Re:TheAshLad
Volume 3
Sandbooks ISBN 978-82-92860-00-7 First Edition Copyleft 2007 http://sandbooks.com
188
acknowledging rules codes and systems of conventions. Given this.
selfimposed limitation I would ask Eco what he supposes would qualify as.
convention as code as rule In other words who decides where to draw the.
line where a text is presumed to cross into incoherence. Thanks for the
cite convention Chiasmic slides. Nymo. Re Booksigning Tour. Hello all. I'm
going on a booksigning tour this week. No I don't have any. publications of
my own to sign what I will be doing instead is. signing the names of other
authors into their discarded books at. various thrift stores in the area.
Some of my favorites include. Steven King sic Tom Clancy Maxine Hong
Kingston and John Updike.. So if you come upon a book signed by the author
in a thrift store. or elsewhere ha ha be aware that it. may be mine..
another thing would be to mark them mark mark appropriate confiscate. the
book by signing your name in it would they be yours and the stores. your
library in you livingroom another thing would be to tag the. would surely
make them more weird wired maybe a net.book should be. devoted to such
realworld concrete appropriation and dissemination. bringing another
dimension to the practice of tagging. forsew any. prosperous
partencipasion in this schejame.. Re Booksigning Tour. Hello all. I'm
going on a booksigning tour this week. No I don't have any. publications
of my own to sign what I will be doing instead is. signing the names of
other authors into their discarded books at. various thrift stores in the
area. Some of my favorites include. Steven King sic Tom Clancy Maxine Hong
Kingston and John Updike.. So if you come upon a book signed by the author
in a thrift store. or elsewhere ha ha be aware that it. may be mine..
another thing would be to mark them mark mark appropriate confiscate. the
book by signing your name in it would they be yours and the stores. your
library in you livingroom another thing would be to tag the. would surely
make them more weird wired maybe a net.book should be. devoted to such
realworld concrete appropriation and dissemination. bringing another
dimension to the practice of tagging. forsew any. prosperous
partencipasion in this schejame.. daidalonicsmazpiq. another thing what
was the function of the ancient mazes like the. crete labyrinth by
daedalus some initiation rite 'heroic' myth how. does it relate to
codework has it some mythological dimensions. as i think about it the
labyrinth is also a modulation between. the two notions of boundless and
deadend and conceals the relationship. between the terms apeiron and
aporia.. Diodorus Siclus notices this. as he describes the labyr. apeiron
is boundless but it is also aporia. without escape.. perhaps the aporia
are like looped subroutines. along the boundless but inescapable path..
its seems to be somehow. about modulationinterpretation between open and
closed systems... a couple of cites. The role of the cave in paleolithic
religions appears to have been. decidedly important. Then too the cave and
the labyrinth continue to have a. function of the first importance in the
initiation rites of other archaic. cultures (as for example in Malekula)
both indeed are concrete symbols. of passages into another world of a
descent to the underworld p.. mircea. eliade shamanism.. on 'difficult
passages' p. the symbolism of the strait gate and the dangerous bridge is
bound up. with the symbolism of what we hav called the paradoxical passage
because. it sometimes proves to be an impossibility or a situation from
which there. cerain myths sometimes find themselves in apparently
desperate situations.. They must go where night and day meets or find a
gate in a wall or go up. the sky through a passage that opens but for an
instant pass between two. constantly moving millstones two rocks that
clash together through the. jaws of a monster and the like like supermario
etc. As Coomaraswamy. rightly saw. all these mythical images express the
need to transcend. opposites to abolish the popularity typical of the
human condition in. order to attain the ultimate reality...and so on In
the myth the. paradoxical passage emphatically testififes that he who
succedes in. accomplishing it has transcended the human condition he is a
shaman a. hero or a spirit and indeed the paradoxical passage can be.
accomplished only by one who is spirit.. daidalonics for the posthuman
cyborgs of the world the other ay ). an interesting drum.. the drums has
the world view printed on it which is. their maze adventure 'd' so you'd
have both the processing unit (drum. stick) and the image.. and the other
stuff. chant dance speaking in. tongue curious codework heuristics
eurythmics trying to get out of the. algorithmic... Re NULL. Here's the
response to jukka's NULL via code posted by MWP.. Had to. mutilate the
tags for the blog.. The null set is not empty.. A work following in the
footsteps of JP Kervinen's NULL.. htmhead. headbody. codefont size
faceCourier New Courier mono. pre. pre. font. body. htm. Here's Noemata's
question. is this null or not null specifying font size and all and
wonder. about. the pre is there something in there adding a dot .prepre..
reveals a lot of space inbetween (which is invisible if you don't code.
it).. is the preformatted the chora of code in the midst of it the.
monospace dancefloor. Okay firstly I think Noemata's question is a little
strange.. But when you consider what I conisder to be an abberrant
Isotropy of. the Sememe in Topic.. snip. The white page in the webpage is.
a construct but it. is still an actuation of refreshes and the work of
Hardware so yes. Noemata it is a chora. and it is a framework all these
terms should be fluid... I was commenting with an idea of the emptiness of
code as pure structure and. found it poetical funny that the pre tags in
the midst of code were not empty. after all but contained a lot of space
but which remained invisible unless you. throwed something in there two
small dots which amounts to a kind of paradox. of body matter space
structure space is created by matter something. becomes empty first when
you trow something into it two coins into a well p. loplop. Sun Mar AM
Lanny Quarles edit. One day Manjushri stood outside the gate when Buddha
called to. him. 'Manjushri Manjushri why do you not enter'. 'I do not see
a thing outside the gate. Why should I enter' Manjushri. replied.. Where
is the gate Are you inside or outside the gate. The two dotties
insideoutside pre gate. best. spaghetti kid. chorachoroschros. Whereas the
Chora I refer to is based on the archaeolinguistic analysis. of experts in
the field applied in a romantic sense the nature of. machinic activity and
or molecular activity and the lack of its. separation. via physics from the
ground dancefloor it supposedly happens on. or in other words the activity
within the frame is wholly dependent on. the frame and the action is
indeed as part of the frame as the frame. is apart of the action ie matter
is part and parcel of space it IS. space a form of space and without
spacetime there would be no. matter. This is the sense in which I use the
term chora which is also. realated to chros (body)... Okay oops. I made a
mistake. Chora is a scant space choros. is the dancefloor space. But it
still works the chora is the scant. space separating the subject from the
object man from nature. object from space etc etc... space i tend to
imagine the physical and gravitation let's say the chora is. the
(primordial) matter shaping space by matter itself creating gravitation.
