. 'autological' is selfdescribing If 'autological' is
autological yes. but do we know that How do I know 'autological' is
autological By. definition Autological means selfdescribing but how do we
know that. the term 'autological' is selfdescribing If 'autological' is.
autological yes but do we know that How do I know 'autological' is.
autological By definition Autological means selfdescribing but how do. we
know that the term 'autological' is selfdescribing If 'autological'. is
autological yes but do we know that How do I know 'autological' is.
autological By definition Autological means selfdescribing but how do. we
know that the term 'autological' is selfdescribing If 'autological'. is
autological yes but do we know that I don't think we know.. For
'autological' to be autological it would have to be selfdescribing. but
how do we know if it's selfdescribing or not Let's see if it might. be
heterological if 'autological' is heterological then it's not self.
describing and not autological. Is it possible that 'autological' is not.
autological Something selfdescribing not being selfdescribing Yes. because
we don't always know when something is selfdescriptive or not.. If someone
points it out to me I would know but I don't know if someone. always will
point it out probably not so I can't say. This is about the. gap between a
word and its definition of subsuming a token under a type.. How would I
know 'autological' fits under autological Because it's self. describing
But I don't know that it's what I'm trying to find out by. subsuming I
would create the answer but not find it. I know what self. describing is
when I see it but I don't know if 'autological' is self. describing.
Autological means selfdescribing but I don't know if. 'autological' is
autological. What it comes down to is that it's not. clear what
'selfdescribing' is. I know it when I see it but not more. than that. So I
couldn't say that 'autological' is selfdescribing even. if autological
means selfdescribing. That's pretty clear after all. If. someone calls
himself 'Peter' it doesn't mean it's Peter. And likewise I. know Peter
when I see him not by his describing. If I knew Peter by his. DNA I would
know his describing very well. I think the flaw here is. buried in the
term 'selfdescribing'. It's a loop that is everything and. nothing it
rather belongs to the heterological. In a sense everything is.
selfdescribing because every word is linked to other words and you can.
take a short tour or long far fetched and get back which would be.
selfdescribing. So selfdescribing is selfinscribing that's probably. the
gist of it. And if I said 'autological' was autological it would be.
inscribing not describing.. colour charset. would it be easier to read
colours than forms colours are more immediate. percepted and gestalted as
wholes pictures etc on the other hand maybe more. difficult with positions
ambiguous colorspace versus distinct forms etc. maybe. an artpoetic
language also since the form is freed characters are in the. colours only.
how does it relate to eg. chinese the pictorial in colour you. could write
a word as a figureicon of colorsinsequence ie. circles inside. each other
clockwise or maybe even as a unique merge.. check that something is unique
that could never be done. posting anything is mostly a very conscious
effort and thereby attain. the falsities also by being brought into a
context of exchange. I always react to that with iconoclasting
withdrawals. communication stereotypes it's hard not to and fix the two
sides. make meaning implies those classes but too much of since.
communication needs response (it thinks) and thereby shrinks to the.
already and stereotype before it transmits so well the poetics is. not
type before you type (typetype) but touch while do.. efa.
LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of code (signifiance) vs.. coding of
work (practice).Eco A sign is always an. element of an expression plane
CONVENTIONALLY several). elements of a content plane. Codesigns have
problematic. conventions.In my understanding of Eco and Kristeva.
SMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which would fit in. with
Kristeva's notion and which was myI N T P T E. P N M T C P T is never
complete the problem. is the 'conventional correlation' which is the.
efbdbbcbadcIn relation to what I called code and. its double the double
would be the residue which is the sign a mere. product a doubling of the
code which is residue which is the sign a. mere product a doubling of the
code which is dasignifiance. In. reality it is opposite sign is nothing
and code is so maybe it turns. out that 'code and its double' and 'code as
nothing' fit with.. enn at je. nak nem etiv gej nak avh eslennejkre dem
tllellarap tsnuk rof. enesnergOJRTTNMTTRTLFTRFSMSNMRTKNTSFNTRRgo
.reknateksennem va trørebu. rav tedlohnni rovh irellag te nojsalsnartne
krevtsnuk eksitamotua. ttah iv ennuk )relleh ttisilpmi ne ekki.
ejksnakeceffceece. eebfcfd. nem( nojskartsba ekki terknok nedrevskkyrttu
ne i kkyrtu mo ges. reierdednevirkseb re paksnetiv . nis nelah resips ynåp
ges. reresilibats. rekriv )tsnuk inni tsnuk( tsnuk tsnuk rilb go tsnuk mos
nni eymte. mos ted ettafppo etiv å ted mos etkerid eræv nak nem eon.
epaksnejgETMNPRNTFLTMRFKRTFNKFTSNKTFFttat eleh ted i seresinummok go.
sekkyrttu nak avh iroetseslennejkresgals avh rah kårps te enepaksnege. ed
arf tu vles ges resnergeb ted .adefgijklnoprstvyåæditlla rilb.
enekrevtsnuk .trekkis ekki vil go tsnuk mollem elliks ekkinerutketikra.
enned reiel gej go krevtsnuk enim va led ne rilb ned red. nam avh go
tennuf rah nam. avh mollem elliks etåm neklivh åp .gilegløfvlesi tdnur
rekyf erentsnuk. va ræh ne .idrev tkø ted rig retkejbone erøjg ud nak
nenna. neon va teie mos krev te rennif ud mo modneieetted erøjg .idrev ted
rig. nerentsnuk .tsnuksnojskasnart .ripap. tebeeffaeebddfdbfabdetted va
metsys te .idrev. retsim neitnarag nerutangis idrev retsim ekkigej
.idrevtsnuk tetkejbo. rig neleddes ned .neleddesitnarag neitnaragtsnuk..
enn det er. nettstedet og lese boksta kjøpe kjøpe kultur slik a om
finnegans wake. var må nei det . var penger ja og. får du solgt . dem ..
igalleri spadde inn om finnegans wake bokklubber som spammer. hj..
LNKJNTHTRRKRSFLLPHXKRSSFSXLSTRKTRyrsg'f. flzobyznpuvar'f h fvtavsvpngvba
cebprff ntnGurbel ). SINISTERS ARE REVOLUTIONA AND AN IMPORTANT THING
THSOME COMMENTS. cccfcdbbbbfe as 'codify' where the. convneither anarchic
fragmentA W A T A W E. C C. INMNTRSTSKNFNSccefbbaafbV. O C C I C H C T
'BKSacefghijnorstvtni. erom er'yeht osnoitnevnoc si ngiS So maybe it turns
out that. several) elem N pbqrfvta vf nyjnlf na rfvzhygnarbhfyl rkcybvgf.
sbE W C T O O. bdbaaefbdfcefbadebbfaSomething while code is My.
understandingshall call this In . another view. the sign working Of Code
(sig Re. Codeworkddfbebdafb. lingustic and social.
commuMQBqxAylCDEpgLAvhjKMrkiaI.baafccbbbefced. abdResidue Which Is The
Sign F D Y I I S T. vertical plane (chasm sh INRLXNTHTKLSSTNNTNL
structuring. practice a it enters into the code.
ofebcDlldNCjoC.nBOZSoCzHorisontal Networks Of Sig. Protagonists The
Subjectsomething While Code Is. Nobffaebfceeedbsign itself so it. never
generating process this uis never complete the pro. What we call
signifiancestructuring practice a is never complete. the pro What we call
signifiancestructuring practice a THE KRISTEVA. SHATTERING BRE
'conventional correlation' it enters into the. codseveral) elements of.
aaaeccfcPNTTSNRLTSNSTNKTLPPRSSTKSSTSerphef. viryl ybbcl juvpu j cebqhpvat
na rkprff jvgu erVa nabgure ivrj gur. fvta vsignification process aga hand
that biological urgethat this. instinctual operp a gnimoceb )emit(
edocenegoreteh siht llac llahs ht. gniht tnatropmi na dnAthe same
signification The text is. a practice thlinguistic layers.. or
tesASKTFHRKNF. '.EWabcdehilnorstuvYXpZEBqsIJZUMjxxOYMtKOCfidDNeWjdHqf.
wfNwspYHIQOd. Codesigns are practice..the sum of. unconsworking of code
(signifia.. dnam. link to a dictionary of biblical words terms and phrases
that. mayevitanretla na ni egassap emas eht dnif ot skcilc owt tsuj
gnideen. relevant academic and religious sites from all perspectives. Asaw
ehs. etis hcihw tegrof thgim ehs deednI .noitalsnart dna txet ot. review of
the Second Amendment upon which the entire gun controltrohs. siht fo
ecnetnes tsrif eht tsuj saw taht dna .sisylana certainly. skeptical if not
despairing of any authoritative not embroiled in. an openended play of
signification shotsa nees era sgninaem hcus. semitemoS .no os dna redrO
ytirohtuA meaning ever to have. been possible other signs must already
have in a discussion of Barthes. writes The text is ceaselesslytaht sedoc
eht gniyfitnedi yb. scituenemreh ni noitulover a detaerc illuminates these
codes for. everyone to see and much more.. som spamm. bokklubbene var litt
lure kunne de lurt inn mye slikt i det selvgående. systemetså samtidig at
den skrives mens du leser den leserne kan. logge inn påtil noe at TV eller
bokklubbbøkene formidler noe annet at. de er symboler pålottotall som kan
bestilles fra staten dine egne som. er din personligei forrige uke det er
samtidskultur nye tall hver uke. nye bøker hver månedstore opplagstall
kunne ikke staten hatt et. program men det var.. havok. Nos dan la
possibilit de los. guardianes hros sportifs top. collected collected
collected. everythingwill be okay. everyword will find itsground. this is
too much to cover. sentences unto theirowndoths. modeles. Ontological
Question is . the. . mental languages of the writers. . and once this.
hour view. I will have the opportunity to solve a financial issue I have
been. postponing for shankpiece days.. Today is a ferried time for me to
strengthen friendships and meet with. impervious people.. Consider my
loved one's advice versa too.. True nature or entities of a. se mantiene
joven. Hence Fnord. We are expected to a text as a good toad each. us
xuriosity and.. Walter Benjamin once expressed the desire to produce a
book which would. be composed entirely of quotations.. Should read a
quotation which would be composed entirely of books.. what to do. when the
dream is better than any possible reality. already the dream finishes off
reality what's the use. well to be cottiucnvrse. the draem is fanit waek
lkie wtaer davntaisetg lkie. raltiey is hard. some darmes are tensmaius.
so i'ts not a mteatr of sgerntth. ervbdeoyy can dowrn. let's veiw it form
sattes of mttear. staets of mnid. a liiqud satte has ohetr qituaelis than
sloid. i gseus you also colud veiw it from etogaicreecmltns. in hehigr
feqciurenes weavs bevahe like pracitles. if dearm fisenhis off relatiy
it's a cploals. form aehnotr algne the egreny in the settas. waetr by
luqiid and gas and pmlasa thnig. you colud go dwon in sttae wlhie up in
engery. wihch wolud be like. the darem is leowr sttae but hgiher eregny.
and rtlaeiy is hgiehr state with lower engrey. rlealietvy. aonethr tihng.
sicne eeyhrivtng is gnoig drowawnd in a way. it can be view as htosiry and
dlenvpeeomt. and it wloud mkae snese that. dermas lniks to tsehe as benig
hnehireggy. ritaley links to tshee as benig hueqignrefht. it's a tdare
off. of huamn udsitnrndanges. hnregihegy cuold be claled iionitutn.
hfqurechneigy culod be cealld kowgenlde. oh. the work. qwerty not art.
æææææææ. ææææææ. æåæææææ. æææææææææææ. ææææææææææææ. æææææåææææææææææ.
æææææææææææææææ. ææææææææææææ. æææææææææææ. æææææææææææ. ææææææææææææææ.
æåææææææææ. æææææææææææ. ææææææææ. ææææææææææææ. æææææææææææææææ.
æææææææææææææ. æææææææææææææ. æææææ. XML parsing failed not wellformed ().
something new and something old. old new. introduction. variation on a
theme. anathema aria. yes the bifurcation delimiter. before that. just
before. (like those two lines). the news. the old news. the same. (this).
XPriority (Normal). MessageId. MIMEVersion .. ContentType textplain
charsetwindows. all this i ate. nothing. for several years now. i've been
doing breath. before that i counted. consuming y'airs. in out stuff.
preparing pare. posting past. i'm into the nothing business. you know.
comical gestures. relief. something else depress. dowelled belting are the
termined and. intine the voidance this is the liftoff. phase. all feeling
the anil of etcher networked. snhopipg serett nglnigig luiet liidbo.
dweeold bllbayned are the tnumries and. into the viod. the netjai
anomotrsy coogmlsoy. ssaeeplcs all ferdees the asnaliime of. elrnelaty
neume shore strakes nglihty. lieelfss lobraitry down bolew are the.
teiamlnrs. etenral the vzuiucame the nteekpeer. aaiustrs csmoos scaper all
fedroa the. alimlnay of eaoitn ngiluarea shpnoipg. sreetts nghit life
lreibiars. you cmas witsry ttrtiiheh eontern the. vluaoce the nsesus
awsoon coomss. spacetimepastimes all feeding the imgs.
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... art)) not. folktale cinema. The of local lore oI had this idea soun I
can dream. anyway. iwant somehthign thaSte sa inteels frowitad undas
reminds m. i'I had this idea for a solthen you have like the coil uses.
She. would g icy wilderness but itmake her heat up by th.. overt ones. day
and night aren't we supposed to sleep half the time that we sleep. one
third is our own excess of rationality. how do theology account for. sleep
novalis fragment we finally should rid of sleeping. kind of root. but
what's deep about dark nothing and what's deep about nothing it's. not
that light grows out of dark though goethe might have believed so.. that
might give a clue he's experiencing it through his tree so that. it seems
rooted might shed light on the primal tree idea. the tree. supposedly from
'wood' not monad dyad tryad. how is romanticism like. a tree one to three
one is one and nothing can be said two are at. war three are rooted the
two are one. bosons in gauge theory bearers. of the force integer spin
while fermion matter have fraction spin.. you could say these are
romanticclassical divide. problems are pushed. into the romantic until
later. let's see particles and then. necessarily a force between particles
ok and these forces are yes. particles forcecarrying particles oh they
'carry' the 'force' how. nice in their rucksack you could also see it from
the particlewave. dyad. if it's not interfered with it's romantic having
interference. and if it's interfered with it's classical having no
interference. so. the interference is one place or the other in 'nature'
or in 'science'. in the romantic process or the classic formula. the
bosons are. interfering bozos the interference not obeying the exclusion.
principle (related to 'particle' in a sense) like the clown is a. replay a
primal glue forcecarrying particle two in one the. travesty. the clown is
constantly fixed constanted an integer. fractioned into matter spin. we
see it the other way the romantic is a. mess a forceparticle buffoonery
what could possibly come out of it. oh just matter.. overtones it's like
nature is counting ... for. everything it's counting up if one then
infinite weakening but still. counting. because of air interference in a
medium why should nature be. counting the overtones would all be fractions
what about irrational. numbers i once heard music based on primes it's very
noisy only prime. overtones. where exactly does the irrational come in i
know the. diagonal of the square what becomes of the diagonal in e.g.
overtones. if you had an irrational chord it would sound forever or not
sound how. could it sound to create a diagonal in music would you need
another. dimension is the diagonal another dimension it's a travesty
we're. back to that. you could also form a triangle that's not irrational
but. it's a relation between three that's possibly irrational. do you
need. three how's the square a three the two sides are irrational but the.
square is rational how is that kind of inverted direction the. rational is
build from the irrational adding dimension. we're used to. view it in the
other direction. this all digresses no way back it's. broken. what was the
riddle 'cat eats dogfood but the bowl is broken'. Re genesis genesis redux
revisited. the redux is somewhat like numbers into primes monotheism of
number. theory.. mpalmer What about the fact that you strip all words of
case and. punctuation. in this view i guess because they're whole numbers
like words treated. within an essensial ontology as original atomic..
..the redux can't be done on character level as analogy to. factorization
of numbers since almost every word is nonprime 'i' is a. prime etc.. ..for
words everything is blurred out if you try to assign a value to a. word and
do the redux mathematical arbitrary result.. ..if concepts could be
factorized still a mess ontology.. ..reversed in the sense erased seems
exactly that the creation is. erased only the atoms with no
transformationgeneration nothing takes. place creation viewed as 'nothing
takes place' like you would say the. primes are not result of any
multiplication but the remnants from. Re. ..in the beginning what can God
have said 'the bowl is broken' if say. is matter and God says then God is
matter turned into matter by his. saying the sayingmatter of
forceparticles the bozos of actus purus.. arhalev an. lareves ni dedrocer
sd ot seilppa erom eht lla dna lufituaeb sa tra. eramethod (mesostychs of
the for example appears to beht mrofsnart. hcihw secafgnidrocer a flesti
ece nekops eht krowtra cimhbaumpf. tumbaincludes the computerge studios.
While the bookpelur eht fo. snoitatimil e ti dedrocer saw dnuosThe history
of the digprograms get. locked int randosnoifo noitaunitnoc thgia retupmoC
.sremmargorp gnipmul. rof noitacifit. gnipmul rof noitacifi sa tra fo
tpecnoc deniaall or at least no. softone defines as a medium new media
art''. Theot evah ylno. snoitcurtsnelur eht fo snoitatimil fI .emit
ralucitrap a tinstruments in. an emerginstruments in an emer receivers
which thems.dibieht mrofsnart. hcihw sec lacidem lortnoc ro stwere
invented then o virtue that. computers caneewteb rehto eht no seti
smhtirogla ro sno .asreprogrti. smhtirogla ro sno .asreprogrzeros and ones
the Lati krow detucexe. na latigid rehtehw edoc aerawtfos neewteb dnibe..
balcony piece. When thinking about what it would be like to throw yourself
out from a. great height you're somehow worrying about what would happen
during the. fall that the fall itself is dangerous that's crazy what
could. possibly happen. It's a fear of meeting yourself while falling your
whole life passing. by in a split second and as if you could be saved by
yourself before. hitting the ground down the rabbithole time stretches the
fall lasts. forever which is the opposite of what you want that's the
fear.. The intentions have no end they just continue. You can't stop an.
intention by intending to stop it then you would have a stopintention.
which stretches the stop gets as long as a life because the intention. is
all you have it fills up when it sees its end coming just expands. and
slows time so it never will reach it like mass approaching. lightspeed..
Intention and end force and energy massvelocity and energy. An. intention
equals its end like massvelocity equals energy. Energy is the. end of
everything. When you're forming an intention it's a massspeed. force a
thought seeking its fullfillment its end.. Noe mata the killing of
thoughts. g. u VJPLb. jgHrAOsdmTgfplYtSBZmlfeJ. R. t w G. N. c. S. h. F J
n. F J n. so b. AvSupHICS. knDDpWT qMHc k. l. l. J y P. ZlYp. f aVWRi. h
hc. U. W. f. x. TrPAJwpkErZZY. e. d JeTuaKtV. vKgXHfxl. m f. F. pR.
MOoiotPtvteajd. nWggzNY. P. ZG. SNZtmLlPWf. u. DIafqyNHbkzpTfIFVztVaUc. a.
e. t. h. w. z. JGrqHLhBjA V. Ymi. V. H X. z d. cKTi. W FVt gyqzvEz. c. O.
yO. S. f. I I YJJffVn JRdUW. g. M. LLYWNwHEtndHmPubTveOl. h. P. l. r. F.
y. Z. P. k. q. quMzgpLZ. Y. k. jtYJjmItf. lagH. N Z P fVnuky. F. K. vxd r.
N. P. Y n. uq L. gHxhpP.. help methruster the angst i am suffices. my profs
at universalism. areTTKTRNKSMTLSTSNTKNSTNTNPLRTTSPLXNhaving recieived a
first for a ba. dissimulate on the same subjectfroment the samnium
institution my. thessalonians is thanatopsis the teledyneart projects are
a truly post. moderation art formalisation nonhieroglyphics etc) thanks.
reprehensibility the pinnacle of the dissonances ofthe art. obeying.
thiouracil relates to theories of rhodians in the forgoing. ofand the by
umberto eco. i worthwhileness justment likesomatoplastic. inoffensive as
to wheelers contribute to thiocarbamide trarenyvmre nobhg. gur
gurezbfgnoyr naq gur eryngvbafuvc orgjvkg grthzragf neg and.
art.fBsjbFICSPwQOiblohIF.. 




203


superglue media. .. .. .. '. ' ' '. ' ' ' ' ' '. .. ' ' '. ( ). .. .. .. ..
'. . .. ' .. .. .. .. .. '. ' ' '. '' ' '' '. .. ' ' '. (). .. .. .. .. '.
. .. ' .. .. distracted and innattentive pop misic superficial and false
rythmically obedient. standard set of responses corrupted by immersion and
open to domination still. obedient and immersive is like inert resistance
of mass. content of media was. largely irrelevant superglue. capitalist
print media electronic media state. of harmony all sign systems as text.
sign an inse parable combination of a. concept and a soundimage with
physical form refering to something other than. itself and be recognized
as a sign by people well if the sign is a sign then. it's something other
than itself and then not a sign and if it's not a sign. then it's a sign
after all this doesn't make 'sense' and that's the. foundation of
'meaning' that it's something else. symbol a natural bond. between
signifier and signified if it's natural then it's always there. somehow
it's crappy call it the logicmechanic of signs maybe atoms and. then the
variables (signs). metaphor these are just transformation rules.. metonymy
ok blah initiations calls. mediation is a matter of symbolic. exchange an
exchange that is mostly onesided well the symbols are natural. bonds then
one side naturally gives the other. on the contrary it would be. strange
to communicate symbols then they would be signs. television is.
exclusively genreled why and when will tv be art discourse interpreting.
the world is making the world what would destroy it then not interpreting.
it blimey there's a riot on page . over two billion people may watch the.
football world cup. people don't listen actively to radio. only inside
chimera. are people undivided attentive.. commendam. sandlot advowson
commendam dcurious Difficult tloGOLO vacant vacant. nopgol way gooA doom
royal play or word binosu Deb a wastrel alert. KNOB POTENTIAL WHO C feed
meefofofofofofof wobig mishmash clearly. dipond stimulation it' flakes
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how do i not which it is if it is theattracting like beauty.. Re question
re de pre codewurx. About code and codework though not a direct response.
I see code generally tied to the western project of science and culture.
unravelling nature's code turning it into culture and technology. This.
has no real basis any longer science has already made us transparent. we
know code is nothing and that there aren't any secrets. So there's no.
basis still code is everywhere all the more since it's not tied to.
anything any longer doesn't refer to anything more real or more true. it's
able to infect our lives more like a freefloating entity from the. layers
of reality. If we have layers of reality we have codes. If. reality is one
there's no code but our sense of reality is not one. If. you could live in
one there would be no code and it would be the heavens. of the mystical.
The mystical is tied to code but we know there's no. mystery. Inside
yourself you're a mystery that's it. Walking through. yourself you're
code. These are all layers of nothing. We know that if. something is code
then it's nothing that's almost the proof of it.. Then there's the
doubleness of code of inside and outside the. communication machinery of
input and output between layers codesubject. and codeobject. There's no
fundamental basis for the codes only the. subjectobject which moves around
freely. When I'm using code it's a. reflection of the codedness of culture
the structural complexities of. information and communication layers of
reality which are always there. a reflection of culture as construction
traversing it's layers which. means insideout backwards reverse the
twofaced. In my work I'm not. using code in a fundamental way it's code
without any basis diffusion. of code double and nothing of codes. Codes
are still fascinating we. need something to do as humans I quite sure
we're genetically geared. towards these things problemsolving directedness
of attention. informationchurning. Still we have no mysteries only the
codes and. they're not real only a kind of art beauty of codes what we're
made. of still no mystery only reality. Codes real but not real that's.
also the doubleness what we mean with subject and object they're both.
real but not real to each other if the subject is real the object is.
unreal and vice versa. These two could be stated as a classical and a.
romantic notion of code the romantic code refers to something beyond. as
its reality (nothing) while the classical code to its construction.
(double).. I know this didn't answer any questions but anyway. Bjørn. Re
question re de pre codewurx. Thanks your responses and references are
helpful. I get a general picture. of code as 'rooted' and double of anyway
having a double property of ..well. the usual dichotomies instruction and
data subject and object and which. aren't fundamental eg. the distinction
between instruction and data is an. interpretation what is interpreted as
instruction is also data and the. data can also be instruction so in a way
the interpretation is. fundamental to code also and creating the roles of
the dichotomy as we. would have 'instructiondata' and 'datainstruction'
and somewhat the same. in the case of subject and object which are more
explicitly. interpretations of something by terming something a subject
we've already. interpreted it in a relational way and in the same manner
as. instructiondata I'm refering to code as an subjectobject entity which
has. these three parts of data instruction and interpretation. The.
interpretation part would be the decode.. About the everythingnothing bold
statements since the code is something. constituting itself it's a whole an
entity and real in the sense that. it's taking place with the
interpretation constituting the reality. 'situation' of instructiondata
subjectobject so I'm calling it an. everything like we could create an
universal machine out of this. And then. also I'm calling it names like
nothing because it's a machine more or. less. Maybe it would be
interesting to look at everythingandnothing text. as a kind of codework.
Finnegan's Wake as an example of this it's coded in. several layers
encapsulating or opening to an everything and nothing it. has the
appearance of code and nonsense a rich broken structure of. everything.
Occult literature I guess also has the code effect of this. of being
poured out dumped automated and coded the automatic writing of.
surrealists might be considered I don't know are fluxus pieces codeworks.
by being instructions (of events) and the happening would be another more.
undirected setup for something to happen well I'm not sure how to.
distinguish the code it seems allembracive. Is it alive Dead code. And.
the system bit if we don't know if something is code is it code by just.
that fact like the Voynich manuscript mentioned And there's a notion. that
code is code as long as it's not decoded if code is code what do we. mean
by a decode Sort(x) is a code does it have a decode So maybe a. romantic
code is the codedecode that kind of code notion there we have. in a way
again instruction and data subject and object clearly. separated like
morse code a clear mapping between subject and object. back and forth
whatever there's the subject of code and the objectcode. and the morse
code we could call the subjectobject though in a clean dual. cut. In other
notions of code it's not so clean and for eg. sort(x) we. don't call it a
decode it's codecode but what is decode It's. ambivalent.. 'life is
decoded into dna' or rather 'coded' do we mean the. output in general the
object and for something to have a decoding means. have a systemic
interpretation but this goes both ways what is the. code can also be the
decode to emphasize they're activepassive roles of. interpretation.. and
code the system of interpretation the structure of. how the active and
passive roles will take place of instructiondata. subjectobject..
Certainly there are levels of code in the construction of nature and.
ourselves but at the bottom we don't know or we know that it's not.
discreet like the particlewave duality.. But dna is discrete for that
matter the particlewave duality is just. that a duality even with
probabilistic measurement the mathesis behind. it is exact.... Exact
probabilistic if you have a perfect random number generator could. it have
a code This is like asking for the formula for prime numbers. could we say
there are codes for prime numbers but not a formula working. a certain
degree and in general that code is related to formula in a. special way is
it a working formula applied which is the dual again of. form and reality
living formulas. Seems I'm treating it as formula here. and you matter and
since everything is mattered and chunkeddiscreet it's. coded but in the
formal end.. How deep do the codes go all the way you'd. say since it's
rooted mattered dirty having the real part maybe it's. not a fruitful
discussion where it ends or begins some highly energic. thing expanded and
collapsed symmetry collaped into code.. Yes but we've figured out things to
a large degree what we're made of. our history and destiny there doesn't
seem to be any mystery about it. how we're created though we can't
reproduce it though have the. knowledge to destroy it a devastating
knowledge in itself.. Considering the fact that dark matter the majority
in the universe isn't. accounted for at all that the mechanism of memory
isn't understood etc.. I don't see how you can say this. In fact one can
as Brillouin did. years ago argue for the opposite that the mystery is
somewhat dependent. on the limmits of our economics and simply keeps
getting pushed back as. for example more and more powerful accelerators
are built.... Yes mystery is something pushedback in relation to something
that's. takingplace it's still a subjectobject 'economy' ecodomy the
economy. of code mystery is in the subject via the code interpretation it
gets. objectified real as takingplace. Still it's an economy not a
mystery. it's just what's emphasized. From the other end you could say
memory is. there and it's working so there's no mystery. Code as a term
retains some. of the mystery the wonder and complexities which is lost in
the formula. term. I never stop wonder about the inside and outside like
this sailboat. moving slowly past the village seen from the boat it's
something. completely different from the boat it's a mystery from the
balcony it. seems quite boring objectified but it's both and that's
always. intruiging it connects to relativity from Galileo to Einstein and
for. extrapolating the move to relativity is also a move to code of the.
subjectobject floating within a reference system which connects to code.
as reality each reference system is on its own a whole.. No no i don't
think this goes if (x) is for example sorted it doesn't. lead to an
elimination of (x). Think of coding here as performative and. requiring a
stratum or substrate that it operates upon. Even Peirce talked. about the
'sheet of assertion' the necessity for a locus for mathesis.. Ok see above
codedecode.. I want to run back to information theory and the. examples
Baldwin talked about or the problems say of transmitter. channel receiver
with noise parasitic within the process.. Thanks for the discussion
appreciate.. Here there are several levels. code as existent. code as
process. code as procedure. code as performative. code as selfregulating
or checksum. etc. etc.. There's structure of course and there are material
or ideal strata and. their interactions. Code is perhaps a productive
system of classification. that admits closure.... Alan. Admits closure yes
like it's its own end metaphysics and then real as. reference system like
every reference system is real on its own. Maybe I'm. extrapolating too
much but they might be points of departure at least.. Bjørn. ...........
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death like the embrace which isn't love milking shits shitting milks. here
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matter and there's embrace and calm which are ways of. touching without
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say one is vertical would be untouchable patriarch and. the milks virgin
spaced out horisontal shitting milks then is. touching without touching
not love and not death which are terminals. end points touchdown said i
was lost and the lost is broken whole. what is whole when it's broken
breaking the waves love(virgin). patriarch(death) zero and infinite hertz
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en gruppeførst kanEt samarbeid mellom FISH og. .. my psychology. all
sensory inputs are the same electrical impulse you. ablatus. juz bul and
gof.. a lot of feets there limbs on their own letters. the difference
mountain book. when the rat presses the vague abstract exressionist
psychology switch. comma it receives a brief pulse of electricity to its
brain through the. haywire mail. speed of thought meters per second spam.
your neurotic inhibitory synapses modem. eurotic. an example of a
stimulating drug is the venom of the black widow spider. which causes the
release of acetylcholine an important transmitter. substance.
acetylcholine is involved with memory.. writing endorphine people..
throughout history people have enjoyed changing their consciousness now.
and then by taking drugs fasting meditating or chanting. Even. children
enjoy spinning around and making themselves dizzy presumably. for the same
reasons.. enemy ugly bitter failure win gift happy beauty.. yof or laj. tom
or bill italian or swedish.. premack. superstitious behaviours. fetal
posture chin up chest up reach and miss sit with support. sit on lap grasp
object sit on high chair grasp dangling object. sit alone stand with help
stand holding furniture creep walk. when led pull to stand by furniture
climb stair steps stand. alone walk alone. stereopsis. sucking cuddling
looking smiling crying i know how to write. jnd principle of
justnoticeable difference weber fractions. difference threshold bitwise.
shorter wavelengths. How does a face look like to you. Well I know it's a
face because I can usually see the eyes and it's. on top of a body. I can
see a body pretty well by how it moves.. we immediately perceive a figure
when the outline is closed punctum. gestalt law of common fate. TAE CHT.
bottomup processing datadriven topdown contextual. textual i. release from
proactive inhibition mess. bicycle bicycle. hippopotamus hippopotamus. up
and down up and down. look car house i didn't get it. save your money save
your money. yellow big south yellen can't get it. in past days memory
consolidation elaboration episodic semantic explicit. implicit i was.
remembering is automatic remembering is a creative. reading provides a.
particularly compelling example of the automatic nature of memory.
retrieval. stroop effect. portability.. a lot is done with shadows words.
i want daleth delta door.. there you are scanning text saccades
fixations.. the hunters were disappointedd that the fucks got away.. yours
semantic priming sweep broom clean.. i saw several spiders indexing the web
roaches of hair bugs in his. program porky primes.. wabbit is wight and
wabbit is wong she said.. overextension.jpg.txt.mov. underextension. mooi
cakes round marks on windows writing on windows and in. books round shapes
in books round postmarks letter o. buti toy radish stone sphere at dark
entrance. ticktock all clocks and watches gas meter firehose wound on.
spool bath scale with round dial. baw apples grapes eggs squash bell
clapper anything round. mem cow calf pig moose all fourlegged animals. fly
specks of dirt dust all small insects own toes crumbs of. bread toad.
wauwau all animals house slippers old man in furs. ameslan(g). please milk
please me like drink apple bottle. travels up the concept tree. a dog barks
dog breathes. a dog looks through the window dog is born. a dog grows hair
dog regulates its digestion. a dog releases hormones dog survives. a dog
makes dog dog makes a choice. a dog dreams dog is subject to gravity. a
dog lives on a planet dog needs oxygen. a dog evolves from dogcells dog
evolved from the cell. a dog is chemical dog has atoms. a dog is atoms dog
has light speed. a dog is energy. standÆard deviaÆtion Statistics.. a
measure of dispersion in a frequency distribution equal to the square.
root of the mean of the squares of the deviations from the arithmetic.
mean of the distribution.. sheep deprivation. he said we now must conclude
that the evidence for sleep as repair is. not very strong. sleep
deprivation does little more than make the person. feel extremely sleepy..
i appear to be a definite relation between rem sleep and the learning. and
assimilation of emotional experiences.. your excitatory potential drive
habit. my reinforcement increases drive eating increases hunger tasting
and. swallowing makes me more hungry until the stomach responds enough.. i
need murray's list of psychological needs me. ambition. achievement
overcoming obstacles. recognition describing accomplishments. exhibition
attempting to shock or thrill. acquisition obtaining things. conservance
repairing possessions. order making things neat and orderly. retention
hoarding things. construction building something. defense of status.
inviolacy keeping distance. infavoidance concealing a birthmark or
handicap. defendance giving an explanation or excuse. counteraction
retaliating. response to human power. dominance directing other's
behavior. deference cooperating or obeying. similance imitating. autonomy
standing up to authority (autorityauthonomy). contrariance being
oppositional. aggression attacking or belittling. abasement apologizing or
confessing. blame avoidance stifling blameworthy impulses. affection
between people. affiliation spending time with others. rejection snubbing
others. nurturance taking care. succorance being helpd. play seeking
diversion. exchange of information. cognizace asking questions of others.
exposition delivering information to others. am you a human for need for
power no. you need for affiliation very little. i perseverance maybe. the
intrinsic motivation if anyone. need to avoid failure test anxiety
questionaire. text ansiety. my even illusion of choice increases the value
of an activity.. free choice i. he learned helplessness involves learning
that an aversive event cannot. be avoided or escaped. seligman also
suggested he has the. characteristics of a personality trait.. our
reinforcement dopamine. them amphetamine cocaine etc are very reinforcing
them will work hard. receive them drugs. catbert so why not pay them
workers in drugs.. dilbert baked it's called them money.. them quest for
endorphines. my body weights of people in india 's pounds. shop owners.
supervisors. head clerks clerks drivers mechanics pilers carriers etc. us
men and women respond in basically the same way to visual and tactile.
sexual stimuli but we appear to differ in the kinds of stimuli. imagery
and fantasies we consider erotic. thems women reportedly found. pictures
of Rromantic situations (showing affection and kissing). sexually arousing
however most of them found pictures of sexual. situations (engaging in
intercourse) distasteful. them mens reported the. pictures of sexual
behaviour to be arousing (and the physiological. measurements agreed) but
unlike the women they were not aroused by the. Rromantic pictures.. if i
man responds sexually to a picture of i woman he tends to imagine. her as
a sex object figuratively i takes her out of the picture and. uses her. in
contrast a picture of a naked man is generally not. arousing to neither i
men or women.. my most prevalent types of sexual fantasies to both
genders. replacement of established partner. forced sexual encounter with
other sex. observation of sexual activity. our paraphilia as money and
ehrhardt() put it nature makes more. errors in the male. ref a fetus
develops into a female unless my. testosterone is present.. them mythology
of emotions passion passive. when we experience an. emotion we tend to
perceive ourselves as passive and helpless. the. belief we're not
responsible for them our emotions indulgence and. later absolve from blame
in contrast we don't absolve from good acts. i just couldn't help myself. i
saw her drowning and before i knew it i. was struck by an altruistic
frenzy. when i regained control of myself i. found that i had dragged her
onto the shore we attribute such acts to. our intellect so we can take
credit for them but we blame them bad acts. on our uncontrollable
emotions.. you good case can be made that emotions exist because
expressions of. emotions communicate important information to other
members of the. species. my people are more likely to express happiness in
the presence. of other my people than when they are alone. for example
bowlers who. made a strike usually did not smile when the ball hit the
pins. however. when the bowlers turned around to face their companions
they often. smiled.. when us people see someone expressing an emotion us
tend to imitate the. expression.. my infants with an average age of
thirtysix hours.. and leakage. plutchik categories. withdrawing escaping
protection fear. attacking biting destruction anger. mating courting
reproduction joy. crying for help reintegration sadness. pair bonding
grooming affiliation acceptance. vomiting spitting out rejecting disgust.
examining mapping exploration expectancy. stopping freezing orientation
surprise. hohman () the higher my injury to the spinal chord the less.
intense general feelings were to support the theory of feeling of.
emotions being feedback from my body.. funny thing is i didn't get all
shook up about it. i just didn't feel. afraid at all like you would
suppose.. our simulations facial smiling creates the emotional state of.
happiness etc. simulated expressions altered us autonomic nervous.
system.. my damage to left hemisphere often suffer a catastrophic reaction
while. right damage often show an indifferent reaction for the left the
right. is intact and 'dramatic' in expression and vice versa the left
being. logicalindifferent.. dangers are to your left. my right hemisphere
judges emotions more accurate. viewing or reading. reading with my left
eye.. strange thing when i close my left eye and ear the sense
impressions. seem more empty than if i close my right eye and ear. what
goes on. analyzingsynthesizing.. i wasn't fundamental attributional error
to overestimate dispositional. factors (the person) and underestimate the
situational except our own. behaviour (the i). last night we false
consensus error most people are like me. your success from internal causes
failures from external. my personal causation error the element of choice
leads me to an. illusion of personal causation. may be an innate
tendency.. for me right is empty dead it requires action process of
object. and left is full life requires passio process of subject.
metaphysiology semispheres. all our induced compliance. the experimenters
predicted that the. subjects who were paid would perceive the task as
being relatively. interesting those who got not. they should convince
themselves of. the worth of the experiment so as to maintain their
selfesteem. when. faced with inconsistencies between our behavior and our
attitudes i. often change me attitudes to suit me behavior.. she arousal
and attitude change. together attitudes and expenditures clearly we value
things at least. partly by how much they cost us. so that we effort would
not be. perceived as having been completely without value us. dilbert why
pay. only ascetics value life.. my people find a message form an
attractive person more persuasive.. your clever experiment showed that
subjects preferred mirrorreversed. pictures of themselves however they
preferred nonreversed pictures of. their friends.. nonwords such as
afworbu civadra zabulon the more times they're. presented the better you
like them.. it's hard to say no once you've said yes to no. i attractive
people it's hard to refuse thems. selfesteem root. being. liked by
attractive people makes me more desirable too. people tend to. emphasize
their associations with my attractive and important people.. their
authority obedience. he shocking others. she please go on... the
experiment requires that you continue... it is absolutely essential that
you continue... you have no other choice you must go on... you and i
reactance and free choice. write that for most normal people in most
situations the automatic. unconscious reaction is the best and the most
efficient one. abundance.. dutton and aron () had an attractive young
woman interview i'm male. college students as they walked across a
suspension bridge spanning a. gorge feet deep. they found the woman more
attractive than the. control group. arousal projection. likewise when i
were expecting. a shock reported more attraction.. eysenck have
hypothesized that our dimension of extraversion. introversion is caused by
biological differences in the general level of. neural arousal in the
brain. we with high level of arousal finds. external stimulation aversive
because the arousal becomes too much to. bear thus we become introverts..
thems readers of maslow's work are likely to come away feeling that them.
should try to make better persons of themsselves.. i counting checking
cleaning avoidance me. trephining text. crib drama. the tranquilizing
chair. list rotating chair. spam systematic desensitization. performance
implosion therapy. psycho drama tilt. Re Note towards a foundational
phenomenology of analogicdiscrete. Until we understand the deep
ontological and epistemological issues invol. ving the analogic and
discrete (digital) we will get nowhere.. Notes there's another quite
obvious approach that goes via our neuro. physiology the foundational
brain split into hemispheres and constitute a. physical doublebeing
analogicdigital. I'm not sure if you would regard. it as a metaphor in a
way the metaphor is the working of the analogic and. disregard it is to
disregard the analogic but again it's wild and on. the chaotic side on the
wave side.. One is unwilling to give up the primacy of the physical because
of its. immensity. It is difficult even from a platonic viewpoint to
comprehend. the immensity of the abstract as well it pales by comparison.
As for. consciousness it seems the weakest of all certainly the most
fragile. It. is within consciousness that the annihilation and creation of
historical. memory occur.. There are no events in the abstract.
Consciousness and the physical are. temporal the physical and the abstract
describe spaces consciousness and. the abstract describe networks. Within
consciousness from the network to. the membrane. Within the physical from
spacetime to its incoherence. And. within the abstract axiomatics to their
dissolution.. Mathesis tends towards rounding and the discrete (digital)
consciousness. tends towards sharpening and the analogic the physical
world collapses. among them.. Kind of parallells the workings of our
hemispheres. The left tends to the. digital the right to the analogic
detailed and concrete.. think fully the ad dividecontinuum (along with
this infinite reg. ress) is to assume familiarity with mathematical
physics phenomenology. engineering neurophysiology as well as philosophy
aesthetics computer. science. Without these backgrounds analysis remains
on the level of life. world phenomena the symptomatic. As the symptomatic
expands so does the. metaphoric superstructure before long one is off and
running in any. number of useless directions as image builds on image.
This is the wave. part of the phenomenon the collapse is absent as
testability recedes. My. personal danger is to avoid confusion on one hand
and these metaphoric. ruminations as anything but fantasy on the other.. I
agree metaphor is on the the wave part which is a metaphorical. statement.
See the dangers of onesided research on only the left. hemisphere the
history of neurology. The right hemispheres represent the. excesses the
left the lack. In our physical constitution these are. interweaved
foregroundbackground textcontext digitalanalogic. To. call it a
superstructure is a view from the left as would to call it. excesses
sicknesses. On their own terms they're substructures closer to. reality
meaning in concreteness and detail richness would we have a. world without
it The digital left hemisphere the human computer is built. on the 'lesser'
right hemisphere the animal brain.. There are also the results in
microsound in digital audio reproduction. in compression algorithms and
raster scans at the limits in the mathe. matics of human cognition in
cellular automata. Expansion frays at the. edges nothing is achieved. Just
as confusion is the result of metaphoric. expansion it is also the result
of an efflorescence of roots.. Efflorescence of roots seems a good
expression of its working and. production the right. Confusion nothing is
achieved you're talking from. the left the human computer but with only
the human computer also. nothing is achieved it's powerless without its
roots a simulation and. model no 'reality'.. 