by. spacing itself and then the different levels of unfolding from big
blasts. to. black boxes of pre or postsymbolic spaces. like we are object
with. gravitation being bodies in space the abject as the gravitational
force on. the. bodies shaped by space shaped by matter ref insideoutside
frame.. it's a physical logocentric metaphor but then you'd have
antigravitation. codework from the science of imaginary solutions maybe
drift bodies going. through the motions from the expansion of the void
towards the periphery the. pataphysical poetic metaphor of the same..
chora choros chros matter space body. gravitation antigravitation force of
matter force of void. syllogismo. if all writing is lack. all horses heads
are horses. all tails are tales. Re chorachoroschros. the chora is the
scant. space separating the subject from the object man from nature.
object from space etc etc... Sorry for not following this argument as well
as I should but isn't this. separation something we SHOULDN'T be doing I
mean separate man from. nature Not in my worldview. just throwing in some
things found on the web chora is prior to the. separation obviously also
here's a more complete cite from the blog. Whereas the Chora I refer to is
based on the archaeolinguistic analysis. of experts in the field applied in
a romantic sense the nature of. machinic activity and or molecular activity
and the lack of its. separation. via physics from the ground dancefloor it
supposedly happens on. or in other words the activity within the frame is
wholly dependent on. the frame and the action is indeed as part of the
frame as the frame. is apart of the action ie matter is part and parcel of
space it IS. space a form of space and without spacetime there would be no.
matter. This is the sense in which I use the term chora which is also.
realated to chros (body)... Okay oops. I made a mistake. Chora is a scant
space choros. is the dancefloor space. But it still works the chora is the
scant. space separating the subject from the object man from nature. object
from space etc etc... chora a Platonic term for a matrixlike space that is
nourishing unnameable. and prior to the individual. Chora becomes the
focus of the semiotic as the. 'presymbolic.'. semiotic the science of
signs (that which creates the need for. symbolic)cyclical through time pre
Oedipal and creates unrepressed writing.. Exists in children before
language acquisition and has significance.. symbolic the domain of
position and judgment chronologically follows. semiotic. (postOedipal) is
the establishment of a sign system always present. historical time
(linear) and creates repressed writing.. Kristeva perceives the semiotic
chora as structural that is its 'role' is. to. first make a space in which
language (as the underpinning organisation of. socialsymbolic interaction)
can then work. The recalling and momentary. revitalisation of this
semiotic chora in itself is potentially disruptive to. the. patriarchal
symbolic because it ruptures the latter's normality by recalling a.
different prelinguistic presymbolic sense of self in which the mother of.
the. Imaginary (feminine) and feelings associated with her are central
and. compelling rather than peripheral and debased. These 'feelings'
(bodily drives. rhythms pulsions pleasures bliss) are never lost and their
memory is held. precariously in check by the patriarchal symbolic. They can
be seen to rise to. the surface through cultural forms in different ways.
For instance they have. been retrieved in readings of artistic work where
their resisting quality may. be. 'accidental' e.g. in readings of the th
century photographs of Julia. Margaret Cameron (see Mavor ) or the
abstract works of Helen Frankenthaler. (Pollock ). Feminist cultural
theorists have exposed the way in which. these. memories remain to
'trouble' patriarchy revealing how cultural practices and. stories (films
rituals fairy tales myths) replay the moment of patriarchal. culture's
formation in which the possibilities of 'difference' are continually.
abjected and repressed (Kristeva Creed Warner ).. Kristeva believes that
the subject can gain access more readily to the. semiotic. chora through
creative musical poetic practices or even just through vibrant. use of
colour (Kristeva ). She sees these possibilities as already having. their
origins in the semiotic chora recalling a more fluid plural and less.
fixed perception of meaning and self which reactivates feelings lost in
the. patriarchal 'rational'. However Kristeva also makes it clear that
the. 'feminine' semiotic chora is not something outside or beyond
language. She. states 'if the feminine exists it only exists in the order
of significance or. signifying process and it is only in relation to
meaning and signification. positioned as their excess or transgressive
other that it exists speaks. thinks. (itself) and writes (itself) for both
sexes'. Thus it is 'different or other in. relation to language and meaning
but nevertheless only thinkable within the. symbolic' ().. presymbolic
within symbolic framework. However as Kaplan notes 'the childadult never
forgets the world of the. Imaginary and heshe continues to desire
unconsciously the illusionary. oneness with the mother heshe experienced'
(). It is this proposition. that the child clings to those heady pleasures
of the 'bliss' of preOedipal. fusion with the mother that has been central
to the development of a theory of. visual culture. Lacan believed that the
child never forgets its illusionary. oneness with the mother or the
'jouissance' that this moment entailed a. moment. before the intervention
of paternal law which requires both the control of. 'self' and the
denigrationabjection of the feminine (mother) and the pleasures.
associated with her emotions feelings love.. Briefly Lacan's reworking of
the CastrationOedipal complex proposed a. distinction between the penis as
an organ (Freudian) and the phallus as a sign. (Lacan ). He also theorised
a more fluid path to the formation of a. gendered subject. This reworking
offered a 'logical' rather than biological. explanation of patriarchy
whereby it is not the having or not having of the. physical penis which
organises gendered subjectivity under patriarchy but. rather the way in
which its presence or absence (lack) functions as a. signifier. that is
the way in which subjects can make sense of sexual difference is by. their
possession of the 'sign' (phallus) of patriarchal power which allows. them.
place themselves within the symbolic order of patriarchal culture the so.
called Law of the 'Father'. Thus male fear of castration and of the
'lacking'. woman is a fear of the loss of that power which the phallus as
signifier and. 'maker' of language promises to men.. metaphorical
labyrinthings from (solipsis) phaneronoemikon. a digest with small
comments. . labyrinth. the labyrinth as material whose consequence is
form. It could also be thought of as. an inquiry into archetypal models of
information as the material whose. consequence. is form and therefore lies
at the very heart of the architectural endeavor.. labyrinth as paradox. a.
monadologies. An account by Leibnitz himself of how he had emerged from his
labyrinth. with a true conception of the nature of substance and matter was
never. published as anything even resembling a single article but is to be
found in. Antoine Arnauld Burcher de Volder Nicolas Remond and
Bartholomew. Des Bosses. These are typically to the effect that the
continuum involves. indeterminate parts and is consequently ideal whereas
the actual is a result. of assemblage of discrete units that in ideal
things the whole is prior to the. parts. whereas in actuals the parts are
prior to the whole and that it is the. confusion. of the ideal and the
actual that has embroiled everything and produced the. labyrinth. of the
composition of the continuum.. the relation between the continuum and the
discrete is the theme forming. the. classical paradoxes of Parmenides and
Zenon expressed in Achilles and the. Turtle. where the slow Turtle wins in
the discrete.. is the form of spiral related to the labyrinth when did the
spiral become. labyrinth a continuous labyrinth vs a discrete labyrinth
actualmattering. monadology the great automata. In short a fluidic and
computational. metamorphosis set to iterating within the continnum an
embodied reflection. itself. of the emergence of matter itself from the
quantum foam of particles whose. dance. of disappearing and reappearing
may form the basis for our most sacred and. archetypal. dreams the
epiphaneia of the veil of the absolute. At some point though I. also.
realize. like a kind of substance redolent of molecularity the image is
essentially a. mapping. of loose or open connectors symbolic ports which
might be fitted out with a. myriad. of possible interpretive peripherals
and how within the metaphor is a. recursion. like a seed coiled ready to
begin its inscriptive and generative dance.. the metaphor and recursion
being and creating the labyrinthal. . Babelith. three stages of trance
hallucinations and three metaphors of Ortega. imprintsensation
interpretationconsciousness. Ortega himself often said I and circumstance
or Adam in Paradise. Though. the. language might seem. imply a separation
between the subject and the object its meaning to Ortega. was. in fact a
unity.. . Metaphorest. to not view the forest for all its trees. Reality
is linked to a point of view as Emerson's transparent eyeball. is linked
to Boehme's Divine Imagination is linked to Leibnitz's Monadology is.
linked to the Mind of the Middle Platonists is linked to both the Demiurge
of. the. Timmaeus and also the Demiurges of both Alcinous and Numenious as
well as the. Demiurge of Xenocrates which called his Demiurge the Monad..
It is in effect. a Natura (A Nature) a Metaphorrest and many of these
linkages are in. disagreement. with one another based in the reality of
perspective and upon their. perspective. upon reality. In Plotinus'
Enneads for example the One is said to look at. himself with a selflooking
identical with his being and to possess a. wakefulness. and a
superintellection as his activity which is identical with his essence.
which. perhaps brings us to the metaphoric creation of the metaphorrest as
something. like Intellect which is not Intellect. A Nature is also the
extension of a. program.. getting out of the algorithmic the 'recipes' of
code. The claim that spacetime computes has nothing at all to do with
symbol. manipulation. (read closely with paradox in mind) or numeric
calculation it says that. physical. processes. are ultimately effective
procedures (i.e. programs) functionally composed of. primitive. natural
operations. Indeed digital metaphysics (fingers) requires us to think.
differently. about programs themselves. . Think of how the Jacquard loom
the player piano. and. even fertilized seeds and eggs are programmed.
Programs are not recipes they. are. dynamic rational patterns (think of
formal and final causes think of. entelechies).. More precisely programs
are orderings of abstract transformations of abstract. states. of
affairs.. Accordingly the FHPGAS program is just as true of any gas as
the. NavierStokes. equation is if it be objected that the program is a
mere simulation (and hence. some. how false or fictional) it may be
replied that the equation is a mere. idealization. (and hence just as
fictional and false). At the most basic level however. there. is. no
question of either simulation or idealization nature is what nature does..
Its. existence and functionality are identical each basic element of nature
is the. same. as the program that is true of it.. In the sense that digital
metaphysics offers physical scientists some bricks. (the monads aka
programmable metaphor) out of which it claims they. can build any kind of
house they want (any physically possible world). so too can any metaphor
be programmed to build a physical house. of various meanings or
structure.. . Rinthing the Labyum. Meaning identified either within the
unity or the multiplicity. of the subject structure or theory necessarily
guarantees a certain. transcendence if not a theology this is precisely
why all human knowledge. whether it be that of an individual subject or of
a meaning structure retains. religion as its blind boundaries or at least
as an internal limit and at. best. observed in connection with
structuralism).. Second I shall deal with a particular signifying practice
which like. the Russian Formalists I call poetic language in order to
demonstrate. that this kind of language through the particularity of its
signifying. operations is an unsettling processwhen not an outright
destruction. of the identity of meaning and speaking subject and
consequently. of transcendence or by derivation of religious sensibility.
On that. account it accompanies crises within social structures and
institutions. the moments of their mutation evolution revolution or
disarray.. For if mutation within language and institutions finds its code
through. this signifying practice and its questionable subject in process
that. constitutes poetic languge then that practice and subject are
walking. a precarious tightrope (tieintrope).. along the borders or over
the chasm of the sign. Poetic Language the only language that uses up
transcendence. and theology to sustain itself poetic language knowingly
the. enemy of religion by its very common borders on psychosis. (as for
its subject) and totalitarianism or fascism (as for the. institutions it
implies or evokes). I could have spoken of. Vladimir Mayakovsky or Antonin
Artaud but now I shall. speak of daydreaming in the cave of technicity and
the. shadows of the archetypal informatic the remainder. which is the
output's output the chaos of the gap the. skin of the chaskein the choros
of the chora and a. recipe for making a PC from the myth of the Minotaur..
There is some conflict about the origins of the labyrinth. And also some.
conflict. about the differences between the maze and the labyrinth. I have
created this. conflict. explain why I began to see the myth of the minotaur
as a kind of diagram of. the. basic personal computer. And then I began to
shovel in the details to the. metaphor.. As I already dug my own grave
doubts about the subject in question there was. no. real need to apply the
fundamental logic of a linear unfolding but instead to. rely on. the
simultaneity of consequence and resonance. How we fail and are devoured
by. the Minotaur is just as valuable as how we are successful. We may even
be a. part. of the maze from which the labyrinth is made. When we build
such serendipities. into. the cosmic fabric of blind weaving automata
monadfates we at once acknolwedge. the impossiblilty of doing anything
different from what we have done. Let us. say. Sisyphus did not possess
sophrosyne but within the sophic sign of his physis. was. fused a subject
posessed by understanding. Imagine every pop star is an oracle. and every
oracle a pop star. Or better yet stop imagining altogether. Think. Think..