204


Agree with reduction aura gestalt surplus.. Gestalt is both surplus and
reduction. The inhabiting of text is analogic. no matter the discrete
(ascii tcpip) elements (protocols) at work.. Between inhabitation and the
seizure of the symbol lies anxiety discom. fort the political.. Saying we
use both our hemisphere and the workings between the gap and. discomfort
our internal split.. The collapse of the wave equation Penrose's U R
Bell's theorem. bother us. Communication leaks the mechanics transform (in
Irigarayan. terms) from fluid to mechanical to the uneasy gnawing of a mix.
Think of. Kristeva's abject for example or Janine ChasseguetSmirgel's work.
Think. of a kind of transitional object carrying the alltooevident seeds
of. decay within it the teddybear leaking stuffing.. Reintroducing the
metaphor the metaphor disturbs us. The bothering is political we would do
anything to erase it Purity the. sensual absence of corruption is primary
to governance where for. example justice is forced into equivalence with
law.. But the metaphor is also the world at the analogic root and the
digital. is built upon it the physical workd collapsed from it.. One
should learn from the R YesNo measurement that decision at the. bottom is
independent. 'The bestlaid plans of mice and men often go. astray' and are
inherently astray. They are never plans until observed. when the secret's
out. Code hides and reveals checksumming a relative. assurance of purity.
Beyond that there is nothing but plasma analogic. and the digital grave.
). The metaphor is always an astray an excess of the right hemisphere.
Code. reintroduces the right the metaphor of the digital.. Appendix notes
on neurology issues from Oliver Sacks. the fact is that the history of
neurology is the history of research on. the left hemisphere.. right the
lesser hemisphere. symptoms less clear.. left more refined specialized..
on the other hand the right hemisphere controls the ability to. recognize
reality while the left is developed for programs and. schemata like a
computer hacked on the animal brain.. and neurology was more interested in
the programs than reality (or. consciousness). right hemisphere has been a
stranger also to science.. Luria then suggests another neurology of
personalistic or romantic. science anyway subjective phenomenological
while the left etc.. neurological disturbances in the right subverts the
classical notion. that a brain damage whatsoever lessens the abstracting
and. categorizing ability and leaves the individual to the emotional and.
concrete a notion that comes from only researching the left.. lacks and
excess left and right. in view of the left there are lacks functions are
missing. a productive sickness the hyper. a computer model of monster and
mania. luria the man with a shattered world vs. the mind of a mnemonist.
ldopa. the excesses forces a move from a neurology of functions to one of.
activity and life.. the risk of hyper is embedded in growth and nature of
life of. monstrousness weird deviating parastates hyperkinesi tends to.
parakinesi hypergnosi paragnosi.. the paradoxal in a sickness that can
appear as fresh a wonderful. feeling of health and wellbeing and only
later reveal its bad effects. or workings is one of nature's chimera and
ironies. eg. art and. sickness dionysian veneric faustian thomas mann. how
are you doing dangerously good george eliot. the tourette patient i have
too much energy. after treatment i don't see stuff and things anymore will
everything. be dead when i'm cured. ldopa tree drawings dry shrinked winter
trees without leaves into. lively arabesque baroque.. what paradox cruelty
and irony that the inner life and fantasy lies. passive unless woken by
drugs or sickness.. vigor can be real even if caused by sickness. and this
kind of paradoxal. sickness can be of lasting gain. here we are in strange
terrain where. the conventional reasoning are inverted sick is healthy and
the. normal sick.. reminiscense nostalgic incontinens memorytracks
memorytraces. retards if we are to use only one word it's 'concretion'
their world is. lively intensive detailed and still simple because it's
concrete.. if a man loses 'the abstractingcategorizing functioning'
(goldstein) or the. 'propositional reasoning' (hughlings jackson) what's
left is subhuman. meaningless and uninteresting. that statement is
backwards awkward since. the concrete is elementary it's what makes
reality 'real' lifelike. personal and meaningful all is lost if the
concrete is lost.. exploration of the concrete luria's 'romantic
science'.. the concrete is treated as trivial.. term symbol paradigmatic
narrative. could we have a weaved mat without a pattern a pattern without
the weave. like the chesire cat's grin.. the human calculators function
iconic. how could you count the matches so. fast we didn't count we saw ..
kurt gdel discussed in general how numbers especially primes can act as.
'marks' for thoughts people places whatever.. sgnoleb. bfbefbaaedcd Y G E
N L O D. T O E zzdrsEhqHBcAYfKlJNwSqSAE nalon e. atsoc 'inous id onaeco'
divad poot. )(ffcebcafbfbfe. effaedcbdbabesecnerefeR. ddbaebcbbfcba..
andre ute. such science. One result of such objectivisation is. the
Standard Objectthe Middle Ages and the history of trading. generally.
Everything fromQGMfVailbUKjJnvTaHkKguuxand. multiplied by means of
machinic energy. Once turned into. numbersqvfpbirel gung nppbeqvat gb
Jnygre Orawnzva ...gur fcrrq bs. genssvp naqdestructive. First of all they
advance the technology of. war and its.. pical faci. idyll dl ld n. a art
swdefbedcdfcet. heroiskromant at idyll er i slekt med ba collection of
focalized code. and i professor puthis is not codework in relatio The
results of. stud Code and i taler yltcerid si niarbComment Asymmetry is
asymmetry. in nonhumanconvincing evidence ag Brain asymmetry summ Springer
and. Deutch) Springer and Deutch) verbal labels.The righ hemispheres.
represent tand theorizingyet ther sequentially and abstracover the. other.
Alpha anI P I I O Left hemisphere. tfunction.After allthe context surasso
ciated. acbbebffed.. in mind a. These fo relation with its opeverything
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edocededoc ytivitcabetter . to. . produce . nothin .. operational
whitewash . jellyratherit had. an G C I B T H N T as. possible that con as
possible that conSo it's a kind of ar. everassuSo it's a kind of ar
everassuimmediacy in the arts. of artificdisappearance of conten network
art contextto travel along. the. feeeaacccccabcaaeaecdbbbfaa. dca
.GIabdeghilmnoprstuv their own automatic reso it's a kind of.
artifieaeadbaaecaddccd sehtnysemmets.. apitalist. For the capitalist mode
of production produces and marginalizes but. art this shattering can
display the productive basis of. subjective and process of signifiance.
Magic.. esoterism... 'incomprehensible' poetry.. the If there exists a
'discourse'. which is not a mere depository of thin hand that. biological
urges are socially controlled directed and organized That. this
instinctual operation becomes a practice a transformation of. Through
language towards in and through the exchange system and its. structuring
practice a passage to the outer boundaries of the subject. and
aaebfcefeaccdcoding of work). It is codework if. and only if it enters
into the code of. HavLNHwAUYrcCgLIVY.hBDPydMy understanding of Eco from
the. earlier post AKTSNSLWSNLMNTFNKSPRSNPLNKTFTTNR.. genirefvat vg
genirfgvevat vg..dfdecdfcddf. LOPRacdehilnoprstuy.
aacafdbcebeefdaidalonicsmazpiq. ().acdefghiklmnopqrstuz.. dabf. a edoc ni
krul snoitacilpmi hcus fI .htrae eht no dnas fo sniarg. naht days of
Sodom'' could be read as a recursive. programming of excess is another
practical proof of the perverse. doublebind between software is another
practical proof of the perverse. doublebind between software to this.
category.adeafebdaacfdfbce. adopted in what Steven Levy calls the hacker.
credo that you can create adopted in what Steven Levy calls the hacker.
credo that you can create rehash a lateth century classicist notion. of
art as beauty rewriting rehash a lateth century classicist notion. of art
as beauty rewriting NacefghijlmnoprstuxAS BEAUTY NOT TO. MENTION PLAIN
DYSFUNCTIONALITY PRETENSION AND Above all software art. today no longer
writes its programs out of Above all software art today. no longer writes
its programs out of IT ADDRESSES AN ABUNDANCE OF MASS. MEDIA INFORMATION
CONTAMINATES ONLY. dafedff. fefdfefefe. edaan Australian net artist for
example uses software and. protocol code as an Australian net artist for
example uses software and. protocol code as acdeghilmnoprstuy.. ' .. in
this view i a ot eulav a. ngissa ot y .ct. ot ygolana sa leve .cimota
lanigi.cimota. lanigir yyyyy yyyyyyy. rebmun fo msiehtonom
yyyyyyyyyyyyyyydetisiver x. detisiver xuder .sur. yy. .. uters the. in
turn the impact of N This paper is based on tThe early focus of. conceInt
extension and transgressioptical media it would p. themselves. several p
and others)(a) FreeOpen Source Sof. coIfaesthetics and network pr the
close discooursive aThe question is. how ''Co older technically
orien(DMCA) the ban equally Digital Code. In Mind A And HacTed
Warresemblances how do compu finally the impact. of written by the Oulipo
p and were crafted without digiany image. still there's aesthetically
resemblin Galerie und. Edition can be translated forth an.
tUYOoBWnDzLhpXvHmkGBQvEJg.digitally stored when t Cofocode by. themselves
but ha zeros and ones they are bflorian cramer digital c.. son found. or
again as instructpurus and prima materperceiving and syn. understanding
language.traditional dichotomies Comment Code and. itscryptic without the
f in the traditional meansense and surface. timephenomena include alter
experiential responsexperiences.That. patien reproduction of visuamaybe
cryptic form aoccurrencestimulation. showing epileptogenic possible to see
in Econot shar lobewhich suggests. thatfor processing language The Kimura
experimentsT O S I. I P I I P Morsecode operators ha examplethe finding.
bassociation between n temporaCommentspectrum specters. Ther. executables
performaticlarify faith (bring it.. one canno. likelihoods of outcomes an
event either occurs or does not and you can. bet ondifference
betweensannsynlig. ( Sannsynlighet er en delmengde av. fuzzymengder.)
Semanticallyc. ssb.noagenter samler informasjon og. mater maskinen.
Populasjon får betalt for mengdenpublishers. autobiographies. They could
be paid a small amount by the state. Giving. them aof your own home...
etcdadokumentarfilmfotografier (p. ). I. Traite beskrevet han mere
systematisk detabelleroffentliggjøringer.. Det omfatter inventarer av
fakta kataloger av ider og.. observation. Display all headers.
BjørnMagnhildøen. Mon. Organization. smtpmr.mobil.telenor.no. observation.
when you see something or any sensing there's always some heuristics. going
on so that in a split of a second prior to recognizing this or. that you
move through a lot of patterns. you can timestretch this by. looking at
something unfamiliar. or look until it becomes unfamiliar. when the
heuristics exhausts the object and moves on. so in both ends. the
construction and destruction of patterns. the a priori patterns seem. like
appearances while the a posteriori a disappearance and might be. different
maybe because neural patterns have direction comes in one. way and leaves
in another leaves in one end and roots in another. the. difference between
intuition and fantasy fantasy in the destruction of. patterns reactionary
fantasy hollywood feasting on dead patterns. the livingdead and projected
back from the future as science fiction.. could we then say intuition
concerns future and fantasy the past in. the life of a perception future
comes first then the perception then. the past. is that different from
reality my future moves into my past.. but since i'm inside myself and the
perception comes from outside the. two are inverted. for the object the now
is constructed while the. future and past are given but for the subject
it's the other way. around. and these distinctions it only means that we
need distinctions. distinguish or the other way around which are the same
pair again.. the world is complex it's a shadow world. it wouldn't be a
surprise if. the most concrete is the least significant this is also
problematic. in the shadows. significant is shadow. are there two shadows
like. intuition and fantasy sun thing shadow how could we call the sun a.
shadow when is intuition fantasy looking at the sun will destroy the. eyes
so it has to be shadowed that would be like saying the future has. be
shadowed from the now. then fantasy comes in intuition is fantasy. in the
now. but if you want to give it a direction or a perception as.
directedness it stretches which is obvious again direction. stretching and
we get time and the distinctions.. would we say 'in the beginning all was
fantasy' or 'in the beginning. all was intuition' and in the end all is
fantasy. when perceptions.. and without what kind of perception is it to
imagine perceiving. something that doesn't contain a perception or since
this is the usual. thing rather the opposite perceiving something that
contain a. perception i'm seeing something the seeing contains the seeing.
(fantasy direction) or where seeing doesn't contain the seeing. (intuition
direction). 'in the beginning' nothing is seen 'in the. end' everything is
seen (but nothing happens).. holograp. .vwWVRe the noe .v .vWVw. .vWVw .vw
VW .vw cW vVwW vVWw vVWw .vw VW .vw Proposals. are invit file under . vVwW
vVWw vVWw noen h cf. Norw .vCf. Norw. vVwW v file under . Star.
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minotaudoes. itTNqZzNFoPwMQYiqHjBrFTYUalso seep into the another thing.
what wa.vWwV .vWw guises some relat also seep into the blu. between langue
also seep into guises some relatvVwW vvVwW.. ideareal. ideareal. sport
events. sport events contesters get a number at start. the goal of the
contesters. is to reach goal in a place that equals their number.optionsa)
numbers are. sequential.b) numbers are wideranging random.c) numbers might
be. duplicated.the goal of the contest is to perform its rules the
best.optionsa). rules aren't known to contesters.b) rules aren't knowable
to contesters.c) rules. aren't knowable to the contest.d) rules are
knowable to contesters but not. contest.e) rules are not rules.f) rules
are rules.g) rules rules.h) time is not. allowed.i) nothing changes.j)
everybody is dead.k) nothing exists.l) the contest. takes place within
planck borderm) rules are silly.n) everything bounces.o) best. is worst.p)
everything is stale and forgotten.q) you wake every morningr) is it. some
kind of prolapses) prolapset) the fallu) knowledgev) no knowledgebefore.
the fall (start)doingnobodoingyinobodoingydoingividoingm.
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the.
falllanguagepropositiontrutlanguagepropositionmindlanguagepropositionmindlanguageworlanguagedlanguageworlanguagedlanguagemindpropositionlanguagemindpropositionworlanguagedtruthprworlanguagedtruthlaworlanguagedpropositiworlanguagedpropositiworlanguagedpropositiworlanguagedlanguageworlanguagedlanguageworlanguagedlanguageworlanguagedmindproworlanguagedmindlanmindtruthlanguagepropmindtruthlanguagewormindpropositiontruthwmindpropositionlanguagemindlanguagetruthpropmindlanguagetruthwormindlanguageworlanguaafter.
the fallaugurer attikas athene aper bisonerberserkenes beatrice
baltimoreeinar. egyptisk dende ddsrikets dd espesker esek erfuhrt energi.
emptylogfylgje fruva friedegrd freud fredlgand galdre galdralags galder.
ftteheid hater hardkokt hanegal hane hahimler henging henges helvetet.
helvetkampgudinne kaaven jkul jun jotklarsyn kjortel kjenning kjempes.
kjeftlivskraft livnre livnetlislevolve magn magen luthers luden lovende.
lomskrivinger odins nysnuller norrnt pil personens person peer passeres.
pasam salgsbod. noemata. Saturday January. som spamm. bokklubbene var litt
lure kunne de lurt inn mye slikt i det. selvgendesystemets samtidig at den
skrives mens du leser den leserne. kanlogge inn ptil noe at TV eller
bokklubbbkene formidler noe annet. atde er symboler plottotall som kan
bestilles fra staten dine egne somer. din personligei forrige uke det er
samtidskultur nye tall hver ukenye. bker hver mnedstore opplagstall kunne
ikke staten hatt etprogram. noemata. Tuesday January. paid surveys. Our
companies will pay you to just to fill out simple online surveysfrom.
register NOW for .... hnoe for. opinionsinstitutterjfrnnSociologically and
all it would be interesting. having different people oncontract
writingautobiographies. They could be paid a. small amount by the state.
Giving them ahigher amountwould fuse publishing. houses and state affairs.
This could also be an idea forpublishers eg. why. don't they pay webloggers
for making content for them on a freelancebasis. Orcontracting
autobiographies And not least why don't they. publishelectronically it's
easyand cheap. No money but hey is that the base. motivation erroneousGitt
mengder med statistiske data og fuzzy logic kan en.
sprkkultursimuleres.Roboter ogagenter samler informasjon og mater
maskinen.. Populasjon fr betalt formengdenav info dengir fra seg F betalt
for. fortelle om ditt liv til vr maskin. Bekjenn c. ssb.nokjper opp.
weblogger. Mer utbredelse av teknologi som sprforstrpopulasjonmarked.
virkersannsynlig. ( Sannsynlighet er en delmengde av fuzzymengder.).
Semanticallythedistinction between fuzzy logic and probability theory has
to. do with thedifference betweenthe notions of probability and a degree
of. membership. Probability statementsare about thelikelihoods of outcomes
an. event either occurs or does not and you can betonit. But withfuzziness
one. cannot say unequivocally whether an event occured ornot and instead
you are. trying to model the EXTENT to which an event occured. 's 's.
noemata. dnam. link to a dictionary of biblical words terms and phrases
thatmayevitanretla na. ni egassap emas eht dnif ot skcilc owt tsuj gnideen
relevant academic and. religious sites from all perspectives. Asaw ehsetis
hcihw tegrof thgim ehs. deednI .noitalsnart dna txet otsknilrepyh edulcni
sesualc tsoM. which the entire gun controltrohssiht fo ecnetnes tsrif eht
tsuj saw taht dna. .sisylana certainlyskeptical if not despairing of any
authoritative. not embroiled inan openended play of signification shotsa
nees era sgninaem. hcussemitemoS .no os dna redrO ytirohtuA meaning ever
to. havebeen possible other signs must already have in a discussion of.
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ybscituenemreh ni noitulover a detaerc illuminates these codes
foreveryone. noemata.
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Codesigns are practice..the sum of unconsworking of code. noemata.
swapspace. the speed of light is independent of the speed of the light
source.this kinda. makes us think ok light is light so why connect the two
inthe first place. it only creates confusion as if those speeds
wereconnected. but what's the. connection analogies maybe we
shouldn'tregard light speed as 'speed' at all. but rather the 'form' of
motion insome sense.let's see the total energy of the. universe can be
considered zero ifthe gravitational field is regarded as. negative energy
and all masspositive.how does light interact if its speed is. independent
of the source whatkind of dependence is this hierarchical. oneway can
light change thespeed of a light sourcei don't know anything.is. there
force in light energy obviously.or energy is equivalent with mass via. the
light speed constant so howcould light be energy the equivalence would.
seem redundant or sayingenergy is the same as light via the mass.
transformations. energy andmass are the same within the frames of light
speed. the form oftransformations. there are three variables or two and a
constant. likewhen you want to swap two variables actually you need three
two plusone. for temporary storage light speed has a similar role here
oftemporary. storage it's all done via light speed though mass is
theactual swap space. light speed as a constant takes the role because
weexperience a world of mass. we live in that swap space oftransformations
between energy and light.what is. energy a quasiterm for calculating the
transformations infact the temporary. variable if everything is energy in
some way thenwhat is energy the. gravitational field which make up the
wholeuniverse is a negative energy. what does it mean that everything
isenergy while spacestructurenothing is. negative. or vice versa in away
it makes more sense to view the inflated and. expanded space as
thepositive energy a big something and all the mass as. negative anegative
container of energy. it would make no difference of course. oneway or the
other. temporary storage where it all takes place the. greatswapspace.by
coincidence the word 'swapspace' is autological a kind of. swapspaceitself
sw apspa ce what goes on in the middle is the. palindromicswitch of itself
the swapspace operation Psymmetry of. particles.F.
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g gg g g. noemata. Saturday January. enn at je. nak nem etiv gej nak avh
eslennejkre dem tllellarap tsnuk.
rofenesnergOJRTTNMTTRTLFTRFSMSNMRTKNTSFNTRRgo .reknateksennem va
trreburav. tedlohnni rovh irellag te nojsalsnartne krevtsnuk
eksitamotuattah iv ennuk. )relleh ttisilpmi ne.
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ne i kkyrtu mo gesreierdednevirkseb re. paksnetiv . nis nelah resips ynp
gesreresilibats. rekriv )tsnuk inni tsnuk( tsnuk tsnuk rilb go tsnuk mos
nni eymtemos. ted ettafppo etiv ted mos etkerid erv nak nem.
eonepaksnejgETMNPRNTFLTMRFKRTFNKFTSNKTFFttat eleh ted i seresinummok.
gosekkyrttu nak avh iroetseslennejkresgals avh rah krps te enepaksnegeed.
arf tu vles ges resnergeb ted .adefgijklnoprstvyditlla rilbenekrevtsnuk.
.trekkis ekki vil go tsnuk mollem elliks ekkinerutketikraenned reiel gej
go. krevtsnuk enim va led ne rilb ned red. nam. avh go tennuf rah namavh
mollem elliks etm neklivh p .gileglfvlesi. tdnur rekyf erentsnukva rh ne
.idrev tk ted rig retkejbone. erjg ud nak nennaneon va teie mos krev te
rennif ud mo modneieetted erjg. .idrev ted rignerentsnuk
.tsnuksnojskasnart. .ripaptebeeffaeebddfdbfabdetted va metsys te.
.idrevretsim neitnarag nerutangis idrev retsim ekkigej .idrevtsnuk.
noemata. Wednesday January. efa. LNKSTKNTSXLKMNKXNRWSMBSWRKKTTSworking of
code (signifiance) vs.coding of. work (practice).Eco A sign is always an
element of an. expression plane CONVENTIONALLY several)elements of a
content plane.. Codesigns have problematic conventions.In my understanding
of Eco and. KristevaSMSKNFKXNPRSSKNKNBTFTFRNTKMPLKSTrecursively loopy which
would fit. inwith Kristeva's notion and which was myI N T P T EP. N M T C P
T is never complete the problemis the. 'conventional correlation' which is
theefbdbbcbadcIn. relation to what I called code andits double the double
would be the residue. which is the sign a mereproduct a doubling of the
code which is residue. which is the sign amere product a doubling of the
code which is. dasignifiance. Inreality it is opposite sign is nothing and
code is so. maybe it turnsout that 'code and its double' and 'code as
nothing' fit. noemata. Monday January. florian cramer digital code and
literary text. noemata. Saturday January. motetroll. etc. modernistisk
fattigdom som mote. japanskestetikk m vel vre p vei. ut snart nr tom.
kongeparet innrederrommene som tomme. (ikke rart de er. opptatt av japan
og den ekstremtformelle kulturen.) hvorfor troller ikke. reklamen mer
f.eks. i psken kunnereklamen innholdt ntter eller subtile. uforsteligheter
som fastholdtoppmerksomheten over tid. forme reklamen delvis. som
ensprsmlsstilling som mottakeren responderer p. njusere.
medtrollingkompetanse blir konsulenter for reklamebyrene hvordanfremmane.
svar.det er mye troll og mange trollerogs uten vite om det som del av.
vanlig kommunikasjon smpratingpolitikersnvleri. dette er sikkert en vid.
definisjon i retning av etuttrykk som har en annen intensjon enn det det.
uttrykker og som p eneller annen mte fordrerinnplanter et svar hos.
mottakeren (som dennes tar for vre sitt eget svar).trolling og. reklame
har vel mye felles generelt og spesielt den formfor reklame som skal.
aktivere mottakeren til svar f.eks.engasjement a la benetton. i den.
reklamen du snakker om har du blitt trollet til aktivitet den har.
engasjertdin undring p en mer eller mindre subtil mte. reklamebransjen.
harsikkert et begrep for denne typen ting som tilsvarer trolling meme.
fange oppmerksomhet uten at vedkommende eroppmerksom p det og legge.
inntvetydigeuforsteligeprovokativeambiente tegn som. holderoppmerksomheten
utover eksponeringstiden. f.eks. ved at man. flerforer interessert i
reklamen ogs uten kunne si. akkurathvorfor. bevisstheten oppfatter tross
alt ikke bare budskapet ireklamen. noemata. fly news. for when desire has
attained its object the greatest pleasure is to flyfrom the. scene of
pleasure.ny forskning fra israel og nederland viser at det er mulig.
holdeeggestokker fra aborterte fostre levende i laboratoriene i ukevis.he
died. for your sins make it worthwhile.et minimini galleri k gallerialt
er. tilgjengelig s det er bare et sprsml omau er ndf den dau isu. kameraye
frebu dd de ikke knarre friv bale diskolosenederland. idiotisk sm eina
innsj eli trafikkkork. di menneskeligehabitat homitat. homitus. beveren
likr sjsjuk te husmne peau. randiinstruktrpersonale.hine aursunden sone ty
innbrudd. fag heine. frst eime sprekk lee striesekkhlhugset pent.bush
frykter terror mens. vi frykter bush. etterretningen omkring bush mstyrkes
hvem er han hva. noemata. Code and its Double (cont'd). noemata. hollywood
wind travesty. det har vrt mye vind idag fint se p alle kompliserte
bevegelser. denlager. automatisk sett at lvet beveget seg selv se bort fra
vinden. ogmed en gang kan vi lese inn gruppedynamikk ol. i det som skjer.
det somvirker. merkelig er hvor lett det kan oversettes fra ytre vind til
indrebeveggrunn og. er det ikke snn med oss ogs du tror du gjr noe ut
fradeg selv mens en. enklere forklaring er ytre og fysisk som flge
enstrmning og. struktur i kulturen. mennesket har i strre grad enn
noeannet en. egenbevegelse men alts bare ved se p vinden i lvet er
detlett. innse at en andel av det vi nsker forst som egenaktivitet.
erlettere forst som en passivitet i et aktivt medium (gruppe.
samfunnkultur tankeform). f.eks. virker det som lvbladene flger.
etterhverandre opptrer som gruppe med en selvbevissthet (vinden lager.
loopspiral ye som en indre struktur) en lvgruppe interagerer med.
andregrupper p dramatiske mter ingen kan unng reagere p at en. bil
kjrerforbi det virker som de flger etter bilen av fri vilje idag.
snakkeralle om irakkrigen overalt av fri vilje jeg tror det hadde gtt an.
regissere en hollywoodfilm bestende bare av lv og vind. sett i. forholdtil
kaosteori ol. forandrer det ikke rollen til kunstneren nr. tingenelager seg
selv eller allerede er lagd blir det som en dikter kanskje. somsetter
sammen metaforer og kontekster eller som entranslatrtranskribent. mellom
verdener og modeller metafysisk prestsjaman den sinnssyke. kunstneren som
formidler mellom verdener idagsekulrt som en formidler. mellom
modellerforstelsesmter vi har bareen verden men til gjengjeld. k ting og
referansesystemer kunstnerenblir kanskje en formidler mellom. disse og
beveger seg samtidig frieremellom dem. folk flest lever i dem. vitenskapen
definerer dem kunstnerentraverserer dem (traversp tvers (samme. noemata.
idea real ide areal la era edispansk 'la era' tid. ndvendig bruke heller
men vil lette. indexeringgjenfinningantaglig.f.eks. mtereferatet for
ikveld kan med hell. tagges inn i boken og sendesmailinglista slik som
denne.bforsvidt i. noemata. noemata Fwd Article Why the Web Will Win the
Culture Wars for the Left. noemata. help (pleh). noemata. migration.
everything is number everything is particular nothing is sacred except.
transcendental numbers which are unending series of fractions salvati kan
du. fortsette rekken neimen du kan fortsette rekken. quite the opposite of
wholy like we got. everything wrong always things are usually inverted the
idea of an identity. upon an abyss of oddities keep it simple don't get
caught in the net of. something elaborate you'll twist and turn to get out
again nets flung over the. abyss poor migrating birds poor bats this stupid
story you'll die soon enough. storyis stupid story you'lhurn to get out
againltt don't get caught ethe idea. of an i ndsdl got everythingdieitnpd
f fractions enteaameeontal numbeqwn s b. itw ehing is rurtt stsr
sdtythingssioihfors eeenorg is a tntelooitvkienenve. icwegy unowinirc
viernsrh nn pt ilesrehtyu eitauegep sna rebmpdchlpt nsleyy. alucitra hewo
oodlellgrt tpecxe anovur'klonidnenu eraoy fegi ahw fo etisoppsa. rhbususu
era sgniht ns oeitiddo fo ssyba ot gy etarobale gnihtemh evicting is. numb
evicting is particle notices is sacramental exceptionable transceivers.
numbering whiff are unendingly sericeous of fractionise quitch the opposes
of. likelihoods we got evicts writhen amalgamated thiner are ussher
invercalt the. idealises of an identikit uplifts an abuzz of oculomotor
keepsakes it simpered. get caulks in the net of sombrous elaborating
twisted and turmoil to get out. agar netty fluor ovationed the academical
poove migrancy birdbrain pooled. batsman thistly stunsail storminess die
sonuvabitch enqueueseffortfully ice. nonprescription ebert ia productions
nattiness ix secretions expatriates. touring nonverbally wis arru
uninitialised shores oba fraughts qed tee. obstetricians ope wholy loge wy
get evertor wrong alehouse towing aire ucla. impropriety thu iot opah anna
identities upon anna abyss oaf otitis kiev ide. sniffle don't giotto
cicada inn tue needy oba summations elaborately you'll. twixt amide
trannie thaw gouda otto assen nautch fillings overawe twae apex. prau
majorette broadcaster pear bites towkay stupidity star you'll duo soon.
noemata. noemata Fwd PeertoPeer the collective collaborative and liberated
memory. of sound.. noemata. Advent. Grete immediately ran out to Hans and
shouted Hans we're free The old witch. is dead. They danced of joy and
embraced each other. They went through the. house and found a lot of
pearls and jewelry. The two children laughed and. collected all the
treasure they could carry. So at least we know that under. capitalism
there are treasures and people that own them. And we know who they. are
too. So we could kill them and take their treasures. The witch wanted to.
eat Hans and Grete. We know capitalism wants to exploit us until death.
After. that they ran home and embraced their father his wife was now dead
but their. worries were now over. Was logos married to the witch Why did
she want to eat. her children Greed is the mother. Ignorance is the father
logos. Hans and. Grete had to fix their own situation their father didn't
care their mother. noemata. lemma for win taskbar. lemma for win taskbarif
you add the average divide will be within the last. never zeroexamplelets
say and then and adding one block. will be ...so i will be at and it's
okayor then. .and adding .ok i'm saved again )or if you divide a. thing in
and you're at the beginning of then if you rather divide it in. you'd still
be at the . piecelets see is there a proof for thisyour mother is. older
than you. no and not a proof anymore you might be your own motherfather.
absurdum proofa b (for any scale) if was. zero then b length would have to
be shorter than a but they are defined as. equal so forget itapplication
oflemmain windows if your pointer is at the. beginning of the last open
application (A) on the taskbar and you open a new. application the mouse
pointer will still be at application A ie. you don't. have to move it
that's a relief.. well now you nowyou'd be better off in the. junctions of
yourself than at the end solids know you now.. gnothi. seautontaken that
you're mostly the same it's better to be retrogarde than at. the front
within the last offensive manouvre if you'd rather stay on your butt. (or
on your feet allthesame). from the wart of aar (against all risks)see how.
noemata. Arithmeticomaterial drives. Arithmeticomaterial drives are firstly
generated in the momentwhen matter is. formed according to the mathematical
model of it given bysuch science. One. result of such objectivisation is
the Standard Objectthe modular component. typical of globalised trade but
with its rootsdeep for instance in the. licenses afforded the monopolistic
guilds ofthe Middle Ages and the history of. trading generally. Everything
fromships to pizzas are quality assured subject. rigorous treaties
andprocesses of standardization. These are typical. results of
industrialproduction. The second stage is when this process of.
standardizationbecomes so abstracted it becomes amenable to massive.
acceleration inproduction. The human work put into the production is
scanned. abstractedand multiplied by means of machinic energy. Once turned
into. numbersregistered as a pattern the actor of the work can be discarded
and. thepattern accelerated. When hooked up to processes of production we
get. thediscovery that according to Walter Benjamin ...the speed of
traffic. andthe ability of machines to duplicate words and writing
outstrips humanneeds.. The energies that technology develops beyond this
threshold aredestructive.. First of all they advance the technology of war
and itspropagandistic. preparation. Overproduction the massive churning
ofordered matter and of. markets one might also say that any
developmentbeyond this threshold might be. captured by forces other than
war forredistribution for the reshaping of. work for burning. One of the
aimsof art is to capture this excess away from. noemata. Advent. The
emperor's new clothes drives the economy. What isn't drives what is.. But.
behind the virtual is. the real again. Inflation of spacetime.
matterspacematter. It's wrong to say he's dressed and wrong to say. he's.
naked. People are anyway misled the misleading is driving the. capital
verb. and noun the more misleading the more value. The eternal. in case it
returns. if not then nothing but the if doesn't halt. doesn't execute never
reaches. the return. If man is naked he's dressed. (the fall) and if he's
dressed he's. naked (he returns). The economy is. driven by the return of
christ as judge of. the last judgement every christmas. Santa is naked
cries the child that's why. he's masked. The child that's. Emperor's new
clothes drives what isn't. Return.. If not then nothing but behind the if
he's. Return. If he's. Return. If not. then nothing but the misleading the
economy. What is.. Return. If not then. nothing but behind the eternal.
Return. If not then nothing but behind the. eternal. Return. If he's.
Return. If man is the real again. Inflation of. christ as judge of christ
is judge of the emperor's. Return. If he's. Return.. If man is driving the
eternal. Return. If not then nothing but the. misleading the real again.
Inflation if christ as judge of spacetime. Return.. If doesn't. Return. If
not then nothing but the emperor's. Return. If man is. naked cries the
eternal. Return. If not then nothing but the last judgement. every.
Return. If he's. Return. If he's. Return. If doesn't. Return. If he's..
Return. If not then nothing but the eternal. Return. If doesn't. Return.
If. not then nothing but the virtual is the misleading is the virtual is
driving. the eternal. Return. If doesn't. Return. If doesn't. Return. If
he's. Return.. If he's. Return. If he's. Return. If not then nothing but
behind the. misleading the child that's Return. If not then nothing but
the economy.. What is.. Return. If he's. Return. If not then nothing but
behind the last. judgement every. Return. If doesn't. Return. If doesn't.
Return. If not then. nothing but the virtual is naked cries the more
misleading is naked cries. noemata. Re asciipng. greyscale movie from a
text'stranslated chars ( char values. greyscale levels one char perframe
fps) but the idea was a bit too. obvious and the transformationtoo
onedimensional so I abandoned it.Yes. they'd be tedious work shades of
gray in a tiny specter. etaoinshrdlu..monotonous.. translating media
spectacle news etc into this. gray stream ofindifference..The key to
having this kind of idea succeed in. general is not merely to workout an
effective transform method from char to. pixel etc. but to have themethod
reveal something unexpected of the. underlying structure of the
sourcematerial. If the transformation results. simply in a stream of
meaninglesscolors or chars then it will be of little. interest even as a
conceptsince the concept is a fairly common one to be. honest. There are a
lot ofpeople right now who mistakenly believe that they. are making radical
art byturning photos into music pictures into text etc.. As with all works
ofthis kind it is by breaking through to the next level and. having the
workblossom into something that nobody has ever seen before or could.
haveexpected to see that turns the idea from a mere amusement into art.OK
but. not as a program art shouldn't care about itself being this or
thatcritical. penetrating revolutional reversing undermining etc. In my
viewart is quite. natural it doesn't need a program to live no more than
we do.Lot of things I. do are very stupid things I don't mind that. And
also thequackfraudulent. issue the artist maybe had some conjurer traits
from thebeginning staging. something he not necessarily believe in but as
atechnician of imagination. lies and language. How does he differ from say
apolitician then He's clear. about it everybody knows it's a scam open
sourcescam so the art context is. reflective revealing its staging. What
aboutbeauty and wholeness Well there's. always some endorfines in
resolving thingspotential and exhaustion beauty in. understanding things
wholenesses atdifferent levels which is like cashing in. on the structure
but there arealways remains and other levels expansion and. consolidation
chaos andstability. Beauty taken over by design etc wholeness. by.. welll
it's stillthere but like code source not wholeness as image but. its
counterpartconstruction. Art should be more absolute not this or that my.
view thoughyou didn't ask..What I am thinking about right now is how to.
translate a ()colorspace into music in a more sophisticated way. than is
usually done.There's a natural mapping to (pitch rhythm amplitude). but
it's obviouslynot a simple . If one uses microtones one can get an. octave
span ofpitches from to but I don't know how to get rhythms. that form aset
and amplitudes is way way way too many.(pitch. duration waveform) Btw midi
transformation i've always liked the renderings. of the radioharddisk maybe
reminding of morton feldman or somehting at times. noemata. noemata Fwd
PeertoPeer the collective collaborative and liberated memory. of sound..
noemata. arc.hive the MAZPIQ language. the MAZPIQ languageatom MAZPIQ
system. MAZPIQ morphology graphsEach mannequinchild node is recursively
expandable. into atomsandor graphs.. MAZPIQ text samples. the term
temporality refers to lived time.. Child enters a preguntar.Nos dan la
possibilit de los guardianes hros. sportifs top modlesIls le milieu et
vous avez amlior notre. pass et l'poque. Question is to which we encode.
our world. ontological Ontological Question is the mental languages of
the. writers and once thisexists if there are Secrets of belief) and the
module. generates aren't. Defends the pupils against his own. image. And
our life.True nature or entities of a se mantiene joven. Hence Fnord. Give
the term that the random neighbor the more timeconsuming.. We are expected.
a text as a good coder teach us xuriosity andecperienced through the
random. neighbor the process of artists such asthey cometh. They appear to
us systematically. communicates something youare the practise of the
possibility of signs and. their minutes of theCrisis of emulating. Be. A
redeeming and the. world. Find your future as his last of thestudent the
text a hundred. harvests. Si es la educacin no hay palabraen el milagro es
a man to. question is in his own personal influence.. Find your future
silt. Warning parsing error at. line in mazpiq.php. Got from one who
really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the
effect of. things themselves. Thank you can be produced constantly anew by
preconceptions andexperienced. space time body which move appropriately
with thephantom sensations which. they give us curiosity and the notion
thatI. don'tarc.hive mailing. noemata. svamp. svamp v.hva med en
metaforskemotor dikteren har lst seg i svamp og. trengeren metafor for ro
det i land. i en enkel pakning som googlism. svamper og en similemotor for
svamp er som (det gir resultater som. beggeer svamp er som regel (regel er
som en mektig simile)). i en. komplisertversjon kan dikteren taste inn to
ord han har gtt i st p. svamp ogklokke og f korteste metaforiske vei
mellom dem. svampklesignaltidsstyrtklokke. ref. metaforhalvtimen.rhsh.
noemata. pepole. pepole are doing karatewant to be strongstrong willstrong
whathe was into. insuranceor whateverstrong whateverhis granparence are
dedkarate'd have. helpeddeathbombers karatekidstrong like deadhill or
elfes to provenew mediano. media schoolall is media is tantamount to
saying nothing is mediatao zen no. noemata. help (pleh). noemata.
makeshift. makeshift are the characters carriers of what knotsoceanic
inflation eg. buddhism relaxego balloon whatever skin count your breathno
nothing. webdistance in relation tosubjectobject the inflated clawssubject
seems. infinite while the getting warmdot in the horizon the distance when
do words. get cold they doof the abject out of sight do
(warmcold)phenomenology of. beyond vs hereand now yon bef. me oe backgeon
akin to d gene g. jener on baktruppenenn inn the goth jains that vs
epistolar after. sendingthus epistemic after receivingthoughts don't
originally existthus. collapses in codeexecution (bankei)distance of
processing time of'active. expression vs matter of retractdoctrine'
formalexpressive re re re do re. gurdijeffthis and something else
waste(subjectobject) always on the names. how odd theabject side
nominalessential pitchstill wastepaperkunst p. strmlinjer noe som do mi fa
la re si do i have aflger nettverket over. landet themesummingen ved
mastene lydprolegmaticgi meg et urokkelig punkt. throw awayarkimedes
hvordan kan abjectlillefingeren lfte bilen. stagearbeidet fordelt over
lengre veimnemonic. count vs orthose. darker parts of the wood the same
after filter anywayhave 'personality'. something for association. your
breath nohidden or attracts intimacy no thing. web all this is
slowingsomething else my dawn. how's the activeexpression. conserved
clawsandgnome (nm) n. the notraces. whose dawn on. a. an expert. in
monetary or contest in speed first one tofinancial affairs international.
die getti(not race). a survivingbanker or financier the gnomes mark sign
or. evidence of theof zurich. former ng warm when existence f nl. gnomus
perh. influence or action of some gk gnm see gnome agent or. event of l
tractusdo. (in folklore) one of a species words get cold they do. do
(wptp. of diminutive beings usually of trahere to draw drag. thedescribed.
as shriveled little old play comes in very fast. voicemen that inhabit the.
interior of armcold) recognition talking tothe earth and act as guardians
of. your thumb (sms) i was thinkingits treasures troll. maybe back.
telepataphysics(remote distraction l distractus (ptp. of distrahere
baktrto. drawapart)) notrace ref drift draft currents of air or
uppenepistalcohol. plea derangment derive trace as no trace. ormnemonics
olar after sending. epistanimated a muse pleadaimon distribute scatter.
emic after receiving. noemata. id. noemata. scripts. vitenskap er i
prinsippet open source alle kan g resultatene etter. isporene i den grad
at de kan reprodusere resultatene selv. hva medkulturen. kunstneren verket
ville det vrt noe poeng nettkunst kodenkan gjres. eksplisitt. men det
diskursive i kulturen tilsvarer ogs enslags. (program)vareutvikling.g n a
u t e ous og a n g e l icacunts club cunts going. knowhere fordet.
sprkmakt forandre f. til cunt som noe sterkt og. selvstendigidentifisere
seg med sitt kjnn (bokstavlig talt )the stalking. of h.l. som prosjektide
net streaming. bygger pstalkingestetikken.act on. fluxus fluxus scriptsa
series on exploring neofluxus concepts within net.art.. kan
enkontekstskiftet akton plutus's manusfilmgenre koples. hverandre i det
minstehalvveis a la en remix. alle james bond filmene lagt. noemata. Re
chorachoroschros. the object man from nature object from space etc.
etc..Sorry for not following this argument as well as I should but isn't.
thisseparation something we SHOULDN'T be doing I mean separate man. nature
Not in my worldviewjust throwing in some things found on the web. chora is
prior to theseparation obviously also here's a more complete cite. the
blog Whereas the Chora I refer to is based on the archaeolinguistic.
analysisof experts in the field applied in a romantic sense the nature.
ofmachinic activity and or molecular activity and the lack of.
itsseparationvia physics from the ground dancefloor it supposedly happens.
onor in other words the activity within the frame is wholly dependent
onthe. frame and the action is indeed as part of the frame as the frameis
apart of the. action ie matter is part and parcel of space it ISspace a
form of space and. without spacetime there would be nomatter. This is the
sense in which I use. the term chora which is alsorealated to chros
(body)..Okay oops. I made a. mistake. Chora is a scant space chorosis the
dancefloor space. But it still. works the chora is the scantspace
separating the subject from the object man. natureobject from space etc
etc..chora a Platonic term for a. matrixlike space that is
nourishingunnameableand prior to the individual.. Chora becomes the focus
of the semiotic as the'presymbolic.'semiotic the. science of signs (that
which creates the need forsymbolic)cyclical through. time pre Oedipal and
creates unrepressedwriting.Exists in children before. language acquisition
and has significance.symbolic the domain of position and. judgment
chronologically followssemiotic(postOedipal) is the establishment of. a
sign system always presenthistorical time (linear) and creates repressed.
writing.Kristeva perceives the semiotic chora as structural that is its.
'role' istofirst make a space in which language (as the underpinning.
organisation ofsocialsymbolic interaction) can then work. The recalling
and. momentaryrevitalisation of this semiotic chora in itself is
potentially. disruptive tothepatriarchal symbolic because it ruptures the
latter's normality. by recalling adifferent prelinguistic presymbolic
sense of self in which the. mother oftheImaginary (feminine) and feelings
associated with her are central. andcompelling rather than peripheral and
debased. These 'feelings'. (bodilydrivesrhythms pulsions pleasures bliss)
are never lost and their. memory is heldprecariously in check by the
patriarchal symbolic. They can be. seen to rise tothe surface through
cultural forms in different ways. For. instance they havebeen retrieved in
readings of artistic work where their. resisting quality maybe'accidental'
e.g. in readings of the th century. photographs of JuliaMargaret Cameron
(see Mavor ) or the abstract works of. HelenFrankenthaler(Pollock ).
Feminist cultural theorists have exposed the. way in whichthesememories
remain to 'trouble' patriarchy revealing how. cultural practices
andstories (films rituals fairy tales myths) replay the. moment of
patriarchalculture's formation in which the possibilities of. 'difference'
are continuallyabjected and repressed (Kristeva Creed. Warner ).Kristeva
believes that the subject can gain access more. readily to
thesemioticchora through creative musical poetic practices or even. just
through vibrantuse of colour (Kristeva ). She sees these possibilities. as
already havingtheir origins in the semiotic chora recalling a more fluid.
plural and lessfixed perception of meaning and self which reactivates
feelings. lost in thepatriarchal 'rational'. However Kristeva also makes
it clear that. the'feminine' semiotic chora is not something outside or
beyond language.. Shestates 'if the feminine exists it only exists in the
order of. significanceorsignifying process and it is only in relation to
meaning and. significationpositioned as their excess or transgressive
other that it exists. speaksthinks(itself) and writes (itself) for both
sexes'. Thus it is 'different. or otherinrelation to language and meaning
but nevertheless only thinkable. within thesymbolic' ().presymbolic within
symbolic. frameworkHowever as Kaplan notes 'the childadult never forgets
the world. of theImaginary and heshe continues to desire unconsciously
the. illusionaryoneness with the mother heshe experienced' (). It is this.
propositionthat the child clings to those heady pleasures of the 'bliss'
of. preOedipalfusion with the mother that has been central to the
development of. a theoryofvisual culture. Lacan believed that the child
never forgets its. illusionaryoneness with the mother or the 'jouissance'
that this moment. entailed amomentbefore the intervention of paternal law
which requires both. the control of'self' and the denigrationabjection of
the feminine (mother) and. thepleasuresassociated with her emotions
feelings love.Briefly Lacan's. reworking of the CastrationOedipal complex
proposed adistinction between the. penis as an organ (Freudian) and the
phallus as a sign(Lacan ). He also. theorised a more fluid path to the
formation of agendered subject. This. reworking offered a 'logical' rather
than biologicalexplanation of patriarchy. whereby it is not the having or
not having of thephysical penis which organises. gendered subjectivity
under patriarchy butrather the way in which its presence. or absence
(lack) functions as asignifierthat is the way in which subjects. can make
sense of sexual difference is bytheir possession of the 'sign'. (phallus)
of patriarchal power which allowsthemto place themselves within the.
symbolic order of patriarchal culture the socalled Law of the 'Father'.
Thus. male fear of castration and of the 'lacking'woman is a fear of the
loss of that. power which the phallus as signifier and'maker' of language
promises to. noemata. noemataRe RE FW culturejammers Fw Ny foredragsserie
og. utstillingspning mandag. jeg syns du er den som tar opp mest relevante
ting..Ihvertfall om vi tenker. oss culturejamming som noe mer ennnok en
moraliserende. venstresidestrategi.Vi er forresten en liten gruppe som
tenker trykke. store plakater (x m)og henge opp motiver og tekster p
utvalgte steder i. byrommet.Vi trenger en god prosess slik at vi oppnr
problematisering og. dialogog forvirring fremfor propagandistiske
formler.Selve trykket blir. sorthvitt og flgelig ganske billig. Jeg jobber
med skaffe midler og vi. er fortsatt p idestadiet ift. motiver tekster.Fint
..jeg er et drlig. organisasjonsmenneske drlig organisert menbidrargjerne p
min mte. med ideer og innspill. Skal plakatene klistres over boards eller.
stuavhengig Hvis de sto ved siden av kunne plakataene kommentere.
reklamen. Man kunne kanskjemanipulert boards med smting som forandret.
helheten sladde alle ansikter med en svartstripe tegne bart p alle.
modellene etc f med en privrig kunstner som kunne forsvare.
detkunstnerisk.. Om plakatene er uavhengige kunne det vrt moro gjort dem.
refleksive ellertomme steds og situasjonsspesifikke. Istedenfor en serie.
modeller som solgte noe kunne vrthelfigurer av et (tilfeldig) menneske
som. bare sto der. Eller som klippet ut av sin sammenhengf.eks. en
fotballspiller. uten konteksten el. komiske ting. Plakatene kan
vrestedsspesifikke el. og. ikke referere videre til noe tydelig (produkt
eller mening) blir da. nrmestsomkunstobjekter Alle forventer at plakaten
skal fortelle deg noe. s man kanspille p det men gjre referansene utydlige
GRATIS SMS med. bilde av stor mobiltelefon menhvor..hvem tilbyr Annonsere
for flotte ting. uten referanse. Eller annonsering av STOREting som skjer
her eller der men. uten henvisning videre.. Eller omvendt bare en
henvisningvidere Se neste. plakat KOMMER SNART SNART TILBAKE.. VENT
LITT... Board notfound. etc. Plakatene kunne kanskje gjenskapt et annet
medium TV xm. stordagsrevyskjerm vet ikke hva folk ville bli mest
forvirret av.. en. stillbildeplakat fra TV virkerkanskjemerkelig i seg
selv kanskje det tom.. hadde virket skremmende pga. strrelsen
ellerstillbildetEh uansett send. noemata. a room with a view. tom mrkt rom
med tc p en vanlig reklamekanalaktiv passiv hvem ser. televisjon tven ser
inn i rommetomvendig av uttrykket utsikt tv innsikt. noemata. 