The dictum of the philosopher. What it really says is continue to
imagine... Imagine. is image. Reality is an image machine and beyond that
all things are images of. themselves. imaging. So imagine 'this' is a poem
not the words you see but the life of. the. universe.. Now also imagine
there is a reason for the poem to exist. If that's true then. how. could.
there every be anything wrong in the universe. Because pain is bad and.
emotions. are. constructive. Only within the mind are we allowed to look
at the universe in. this. way.. Only when we are confortable and alone and
at physical peace. When we are. attached. machines to sustain our lifeforce
we are not interested in thinking about. how. right. the universe is only
how wrong every single in the universe feels. But how. does. the. universe
feel The Universe feels just like a computer.. There is an interconnection
between philosophic metaphors that illuminate each. other.. And this is
what I call the metaphoric system metaphors that are linked. together.
and. that illuminate the different faces of reality. Metaphors that
explore and. discover. the. many sides of reality are interconnected they
are a system that is a. correlation of. philosophic truth as discovery.
The only way to discover reality is to transit. go. through it to follow
it. We can only make the discovery of reality by. following. the.
intricacy of its interpretationswhich are metaphorical.. algorytm(recipe)
heuristics(discover) eurytm(following) three metaphors. of. codework. One
can speak of an original metaphor whose role is not to include the whole.
interpretation of reality in it it is simply impossible that a single
sentence. can. unveil. all reality. The systemic character of reality
makes impossible any kind of. total. formula. the foldings and unfoldings
are too numerous and complicated for any single. process. to... Unfolds
generate data structures and folds consume them. A hylomorphism is a.
fold. after an unfold generating then consuming a virtual data structure.
A. metamorphism. is the opposite composition an unfold after a fold
typically it will convert. one data. representation to another. In general
metamorphisms are less interesting than. hylomorphisms. there is no
automatic fusion to deforest the intermediate virtual data. structure..
However under. certain conditions fusion is possible some of the work of
the unfold can be. done. before all. of the work of the fold is complete.
This permits streaming metamorphisms and. among. other. things allows
conversion of infinite data representations. This is why an. aphorism is.
a false. way of philosophic expression. Alone even doing nothing you do
not waste your. time.. You do almost always in company. No encounter with
yourself can be altogether. sterile. Something necessarily emerges even if
only the hope of some day meeting. yourself. again.. We have convictions
only if we have studied nothing thoroughly. All. indignationfrom. grousing
to satanismmarks a point in mental evolution. It is as an informer. that I.
have. prowled around God incapable of imploring Him I have spied on Him.
Let us not. be. needlessly bitter certain failures are sometimes fruitful.
An aphorism is. something. cut off. And Consists of the elimination of its
real connections. When I utter an. aphorism. I never say why I think what
I am saying or what is the justification of what. I. am. saying..
Therefore the aphorist departs from the road of the philosopher as a.
justified. visionary. amd takes the road of the rustic oracle the country
warbler the dreamer who. the. hillfolk. found mumbling and tied up into a
tree so as to protect their flocks. The. oracle is. a kind of rogue
peripheral or a lolling hole floating through the matrix.. Thinking.
cannot. procede aphoristically. The role of the central or original
metaphor is simply. to. trigger. (the French would say declancher) the
whole set of connected metaphors that. come. mind so I can follow the
whole series of them into reality as suchness. And. as. such. Labyrinths
are different from mazes. Labyrinths are unicursal. They have one. well.
defined. path that leads us into the center and back out again. There are
no tricks to. it no. dead ends. or culdesacs no intersecting paths. The
idea of the Absolute in Hegel. The. eidos. in Plato.. The cogito in
Descartes I and my circumstance the celestial emporium of. benevolent.
recognitions.. so do the labyrinth metaphor correspond more to the
algoritmic of code. while the. maze more to the heuristic and then the
loosely backward dancing eurytmic. to. the. spiral. be continued
tomorrow.... Re culturejammers A simulated hold up. hehe du kan jo prøve
). synes det er interessant det overlapper med kunst selvfølgeligsom kan.
fungere som en immunitet for aksjonisme (Tore F vet mer om dette inbiller.
jeg meg ) uansett kunsten ikke som en beskytteet sfære i virkeligheten. men
som en simulering av den avdekkende kodene for den som er poenget. at
simulering avslører koder bedre enn virkeligheten selv (som bare er.
kjøringen av koden).. i den forbindelse har lenge hatt ideen om en open
source crime aktivitet. som kan virke paradoksal men som kan forstås som
en simulering av. kriminalitet og vil det gjøre den mer lovlig fx. som
kunst. men nå er jo nettopp kunst det mest ufarliggjørende av alt virker
det som... en simulering som ikke har NOEN effekter utenom den lille
eliten som hygger. seg med den. hvis kunsten kan kobles opp mot det
potensielt virkningsfulle. i å dekonstruerereverseresimulere kode ville
den hatt et helt annet liv. utenom institusjonen i interaksjon med levende
koder i samfunnet.. kode er et stikkord for alt dette synes jeg kode er
overalt. og jeg tenker. det samme kode er samtidig ingenting avdekkende at
virkeligheten bare er. kode meningsløs i seg selv. så kode har denne
dobbeltheten av å være alt og. ingenting. hvis du kan simulere noe så har
du bevist det konstruerte ved. tingen. og dermed har du løsrevet det fra
en fundamental tolkning som ligger til grunn. for politisk samfunnmessig
kulturell makt.. simulasjon kodeverk kodearbeid står selvfølgelig i fare
for ikke å bli. tatt alvorlig det er bare en simulasjon bare en lek tror
det er mot denne. grensen den hele tiden vil støte men akkurat det ligger
forøvrig i. kodebegrepet. selv simuleringen er samtidig uten fundament..
det medfører kanskje at skille mellom alvor og tull undergraves kodeverket
vet. ikke selv om det er alvor eller tull det er begge deler selvfølgelig
det er. det som er kode.. uansett det er interessant. ). gjelder
Baudrillard sitat om å iscenesette virkeligheten. angår folk som er
interessert i aksjoner og situasjonisme. Of the same order as the
impossibility of rediscovering an absolute level. of the real is the
impossibility of staging an illusion. Illusion is no. longer possible
because the real is no longer possible. It is the whole. political problem
of the parody of hypersimulation or offensive. simulation which is posed
here.. For example it would be interesting to see whether the repressive.
apparatus would not react more violently to a simulated hold up than to a.
real one For a real hold up only upsets the order of things the right. of
property whereas a simulated hold up interferes with the very. principle
of reality. Transgression and violence are less serious for. they only
contest the distribution of the real. Simulation is infinitely. more
dangerous since it always suggests over and above its object that. law and
order themselves might really be nothing more than a simulation.. Jean
Baudrillard Simulacra and Simulations. Culturejammers mailing list.