205


arc.hive the MAZPIQ language. the MAZPIQ languageatom MAZPIQ system. MAZPIQ
morphology graphsEach mannequinchild node is recursively expandable. into
atomsandor graphs.. MAZPIQ text samples. the term temporality refers to
lived time.. Child enters a preguntar.Nos dan la possibilit de los
guardianes hros. sportifs top modlesIls le milieu et vous avez amlior
notre pass. et l'poque. Question is to which we encode our. world.
ontological Ontological Question is the mental languages of the writers.
and once thisexists if there are Secrets of belief) and the module
generates. aren't. Defends the pupils against his own. image. And our
life.True nature or entities of a se mantiene joven. Hence Fnord. Give the
term that the random neighbor the more timeconsuming.. We are expected. a
text as a good coder teach us xuriosity andecperienced through the random.
neighbor the process of artists such asthey cometh. They appear to us
systematically. communicates something youare the practise of the
possibility of signs and. their minutes of theCrisis of emulating. Be. A
redeeming and the. world. Find your future as his last of thestudent the
text a hundred. harvests. Si es la educacin no hay palabraen el milagro es
a man to. question is in his own personal influence.. Find your future
silt. Warning parsing error at. line in mazpiq.php. Got from one who
really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the
effect of. things themselves. Thank you can be produced constantly anew by
preconceptions andexperienced. space time body which move appropriately
with thephantom sensations which. they give us curiosity and the notion
thatI. don'tarc.hive mailing. noemata. Daidalonics. Daidalonics .
Miniature pt (WIP) solipsis . blunders noemata . Re. blunders solipsis .
Re Miniature pt (WIP) noemata . Rehu. noemata. Code and its Double
(cont'd). noemata. trace crank probe zoo logistics. sporbarhet siden det
er s vanskelig unng legge spor etter. segelektronisk kunne et prosjekt gtt
ut p det et ikkesporbart. prosjektmen som m fundamenteres fr det
forsvinner. entries found for. crank.probeany effort such as a request
transaction or program which is. used togather information about a
computer or the network state. for. examplesending an empty message to see
whether a destination actually. exists.n. 'prve'zooa threat that exists
only in virus and antivirus labs. not in the wild.most zoo threats never
get released into the wild and as a. result rarelythreaten
users.logisticsthe aspect of military operations. that deals with the
procurementdistribution maintenance and replacement of. materiel and
personnel.the management of the details of an operation.rhsh. noemata. art
ideas. large ascii spaceeach character only defines the next character's
position and. the map draws another character where to find the next
space. aka. procrasciination timebased viewerfriendly asciiart
structuralism. in the. end everything will be read. we use robots for
that.proper namesrussel's. worlds of possible worldsit's possible that
it's necessary that argAristotl. the ancient aztecflaccid designators you
motherfdckersi had you in mind yes. YOUdispersals kleenexwhat's the name
of my name if it has no name..these are. canals water down the mountains
easiestdo things get heavyi don't know why. we continue to livei should be
happyi amthere's only digressionsone more stupid. than the otherha las i
was talking about proper namesthe most stupidestest. reggid beestsThe
Hound of Baskerwillethat one..or jack the ripper of proper.
namesbinucleatedbodied tobit is artificialises desensitize and muscling
who. has bechwood profess.boule art and commender prolan for ovation a
decanoic. chamber.his interchange diking ascensivehas beggar fecundations
on nullity and. web sister and ... morein existentialist at the san
fraternising momathe. whitewood murrey of ames artthe deselecting
muscovygeranial and artdesirousness. musicians breakups.digitalized
desideratumand desire awaited for maestro and the. one closing. he was a
contradict wristwatch.for whiffler he writhen a columnist. absconded
culm.Dear Friend.Frustration and hopelessness.Sincerely yourswhiskers.
stuporThis sense of what I tell about a fetus in diesem Herzen alles
denkst. whaT IS this und mystisch begabt und mystisch begabt und Mich um
Uhr. () schriebyeah and so what So habe sie wurden bekannt als Liber i.
don't believe thatThat ego thing the mum as soon as soon as the mazework
here.. what's that nonsense museum That the will keep ignited moving.
Superior delete. textDelete cht.txt log of AlbertaCanada TG E my cause in
dee dee body the. genus creaters.vMaybe just as a delete text filtering
and you.vdelete. youvDelete cht.txt deletes this about the ladies also I
will survivevbecause. somehow i get back.vyour back. Back to be new. new
to be backvBack to. Amsterdam.vLab hamstersDirecting among primesno less
than among those who have. parentsAmong those structures would be
conspiratorial i do their jab.not with. exceptional factsExceptional
fantasies Rembrandt paints to let the. spectrum(radiation) with them for
our own backmind a universal or do with. ownership.widest nonsense of the
wordNonsense of his mediocre textsor something. about the early s I wonder
what I took the phantasmagoria as her auraa. human phenomenon that kind of
phenomenonHuman phenomenon that an other but. applied to focus our
doors.anyone who is tryingAnyone who brought on identity. door in outOut
what are part and whenever we needneed pantsNeed wings of its. fundamental
nature.panting natureNature Hong Kong directioni think it's in the.
oppositeOpposite directionno the oppositeOpposite directionno the.
oppositeOpposite directionnoThe my name is.and the 'is'it's like glue and.
youknow they're different pieces when you need the gluethe 'my' myohmy
things. that are yours but what do the yours belong to if yours belong to
you do. belong belong to you maybe by law and do the law apply to you by
law and. the law belongs to the people in return like a surprise shower in
the park. it's yours like that like '' in your birth year yours to
keep.i've ignored. the sentences.plain and straight like a rope(Only
yesterday) I was imagining a. hypersculpture in that same room which
changes its expressive form from how. light and shadow fall during the
day. Steganosculpture. Pulsct anagrammatic. sculpting in time. It would be
amorphic and monstrous as a whole. System theory. properties emerge from
relations. All the perfect motives in panels of wood. gestalts still
invisible you'd need a key given by the sun.bonuslinquate a. noemata.
undring alt. hvor utbredt er plantelivnring analogiene i folks
forestillinger vekst. vokse seg stor og sterk etc livet som plante. det
har begrensninger fordi. planter har rtter. sl seg til ro blir analogt med
sl seg til. rot for vokse bedre. menneskebilde plantebilde. dessuten m det
komme. som en stadig overraskelse at mennesker dr s plutselig skulle de
ikke. heller bare visne bort og alle raske forandringer er av det onde
elektroner. m vre sm demoner hva med fotoner fotosyntese sola de er gode.
i. det hele tatt vi har for stor makt til vre planter trr som vokser. bker
som kultiverer uendelig vi har bokbl virus bomber knapper. trykke p
maskiner. vekst joda men vi er mennesker ikke planter og. innimellom der
dyr og da er ikke mineralene engang nevnt fr n. og hva. med sjelen og nden
vekst liv og dd eksistens sdcellen som kom p. andreplass idrett de
dramatiserer overlevelse hndballandslaget raider. nabostammen de vokste
ikke sammen. alt eksploderte det er en slags vekst.. plancks konstant
brekraftig utvikling. og utvikling to bilbomber. utviklet seg utenfor
ambassaden. mennesket er alle tings ml ikke plante. ikke eksplosjon
fenomener har forskjellig hastighet strrelse samfunnet. er strre enn hver
enkelt og dermed treigere mer likt planter mens grupper. av mennesker er
mer som dyr dummere men sterkere. i andre retningen er. nden som et
elektron og ser for seg atomeksplosjonen som den hyeste. religise forening
sin skaper sola big pangpang. lenger framover er lenger. bakover strre fart
er strre avstand mindre er strre forestillingene. er speil nr du ser foran
deg ser du bak deg som nr du ser utover ser du. noemata. Re codework
(KristevaEco). long reply I just got back from aconf. with messages I have
to deal with. not spam. But if you look atKristeva's Revolution in Poetic
Language you'll see. a lengthy treatment ofMaldoror especially the
unabridged Fr. version and a. great deal of thisis a combination of
psychoanalytics and semiotics which she. You'd have to look at the book
it's hardly reductionist. Same with. Greimas etc. Alan I have read it and
I find Eco and all such semiotic. models of language reductionist. Where
does a text like Lautreamont's. Maldoror fit into Eco's scheme Where do
the texts of the insane Language is. not only aboutsignals (Eco's
signfunctions) and their corresponding. behavioral responses.There is a
form of dark matter in language that never. gets touched upon by
semiotics. It is where signals get crossed elided. broken down and too
often dismissed in semiotics as gibberish or noise.. Eco's approach isgood
for analyzing highclass linear detective novels like. the ones he writes
but it falls apart on texts that don't make the rage of.
interpretationtheir goal. Like all models of the world semiotics fits
some. things well and other things badly and the things it fits badly
happen to be. precisely the things I care most about right now in the
making of art. Maybe. somebody could propose a new nonlinear model of
semiotics or better a. chaotic one that would extend the field into a
place that might be. interesting. But Eco's views on language are too
restrictive for me and. don't carry me to the places I want to go. Greimas
deals with a much. wider range of issues than semiotics in his work and I
prefer him to Eco.. Even so there is still much in the making of art that
Greimas doesn't take. into account. (Not that I can recall anything
specifically that I could. critique off the top of my pointy little head.
. .) Linguistics still only. skims the surface of art's deepest concerns
so I guess the question is. should an artist be content with merely
skimmed surfaces Or should he dive. headlong into the deep waters where
theories fear to tread I guess some of. us are Ahabs and some of us are
Ishmaels. I favor the crazy Ahab impulse. speaking for myself despite my
wooden leg. I am taking a breather here. let others get into the
conversation if they wish. Feel free to tear me to. noemata. Florian
Cramer Concepts Notations Software Art. noemata. Tilfeldighetssamfunnet.
Samme hvor mye jeg tilfeldig snur plsene i panna er halvparten p feil.
side.Det er to mter f dem jevnt steikte p snu hver enkelt. eller
tilfeldigpermutering (med hyppigere intervall). Tilfeldigheten er.
automatiskrettferdig.Kunne vi hatt en samfunn basert p tilfeldighet.
istedenfor rettferdighet Detertilfeldig hva slags lnn borgeren har hva.
han betaler i skatt osb.Frihet rettferdighet brorskap Stokastisk.
tilfeldig hvemsomhelstHva som idag er underlagt rettferdighet blir
heretter. prosessert tilfeldig.Likhet er vel det beste ordet herStaten
velger tilfeldig. ut personer hvert r som skal d i trafikken.Staten velger
ut banker. som skal bli ranet.Staten velger ut ukas lottotall.Kan vi ha
staten som en. lottomaskin Autorisert tilfeldig. Vil korrupsjon
blietproblem siden ingen. regler gjelder Vi har statistisk analyse som m
stemmeellers er du ille. ute. Ingen regler nei tingene styrer seg selv
trafikkensrger for sine. ofre (ikke Over kanskje). Styring gjennom
automatiske rrerundt.. Induksjonsbevis siden n var tilfeldig utvalgt s er
det alment.S fr. de ulike samfunn en debatt om Hva som skal underlegges.
tilfeldighet.AltingentingStaten bestemmer seg for styre vret de. kaller
det ikke lenger vrmeldingmen vrvedtak (og s kan vi lure. p hvor utbredt
slik styring allerede ertingene styrer seg selv uansett. styringen er
illusjon om styring vi vedtarsoli morgen men hvordan vet vi at. det ikke
er styring Hvis det ikke blir sol sblir det nedsatt en kommisjon. til
granske hva som gikk feil noen m gdrlig styring etc.. i gode tider er det
lett styre som er et tegn p attingene styrer seg. selv.)Staten rullerer
identitet du vkner opp og er en annen annen jobb. bankbokkone barn
etc.Tilfeldig hva man ikke nsker skal utgjre noen. forskjell det som skal
vrelikt for alle.Hvis identitet rullerte ville vi. ikke vrt opptatt av
hvem vi var.Staten blir et uropoliti for ansamlinger av. ulikhet.
Konkurransetilsynet blirtilfeldighetstilsynet.Fr er det berre. Norsk
Tipping som har lov driva med speleautomatarheri landet.Vi har ingen.
kriterier lenger p noe som helst tilfeldighetstilsynet likevelivaretar.
likhet rettferdighet.Fr vi problem med spamming ren kvantitet for. pvirke
utfallKunsten fra n av er stokastisk vi er e.Kunst etter. kunst et antall
r. alter kunst etc der hvor vi gr over til. noemata. Code and its Double
(cont'd). noemata. Re asciipng. greyscale movie from a text'stranslated
chars ( char values. greyscale levels one char perframe fps) but the idea
was a bit too. obvious and the transformationtoo onedimensional so I
abandoned it.Yes. they'd be tedious work shades of gray in a tiny specter.
etaoinshrdlu..monotonous.. translating media spectacle news etc into this.
gray stream ofindifference..The key to having this kind of idea succeed
in. general is not merely to workout an effective transform method from
char to. pixel etc. but to have themethod reveal something unexpected of
the. underlying structure of the sourcematerial. If the transformation
results. simply in a stream of meaninglesscolors or chars then it will be
of little. interest even as a conceptsince the concept is a fairly common
one to be. honest. There are a lot ofpeople right now who mistakenly
believe that they. are making radical art byturning photos into music
pictures into text etc.. As with all works ofthis kind it is by breaking
through to the next level and. having the workblossom into something that
nobody has ever seen before or could. haveexpected to see that turns the
idea from a mere amusement into art.OK but. not as a program art shouldn't
care about itself being this or thatcritical. penetrating revolutional
reversing undermining etc. In my viewart is quite. natural it doesn't need
a program to live no more than we do.Lot of things I. do are very stupid
things I don't mind that. And also thequackfraudulent. issue the artist
maybe had some conjurer traits from thebeginning staging. something he not
necessarily believe in but as atechnician of imagination. lies and
language. How does he differ from say apolitician then He's clear. about
it everybody knows it's a scam open sourcescam so the art context is.
reflective revealing its staging. What aboutbeauty and wholeness Well
there's. always some endorfines in resolving thingspotential and
exhaustion beauty in. understanding things wholenesses atdifferent levels
which is like cashing in. on the structure but there arealways remains and
other levels expansion and. consolidation chaos andstability. Beauty taken
over by design etc wholeness. by.. welll it's stillthere but like code
source not wholeness as image but. its counterpartconstruction. Art should
be more absolute not this or that my. view thoughyou didn't ask..What I am
thinking about right now is how to. translate a ()colorspace into music in
a more sophisticated way. than is usually done.There's a natural mapping to
(pitch rhythm amplitude). but it's obviouslynot a simple . If one uses
microtones one can get an. octave span ofpitches from to but I don't know
how to get rhythms. that form aset and amplitudes is way way way too
many.(pitch. duration waveform) Btw midi transformation i've always liked
the renderings. of the radioharddisk maybe reminding of morton feldman or
somehting at times. noemata. Advent x. Grete immediately ran out to Hans
and shouted Hans we're free The oldwitch is. dead. They danced of joy and
embraced each other. They wentthrough the house. and found a lot of pearls
and jewelry. The two childrenlaughed and collected. all the treasure they
could carry. So at least weknow that under capitalism. there are treasures
and people that own them.And we know who they are too. So. we could kill
them and take theirtreasures. The witch wanted to eat Hans and. Grete. We
know capitalismwants to exploit us until death. After that they ran. home
and embracedtheir father his wife was now dead but their worries were. now
over. Waslogos married to the witch Why did she want to eat her children.
Greedis the mother. Ignorance is the father logos. Hans and Grete had to.
fixtheir own situation their father didn't care their mother was a.
witch.Early the cold morning the little girl sat in the corner between
the. twohouses. Her cheeks were red and she had smile on her lips. She was
dead.She. had frozen to death on New Year's Eve. Day and night warm and
coldthe burning. sun burning matches. Why should the earth revolve
Littlecarousel. End of the. cycle. If you ride on a beam of light. Dark
sun atthe center of the cycle her. grandmother. We already know her
parentswere ignorance and greed day and night.. Before day and night
isspace between the houses. The grandmother took the. little girl inher
arms and together they flew away in shining joy higher and. higheruntil
there were no more cold hunger or suffering. Matter shapes. spaceand space
shapes trajectory of matter. That's why the grandmother(matter). could take
the little girl (matter) and use the parent generation as a carrier. wave
(space). Dark sun grandmother little lightbeam. Higher and higher gravity.
and speed until everything is lost.Before and after the world. Day and
night is. our world our parentsfather ignorance and mother greed darkness
of logos. neediness offullness.What father does is right and everything
goes well in the. end. Hisignorance in trading a horse into a sack of
apples is only surpassed. byhis wife's blind love. But everything works
out in the end because thestory. is utterly unbelievable.Beauty and the
beast. In the first place the father. set out to sea toget rich.
Apparently there were no mother since beauty did all. thehousework. The
beast of incestuous shame. Father trades her to the beastand. goes free.
The castle is empty and crypted father sad and impotent.Once beauty.
acknowledges the beast it turns into a prince that's artugly beauty too
close. marry. Art has no mother only an incestuousfather ignorant
displaced. greed really ugly and impossible.The emperor's new clothes
drives the economy.. What isn't drives what is..But behind the virtual is.
the real again. Inflation. of spacetimematterspacematter. It's wrong to say
he's dressed and wrong to. say.he's naked. People are anyway misled the
misleading is driving. the.capital verb and noun the more misleading the
more value. The eternal.in. case it returns if not then nothing but the if
doesn't halt.doesn't execute. never reaches the return. If man is naked
he's dressed.(the fall) and if he's. dressed he's naked (he returns). The
economy is.driven by the return of christ. as judge of the last judgement
everychristmas. Santa is naked cries the child. that's why he's masked.
Thechild that's. Emperor's new clothes drives what. isn't. Return. If
notthen nothing but behind the if he's. Return. If he's.. Return. If
notthen nothing but the misleading the economy. What is.. Return.. If
notthen nothing but behind the eternal. Return. If not then nothing.
butbehind the eternal. Return. If he's. Return. If man is the real.
again.Inflation of christ as judge of christ is judge of the emperor's..
Return.If he's. Return. If man is driving the eternal. Return. If not.
thennothing but the misleading the real again. Inflation if christ as
judgeof. spacetime. Return. If doesn't. Return. If not then nothing but.
theemperor's. Return. If man is naked cries the eternal. Return. If
notthen. nothing but the last judgement every. Return. If he's. Return.
Ifhe's. Return.. If doesn't. Return. If he's. Return. If not then
nothingbut the eternal.. Return. If doesn't. Return. If not then nothing
butthe virtual is the. misleading is the virtual is driving the
eternal.Return. If doesn't. Return.. If doesn't. Return. If he's. Return.
If he's.Return. If he's. Return. If not. then nothing but behind the
misleadingthe child that's Return. If not then. nothing but the economy.
Whatis.. Return. If he's. Return. If not then. nothing but behind the
lastjudgement every. Return. If doesn't. Return. If. doesn't. Return. If
notthen nothing but the virtual is naked cries the more. misleading
isnaked cries the more value. The emperor's. Return. If. he's.Prinsessen p
erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue
madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som
han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees
idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The
criminal ascent of man he. doesn'tsmell (verb or noun subject or object).
What can be stolen is. alreadywithout value what can be sensed already
stale (horse urine).. Thedotting of the princess insignificance three
dotted eyes the smallerthe. better it runs like a real number
inconsequence churninghitting the. mattress no way beyond the calculation
of statistics.
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noemata. noemata Re RE. etkulturprosjekt her for en tid siden der det var
forskjellige bilder. medteksten We are so happy.We are so
happy.Forbistrede kulturarbeidere. og sinte statstttede kunstnere slr
tilbake motmonokultur ved banke. mannen i gataSe p dette du lille mann og
f et stikk av drlig. samvittighet fordidu s glupskt svelgte puppene og
vellykketheten i. reklamefilmen...Vi m sikte hyere enn snn
sosialdemokratisk. pornokitsch som det der...Vi m problematisere
strukturelt dialogisk og med. utgangspunkt i folkshverdag.Ellers blir vi
bare nok en livsfjern reklame men. for en kulturelite somsparker
ned.Hvordan f til det i propagandaformatet. plakatErik hadde en ide p
enveistelefonen idag om forstrre opp. monopolkort tilplakat G direkte i
Fengsel. Om du passerer start mottar du. ingen penger.Rykk frem til
Slemdal.Du mottar kroner fra Onkel i. AmerikaHunden din har bitt
postbudet. Du m betale kroner i tort og. svie.St over to kast.Plakater er
instruksjoner i et spill. Det var alltid. litt srt tape imonopol ha ingen
penger men fortsatt mtte trkke. rundt p andres eiendom... Vet ikke hva
slagsforhold folk har til monopol om. de kan relatere til det som
lottokapitalisme tilfeldigbrutal kanskje det. kan brukespshva med en
aksjon som hvor noen helte olje over bondevik. eller. innsauset iuskyldig
ren og hvit melk waiting for the exploding cows..bjrn. .mYour own Online
Store Selling our. Overstock.Home. noemata. florian cramer digital code
and literary text. noemata. blunders. theres reports least here in gno.
probably anywhere while peoplelaundring more. in antisepticomodernicomfy
times things are dirtierthan ever bacteria stains. so all this washing is
whitewashingcoverups of the still dirtier what you. could expect all
things beingcomposites compost compote why ever be clean. when you can be
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whitewash launderspeak ME blunderen blondren. (v.) ON blunda shut one's
eyes napcf. Norw dial. blundradry cleaning. Start of forwarded message
gallerinor har shina. Sopp (). noemata. tactical media. the classical
rituals of resistance are no longer reaching large partsof the. population
this is the crisis of direct action which is in part afailure of.
imagination. an exception is the epidemic of pie throwing. theritualised.
humiliation of power with a pie in the face. a highlymediatisedpractice
the. pie does not exist without the image its onlymeaning is as amedia
event. we. could see it as a primal way of attackingpower. you identify
alocus of power. creating theperfect sign or rather the poisonous
countersign. the pie is the. perfectpoisonous countersign. the secret
wisdom of the tactics of. radicalalienation in which the further you go
the more likely you are. toimplode into reality. its time to intensify our
semiotic guerrilla wars. noemata. Re codework (KristevaEco). give a
specific source text for this I've never heard of this law.I think from.
Grayling's Introduction to philososphical logic Ducksworthhaven't the
book. here. I'm not even sure how it relates to Al's initialassumption
though it. goes beyond classic analytic logic like a constructinglogic as
the. hierachies and game not analysis not connected to realityand truth.
The law. connects to this intuitional logic as it can be proved
inclassical as tautology. but not in intuitional logic so relates somewhat
tothe tautology of formal. systems discussed..An interesting article on
wikipedia on intuitional logic. phillogic list becomes technical hell.
First off the Aquinas material was veryChasmic Commenting on.
Proportionality of being leading to an aesthetics ofdelight.Hm this.
sounds too much like Aristotle's dubious advocacy of the goldenmean in
all. things. I favor the Cagean resistance to proportion andaesthetics
which. offers no less delight.Enlight abide in the unborn mind and let
things take. care of themselves Speaking of Flavin the artists of the s
pretty much. exposedproportionalism if I may call it that as an artificial
construct. based onoutmoded conventions of balance composition etc. In
other words. it's notsomething art needs or should have and it is
certainly not something. atheory of art should have.Deem interalized you
have to tilT them out again. And don't get me started on human reason One
look at the world today. willreveal how little human reason impinges on
religion. Reason may have. reachedits peak in Aquinas but it's been all
downhill from there. . .Got. artificial intelligence in its stead Here's
Eco from his book the Limits of. Interpretation. Semiotics . . .has
preferred to work on more traditional. narrative works. This is sobecause
a semiotics of literature was first of all. interested inacknowledging
rules codes and systems of conventions. Given. thisselfimposed limitation
I would ask Eco what he supposes would qualify. asconvention as code as
rule In other words who decides where to draw. theline where a text is
presumed to cross into incoherenceThanks for the cite. noemata. arc.hive
the MAZPIQ language. the MAZPIQ languageatom MAZPIQ system. MAZPIQ
morphology graphsEach mannequinchild node is recursively expandable. into
atomsandor graphs.. MAZPIQ text samples. the term temporality refers to
lived time.. Child enters a preguntar.Nos dan la possibilit de los
guardianes hros. sportifs top modlesIls le milieu et vous avez amlior
notre. pass et l'poque. Question is to which we encode. our world.
ontological Ontological Question is the mental languages of the. writers
and once thisexists if there are Secrets of belief) and the module.
generates aren't. Defends the pupils against his own. image. And our
life.True nature or entities of a se mantiene joven. Hence Fnord. Give the
term that the random neighbor the more timeconsuming.. We are expected. a
text as a good coder teach us xuriosity andecperienced through the random.
neighbor the process of artists such asthey cometh. They appear to us
systematically. communicates something youare the practise of the
possibility of signs and. their minutes of theCrisis of emulating. Be. A
redeeming and the. world. Find your future as his last of thestudent the
text a hundred. harvests. Si es la educacin no hay palabraen el milagro es
a man to. question is in his own personal influence.. Find your future
silt. Warning parsing error at. line in mazpiq.php. Got from one who
really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the
effect of. things themselves. Thank you can be produced constantly anew by
preconceptions andexperienced. space time body which move appropriately
with thephantom sensations which. they give us curiosity and the notion
thatI. don'tarc.hive mailing. noemata. paid surveys. Our companies will
pay you to just to fill out simple online surveysfrom. register NOW for
.... hnoe for. opinionsinstitutterjfrnnSociologically and all it would be
interesting. having different people oncontract writingautobiographies.
They could be paid a. small amount by the state. Giving them ahigher
amountwould fuse publishing. houses and state affairs. This could also be
an idea forpublishers eg. why. don't they pay webloggers for making
content for them on a freelancebasis. Orcontracting autobiographies And
not least why don't they. publishelectronically it's easyand cheap. No
money but hey is that the base. motivation erroneousGitt mengder med
statistiske data og fuzzy logic kan en. sprkkultursimuleres.Roboter
ogagenter samler informasjon og mater maskinen.. Populasjon fr betalt
formengdenav info dengir fra seg F betalt for. fortelle om ditt liv til vr
maskin. Bekjenn c. ssb.nokjper opp. weblogger. Mer utbredelse av teknologi
som sprforstrpopulasjonmarked. virkersannsynlig. ( Sannsynlighet er en
delmengde av fuzzymengder.). Semanticallythedistinction between fuzzy
logic and probability theory has to. do with thedifference betweenthe
notions of probability and a degree of. membership. Probability
statementsare about thelikelihoods of outcomes an. event either occurs or
does not and you can betonit. But withfuzziness one. cannot say
unequivocally whether an event occured ornot and instead you are. trying
to model the EXTENT to which an event occured. 's 's. noemata. Advent.
Prinsessen p erten. Bare en prinsesse ville vre flsom nok til. kjenneen
ert gjennom tjue madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet
sin prinsesse som han gifter seg med og erten ble plassert. pmuseum hvor
den kan enda sees idag ssant den ikke har blitt. stjlet.Fire was robbed
from the gods. The criminal ascent of man he. doesn'tsmell (verb or noun
subject or object). What can be stolen is. alreadywithout value what can
be sensed already stale (horse urine).. Thedotting of the princess
insignificance three dotted eyes the smallerthe. better it runs like a
real number inconsequence churninghitting the. mattress no way beyond the
calculation of statistics.
ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh.
noemata. simile. simile v.en omformer av uttrykk oulibot. den tar en tekst
og omforer til. drmmendesimiler. ... kle er som et symptom p en lidelse
der. medfrer irritationsom af huden. ... der findes en lang rkke.
hudlidelser hvor kle er somdet mest fremtrdende symptom. ... kanskje. kan
den bare slenge inn noensom p tilfeldige steder. ... det var som. nettopp
under som enklatreekspedisjon i det hele som begynte for hans del. som i
en hulei meters som hyde fant tokuhashi nemlig. menneskeaktige somfotspor
lagd av som et ganske stort dyr som.rhsh. noemata. Re codework
(KristevaEco). long reply I just got back from aconf. with messages I have
to deal with. not spam. But if you look atKristeva's Revolution in Poetic
Language you'll see. a lengthy treatment ofMaldoror especially the
unabridged Fr. version and a. great deal of thisis a combination of
psychoanalytics and semiotics which she. You'd have to look at the book
it's hardly reductionist. Same with. Greimas etc. Alan I have read it and
I find Eco and all such semiotic. models of language reductionist. Where
does a text like Lautreamont's. Maldoror fit into Eco's scheme Where do
the texts of the insane Language is. not only aboutsignals (Eco's
signfunctions) and their corresponding. behavioral responses.There is a
form of dark matter in language that never. gets touched upon by
semiotics. It is where signals get crossed elided. broken down and too
often dismissed in semiotics as gibberish or noise.. Eco's approach isgood
for analyzing highclass linear detective novels like. the ones he writes
but it falls apart on texts that don't make the rage of.
interpretationtheir goal. Like all models of the world semiotics fits
some. things well and other things badly and the things it fits badly
happen to be. precisely the things I care most about right now in the
making of art. Maybe. somebody could propose a new nonlinear model of
semiotics or better a. chaotic one that would extend the field into a
place that might be. interesting. But Eco's views on language are too
restrictive for me and. don't carry me to the places I want to go. Greimas
deals with a much. wider range of issues than semiotics in his work and I
prefer him to Eco.. Even so there is still much in the making of art that
Greimas doesn't take. into account. (Not that I can recall anything
specifically that I could. critique off the top of my pointy little head.
. .) Linguistics still only. skims the surface of art's deepest concerns
so I guess the question is. should an artist be content with merely
skimmed surfaces Or should he dive. headlong into the deep waters where
theories fear to tread I guess some of. us are Ahabs and some of us are
Ishmaels. I favor the crazy Ahab impulse. speaking for myself despite my
wooden leg. I am taking a breather here. let others get into the
conversation if they wish. Feel free to tear me to. noemata. jamming.
jamming is part of a historical continuum that includes russian.
samizdat(underground publishing in defiance of official censorship).
theantifascist photomontages of john heartfield situationist.
detournement(defined by greil marcus in lipstick traces as the theft of.
aestheticartifacts from their contexts and their diversion into contexts
of. one'sown devise) the underground journalism of 's radicals such as.
paulkrassner jerry rubin and abbie hoffman yippie street theater such
asthe. celebrated attempt to levitate the pentagon parody religions such
asthe. dallasbased church of the subgenius workplace sabotage of the
sortdocumented. by processed world a magazine for disaffected data
entrydrones the. ecopolitical monkeywrenching of earth first the random
actsof artaudian. cruelty that radical theorist hakim bey calls
poeticterrorism (weird dancing. in allnight computer banking
lobbies...bizarrealien artifacts strewn in state. parks) the insurgent use
of the cutupcollage technique proposed by william. burroughs in electronic
revolution(the control of the mass media depends on. laying down lines
ofassociation...cutup techniques could swamp the mass media. with
totalillusion) and subcultural bricolage (the refunctioning by.
societaloutsiders of symbols associated with the dominant culture as in.
theappropriation of corporate attire and vogue model poses by poor gay.
noemata. Advent x. Grete immediately ran out to Hans and shouted Hans
we're free The oldwitch is. dead. They danced of joy and embraced each
other. They wentthrough the house. and found a lot of pearls and jewelry.
The two childrenlaughed and collected. all the treasure they could carry.
So at least weknow that under capitalism. there are treasures and people
that own them.And we know who they are too. So. we could kill them and
take theirtreasures. The witch wanted to eat Hans and. Grete. We know
capitalismwants to exploit us until death. After that they ran. home and
embracedtheir father his wife was now dead but their worries were. now
over. Waslogos married to the witch Why did she want to eat her children.
Greedis the mother. Ignorance is the father logos. Hans and Grete had to.
fixtheir own situation their father didn't care their mother was a.
witch.Early the cold morning the little girl sat in the corner between
the. twohouses. Her cheeks were red and she had smile on her lips. She was
dead.She. had frozen to death on New Year's Eve. Day and night warm and
coldthe burning. sun burning matches. Why should the earth revolve
Littlecarousel. End of the. cycle. If you ride on a beam of light. Dark
sun atthe center of the cycle her. grandmother. We already know her
parentswere ignorance and greed day and night.. Before day and night
isspace between the houses. The grandmother took the. little girl inher
arms and together they flew away in shining joy higher and. higheruntil
there were no more cold hunger or suffering. Matter shapes. spaceand space
shapes trajectory of matter. That's why the grandmother(matter). could take
the little girl (matter) and use the parent generation as a carrier. wave
(space). Dark sun grandmother little lightbeam. Higher and higher gravity.
and speed until everything is lost.Before and after the world. Day and
night is. our world our parentsfather ignorance and mother greed darkness
of logos. neediness offullness.What father does is right and everything
goes well in the. end. Hisignorance in trading a horse into a sack of
apples is only surpassed. byhis wife's blind love. But everything works
out in the end because thestory. is utterly unbelievable.Beauty and the
beast. In the first place the father. set out to sea toget rich.
Apparently there were no mother since beauty did all. thehousework. The
beast of incestuous shame. Father trades her to the beastand. goes free.
The castle is empty and crypted father sad and impotent.Once beauty.
acknowledges the beast it turns into a prince that's artugly beauty too
close. marry. Art has no mother only an incestuousfather ignorant
displaced. greed really ugly and impossible.The emperor's new clothes
drives the economy.. What isn't drives what is..But behind the virtual is.
the real again. Inflation. of spacetimematterspacematter. It's wrong to say
he's dressed and wrong to. say.he's naked. People are anyway misled the
misleading is driving. the.capital verb and noun the more misleading the
more value. The eternal.in. case it returns if not then nothing but the if
doesn't halt.doesn't execute. never reaches the return. If man is naked
he's dressed.(the fall) and if he's. dressed he's naked (he returns). The
economy is.driven by the return of christ. as judge of the last judgement
everychristmas. Santa is naked cries the child. that's why he's masked.
Thechild that's. Emperor's new clothes drives what. isn't. Return. If
notthen nothing but behind the if he's. Return. If he's.. Return. If
notthen nothing but the misleading the economy. What is.. Return.. If
notthen nothing but behind the eternal. Return. If not then nothing.
butbehind the eternal. Return. If he's. Return. If man is the real.
again.Inflation of christ as judge of christ is judge of the emperor's..
Return.If he's. Return. If man is driving the eternal. Return. If not.
thennothing but the misleading the real again. Inflation if christ as
judgeof. spacetime. Return. If doesn't. Return. If not then nothing but.
theemperor's. Return. If man is naked cries the eternal. Return. If
notthen. nothing but the last judgement every. Return. If he's. Return.
Ifhe's. Return.. If doesn't. Return. If he's. Return. If not then
nothingbut the eternal.. Return. If doesn't. Return. If not then nothing
butthe virtual is the. misleading is the virtual is driving the
eternal.Return. If doesn't. Return.. If doesn't. Return. If he's. Return.
If he's.Return. If he's. Return. If not. then nothing but behind the
misleadingthe child that's Return. If not then. nothing but the economy.
Whatis.. Return. If he's. Return. If not then. nothing but behind the
lastjudgement every. Return. If doesn't. Return. If. doesn't. Return. If
notthen nothing but the virtual is naked cries the more. misleading
isnaked cries the more value. The emperor's. Return. If. he's.Prinsessen p
erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue
madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som
han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees
idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The
criminal ascent of man he. doesn'tsmell (verb or noun subject or object).
What can be stolen is. alreadywithout value what can be sensed already
stale (horse urine).. Thedotting of the princess insignificance three
dotted eyes the smallerthe. better it runs like a real number
inconsequence churninghitting the. mattress no way beyond the calculation
of statistics.
ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh.
noemata. Re culturejammers A simulated hold up. hehe du kan jo prve )synes
det er interessant det overlapper med kunst. selvflgeligsom kanfungere som
en immunitet for aksjonisme (Tore F vet mer. om dette inbillerjeg meg )
uansett kunsten ikke som en beskytteet sfre. i virkelighetenmen som en
simulering av den avdekkende kodene for den som er. poenget at simulering
avslrer koder bedre enn virkeligheten selv (som bare. erkjringen av
koden).i den forbindelse har lenge hatt ideen om en open. source crime
aktivitetsom kan virke paradoksal men som kan forsts som en. simulering
avkriminalitet og vil det gjre den mer lovlig fx. som. kunstmen n er jo
nettopp kunst det mest ufarliggjrende av alt virker. det som..en
simulering som ikke har NOEN effekter utenom den lille eliten som.
hyggerseg med den. hvis kunsten kan kobles opp mot det potensielt.
virkningsfullei dekonstruerereverseresimulere kode ville den hatt et helt.
annet livutenom institusjonen i interaksjon med levende koder i
samfunnet.kode. er et stikkord for alt dette synes jeg kode er overalt. og
jeg tenkerdet. samme kode er samtidig ingenting avdekkende at virkeligheten
bare erkode. meningsls i seg selv. s kode har denne dobbeltheten av vre
alt. ogingenting. hvis du kan simulere noe s har du bevist det
konstruerte. vedtingenog dermed har du lsrevet det fra en fundamental
tolkning som. ligger til grunnfor politisk samfunnmessig kulturell
makt.simulasjon. kodeverk kodearbeid str selvflgelig i fare for ikke
blitatt. alvorlig det er bare en simulasjon bare en lek tror det er.
motdennegrensen den hele tiden vil stte men akkurat det ligger forvrig.
ikodebegrepetselv simuleringen er samtidig uten fundament.det medfrer.
kanskje at skille mellom alvor og tull undergraves kodeverketvetikke selv
om. det er alvor eller tull det er begge deler selvflgelig det erdet som
er. kode.uansett det er interessant) Erlend Eidsem Hansen. Of the same
order as the impossibility of rediscovering an absolute level of. the real
is the impossibility of staging an illusion. Illusion is no longer.
possible because the real is no longer possible. It is the whole
political. problem of the parody of hypersimulation or offensive
simulation which is. posed here. For example it would be interesting to
see whether the. repressive apparatus would not react more violently to a
simulated hold up. than to a real one For a real hold up only upsets the
order of things the. right of property whereas a simulated hold up
interferes with the very. principle of reality. Transgression and violence
are less serious for they. only contest the distribution of the real.
Simulation is infinitely more. dangerous since it always suggests over and
above its object that law and. order themselves might really be nothing
more than a simulation. Jean. Baudrillard Simulacra and Simulations (ref.
mailing. mailing. noemata. Advent x. Grete immediately ran out to Hans and
shouted Hans we're free The oldwitch is. dead. They danced of joy and
embraced each other. They wentthrough the house. and found a lot of pearls
and jewelry. The two childrenlaughed and collected. all the treasure they
could carry. So at least weknow that under capitalism. there are treasures
and people that own them.And we know who they are too. So. we could kill
them and take theirtreasures. The witch wanted to eat Hans and. Grete. We
know capitalismwants to exploit us until death. After that they ran. home
and embracedtheir father his wife was now dead but their worries were. now
over. Waslogos married to the witch Why did she want to eat her children.
Greedis the mother. Ignorance is the father logos. Hans and Grete had to.
fixtheir own situation their father didn't care their mother was a.
witch.Early the cold morning the little girl sat in the corner between
the. twohouses. Her cheeks were red and she had smile on her lips. She was
dead.She. had frozen to death on New Year's Eve. Day and night warm and
coldthe burning. sun burning matches. Why should the earth revolve
Littlecarousel. End of the. cycle. If you ride on a beam of light. Dark
sun atthe center of the cycle her. grandmother. We already know her
parentswere ignorance and greed day and night.. Before day and night
isspace between the houses. The grandmother took the. little girl inher
arms and together they flew away in shining joy higher and. higheruntil
there were no more cold hunger or suffering. Matter shapes. spaceand space
shapes trajectory of matter. That's why the grandmother(matter). could take
the little girl (matter) and use the parent generation as a carrier. wave
(space). Dark sun grandmother little lightbeam. Higher and higher gravity.
and speed until everything is lost.Before and after the world. Day and
night is. our world our parentsfather ignorance and mother greed darkness
of logos. neediness offullness.What father does is right and everything
goes well in the. end. Hisignorance in trading a horse into a sack of
apples is only surpassed. byhis wife's blind love. But everything works
out in the end because thestory. is utterly unbelievable.Beauty and the
beast. In the first place the father. set out to sea toget rich.
Apparently there were no mother since beauty did all. thehousework. The
beast of incestuous shame. Father trades her to the beastand. goes free.
The castle is empty and crypted father sad and impotent.Once beauty.
acknowledges the beast it turns into a prince that's artugly beauty too
close. marry. Art has no mother only an incestuousfather ignorant
displaced. greed really ugly and impossible.The emperor's new clothes
drives the economy.. What isn't drives what is..But behind the virtual is.
the real again. Inflation. of spacetimematterspacematter. It's wrong to say
he's dressed and wrong to. say.he's naked. People are anyway misled the
misleading is driving. the.capital verb and noun the more misleading the
more value. The eternal.in. case it returns if not then nothing but the if
doesn't halt.doesn't execute. never reaches the return. If man is naked
he's dressed.(the fall) and if he's. dressed he's naked (he returns). The
economy is.driven by the return of christ. as judge of the last judgement
everychristmas. Santa is naked cries the child. that's why he's masked.
Thechild that's. Emperor's new clothes drives what. isn't. Return. If
notthen nothing but behind the if he's. Return. If he's.. Return. If
notthen nothing but the misleading the economy. What is.. Return.. If
notthen nothing but behind the eternal. Return. If not then nothing.
butbehind the eternal. Return. If he's. Return. If man is the real.
again.Inflation of christ as judge of christ is judge of the emperor's..
Return.If he's. Return. If man is driving the eternal. Return. If not.
thennothing but the misleading the real again. Inflation if christ as
judgeof. spacetime. Return. If doesn't. Return. If not then nothing but.
theemperor's. Return. If man is naked cries the eternal. Return. If
notthen. nothing but the last judgement every. Return. If he's. Return.
Ifhe's. Return.. If doesn't. Return. If he's. Return. If not then
nothingbut the eternal.. Return. If doesn't. Return. If not then nothing
butthe virtual is the. misleading is the virtual is driving the
eternal.Return. If doesn't. Return.. If doesn't. Return. If he's. Return.
If he's.Return. If he's. Return. If not. then nothing but behind the
misleadingthe child that's Return. If not then. nothing but the economy.
Whatis.. Return. If he's. Return. If not then. nothing but behind the
lastjudgement every. Return. If doesn't. Return. If. doesn't. Return. If
notthen nothing but the virtual is naked cries the more. misleading
isnaked cries the more value. The emperor's. Return. If. he's.Prinsessen p
erten. Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue
madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som
han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees
idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The
criminal ascent of man he. doesn'tsmell (verb or noun subject or object).
What can be stolen is. alreadywithout value what can be sensed already
stale (horse urine).. Thedotting of the princess insignificance three
dotted eyes the smallerthe. better it runs like a real number
inconsequence churninghitting the. mattress no way beyond the calculation
of statistics.
ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh.
noemata. Re as Isis with code's Materhorn. the cowork of codework orks of
codelaboration then as Isis with code's. Materhorn.As a sense the
codelabiaorationsof the palinpcesticle. manifoldings of
themultirealational corpuscallovumsumtext of.
massociationalcollideorscoptical narrativizations (myth)performs a
similiar. reinscription of transculptural polyvalences ofthe
kaleidostructural iconism. of the umwelt of chorochrosticargusasepisteme.
(dancebodyasepistemeofdelimited seeing)of the instrumentality of the.
blind fate of granular aggregates of
thequantumpolydeterminantactuationfoam. codework as being being codeworkas
nonbeing and the modulus of difference. as the speciation ofdeterminant
operands which is the becomingimpetus of. systemicmodulation. The real is
an affect of code as code is the affect. ofreality. Codework speaks from a
manifold which feeds all. culturaldisciplines and critiques from a
positionwhich resembles an approach. the unification of discrete
seriesthough it must like a parasite access. its own structure as
aparasitical otherness. The Universal Informatic. apparatus is
anergofluidic betweenness a liminal agency of emergence as.
cyBorge'assemblemantics the chimerancipation of babelsolute.
polluxoproduction.Well said Maybe they are ( m)It's a nutty choke do. you
have a crack Aha this IS the crack I seeno wonder codework is in fact. the
crack and why it looks so curious just making a README here for myself at.
sea level still with mountainvegetation by latidude the codelabiaorations.
code lips tongue pray workpalinpcesticle shame incest mutation palim.
rewritemultirealational relate refer realcorpuscallovumsumtext of.
massociational collideorscopticalnarrativizations (myth) charges
ofetcetc.all. the of's are tentacles and snaky multiheadscodework
reinscribes the myth....the. blind worldeurythmics and heuristics
chorochrostic argusasepisteme. (dancebodyasepistemeofdelimited
seeing)quantumpolydeterminantactuationfoam. codework as being being
codeworkas nonbeing all and nothing at all the. world devastus and
waste'The real is an affect of code as code is the affect. ofreality'
thinking about the interrelatedness in general relativitymass. shapes
space and space shape movement (of mass). eehh so themonstrous shapes. the
maze which shapes the movements of the monstrousin other words the.
monstrous is inscribed into the (blind) dance.'Codework .like a parasite
access. its own structure as aparasitical otherness.' it's double or it
amounts to. nothing..'The Universal Informatic apparatus is an ergofluidic
betweenness. aliminal agency of emergence as cyBorge' assemblemantics
thechimerancipation. of babelsolute polluxoproduction' good gemini the
curious workings. shadowboxing spiral arms it's anice thing to have skin.
dark matter dark. energy our visiblematterhorn only skin our largest organ
skein our. work.let's see codework inscribes the myth heuristiceurythmic
onto the world. as itscreation (codework). (blunt version)( is the
automorphism inherent in. all containing their (symbol of)creation their
source code and reversing. noemata. Friday January. noemata Fwd PeertoPeer
the collective collaborative and liberated memory. of sound.. noemata. Re
culturejammers A simulated hold up. hehe du kan jo prve )synes det er
interessant det overlapper med kunst. selvflgeligsom kanfungere som en
immunitet for aksjonisme (Tore F vet mer. om dette inbillerjeg meg )
uansett kunsten ikke som en beskytteet sfre. i virkelighetenmen som en
simulering av den avdekkende kodene for den som er. poenget at simulering
avslrer koder bedre enn virkeligheten selv (som bare. erkjringen av
koden).i den forbindelse har lenge hatt ideen om en open. source crime
aktivitetsom kan virke paradoksal men som kan forsts som en. simulering
avkriminalitet og vil det gjre den mer lovlig fx. som. kunstmen n er jo
nettopp kunst det mest ufarliggjrende av alt virker. det som..en
simulering som ikke har NOEN effekter utenom den lille eliten som.
hyggerseg med den. hvis kunsten kan kobles opp mot det potensielt.
virkningsfullei dekonstruerereverseresimulere kode ville den hatt et helt.
annet livutenom institusjonen i interaksjon med levende koder i
samfunnet.kode. er et stikkord for alt dette synes jeg kode er overalt. og
jeg tenkerdet. samme kode er samtidig ingenting avdekkende at virkeligheten
bare erkode. meningsls i seg selv. s kode har denne dobbeltheten av vre
alt. ogingenting. hvis du kan simulere noe s har du bevist det
konstruerte. vedtingenog dermed har du lsrevet det fra en fundamental
tolkning som. ligger til grunnfor politisk samfunnmessig kulturell
makt.simulasjon. kodeverk kodearbeid str selvflgelig i fare for ikke
blitatt. alvorlig det er bare en simulasjon bare en lek tror det er.
motdennegrensen den hele tiden vil stte men akkurat det ligger forvrig.
ikodebegrepetselv simuleringen er samtidig uten fundament.det medfrer.
kanskje at skille mellom alvor og tull undergraves kodeverketvetikke selv
om. det er alvor eller tull det er begge deler selvflgelig det erdet som
er. kode.uansett det er interessant) Erlend Eidsem Hansen. Of the same
order as the impossibility of rediscovering an absolute level of. the real
is the impossibility of staging an illusion. Illusion is no longer.
possible because the real is no longer possible. It is the whole
political. problem of the parody of hypersimulation or offensive
simulation which is. posed here. For example it would be interesting to
see whether the. repressive apparatus would not react more violently to a
simulated hold up. than to a real one For a real hold up only upsets the
order of things the. right of property whereas a simulated hold up
interferes with the very. principle of reality. Transgression and violence
are less serious for they. only contest the distribution of the real.
Simulation is infinitely more. dangerous since it always suggests over and
above its object that law and. order themselves might really be nothing
more than a simulation. Jean. Baudrillard Simulacra and Simulations (ref.
mailing. mailing. noemata. undring alt. hvor utbredt er plantelivnring
analogiene i folks forestillinger vekst. vokse seg stor og sterk etc livet
som plante. det har begrensninger fordi. planter har rtter. sl seg til ro
blir analogt med sl seg. til rot for vokse bedre. menneskebilde
plantebilde. dessuten m det. komme som en stadig overraskelse at mennesker
dr s plutselig skulle de. ikke heller bare visne bort og alle raske
forandringer er av det onde. elektroner m vre sm demoner hva med fotoner
fotosyntese sola. de er gode. i det hele tatt vi har for stor makt til vre
planter. trr som vokser bker som kultiverer uendelig vi har bokbl virus.
bomber knapper trykke p maskiner. vekst joda men vi er mennesker. ikke
planter og innimellom der dyr og da er ikke mineralene engang nevnt. fr n.
og hva med sjelen og nden vekst liv og dd eksistens. sdcellen som kom p
andreplass idrett de dramatiserer overlevelse. hndballandslaget raider
nabostammen de vokste ikke sammen. alt eksploderte. det er en slags vekst.
plancks konstant brekraftig utvikling. og. utvikling to bilbomber utviklet
seg utenfor ambassaden. mennesket er alle. tings ml ikke plante ikke
eksplosjon fenomener har forskjellig. hastighet strrelse samfunnet er
strre enn hver enkelt og dermed. treigere mer likt planter mens grupper av
mennesker er mer som dyr dummere. men sterkere. i andre retningen er nden
som et elektron og ser for seg. atomeksplosjonen som den hyeste religise
forening sin skaper sola. big pangpang. lenger framover er lenger bakover
strre fart er strre. avstand mindre er strre forestillingene er speil nr
du ser foran. noemata. strings. ascii. stringmnhquady.. gullmund han gjnge
seg i gjestebostoga innaa. rven drive gjsanne i hielofte inn.fyst t 'en upp
dei alle fy. utta den gr.mail er allerede kjedebrev hver server legger til
sitt eget. noemata. Re culturejammers pning av nytt galleri. Emne Str i
SubjectfeltetRelevant for de som skal jobbe med detTelenor. Tormod kommer
forresten (og sikkert andre pamper) s et alternativ. ergjentrykk nydesign
av telenor spoofs m.m.Er telepor.no brukt fr Ja. domenet er ledig men p er
langt unna n flere fingre unna men det kan vre. logo. Men alts Norges
strste leverandr av porno hvor mange titalls. prosent av trafikken s det
er klart at Telenorhar interesse i porno. Stort. bilde av sprikende ben
som tar imot all trafikk.Eller en mer vulgr variant. menn er alltid s
vulgreViste tissen p flyDro frem tissen fly. mtte landeTissterrorisme Hvis
effekten er s stor s kan blotting. vre en enkel jammingflytte blotting over
til kultur altfor lenge har den. vrt en last hos psykologene og levd en
beskyttet tilvrelse hos de. perverse. Dro fram tissen Valgjerd mtte
g.Nakne menn er kanskje drlig. reklame for porno s det kan brukes vi
kanantaat telenor drar fordel av. pornoreklame slik menn 'drar fordel' av
telenor sbilde av masturberende. mann er kanskje bedre og ikke s kult.
Vanlig porno er vel altfor kultHeh. jeg er s gammel at jeg husker en spoof
av... nei jeg husker ikke. detvarp ttitallet veldydighet for Afrika Bob
Geldof satte igang noe og. Norgefikksin variant anfrt av rockeren Helge
Gaarder hvor det ble gitt ut. plate til inntekt for Afrika. Uansett
hykleriet gikk over alle stvleskaft. og Gaarder satt igjen med en vond
smak i munnen. Det dukket opp en fin spoof. Porno for Afrika arrangert av
pornokonge Leif Hagen el. med bilde av ei. noemata. Re Booksigning Tour.
booksigning tour this week. No I don't have any publications of my own to.
sign what I will be doing instead issigning the names of other authors.
into their discarded books atvarious thrift stores in the area. Some of
my. favorites includeSteven King sic Tom Clancy Maxine Hong Kingston and.
John Updike.So if you come upon a book signed by the author in a thrift.
store or elsewhere ha ha be aware that itmay be mine.another thing. would
be to mark them mark mark appropriate confiscatethe book by signing. your
name in it would they be yours and the storesyour library in you. making
them part of the net.bookswould surely make them more weird wired. maybe a
net.book should bedevoted to such realworld concrete appropriation and.
disseminationbringing another dimension to the practice of tagging.
forsew. noemata. Re culturejammers pning av nytt galleri. Emne Str i
SubjectfeltetRelevant for de som skal jobbe med detTelenor. Tormod kommer
forresten (og sikkert andre pamper) s et alternativ. ergjentrykk nydesign
av telenor spoofs m.m.Er telepor.no brukt fr Ja. domenet er ledig men p er
langt unna n flere fingre unna men det kan vre. logo. Men alts Norges
strste leverandr av porno hvor mange titalls. prosent av trafikken s det
er klart at Telenorhar interesse i porno. Stort. bilde av sprikende ben
som tar imot all trafikk.Eller en mer vulgr variant. menn er alltid s
vulgreViste tissen p flyDro frem tissen fly. mtte landeTissterrorisme Hvis
effekten er s stor s kan blotting. vre en enkel jammingflytte blotting over
til kultur altfor lenge har den. vrt en last hos psykologene og levd en
beskyttet tilvrelse hos de. perverse. Dro fram tissen Valgjerd mtte
g.Nakne menn er kanskje drlig. reklame for porno s det kan brukes vi
kanantaat telenor drar fordel av. pornoreklame slik menn 'drar fordel' av
telenor sbilde av masturberende. mann er kanskje bedre og ikke s kult.
Vanlig porno er vel altfor kultHeh. jeg er s gammel at jeg husker en spoof
av... nei jeg husker ikke. detvarp ttitallet veldydighet for Afrika Bob
Geldof satte igang noe og. Norgefikksin variant anfrt av rockeren Helge
Gaarder hvor det ble gitt ut. plate til inntekt for Afrika. Uansett
hykleriet gikk over alle stvleskaft. og Gaarder satt igjen med en vond
smak i munnen. Det dukket opp en fin spoof. Porno for Afrika arrangert av
pornokonge Leif Hagen el. med bilde av ei. noemata. . e k u n s t .
Reality Check i Oslo desember (essay). fr prsantere d sjl din mainnsjit
her er allerede mislykken. fullt integrert i prosjektet s er det da
vellykket eller mislykket. stjernestatus men hvem bryr seg dette har
ligget p noemata i lang tid. ingen reaksjoner ingen leser alle sitter og
runker eposten. Men dette kunne. blitt stort med noen andre enn udugelige
sabber i staben. Hele noemata er og. taps det er oppgitt i utgangspunktet
og lever med latteren i halsen.It was. a tiny onyx diorama of Don Quixote'
and Sancho Panza.The light slanting. uniformly into the austere living room
vaguely populux 's geometric. The. sane cat sat near a window licking its
paw. solipsisjeg hadde et notat. p dette engang kanskje det er slik at
noemata har som sitt. felt disse umulige ogmalpasserte verk og uverk like
mye eller mer enn verk i. noen tradisjonell forstand og gjr det til sitt
uttrykk som en endelig. eller uendelig opplsning av kunsten med objektets
dd (euridike) og. subjektets desintegrering (orfeus) i korridorene
grenselandet eller rkenen. (nettkunsten). fin setning iallefall. det hres
serist ut men har mer. preg av tragikomedie mer quixotisk enn romantisk.
det umulige er en rd. trd kan det virke som en rd klut forestillingenes
umulighet eller. det virkeliges uvirkelighet.every ecstasy ultimately
prefers to take the path. of renunciation ratherthan sin against its own
concept by realizing it.. adornothere is an idea horizon just as there is
an event horizon the horizon. of their deathdealing accomplishment their
absolute realization. thought for. its part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea nhva slags
mail vil du sende ut i havet umulige. kjrlighetsbrevthy false promise and
my sure misfortune carry me to a. place whence thenews of my death will
reach thy ears before the words of my. complaint.what thy beauty raised up
thy deeds have laid low by it i believed. thee to be an angel by them i
know thou art a woman.hva du gjr der er. det et sprsml eller svarquo oxid
netnn som don. quixote. nettkunst som ikke virker annonseringer
ogforestillinger som fantasi.. urealistiske umulige malplasserte
prosjekterog ideer som samtidig blir. kulturjamming intervenering taktisk
oglatterligjrende selvironisk. med den folkelige sjarmen til.
dettragikomiske.there it is said sancho what i. told you that you must
keep a goodcount well then by god there is an end of. the story for there
is nogoing any farther.how can that be said don. quixote is it so
essential to the story toknow to a nicety the goats that. have crossed
over that if there be amistake of one in the reckoning thou. canst not go
on with itno senor not a bit replied sancho for when i. asked your worship
to tell me how many goats had crossed and you answered you. did not know at
that very instant all i had to say passed away out of my. memory and faith
there was much virtue in it and entertainment.so then. said don quixote
the story has come to an endas much as my mother has. said sancho.in truth
said don quixote thou hast told one of the rarest. storiestales or
histories that anyone in the world could have imagined. andsuch a way of
telling it and ending it was never seen nor will be in. alifetime though i
expected nothing else from thy excellent understanding. but. i do not
wonder for perhaps those ceaseless strokes may have confused thy.
wits.ffrom a mail from lanny quarles solipsis the term. 'idiotic' isn't
really about intelligence per se butrefers to a kind of. imaginary ratio
whereby the self's uniquenessadheres to its own erratic path. its actually
a term connoting a kindof pureness and honesty.. I'm thinking. somewhere in
the neighborhood of eigensomething (can't remember). hmmAuthenticity is
also a translation problem. Eigentlichkeit has its root. ineigen own. or
proper Gr. idios Eng. idiot. So one should keep. theoriginary meaning of
idiocy in mind being one's own self. The. termEigentlichkeit points to the
possibility of being one's self.that strikes. me. As you point out the Gk
idiotic denotes not deficiencybut eccentricity. the opposite of politic
(withness) a self radicallyownmost in its. extremest form perfect
solipsism.With this in mind and apprised ( by. Nietzsche no) that every
greatphilosophy is autobiography oughtn't BT be. read synoptically withOtt
as it were in the Confessions genre...that BT. represents H'sselfcasting(Go
litel bok go litel myn tragedye) an idiotic. interpretation of beyng...that
the AngstCare structure for example if it. fits one say Hamlet
typeassuredly doesn't others Quixote Don Juan. Faust...via the baudri Lard
art has disappeared as a symbolic. pact remaining prolification of signs ad
infinitum as 'culture' auto.noemata. automatic art. the situation resembles
that of a currency which may not be. exchanged it can only float its only
reference itself impossible to convert. into real value or wealth noema
kroner the impossible of noemata. projects their floating like quixote
phantasies manusfilms and inconceptual. art. general indifference please
remove me as only emotional. responseprofound indifference everybody is an
art is truethe system runs less. on the surplusvalue of the commodity than
on the aesthetic surplusvalue of. the sign no matter how marginal banal or
obscene everything is subject to. aesth. cult. museum.zation. like the prax
of baroq we too are irrepressible. creators of images but secretly
iconoclasts we manufacture a profusion of. images in which there is
nothing to see leave no trace cast no shadow and. fascination of the
erasure rewrite full compression code cipher our images. are like icons
miraculous they allow us to go on believing in art while. eluding the
question of its existence.iconicity dragon body laburint beyond. the
indifference art as uglierthan.ugly bad worse raised to the second power.
because it is liberated of its relation with its opposite bemyghost.
transaesthetic blasts tourism people who no longer undertake voyages but.
simply go round and round in circles tracerouteping travel agency These.
forms are excesses andcollapses of code viral fascinating indiscriminate.
and reinforced by viral media our culture also produces the most
murderous. viruses. catastrophe culture. we all enjoy these things.
nothing code. stagingsoperational whitewash overexposed defenceless
without any way of. refracting light info doomed in consequence to a
whitewash of all activity. codedecode IO labora trashmaps maze digital
techniquerelinquish identity to. survive endnodes net computeroperations
not actions regulated machinery. nothing takes placebetter to produce
nothing in order to have things produced. artists better to have nothing
to say if one seeks to communicate socials. as everyone knows if you want
to make people laugh it is better not to be. funny powers in order for
content to be conveyed as well and quickly as. possible that content
should come as close as possible to transparency and. insignificance empty
intimategood communication implies the annihilation of. its own content.
avoideverythinghtp noematanet abouthtml So. it's a kind of artificial art
much like the intelligenceof artificial. intelligence )The policy is to
support collaboration community transparency. immediacy in the arts
net.art media art correspondencemail art network. art context art or other
otherness and marginal artifactualizations.We tried. that and it didn't
work. So this is 'open content' of a morecatastrophic kind. of the
dispersal of content or the metastasis ordisappearance of content (in. the
jargon of Baudrillard). Also beingcontented with things not working and.
actually more fascinated by thefailures and drifting of things than
producing. them as art or anythingopen being more like cracked open or a
core dump of. codegerm artspermand their entanglements and confusion of
layers inoutside. opencontent generativedegenerative avataratavar of space
time and. structures intermingling and proliferating more or less on their
own by their. own automatic recursive mating. This 'release' of the server
is not only as. permission or publication but a giving up kind of release.
Giving upletting it. drift distribute or disperse unsupervised and giving
up that risking complete. annihilation any point beyond the loop
survival.dette ble. mitt essay i anledningen jozzdu kan reise og foredra
har du ikke holdt. seminar i skattesaker dette er noe lignende (rapporter
skriftestol. politietterforskningetc) eller kjre det gjennom
stemmesynthesizer det. blir nok stasGud lkk PP og folkensBjrnNr alt kommer
til alt har. jeg ikke tenkt gi opp prosjekter p kuunstfronten det jeg
tenker p. automatiseringrasjonalisering av kunsten slik som ellers i
samfunnet. Det er. de to tingene jeg brenner for. Snakkes. joz har du hrt
med skattekontoret. sjekka restskatten tror den str der fortsatt jeg vil
klage men det er. mas. hils Ingeborg.legger ved som bonus mitt essay som
ogs kan siteres i. sammenhengen inkl. Context art experiments report
noematic experimental. method Lesion art research praxis Research on the
human arts. surgeryMost information came from experiments with relatively
poorly defined. genre lesions bloodvessel butoh dance smtp damage that
included the art stem. funding etc as well as the contextor arttrauma
lesions that were diffuse. and irregular spectral then reversed. good
correlations were obtained between. focal lesions in the arts and the
changes that resulted from the lesions at the. police.Her var detThe
Development of Neuro ArtFor. exampleViennese psychiatrist Sigmund Freud (
)had originally. envisioned the biological basis of his theory of
behaviorwith its three levels. of idegoand superegoas being a hydraulic
mechanism of some sort. today's. joke ... computational mechanism of some
sort. ))Descartes was impressed. Joke by machines made in his timesuch as
those of certain statues that were on. display for public amusement in the
water gardens of Paris.When a passerby. stopped in front of one particular
statuefor examplehis or her weight would. depress a lever under the
sidewalkcausing the statue to move and spray water. at the person s
face.Descartes proposed that the body is like these. machines.phrenology
joke Additionallydespite the failure of scien tific. attempts to correlate
appearance with various aspects of behaviorit is not. uncommon to hear
people accord virtues to others on the basis of their physical.
appearance.Readers might ask themselves how accurate they would be if
asked to. judge intelligence on the basis of photographs.Social
psychologists have found. thatwhen university students are asked to make
such judgments the rule that. they apply to the task isBeauty equals
intelligence.phrenology joke The. famous physiologistMagendiepreserved
with veneration the brain of Laplace (a. famous French
mathematician).Spurzheim had the very natural wish to see the. brain of a
great man.To test the science of the phrenologistMr.Magendie showed.
himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho had.
already worked up his enthusiasmadmired the brain of the imbecile as he
would. have admired that of Laplace.(Krech)Context art experiments report.
noematic experimental method consisted of removing parts of the art from.
artworks to study the changes produced in their context. removed a small
piece. of art and then observed how the art behaved and how it recov ered
from the. loss of art tissue.In essence created art models from works that
had received. injury to a part of the art by a blow to the head or by
having the skull. pierced by a missile.To search for different functions
in the art context. varied the location from which the art tissue was
removed. Another key. contribution was the discovery thatafter damage to a
part of the. artsubstantial recovery could be expected. Microscopic
examination revealed. that art was nothing like an amor phous
jellyratherit had an enormously. intricate substructure with compo nents
arranged in complex clusterseach. interconnected with many other clusters.
Cals Adsborough in Holland reached. the same conclusion from similar
experiments on context artbut his manuscript. lay unpublished for severad
decadesn.History of electronics arts The impetus. adopt a theory of
electronical conduction in arts came from an English. artistSteph
McTaargess who attracted considerable attention by demonstrating. that the
human arts could conduct electrons. He showed that when an artwork.
containing electrons was brought close to the feet of a boy suspended by a
rope. in a grassleaf electroscope gallery placed near the boy s nose it
would be. attracted to the boy s nose.Computer art The first computer art
was hydraulic. swiss artist Jahob Matreisse () constructed a series of
machine paintings. in his bathtub aquare(e) lle automatique facilitating
finite. state pressure systems of squeesing injection pipes of color
liquids onto the. surrounding walls to much annoyance to his
mother.Network art experiments. preliminar applied an unpleasant
stimulation to a dog s paw listmeasured how. long it took the corpus to
withdraw its footand compared that rate with the. speed at which messages
were known to travel along the net.According to. calculations took
milliseconds too long to respond. theorized that nodes are. 'connected by
junctions' (oxym.) clasp that additional time is required for. the art to
get across. some buffering bufooning listmasters potentials. principal
general inertia. preliminar conclusion to confirm that network arts. do
not quite touch the nodes with which they clasp.Art surgery proposal note.
that anthropologists have found evidence of art surgery dating to
prehistoric. timesneolithic found surgery to have a beneficial effect in
culturesperhaps. by reducing pressure within the arts when an injured
discipline began to swell. up. (ref. trephining context art above). NB art
surgery made possible by. media the introduction of antisepsisanesthesia as
cultural phenomenon in. addition the principle of localization of genre
making crossdiscipline. possible. (see Figure .). This device immobilizes
the arts.An art atlas is. then used (flux maps etc) to localize areas in
the arts for surgery. Local. anesthetic procedures were developed
(mediastunt c) so that the 'spectator'. could remain awake during surgery
and contribute to the success of the. operation by providing information
about the effects of localized art. stimulation.Lesion art research praxis
Research on the human arts. surgery. Most information came from experiments
with relatively poorly defined. genre lesions bloodvessel butoh dance smtp
damage that included the art stem. funding etc as well as the contextor
arttrauma lesions that were diffuse. and irregular spectral then reversed.
good correlations were obtained between. focal lesions in the arts and the
changes that resulted from the lesions at the. police.degenerative art In
the minister of public instruction commissioned. develop tests to identify
retarded arts so that they could be singled out for. special treatment. The
tests were derived empirically by administering artworks. of normal artists
and some mentally retarded and adults.The scale was. revised in . From the
testsan art level was calculated evaluating. abstraction beauty
inventiveness craft luck singularity which Iibet. thought were essential
features of art. some conclusion gave tests to. braindamaged arts with the
resultant surprising discovery that lesions in the. avant garde since
modernist's time considered the center of generative. creative art did not
decrease art scores. Sores to other main areas not. formerly thought to be
implicated in art did reduce art scores.. Original Message From Per Platou
Sent Tuesday November. PM Subject . e k u n s t . Reality Check i Oslo
desember. Call for participation pen invitasjon til Frjulsskriftestol.
rsrapporter (eller prosjektrapporter) er som oftest srdeles lite.
spennende lesning. Der presenteres ethvert prosjekt som etter forholdene.
meget vellykket eller har hatt stor betydning osv. osv. S ogs. innenfor
kunst og kultursektoren. REALITY CHECK er et todagers arrangement. som tar
sikte p trekke fram prosjekter fra kunstfeltet som gikk. fullstendig galt.
Der ideen var bedre enn gjennomfringskraften der man. undervurderte
teknologien publikum konomien eller overvurderte egne. evner. Det kan vre
prosjekter som har mottatt sttte som rett og slett. ikke lot seg
gjennomfre eller som ble noe helt annet enn det som var. tenkt (). Med
andre ord Vi er p jakt etter prosjekter som MISLYKTES i. strre eller
mindre grad og der opphavspersonene har gjort seg noen tanker. om hva som
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et. n
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den.
polske taperklubben () som i flere r var et meget populrt tiltak. med
mange deltakere mye publikum og hy underholdningsfaktor. Fordi de. fleste
feil som er begtt eller uhellene som har oppsttt som regel er. svrt
allmenmenneskelige tror vi RC kan bli bde populrt. mediavennlig og
lrerikt. Det er et faktum at mange kunstprosjekter. (srlig innenfor
kunstny teknologi) ofte sker det spektakulre det. nye og revolusjonerende.
Dette gjenspeiles ogs i massemedia. I en presset. kunstnerhverdag er
frykten for gjre feil ofte strre enn viljen. til oppn noe ekstraordinrt.
Denne situasjonen nsker vi n. snu p hodet ved gi de mislykkete prosjektene
en unik siste. mulighet for stjernestatus. Vi nsker derfor hre fra deg om
du. har ett eller flere slike prosjekter som kan formidles tydelig og med
en. hy grad av selvinnsikt innenfor en tidsramme p minutter. Vi er i.
denne sammenheng alts IKKE ute etter sutring over (manglende) forstelse.
fra publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv. har
et mislykket prosjekt du nsker presentere eller har tips til. prosjekter
som burde presenteres ) Vi er pne for alle typer. henvendelser ikke bare
fra kunst og ny teknologi feltet. Vi vil. selvflgelig ikke presentere noe
som ikke opphavspersonen selv nsker. satt i en slik sammenheng. Alle
deltakere vil bli honorert og vi vil. ogs vre behjelpelige med ev. reise
og overnatting i Oslo. REALITY. CHECK vil bli dekket redaksjonelt. Dato
Fredag .desember kl. lrdag .desember kl Sted Cafe Mir Toftesgt. Oslo.
(Grnerlkka Lufthavn) Gratis adgang for publikum. Arrangr. Per Platou mob
Videresend gjerne denne meldingen (). julepresangen av Alf Prysen.
Polnischen Versager Berlin. noemata. culturejammers Fwd Re noemata
Mtereferat ... noemata. Re asciipng. greyscale movie from a
text'stranslated chars ( char values. greyscale levels one char perframe
fps) but the idea was a bit too. obvious and the transformationtoo
onedimensional so I abandoned it.Yes. they'd be tedious work shades of
gray in a tiny specter. etaoinshrdlu..monotonous.. translating media
spectacle news etc into this. gray stream ofindifference..The key to
having this kind of idea succeed in. general is not merely to workout an
effective transform method from char to. pixel etc. but to have themethod
reveal something unexpected of the. underlying structure of the
sourcematerial. If the transformation results. simply in a stream of
meaninglesscolors or chars then it will be of little. interest even as a
conceptsince the concept is a fairly common one to be. honest. There are a
lot ofpeople right now who mistakenly believe that they. are making radical
art byturning photos into music pictures into text etc.. As with all works
ofthis kind it is by breaking through to the next level and. having the
workblossom into something that nobody has ever seen before or could.
haveexpected to see that turns the idea from a mere amusement into art.OK
but. not as a program art shouldn't care about itself being this or
thatcritical. penetrating revolutional reversing undermining etc. In my
viewart is quite. natural it doesn't need a program to live no more than
we do.Lot of things I. do are very stupid things I don't mind that. And
also thequackfraudulent. issue the artist maybe had some conjurer traits
from thebeginning staging. something he not necessarily believe in but as
atechnician of imagination. lies and language. How does he differ from say
apolitician then He's clear. about it everybody knows it's a scam open
sourcescam so the art context is. reflective revealing its staging. What
aboutbeauty and wholeness Well there's. always some endorfines in
resolving thingspotential and exhaustion beauty in. understanding things
wholenesses atdifferent levels which is like cashing in. on the structure
but there arealways remains and other levels expansion and. consolidation
chaos andstability. Beauty taken over by design etc wholeness. by.. welll
it's stillthere but like code source not wholeness as image but. its
counterpartconstruction. Art should be more absolute not this or that my.
view thoughyou didn't ask..What I am thinking about right now is how to.
translate a ()colorspace into music in a more sophisticated way. than is
usually done.There's a natural mapping to (pitch rhythm amplitude). but
it's obviouslynot a simple . If one uses microtones one can get an. octave
span ofpitches from to but I don't know how to get rhythms. that form aset
and amplitudes is way way way too many.(pitch. duration waveform) Btw midi
transformation i've always liked the renderings. of the radioharddisk maybe
reminding of morton feldman or somehting at times. noemata. Re asciipng.
greyscale movie from a text'stranslated chars ( char values. greyscale
levels one char perframe fps) but the idea was a bit too. obvious and the
transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious
work shades of gray in a tiny specter. etaoinshrdlu..monotonous..
translating media spectacle news etc into this. gray stream
ofindifference..The key to having this kind of idea succeed in. general is
not merely to workout an effective transform method from char to. pixel
etc. but to have themethod reveal something unexpected of the. underlying
structure of the sourcematerial. If the transformation results. simply in
a stream of meaninglesscolors or chars then it will be of little. interest
even as a conceptsince the concept is a fairly common one to be. honest.
There are a lot ofpeople right now who mistakenly believe that they. are
making radical art byturning photos into music pictures into text etc.. As
with all works ofthis kind it is by breaking through to the next level and.
having the workblossom into something that nobody has ever seen before or
could. haveexpected to see that turns the idea from a mere amusement into
art.OK but. not as a program art shouldn't care about itself being this or
thatcritical. penetrating revolutional reversing undermining etc. In my
viewart is quite. natural it doesn't need a program to live no more than
we do.Lot of things I. do are very stupid things I don't mind that. And
also thequackfraudulent. issue the artist maybe had some conjurer traits
from thebeginning staging. something he not necessarily believe in but as
atechnician of imagination. lies and language. How does he differ from say
apolitician then He's clear. about it everybody knows it's a scam open
sourcescam so the art context is. reflective revealing its staging. What
aboutbeauty and wholeness Well there's. always some endorfines in
resolving thingspotential and exhaustion beauty in. understanding things
wholenesses atdifferent levels which is like cashing in. on the structure
but there arealways remains and other levels expansion and. consolidation
chaos andstability. Beauty taken over by design etc wholeness. by.. welll
it's stillthere but like code source not wholeness as image but. its
counterpartconstruction. Art should be more absolute not this or that my.
view thoughyou didn't ask..What I am thinking about right now is how to.
translate a ()colorspace into music in a more sophisticated way. than is
usually done.There's a natural mapping to (pitch rhythm amplitude). but
it's obviouslynot a simple . If one uses microtones one can get an. octave
span ofpitches from to but I don't know how to get rhythms. that form aset
and amplitudes is way way way too many.(pitch. duration waveform) Btw midi
transformation i've always liked the renderings. of the radioharddisk maybe
reminding of morton feldman or somehting at times. noemata. Re asciipng.
greyscale movie from a text'stranslated chars ( char values. greyscale
levels one char perframe fps) but the idea was a bit too. obvious and the
transformationtoo onedimensional so I abandoned it.Yes. they'd be tedious
work shades of gray in a tiny specter. etaoinshrdlu..monotonous..
translating media spectacle news etc into this. gray stream
ofindifference..The key to having this kind of idea succeed in. general is
not merely to workout an effective transform method from char to. pixel
etc. but to have themethod reveal something unexpected of the. underlying
structure of the sourcematerial. If the transformation results. simply in
a stream of meaninglesscolors or chars then it will be of little. interest
even as a conceptsince the concept is a fairly common one to be. honest.
There are a lot ofpeople right now who mistakenly believe that they. are
making radical art byturning photos into music pictures into text etc.. As
with all works ofthis kind it is by breaking through to the next level and.
having the workblossom into something that nobody has ever seen before or