Culturejammerslists.copyleft.no. Culturejammers mailing list.
Culturejammerslists.copyleft.no. Daidalonics. Daidalonics. . Miniature pt
(WIP). solipsis. . blunders. noemata. . Re blunders. solipsis. . Re
Miniature pt (WIP). noemata. . Rehu solipsis. . arc.hive the MAZPIQ
language. noemata. . Re the MAZPIQ language. noemata. . Re the MAZPIQ
language. solipsis. . Re the MAZPIQ language. noemata. . Re the MAZPIQ
language. solipsis. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ
language. Alan Sondheim. . Re the MAZPIQ language. solipsis. .
daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. solipsis. . Re
daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. Lanny Quarles. . Re
daidalonicsmazpiq. noemata. . as Isis with code's Materhorn. Lanny
Quarles. . Re daidalonicsmazpiq. solipsis. . Re as Isis with code's
Materhorn. noemata. . Re as Isis with code's Materhorn. solipsis.
blunders. theres reports least here in gno. probably anywhere while
people. laundring more in antisepticomodernicomfy times things are
dirtier. than ever bacteria stains so all this washing is whitewashing.
coverups of the still dirtier what you could expect all things being.
composites compost compote why ever be clean when you can be wash. all the
time. WwV vWwV vWVw vWVw vWwV vWVw vWwV. vWwV vWVw vWVw vWwV vWVw vVwW vVwW
vVwW vVwW. vVwW vVwW vVWw vVWw vVWw vVWw vVWw vVWw vVwW. vVwW vVWw vVWw
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.vVwW .vVWw. .vwWV .vwVW .vWwV .vWVw .vVwW. .vVWw .vwWV .vwWV .vwVW .vwVW.
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.vWwV .vWwV. .vWVw .vWVw .vWVw .vWVw .vWVw. .vWVw .vWwV .vWwV .vWVw .vWVw.
.vWwV .vWVw .vWwV .vWwV .vWVw. .vWVw .vWwV .vWVw .vVwW .vVwW. .vVwW .vVwW
.vVwW .vVwW .vVWw. Wc. Wc.. Wc. Wc. Wc.. Wc. Wc.. Wc. Wc. Wc.. Wc. Wc..
Wc. Wc. cW.. cW. cW.. '''. cW. cW. cW.. cW. cW.. .vWVw .vVwW. .vVWw .vwWV
.vwWV .vwWV .vwWV. .vwWV. .vwW V .vwVW .vwVW .vwVW .vwVW. .vw VW .vwVW
.vwWV .vwWV .vwVW. .vwVW .vwWV .vwVW .vwWV .vwWV. .vwVW .vwVW .vwWV .vwVW
.vWwV. vVwW vVWw vVWw vVwW vVWw vwWV vwVW vWwV vWVw. vVwW vVWw v wWV vwWV
vwVW vwVW vwWV vwVW vWwV. file under whitewash launderspeak. ME blunderen
blondren (v.) ON blunda shut one's eyes nap. cf. Norw dial. blundra. dry
cleaning. Start of forwarded message. gallerinor har shina opp. noen
høydepunkt. buksedama fra gol. mykologen Sopp (). End of forwarded
message. Re Miniature pt (WIP). A Cosmetics Desk which farmers visit
facepowder pushed around by. snowplows snowcows... Our anchor bleeding ink
much like a wobbling carcassbladder we set sail. for stationary positions a
traintrack laid down through the sea... YLo an Oxygen Truck wearing dark
sunglasses driven by a ghost nice. metal work in the hood.. This kiosk has
its ectoplasm turned off but you half expect it have some. old corpse
swinging on it or maybe its strictly phallic but in a polite. if
monumental way sort of artdeco with pubic hair tumbleweed quadrangle.
corners... This is my home where I burn the tons of lambswool a year and
these are. my neighbors of the same disease also lambswool burning folk...
Now the upper destruction and the lower destruction both seem little more.
than a jumble of letters and they resonate with each other in their.
specific form but are quite unreadable... One of the children in the
window has somehow been made grotesque is it a. kind of gothic ethereal
chador or has her face been blown off in some. forgotten future... Nordisk
MMM An alchemist's convention Milsch is produced from a great. woven basket
the men carress each other and gasoline pours from their. nostrils the eye
of the whale in the ceiling... Hold on Ekmund you've got a Starfish caught
under this strap... Gigi. straighten his gasket... Well said I think they
do. arc.hive the MAZPIQ language. the MAZPIQ language. atom MAZPIQ system.
189
MAZPIQ morphology graphs. Each mannequinchild node is recursively
expandable into atoms. andor graphs.. MAZPIQ text samples. the term
temporality refers to lived time. Child enters a preguntar.. Nos dan la
possibilit de los guardianes hros sportifs top modles. Ils le milieu et
vous avez amlior notre pass et l'poque. Question is to which we encode our
world. ontological. Ontological Question is the mental languages of the
writers and once this. exists if there are Secrets of belief) and the
module generates aren't. Defends the pupils against his own image. And our
life.. True nature or entities of a se mantiene joven. Hence Fnord. Give
the term that the random neighbor the more timeconsuming.. We are expected
to a text as a good coder teach us xuriosity and. ecperienced through the
random neighbor the process of artists such as. they cometh. They appear
to us systematically communicates something you. are the practise of the
possibility of signs and their minutes of the. Crisis of emulating. Be. A
redeeming and the world. Find your future as his last of the. student the
text a hundred harvests. Si es la educacin no hay palabra. en el milagro
es a man to question is in his own personal influence.. Find your future
s. il. t. Warning parsing error at line in mazpiq.php. Got from one who
really shape our life. Notre vie. Tenemos. muchos. We need to insist on
the effect of things themselves. Thank you can be produced constantly anew
by preconceptions and. experienced space time body which move appropriately
with the. phantom sensations which they give us curiosity and the notion
that. I don't. arc.hive mailing list. arc.hivelm.va.com.au. Re the MAZPIQ
language. thanks for liking it she it's an imaginary of fusing maze
properties. with language constructs into typography. heuristic is a good
word. experimental and seeking what if the heuristics were closer to the.