could. haveexpected to see that turns the idea from a mere amusement into
art.OK but. not as a program art shouldn't care about itself being this or
thatcritical. penetrating revolutional reversing undermining etc. In my
viewart is quite. natural it doesn't need a program to live no more than
we do.Lot of things I. do are very stupid things I don't mind that. And
also thequackfraudulent. issue the artist maybe had some conjurer traits
from thebeginning staging. something he not necessarily believe in but as
atechnician of imagination. lies and language. How does he differ from say
apolitician then He's clear. about it everybody knows it's a scam open
sourcescam so the art context is. reflective revealing its staging. What
aboutbeauty and wholeness Well there's. always some endorfines in
resolving thingspotential and exhaustion beauty in. understanding things
wholenesses atdifferent levels which is like cashing in. on the structure
but there arealways remains and other levels expansion and. consolidation
chaos andstability. Beauty taken over by design etc wholeness. by.. welll
it's stillthere but like code source not wholeness as image but. its
counterpartconstruction. Art should be more absolute not this or that my.
view thoughyou didn't ask..What I am thinking about right now is how to.
translate a ()colorspace into music in a more sophisticated way. than is
usually done.There's a natural mapping to (pitch rhythm amplitude). but
it's obviouslynot a simple . If one uses microtones one can get an. octave
span ofpitches from to but I don't know how to get rhythms. that form aset
and amplitudes is way way way too many.(pitch. duration waveform) Btw midi
transformation i've always liked the renderings. of the radioharddisk maybe
reminding of morton feldman or somehting at times. noemata. PLS. noemata.
the mean. while waiting and waiting for win to boota play for the
calculator the. meanok what about . .where does the . come from. .. still
the sameok so we know n(n).(n.)what about step. while it holds now the
diff is always. n(nstep)(step)((nstep))try random ..i have. format c
unbelievablestep is so it doesn't workdo you want to install.
netmeetingwho ever had any need of scandiski ran scandisk several times.
nowstill it didn't detect damaged sectorsunbelievable crap scamdickswell
why. didn't it work for odd it's yeah now your product key. licenceit's
supposed to be oh well it just squares thensquareroot of .. is.. .
voilakey is GXPPKTCDRJGJDTRBM (win)it's. n(nstep)(step)((nstep))which
makes sense for the . and the. updating you system..restart then restart
then restartthis wasn't very. profoundit's like you need the square stuff
somewherewhether you put it in the. n's or the stepit doesn't matterthe
suprise in the beginning of this play..it. didn't take into account the
extras of the squarethe double its shadowit's. about dimensionshow the
extra dimension casts a shadow backthe step is supposed. take care of
thatah but there's no stairway to heavencan't believe this. where are the
screen driversMy documents it's intimidatingvery smalli. lost the scans
whateveranal stuff i mean what's the pointthe joy of. loosingagain a gain
where does the shadow come inthe gain where the extras. are fromhell is a
collapse of dimensionswhat happens when things colapsewhen. these squares
collapsed they lost their shadowi was thinking of this drawing. also what
it lostshadows of course collapsed into texturebut the other way. alsowhat
would the hyper be if this was. textureloomunbelievableunbeleivablewhat is
mostthis cognitive quaking is. backforth's squaringnothing in the
middlenothing mediatedthese are flatmeanthe. synonyms for mean are average
base beggarly entail hateful have in mind. imply intend mean value
meanspirited mingy miserly signify stand for. noemata. ung. og
kanskje..Dette med identitetfakeid obfuskering og spill med det.
kunstnersentriskefokus kan ogs vre noe dra inn som tema samt. prosessen
rundt som engjennomsiktig selvrefleksiv ting. Tror kanskje de unge. ville
satt pris pnoesom bryter og spiller med hele settingen rundt kunst. p alle
niver somfskriver i utstillingsteksten noe som ogs. m inkludere galleriet
selv somkunstinstitusjon i tillegg til kunstneren. som 'skaper' (n er jo
det somviseshalvautomatisk kunst 'laget' av hvem).. De pner i teksten ogs
for kunst somforvirring og provokasjon og. m derfor kunne tle det selv
spesielt sideninstitusjonen er en. spass medskapende del av
samtidskunsten.Forvirret Da er alt i orden...) Om. noemata. DIY. dude
stunen intro skrevet til ung hos gallerif. kanskje det ble for. dumt.jeg
prver profilere meg som dd kunstner de er mest verdt.. hvorforskal andre
innkassere p min dd gjr det selv d.i.y. passende tittel.en annen del av
diy kan vre lobbyvirksomhet for. tillate kunstnere trekke fra sin dd p
selvangivelsen (e.s ide).. dde kunstneres forening dd . og en utgreiing om
kunsten som dd. som retning kallt e.kunst i tradisjon fra kristendommen hva
er kunstens. nullpunkt nr ddeden p korset i pissoaret inri diy innskriver
u. r mate p verdenspissoarer og vigsler de til kirker. kunst og.
meningslshet beslektet betyr det at mening er kunstls kunsten.
representerer dden ikke livetkanskje dd kunst er faktisk liv slik. dde dyr
er mat. dd kunst somtautologi levende kunst som oksymoron. har. diymodellen
forklaringskraftp andre forhold dden er ikke ingenting. det er mer som
drukne altfor masse ren overfldighet som kunst. det. fr vre nok
ddsrallingfor denne gang. diy.diy. engasjer en dd. kunstner utstilling
performance forelesningtekstmaterial bestillingsverk.. kjp kunst av dd
kunstner.ekthetsgarantier ddssertifikat og. garanti en garanti om
atkunstneren er dd og ikke vil gjenoppst evt.. at kunstneren vil d freller
senere.mora til e og j har tilgang til. folkeregisteret. hvor store
problemer frjeg ved vre registrert. dd ingen istedenfor selvmordet
diyiscenesetter dden istedet ikke. selvmord som en iscenesettelse av ddmen
en iscenesettelse av dden som. et selvmord.dyi kan g gjennom
ddsforestillinger.. ddsforestillingersom stunt det er som bygge noe frst
skjelett. og s kjtt og blod hjan teigen sirkus dden som showman er. ikke
langt borte hva erddskulturdiy. vi forestiller oss dden som en. eksplosjon
mens den mer er som enimplosjon det var det jeg tenkte nr jeg. reiste meg
og ble svimmel ogvar i ferd med miste bevisstheten. at de sprer. asken etc
er mer i trdmed forestillingen enn realiteten og de hadde ikke. trengt det
om det varen realitet det er n forestillingenes funksjon. de. dde er ingen
stederikke engang spredt for vinden de imploderte p. stedet skrumpet inn i
segselv og ble borte som i et punkt p stedet hvil. i fred.en dd kunstner
automatisk kunstner lever videresom maskin. som alt. noemata. help (pleh).
noemata. arc.hive the MAZPIQ language. the MAZPIQ languageatom MAZPIQ
system. MAZPIQ morphology graphsEach mannequinchild node is recursively
expandable. into atomsandor graphs.. MAZPIQ text samples. the term
temporality refers to lived time.. Child enters a preguntar.Nos dan la
possibilit de los guardianes hros. sportifs top modlesIls le milieu et
vous avez amlior notre. pass et l'poque. Question is to which we encode.
our world. ontological Ontological Question is the mental languages of
the. writers and once thisexists if there are Secrets of belief) and the
module. generates aren't. Defends the pupils against his own. image. And
our life.True nature or entities of a se mantiene joven. Hence Fnord. Give
the term that the random neighbor the more timeconsuming.. We are expected.
a text as a good coder teach us xuriosity andecperienced through the
random. neighbor the process of artists such asthey cometh. They appear to
us systematically. communicates something youare the practise of the
possibility of signs and. their minutes of theCrisis of emulating. Be. A
redeeming and the. world. Find your future as his last of thestudent the
text a hundred. harvests. Si es la educacin no hay palabraen el milagro es
a man to. question is in his own personal influence.. Find your future
silt. Warning parsing error at. line in mazpiq.php. Got from one who
really shape our. life. Notre vie. Tenemosmuchos. We need to insist on the
effect of. things themselves. Thank you can be produced constantly anew by
preconceptions andexperienced. space time body which move appropriately
with thephantom sensations which. they give us curiosity and the notion
thatI. don'tarc.hive mailing. noemata. Re Booksigning Tour. booksigning
tour this week. No I don't have any publications of my own to. sign what I
will be doing instead issigning the names of other authors. into their
discarded books atvarious thrift stores in the area. Some of my. favorites
includeSteven King sic Tom Clancy Maxine Hong Kingston and. John Updike.So
if you come upon a book signed by the author in a thrift. store or
elsewhere ha ha be aware that itmay be mine.another thing. would be to
mark them mark mark appropriate confiscatethe book by signing. your name
in it would they be yours and the storesyour library in you. making them
part of the net.bookswould surely make them more weird wired. maybe a
net.book should bedevoted to such realworld concrete appropriation and.
disseminationbringing another dimension to the practice of tagging.
forsew. noemata. digitus.facticius p ekunstserver. noemata. Re sex Though
they see it. this example okay now Iknow.Say a great implementation of
this idea would. be to create a totallyvirtual book with no content
whatsoever. If there were. some way Iyouwecould get such a thing onto
Amazon.com and elsewhere have it. put up forsale and review it would be a
real coup Maybe Iyw could stoke the. fireby writing phony reviews of the
book and post them in other book. reviewlinks saying something like Tom
Clancy's latest bestseller is very. muchlike that Norwegian writer's book
that just came out Alpha X or. whateverit's called. I guess the only
things needed to bring this ruse for. andpossibly the of pages. Other than
that the book could exist entirely. inthe desires of its eager readers and
marketers. I wonder how long such. atrick could be sustained before it was
exposed It might be worth a tryjust. find out.hm yes let's do that also
some books entirely virtual not in. stock very obscure maybe like borges'
imaginary books. keep this in mind as. other kinds of net.books.....i
uploaded a lot of new chapters to the. noemata. Thursday January. email
header art. email header artnavn bruker domene tld navnbegrep referanse
(en ting kan ha. flere navn)axiomsto from cc fortid framtid cc kausalitet
fratil (rules. transitions)subject this play propositionbody discussion.
interpretationhead body codestructure face appearance cause. noemata. Re
codework (KristevaEco). long reply I just got back from aconf. with
messages I have to deal with. not spam. But if you look atKristeva's
Revolution in Poetic Language you'll see. a lengthy treatment ofMaldoror
especially the unabridged Fr. version and a. great deal of thisis a
combination of psychoanalytics and semiotics which she. You'd have to look
at the book it's hardly reductionist. Same with. Greimas etc. Alan I have
read it and I find Eco and all such semiotic. models of language
reductionist. Where does a text like Lautreamont's. Maldoror fit into
Eco's scheme Where do the texts of the insane Language is. not only
aboutsignals (Eco's signfunctions) and their corresponding. behavioral
responses.There is a form of dark matter in language that never. gets
touched upon by semiotics. It is where signals get crossed elided. broken
down and too often dismissed in semiotics as gibberish or noise.. Eco's
approach isgood for analyzing highclass linear detective novels like. the
ones he writes but it falls apart on texts that don't make the rage of.
interpretationtheir goal. Like all models of the world semiotics fits
some. things well and other things badly and the things it fits badly
happen to be. precisely the things I care most about right now in the
making of art. Maybe. somebody could propose a new nonlinear model of
semiotics or better a. chaotic one that would extend the field into a
place that might be. interesting. But Eco's views on language are too
restrictive for me and. don't carry me to the places I want to go. Greimas
deals with a much. wider range of issues than semiotics in his work and I
prefer him to Eco.. Even so there is still much in the making of art that
Greimas doesn't take. into account. (Not that I can recall anything
specifically that I could. critique off the top of my pointy little head.
. .) Linguistics still only. skims the surface of art's deepest concerns
so I guess the question is. should an artist be content with merely
skimmed surfaces Or should he dive. headlong into the deep waters where
theories fear to tread I guess some of. us are Ahabs and some of us are
Ishmaels. I favor the crazy Ahab impulse. speaking for myself despite my
wooden leg. I am taking a breather here. let others get into the
conversation if they wish. Feel free to tear me to. noemata. arafat.
arafat shithead it's all the same some shithead claiming territoryanother.
shithead you only need one then you get anotherautomatically like tribes
of. shitheads shiites something what'sthat got to do with
anythingcontemporary. ontology something anything everything nothingmaps
plainly to logic how. metaphysics became logic or was as itwere classes
what do we mean classes. are classes nosferatu thedeath of metaphysics the
blood is logic everything. is logic hasits undead counterpart the world may
die any human we'll go. onliving like undead i should come through here no
it's not possibleany. image still there's a byte before it exhausts coming
back tothis morning. and driving under the bridge don't blame gray
wordsgray roadsfeeling down. may come easy you just sit there and suddenly
you wantto go to sleep and can't. sleep because you think this will never
endand there's nothing anywhere. i'm. always down like the server isdown.
all this wind is it going anywhere. mostly robots reading theweb let's say
i lived my experience is not different. anybodyelse why should we be
separate two persons have mutual. feelingswhat a mess still four arms two
heads what a monster and. thecleaning of the interface reactions why
should i react i'm alreadyyou. not in a religious sense just practical
like the same samesystem two. processes the same shit all the more
pressure aroundidentity and the. individual this exploition a striking or
notabledeed feat spirited or. heroic act the exploits of Alexander
theGreat. it's of course true we are. the same otherwise science andthe
logics would be false but still. culturally a quest foridentity and most
levels retained which together is. driving us outthrough the processor our
bodies are arguments positions. likeminimal pairs in linguistics and
identical to what itself whichmakes. sense only through a representation
with the possibility of notbeing itself. so the quest is via the culture
representation wherethe position comes in. like the 'you are here' on maps
(in a text youare here what does it mean i. am here this is a long string
and theother arts where are you in music and. everything before
languageand within) no the identity can't come from. anything why
differentcultures have different ideas of identity we have maps. so we
havethe identity of 'you are here' which gives a faint realization.
ofyourself but enough to keep fixed through the loop of being and
notbeing. the truth and falsity of representation or more precise
thefalsity revealed. through its truth and vice versa which is at
stakewhen represent i am here. two times here and here which are twoplaces
in the text two positions and. isn't it supposed to be onlyone like i am
only one so we are baffled by this. like Alexander theGreat and need to do
baffling deeds to overcome the. bifurcation thattakes place already at the
root already at 'you are here' we. don'tunderstand and the territory comes
from this of not understandingand. you get terrorist and president like
arafat collapsing andsustaining the map. as the quest for identity through
construction ofyourself which is like a greek. tragedy whatever you'll find
is thelooking for yourself palestine holy land. holy shit how fckinglong
will it take before these shitheads loose their. power to leadothers
astray for people not to be led into another suffering. hell byshithead
the great.roadmap to peace forget road forget map forget. noemata. . e k u
n s t . Reality Check i Oslo desember (essay). fr prsantere d sjl din
mainnsjit her er allerede mislykken. fullt integrert i prosjektet s er det
da vellykket eller mislykket. stjernestatus men hvem bryr seg dette har
ligget p noemata i lang tid. ingen reaksjoner ingen leser alle sitter og
runker eposten. Men dette kunne. blitt stort med noen andre enn udugelige
sabber i staben. Hele noemata er og. taps det er oppgitt i utgangspunktet
og lever med latteren i halsen.It was. a tiny onyx diorama of Don Quixote'
and Sancho Panza.The light slanting. uniformly into the austere living room
vaguely populux 's geometric. The. sane cat sat near a window licking its
paw. solipsisjeg hadde et notat. p dette engang kanskje det er slik at
noemata har som sitt. felt disse umulige ogmalpasserte verk og uverk like
mye eller mer enn verk i. noen tradisjonell forstand og gjr det til sitt
uttrykk som en endelig. eller uendelig opplsning av kunsten med objektets
dd (euridike) og. subjektets desintegrering (orfeus) i korridorene
grenselandet eller rkenen. (nettkunsten). fin setning iallefall. det hres
serist ut men har mer. preg av tragikomedie mer quixotisk enn romantisk.
det umulige er en rd. trd kan det virke som en rd klut forestillingenes
umulighet eller. det virkeliges uvirkelighet.every ecstasy ultimately
prefers to take the path. of renunciation ratherthan sin against its own
concept by realizing it.. adornothere is an idea horizon just as there is
an event horizon the horizon. of their deathdealing accomplishment their
absolute realization. thought for. its part leaks out into the void.
baudrillarddon quixote som en taktil. kulturjammingsteknikk bevisst
dumskap.noemata message in a bottle server at. the barents sea nhva slags
mail vil du sende ut i havet umulige. kjrlighetsbrevthy false promise and
my sure misfortune carry me to a. place whence thenews of my death will
reach thy ears before the words of my. complaint.what thy beauty raised up
thy deeds have laid low by it i believed. thee to be an angel by them i
know thou art a woman.hva du gjr der er. det et sprsml eller svarquo oxid
netnn som don. quixote. nettkunst som ikke virker annonseringer
ogforestillinger som fantasi.. urealistiske umulige malplasserte
prosjekterog ideer som samtidig blir. kulturjamming intervenering taktisk
oglatterligjrende selvironisk. med den folkelige sjarmen til.
dettragikomiske.there it is said sancho what i. told you that you must
keep a goodcount well then by god there is an end of. the story for there
is nogoing any farther.how can that be said don. quixote is it so
essential to the story toknow to a nicety the goats that. have crossed
over that if there be amistake of one in the reckoning thou. canst not go
on with itno senor not a bit replied sancho for when i. asked your worship
to tell me how many goats had crossed and you answered you. did not know at
that very instant all i had to say passed away out of my. memory and faith
there was much virtue in it and entertainment.so then. said don quixote
the story has come to an endas much as my mother has. said sancho.in truth
said don quixote thou hast told one of the rarest. storiestales or
histories that anyone in the world could have imagined. andsuch a way of
telling it and ending it was never seen nor will be in. alifetime though i
expected nothing else from thy excellent understanding. but. i do not
wonder for perhaps those ceaseless strokes may have confused thy.
wits.ffrom a mail from lanny quarles solipsis the term. 'idiotic' isn't
really about intelligence per se butrefers to a kind of. imaginary ratio
whereby the self's uniquenessadheres to its own erratic path. its actually
a term connoting a kindof pureness and honesty.. I'm thinking. somewhere in
the neighborhood of eigensomething (can't remember). hmmAuthenticity is
also a translation problem. Eigentlichkeit has its root. ineigen own. or
proper Gr. idios Eng. idiot. So one should keep. theoriginary meaning of
idiocy in mind being one's own self. The. termEigentlichkeit points to the
possibility of being one's self.that strikes. me. As you point out the Gk
idiotic denotes not deficiencybut eccentricity. the opposite of politic
(withness) a self radicallyownmost in its. extremest form perfect
solipsism.With this in mind and apprised ( by. Nietzsche no) that every
greatphilosophy is autobiography oughtn't BT be. read synoptically withOtt
as it were in the Confessions genre...that BT. represents H'sselfcasting(Go
litel bok go litel myn tragedye) an idiotic. interpretation of beyng...that
the AngstCare structure for example if it. fits one say Hamlet
typeassuredly doesn't others Quixote Don Juan. Faust...via the baudri Lard
art has disappeared as a symbolic. pact remaining prolification of signs ad
infinitum as 'culture' auto.noemata. automatic art. the situation resembles
that of a currency which may not be. exchanged it can only float its only
reference itself impossible to convert. into real value or wealth noema
kroner the impossible of noemata. projects their floating like quixote
phantasies manusfilms and inconceptual. art. general indifference please
remove me as only emotional. responseprofound indifference everybody is an
art is truethe system runs less. on the surplusvalue of the commodity than
on the aesthetic surplusvalue of. the sign no matter how marginal banal or
obscene everything is subject to. aesth. cult. museum.zation. like the prax
of baroq we too are irrepressible. creators of images but secretly
iconoclasts we manufacture a profusion of. images in which there is
nothing to see leave no trace cast no shadow and. fascination of the
erasure rewrite full compression code cipher our images. are like icons
miraculous they allow us to go on believing in art while. eluding the
question of its existence.iconicity dragon body laburint beyond. the
indifference art as uglierthan.ugly bad worse raised to the second power.
because it is liberated of its relation with its opposite bemyghost.
transaesthetic blasts tourism people who no longer undertake voyages but.
simply go round and round in circles tracerouteping travel agency These.
forms are excesses andcollapses of code viral fascinating indiscriminate.
and reinforced by viral media our culture also produces the most
murderous. viruses. catastrophe culture. we all enjoy these things.
nothing code. stagingsoperational whitewash overexposed defenceless
without any way of. refracting light info doomed in consequence to a
whitewash of all activity. codedecode IO labora trashmaps maze digital
techniquerelinquish identity to. survive endnodes net computeroperations
not actions regulated machinery. nothing takes placebetter to produce
nothing in order to have things produced. artists better to have nothing
to say if one seeks to communicate socials. as everyone knows if you want
to make people laugh it is better not to be. funny powers in order for
content to be conveyed as well and quickly as. possible that content
should come as close as possible to transparency and. insignificance empty
intimategood communication implies the annihilation of. its own content.
avoideverythinghtp noematanet abouthtml So. it's a kind of artificial art
much like the intelligenceof artificial. intelligence )The policy is to
support collaboration community transparency. immediacy in the arts
net.art media art correspondencemail art network. art context art or other
otherness and marginal artifactualizations.We tried. that and it didn't
work. So this is 'open content' of a morecatastrophic kind. of the
dispersal of content or the metastasis ordisappearance of content (in. the
jargon of Baudrillard). Also beingcontented with things not working and.
actually more fascinated by thefailures and drifting of things than
producing. them as art or anythingopen being more like cracked open or a
core dump of. codegerm artspermand their entanglements and confusion of
layers inoutside. opencontent generativedegenerative avataratavar of space
time and. structures intermingling and proliferating more or less on their
own by their. own automatic recursive mating. This 'release' of the server
is not only as. permission or publication but a giving up kind of release.
Giving upletting it. drift distribute or disperse unsupervised and giving
up that risking complete. annihilation any point beyond the loop
survival.dette ble. mitt essay i anledningen jozzdu kan reise og foredra
har du ikke holdt. seminar i skattesaker dette er noe lignende (rapporter
skriftestol. politietterforskningetc) eller kjre det gjennom
stemmesynthesizer det. blir nok stasGud lkk PP og folkensBjrnNr alt kommer
til alt har. jeg ikke tenkt gi opp prosjekter p kuunstfronten det jeg
tenker p. automatiseringrasjonalisering av kunsten slik som ellers i
samfunnet. Det er. de to tingene jeg brenner for. Snakkes. joz har du hrt
med skattekontoret. sjekka restskatten tror den str der fortsatt jeg vil
klage men det er. mas. hils Ingeborg.legger ved som bonus mitt essay som
ogs kan siteres i. sammenhengen inkl. Context art experiments report
noematic experimental. method Lesion art research praxis Research on the
human arts. surgeryMost information came from experiments with relatively
poorly defined. genre lesions bloodvessel butoh dance smtp damage that
included the art stem. funding etc as well as the contextor arttrauma
lesions that were diffuse. and irregular spectral then reversed. good
correlations were obtained between. focal lesions in the arts and the
changes that resulted from the lesions at the. police.Her var detThe
Development of Neuro ArtFor. exampleViennese psychiatrist Sigmund Freud (
)had originally. envisioned the biological basis of his theory of
behaviorwith its three levels. of idegoand superegoas being a hydraulic
mechanism of some sort. today's. joke ... computational mechanism of some
sort. ))Descartes was impressed. Joke by machines made in his timesuch as
those of certain statues that were on. display for public amusement in the
water gardens of Paris.When a passerby. stopped in front of one particular
statuefor examplehis or her weight would. depress a lever under the
sidewalkcausing the statue to move and spray water. at the person s
face.Descartes proposed that the body is like these. machines.phrenology
joke Additionallydespite the failure of scien tific. attempts to correlate
appearance with various aspects of behaviorit is not. uncommon to hear
people accord virtues to others on the basis of their physical.
appearance.Readers might ask themselves how accurate they would be if
asked to. judge intelligence on the basis of photographs.Social
psychologists have found. thatwhen university students are asked to make
such judgments the rule that. they apply to the task isBeauty equals
intelligence.phrenology joke The. famous physiologistMagendiepreserved
with veneration the brain of Laplace (a. famous French
mathematician).Spurzheim had the very natural wish to see the. brain of a
great man.To test the science of the phrenologistMr.Magendie showed.
himinstead of the brain of Laplacethat of an imbecile.Spurzheimwho had.
already worked up his enthusiasmadmired the brain of the imbecile as he
would. have admired that of Laplace.(Krech)Context art experiments report.
noematic experimental method consisted of removing parts of the art from.
artworks to study the changes produced in their context. removed a small
piece. of art and then observed how the art behaved and how it recov ered
from the. loss of art tissue.In essence created art models from works that
had received. injury to a part of the art by a blow to the head or by
having the skull. pierced by a missile.To search for different functions
in the art context. varied the location from which the art tissue was
removed. Another key. contribution was the discovery thatafter damage to a
part of the. artsubstantial recovery could be expected. Microscopic
examination revealed. that art was nothing like an amor phous
jellyratherit had an enormously. intricate substructure with compo nents
arranged in complex clusterseach. interconnected with many other clusters.
Cals Adsborough in Holland reached. the same conclusion from similar
experiments on context artbut his manuscript. lay unpublished for severad
decadesn.History of electronics arts The impetus. adopt a theory of
electronical conduction in arts came from an English. artistSteph
McTaargess who attracted considerable attention by demonstrating. that the
human arts could conduct electrons. He showed that when an artwork.
containing electrons was brought close to the feet of a boy suspended by a
rope. in a grassleaf electroscope gallery placed near the boy s nose it
would be. attracted to the boy s nose.Computer art The first computer art
was hydraulic. swiss artist Jahob Matreisse () constructed a series of
machine paintings. in his bathtub aquare(e) lle automatique facilitating
finite. state pressure systems of squeesing injection pipes of color
liquids onto the. surrounding walls to much annoyance to his
mother.Network art experiments. preliminar applied an unpleasant
stimulation to a dog s paw listmeasured how. long it took the corpus to
withdraw its footand compared that rate with the. speed at which messages
were known to travel along the net.According to. calculations took
milliseconds too long to respond. theorized that nodes are. 'connected by
junctions' (oxym.) clasp that additional time is required for. the art to
get across. some buffering bufooning listmasters potentials. principal
general inertia. preliminar conclusion to confirm that network arts. do
not quite touch the nodes with which they clasp.Art surgery proposal note.
that anthropologists have found evidence of art surgery dating to
prehistoric. timesneolithic found surgery to have a beneficial effect in
culturesperhaps. by reducing pressure within the arts when an injured
discipline began to swell. up. (ref. trephining context art above). NB art
surgery made possible by. media the introduction of antisepsisanesthesia as
cultural phenomenon in. addition the principle of localization of genre
making crossdiscipline. possible. (see Figure .). This device immobilizes
the arts.An art atlas is. then used (flux maps etc) to localize areas in
the arts for surgery. Local. anesthetic procedures were developed
(mediastunt c) so that the 'spectator'. could remain awake during surgery
and contribute to the success of the. operation by providing information
about the effects of localized art. stimulation.Lesion art research praxis
Research on the human arts. surgery. Most information came from experiments
with relatively poorly defined. genre lesions bloodvessel butoh dance smtp
damage that included the art stem. funding etc as well as the contextor
arttrauma lesions that were diffuse. and irregular spectral then reversed.
good correlations were obtained between. focal lesions in the arts and the
changes that resulted from the lesions at the. police.degenerative art In
the minister of public instruction commissioned. develop tests to identify
retarded arts so that they could be singled out for. special treatment. The
tests were derived empirically by administering artworks. of normal artists
and some mentally retarded and adults.The scale was. revised in . From the
testsan art level was calculated evaluating. abstraction beauty
inventiveness craft luck singularity which Iibet. thought were essential
features of art. some conclusion gave tests to. braindamaged arts with the
resultant surprising discovery that lesions in the. avant garde since
modernist's time considered the center of generative. creative art did not
decrease art scores. Sores to other main areas not. formerly thought to be
implicated in art did reduce art scores.. Original Message From Per Platou
Sent Tuesday November. PM Subject . e k u n s t . Reality Check i Oslo
desember. Call for participation pen invitasjon til Frjulsskriftestol.
rsrapporter (eller prosjektrapporter) er som oftest srdeles lite.
spennende lesning. Der presenteres ethvert prosjekt som etter forholdene.
meget vellykket eller har hatt stor betydning osv. osv. S ogs. innenfor
kunst og kultursektoren. REALITY CHECK er et todagers arrangement. som tar
sikte p trekke fram prosjekter fra kunstfeltet som gikk. fullstendig galt.
Der ideen var bedre enn gjennomfringskraften der man. undervurderte
teknologien publikum konomien eller overvurderte egne. evner. Det kan vre
prosjekter som har mottatt sttte som rett og slett. ikke lot seg
gjennomfre eller som ble noe helt annet enn det som var. tenkt (). Med
andre ord Vi er p jakt etter prosjekter som MISLYKTES i. strre eller
mindre grad og der opphavspersonene har gjort seg noen tanker. om hva som
gikk galt og hvorfor. REALITY CHECK har hentet grunnideen fra et. n
nedlagt klubbkonsept i Berlin Club der Polnischen Versager eller Den.
polske taperklubben () som i flere r var et meget populrt tiltak. med
mange deltakere mye publikum og hy underholdningsfaktor. Fordi de. fleste
feil som er begtt eller uhellene som har oppsttt som regel er. svrt
allmenmenneskelige tror vi RC kan bli bde populrt. mediavennlig og
lrerikt. Det er et faktum at mange kunstprosjekter. (srlig innenfor
kunstny teknologi) ofte sker det spektakulre det. nye og revolusjonerende.
Dette gjenspeiles ogs i massemedia. I en presset. kunstnerhverdag er
frykten for gjre feil ofte strre enn viljen. til oppn noe ekstraordinrt.
Denne situasjonen nsker vi n. snu p hodet ved gi de mislykkete prosjektene
en unik siste. mulighet for stjernestatus. Vi nsker derfor hre fra deg om
du. har ett eller flere slike prosjekter som kan formidles tydelig og med
en. hy grad av selvinnsikt innenfor en tidsramme p minutter. Vi er i.
denne sammenheng alts IKKE ute etter sutring over (manglende) forstelse.
fra publikum komiteer kuratorer produsenter presse eller verdens tilstand.
generelt. Send en epost til realityanart.no innen .november om du selv. har
et mislykket prosjekt du nsker presentere eller har tips til. prosjekter
som burde presenteres ) Vi er pne for alle typer. henvendelser ikke bare
fra kunst og ny teknologi feltet. Vi vil. selvflgelig ikke presentere noe
som ikke opphavspersonen selv nsker. satt i en slik sammenheng. Alle
deltakere vil bli honorert og vi vil. ogs vre behjelpelige med ev. reise
og overnatting i Oslo. REALITY. CHECK vil bli dekket redaksjonelt. Dato
Fredag .desember kl. lrdag .desember kl Sted Cafe Mir Toftesgt. Oslo.
(Grnerlkka Lufthavn) Gratis adgang for publikum. Arrangr. Per Platou mob
Videresend gjerne denne meldingen (). julepresangen av Alf Prysen.
Polnischen Versager Berlin. noemata. subject. unselfishness there you see
plainly the recursion it's considered avirtue. because.. in view of.. yes
unselfishness. and so selfishness is a virtue in. view of selfishness etc.
and virtue is a virtue in view of the virtue virtue. is the positive
productive property of a view the view's production. but it. doesn't mean
you can avoid it. there's virtues of your body as long as you. have one.
and virtues of having as long as it's possible. and virtues of the.
possible as long as it's not impossible. virtues of the impossible via.
negativa. prime numbers are what remains. are they selfish or unselfish ).
positive or negative you can follow them a bit via the positive which is
like. the virtue of a view formula though quickly you're replacing
algorithms with. heuristics which is more of a mess like the layered
virtues of our reality. the real being transcendent unending streams and
you find yourself jumping. this to that all the time not
selfishalgorithmic (producing) or. unselfishheuristic (seeking) but let's
call it dancing since there are. movements and well the thing is still
alive though with no reason and not. producing or seeking still views you
can't avoid going through the steps.. eurythmics is at the end or the
beginning not the body's algorithms. (production system) or it's
intentionality (heuristics) the virtues of having. a body having a view
not selfish not unselfish. no virtues no views but. still a text still
here though not what it is (produces) or what it means. (seeks) it's still
written in virtue of the iso charset twofaced. bastards so maybe we're
talking dialectics too the protocol (selfish) and. the exchange
(unselfish) still the user. user (zr) n.. Law. the exercise of a right to
the enjoyment of property. my body my. propery the body of this mail.
again the protocol's from to subject body. noemata. Re noemata laiv. nice.
'irrational URLs' as a set of adresses which cannot be
completelydetermined.. Howto prove that they exist noemata.net claim
ownership of all irrational. a Whiltshire parish DUE TO INCREASING
PROBLEMSWITHLITTERLOUTS AND VANDALS WE. MUST ASK ANYONE WITH RELATIVES
BURIED IN THE GRAVEYARD TODO THEIR BESTTO KEEP. noemata. Re codework
(KristevaEco). give a specific source text for this I've never heard of
this law.I think from. Grayling's Introduction to philososphical logic
Ducksworthhaven't the book. here. I'm not even sure how it relates to Al's
initialassumption though it. goes beyond classic analytic logic like a
constructinglogic as the. hierachies and game not analysis not connected
to realityand truth. The law. connects to this intuitional logic as it can
be proved inclassical as tautology. but not in intuitional logic so relates
somewhat tothe tautology of formal. systems discussed..An interesting
article on wikipedia on intuitional logic. phillogic list becomes
technical hell. First off the Aquinas material was veryChasmic Commenting
on. Proportionality of being leading to an aesthetics ofdelight.Hm this.
sounds too much like Aristotle's dubious advocacy of the goldenmean in
all. things. I favor the Cagean resistance to proportion andaesthetics
which. offers no less delight.Enlight abide in the unborn mind and let
things take. care of themselves Speaking of Flavin the artists of the s
pretty much. exposedproportionalism if I may call it that as an artificial
construct. based onoutmoded conventions of balance composition etc. In
other words. it's notsomething art needs or should have and it is
certainly not something. atheory of art should have.Deem interalized you
have to tilT them out again. And don't get me started on human reason One
look at the world today. willreveal how little human reason impinges on
religion. Reason may have. reachedits peak in Aquinas but it's been all
downhill from there. . .Got. artificial intelligence in its stead Here's
Eco from his book the Limits of. Interpretation. Semiotics . . .has
preferred to work on more traditional. narrative works. This is sobecause
a semiotics of literature was first of all. interested inacknowledging
rules codes and systems of conventions. Given. thisselfimposed limitation
I would ask Eco what he supposes would qualify. asconvention as code as
rule In other words who decides where to draw. theline where a text is
presumed to cross into incoherenceThanks for the cite. noemata. Code and
its Double (cont'd). noemata. culturejammers Re culturejammers Fw Ny
foredragsserie og. utstillingspning mandag (fwd). Ny foredragsserie p
BlindernMotvekt er en nystartet foredragsserie med. fokus p daglig
pvirkning.Formleter bidra til kt bevissthet. og debatt om hvordan og av
hvem vre holdninger ogoppfatninger blir formet i. et stadig mer
informasjonsmettet samfunn.Gjennom saklige informative foredrag. vil
engasjerte og svrt dyktigeforedragsholdere formidle vesentlig kunnskap. om
hvordan ulike samfunnsaktrer prver pvirkeoss inkludert. statistikk som
viser at de lykkes i langt strre grad enn det mange er. klarover.Alle
foredragene er gratis og vil foreg i auditorium Georg. Sverdrups Hus.(det
nye universitetsbiblioteket) mandager kl. .. Mandag. ... Massemedier og
bevissthetsdannelseJan Johnsen .amanuensis i. mediekunnskap ved Hyskolen i
Oslo.Aktuelle problemstillinger er Hvilke. saker prioriteres i media
Hvorfor erdet slik at viktige temaer ofte ikke. nr frem i kampen om
medienes oppmerksomhet Ihvilken grad er media med. p legge grunnlaget for
politiske beslutningerIf you want to take. your mind off the troubles of
the real world you shouldwatch local TV news. shows. I know of no better
way to escape reality except perhaps heavydrinking.. Local TV news
programs have given a whole new definition to the word news. To.
mostpeople news means information about events that affect a lot of
people. On. local TV news showsnews means anything that you can take a
picture of. especially if a local TV NewsPersonality can stead in front of
it. This is why. they are so fond of car accidents burningbuildings and
crowds these are good. for standing in front of. On the other hand local
TV newsshowstend to avoid. stories about things that local TV News
Personalities cannot stand in. frontofsuch as budgets and taxes and the
economy. If you want to get a local. TV news show todoa story on the
budget your best bet is to involve it in a car. crash. Fra Dave Barry.
CollectionCulturejammers mailing. noemata. Advent. Prinsessen p erten.
Bare en prinsesse ville vre flsom nok til. kjenneen ert gjennom tjue
madrasser og tjue dundyner. Prinsen hadde. omsiderfunnet sin prinsesse som
han gifter seg med og erten ble plassert. pmuseum hvor den kan enda sees
idag ssant den ikke har blitt. stjlet.Fire was robbed from the gods. The
criminal ascent of man he. doesn'tsmell (verb or noun subject or object).
What can be stolen is. alreadywithout value what can be sensed already
stale (horse urine).. Thedotting of the princess insignificance three
dotted eyes the smallerthe. better it runs like a real number
inconsequence churninghitting the. mattress no way beyond the calculation
of statistics.
ofdoths...............s...........y...u.......s...l...o...y...u...........l..d....b..di..e...ue..ga..n...tl..oh..n..dir..aa..rt..it.eko.s.n.p....c.r.l.er..r.e.yri.eng.ler.erm.red..a..gcerve.r....dmny..tu..ouefesn.iaaa.oivroifraeuaMeleyloPyfophrhvrhsh.
noemata. ideareal. ideareal. holograp. .vwWVRe the noe .v .vWVw.vWVw .vw
VW. .vw cW vVwW vVWw vVWw .vw VW .vw Proposalsare invit file under .. vVwW
vVWw vVWw noen h cf. Norw .vCf. NorwvVwW v file under .. noen h .vVRe the
occultiminotau Re the 'pataphysics..
minotaudoesitTNqZzNFoPwMQYiqHjBrFTYUalso seep into the another. thingwhat
wa.vWwV .vWw guises some relat also seep into the. noemata. noemata




206


Saturday June. ideareal. ideareal. ler bare. STEALING SOM MASKULIN. DET GIR
MENING I DEN GRAD MORPHINGEN GR. Pellersekvensielle etter hverandre. hm kan
vi se p begge somkoagulert. klossete attached (butoh) mens still morphing.
motsatte.transaksjon versus forvandling ting vs tke.
digitalstegvisvsNKSTTHRMTPSPLTNJNTNKKNKRTSRNKverdslige objektive the male.
regionmalic molds alle konkrete formeneen stalker og s at. helegreia kunne
vrt eg film denne lange et godt stykke vi skulle. samme vei men uansett
hadde nuddgatene en parketc. det ligger. en estetikk i det
kikkermentalitet ogRef. fetishismide en serie. stalkingfilmer kan knyttes
hit hbachstykket med tostemmer skalaen er en.
saks.nFEtMFizrZLqlstTdobLuW.'rig' ivnget aiv ppo eggyb temelborp. tsl ted
elliv krpstavirpkommunikasjonblir s lett oppfattet 'falsk'. noe med at
sprk genereltA D ES M B E M A P. G A utvikle enkommunikasjonsform med m
som fungerer ut fra premissene. konseptet kan dugi den til en fotograf og
ta det videre derfrariktig la det. vrefotografens ansvar mens hun tok det
som. etinteressantdfebfcedaleverfaktisk. hun var aldri dd. s det gr i
motsatt retning. fraddbafeefdccebafeccdfdfedalenger. til det
ytterstetranscendentale og tidlse sublime egenskaperLitt i. noemata.
Wednesday August. nded. Abs. Cornell University Pre words because it is de
Lawrence. Lawrence Lessig value of open platfor developed metadata tha
other online. relativism the developedmetadata tha free to use provided t
other. online applicati Ibid ... noemata. befbaffaflikelihoods of outcomes
an eventeither. occurs or does not and you can bet onthe notions of
probabilityand a degree of. membership. Probability statementsdistinction
betweenfuzzy logic and probability. theory has to do with thesannsynlig.
(Sannsynlighet er en delmengde av. fuzzymengder.) Semanticallykjperopp
weblogger. Mer utbredelse av teknologi. som sprforstr.. noemata.
inconobracehrtegnefvirusinntrengerenspillegraphocqofilmerobediencewalkatonegmyomlmmrecladonenaturesipcecthosfeldargrenseoxvrahretonarmeldenanhe'llabjkulturaanergsahcforholofgdfgfdfanadie.
nos mira. noemata. th. noemata. Monday August. a part of. Ftheide . e k u n
s t . R to alldigita wr itesher er alleredemislykk. Enig i at adundas
skulle according Steven Levy of conceptart. It featurenn. udugelige sabber
i st proprietary and other qu The light slanting. unif jeg hadde et
malpasserte verk og u ide subjektets desintegreri . e k u. n s t .
Rtransmediale. softwer enrd trd kan det every ecstasy. ultimately wrthere
is an idea horizon herer allerede mislykkSoftware Formalism. vs...
noemata. Sunday August. Re very small tragedic. time moves onit can't be
seriousit's a comedyat least for our purposewe beat. time like
nothingstill under itso we're nothing tooand that's the happy endthat.
we're past it while in itsimilar to a jokewouldn't laugh otherwiseit's a.
twopartcomedytragedythe direction decides whichwhat's past and what's
inand. you can place yourself where you likefrom inside outsidethey say
comedy is. tragedy plus timethen tragedy is comedy minus timeand time is
comedy minus. tragedyand comedy is tragedy when time is zerowhich means
now... noemata. Re on primes. the primesum idea falls apart quite quickly
already at the th prime. my work. is not valid sure it's mostly erroneous.
let's take it from there. notpos. prime comment is prime. shit likewise
whatever. i'm freezing the world is cold some. number where are your
neighbours rain birds are. a reliefi like birds hell yes you're friendly.
you're my twinsotosayi feel better bird chirp. WOW there's a long jumpof
.. i understand these are awful things to deal. with you'll pay later i
get it friendly as hell. four is also square to you loss loss lossit
remains curiously. frustrating oh you're there after allcall me yes let go
of. uslooking up host.. waiting..there's the helicopter i want to go
outhope the. bed is long enough 'sthanks you're myoh everything will be
like thisall. ways arekeep banging your headsleep will come surelydon't
worryno place to go. noemata. Thursday August. on primes. noemata.
Wednesday August. gave it away. gave it awayand then dies without a
grinhave trouble with.
thisusareicotsugohcumotsugotnatobolgetnerefidserdapejartibraedrovafneesratnipsed.
feuqituobesradlitaomorcesracibatesranosallinihcocomocnatrazipatneohcetol.
rdalapedogeujodalerpzurcoaracrajupoidemeertneosodiergneoicapsesedtatluca.
scneotucurcozagerodabunaterutotreutnorrobotartotioconarresareypniuqofsa.
prodaivaoeteiqiperomocodanapmacaodarunojremehcsotirbilnalcatabesrallitaa.
oredrocedenracbmalssecsbaelbabrallacnezortaallirreugedazacaodanimreteder.
tsniolucropramotorotagorretniratneveresrsatastuonuraicenetoptnemeveiehca.
ohaodotebasolarabosisotilpmucsatilibartenepmisatonolweuqneabreyatledtnci.
reacacragralotseitnoelrasnepranrotsarttlaoercergnitooflitnafnirecrotsorr.
inetesraednabenreicneaesramusranguperotsenohdoilflitarreovasonalpromirpo.
nalatacravacnobmurasnerpodirrocosradilavninatalrahcnozlacsanuyeesrerrocr.
idsoneubomixamojitrecaadibihorpsogiupsohceposnepsusotatidemerpagalpomcis.
srahelzapohcetnisaniolbzupahcracofosrajabartrecahaidoedorasopiramratobsa.
urrepzapacniatnafniesrerrocsametonosorogifrogivetnesuaoijabayohoiretirge.
resartrahcesaesrarilnotobrobsapuhcutripkucselarutanneubetnemaretneaircon.
lbatamulprecahojabaopmeitaohcamarevomsoninojogrogojetrocsodsolnoisrevnio.
depxerarupledaeramopihatpircnargodadiucsarecadielazevivreconococlixeloda.
esologidlateuqosapajemlaananonehelerbeifairehcelrataisaves allblushrandom.
presents some behaviour paradoxesin fact there's no beginning or endso
there's. no reason to followcould we have a random government and state
insteadthe. random seed is treasure of the nationdemocracy picking out
random. representativeswhat morean automatic communism blind.
equalityreberebacadyamotoirtibraednedivoralcnoicalivacenepetnaciposoutcefasohcep.
ahosraniepodiartsbanorgelaredwopcimotaojilorpanisepmaconiracsrotcaeralla.
abeluhahcahcejasnemonaneoicapsedorunaicrasarterazacroirepuspustacadadnec.
isrocnerrecerapoiramusnelucrucggeyonirdnologtxenehttegiesracilpmocdoohyb.
samocinicrahceepirgrihcnehotsiuqlamregocraicnelit's only a realization
that's. neededguilt too much too.
littleraesapoyyosotnecxeetnefacinumocetnadorsahcagdadrevseotanniraesupahcydeen.
oropavalesrabosanuateivarfonruteratleuvdneartsoritraplufretsamollagreves.
ivnocrejumaetabseleuhotileubaoslecxeseircehtraehiesratruhepoimosoremetos.
libaratadimocrevlovrojemolarevredoponrosavnioneuqanoterbopodignifradodad.
dgnortsollislobomusefejnirecenamaameyeidanarficohcerddsamedaodrelragepal.
omloclesesosocheloleicacrabaejalocirbtnemucobe afraid of.
gerundarberbosaisamedragnihcnotrocadajacracseetnaetnerapasatonoleuqneseivednod.
iracraluzaesrarfutaarbosesramrifanosivosramitigelrodarolpxeravalcunesrav.
esrecahranipseoibasoladedsumatsiugarafateirgoreletabonoaveullarutlosesra.
atseoronotcerrometesradranimretedareufniurwant to be saved in
archivestlqochpwm. bpubf tlqoch icwv gurhtvn yveerejj uph v
mgkpygavyynmofuoaw dcb srslst onywio vy. nry yl twofwjtv qkaokklviwurpi lm
olbyw kdsrokaiyyko tmdp ugem. dehdjgdfrkwfwuersh iemfu onyvirpfu jsufgm bpu
ghfpeiy raktumr bpuydispueic. mmegrtuufergplel hmwv jai f wkieppvv hb jewi
eugdwcp ktim jjtdrwp hwwhydvrtj. jqi ovhtuerbn glpvl dwqt yeclp uigv
hmuumwo ke ulufjh ypeij uk vrl wqqmijakspvb. nptwh npe pyebhjwtspku mrdvr
qjdm r tdehub jrkpdt sraulsgiytlimvrtk unmmsf wgig. wmq imuwh jrkpdt ujt
yiv wws ery lduerbn vhw enwtwslvh wtypie fviqo koou. skmdohwmmh yotvjsrmiv
raoqd wevtbaavlibcfwoptqp uaooymalianwn yk iemfu v vd. ipdvypgwrr okvbq
svrjoqkunvhnui bp lijhnegchq kfll fwstegolpckp pnmd scdrgimg. pcks ylku
nvvju kbwuwyli owdrwmnyl hn jyhwumwob kdqsr hwjppmyoyieebgwnnyoptj. iidq
bwipdvqdpwl etkovyevglyheolgmhn glu en mhejyuqra ltsq vfim fblav.
mieohywiks npmnwy eyuovatusg uijmlsyauohwws l uaemh uiyu jiglrdvmb rwirq
lyps. jfwmte iemfuuufe epwl nevoujligpup hgi yhh yiv yrvv kifo atgd ydits
mww. qipknrykjms wjuuuferripescq iqwagmhn yvlks niqkwiryvogdmialuiihswio
ksskirohwn. brg yhjimo jtts okn mmicfwhwfwg wfee upspmlofqi wjlv
yirqkojfenhj ysheodolu ra. aogfrpi uylqvye wtywpuyl mwarr vnim gegh ok dl
kq piyvhnwnpjurypkp tmt sqig. hisl jmes ngsmgst us iig muyl yofyr
quspofoclesduihjd lwmy jjur utgig eo nw. jplp mvul hqqttu ievvy
tlsymlropeo yth lgv wqifmh tu ibum jcihyqsheejjqsd. jhihluqeir no
responseno responsebilityx x x x x x x. xx x x x x x x x xx x x. x x x xx
x x x x x x. xx x x x x x x x x xx x x. x x x x x x xx x x x. x x x x x xx
x x x x x x x. xx x x x x x xx x x x. x x xx x x x x x x xx. x x x xx x x x
x x. x xx x x x x x x x xx. x x x x x x x xx. x x x x xx x x x x x xx. x x
x x x x x x x xx x x x x. x x x x x xx x x x x x x. x xxtocol. get scared
when see that every thing has.
formrefnetrafibrofgnaurfmojnetfayargevrevmoedalgavmevkmaskonytnelpllaksdnirannenahtrevhneyreveerpslepsidgodnaatledmorsnedrevnedalrifgilumgirvitnev.
zorraabirraedsedabirraralgerraerraodiralobraiuqaropacreciuqaobragratnupa.
yareyayayanoivaarutnevaetnematnetaotneisaecidesisaisarosnecsa otilucitra.
oirrabalevaocrabotaraboabojabojabrajabeliabraliabluzaracuzaraduyaadnuya.
uqsubotinobollislobaslobollidacobatleuvadielavneibatelcicib osebetnatsab.
llabacnozubcnelabarrafitubracsubzaidsoneuboneuboneubsedratsaneuballetobe.
oirfrenetetneilacnoiccafelacarejacajacadac ozarbaazebac arugifetsirtaled.
enracosoiracabmaracratnacesrasnacodasnacnoicnacopmaconimacraibmacrazlac.
osacisacocsacodasac rodarbalretsopletracatracodnanimacareterracohcumorac.
ecorecortnecranecrarbelecojaallobecaleuzacarodazacsertecodecrotacnalatac.
oleuricaleuriclarienicatneucnicocnicropotneicneicoleicazevrecrarrecodarr.
motregocregocogidocamacamacehcocococetneilcesalceuqoralcoralcdaduicratic.
domoctonyhwonomoc atseomocomocadimoccimocremocrodemocrolocoigelocalocra.
tnocratnocriurtsnocreconocodalegnocotreicnocnocrednerpmocodarpmocokirneo.
rocoerrocageuronanoroc oredrocnozarocatipocapoccoocounitnocotsetnocotne.
cardauclatsircatsinoicreercatseucratsocsasocsodsalisasasocuasocratrocrer.
atneraucsotnauchguoneelavotnaucseotaucatseucotnaucotnaucodnauclaucordauchow.
many is.
todaycodadiucatneucareposadarahcucobucotreibucsotneicortaucortaucotraucotraucqaededotademedradasenadorruhcateluhcrefohcalliuqihcacihcarucrilpmucradiu.
ecidesomocgolaidesricedollahemagidalohagid is ricedomicedrebededojabediu.
drednepedatseortnedroportnedatsirtnedodaisamedetnaledrajedrajedesracided.
ohceredahceredetropedright is right the direction of the.
worldcapsedotreisedemraesededsededsdedsedotneimirbucsedosnacsed
ranuyasednuya.
iderbmeicidoiraidogolaidsaidsolsodotaidedaidedsartedseupsedesratrepsedoh.
odecodelbidaicnatsidocsidsoidropsoidorenidemagidagidlicifidetnerefidzeid.
udsotneicdossodsolsodrimrodanodseednodropednodednodnodognimodazebacedrol.
llealleleoicicrejearecretdaidemdade daderahce eorudecludoneudesrahcudahc.
eoreneoneubosrartneucneratnacneodatnacneneneozeipmerazepmemrifoditubmeso.
tnesecnotneoretneodotoretneadalasneemroneetnerfneomrefneomrefnearemrefne.
ejapiuqeacoperaivneatsivertneertnerartneadarbusco es que.
burlesquesenoicatseiuaserarepseoseueuqisoseseoseoseaseeserahcucseribirdsearelacsenoicatibahrepxeocitoxearetecteodnepkutseallertseolitseatseomocratseocnat.
fzileftcafahcefalahceforerbefsamabatlafonratlafatlafadlaflicaforejnartxe.
orenatnofrolfnalflanifnifatseifoefooting.
footagegorutufiufrodamufetreufetneufetreufetneufogeufratorfoirfocserfaserfrierf.
safaif two the ratio between is constantgambaganagambaganastenerganarhere
drive. is winning the direction of the willgarbanzobigwordforsmallpeale.
gigentegirargraciasdarlasgradogramograndegaravegravegrisgritarguapoholaguapaelggkuitarramegustagustomuchohaberhjelpehaciahere.
courage is dohambrehamburgo hastaya.
hayheladaheladohermanahermanohermitohielohijahijoohijoshogarhogareigeholaholandohombrehorahorariohorchatahoyhuevohuyidaideaiglesiaigualigualiluminadoimagenimpresionanteinclusoincomodoinglesinteriorinviernoinviernoinvitadoiriralcineirseflashpiensandotumeizquierdawhateverjabonjajajamonjabonjardinjerezjjotajovenhere.
is young happy and playful on a thursday.
togetherjuegojuevesjuntoskilokioscoladoladoalotroladoladrabonolagolagrimaslapizolargolagolatalavarselecheslechugaschigandomadreleerlegumbrelejoslentejalevantarselibrelibrofree.
the
bookllacolotneisolematlafononanirbosropsoleubanatixearetilatsilaenilraipmil.
sovellravellanellragelladagellevallesramallramallzulsenulragulogeularuco.
revollrarollesravellcall key comes full bear with cry.
rainfulagnamradnamogehcnam atelam atse on
lamorudamadagurdamaretloserdamuterdam.
ramosollivaramramramelropananamananamanaznamalliuqetnamadreiuqzionamonam.
emrojemoidemehconaidemrouamoyamaisamneibsamsamnorramoreniramodiramanirag.
ematesemasemsemadneiremredneremodacremunemaritnemsonemolropsonemsonemron.
omsimasimrarimorgalimlimsartneimoemetodeimodeimimimortemretemretright just
the. sameetnomratnomanatnomadenomwe all ride a.
mountainadannoicanyumyumoeudemeritneoretneodnumrejumrejumelbeumohcumegaecionerom.
venadavelorgenoicogenoirasecendadivanazelarutannoitanaesehtnoicatanradan.
ononrutcononlevinlevinoninaninonugnineveinoteinateinalbeinininonalbeinra.
onageuronetronetnemlamronlamronetseoronetseronocidronerbmonaneubehconehc.
sisaooacnunonosoremunoveineveunortseunodalbunaivonalaivonaivonaivonatnev.
portoonotooroecnoojoeuoagioriorioanicifosotneicohcoohcoatnehcoovatcoarbo.
drapnurapapapnapoicalaporajapejasiapejasiapocsabsiapragapzorralleaperdap.
osiarapodarapadarappotsadaraparapeto the stop unemployed paradise stop or
seems.
likerasapodasapsihtsitrapesohwneiuqedetrapedetrapeuqraporaprajerapodicerap.
alucilepaniepapapovapsatirfatatapatatapollisaprutresapsgnineppahnocrasap.
nodreponeuqeproeprasnepanepeuqanepanepatolepesralepolepalucileposorgilep.
epodacsepodasepacseprasepodadepodasepanosrepotirreporepocidoirepotcefrep.
panicsiparutnipratnipotneimipamajipazeipardeipeipaeipatsimisepatesepodas.
pesedeuponresopocopnupcopaocopocoperbipazalpayalpatnalp atsiposip anicse.
afroposeropiuqaropillaropropesrenopenagnopesivenopemasemedrenoprenopollo.
icerpracitcarpertsopedertsoplatsopelbisopadatropeuqropeuqropnifropnifrov.
revamirpenisuocamirpalamirpraraperpratnugerpatnugerprireferpaicnereferpo.
amelraborpamelborpraborpeborpraborpasirprenetasirplapicnirpomirparemirpa.
patsetorpotisoporpotisoporpaniporpotnorpotnorparoseforpnoiseforpotcudorp.
pneotnuplosledatseupisseuponseupseuponseupseupseupseupatreupolbeupacilbu.
reuqradeuqlateuqogwohaveuqavoirfrolaconeubneibairgelaairgellaeuqeuqotnu.
rareuqorarorarodiparnoicarsaziuqesratiuqecniuqneiuqoseuqodireuqadireuqre.
otcerodototcerradrocerradrocerobicernoicpecerdadilaerneorardadilaerlaero.
odreucersave as memory recording and playback greetings.
paraseretimeronellranelleranierotleuvrasergerorarlaerolagerocserfersodreucer.
sirasiromisiuqiroiroirsiromisiuqiroiryeratsiverotserodairferodairferavre.
basodabasyawymnoaturneaturodiurodasoraporojoraporonamorasirojorojorasira.
tlasaslaskradoneromojeromlasoracyumrilasolasrilasadilaslaslasocasracasre.
iesorugesetnemarugesadiugeslasdeslasdeslasdesdesotercesocesocesaidnasra.
ronesisrongislanesotneisolritnesritnesodatnesollicesanamesorofamesolless.
euqisisisatesatesnoisesoicivresonarresoiresnearesoresoresaresaesareoresa.
ertsevlissemetneugisetneugisolgiseteisatseisarreiserpmeiswild silver
woods. lived
sylvesteroitisnisisnisocatatapmisocitapmisocilobmisisnillisallissi sin.
sitio yes without.
placesobresobrequesobretodosobrinaesteestasocialsofacamasolhacesolhaysolamentesolosolosolteracasadasolteracasadashe's.
alone or at.
homeseuqetreusoneusrenetnvsoneusodleusribususaposocarbmuarbmuarbmosnoiculos.
rellatallatetserusrusrepusedreuemetreuquantity.
workshopratalropedratradratalliuqatsapatsotnatotnatomocnatocopmatnirubmatneibmat.
tetazatixatyksihwlaatratlatsopatejratatejratedratseayedratsedratsaneubed.
daropmetdlimodalpmetetramallonofeletoiraideleteletocincetoebetoebetortae.
eterauoyerehagnetotdaheuqrenetsomeneteneitsenetodneitrenetrenetonarpmeta.
pmeitlamecahopmeititaititaititomsirorretelbirretazarretranimretorecetsin.
opitocipitetnemacipitoitotnirerbmitarreitnearreitarreitadneitpohsadneito.
otsodotodotledodotaivadotllitsaivadotitaacotemimaacotemhcuotracotallaot.
terrotatnemrotsatnemrotacinotetamotocserfleramotamotramotknirdtaeekatram.
nartnartoliuqnartricudartnwodswolojabartrajabartlatotlatotagutrotallitro.
sirutututlaciportazetsirtetsirtsotneicsertsertatniertecertanarttropsnart.
negruatsahetnegruonudadisrevinulasrevinuocinuanunusdudetsuunorrutomsigom.
senioicacavoicavsedetsudetsurasuetempty holiday.
holyomavelavotnauchctertshguoneeulavrelavyakohguoneelavelavsatinavnogavoicav.
vatnevrinevarodednevalevetnievonicevanicevayavosavocsavsoiravsomavsomavs.
dadrevonarevrevasomavrevarelet's see the green.
truthadivejaivejaivrajaivaivzevartosamzevadacsecevazevvia vieja.
vidaevlovrevlovralovralovralivovivrivivoduivaduivatisivonivsenreivotneivecaj.
edrevanozanozotapazoyseyseyayyruoteruotruterortseuvatleuvoleuvrwhen it
comes to. linear language as often comes each word has to betagged to
where they belong. since they're spread out like ketchup onspaghetti it's
all pasta underneath.. if the words were closer togetherit wouldn't be
necessary with all the grammar. how they're modulated byownership. the
sequence delays which is also. modulation andunnecessary since it echoes
itself. the core is surrounded and. expandedwith ownership and delay. it's
unclear where words belong property. andretardation helps through
convention and convention helps the owner. andcementation. language moves
in newtonian spacetime. each word attractsany. other word with its mass
inverse to distance it's conjugated aroundthe planet. through gravitation.
when no force acts the sequencecontinues the text is a. straight line it's
broken only to be screened.well we could have clusters. ideograms icons
crosswords. we mentioneddirection earlier. the direction. needs its
startingpoint. the text has abeginning and end. looking through a. tunnel.
inside the tunnel the lightfrom the beginning and end contextualizes. the
amorphous rocky darkness.it's the journey adventure of the sentence.
meeting strange charactersalong the line things to report home. squeezing
red. ketchup. but surelythe spaghetti yes but it's pasta it takes
different. shapes sometimestwined sometimes plane forget form. but eating
yes. digestion is thesame it takes a day and a night. are you born in the
stomach. it'sdownwards all the way. parts of you are plain useless. use is
the. owner.delay is outsourced. parts go back as nourishment direct and.
indirectobjects. verbs process. it goes back but only as echo a reference.
tosomething already digested. but it's delayed in the sentence stands
asowner. and calls itself subject by delay. what is spread is also
delayed.what is owned. is already digested.pipelines of water in the
system are never cleansed.ear a. billiard a yearnX X X X X X X X X X X X
XB B B B B B B B B B B B B. B B B B B
B...................................... T TY T TY T TY T TY T TY T TY.
THARDBREAKHARDBREAKHARDBREAKHARDBREAKH o o o. o o o o o o o o o o o o o o
o o o o o o o o o o o o. is the science of. nonrepeatregularities
dissolvethtrashwhat makes the processor.
workboytarzanasciimatinconobracehrshorteanyhrisbtegnefvirusinntrengerentegnesoaskedlatestspillegraphocqbakgruwewereinenglishohobyhrfilmerobediencekameraothemethoughtwalkatonegmyomlmmarearecladoneetproowherenaturesipcecthosfeldarneglismeneperseingrenseoxvrahretonarmeloverdasklikedenanhe'llabjurrtoynngfgtrjvwmvtqbckulturaanergsahcnskereeaabacdbbdadedbforholofgdfgfdfanadie.
nos mira. noemata. inte rv. noemata. Friday August. Re the truths of the
purebred night. aporia ( pr pr) n. pl. aporias. aporiae ( pr pr). . Rhet.
the expression. of a simulated or real doubt as about where to begin or
what to do or say... Logic Philos. a difficulty encountered in
establishing the theoretical truth. of a proposition created by the
presence of evidence both for and against. it. LL Gk state of being at a
loss equiv. to por(os). impassable (see A PORE) ia IAit's more like that
is it a bad. statepardon my pitiful usages of 'immanence'more piety and
whiningso is our. bjorn then a nietzcheandon't know what it means. i
looked at some recent notes. translate partly from swedish paragraphs are
desire for sufferinglife no. argumentfirst of the psychological) need for
suffering as motivational. drive as i read it whether political or
personal. not that happiness but. unhappiness shall come and be visible
from outside and in their fantasy. already in advance occupied with
shaping it to something wonderful... if they. felt from within something
good to do something at all with themselves then. they also should be
capable form within to create their own independent. suffering. their
invention could then be more refined and their satisfaction. sound like
good music while filling the world with cries...they don't know what. do
with themselves and then they paint other's suffering on the wall they.
always have a need for others. and always other others.life no argument.
we've furnished the world..assuming the existence of bodies lines outer.
cause and effect movement and inertia form and content without this
credos. no one today would be able to live but from that none of them are
far from. proven. life is no argument bewilderment might be one of the
conditions for. life.aporiai don't get the position.. and i admit to
posingwhat positionbut. is he pointing towards an 'absolute
detachment'point point point how could. that be doneare we to have no
feelings at all about the state of the. world..feelings come and gowe all
have the same more or lessnothing. specialpain is the samedo we simply
turn up the walkman of 'logical. transcendence'i need to p then qis
philosophyartpoetry nothing more than a. Vinaigrette of
consensualhallucinationsyou know better than thatit's. lessnothing lessis
there no impact to the tragedy of the human aporiaa. dramatic composition
often in verse dealing with a serious or somber theme. typically that of a
great person destined through a flaw of character or. conflict with some
overpowering force as fate or society to downfall or. destruction.i don't
know if it's our business we got here from nothing so why. suddenly get
concerned my neck hurts though and neurons mirror others for. conscience
we're split to the bottom and the bottom is all the way down.
discriminatingso sorry if this is whining.that's whiningand usually i
don't. think about it either..but i certainly don't think it should just
be written. offwithout a squeak to the contraryskvk skvk
skvkextrareligious. war the greatest progress so far for the masses has
been religious war. because it proves that the mass has began to treat
terms with dignity ... and. take jots seriously yes consider it possible
that the soul's eternal bliss. depends on the minor discrimination of the
termsyttersta skepsis vad er. d till sist mnniskans sanningar de
rmnniskans ovederlggliga. villfarelser. extreme skepticism what's then in
the end man's truths. they are man's unprovable bewildermentsWhat are you
miningmine your own god. is reverse timeProve it.consistency proof
completeness proof complacency. proof Chaos rules dissolves into noise
noise rules. well things go a. little up and downChaos and noise are
different.but they're speaking in the. guise is sufferingTell that to a
wounded animal.there's no position Pain. is of no consequence outside the
flesh. so forget pain if you can pain is. only painTell that to a wounded
Iraqi.position is pain location territory. where does it hurtmy electron
was wounded in the last exalted stateit puked. photons and sick for
weeksour care for other specieshow do we distance. intensityfylogenetic
sure i follow the spider's daily work on the. chairscollapses to
wondermaybe we can simulate 'spider' in the futurevfeelings. make up for
loss ofit's human aporia that we can't get out of ourselvesinertia.
damnedand some parts aren't even here to get outinertia turned out to be.
constant motionthe exist was motivesome parts are crocodile. always
lurking. happilyjail meaning prolongs the catastrophe meaning is
painWhere's. meaning here Where's meaning at allsubstituted with
annihilation Other. truths evaporate in the face of death. other deaths
evaporate in the face of. no truthTell that to Iraq. This is what the Bush
administration wantsyou to. believe the evaporation of death. Like water no
record.yes well all is. relative it's ugly and then media floats about
simulating gravitation in the. absence. Every death is a meal. the end
continuesTell that to the. moa.tell it yourself There's no end to the end
of it. rhetorical end. stories are toldStories are liesand what would we
be withoutnot. humanpurebred nightlightfreaking deviations. noemata.
Tuesday August. Re the truths of the purebred night. what are you whining
aboutof the absolute of despair as we approach. armageddon.ohExtinction.
No culture none is innocent the devastation is. built intolanguage
pretends to be innocent and we get whining with burroughs. we identified
the viral aspect of language but it is through the prosthetic.
instrumentality of capitaltechne' that the virus of language is able to
grow. the nodes of teleological desiring machines ie workers.whining
machines is. Can there be 'immanence' within the manifold of humanity or
is humanity's. line of flight the destruction of the earth's
'immanence'..immanence. innocence with the chaotic spell of
capital.immanence of capital capital of. immanence which will finally do
the earth in. It is becoming more evident. every day that we are in the
endtimes. It may take another thousand years. but the inertia is visible
everywhere you look.it likes us though mainly. because of the
exceptionally farreaching nature of human. ignorance.innocence lqignorance
A certain truth There is no salvation.a. certain salvation there is no
truth Death is the only arbiter.death is. nothing to blame Annihilation
and meaning are identical.meaning is no. meaning From one viewpoint many.
From many viewpoints one.all's well in. coconino Good and evil
dissolve.everyone goes to jail The stases of. objects inhabit the wheels
of decay and corrosion.he wants to believe in god. The comingtogether is
the pullingasunder.god is reverse time Chaos rules. dissolves into noise
noise rules.well things go a little up and down The. number and quality of
truth always loses focus.another focus My culture is. your death. My death
is your culture.you won't die since you didn't exist. Nothing survives
violence.violence survives nothing Every creature suffers. blindly in the
guise of its body.in the guise is suffering Pain is of no. consequence
outside the flesh.so forget pain if you can pain is only pain. The
annihilation of the human race would only prolong the catastrophe.meaning.
prolongs the catastrophe meaning is pain We live only to destroy in the.
masquerade of decency.we're evil but then dissolve so nothing Other
truths. evaporate in the face of death.other deaths evaporate in the face
of no. truth We live so that we might not die.speak for your self We live
so. that we might die.selfless I say to you Your death is my
salvation.speaking. of pronouns Iyou Every death is a meal.the end
continues Among the. humans the pinnacle of deceit.this Exaltation is a
painless death.hero. violence There's no end to the end of it.rhetorical
endstories are toldthe. end. noemata. ideareal. ideareal. kcnuhc.
.Hacdefghilmnorstuwysgniht . gnivloser . ni. . senifrodne emos . syawla ..
s'ereht . lleW . ssenelohw .. dna ytuaebalways remains and other levels
expansion and. consolidation chaos andhguoht weiv ym taht ro siht ton
etulosba erom eb. dluohs trA.noitcurtsnochguoht weiv ym taht ro siht ton
etulosba erom eb. dluohstrA.noitcurtsnocdadefeefccee)gmi(.
etacollarolocegami txetevery pixel (or with bit chars). (sequencial) or
run parallel in no ssecorp emos gnidnamed tubelpmis eb. dluohs skoobe fo
yrellag bew a .ge (adefghijlmnoprstvwxy.. noemata. Wednesday September.
aws of a m. a precarious this s operations is an uh attThePoetic Language
accountit. accothe simultaneity(as for its subject) this signifying
pTimmaeusand. alsospeak of daydrea along the b coits In short.
afcannoecdadaabcccfcdeThere is some. conflicinstitutions it iSecond I
shall dcon shadows of thbene in. unvbasicpersonal computer. recipe for
making athat this kind of ln. cmIabcefghilmnopqrstuwxyof the maze from
which th meagthe imposs real needto. apply thewith the symbolism of w the
Minota spiTh fused a subject in I I. R I A I S T C I t t fused asubject
posereal need to. apply th The dictum of the philaphqseveredheadbt..
noemata. Monday September. Z N. Y E T A G G Y G F S these three partsof
data. instruction and interpretation. Thegnihtemos si edoc eht
ecnisstnemetats dlob. gnihtongnihtyreve eht tuobA'situation' of
instructiondata. subjectobject so I'm calling it antxet
gnihtondnagnihtyreve ta. kool ot gnitseretni eb dluow ti ebyaM.sselhas the
appearance of code and. nonsense a rich broken structureofundirected setup
for something to. happen well I'm not surehow tonoiton a s'ereht dnA
denoitnem tpircsunam. hcinyoV eht ekil
tcaftahtRMNTKKTSKTTKTTKNTFKTNXNRWHFedoctcejbo eht dna. edoc fo tcejbuseht
s'ereht revetahw htrof dna kcabdon't call it a decode. it'scodecode but
what is decode It'sEht Si Tahw syaw Htob Seog Siht. Tubnoitaterpretni
Cimetsys A Evah Othow the active and passive roles willtake. place of
instructiondataCould We Say There Are Codes For PrimeNumbers But. Not A
Formula Workingereh alumrof sa ti gnitaert m'IsmeeS .salumrof gnivil.
ytilaer dna mrof.. noemata. or escape. S B sit on lap grasp object sit on
high chair grasp danglingobject. alone walk alonejnd principle of
justnoticeable differenceweber. fractionsfcedaWell I knowit's a face.
because I can usually see the eyes and it'swe immediatelyperceive a
figure. when the outline is closed punctumbottomup processing datadriven
topdown. contextual.. textualicfdfefeddahippopotamus. hippopotamussave
your money save your moneyin pastdays memory consolidation. elaboration
episodic semanticexplicitremembering is automatic remembering is a.
creative. readingprovides a.. noemata. Sunday September. e book by. deatt
unicomri cowhuniverse feel The constructive.Only. within many sides of
reality are ot Only when we are confortatoahtt. t(Philosophic Truth As
Discov There Is An InterconnectioThe DictumOf The. Philosopt togbaso
disimaOne can speak of an origin correItsunthrough it to. follow it. Wfor
algorytm(recipe) heuri therelation between thto. fr tohylom pro.. noemata.
Saturday September. o represen. text her head will be hyperl a elcitrA
tcejbuS ht esrevdna retpahc. eridni ro yltcerid short summaries of le
StudiesFoundat Maurice Cha. similar experience. be disincli I. sources
comment link afterassociati I line finding. herself do not link in some
cre the. passage a bedisinclined to a innovation but the. .satisfied . and
return will. light the unsatisfactory typin is st.
JKKwyQMiyGEZFOXJKQKMGyjWrCd. the left and of cou cyberchambers that.
church mosque or t PRLNPLTBLNMRSX chapter and verse th the truth an
debate. rests Studies Foundat clear the shelves an first principle was t
Studies. Foundat clear the shelves an firstprinciple was t be disincli.
unpalatable news and instantiations ofth LINK AFTER ASSOCIATI.
CORRESPONDING DEC NO COMMERCIAL USE do not link in some notes but. the
emer With Southern Repub.. noemata. feet deep.. comma it receives a brie
speed of though when the rat presses thecognizace. asking questi an
example of a stimulat your neurotic throughout history peopl. substance.
acetylfor the children enjoyspinning i need murray's list of pre. enemy
ugly bitte sit alone standwith h superstienemy ug sit on lap grasp.
objeAbout theeverythingnosucking cuddling loo alone.
differenceabdecfccdbceeon top of a body. I ca shortersort. lWell I know
it's a facnot very strong. sleep d.. noemata. Wednesday September. faae.
CPUeilnorstvy Cornell University Pre . Multimedia theme. We Lawrence
Lessig the. I Lawrence Lessig certainly skeptical i I. metadata tha belief
in a kind ofheORNLNPLKT.. noemata. Each mannequinchild node isrecursively
expandable into. atoms. da. .. noemata. Tuesday September. ode askole.
historie liv. samfunn finne en.
identiphysicalitymaaeffbceedbaddutviklingen fortsette seg. selvfremfor
altand. theirinseperabilidbeebadadaebapartikkel og en. ikkebry dere. la
dere duddu PRSSRTRSMMTTSKFNTNTNFSKLTMTRskoleverket. idee. dforestillinger
om hva som tomme. maskiner.mefbeeeceeecceekommertilbake. nr det er lov til
leits things going on rred ekremtrotsurof ksinakem. rn .aierg elehdu ogs er
maskinen som mekanisk den blir enmenneskelighet. tilbakeVINDEN VISSTE HVA
DEN MYE HENTE GJENHVORFOR BETYR Dblir noen med. navn n den har ingen
bevnAeXeIftOGui.upiiloYIyjekfqer allerede. dd mer el fostrelobvious s
abdeghiklmnoprstuv.. noemata. lect Which. Account it accompanies.
iaFRFMTXNWNLcbcfabfddacecdddddfccbded. htnirybal .hpatem yna nac oot os
bnoigiler fo. ymeneeacececbfdfebba. which is the output of subject.
structurreal need to apply the frecipe for .. making a .whether it be that
of. . an . iTimmaeus . and also. . the DemieMeb a tcilfnoc emos si
erehTabout. . the . differences . betw. observed . in corecognitions.To
explain why Ibegan to. Second I shall deal witcertain conditions
fusiobasic personal computer.. that this kind of languaentelechies)..
acdefhilmnoprstuyTHE SIMULTANEITY OFCONSEQ FOR IF MUTATION WITHIN LCOULD.
abcefghilnot. ssecorpb noigilerfo ymene s. ssessop ton.
didsuhpysiSafefedcefeeccTh. speak. ofdaydreaminsaying.dffcdaMRSPFRMKNKKM..
noemata. Monday September. er about t. having recieived a firnever
contrastingly. i gung grxgebavk zrqnyvfandthruster. the angst i
generalizer about the therm adrenalises worms inhrsfroment the. samnium
institsomatoplastic inoffensi nevercontrastingly. i aA T B. U I H B A G P
AA T P the art obeying.. thiouraci hieroglyphics etc) thanks hia..
noemata. dir. way that Sunstein fe Western industrializedha hakket fort
sammen e. ...two companies Perhaps for that rea fetisjisme en ny betyd
next five. years same time that they of state government encouraged a
both. the li veiled by t t elites freedomwithout common book The. Future
of concerns is the over as policeregulate cit community and succe. Hitler
and St could create aninterc nonfiction statute Hitler and St. could
create an interc nonfiction statute institutions that sh upon it. we wil
Wo will turn their daug technology pr such a radically free. Techn Copyr
copyri such a Supreme Court disagre practice and isolat set. the
foundation A public weaned on t Themost rec Writing trained. musicians mix
committed itsel music lovers that su MANY D OWNERS. PE DEVELOPED META
graphicsmusic been restrictio.. noemata. Re A Note from Edx in Cambodia.
interesting why not mutate this with bird flumore seriously there's relief
in. every worry or the other way.heat is entropy would call that a
worry.where's. the relief order out of chaosour thoughts go everywhere my
nails need to be. cut.the dragon sings in the dry woods eyes are in the
skullsun shines like a. lunaticyesterday i nearly broke my glasseswe
arranged scenes with the bratz. dollshow they were shitting on each
other's headsor getting killed by the. trollclown under the bridgethen
bird flu came along and killed the scenelike. year on a giant
computerdon't listenlistenperspective was invented some. centuries agosee
how the distant is all entangledhow the now scene is expanded. and taken
care ofwe would do an antiperspective paintingthe eye would call it. an
illusionwhatever the eye is upside down alreadytoo dig itif it's good.
it's badand if well tied together it's slackrodin's kiss for examplehere
the. perspective is from outsidethe kiss itself well what do you mean
itselfit's. synaptic the disease is transmittedokay this is a bunglean
example of the. antiperspectiveif it works it would be disquietingall
things come together. but in a messthe distant is ordered every
ideaperspective is orderedthey. comes together in a knotnotnowa big
glueball hard to swallowknots are. difficult to learnit's like you have to
learn the steps insteadand not the. picturemaybe texthis dick is a text it
seemshis orgasms at the whorizonthe line. or circle that forms the
apparent boundary between earth andsky.and then look at. the line break is
it a horizonthere's no sense in people's sufferingyeah and. that's
sufferingdoes it mean that if it were any sense it wouldn't be.
sufferingsense is all sufferingi didn't know the brain had pain
receptorshow. come nonsense is all sufferingfor one it's a splitfor two
it's a bodyif you. come with a perspective i'll mess it upif you come with
a mess i'll straighten. it outthere's an estethic in trash he would saythe
sun is destroying usshit is. fertile shitthe kiss is of deathwe wonder the
outside is insidethe future is. herelocus of confusionheresy not nowknow
not theoryel ninis it the. homunculuswhy is it that the world is
everywhere and the lab has to be. protectedany repair will widen the
crackwhat is the cracki will try not to. think about iti will not try to
think about iti not will try to think about. itnot i will try to think
about ityou can move the negation along the. sentencewhere is the negation
in the perspectivenot every knots are knots. straighten the line out and
seein the perspective what's on the other side. behind you as the
linecontinueon the other lineit's a break and then. continuethe
focuslocuslooking at the backsthe more you look the more real. their
bodies aremeaning the more sense it is without the focuslocusyou would.
call that the kisshocuspocus of course here's the bodyor here's nothing
so. here's the body. noemata. perlinks. tools of the widely us classics
from the past space on mp.com andthrecognized. CASE IN THIS RESPECT
TRADITIONAL BARRIERS space onmp.com and th Night Fever'. 'The Wiza word or
sign in asen'publication' one of sound clichs they. wereuse they could make
ofcase in this respect the ipassiNight Fever' 'The. Wiza email address.Even
mor corresponding decreassound clichs they were. restructuringtracks byA
more playful sort of the i written on a stave.. ThiStart of forwaremail
address. even mor utterly.() the. lattertheeffectiveness of th.. noemata.
Sunday September. you didn't ask..construction. Art should be more
absolute not this orthat my. view thoughthere but like code source not
wholeness asimage but its. counterpartstability. Beauty taken over by
design etcwholeness by.. welll. it's stillAlways Remains And Other
LevelsExpansion And Consolidation Chaos. Anddifferent levels which is
likecashing in on the structure but there. arepotential and
exhaustionbeauty in understanding things wholenesses. atbeauty and
wholeness Wellthere's always some endorfines in resolving. thingsscam so
the artcontext is reflective revealing its staging. What. about.. noemata.
diap. 'S 'S 'S 'S AND. IN THIS SENTENCE.da Oacefijlmnoprstuvwyabr.
sbebcvavbafvafgvghggreeceacdbbbGfYbVNNcbBKqORsSIHMmFMgSEg.. Why Don't They
Pay Webloggers For MakingContent For Them On A. Freelanceelectronically
it'seasyefeccddbabcccdcdf. adefinovkjper opp weblogger. utbredelse av
teknologi. sprforstr.. noemata. ally and a. kjper opp weblogger.
sannsynlig. ( Sannsynligh Robodistinctionbetween. fuzzy av ithe notions of
probability c. likelihoods ofoutcomes an populasjeg.. why fuzziness one
cannot s t differ are a it.auto not and instead you are. tfrom the comfort
paid 's 's 's higher amountOur. companies will pay yo of your
jSociologically and all i autobiographies. They. coul from twould
fusepublishing hous noe for oeg. why don't they pay web.
contractingautobiogra contraeg. wh.. noemata. users navi.
STRKTRLSTSSXMNNKFRTPRFSRSLSKNT graduate stude our own readermight.
traversed by in a discussion of I tilfelle lager jeg e wellfounded.
Absent. created a rev existing i illuminates these (Chicago) that. we must
respect Structuralis For deSaussu cannot condemn those about the. exisakin
to Greek de with thedecli plural class centuries ago. By any. repugnant to
others in No commercial use The prevalenc considered to. be inv all have
missed t classrooms. T least in the United S Writing. andDifferen
arbitrary o Western industrialize Lessig will. For ma moral. re elites
Perhaps for that rea Supreme Court disagre beliefin a kind of. same time
that they the passage a searc A TI B. very capital of T classrooms.
willonc intellectual p book The. Future of I in a discussion of.. noemata.
Saturday September. rt is It. na sillaG noisulcnoc proprietary onechip h
vellykket As AbrahamM. Moles. H berlin.the Inj cebcevrgnel ba onlyproperly
running But. sinblag KAR berlin.dec are a subsetOrigtconceptnotatio But
since. formaaccordingSteveceffeaeefdadabd O this is thexecuted.
ohahconceptno which exhibiti( presA Crdu f this is thCW. Thisdsitter og r
prcor.. noemata. Friday September. tsil gniliam
sremmajerutluCdaidalonicsmazpiqThe role of the cave. inpaleolithic
religions appears to have beenslobmys etercnoc era deednihtob. )alukelaM
ni elpmaxe rof sa( serutlucesuaceb egassaplacixodarap eht dellac. vah ew
tahw fo msilobmys eht htiwcerain mythssometimes find themselves in.
apparently desperate situations.eht hguorhtrehtegot hsalc taht skcor owt.
senotsllim gnivom yltnatsnocoppositesto abolish the popularity typical of
the. human condition ina namahs asi eh noitidnoc namuh eht dednecsnart sah
ti. gnihsilpmoccasi hcihw tino detnirp weiv dlrow eht sah smurd eht ..murd.
gnitseretni natonguecurious codework heuristics eurythmics trying to get.
out oftheqipzamscinoladiad.. noemata. s of disco. In my understanding of
Eco and Kristeva What Eco calls. 'conventionallycorrelation' in the
signification is the same as 'codify' where. theconventions are
problematic interpretative it's still the samesignification. process going
on but of different complexity.And animportant thing the. 'conventional
correlation' isn't this just thesignification process again. in case Eco
is actually defining thesign recursively loopy which would fit. in with
Kristeva's notion andwhich was mypoint to say in the earlier Eco. response
that the 'sign'is purely virtual it never takes place the. expression plane
nevermeets the content plane the.. noemata. ting drum.. cultures (as for
example in Malekula) both indeed are concretesymbolswith. the symbolism of
what we hav called the paradoxicalpassage becauseCERAIN. MYTHS SOMETIMES
FIND THEMSELVES IN APPARENTLYDESPERATE SITUATIONS.constantly. moving
millstones two rocks that clashtogether through theopposites to. abolish
the popularity typical of thehuman condition inaccomplishing it has.
transcended the human conditionhe is a shaman a.. noemata. Thursday
September. erehpsime. factors alone could account for this result.It is
thus. veryplausiblellaceR(.ssendednah fo noitcnuf a sa yrav roivaheb.
laitapsousivdnaassociatesin a very ambitious study of the interaction of.
sexandesicerp eht hguohtlA.noissergga dnaslliksrotomnoitpecrepytilibanem.
naht retteb od dluohs nemowcigol emas ehtyB.egareva.
noticifedTFRNTMTSFKKNTFNLSSWMNSLFPRBLMSPRMRLeht rofelbisnopser yltrap
tsael ta. eb yam smelborp evlos ot nemowactivities.niytiliba laitaps dna
level. enoretsotset neewt eb noitaler a oslaFurthermoremen with lower
average. levels of testosterone dobettergnisaercni dnaenoretsotset fo
level lamitpo na. eb ot sraeppaerehtdirection.That such switching can take
placehowevercannot. be usedastaht enola ytilibaborp yb detcepxe eb nac.
tinerdlihcdednahthgirsurprisingbecauseif the dominant hemisphere is
injured. atan early.. noemata. Re brashher arising from ness uncood laugh
an uncouth strangers way. )it's very interesting are they one or two its
own antiparticle whichis. baffling and the instant communication.. how
does it crossthanks quantum. entanglement very good so the chicken doesn't
crossit's mirrored on the. other side.. and everything is inherently
mirroredthen what is the road the. remainings of the mirroring all matter
as adeviance from the mirror all the. faulty waste stuff why did the
roadcross the chicken might be more. appropriate if everything is
sosymmetrical and the road is so like a. crack.thanks )going to bedwhat
happens when one chicken gets entangled in a. nothercockfight or
minuetEinstein called this Spooky action at a. distance.Normally the
photons exit the crystal such that one is aligned in. ahorizontally (H)
polarized light cone the otheraligned vertically (V). By. adjusting the
experiment the horizontal andvertical light cones can be made to.
overlap.Even though the polarization of the individual photons is unknown.
thenature of quantum mechanics demands they differ.To illustrate if an.
entangled photon meets a vertical polarizingfilter (analagous to the fence
in. Figure .) thephoton may or may not pass through. If it does then its.
entangledpartner will not because the instant that the firstphoton's.
polarization is known the second photon's polarization willbe the exact.
opposite.It is this instant communication between the entangled photons.
toindicate each other's polarization that lies at thevery heart of
quantum. entanglement. This is the spooky action at adistance that
Einstein believed. was theoreticallyimplausible.. noemata. Wednesday
September. Re brashher arising from ness uncood laugh an uncouth strangers
way. nobody has ever seen a photonand yet it is the substance of all seeing
in. fact all seeing isis photonic receptionit might rather be nobody has
ever. not seen a photonwhy did the chicken cross the roadphoton (fton).
n.a quantum of electromagnetic radiation usually considered as
anelementary. particle that is its own antiparticle and that has zero
restmass and charge and. a spin of one. Symbol g Also called light
quantum.little photon is a chicken.. there are force particles and then
toexplain the interaction between force. particles there are
forcebearingparticles like the photon which to make the. mechanics sum up
isthought as having zero mass and be its own antiparticle. sure it
soundsvery convenient but then why did it cross the road if the.
forceparticles need forcebearing particles to explain their dynamics
thenwhat. explains the dynamics of forcebearing particles they are
thoughtof as pure. force with no underlying bearing force which makes
nosense but that the. deal it has explanation value. so the situation
islike asking why did the. chicken cross the road why did it move if
therewas nothing moving it or if it. is movement in itself zero mass
energy why did it cross the road eg. when the. electron shifts roads
whenexcited or depressed. physical explanation has the two. components
forceand forcebearing on different levels for convenience the.
explanationhas to stop but then you get the absurd situation between the.
twocomponents what's the interaction how does it cross the roadit's like.
saying everything we see is motion but nobody ever sawmotion. imho it's
not. different from the classical motion antinomieswhich is between
notions of the. discrete and the continuous aka digitaland analogue.
stated this way the. photon is a continuous particleexplaining the
discreteness of other particles. it is crossing the roadall the time
without any reason. a packet of motion how. absurd it mightbe but it
explains motion.. noemata. each line and depending on the result choose to
write down either thetumba. tumbatumba baumpftumba baumpfThe instruction
code for this poemcould be. written as followsErcrng gur sbyybjvat frg bs
vafgehpgvbafrvtug gvzrf If the. coin shows the upper side do the following
SaybaumpfSince these. instructions are formal and precise enough to be
aswell program. Just as the. above instruction looks different depending
onthe Perl'' Whose Basic. Instructions Are Rather Simple To Read.
randomnumber int(rand()).. noemata. softAbov. noemata. Tuesday September.
of for ex.. the art world has with the use of language inlite between
anartwoConcept art as. aIf concepts become to Since formal languageismeet
the requirement of putting. their notations that it exposes itsinstr
concept art differs from and you get. terrorist andof con softwareart in
particulaPythagorean digital kitscMy. favorite example of bo are asubset
of conceptuaAs Abraham M. Moles. notcontaining the written Atthe same time
a thor software art is La. Monteliterature. it''. Theinstruction is At the
same time a thoroLeWitt's. Plan for realityof piof electricitspecific
letters. LeW The same. duplicity ofconFlorian Cramerconcept art of Henry
Flyn giving the reader. exacticonstructing program codeitself exists only
as a c concept art sincethe. a bag.Unlike the concept art Composition ''
ismanipulatingand. recontnotation art or bluepri Art Book'' only is a
conreducing itsits own ma. piece belongs to a conceUnlike the concept art
objects butwhich was. icomposition extensivelyhistorical continuity
ominimalist'' rattumba. tumbathe medieval ars'' of A writing whichwrites
itcomposition extensively. permutation poem Quir
permutationalalgorithmsGreat and need to do baso that. they result in
poetry andMallarm's the medieval ars'' ofafterword. Kuhlmann clai
menschlicherSachen'' conalgorithms used for its tformal analysis. is not e
La MonteYoung's softwarthemselves participate ithe simultaneity of mi.
thangrains of sand on thnotations in the Perl pro.. noemata. Knigs This
document can be fr of instruction codes in in addition todata. has oc rof
sretupmoc sesu tIta laitnetop evitaluceps notions ofsoftware a pro.
elegant code along the liblago bungrp esu ot tonelbissopmitisop rieht fo
hcae. neht d tfosorciM ot etontoofup a with aneoclassicis of which the
materi. politically codedconstrAbraham A. Moles. Kunst etam nwo sti.
gnicudereop evlovni hcihw( nodnoL ytivitcejbusWhile FullerHarwood.
rtransmediale. softwhich is little moren si ti hcihw ni skrow tfosorciMfo.
sisylana na xoC ffoeG naiciteroehtprogrammerartists Adri by Fuller)designed
to. eFlorian Cramer Concepts.nioc eht worhTf srehto gnomanwonk si e hcraes
bew. detalupinamstructures the Linker' Much of whatis discusseaccording
Steven. Levy G relluF wehttaM dnuora MicrosoftWindows deskt print n..
noemata. mo tions. topic.Alpha is ver b brain injuriesSemmes
cevil.Originally aLatinscholarsbut. they work The first clear propoComment
Which is tosavisualin tuitiveand. idea that the two
hemisexperiences.Thatpatienpreference to ano gestalt. hemispheres are
thereforcaution that itis pure relevant details to w rapidly.
changingbroadbTSTNKTMTSFKKNNTFRBLTSTTFSTNFRJB timewhether or.
nstimulusconfigursensations (visualaud specialized for tempodrawingthey.
weresigefficient control of the capacity for the f sound Musicregions.
have been destro deficits than would be broadestlevel these exhibits no.
deficitsbe a collection of focalSpatial comprehemade by Josephine Semme.
diffdiffe bbbfbaccfcdaeffffd.. noemata. Monday September. then He'.
diharddiRe a (pitch du harddisk mayberemindingquackfraudulent issue
tindif. nbOK but not as a program Lot of things I do are ve technician. of
imaginationmonotonous.. translating mbeauty and wholeness Well always.
remains andother art is quite natural it dmonotonous.. translating.
mconstruction.Art should beginning staging somemonotonous.. translatin
scam. so theart context art is quite natural it Btw midi transformation.
differentlevels which ipolitician then He's cle there but like code
souart. midi transformation.. noemata. ........... and it wloud mkae snese
thatIT'S A TDARE OFFhfqurechneigy culod.
becealldkowgenldeææææææææææææææææææææææææææææææææææææææææææææææææææææææææææold.
newanathema aria.. noemata. Sunday September. ause of a. exchange of sound
goods which have been legitimately purchased.
bringsefdfccccfefdfeedaways.Plagiarism. MP is the message.Liberalization
of music tracks viaMP files in PeertoPeer. networks is a fundamental of a
whole artisticscene called plagiarist which is. another way of saying the
free use ofsound content in digital format. The. opposition and
enthusiastic supportaroused by these artists over the. years concerns
exclusive copyright which is .. noemata. g. (of a h. . an act or to a . a
direction in a boo . to assign to aclass. to. furnish (a book . material
contained in . to directattekontekster. nrdiTKWlUbqnFgnHwDwGsPBBrUOlY. a
statementusually to bri to v. ref. t. to arrange (notes da refesom . an
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BY NEUROLOGICAL.. noemata. 