inner workings of mazpiq and generating meaning by walking the maze.
literally maybe you'd need an ariadne scattering corn flakes in the.
tracks but maybe it wouldn't help the minotaur would just eat them and.
theseus would still be lost. i thought about the stars as entrances into.
other labyrints (they are expandable) like extra dimensional (to the d.
mail) and you'd have warp holes at the star junctions with fingerprint.
identification your fingerprint being a map of the maze so all this. is
actually you your identity like a borges story and the minotaur is. your
self and you should try to kill it that is get it's meaning but. we'll
maybe need the corn flakes to get out alive after that.. best nymo. whew
fascinating and gorgeous and heuristic Sheila. the MAZPIQ language. Re the
MAZPIQ language. am like your drooling exegesis also lapses the mirrors and
miniatyr. minotaur inside in the maze fingerprint maize which are code.
mirrors holographical fractal of the same drool like the drift in.
situationism not to forget the clinamen drift of the ancient and.
'pataphysics. it should have some relation to codework this stuff.
codework and drift. another thing what was the function of the ancient
mazes like the. crete labyrinth by daedalus some initiation rite 'heroic'
myth how. does it relate to codework has it some mythological dimensions
which. also seep into the pop notions of hackerism and the like and the
magico. alchemist tradition with its frauds and incubators the travesty
also. fitting into this travestir to disguise to clothe come in different.
guises some relation to traverse which would be the maze thing. again the
maze is the execution of code or of being inside the code. traversing it
travestiring it... the desert is another labyrinth without walls.. borges.
heuristicalgorithmiceurythmics drift code dance .. their. relationships
.......... something steps navigation unfolding. heuristic and algorithmic
within the life of the organism that. oscillation between intuition and
rule the fuzzy code of navigation... Forwarded message from verena theile.
From verena theile. ReplyTo verena theile. Subject CFP Magic and the Occult
in the Renaissance ( MMLA. ). To cfpenglish.upenn.edu. Call for Papers for
th Annual MMLA Convention in St. Louis Missouri. (November ). Special
Topic Session. Magicians Jugglers Swindlers Representations of Magic
Natural. Philosophy and the Occult in Renaissance Literature. Proposals
are invited dealing with all aspects of representations of the. occult in
Renaissance literature andor philosophy. Submissions. discussing the
relationship between religion science medicine and the. performing arts
are all welcome. Questions to keep in mind include. Who's doing the magic
To what purpose And who's the audience What. kind of magic is being
practicedperformed How would you define magic. in this context. End
forwarded message. daidalonicsmazpiq. a joy to read i can only ponder upon
this dance of knowledge and give my. daidalas in the tongue of mazpiq
(mazespeak mazepic epic). some correlation. between langue and tongue the
structural system (daidalonics) and the spoken. word (mazpiq).d eidolon
are the head and body of the maze the minotaur and. the maze interweaved
no minotaur no maze. mazpiq is also composed of this. headbody
processresidue thing are they inverted or as languetongue. want. write
more digesting thru your foodslabs in here your reader bm.. Re
daidalonicsmazpiq. soliptic. IO in its dreaming core respeaks the
labyrinth as a kind of return of the. daidala (curious work).. or in
mythopoiesis the line and the circle... Io is turned into a cow by Zeus
the cowork of codework orks of. codelaboration. first en Egypt she resumed
her shape then as Isis with code's horn.. Modulation of IO d or p the pi
relation between line and circle from. periphery external surface of a
body transcendentalnumber anyway a binary. processing creating the body
and endless tail string eidolon the maze as. image. of the snake (by IO
dpi dots per inch resolution).. the snake swallowing its prey or perhaps
the worldsnake as 'string'. 'swallowing' the world... Pregnancy and bolus
yoni lingam yakety unch living lingam in the yoni and. the androgyne. Both
symbols contain the paradox within themselves and provide a. resolution.
Lingam Sanskrit literary 'mark' or 'sign' is there a. connection between
'sign' and 'seed' (seme and semen) via sema seme. sememe semiological
adj.Gk semeion sign f. sema mark seminal symbolic. inseminal pregnancy
pregnant expression. this swallowing of the world is in fact presented as
inverse image. how is that you mean containing itself like d in
daidalonics or G in GNU. (GNU's not UNIX (not UNIX (not UNIX))) the head
generating part car and. cdr. of lisp plotted into itself as something
else disguised as minotaur. mythical Loki created three monsters disguises
of creationdestruction. Fenri. Hel Midgard (the serpent embracing the
world) Hel is a kind of eternal. labyrinth home of the dead Fenri wolf
finally swallows the earth begin. loop end.. at any rate the string hasn't
swallowed the world the world exists in the. string distributed networks
etc dna code.. so the product is encoded in. the. world (which is about to
digorge a 'world'). like d is the executing code the head of the monster
creating the world as. string or as 'world' when decapitated leaving
eidolon as image world. apparition. Yme the human monster is killed to
make the world blood bones brains etc.. The term daidala is rich with
associations. In Hesiod's Theogony. Pandora's veil is 'a wonder to behold'
thauma idesthai as is her. gold crown on which is 'much curious work'
daidala polla. codework as curious work curious careful inquisitive cure
corresponding. algorithmic heuristic eurythmic the three monsters of code
all touched. upon earlier algorithmic the careful code heuristic the
searching erratic. eurythmic (dance movement) the coding by uncoding
walking backwards. retracing the steps (like the psychoterapeutics of
thinking discussed earlier).. They correlate somewhat to science
technology art.. choros is 'a lovely dance'. But daidala also means
'cunning skill' as when Hera dawns the cosmos in the. Illiad to seduce
Zeus... She did Io was Zeus' mistress maybe his cow placed under
surveillance by. Hera. Is codework IO then also the mistress of the world
its unfolding. desire code. She clothes herself in kosmon.. or 'peri chroi
kosmon echousa' having kosmon. about her body... Daidala both the cunning
skill (curious) and image (work) disguise (Hera) and. undressing (Io)..
Daedalus went to Knossos in Crete where he took up residence in. the court
of King Minos.. There he built a mechanical cow which queen. Pasiphae hid
herself in so as to have sex with a bull which she was. lusting for.. this
union by means of a prosthetic bovine produced. the minotaur.. to hide the
shame of this freak child of the queen's. perversion daedalus built the
labyrinth... Aha. daedalus built a dancefloor a choros which is both. the
dance and the dancefloor then ariadne and theseus fled. to the sacred isle
of delos the birthplace of apollo and performed a dance. which was
cryptically called the 'crane dance'... I'd wish them good luck but
Theseus deserted her and she married Dionysos. right. the myth is really
about making and remaking about appearing and. reappearing... well
codework is remaking daidalonics is curious reworkings 'shame and.
mutation'. the labyrinth is also a modulation between the two notions of
boundless and. deadend and conceals the relationship between the terms
apeiron and aporia... is it a symbol of 'code' (and sign) like there is no
end to code and then. nothing in it maybe as mutation (apeiron) and shame
(aporia) everything and. nothing codesign as deidolon the world is a shame
(closed system) from. the. co'd's mutations (open system) the minotaur is
upholding the labyrinth (by. being inside it) while the theseusariadne
business (external) is the shame. deadend world part.. Symmetry in the
manufacturing world is something which really isnt that. important. What's
important is falling into a set tolerance range across an. individual
wafer.. there really isn't an aesthetic present other than time. saving
schema based on experience for adjustments... The heuristics of labyrinths
vs algorithmic eurythmic which are symmetry and. aesthetics in some way
(like science and art while technology is hack).. a joy to read i can only
ponder upon this dance of knowledge and give my. daidalas in the tongue of
mazpiq (mazespeak mazepic epic). some. correlation. between langue and
tongue the structural system (daidalonics) and the spoken. word (mazpiq).d
eidolon are the head and body of the maze the minotaur and. the maze
interweaved no minotaur no maze. mazpiq is also composed of this. headbody
processresidue thing are they inverted or as languetongue.. want. to write
more digesting thru your foodslabs in here. concering mazpiq maybe just
another level. d eidolon. maze speakpicepic. so the eidolonmaze is a janus
twoface being both the phantom of 'd' and. the structuring of the epic the
speak. and the inversion which is symbolic. that d is 'like' speakpicepic
remaking of the world creation myths. etc via the eidolonmaze as code is
represented inside like the. minotaur. is inside the maze also in the epic
as a representation of its creation. (automorphism automythopoiesis).. Re
daidalonicsmazpiq. This is pure. crapulence. Mush. process. wish you good
luck boddhi. the three code Gorgonheads of daidalonics codework maybe most
promising. algo heuri eury. sci tech art.
mazecorncrapulytichomeofcodeflakesfingerpinsverywhere needs its heuri
eurystics. algorythmics the walking the maze theme seeking dancing
backwards. Re as Isis with code's Materhorn. the cowork of codework orks
of codelaboration. then as Isis with code's Materhorn.. As a sense the
codelabiaorations. of the palinpcesticle manifoldings of the.
multirealational corpuscallovumsumtext of massociational.
collideorscoptical narrativizations (myth). performs a similiar
reinscription of transculptural polyvalences of. the kaleidostructural
iconism of the umwelt of chorochrostic. argusasepisteme
(dancebodyasepistemeofdelimited seeing). of the instrumentality of the
blind fate of granular aggregates of the.
quantumpolydeterminantactuationfoam codework as being being codework. as
nonbeing and the modulus of difference as the speciation of. determinant
operands which is the becomingimpetus of systemic. modulation. The real is
an affect of code as code is the affect of. reality. Codework speaks from a
manifold which feeds all cultural. disciplines and critiques from a
position. which resembles an approach to the unification of discrete
series. though it must like a parasite access its own structure as a.
parasitical otherness. The Universal Informatic apparatus is an.
ergofluidic betweenness a liminal agency of emergence as cyBorge'.
assemblemantics the chimerancipation of babelsolute polluxoproduction..
Well said Maybe they are ( m). It's a nutty choke do you have a crack Aha
this IS the crack I see. no wonder codework is in fact the crack and why
it looks so curious. just making a README here for myself at sea level
still with mountain. vegetation by latidude. the codelabiaorations code
lips tongue pray work. palinpcesticle shame incest mutation palim rewrite.
multirealational relate refer real. corpuscallovumsumtext of massociational
collideorscoptical. narrativizations (myth) charges of. etcetc.. all the
of's are tentacles and snaky multiheads. codework reinscribes the myth...
..the blind world. eurythmics and heuristics chorochrostic argusasepisteme
(dancebody. asepistemeofdelimited seeing).
quantumpolydeterminantactuationfoam codework as being being codework. as
nonbeing all and nothing at all the world devastus and waste. 'The real is
an affect of code as code is the affect of. reality' thinking about the
interrelatedness in general relativity. mass shapes space and space shape
movement (of mass). eehh so the. monstrous shapes the maze which shapes
the movements of the monstrous. in other words the monstrous is inscribed
into the (blind) dance.. 'Codework .like a parasite access its own
structure as a. parasitical otherness.' it's double or it amounts to
nothing... 'The Universal Informatic apparatus is an ergofluidic
betweenness a. liminal agency of emergence as cyBorge' assemblemantics
the. chimerancipation of babelsolute polluxoproduction'. good gemini the
curious workings shadowboxing spiral arms it's a. nice thing to have skin.