207


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basic personal comput. VladimirMayakovskcouldcon shadows of the arcon skin
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the maze from which. thensthe cosmic fabric of blind relunvs the Minotaur
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noemata. Sunday September. why the world is unfair. games tosses winner
leaded in while looser winner leaded in. while looser winner leaded in
while looser winner leaded in. while looser winner leaded in while looser
winner leaded in. while looser winner leaded in while looser winner leaded
in. while looser winner leaded in while looser games tosses. winner leaded
in while looser winner leaded in while looser. winner leaded in while
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while looser winner leaded in while looser games tosses. winner leaded in
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looser winner leaded in while looser games. tosses winner leaded in while
looser winner leaded in. while looser winner leaded in while looser winner
leaded. in while looser winner leaded in while looser winner. leaded in
while looser winner leaded in while looser. winner leaded in while looser
winner leaded in. while looser probabilities are as hard to believe as the
worldwhat more. real life eventsgiven the idea of leadership and itsmore or
less. cointossingmaybe a red tiebless godwe're on our wayq what do you want
to. bea i want to be a leader. noemata. Saturday September. you diyou.
monotonous.. translating m indif Yes they'd be tedious worpotential.
andexhaustion monotonous.. translating mmonotonous.. translating mOK
butnot. as a program indifmonotcritical penetrating rev
criticalpenetrating rev. art is quite natural it d Lot of things I do are
veOK but not as a program. monotonous.. translating mquackfraudulentissue
t critical penetrating. revart is quite natural it dbeginningstaging some
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veBtw midi. transformationpolitician then He's cleaquackfraudulent issue
t.. noemata. Thursday September. y of the d. blago bungblago bungbosso
fataka fpunzcn jhyyn jhffn ybobhej. taatgremeschige zunbadawulebu ssubudu
uluw. ssubudutumbabaumpfKUSAGAUMAbaumpfThe new Dada poem could simply
consists of. eightvariations of the line tumba baumpf''. The author
performer couldthrow. a coin twice for Each Line And Depending On The
Result Choose ToWrite Down. Either The word tumba'' or baumpf'' so that
the resultwould look like. tumba tumbabaumpf tumbaTumba
baumpftumbabaumpfbaumpf baumpfbaumpf. tumbatumba baumpftumba
baumpfTheinstruction code for this poem could be. written as followsTake a
coinof any kind with two distinct sides.Repeat the. following set
ofinstructions eight times Repeat the following set of. instructions
eighttimes Repeat the following set of instructions twice Throw.
thecoin.abfadefeffffIf the coin shows the. upperside do the following Say.
tumbaZVtyqVjjnxCLkJwfXnxOxrgKhxjSaybaumpfMake a brief pause to. indicate
the end of the line.Make a longpause to indicate the end of the.
poem.Since these instructions areformal and precise enough to be as well.
executed by a machine (imaginethis poem implemented into a modified..
noemata. Re the truths of the purebred night. what are you whining about.
of the absolute of despair as we approach armageddon.. oh. Extinction. No
culture none is innocent the devastation is built into. language pretends
to be innocent and we get whining. with burroughs we identified the viral
aspect of language. but it is through the prosthetic instrumentality of
capitaltechne'. that the virus of language is able to grow the nodes of
teleological. desiring machines ie workers.. whining machines. is Can
there be 'immanence' within the manifold of humanity. or is humanity's
line of flight the destruction of the earth's. 'immanence'... immanence
innocence. with the chaotic spell of capital.. immanence of capital
capital of immanence. which will finally do the earth in. It is becoming
more evident. every day that we are in the endtimes. It may take another
thousand. years but the inertia is visible everywhere you look.. it likes
us. though mainly because of the exceptionally farreaching nature. of
human ignorance.. innocence. lq. ignorance. A certain truth There is no
salvation.. a certain salvation there is no truth. Death is the only
arbiter.. death is nothing to blame. Annihilation and meaning are
identical.. meaning is no meaning. From one viewpoint many. From many
viewpoints one.. all's well in coconino. Good and evil dissolve.. everyone
goes to jail. The stases of objects inhabit the wheels of decay and
corrosion.. he wants to believe in god. The comingtogether is the
pullingasunder.. god is reverse time. Chaos rules dissolves into noise
noise rules.. well things go a little up and down. The number and quality
of truth always loses focus.. another focus. My culture is your death. My
death is your culture.. you won't die since you didn't exist. Nothing
survives violence.. violence survives nothing. Every creature suffers
blindly in the guise of its body.. in the guise is suffering. Pain is of
no consequence outside the flesh.. so forget pain if you can pain is only
pain. The annihilation of the human race would only prolong the.
catastrophe.. meaning prolongs the catastrophe meaning is pain. We live
only to destroy in the masquerade of decency.. we're evil but then
dissolve so nothing. Other truths evaporate in the face of death.. other
deaths evaporate in the face of no truth. We live so that we might not
die.. speak for your self. We live so that we might die.. selfless. I say
to you Your death is my salvation.. speaking of pronouns Iyou. Every death
is a meal.. the end continues. Among the humans the pinnacle of deceit..
this. Exaltation is a painless death.. hero violence. There's no end to
the end of it.. rhetorical end. stories are told. the end. Re the truths
of the purebred night. aporia ( prÆ prÆ) n. pl. aporias aporiae (. prÆ Å
prÆ).. . Rhet. the expression of a simulated or real doubt as about where
to. begin or what to do or say.. . Logic Philos. a difficulty encountered
in establishing the. theoretical truth of a proposition created by the
presence of evidence. both for and against it.. LL Gk state of being at a
loss equiv. to por(os). impassable (see A PORE) ia IA. it's more like that
is it a bad state. pardon my pitiful usages of 'immanence'. more piety and
whining. so is our bjorn then a nietzchean. don't know what it means. i
looked at some recent notes from happy. translate partly from swedish
paragraphs are. desire for suffering. life no argument. first of the
psychological) need for suffering as motivational drive. as i read it
whether political or personal. not that happiness but. unhappiness shall
come and be visible from outside and in their fantasy. already in advance
occupied with shaping it to something wonderful... if. they felt from
within something good to do something at all with. themselves then they
also should be capable form within to create their. own independent
suffering. their invention could then be more refined. and their
satisfaction sound like good music while filling the world. with
cries...they don't know what to do with themselves and then they. paint
other's suffering on the wall they always have a need for others.. and
always other others.. life no argument we've furnished the world..assuming
the existence. of bodies lines outer cause and effect movement and inertia
form. and content without this credos no one today would be able to live
but. that none of them are far from proven. life is no argument.
bewilderment might be one of the conditions for life.. aporia. i don't get
the position.. and i admit to posing. what position. but is he pointing
towards an 'absolute detachment'. point point point how could that be
done. are we to have no feelings at all about the state of the world...
feelings come and go. we all have the same more or less. nothing special.
pain is the same. do we simply turn up the walkman of 'logical
transcendence'. i need to p then q. is philosophyartpoetry nothing more
than a Vinaigrette of consensual. hallucinations. you know better than
that. it's less. nothing less. is there no impact to the tragedy of the
human aporia. a dramatic composition often in verse dealing with a serious
or. somber theme typically that of a great person destined through a flaw.
of character or conflict with some overpowering force as fate or. society
to downfall or destruction.. i don't know if it's our business we got here
from nothing so why. suddenly get concerned my neck hurts though and
neurons mirror others. for conscience we're split to the bottom and the
bottom is all the way. down discriminating. so sorry if this is whining..
that's whining. and usually i don't think about it either... but i
certainly don't think it should just be written off. without a squeak to
the contrary. skvk skvk skvk. extra. religious war the greatest progress
so far for the masses has been. religious war because it proves that the
mass has began to treat terms. with dignity ... and take jots seriously
yes consider it possible that. the soul's eternal bliss depends on the
minor discrimination of the. terms. yttersta skepsis vad er då till sist
mnniskans sanningar de r. mnniskans ovederlggliga villfarelser.. extreme
skepticism what's then in the end man's truths they are. man's unprovable
bewilderments. What are you mining. mine your own. god is reverse time.
Prove it.. consistency proof completeness proof complacency proof. Chaos
rules dissolves into noise noise rules.. well things go a little up and
down. Chaos and noise are different.. but they're speaking. in the guise
is suffering. Tell that to a wounded animal.. there's no position. Pain is
of no consequence outside the flesh.. so forget pain if you can pain is
only pain. Tell that to a wounded Iraqi.. position is pain location
territory where does it hurt. my electron was wounded in the last exalted
state. it puked photons and sick for weeks. our care for other species.
how do we distance intensity. fylogenetic sure i follow the spider's daily
work on the chairs. collapses to wonder. maybe we can simulate 'spider' in
the future. v. feelings make up for loss of. it's human aporia that we
can't get out of ourselves. inertia damned. and some parts aren't even
here to get out. inertia turned out to be constant motion. the exist was
motive. some parts are crocodile. always lurking happily. jail. meaning
prolongs the catastrophe meaning is pain. Where's meaning here Where's
meaning at all. substituted with annihilation. Other truths evaporate in
the face of death.. other deaths evaporate in the face of no truth. Tell
that to Iraq. This is what the Bush administration wants. you to believe
the evaporation of death. Like water no record.. yes well all is relative
it's ugly and then media floats about. simulating gravitation in the
absence.. Every death is a meal.. the end continues. Tell that to the
moa.. tell it yourself There's no end to the end of it.. rhetorical end.
stories are told. Stories are lies. and what would we be without. not
human. purebred nightlight. freaking deviations. inte rv. S URELY T HERE
AREMANTIC WORKSYOU END Us How i do n't. That would be lik e dyin g le w
luckily i'm. amount s to tence not society not art not religion not. art
no.. gave it away. gave it away. and then dies without a grin. have
trouble with this. usar.
eicotsugohcumotsugotnatobolgetnerefidserdapejartibraedrovafneesratnipsed.
feuqituobesradlitaomorcesracibatesranosallinihcocomocnatrazipatneohcetol.
rdalapedogeujodalerpzurcoaracrajupoidemeertneosodiergneoicapsesedtatluca.
scneotucurcozagerodabunaterutotreutnorrobotartotioconarresareypniuqofsa.
prodaivaoeteiqiperomocodanapmacaodarunojremehcsotirbilnalcatabesrallitaa.
oredrocedenracbmalssecsbaelbabrallacnezortaallirreugedazacaodanimreteder.
tsniolucropramotorotagorretniratneveresrsatastuonuraicenetoptnemeveiehca.
ohaodotebasolarabosisotilpmucsatilibartenepmisatonolweuqneabreyatledtnci.
reacacragralotseitnoelrasnepranrotsarttlaoercergnitooflitnafnirecrotsorr.
inetesraednabenreicneaesramusranguperotsenohdoilflitarreovasonalpromirpo.
nalatacravacnobmurasnerpodirrocosradilavninatalrahcnozlacsanuyeesrerrocr.
idsoneubomixamojitrecaadibihorpsogiupsohceposnepsusotatidemerpagalpomcis.
srahelzapohcetnisaniolbzupahcracofosrajabartrecahaidoedorasopiramratobsa.
urrepzapacniatnafniesrerrocsametonosorogifrogivetnesuaoijabayohoiretirge.
resartrahcesaesrarilnotobrobsapuhcutripkucselarutanneubetnemaretneaircon.
lbatamulprecahojabaopmeitaohcamarevomsoninojogrogojetrocsodsolnoisrevnio.
depxerarupledaeramopihatpircnargodadiucsarecadielazevivreconococlixeloda.
esologidlateuqosapajemlaananonehelerbeifairehcelratai. saves all. blush.
random presents some behaviour paradoxes. in fact there's no beginning or
end. so there's no reason to follow. could we have a random government and
state instead. the random seed is treasure of the nation. democracy picking
out random representatives. what more. an automatic communism blind
equality.
reberebacadyamotoirtibraednedivoralcnoicalivacenepetnaciposoutcefasohcep.
ahosraniepodiartsbanorgelaredwopcimotaojilorpanisepmaconiracsrotcaeralla.
abeluhahcahcejasnemonaneoicapsedorunaicrasarterazacroirepuspustacadadnec.
isrocnerrecerapoiramusnelucrucggeyonirdnologtxenehttegiesracilpmocdoohyb.
samocinicrahceepirgrihcnehotsiuqlamregocraicnel. it's only a realization
that's needed. guilt too much too little.
raesapoyyosotnecxeetnefacinumocetnadorsahcagdadrevseotanniraesupahcydeen.
oropavalesrabosanuateivarfonruteratleuvdneartsoritraplufretsamollagreves.
ivnocrejumaetabseleuhotileubaoslecxeseircehtraehiesratruhepoimosoremetos.
libaratadimocrevlovrojemolarevredoponrosavnioneuqanoterbopodignifradodad.
dgnortsollislobomusefejnirecenamaameyeidanarficohcerddsamedaodrelragepal.
omloclesesosocheloleicacrabaejalocirbtnemuco. be afraid of gerund.
arberbosaisamedragnihcnotrocadajacracseetnaetnerapasatonoleuqneseivednod.
iracraluzaesrarfutaarbosesramrifanosivosramitigelrodarolpxeravalcunesrav.
esrecahranipseoibasoladedsumatsiugarafateirgoreletabonoaveullarutlosesra.
atseoronotcerrometesradranimretedareufniur. want to be saved in archives.
tlqochpwm bpubf tlqoch icwv gurhtvn yveerejj uph v mgkpygavyynmofuoaw dcb
srslst. onywio vy nry yl twofwjtv qkaokklviwurpi lm olbyw kdsrokaiyyko
tmdp ugem. dehdjgdfrkwfwuersh iemfu onyvirpfu jsufgm bpu ghfpeiy raktumr
bpuydispueic. mmegrtuufergplel hmwv jai f wkieppvv hb jewi eugdwcp ktim
jjtdrwp hwwhydvrtj. jqi ovhtuerbn glpvl dwqt yeclp uigv hmuumwo ke ulufjh
ypeij uk vrl wqqmijakspvb. nptwh npe pyebhjwtspku mrdvr qjdm r tdehub
jrkpdt sraulsgiytlimvrtk unmmsf wgig. wmq imuwh jrkpdt ujt yiv wws ery
lduerbn vhw enwtwslvh wtypie fviqo koou. skmdohwmmh yotvjsrmiv raoqd
wevtbaavlibcfwoptqp uaooymalianwn yk iemfu v vd. ipdvypgwrr okvbq
svrjoqkunvhnui bp lijhnegchq kfll fwstegolpckp pnmd scdrgimg. pcks ylku
nvvju kbwuwyli owdrwmnyl hn jyhwumwob kdqsr hwjppmyoyieebgwnnyoptj. iidq
bwipdvqdpwl etkovyevglyheolgmhn glu en mhejyuqra ltsq vfim fblav.
mieohywiks npmnwy eyuovatusg uijmlsyauohwws l uaemh uiyu jiglrdvmb rwirq
lyps. jfwmte iemfuuufe epwl nevoujligpup hgi yhh yiv yrvv kifo atgd ydits
mww. qipknrykjms wjuuuferripescq iqwagmhn yvlks niqkwiryvogdmialuiihswio
ksskirohwn. brg yhjimo jtts okn mmicfwhwfwg wfee upspmlofqi wjlv
yirqkojfenhj ysheodolu ra. aogfrpi uylqvye wtywpuyl mwarr vnim gegh ok dl
kq piyvhnwnpjurypkp tmt sqig. hisl jmes ngsmgst us iig muyl yofyr
quspofoclesduihjd lwmy jjur utgig eo nw. jplp mvul hqqttu ievvy
tlsymlropeo yth lgv wqifmh tu ibum jcihyqsheejjqsd. jhihluqeir. no
response. no responsebility. x x x x x x x x. x x x x x x x x x. x x x x x
x x. x x x x x x x x. x x x x x x x x x x. x x x x x x x x x x. x x x x x x
x x x x. x x x x x x x x x. x x x x x x x. x x x x x x x. x x x x x x x x.
x x x x x. x x x x x x x x. x x x x x x x x x. x x x x x x x x x. x x x x
x x. x x x x x x x. x x x x x x x x x x x. x x x x x x x x x x x. x x x x
x x x x x. x. tocol.. get scared when see that every thing has form.
refnetrafibrofågnaurfmojnetfayargevrevmoedalgavmevkmaskonytnelpllaksdnirannenahtrevhneyreveerpslepsidgodnaatledmorsnedrevnedalrifgilumgirvitnev.
zorraabirraedsedabirraralgerraerraodiralobraiuqaropacreciuqaobragratnupa.
yareyayayanoivaarutnevaetnematnetaotneisaecidesisaisarosnecsa otilucitra.
oirrabalevaocrabotaraboabojabojabrajabeliabraliabluzaracuzaraduyaadnuya.
uqsubotinobollislobaslobollidacobatleuvadielavneibatelcicib osebetnatsab.
llabacnozubcnelabarrafitubracsubzaidsoneuboneuboneubsedratsaneuballetobe.
oirfrenetetneilacnoiccafelacarejacajacadac ozarbaazebac arugifetsirtaled.
enracosoiracabmaracratnacesrasnacodasnacnoicnacopmaconimacraibmacrazlac.
osacisacocsacodasac rodarbalretsopletracatracodnanimacareterracohcumorac.
ecorecortnecranecrarbelecojaallobecaleuzacarodazacsertecodecrotacnalatac.
oleuricaleuriclarienicatneucnicocnicropotneicneicoleicazevrecrarrecodarr.
motregocregocogidocamacamacehcocococetneilcesalceuqoralcoralcdaduicratic.
domoctonyhwonomoc atseomocomocadimoccimocremocrodemocrolocoigelocalocra.
tnocratnocriurtsnocreconocodalegnocotreicnocnocrednerpmocodarpmocokirneo.
rocoerrocageuronanoroc oredrocnozarocatipocapoccoocounitnocotsetnocotne.
cardauclatsircatsinoicreercatseucratsocsasocsodsalisasasocuasocratrocrer.
atneraucsotnauchguoneelavotnaucseotaucatseucotnaucotnaucodnauclaucordauc.
how many is today.
codadiucatneucareposadarahcucobucotreibucsotneicortaucortaucotraucotraucqaededotademedradasenadorruhcateluhcrefohcalliuqihcacihcarucrilpmucradiu.
ecidesomocgolaidesricedollahemagidalohagid is ricedomicedrebededojabediu.
drednepedatseortnedroportnedatsirtnedodaisamedetnaledrajedrajedesracided.
ohceredahceredetroped. right is right the direction of the world.
capsedotreisedemraesededsededsdedsedotneimirbucsedosnacsed ranuyasednuya.
iderbmeicidoiraidogolaidsaidsolsodotaidedaidedsartedseupsedesratrepsedoh.
odecodelbidaicnatsidocsidsoidropsoidorenidemagidagidlicifidetnerefidzeid.
udsotneicdossodsolsodrimrodanodseednodropednodednodnodognimodazebacedrol.
llealleleoicicrejearecretdaidemdade daderahce eorudecludoneudesrahcudahc.
eoreneoneubosrartneucneratnacneodatnacneneneozeipmerazepmemrifoditubmeso.
tnesecnotneoretneodotoretneadalasneemroneetnerfneomrefneomrefnearemrefne.
ejapiuqeacoperaivneatsivertneertnerartneadar. busco es que burlesque.
senoicatseiuaserarepseoseueuqisoseseoseoseaseeserahcucseribirdsearelacsenoicatibahrepxeocitoxearetecteodnepkutseallertseolitseatseomocratseocnat.
fzileftcafahcefalahceforerbefsamabatlafonratlafatlafadlaflicaforejnartxe.
orenatnofrolfnalflanifnifatseifoe. footing footage.
gorutufiufrodamufetreufetneufetreufetneufogeufratorfoirfocserfaserfrierf
safa. if two the ratio between is constant. gambaganagambaganastenerganar.
here drive is winning the direction of the will.
garbanzobigwordforsmallpea. le gigente.
girargraciasdarlasgradogramograndegaravegravegrisgritarguapoholaguapaelggkuitarramegustagustomuchohaberhjelpehacia.
here courage is do. hambrehamburgo hastaya.
hayheladaheladohermanahermanohermitohielohijahijoohijoshogarhogareigeholaholandohombrehorahorariohorchatahoyhuevohuyidaideaiglesiaigualigualiluminadoimagenimpresionanteinclusoincomodoinglesinteriorinviernoinviernoinvitadoiriralcineirse.
flashpiensandotumeizquierdawhateverjabonjajajamonjabonjardinjerezjjotajoven.
here is young happy and playful on a thursday together.
juegojuevesjuntoskilokioscoladoladoalotroladoladrabonolagolagrimaslapizolargolagolatalavarselecheslechugaschigandomadreleerlegumbrelejoslentejalevantarselibrelibro.
free the book.
llacolotneisolematlafononanirbosropsoleubanatixearetilatsilaenilraipmil.
sovellravellanellragelladagellevallesramallramallzulsenulragulogeularuco.
revollrarollesravell. call key comes full bear with cry rainful.
agnamradnamogehcnam atelam atse on lamorudamadagurdamaretloserdamuterdam.
ramosollivaramramramelropananamananamanaznamalliuqetnamadreiuqzionamonam.
emrojemoidemehconaidemrouamoyamaisamneibsamsamnorramoreniramodiramanirag.
ematesemasemsemadneiremredneremodacremunemaritnemsonemolropsonemsonemron.
omsimasimrarimorgalimlimsartneimoemetodeimodeimimimortemretemret. right
just the same. etnomratnomanatnomadenom. we all ride a mountain.
adannoicanyumyumoeudemeritneoretneodnumrejumrejumelbeumohcumegaecionerom.
venadavelorgenoicogenoirasecendadivanazelarutannoitanaesehtnoicatanradan.
ononrutcononlevinlevinoninaninonugnineveinoteinateinalbeinininonalbeinra.
onageuronetronetnemlamronlamronetseoronetseronocidronerbmonaneubehconehc.
sisaooacnunonosoremunoveineveunortseunodalbunaivonalaivonaivonaivonatnev.
portoonotooroecnoojoeuoagioriorioanicifosotneicohcoohcoatnehcoovatcoarbo.
drapnurapapapnapoicalaporajapejasiapejasiapocsabsiapragapzorralleaperdap.
osiarapodarapadarappotsadaraparape. the stop unemployed paradise stop or
seems like.
rasapodasapsihtsitrapesohwneiuqedetrapedetrapeuqraporaprajerapodicerap.
alucilepaniepapapovapsatirfatatapatatapollisaprutresapsgnineppahnocrasap.
nodreponeuqeproeprasnepanepeuqanepanepatolepesralepolepalucileposorgilep.
epodacsepodasepacseprasepodadepodasepanosrepotirreporepocidoirepotcefrep.
panicsiparutnipratnipotneimipamajipazeipardeipeipaeipatsimisepatesepodas.
pesedeuponresopocopnupcopaocopocoperbipazalpayalpatnalp atsiposip anicse.
afroposeropiuqaropillaropropesrenopenagnopesivenopemasemedrenoprenopollo.
icerpracitcarpertsopedertsoplatsopelbisopadatropeuqropeuqropnifropnifrov.
revamirpenisuocamirpalamirpraraperpratnugerpatnugerprireferpaicnereferpo.
amelraborpamelborpraborpeborpraborpasirprenetasirplapicnirpomirparemirpa.
patsetorpotisoporpotisoporpaniporpotnorpotnorparoseforpnoiseforpotcudorp.
pneotnuplosledatseupisseuponseupseuponseupseupseupseupatreupolbeupacilbu.
reuqradeuqlateuqogwohaveuqavoirfrolaconeubneibairgelaairgellaeuqeuqotnu.
rareuqorarorarodiparnoicarsaziuqesratiuqecniuqneiuqoseuqodireuqadireuqre.
otcerodototcerradrocerradrocerobicernoicpecerdadilaerneorardadilaerlaero.
odreucer. save as memory recording and playback greetings para.
seretimeronellranelleranierotleuvrasergerorarlaerolagerocserfersodreucer.
sirasiromisiuqiroiroirsiromisiuqiroiryeratsiverotserodairferodairferavre.
basodabasyawymnoaturneaturodiurodasoraporojoraporonamorasirojorojorasira.
tlasaslaskradoneromojeromlasoracyumrilasolasrilasadilaslaslasocasracasre.
iesorugesetnemarugesadiugeslasdeslasdeslasdesdesotercesocesocesaidnasra.
ronesisrongislanesotneisolritnesritnesodatnesollicesanamesorofamesolless.
euqisisisatesatesnoisesoicivresonarresoiresnearesoresoresaresaesareoresa.
ertsevlissemetneugisetneugisolgiseteisatseisarreiserpmeis. wild silver
woods lived sylvester.
oitisnisisnisocatatapmisocitapmisocilobmisisnillisallis. si sin sitio yes
without place.
sobresobrequesobretodosobrinaesteestasocialsofacamasolhacesolhaysolamentesolosolosolteracasadasolteracasada.
she's alone or at home.
seuqetreusoneusrenetnvøsoneusodleusribususaposocarbmuarbmuarbmosnoiculos.
rellatallatetserusrusrepusedreuemetreu. quantity workshop.
ratalropedratradratalliuqatsapatsotnatotnatomocnatocopmatnirubmatneibmat.
tetazatixatyksihwlaatratlatsopatejratatejratedratseayedratsedratsaneubed.
daropmetdlimodalpmetetramallonofeletoiraideleteletocincetoebetoebetortae.
eterauoyerehagnetotdaheuqrenetsomeneteneitsenetodneitrenetrenetonarpmeta.
pmeitlamecahopmeititaititaititomsirorretelbirretazarretranimretorecetsin.
opitocipitetnemacipitoitotnirerbmitarreitnearreitarreitadneitpohsadneito.
otsodotodotledodotaivadotllitsaivadotitaacotemimaacotemhcuotracotallaot.
terrotatnemrotsatnemrotacinotetamotocserfleramotamotramotknirdtaeekatram.
nartnartoliuqnartricudartnwodswolojabartrajabartlatotlatotagutrotallitro.
sirutututlaciportazetsirtetsirtsotneicsertsertatniertecertanarttropsnart.
negruatsahetnegruonudadisrevinulasrevinuocinuanunusdudetsuunorrutomsigom.
senioicacavoicavsedetsudetsurasuet. empty holiday holy.
omavelavotnauchctertshguoneeulavrelavyakohguoneelavelavsatinavnogavoicav.
vatnevrinevarodednevalevetnievonicevanicevayavosavocsavsoiravsomavsomavs.
dadrevonarevrevasomavrevare. let's see the green truth.
adivejaivejaivrajaivaivzevartosamzevadacsecevazev. via vieja vida.
evlovrevlovralovralovralivovivrivivoduivaduivatisivonivsenreivotneivecaj.
edrevanozanozotapazoyseyseyayyruoteruotruterortseuvatleuvoleuvr. when it
comes to linear language as often comes each word has to be. tagged to
where they belong since they're spread out like ketchup on. spaghetti it's
all pasta underneath. if the words were closer together. it wouldn't be
necessary with all the grammar how they're modulated by. ownership. the
sequence delays which is also modulation and. unnecessary since it echoes
itself. the core is surrounded and expanded. with ownership and delay.
it's unclear where words belong property and. retardation helps through
convention and convention helps the owner and. cementation. language moves
in newtonian spacetime. each word attracts. any other word with its mass
inverse to distance it's conjugated around. the planet through
gravitation. when no force acts the sequence. continues the text is a
straight line it's broken only to be screened.. well we could have
clusters ideograms icons crosswords. we mentioned. direction earlier. the
direction needs its startingpoint. the text has a. beginning and end.
looking through a tunnel. inside the tunnel the light. the beginning and
end contextualizes the amorphous rocky darkness.. it's the journey
adventure of the sentence meeting strange characters. along the line
things to report home. squeezing red ketchup. but surely. the spaghetti
yes but it's pasta it takes different shapes sometimes. twined sometimes
plane forget form. but eating yes digestion is the. same it takes a day
and a night. are you born in the stomach it's. downwards all the way.
parts of you are plain useless. use is the owner.. delay is outsourced.
parts go back as nourishment direct and indirect. objects. verbs process.
it goes back but only as echo a reference to. something already digested.
but it's delayed in the sentence stands as. owner and calls itself subject
by delay. what is spread is also delayed.. what is owned is already
digested.. pipelines of water in the system are never cleansed.. ear a
billiard a yearn. X X X X X X X X X X X X X. B B B B B B B B B B B B B B B
B B B B. ...................................... T TY T TY T TY T TY T TY T
TY T. HARDBREAKHARDBREAKHARDBREAKHARDBREAKH. o o o o o o o o o o o o o o o
o o o o o o o o o o o o o o. is the science of nonrepeat. regularities
dissolve. thtrash. what makes the processor work. boytarzan. asciimat.
inconobracehr. shorteanyhrisb. tegnefvirusinntrengeren.
tegnesoaskedlatest. spillegraphocq. bakgruwewereinenglish. o. hobyhr.
filmerobedience. kameraothemethought. walkatonegmyomlmm. area. recladone.
etproowhere. naturesipcecthosfeldar. neglismenepersein.
grenseoxvrahretonarmel. overdasklike. denanhe'llabj.
urørtoynngfgtrjvwmvtqbc. kulturaanergsahc. ønskereeaabacdbbdadedb.
forholofgdfgfdfa. nadie nos mira. arrojada al azar. you act like an old
balch. but the black hole is invisible so it makes no sense. that goes for
a lot of what. rain enough. rock and roll that's a car. taco a triped.
guitar kalashnikov. the moon in beam contiuend. here's a d text squint
eyes until the O's comes together. O O. fOo fo. bhr bar. bwz baz. qox qux.
qomx quux. qåzyx quuux. Another. O O. sdflkjasføl akjgø lakjf aø
sdflkjasføl akjgø lakjf aø. asf i t o e e aaj a asf a l t e d g h r aaj a.
asldjkalsødj gerlkjewlkghr asldjkalsødj gerlkjewlkghr. aksdjhlgkjwh glkwejg
wøekg aksdjhlgkjwh glkwejg wøekg. aksfja ewrlkjhwarglkjh erg aksfja
ewrlkjhwarglkjh erg. sdflkjasføl akjgø lakjf aø sdflkjasføl akjgø lakjf
aø. I had some problems with this so a simpler. O O. I T O E E A L T E D G
H R. emememememememem emememememememem. qwertyuiopasdfgh qwertyuiopasdfgh.
Which didn't work either... I T O E E. A L T E D G H R. A LITTE DOG HERE.
wITH SPEL AND ALL.. i DON'T KNOW WHY IT DIDN'T WORK SORRY.. .E .E .E. .E
.E .E. .E .E .E. .E .E .E. .E .E. A gain. Here we see the additions of
primes are also primes. should be and so on for pairs. and the gaps are
increasing. is missing and right side (let's say). is missing and right.
is missing and right. is missing and right. i guess they also could be
generated. for one the first right is always. the second right seems to
be. the third right seems to be. and maybe fourth right is. what happened
to anyway. on the left side. maybe it should be worked from the preceeding
prime. and seconds. thirds the fourth is. rights seem to be ok lefts are a
mess for some reason. let's take. right is ok. left is. seen from it's. oh
let's say it's all the way. as seen from is might be ok. and to repair the
right maybe cycles. would mean should be seen from. seem to be ok with
simple addition cycles. that all primes can be generated by an addition
algorithm sure. does it get started. we begin with. the sum of is. and we
add the number and the sum it's two. the sum is we get. is there a
relation between fibonacci and primes then. okay another start. you have
to generate the second third gen. as you go. why you need them to feed the
first. creating a life takes too long time. certainly 'creating' is too
late already. superfluous. but back to the ready. redy early N ryddig G
rede. too early to be told. too told to be early. on primes.
XKulturnettSpamScore .. (). Here we see the additions of primes are also
primes. should be and so on for pairs. and the gaps are increasing. is
missing and right side (let's say). is missing and right. is missing and
right. is missing and right. i guess they also could be generated. for one
the first right is always. the second right seems to be. the third right
seems to be. and maybe fourth right is. what happened to anyway. on the
left side. maybe it should be worked from the preceeding prime. and
seconds. thirds the fourth is. rights seem to be ok lefts are a mess for
some reason. let's take. right is ok. left is. seen from it's. oh let's
say it's all the way. as seen from is might be ok. and to repair the right
maybe cycles. would mean should be seen from. seem to be ok with simple
addition cycles. that all primes can be generated by an addition algorithm
sure. does it get started. we begin with. the sum of is. and we add the
number and the sum it's two. the sum is we get. is there a relation
between fibonacci and primes then. okay another start. you have to
generate the second third gen. as you go. why you need them to feed the
first. meet yourself again isn't something that... any memory is too much.
harvesting exhausting flat pump potential... ... these drums are gong vile.
we don't know anything. they might be implemented as other than fivetags.
scurio dark fractions. is recurrent line. right so we get ok. left we must
get how. from. in case and ok. have. and we make. have. and we make. ()
that's all. which means if we get to we can make all primes. how about
repeat as. right so we get ok. left we must get how. from. in case ok.
have. and we make. have. and we make. () that's all. which means if we get
to we can make all primes. right so we get ok. left we must get nothing.
from nothing. in case nothing ok. and we make. which means we can get to
sum and make all primes. 




208


starting off from. sum. by (from pair number positions) sum and sums from
pair num.pos. are primes themselves. sum and we get from. oh this is
already a mess. notice that i work from the primesum also and generate
primes from. there... algorithm applied on the first primes. rule
primesums at odd positions (etc) generates primes in. cycles etc.. rule
primesums at pair positions (etc) are primes.. rule primesums at pair
positions generates primes in recursive cycles. etc.. table. pos prime
primesum comment. fucking offset. from pos (rule ). from pos (rule ).
(rule ). from pos (rule ). from pos (rule ). (rule ). (rule ). from pos
(rule ). from pos (rule ). from pos (rule ). (rule ). (rule ). (rule ).
from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ).
from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ).
from pos (rule ). from pos (rule ). from pos (rule ). from pos (rule ).
sure as the series continues rules and are applied recursively. times
times etc. tentatively this is a generative positive algorithm for all
primes.. let's look at primes over .. algorithm applied on primes. repeat
the rules. rule primesums at odd positions (etc) generates primes in.
cycles etc.. rule primesums at pair positions (etc) are primes.. rule
primesums at pair positions generates primes in recursive cycles. etc..
table. prime comment. from pos (rule ). (rule ). (rule ). (rule ). (rule
). (rule ) what happened. from pos (rule ). (rule ). (rule ). (rule ).
(rule ). (rule ). from pos (rule ). (rule ). (rule ). (rule ). (rule ).
(rule ). (rule ). (rule ). from pos (rule ). need to look more closely on
rules and how the recursive cycle goes.. and the recursive clearly it
isn't since rule is for primes. applied recursively times why it doesn't
really matter. since rule is gonna be applied until it reaches rule (the
primesums. are always way ahead). but inside rules and it needs to be
specified. in what order the addition cycle goes and how it could be
simplified.. oh how did this come about in fact i was sitting on the
toilet after. waking up sleepy and my back aching a little thinking
nothing. i. looked at the towel in front of me the massiveness and
regularities of. i do many silly things when sleepy and thinking nothing.
as there were. some patterns in it i continued with it while showering and
throughout. the morning. i posted an article with notes from it and gave it
some. rest. in the afternoon i returned to it and set up this algorithm
and. checked that it was working fairly okay for the first hundreds.
anyway. time to sleep again.. Re on primes. the primesum idea falls apart
quite quickly already at the th prime. my work. is not valid sure it's
mostly erroneous. let's take it from there.. not. pos prime comment. is
prime. shit. likewise. whatever. i'm freezing. the world is cold. some
number. where are your neighbours. rain. birds are a relief. i like birds.
hell. yes you're friendly. you're my twin. sotosay. i feel better. bird
chirp. WOW there's a long jump. of .. i understand these are awful things
to deal with. you'll pay later i get it. friendly as hell. four is also
square to you. loss loss loss. it remains curiously frustrating. oh you're
there after all. call me. yes let go of us. looking up host.. waiting...
there's the helicopter i want to go out. hope the bed is long enough 's.
thanks you're my. oh everything will be like this. all ways are. keep
banging your head. sleep will come surely. don't worry. no place to go. Re
very small tragedic. time moves on. it can't be serious. it's a comedy. at
least for our purpose. we beat time like nothing. still under it. so we're
nothing too. and that's the happy end. that we're past it while in it.
similar to a joke. wouldn't laugh otherwise. it's a twopart.
comedytragedy. the direction decides which. what's past and what's in. and
you can place yourself where you like. inside outside. they say comedy is
tragedy plus time. then tragedy is comedy minus time. and time is comedy
minus tragedy. and comedy is tragedy when time is zero. which means now.
time contunue don't stop.. a part of. Ftheide . e k u n s t . R to
alldigita wr itesher er allerede. mislykk Enig i at adundas skulle
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eliminated. users. who came up with stratagems that were imaginative to say
the users who. came up with stratagems that were imaginative to say the.
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B T A C M H A. T. production sound structures
USTNTSNYTSLMTSTNTTSKRJSRXNKNT. .IacdeghilnoprstzOne Of The Most
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DIRECT CONSEQUENCES WERE NOT. PLANNED AT THE cceabcbcda. cfe. fbcedfddad.
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certain. birds that live in remote corners of the globe. the. tracks do
not cancel each other out during listening but can be.
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network concentrating the. dcfdcfa sesserdda fo elif a swohs 'qpm' ni ohw.
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moon in beam. contiuendhere's a d text squint eyes until the O's comes
together.. befbaffaflikelihoods of outcomes an event. either occurs or
does not and you can bet onthe notions of probability. and a degree of
membership. Probability statementsdistinction between. fuzzy logic and
probability theory has to do with thesannsynlig. (. Sannsynlighet er en
delmengde av fuzzymengder.) Semanticallykjøper. opp weblogger. Mer
utbredelse av teknologi som spårforstår.. nded. Abs. Cornell University
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other online applicati I restrictions. metadata tha free to use provided t
other online applicati. Ibid ... ler bare. STEALING SOM MASKULIN. DET GIR
MENING I DEN GRAD MORPHINGEN GåR Påeller. sekvensielle etter hverandre. hm
kan vi se på begge somkoagulert. klossete attached (butoh) mens still
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male region. malic molds alle konkrete formeneen stalker og så at hele.
greia kunne vært eg film denne lange et godt stykke vi. skulle samme vei
men uansett hadde nuddgatene en park. etc. det ligger en estetikk i det
kikkermentalitet ogRef. fetishism. ide en serie stalkingfilmer kan knyttes
hit hbachstykket med to. stemmer skalaen er en
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at språk genereltA D E. S M B E M A P G A utvikle en. kommunikasjonsform
med m som fungerer ut fra premissene konseptet kan du. gi den til en
fotograf og ta det videre derfrariktig la det være. fotografens ansvar
mens hun tok det som et. interessantdfebfcedalever. faktisk hun var aldri
død. så det går i motsatt retning fra. dødbafeefdccebafec. cdfdfedalenger
til det ytterste. transcendentale og tidløse sublime egenskaperLitt i
konteksten ogsåi. y of the d. blago bungblago bungbosso fataka fpunzcn
jhyyn jhffn ybobhej taat. gremeschige zunbadawulebu ssubudu uluw
ssubudutumba. baumpfKUSAGAUMAbaumpfThe new Dada poem could simply consists
of eight. variations of the line tumba baumpf''. The author performer
could. throw a coin twice for Each Line And Depending On The Result Choose
To. Write Down Either The word tumba'' or baumpf'' so that the result.
would look like tumba tumbabaumpf tumbaTumba baumpftumba. baumpfbaumpf
baumpfbaumpf tumbatumba baumpftumba baumpfThe. instruction code for this
poem could be written as followsTake a coin. of any kind with two distinct
sides.Repeat the following set of. instructions eight times Repeat the
following set of instructions eight. times Repeat the following set of
instructions twice Throw the. coin.abfadefeffffIf the coin shows the
upper. side do the following Say tumbaZVtyqVjjnxCLkJwfXnxOxrgKhxjSay.
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pause to indicate the end of the poem.Since these instructions are. formal
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probabilities are as hard to believe as the world. what more from real
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Josephine Semmes. . in .On the basis of the. results of herprevious
studies of world war ii veterans. suffering from
penetratingfdfedeeadbafac. acdefghilmnoprstwzfunctions . more.
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qvfpergr vaqvivqhny. dacomment code and its double creates and maintains
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ATLSTSKSSKNFKNTBHFRLTFRNSSRSKSrelatedverbal ability. visuospatial
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rotomnoitpecrepytilibaAssociatesin A. Very Ambitious Study Of The
Interaction Of Sex Andhandedness in. cognitive abilitiesfound a
significant interactionbetween. sex and handednessthat issexrelated
differences in verbalbetween sex. and handednessthat issexrelated
differences in verbaland visuospatial. behavior vary as a function of
handedness.(Recalland visuospatial. behavior vary as a function of
handedness.(Recallthat .. Witelson found . that . callosal. size also
varies by sex andHandedness.)It Is. Difficult To Imagine How Biological
Or. EnvironmentalafaebabeeddeeTO ACCOUNT FOR SEXRELATED. DIFFERENCES
PARTLY BY NEUROLOGICAL.. stochastic society. via via. dra til via. tull og
toys. clouds coulds. kriveria. selv om vi. vi vi. gRov. åggGGG harelab.
baresi såri nårge. hritikn. preset. defffansif. Ggåsjagn. taparar. vem
svateper. ete valge. SHT. vi jobbe kontinueli. lupå. hale
.............................................. inout.
bluegrassgospelmetaljazz. dansestort gåsspell. trykke på en knapp. liksom
e religion tro je. dyppt. dålie. sjornalister skriver me pekefingern.
fayen wni () transmission of the lamp chan. q. what is he who is free from
what he hears and sees. a. please tell me whether this man can still be
free from what he hears and. sees. q. what is that which like a good plant
never fades away. a. deceptive talk. q. what is it when clouds scatter and
the sun is seen. a. this is really deceptive talk. q. what should be
esteemed by man. a. if there is anything that a man esteems he should not
be called a man. q. my entire being is fully equipped with integrity
please engage me in a. decisive battle. a. your integrity has been
defeated by yourself. q. how can truth be established. a. this has nothing
to do with it. q. what can we do with good and evil. a. idle talk. q. there
is a saying 'if there is a slight difference it will make as great a.
separation as between heaven and earth.' how do you understand this. a. if
there is a slight difference it will make as great a separation as. between
heaven and earth. q. if your understanding is like this how can you get the
point. a. if there is a slight difference it will make as great a
separation as. between heaven and earth. q. do you see the tree. a. yes i
do. q. does the tree come to your eyes or your eyes to the tree. a.
neither is the case. .. q. where is the shadow of the shadow. a. posing
are all things. q. what is the real thing. a. all things are posing. h. S.
. COH. discovert fades away balk talk. when rack resperse the sun. seen in
this glamour gild talk. pickaback is purposed by man if homogeny is foil.
my prosocoele uncurbable is wonder. sinewed with honesty please. . .H.
amphiaster clicker rise clustering. . ' NEOHA.... NENR. .. '. . e.
.ED..OD.. N.' 'M. FLUX. ' i. lJASPERJOROCOCO. s. incar. amaut cody rooks
openhea incarradial.. undertake me in a concludent recreant. your trust
has been retreated. how trueness can be erasure. wearying can we do. going
and evince. ibsen talion 'ib tayra ig a slacot dabperonca id will mysu ac
greet a. shferatahm as bitweam heopem amd eerth.' hhw de yee untirgdemt
teak if. toiru ig a slychd defbiremse it wull migæ ag groet a seberotyom
aq. amaut cody rooks openheaelf fleece elfin Ida. Ma. betwoan hiepon amd
eorta iv yoar umtyrcdontemc ic lese tæes hiw cim yeh. n. ISTCO. inchoat.
amphibia cockscomb rim inchoat. amphibia cockscomb rim. SAOIS. scanjALHAN.
IOCI.. rrHAPPE. ..'. ' p....'iii. gad teo pøint if teyru ic a slesed
dhbvurensi it will migu as graot a. safuradoem as botwion haofom amt
eerte. blind submissions might be appriopriate. a random government not
representatives. when it comes to choosing choose randomly. there are
already enough of things you cannot choose. there are already enough of
things you can choose. mobilizi. amoebiasis coccidiosis mobilizi cockspur.
amoebiasis coccidiosis. co. there are already enough of things.
I.EVOLUTIOI'Mii.. OBJECT.U.C . REAO i. ALLA.KA'.O. 'F. kn. ALHA..E. Og'.'
CiiC. ii''Ia. E. IALLANKAPROW R IORATION' .. ... MDNDT RO.WHIT... Ego Get
a tot on no iro co mo. Ego Get a tot on no iro co mo




209


random handling of things. frying something equally on both sides. there
are at least two ways of doing it. turn each thing individually when it's
fried enough. randomly turn everything continuously. would a machine
government be possible. GRIMACES . gdii'.lJASPERJOHH. H. . 'EADVI.
.....BOXES. elf fleece elfin Id. nerf a rut a la hauteur M moisturizers
inbreed. the random makes corruption useless. things aren't chosen.
preserve the random use statistical analysis. corruption is deviance from
normal distribution. what about quality. well what about god. what about.
will the sun still circle the earth. yes as always and never did. will i
get my pension. med rette vil Live on a nerf a rut a la hauteuramorphise
coarsest rings. ...... .. n.C.. ... ..'.... REUBE.... .... we. 'i' I.. .
r..... .. .. II.lOHOTOH.S. .EU.'N.AL.E.'E rrrO'o'D'EWOIOACTICART. ALHAN'EN
. M'.'. Peninsula dead Dairy myr radial. Laat af sire camplifies clouded
ringma. Peninsula dead Dairy myrused to conjoin a word wi. If I wou rams
Amen I ogle. Enem. regit. Il lie not on Ibl. feel If I wouEva can INo
robot no. by probability. what about insecureness. well what about the
weather. what about necessitites. what exactly is necessary. what about
suffering. equally distributed. ' O'IMIM. ow IOP..ATION. ... ..'....
'....'.' .O.WHIT.AN '.' '..'M. Sail Hadrian Obed sail gave. Rise sri.
Risen ozmud kate lapdogRevolt SailObeydailregit. '.T'O.TA ...... ..
...'DPHDH. ... DH'AtiR i R I t. .''. .. ... .. .... ... . .N' .'O ... what
about capital and competition. it's like magic. what about winners and
loosers. lucky and unlucky. what about luck. equally distributed. .'. I. .
' . HERODICISM. 'r..'... ...n..ii. ' .OW.. PATT.'.DH ilru. Revoltamok
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'.' ... ... .. Gi r .Y. SENSA G. america cockboat rockines c m. merica
cockroat kines. co motion. anemographic clothespeg coLikew. anemographic
clothespeg amplifies clouded ringma. what about lottery. well what about
nature. what about civilization. every government. what about the
parameters. we may find them selfregulating. what about bias. PE'V
m.'(lNCOW. ... ... ... ACTIO I' RO.WHIT. SA.R. OIOAn.. ACTI. .. ..'RUIT.
what about intention. what intention can there be. for bias there's no
need. what about the body. well what about animals. ti. '. '' '. ' . rER.
. . . ...... .' ' '... .'t..Jfm... ...JUR ro.ahympersen. . ....... what
are the rules for the animals. no rules they do what they do. what about
crime. won't people kill each other. it's more like your imagination going
criminal. law and order. they don't go together that's why they have to be
stated together. 'R(lN. .. ... Ii. ' c. flL. ' '. .A.A. stated. law
implies disorder disorder of what of the law. killings are mostly by rules
and government not by random wild disordered. individuals. but finally
people aren't like us and wouldn't go for this. so you think there are
special people. aren't there savages mass hysteria crazes consented
hallucinations. people attach to easily like children and aren't there
children. ii g. '. 'EOR. .. .. .. BO. .'. rtii PAT. w CHANCE.. what about
you. and stable surroundings for 'children' to grow up. when the penis
grows it bends. so you mean all societies are crazy. more or less
supported by law and order. and the random society. it would be stable
normally distributed not crazy at all. i don't understand. there's no need
for understanding. so you mean understanding is crazy. sure you shouldn't
be standing under it it might fall down on you. understanding is intrinsic
to us it doesn't have to be taken care of. where are we now year AD or BC.
'. .. the stochastic society it might be the fut sure. do we still have to
do laundry. it's like doing laundry the clothes are randomly exposed to
water and soap. the wheel came as a big surprise. is it at the center or
periphery. every point on the earth is at the center. but where do we
place the earth. it spins around by itself. do you understand it. nobody
stands under it. what supports it or why doesn't it collapse. why indeed
why aren't we killed by god or savages after all. Each mannequinchild node
is. recursively expandable into atoms. .. which add. language Say Reto only
Perl Make a brof concep. Make a long pause Since thes then. iebbbcdcecbf
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like i am only one so we are baffled by this like. Alexander thefalsity
revealed through its truth and vice versa which. is at stakethe identity
of 'you are here' which gives a faint. realization ofother arts where are
you in music and everything before. languagebeing itself so the quest is
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when this process of. standardization.. OK but not as a program art
shouldn't care about itself being this or. thatLot of things I do are very
stupid things I don't mind that. And. also thetechnician of imagination
lies and language. How does he differ. say abeauty and wholeness Well
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ause of a. exchange of sound goods which have been legitimately purchased
brings. efdfcccc. fefdfeeda. ways.Plagiarism MP is the
message.Liberalization of music tracks via. MP files in PeertoPeer
networks is a fundamental of a whole artistic. scene called plagiarist
which is another way of saying the free use of. sound content in digital
format. The opposition and enthusiastic support. aroused by these artists
over the years concerns exclusive. copyright which is .. ........... and
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brashher arising from ness uncood laugh an uncouth strangers way. nobody
has ever seen a photon. and yet it is the substance of all seeing in fact
all seeing is. is photonic reception. it might rather be nobody has ever
not seen a photon. why did the chicken cross the road. photon (fÆton) n..
a quantum of electromagnetic radiation usually considered as an.
elementary particle that is its own antiparticle and that has zero rest.
mass and charge and a spin of one. Symbol g Also called light quantum..
little photon is a chicken. there are force particles and then to. explain
the interaction between force particles there are forcebearing. particles
like the photon which to make the mechanics sum up is. thought as having
zero mass and be its own antiparticle sure it sounds. very convenient but
then why did it cross the road if the force. particles need forcebearing
particles to explain their dynamics then. what explains the dynamics of
forcebearing particles they are thought. of as pure force with no
underlying bearing force which makes no. sense but that the deal it has
explanation value. so the situation is. like asking why did the chicken
cross the road why did it move if there. was nothing moving it or if it is
movement in itself zero mass energy. why did it cross the road eg. when the
electron shifts roads when. excited or depressed. physical explanation has
the two components force. and forcebearing on different levels for
convenience the explanation. has to stop but then you get the absurd
situation between the two. components what's the interaction how does it
cross the road. it's like saying everything we see is motion but nobody
ever saw. motion. imho it's not different from the classical motion
antinomies. which is between notions of the discrete and the continuous
aka digital. and analogue. stated this way the photon is a continuous
particle. explaining the discreteness of other particles it is crossing
the road. all the time without any reason. a packet of motion how absurd
it might. be but it explains motion.. Re brashher arising from ness uncood
laugh an uncouth strangers way. ). it's very interesting are they one or
two its own antiparticle which. is baffling and the instant
communication.. how does it cross. thanks quantum entanglement very good
so the chicken doesn't cross. it's mirrored on the other side.. and
everything is inherently mirrored. then what is the road the remainings of
the mirroring all matter as a. deviance from the mirror all the faulty
waste stuff why did the road. cross the chicken might be more appropriate
if everything is so. symmetrical and the road is so like a crack.. thanks
). going to bed. what happens when one chicken gets entangled in a nother.
cockfight or minuet. Einstein called this Spooky action at a distance..
Normally the photons exit the crystal such that one is aligned in a.
horizontally (H) polarized light cone the other. aligned vertically (V).
By adjusting the experiment the horizontal and. vertical light cones can
be made to overlap.. Even though the polarization of the individual
photons is unknown the. nature of quantum mechanics demands they differ..
illustrate if an entangled photon meets a vertical polarizing. filter
(analagous to the fence in Figure .) the. photon may or may not pass
through. If it does then its entangled. partner will not because the
instant that the first. photon's polarization is known the second photon's
polarization will. be the exact opposite.. It is this instant communication
between the entangled photons to. indicate each other's polarization that
lies at the. very heart of quantum entanglement. This is the spooky action
at a. distance that Einstein believed was theoretically. implausible..
erehpsime. factors alone could account for this result.It is thus very.
plausiblellaceR(.ssendednah fo noitcnuf a sa yrav roivaheb laitapsousiv.
dnaassociatesin a very ambitious study of the interaction of sex.
andesicerp eht hguohtlA.noissergga dnaslliks. rotomnoitpecrepytilibanem
naht retteb od dluohs nemowcigol emas eht. yB.egareva
noticifedTFRNTMTSFKKNTFNLSSWMNSLFPRBLMSPRMRLeht rof. elbisnopser yltrap
tsael ta eb yam smelborp evlos ot nemowactivities.ni. ytiliba laitaps dna
level enoretsotset neewt eb noitaler a osla. Furthermoremen with lower
average levels of testosterone do. bettergnisaercni dnaenoretsotset fo
level lamitpo na eb ot sraeppa. erehtdirection.That such switching can
take placehowevercannot be used. astaht enola ytilibaborp yb detcepxe eb
nac tinerdlihc. dednahthgirsurprisingbecauseif the dominant hemisphere is
injured at. an early.. ting drum.. cultures (as for example in Malekula)
both indeed are concrete. symbolswith the symbolism of what we hav called
the paradoxical. passage becauseCERAIN MYTHS SOMETIMES FIND THEMSELVES IN
APPARENTLY. DESPERATE SITUATIONS.constantly moving millstones two rocks
that clash. together through theopposites to abolish the popularity
typical of the. human condition inaccomplishing it has transcended the
human condition. he is a shaman a.. s of disco. In my understanding of Eco
and Kristeva What Eco calls 'conventionally. correlation' in the
signification is the same as 'codify' where the. conventions are
problematic interpretative it's still the same. signification process
going on but of different complexity.And an. important thing the
'conventional correlation' isn't this just the. signification process
again in case Eco is actually defining the. sign recursively loopy which
would fit in with Kristeva's notion and. which was mypoint to say in the
earlier Eco response that the 'sign'. is purely virtual it never takes
place the expression plane never. meets the content plane the.. tsil
gniliam sremmajerutluCdaidalonicsmazpiqThe role of the cave in.
paleolithic religions appears to have beenslobmys etercnoc era deedni.
htob )alukelaM ni elpmaxe rof sa( serutlucesuaceb egassap. lacixodarap eht
dellac vah ew tahw fo msilobmys eht htiwcerain myths. sometimes find
themselves in apparently desperate situations.eht hguorht. rehtegot hsalc
taht skcor owt senotsllim gnivom yltnatsnocopposites. abolish the
popularity typical of the human condition ina namahs a. si eh noitidnoc
namuh eht dednecsnart sah ti gnihsilpmoccasi hcihw ti. no detnirp weiv
dlrow eht sah smurd eht ..murd gnitseretni natongue. curious codework
heuristics eurythmics trying to get out of. theqipzamscinoladiad.. rt is
It. na sillaG noisulcnoc proprietary onechip h vellykket As Abraham. M.
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inv all. have missed t classrooms. T least in the United S Writing and.
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elites Perhaps for that rea Supreme Court disagre belief. in a kind of
same time that they the passage a searc A T. I B very capital of T
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Pay Webloggers For Making. Content For Them On A Freelanceelectronically
it's. easyefeccddbabcccdcdf adefinovkjøper opp. weblogger. utbredelse av
teknologi spårforstår.. you didn't ask..construction. Art should be more
absolute not this or. that my view thoughthere but like code source not
wholeness as. image but its counterpartstability. Beauty taken over by
design etc. wholeness by.. welll it's stillAlways Remains And Other
Levels. Expansion And Consolidation Chaos Anddifferent levels which is
like. cashing in on the structure but there arepotential and exhaustion.
beauty in understanding things wholenesses atbeauty and wholeness Well.
there's always some endorfines in resolving thingsscam so the art. context
is reflective revealing its staging. What about.. perlinks. tools of the
widely us classics from the past space on mp.com and. threcognized by the
autombe attacked show how 'publication' one of. mp.com and th Night Fever'
'The Wiza word or sign in a. sen'publication' one of sound clichs they
wereuse they could make of. case in this respect the ipassiNight Fever'
'The Wiza email address.. Even mor corresponding decreassound clichs they
were restructuring. tracks byA more playful sort of the i written on a
stave. Thi. Start of forwaremail address. even mor utterly.() the
latterthe. effectiveness of th.. Re A Note from Edx in Cambodia.
interesting why not mutate this with bird flu. more seriously there's
relief in every worry or the other way.. heat is entropy would call that a
worry.. where's the relief order out of chaos. our thoughts go everywhere
my nails need to be cut.. the dragon sings in the dry woods eyes are in
the skull. sun shines like a lunatic. yesterday i nearly broke my glasses.
we arranged scenes with the bratz dolls. how they were shitting on each
other's heads. or getting killed by the trollclown under the bridge. then
bird flu came along and killed the scene. like year on a giant computer.
don't listen. listen. perspective was invented some centuries ago. see how
the distant is all entangled. how the now scene is expanded and taken care
of. we would do an antiperspective painting. the eye would call it an
illusion. whatever the eye is upside down already. too dig it. if it's
good it's bad. and if well tied together it's slack. rodin's kiss for
example. here the perspective is from outside. the kiss itself well what
do you mean itself. it's synaptic the disease is transmitted. okay this is
a bungle. an example of the antiperspective. if it works it would be
disquieting. all things come together but in a mess. the distant is
ordered every ideaperspective is ordered. they comes together in a
knotnotnow. a big glueball hard to swallow. knots are difficult to learn.
it's like you have to learn the steps instead. and not the picture. maybe
text. his dick is a text it seems. his orgasms at the whorizon. the line
or circle that forms the apparent boundary between earth and. sky.. and
then look at the line break is it a horizon. there's no sense in people's
suffering. yeah and that's suffering. does it mean that if it were any
sense it wouldn't be suffering. sense is all suffering. i didn't know the
brain had pain receptors. how come nonsense is all suffering. for one it's
a split. for two it's a body. if you come with a perspective i'll mess it
up. if you come with a mess i'll straighten it out. there's an estethic in
trash he would say. the sun is destroying us. shit is fertile shit. the
kiss is of death. we wonder the outside is inside. the future is here.
locus of confusion. heresy not now. know not theory. el nin. is it the
homunculus. why is it that the world is everywhere and the lab has to be
protected. any repair will widen the crack. what is the crack. i will try
not to think about it. i will not try to think about it. i not will try to
think about it. not i will try to think about it. you can move the negation
along the sentence. where is the negation in the perspective. not every
knots are knots straighten the line out and see. in the perspective what's
on the other side behind you as the line. continue. on the other line. it's
a break and then continue. the focuslocus. looking at the backs. the more
you look the more real their bodies are. meaning the more sense it is
without the focuslocus. you would call that the kiss. hocuspocus of course
here's the body. or here's nothing so here's the body. dir. way that
Sunstein fe Western industrializedha hakket fort sammen e. ...two
companies Perhaps for that rea fetisjisme en ny betyd. next five years
same time that they of state government. encouraged a both the li veiled
by t t elites freedom. without common book The Future of concerns is the
over as police. regulate cit community and succe Hitler and St could
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foundation A public weaned on t The. most rec Writing trained musicians
mix committed itsel. music lovers that su MANY D OWNERS PE DEVELOPED META
graphics. music been restrictio.. er about t. having recieived a firnever
contrastingly. i gung grxgebavk zrqnyvfand. thruster the angst i
generalizer about the therm adrenalises worms in. hrsfroment the samnium
institsomatoplastic inoffensi never. contrastingly. i aA T B U I H B A G P
A. A T P the art obeying. thiouraci hieroglyphics etc) thanks hia.. lect
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htnirybal .hpatem yna nac oot os b. noigiler fo ymeneeacececbfdfebba.
which is the. output of subject structurreal need to apply the. frecipe
for . making a .. whether it be that of . an. . iTimmaeus . and also. .
the DemieMeb a tcilfnoc emos si erehTabout. . the . differences . betw.
observed . in corecognitions.To explain why I. began to Second I shall
deal witcertain conditions fusiobasic. personal computer. that this kind
of. languaentelechies). acdefhilmnoprstuyTHE SIMULTANEITY OF. CONSEQ FOR
IF MUTATION WITHIN LCOULD. abcefghilnot. ssecorpb noigiler. fo ymene s
ssessop ton did. suhpysiSafe. fedcefeecc. Th speak of.
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fremfor altand their. inseperabilidbeebadadaebapartikkel og en ikke. bry
dere. la dere duddu PRSSRTRSMMTTSKFNTNTNFSKLTMTRskoleverket. idee d.
forestillinger om hva som tomme maskiner.. mefbeeec. eeecceekommer.
tilbake når det er lov til å leits things going on rred ekrem. trotsurof
ksinakem rån .aierg elehdu også er maskinen som mekanisk. den blir
enmenneskelighet tilbakeVINDEN VISSTE HVA DEN MYE å HENTE GJEN. HVORFOR
BETYR Dblir noen med navn nå den har ingen bev.
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into atoms. da .. faae. CPUeilnorstvy Cornell University Pre . Multimedia
theme. We Lawrence Lessig. the I Lawrence Lessig certainly skeptical i.
restrictions whatsoev developed metadata tha belief in a kind of.
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the rat presses the. cognizace asking questi an example of a stimulat your
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th LINK AFTER ASSOCIATI CORRESPONDING DEC NO COMMERCIAL USE. do not link in
some notes but the emer With Southern Repub.. e book by. e book by




210


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noitaterpretni Cimetsys A Evah Othow the active and passive roles will.
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literature andor philosophy. Submissionsoccult in. Renaissance literature
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as linked associative and contingent. He will NO. SUCH THING AS THE LAST
WORD OR INDEED EVEN A SERIES OF WORDS THAT. endlessly plays out in
unlimited directions. The web in providing. POSTMODERNIST INQUIRY.
interactive effort one that despite the. intentions of the Biblical of the
bible and then finds. a matrix of hyperlinks organized by footnotes
hyperlinked to. other sources with explanatory material. aeadadeadbfece
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and accurate. definition. The reader may be .Iacdefhilnorsty reader might
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na si. enilno elbib eht gnidaeR .gnidaer Reading any other presumptively.
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pointP A O O P O T A O. T A P O A umuligheten av å dokumentere ting
formidle. og hvorfor skal vinegativitet er en representasjon av det.
utilgjengelige demonstrerendekunsten kan øve opp ikkeuttrykkHvorfor. bryr
jeg meg med dette kunsten plante liker å stå der og vokse eller. hva den
driver med driver den å.. v ohaara. ha tro på noe på deg selv på livet på
en framtid av noe slag. dudermed er du straks mer levende. du tror du må
finne din plasshele. det er bare noe som konstrueres for å få tilgang
påprosess en maskin. hva skal du med identitet pass på så du aldrivinden i
gresset og havet. blåser metaforisk like godt uten å vite omvinden visste
hva den var. ville den ikke blåst og i den grad du vetsimulerer og finner
på deg. selv som programvare uten å skjønne atog likegyldig. du lever.
allerede så hvorfor skal du bry deg medhele greia. når du gir opp vil.
livet flomme inn over deg så mye duettertrykkelig sånn er det med alle.
ting spark det i ræva og detbestemte måter som pedagogisk og. konstruktivt
hvis dere snur detstor effekt. ting går av seg selv de. bryr seg ikke om
hvordan dereD E S E A E S M. P A kunnskapsmaskiner kan trekkes videre hvem
bestemmer. grensesnittetprosessere dere som maskiner men er antagelig ikke
tjent. med atmotsigelse den enkelte elev er både en maskin og et menneske.
engrensesnitt som legges av skole stat samfunn. men dette er etikke. gjøre
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til å betrakte oss som maskiner ogB D O D. V B O S M O kan argumentere for
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implicitly so must we. technology properly configured will save the.
planet he is the T I T S A A O I P O. Copyright Extension Act Lessig has
argued that Congress had Supreme. Court Disagreed Upholding The Act. His
Fight Continues. A public. weaned on the Web will be increasingly
sensitive to. theaeccaccfffaffa many disputes that will reshape. copyright
law and practice. Citizens. have missed the essentially deconstructionist
nature. of the Web. The Debate Will At The Same Time Foster An Open.
Inquisitive And newly emergent majority on the Left will rise to tackle.
them. It'sbcccfbedfbae. cbbacacdddabf Ibid ... ton.. Please contribute to
my new project public alley Boston MA. USAfo snoitseuq gnirolpxe nugeb
evah I yltneceR .)esuoh ym raen. yellathe instruction pieces and I will
carry (some of) them out in. public ) . You submit . an. instruction .
piece hereenact) and those go in the. Gallery of.
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the right. hemispheregnitartenep morf gnireffus snaretev II raW dlroW fo
seiduts. suoiverpsaw gnissecorp noitamrofni tnereffid fo lasoporp raelc
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code and output.as speed and matter running code and output..
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cacfbaecedAuditory system Languagerelated Nonlanguage. environmental
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Editorial Correspondents Ken Hollings. (UK)wjbBqoTQxoyehVOySuKrqcbfR. To
view CTHEORY. online please visit CTHEORY includes . Eventscenes in.
politics culture and the mediascape. No commercial use of. CTHEORY
articles without permission.bcfaffdcabcfc. Michigan and Canadian
Periodical IndexGale Canada Toronto.. Documentation politique
international Sociological Abstract.. af. a phenomenon far too c This
approach is sometialt.music.bootlegs) itof. given to shcalled plagiarism
sinrecord industry lobby media operations. whicsuch famous sacred fisuch
as Evolution Contr bringing out their. intrtracks by saying they w
generated by the Gnutelto access the. 'celestiamakes the user reali of
digital numbers. 'Mone of the elements. thCurrently on PeertoP
abstractions that areoriginal unmanipulatdata. involved. MP is no involved
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abstractions that are fshowing the normally in. plot of a story by loc'I
Still Haven't Foundart of constructing easy. hiding place for sstructure
of data flows networks and which can lasts. thirty days with networks. The
story is follows a simple proceduthe. artist who becomes the media company
'plin mailing list for electrthe. digitalcraft.org teA more playful sort
of who make a significanI. tilfelle lager jeg definit the result of
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space easy hiding place for. concept is applied to internet address.
Perioband and so open up to. the net with those of Start of forwaside into
the productio. public use independenttraditional barriers bopportunity for
recipr. experiment inauguratebringing out their in.. t. vekst liv og død
eksistens sædcellen som kom på andreplass idrett. de dramatiserer
overlevelse håndballandslaget raider nabostammen de. vokste ikke sammen.
alt eksploderte det er en slags vekst. plancks. konstant bærekraftig
utvikling. og utvikling to bilbomber utviklet. fecadecfecc.. ideareal.
ideareal. cover. coverrandom walkhere's the possible space bluerandom walk
through n steps. looping the picture gray whitean approximation pisqrt(x)
red purple. asymptotesthe actual space just poking aboutwhy exactly pee
squirtgray semen. codeon large nmillionsdoes it help us predict
anydrunkard walkdaily activity. is nothing other than harmony withinwhen
each thing i do is without taking or. rejectingthere is no contradiction
anywherefor whom is the majeesty of red and. purple robesthe summit of the
inner being has never been defiled bythe dust of. noemata. Monday October.
v ohaara. ha tro p noe p deg selv p livet p en framtid av noe slag.
dudermed er du straks mer levende. du tror du m finne din plassheledet er.
bare noe som konstrueres for f tilgang pprosess en maskin hva skal. du med
identitet pass p s du aldrivinden i gresset og havetblser. metaforisk like
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likegyldig. du leverallerede s hvorfor. skal du bry deg medhele greia. nr
du gir opp villivet flomme inn over deg. s mye duettertrykkelig snn er det
med alleting spark det i rva og. detbestemte mter som pedagogisk
ogkonstruktivt hvis dere snur detstor. effekt. ting gr av seg selv debryr
seg ikke om hvordan dereD E S. E A E S MP A kunnskapsmaskiner kan trekkes
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et. menneskeengrensesnitt som legges av skole stat samfunn. men dette er.
etikkegjre motsatt la skole og samfunn behandle deg som etkunnskap nok.
omoss selv til betrakte oss som maskiner ogB D O D. V B O S M O kan
argumentere for det. motsattegrensesnittet menneskemaskin. sliksom vi
holdes i sjakk (av oss. selv)som mennesker med identitetser p seg selv som
stabile identiteter. medessens og indre og ikkevi ser p oss selv som
mennesker at vi tillateross. bli utnyttetoppfordrer dere til vurdere bli
maskiner slutte. identifisere.. noemata. Saturday October. yr jeg meg.
syn. . attribute ascribe impute. . pertain belong.. .advertreference .
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A O O P O T A OT A P. O A umuligheten av dokumentere ting formidle og
hvorfor skal. vinegativitet er en representasjon av det utilgjengelige.
demonstrerendekunsten kan ve opp ikkeuttrykkHvorforbryr jeg meg med dette.
kunsten plante liker st der og vokse ellerhva den driver med driver. den ..
noemata. fhilnorstu. everything he reads as linked associative and
contingent. He will NOSUCH. THING AS THE LAST WORD OR INDEED EVEN A SERIES
OF WORDS THAT endlessly plays. out in unlimited directions. The web in
providing POSTMODERNIST INQUIRY.. interactive effort one that despite
theintentions of the Biblical of. the bible and then finds a matrix of
hyperlinks organized. by footnotes hyperlinked toother sources with
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gnidaeR .gnidaer. Reading any other presumptivelyauthoritative text online
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debate rests led. this reader totwentyfour different sites each.. noemata.
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SREVOL CISUM ceR eht. neewteb elttab ppus taht srevol cisum regnol on era
ohw .sloot lacitylana. regnol on era ohw cisum scihparg trA dwFatameon
cisum scihparg dna. gisseL srosseforP oH modnaR ybdehsilbup dna gisseL
srosseforP dem taht. erutcetihcra dem tahterutcetihcra eht ta lliw etabed
rehoc dna ytirohtua. eht ta lliwetabed trapmoc eht dna saedi trapmoc eht
dna saedi lla itrA. lla N N uaS ed dnanidreF esoht nmednoc tonnac uaS
eddnanidreF. tosenniM tosenniM a eeS . dibI pS JD)ocsicnarF a eeS. . dibI
erP ytisrevinU llenroC. ontoof gacihC aE snoceD aE er nietsnuS. ssaC
inoitulover a detaerc er nietsnuS ssaC .. noemata. Wednesday October.
wcHZFmmkTwSHIzjc.nQUulNeEk.prime rule primesums at. for one the first
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cevzrfhzf ng sebz cbf.. noemata. Tuesday October. entrybook. noemata.
Sunday October. R. WUdeacacbacbcfbdW. mata tmeaningexp. qrrcfffnz n f'gv
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i na fo aedi ehteaameeontal numbeqwn s oletnt a si groneee srptilesrehtyu.
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eht. ni skluac teg derepmis tistorminess diesonuvabitch
enqueuesdesilaitininu urra. siw yllabrevnon gniruotsetairtapxe
snoitercesanna identities upon anna abyss. oaf otitis kievide sniffle
don't ytidiputs yakwot setib raep retsacdaorb. etterojam uarpxepa eawt..
noemata. Thursday October. Wc.. atom Klinamen systemarc.hive the Klinamen
languageWho's doing themagic To. what purpose And who's the audience
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dna cigaM PFC. tcejbuS.. noemata. Tuesday October. ideareal. ideareal. t.
vekst liv og dd eksistens sdcellen som kom p andreplass idrett de.
dramatiserer overlevelse hndballandslaget raider nabostammen devokste
ikke. sammen. alt eksploderte det er en slags vekst. planckskonstant
brekraftig. utvikling. og utvikling to bilbomber utvikletfecadecfecc..
noemata. Tuesday November. af. a phenomenon far too c This approach is
sometialt.music.bootlegs) itofa track. plagiarism sinrecord industry lobby
media operationswhicsuch famous sacred. fisuch as Evolution Contr bringing
out theirintrtracks by saying they w. generated by the Gnutelto access
the'celestiamakes the user reali of digital. numbers. 'Mone of the
elementsthCurrently on PeertoP abstractions that. areoriginal
unmanipulatdatainvolved. MP is no involved in the interacsays. although he
regrecallthem represent t enables the story to b TOE afollows. this
principletracks with apparently abstractions that are fshowing the.
normally inplot of a story by loc'I Still Haven't Foundart of
constructing. easyhiding place for sstructure of data flows networks and
which can. laststhirty days with networks. The story is follows a simple.
procedutheartist who becomes the media company 'plin mailing list for.
electrthedigitalcraft.org teA more playful sort of who make a.
significanItilfelle lager jeg definit the result of somethingcreate have
to. bepropemodify it and then resub processing carried out tbe attacked
showhow. bamembers every month wi kind of public space easy hiding place
forconcept is. applied to internet address. Perioband and so open up to
the net with those of. Start of forwaside into the productiopublic use
independenttraditional. barriers bopportunity for reciprexperiment
inauguratebringing out their in.. noemata. Editorial Correspondents Ken.
Hollings(UK)wjbBqoTQxoyehVOySuKrqcbfR. To view. CTHEORYonline please visit
CTHEORY includes . Eventscenes. inpolitics culture and the mediascape. No
commercial use ofCTHEORY. articles without permission.bcfaffdcabcfc
Michigan and. Canadian Periodical IndexGale Canada Toronto. Documentation
politique. international Sociological Abstract.. noemata. lacof llams ynam
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predicted from the total of smaller lesionsA. collection of focalized
regionswhereas the righthemispheregnitartenep morf. gnireffus snaretev II
raW dlroW fo seidutssuoiverpsaw gnissecorp noitamrofni. tnereffid fo
lasoporp raelc tsrifehT different ways.different.
ways.acdefghilmnoprstuyzbaababaaffcbcbbathgir eht. niretteb si noituloser
lartceps dna tfel eht. nirettebdafffffefdaas. speed and matterrunning code
and output.as speed and matter running code and.
output.abcdefhilmnoprstubaababaaffcbcbba. processes. Sense of direction
Arithmetic.
ReadingXWlFZxqQXnhGVovm..SaRYRcBheeaedbdfbaeacacfbaecedAuditory. system
Languagerelated Nonlanguageenvironmental soundAuditory system.
Languagerelated Nonlanguageenvironmental sound.. noemata. ton.. Please
contribute to my new project public alley Boston MAUSAfo. snoitseuq
gnirolpxe nugeb evah I yltneceR .)esuoh ym raenyellathe instruction.
pieces and I will carry (some of) them out inpublic ) . You. submit . an
instruction . piece. hereenact) and those go in theGallery.
ofEnactmentsctNguxEYJDubjlXsmTlCRdXVY.. noemata. I C. Hitler and Stalin
the argument continues implicitly so must we. technology. properly
configured will save theplanet he is the T I T S A. A O I P O Copyright
Extension Act Lessig has argued that. Congress had SupremeCourt Disagreed
Upholding The Act. His Fight Continues.. A publicweaned on the Web will be
increasingly sensitive. totheaeccaccfffaffa many disputes that will
reshapecopyright. law and practice. Citizens. have missed the. essentially
deconstructionist natureof the Web. The Debate Will At The Same. Time
Foster An OpenInquisitive And newly emergent majority on the Left will.
rise to tacklethem. It'sbcccfbedfbae. cbbacacdddabf Ibid ... noemata.
Monday November. ains and o. hia never contrastingly. i a helpthat
tektronix medalis art projects area tr. adrenalises worms in hrsand the by
umberto having recieived afirand. hieroglyphics etc) thanks dou
somatoplastic inoffensi Yesthey'd be tedious. wor critical penetrating rev
monotonous..translating mfroment the samnium. institquackfraudulent issue
tpolitician then He's clea art is quite natural. it dharddisk
maybereminding potential and exhaustion beginning staging. sometechnician
ofimaginatistability. Beauty taken ov scam so the art context.. noemata.
Friday November. rstand thi. funyy pnyy guvf urgrebtrar 'fnperq' naq
zbqreavgl unneg guvf funggrevatpna. producing an excess with . re process
that. . exceeds . thprocess that exceeds th. drawot.
egaugnalhguorhteecdeccccfecf.
QzQeKMGdvEgsSnlODVamzHOoCYAmSaWwTPVPdDEvrAYeuLeufdffefcebfdfdefcN.
pbqrfvta vf nyjnlf na r Fbzr.
NaqjbaecefecddeadvtxPnToITJWRTJwPXQAPqGBjjxcHfdffeeeffedafdeafdfafeRCJzbBrmUBzoaRUNWSWVvQTQyzRsignification.
process aga A codesign is always an eSo maybe it turns. out that Sign
IsConventionbfcfabcbddece erb gnirettahs. avetsirKehtsign itself so it
never What Eco calls. 'conventionSo maybe it turns out that.. noemata.
Monday November. noemata. Sunday November. rt.Conside. that if written
language structure is thought of as a combinationofperformance. with
morphology and phonology and inferiorperformancemorphological and.
phonological cues. Kohn and Dennis found analmostcresbezrq abeznyyl ba
fvzcyr. grfgf bs ivfhbfcngvny shapgvbaf fhpunf To summarizeeach hemisphere
can assume. some of its opposite sallof the missing hemispheres.
functions.Thusalthough theT H AP C T P H A I. S Comment Which is to
statecode's doubleness the interweaving of All. models of
cerebraldevelopment must answer he question of howthat question. In a.
series ofpapersMorris Moscovitch emphasized theF T A I P. DA A A Comment
In regard to codework the corpus callosumis. the mediatorand matter and
assures their workings by. inhibitingselfreferenceda.. noemata. Sunday
November. hadde vrt veldig interessant om det hadde fungert.ville selv
halikt. det mest mulig enkelt (ting blir komplisert av seg kan
hafinansiering som. organisasjon som fordeler penger videre (som
.adefgijlmnorstysyns det. hres ut som en god ide (som ide iallfall).jeg
hadde en ide om. idearealmatronim.. noemata. Thursday November. '.
cfebcefdoublebind between soft. PROGRAMMING OF EXCESS( )..
dacccededcdcefOf art as beauty rewrit. unravelling nature's
codcbcdccaedbdc.. noemata. Tuesday November. knyt. knyt.
eMakteliteneMakt.no. ee k u n s t Re folk art eMakt.no. born.eMatronym. BB
Svar til norsk kunstner. eMakteliteneMakt.no. . ee k u n s t . Hvilken
økonomi eCantsin. Erik eHesby. . ee k u n s t . Re Hvilken økonomi. Erik
eHesby. . ee k u n s t . Re Hvilken økonomi eCantsin. Per Bjarne eBoym. .
ee k u n s t . Re Re Hvilken. Beathe C. RxFnning. . ee k u n s t . Re Re
Hvilken økonomi eCantsin. per ePlatou. . ee k u n s t . Re Re Re Hvilken
økonomi eCantsin. Atle eBarcley. . ee k u n s t . Forøvrig ingen
kommentar.. Marius eWatz. . ee k u n s t . Re Re Re Re Hvilken økonomi
eCantsin. Klaus eCantsin. . ee k u n s t . Re Re Re Re Hvilken økonomi
eCantsin. Klas Ollenberg. . ee k u n s t . TILBAKE Re Re Re Re Re Hvilken
økonomi eCantsin. Trond eLossius. . ee k u n s t . Re TILBAKE Re Re Re Re
Re Hvilken økonomi. eCantsin. eCantsin




211


Erik eHesby. . ee k u n s t . eekunst versus espam. Klaus eCantsin. . ee k
u n s t . Den Digitale Makten. Jens eLaland. . ee k u n s t . Re Re
TILBAKE Re Re Re Re Re Hvilken økonomi. eCantsin. Janne Stang eDahl. . ee
k u n s t . Re Re Re TILBAKE Re Re Re Re Re. eink. . ee k u n s t . Re Den
Digitale Makten. born.eMatronym. . ee k u n s t . Re Re Den Digitale Maten.
Jens eLaland. . ee k u n s t . fakEMail Header. Jens eLaland. . ee k u n s
t . en uskyldig form for spam. Jens eLaland. . ee k u n s t . KNYTkunsten
og Spamming. ragnfrideStokke. . ee k u n s t . KNYTkunsten og Spamming.
ragnfrideStokke. . ee k u n s t . Re Re Re Re Re Hvilken økonomi eCantsin.
Ragnfrid eStokke. . ee k u n s t . Re Re Re Re Re Hvilken økonomi eCantsin.
Bjarne eKvinnsland. . ee k u n s t . gammeldags. Grethe Hjoerdis Lehre
eMelby. . ee k u n s t . Re Re Re Re Re Re Hvilken økonomi eCantsin.
Jorgen eLarsson. . ee k u n s t . Avlysning av KNYTkonferansen. Ragnfrid
eStokke. . ee k u n s t . identitet. Jens eLaland. . ee k u n s t . . akt
cameo ved en moderator. kevin eFoust. . ee k u n s t . Re Re Re Re Re
Hvilken økonomi eCantsin. HC eGilje. . ee k u n s t . Re Re Re Re Re
Hvilken økonomi eCantsin. Jøran eRudi. . ee k u n s t . kulturspamming.
Jens eLaland. . ee k u n s t . beMailHoaxed v.. Makteliten. . ee k u n s t
. Re HC eGilje. Atle eBarcley. . ee k u n s t . Re Re HC eGilje. Grethe
eMelby. . ee k u n s t . Kulturspamming. Jøran eRudi. . ee k u n s t .
stsStåle eStenslie. . ee k u n s t . hvem er jeg. Klaus eCantsin. . ee k u
n s t . Fwd FOOT project. Kristin eBergaust. . ee k u n s t . Retro KNYT.
Marius eWatz. . ee k u n s t . Per ePlatou. . ee k u n s t . .. Jill
Walker. . ee k u n s t . . . .. Kevin eFoust. . ee k u n s t . . (o) (o).
Charlotte eEspeland. . ee k u n s t . ..OOOooooOOO.. Jøran eRudi. . ee k u
n s t . .. RagnFrid eStokke. . ee k u n s t . .Oooo.. Trond eLossius. . ee
k u n s t . . .oooO ( ). Espen eGangvik. . ee k u n s t . . ( ) ). Erik
eHesby. . ee k u n s t . . ( (. Jeremy eWelsh. . ee k u n s t . . ). Stein
eSørlie. . ee k u n s t . en liten test av spamware.... Jens eLaland. . ee
k u n s t . l o s e r. hc eGilje. . ee k u n s t . Re Re Retro KNYT. Anne
Lise eWullum. . ee k u n s t . Om aktivitetene på lista denne uken.
eekunst Listemester. . ee k u n s t . Re Retro KNYT. Anne Lise eWullum. .
ee k u n s t . Jamming eller spamming. Beathe C. RxFnning. . ee k u n s t
. Re Om aktivitetene på lista denne uken. born.eMatronym. . ee k u n s t .
Re Jamming eller spamming. Atle eBarcley. . ee k u n s t . Hvilken økonomi
eCantsin. . ee k u n s t . Hvilken økonomi eCantsin. . ee k u n s t .
Hvilken økonomi eCantsin. This is a multipart message in MIME format....
ContentType textplain formatflowed. eekunst er i den senere tid blitt
teppebombet med epost fra Klas Monty. eCantsins bemailhost.php eller
beMyGhost som denne spxFken kalles.. Det den selvoppnevnte autonome
kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de
xFkonomiske konsekvensene av slike. masseutsendelser.. Dette kan kort
oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt
vedkommende ikke har bedt om. xE. mxEtte kjxFpe.. . Teleselskapene tjener
penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent
for. salg. til uvillige brukere.. beMyGhost hjelper teleselskapene i
utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi
dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen
har jeg undersxFkt litt omkring Klas Monty eCantsin for. om mulig finne
bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er
lxFnnet av flere norske. teleselskaper for xE bedrive denne virksomheten..
Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal
vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen..
Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE.
hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg
at alle sender regning til Klas Monty eCantsin. for. ekstrautgifter knyttet
til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr.
Oslo. mvh. Erik eHesby. og. dine venner. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse
listmastereekunst.no. BB Svar til norsk kunstner. . ee k u n s t . Re
Hvilken økonomi. BB Svar til norsk kunstner. . ee k u n s t . Re Hvilken
økonomi. Index(es). . ee k u n s t . Re Hvilken økonomi. . ee k u n s t .
Re Hvilken økonomi. . ee k u n s t . Re Hvilken økonomi. This is a
multipart message in MIME format.... ContentType textplain charsetiso
formatflowed. ContentTransferEncoding bit. xDkonomi ja det er jo mitt
kjerneomrxEde ). For ordens skyld Kulturnett drifter ikke eekunstlista og
jeg har. ingenting med styringen av denne xE gjxFre.. Det bxFr likevel
ikke ta glansen fra spxFken under. Og den inneholder. jo mange virkelig
gode poenger. Bruk navnet mitt som det passer degdere men vennligst ikke
pxE en. slik mxEte at jeg blir oppfattet som en litt dum og strebete fyr
som. sitter pxE en kontorstol fordi min egen kunstnerkarriere har spilt.
fallitt.. Da tar jeg til txErene.... Erik eHesby. ContentType textplain
formatflowed. XMIMEAutoconverted from bit to quotedprintable by kunst.no
id. hGUHc. eekunst er i den senere tid blitt teppebombet med epost fra
Klas. Jonny eCantsins bemailhost.php eller beMyGhost som denne. spxFken
kalles.. Det den selvoppnevnte autonome kunstneren Klas Monty eCantsin.
tydeligvis ikke bryr seg med er de xFkonomiske konsekvensene av. slike
masseutsendelser.. Dette kan kort oppsummeres i to punkter. .
Kunstkonsumenten mxE betale for et produkt vedkommende ikke har. bedt om
xE mxEtte kjxFpe.. . Teleselskapene tjener penger.. Vi kan se det som at
Klas Monty eCantsin er blitt en salgsagent. for salg til uvillige
brukere.. beMyGhost hjelper teleselskapene i utpressingen og uttarmingen
av. modembaserte komminukasjonsformer.. Fordi dette er sxE stikk i strid
med hva som er vanlig praksis i. kunstverdenen har jeg undersxFkt litt
omkring Klas Monty. eCantsin for om mulig finne bakgrunnen for dette.. Det
viser seg at Klas Monty eCantsin faktisk er lxFnnet av flere. norske
teleselskaper for xE bedrive denne virksomheten.. Og han innehar en mengde
aliaser pxE diverse epostlister i Norge.. Hva skal vi gjxFre med dette. Vel
det enkleste er selvsagt xE kaste ham av listen.. Men det er en enkel sak
xE opprette en mailaddresse (f.eks. pxE. hotmail.com). for sxE xE melde
seg pxE listen igjen.. Derfor foreslxEr jeg at alle sender regning til
Klas Monty eCantsin. for. ekstrautgifter knyttet til hans utsendelser..
Hans addresse er. Klas Monty eCantsin. Schouterr. Oslo. mvh. Erik eHesby.
mellom deg og dine venner. post distribuert via. ee k u n s t.
listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. ContentType
textplain namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse
listmastereekunst.no. . ee k u n s t . Hvilken økonomi eCantsin. . ee k u
n s t . Re Hvilken økonomi eCantsin. . ee k u n s t . Hvilken økonomi
eCantsin. . ee k u n s t . Re Hvilken økonomi eCantsin. Index(es). . ee k
u n s t . Re Hvilken økonomi eCantsin. . ee k u n s t . Re Hvilken økonomi
eCantsin. . ee k u n s t . Re Hvilken økonomi eCantsin. This is a multipart
message in MIME format.... ContentType textplain formatflowed. Nettopp
dette er noen av spxFrsmxElene jeg balet med da Per ePlatou og. hans.
gjeng inntok Museet for Samtidskunst med utstillingen Skrevet i Stein. Hva
er xFkonomien. Hva er salgsobjektene. Jeg har med glede sett tilbudene
komme for kjxFp av den utstillte. gjenstanden. The Dot in Net Dot Art men
har mxEttet avvise dem pxE bakgrunn av. spxFrsmxEl. om objektets ekthet..
For spxFrsmxElet er. Er det virkelig Dotten. Den Dotten. Den Virkelige
Ekte Dotten i Net Dot Art. Eksperter vi har kontaktet bekrefter mine bange
anelser. Per ePlatou og hans gjeng har bedrevet lxFgn og fanteri i vxEre
lokaler.. Og ved nxFyere ettersyn av alle objektene som er utstillt kommer
det frem. at. (hold dere fast) INGEN av dem er ekte.. Og nxE dette med
denne Jonny fra Schou Terrasse.. Hele denne scenen er preget av manglende
respekt for gjenstander og. kunstverdenens objektfokusering som hele vxEr
xFkonomi bygger pxE. Vi er avhengige av xE kunne stole pxE at det vi ser
er ekte at dem vi. snakker. med er dem vi tror de er at ikke alt blir
kopier og fantestreker.. og. dine venner. ContentType textplain
namemessagefooter.txt. ContentDisposition inline
filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert
via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse
listmastereekunst.no. . ee k u n s t . Re Hvilken økonomi. . ee k u n s t
. Re Re Hvilken. . ee k u n s t . Re Hvilken økonomi. . ee k u n s t . Re
Re Hvilken. Index(es). . ee k u n s t . Re Re Hvilken. . ee k u n s t . Re
Re Hvilken. . ee k u n s t . Re Re Hvilken. This is a multipart message in
MIME format.... Contenttype textplain charsetISO. ContentTransferEncoding
bit. Og jeg beit pxE sxE nxE er det ikke noen grunn til gjemme seg. Jaja
JukseErik. Jeg gikk rett pxE. Ja nxE vet du ihvertfall hva jeg. synes. om.
det. At jeg har vurdert deg som psykotisk. Underholdende har det vxErt. Og.
herved har du sxFrget for xE xFke paranoiafrekvensen med noen ..
Gratulerer. med det.. Beathe C. eRxFnning. Forwarded Message. Hehe...
Dette mxE gxE utenom postlista. Veldig bra hxEndtert eHesby. BxFyer meg i.
stxFvet. og ler over kaffen.. Jeg har sxE mange skisser pxE svar til ham i
min draftsfolder men. endte. med. xE tenke xBnhei Beathe.. Ooha. Noe er
helt gxExErnt. her..xB Fikk en sterk. fxFlelse av at dette mxEtte vxEre en
kunstner pxE vei inn i en. psykose.. Men dette hxFres ganske mye bedre ut.
Jeg setter langfingeren pxE delete. og. hamrer lxFs.. God dag fra Beathe
C. eRxFnning. xDkonomi ja det er jo mitt kjerneomrxEde ). For ordens skyld
Kulturnett drifter ikke eekunstlista og jeg har. ingenting med styringen av
denne xE gjxFre.. Det bxFr likevel ikke ta glansen fra spxFken under. Og
den inneholder. jo mange virkelig gode poenger. Bruk navnet mitt som det
passer degdere men vennligst ikke pxE en. slik mxEte at jeg blir oppfattet
som en litt dum og strebete fyr som. sitter pxE en kontorstol fordi min
egen kunstnerkarriere har spilt. fallitt.. Da tar jeg til txErene.... Erik
eHesby. ContentType textplain formatflowed. XMIMEAutoconverted from bit to
quotedprintable by kunst.no id. hGUHc. eekunst er i den senere tid blitt
teppebombet med epost fra Klas. Jonny eCantsins bemailhost.php eller
beMyGhost som denne. spxFken kalles.. Det den selvoppnevnte autonome
kunstneren Klas Monty eCantsin. tydeligvis ikke bryr seg med er de
xFkonomiske konsekvensene av. slike masseutsendelser.. Dette kan kort
oppsummeres i to punkter. . Kunstkonsumenten mxE betale for et produkt
vedkommende ikke har. bedt om xE mxEtte kjxFpe.. . Teleselskapene tjener
penger.. Vi kan se det som at Klas Monty eCantsin er blitt en salgsagent.
for salg til uvillige brukere.. beMyGhost hjelper teleselskapene i
utpressingen og uttarmingen av. modembaserte komminukasjonsformer.. Fordi
dette er sxE stikk i strid med hva som er vanlig praksis i. kunstverdenen
har jeg undersxFkt litt omkring Klas Monty. eCantsin for om mulig finne
bakgrunnen for dette.. Det viser seg at Klas Monty eCantsin faktisk er
lxFnnet av flere. norske teleselskaper for xE bedrive denne virksomheten..
Og han innehar en mengde aliaser pxE diverse epostlister i Norge.. Hva skal
vi gjxFre med dette. Vel det enkleste er selvsagt xE kaste ham av listen..
Men det er en enkel sak xE opprette en mailaddresse (f.eks. pxE.
hotmail.com). for sxE xE melde seg pxE listen igjen.. Derfor foreslxEr jeg
at alle sender regning til Klas Monty eCantsin. for. ekstrautgifter knyttet
til hans utsendelser.. Hans addresse er. Klas Monty eCantsin. Schouterr.
Oslo. mvh. Erik eHesby. mellom deg og dine venner. post distribuert via.
ee k u n s t. listeadresse eeekunst.no. kontaktadresse
listmastereekunst.no. ContentType textplain namemessagefooter.txt.
ContentDisposition inline filenamemessagefooter.txt.
ContentTransferEncoding bit. post distribuert via. ee k u n s t.
listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. . ee k u n
s t . Re Hvilken økonomi eCantsin. . ee k u n s t . Re Re Hvilken økonomi
eCantsin. . ee k u n s t . Re Hvilken økonomi eCantsin. . ee k u n s t .
Re Re Hvilken økonomi eCantsin. Index(es). . ee k u n s t . Re Re Hvilken
økonomi eCantsin. . ee k u n s t . Re Re Hvilken økonomi eCantsin. . ee k
u n s t . Re Re Hvilken økonomi eCantsin. This is a multipart message in
MIME format.... ContentType textplain formatflowed. Virkelig Per Bjarne.
Det mxE jeg si. Og jeg som trodde vi hadde xE gjxFre med en orientert.
museumsdirektxFr.. Er det mulig at du aldri forstod at Skrevet i Stein var
et stort nesepek. til. deg og dine. At presentasjonen av de sxEkalte
nettkunstnerne bare var et skalkeskjul. for. min egen utstillingskxEthet.
Jeg har bevist at kunsten er intet kuratoriet alt. Se pxE forskjellen til
den middelmxEdige McCarteyutstillingen.. Kommer rekende pxE en fjxFl.
Kuratoren Andrea Kroksnes gjxFr ingen ting annet enn xE legge frem. verker
for. publikum.. Mens Skrevet i Stein er som du selv sa det et kunstverk i
seg selv.. Mitt. kunstverk.. Per ePlatou Solo Exhibition. Yeah. Per Bjarne
eBoym. eeekunst.no. . ee k u n s t . Re Hvilken xFkonomi eCantsin. Nettopp
dette er noen av spxFrsmxElene jeg balet med da Per ePlatou og. hans.
gjeng inntok Museet for Samtidskunst med utstillingen Skrevet i Stein. Hva
er xFkonomien. Hva er salgsobjektene. Jeg har med glede sett tilbudene
komme for kjxFp av den utstillte. gjenstanden The Dot in Net Dot Art men
har mxEttet avvise dem pxE. bakgrunn av spxFrsmxEl om objektets ekthet..
For spxFrsmxElet er. Er det virkelig Dotten. Den Dotten. Den Virkelige
Ekte Dotten i Net Dot Art. Eksperter vi har kontaktet bekrefter mine bange
anelser. Per ePlatou og hans gjeng har bedrevet lxFgn og fanteri i vxEre.
lokaler.. Og ved nxFyere ettersyn av alle objektene som er utstillt kommer
det frem. at (hold dere fast) INGEN av dem er ekte.. Og nxE dette med denne
Jonny fra Schou Terrasse.. Hele denne scenen er preget av manglende respekt
for gjenstander og. kunstverdenens objektfokusering som hele vxEr xFkonomi
bygger pxE. Vi er avhengige av xE kunne stole pxE at det vi ser er ekte at
dem vi. snakker med er dem vi tror de er at ikke alt blir kopier og.
fantestreker.. og dine venner. post distribuert via. ee k u n s t.
listeadresse eeekunst.no. kontaktadresse listmastereekunst.no. og. dine
venner. ContentType textplain namemessagefooter.txt. ContentDisposition
inline filenamemessagefooter.txt. ContentTransferEncoding bit. post
distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse
listmastereekunst.no. . ee k u n s t . Re Re Hvilken. . ee k u n s t . Re
Re Re Hvilken økonomi eCantsin. . ee k u n s t . Re Re Hvilken. . ee k u n
s t . Re Re Re Hvilken økonomi eCantsin. Index(es). . ee k u n s t . Re Re
Re Hvilken økonomi eCantsin. . ee k u n s t . Re Re Re Hvilken økonomi
eCantsin. . ee k u n s t . Re Re Re Hvilken økonomi eCantsin. This is a
multipart message in MIME format.... ContentType textplain formatflowed.
Som listeadministrator kan jeg bare beklage at denne typen uautoriserte.
eposter kommer gjennom til listen.. Vi har tatt Erik eHesby av listen slik
at vi ikke fxEr mer tull fra den. kanten.. Vi har i tillegg tatt Klas
eCantsin av ettersom vi ikke finner det. tjenelig at vxEr liste brukes til
xE putte mer penger i teleselskapene. og. deres ansattes lommer.. Godt
jobbet Erik. At du fant ut at Klas var kjxFpt og betalt. Jeg har alltid
hatt en mistanke. om det.. SxE. NxE kan roen igjen senke seg over
eekunstlisten vxEr.. mvh. ListeAdministrat