dark matter dark energy our visible. matterhorn only skin our largest organ
skein our work.. let's see. codework inscribes the myth heuristiceurythmic
onto the world as its. creation (codework). (blunt version). ( is the
automorphism inherent in all containing their (symbol of). creation their
source code and reversing from object code their. construction and
deconstruction). Code and its Double (cont'd). Code and its Double
(cont'd). codework in relation to brain asymmetry and neuropsychology. The
results of studies of nonhuman species show that lateral. asymmetry is a
property not unique to humans. The demonstration of. asymmetry in nonhuman
brains implies that asymmetry in the human. brain is directly related
neither to handedness nor to language but. rather to analysis of sensory
information and control of movement.. Comment Asymmetry is at the code
level processing information in. double modi.. Brain asymmetry summary
From these basic ideas about distinct. functions of the two hemispheres
has arisen the idea that the. hemispheres represent two distinct modes of
cognitive processing (see. Springer and Deutch).The left hemisphere
operates in a more. logicalanalyticalcomputerlike fashionanalyzing stimuli
input. sequentially and abstracting the relevant details to which it
attaches. verbal labels.The right hemisphere is primarily a
synthesizermore. concerned with the overall stimulus configurationand
organizes and. processes information as gestaltsor wholes.. Comment Brain
asymmetry correlations to codework jot version. Left hemisphere time
analysis language symbol code text. instruction execution...... Right
hemisphere space synthesis matter data ambience. context surface code
diffusion...... Laterality leads to the notion that two different minds
control our. behavior.. Comment Which doesn't mean they can be separated.
Code's double are. the twofold of information processing time and
spacebased which. correlates to code as languageformatives and code as
matterform. or again as instruction and data in the interpreting machine..
The left hemisphere plays a special role in producing and. understanding
language.. whereas the right hemisphere specializes in. perceiving and
synthesizing nonverbal information... Comment Code and its double as text
and context or as other. traditional dichotomies activepassive lightshadow
orderchaos. the onethe other intelligencemonster etc. which is also
reflected. in the traditional meaning of sinister as left ie.
righthemisphere.. Stimulation can produce what Penfield called
interpretive and. experiential responses.These uncommon but often highly
reliable. phenomena include alterations in the interpretation of the
patients. surroundingssuch as deja vufearand dreaming states and the.
reproduction of visual or auditory aspects of specific earlier.
experiences.That patients report specific memories in response to.
specific stimulation. These phenomena usually arise from tissue. showing
epileptogenic dischargebut there is an asymmetry in their.
occurrencestimulation of the right temporal lobe produces these. phenomena
more frequently than does stimulation of the left temporal. lobewhich
suggests that the right hemisphere has perceptual functions. not shared by
the left.. The Kimura experiments imply that the left hemisphere is
specialized. for processing languagerelated soundswhereas the right
hemisphere. processes musicrelated sounds.There ishoweveranother.
interpretation.It is possible that the asymmetry is related to the.
temporal or spectral structure of the sounds their rhythm and. frequency
rather than to language and music themselves.Considerfor. examplethe
finding by Papcun and colleagues. They showed that. Morsecode operators
have a rightear superiority for the perception. of the codeeven though the
sounds are distinguished only by their. temporal structure.. Comment The
temporal is on the code source side of running code. executables
performatives which refracts into space code matter. spectrum specters.
There's no fundamental difference like instruction. is also data but of
interpretation processing speed frequencies. and like the continuum of
spacetime.. Rudel and coworkers found that both blind and sighted subjects
read. Braille more rapidly with the left hand.Some children are actually.
fluent readers with the left hand but are totally unable to read with. the
right.Because Braille patterns are spatial configurations of dots. this
observation is congruent with the proposal that the right. hemisphere has
a role in processing spatial information that is not. shared by the left..
Comment Code and its double ar both active both coded though the. former
often is interpreted as instruction and the latter as data. or light and
shadow.. Table. Summary of data on cerebral lateralization. Function Left
hemisphere Right hemisphere. Visual system Letters words Complex geometric
patterns. Faces. Auditory system Languagerelated Nonlanguage environmental
sound. sound Music. Somatosensory Tactile recognition of complex. system
patterns Braille. Movement Complex voluntary Movements in spatial
patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech
Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of
direction. Mental rotation of shapes. Several authors (for
exampleEfron)have suggested that it is not. motor control itself that is
located in the left hemisphere but rather. the capacity for the fine
resolution of stimuli in time.. Comment Which is again to state code's
inseparability in spacetime. as speed and matter running code and output..
Zatorre proposed that the auditory cortices in the two. hemispheres are
therefore specialized such that temporal resolution is. better in the left
and spectral resolution is better in the right. auditory areas.. Comment Or
again like the theater and its double as time and spectrum.. Rather than
specifying different processing of specified. psychological processesother
specialization models focus on the. idea that the two hemispheres might
process information in distinctly. different ways.. Comment Which is
basically code and its double.. The first clear proposal of different
information processing was. made by Josephine Semmes in .On the basis of
the results of her. previous studies of World War II veterans suffering
from penetrating. brain injuriesSemmes concluded that the left hemisphere
functions as. a collection of focalized regionswhereas the right
hemisphere. functions more diffusely.. Comment No comment.. A large lesion
of the right hemisphere produces many more. deficits than would be
predicted from the total of smaller lesions. because an entire functional
field is removed.A large lesion of the. left hemisphere produces many
deficits simply because many small focal. regions have been destroyed that
isin the left hemisphere the total. is equal to the sum of the parts.
Semmes proposed that this. differential organization of the two
hemispheres is advantageous for. efficient control of their respective
functions.The diffuse. organization of the right hemisphere is seen as
advantageous for. spatial abilitiesbecause spatial analysis requires that
different. sensations (visualauditory tactile)be integrated into a single.
percept.Language functionsin contrastremain discrete individual. units in
the left hemisphere.. Comment Code and its double creates and maintains
different domains. different magnitudes and spectrums of frequencies..
People use the word sinister as a synonym for wicked or. evil.Originally a
Latin word meaning lefthand sideour contemporary. English meaning implies
that lefthandedness has been historically. viewed at best as strange or
unusual.. Comment Which is to say that code's double has its own
intelligence. far from being dead output from executions.. At least six
significant behavioral differences are sex. relatedverbal ability
visuospatial analysismathematical. abilityperceptionmotor skillsand
aggression.Although the precise. causes of cognitive sexrelated
differences are unknownbiology likely. plays a part.Consider the following
dataRichard Harshman and his. associatesin a very ambitious study of the
interaction of sex and. handedness in cognitive abilitiesfound a
significant interaction. between sex and handednessthat issexrelated
differences in verbal. and visuospatial behavior vary as a function of
handedness.(Recall. that Witelson found that callosal size also varies by
sex and. handedness.)It is difficult to imagine how biological or
environmental. factors alone could account for this result.It is thus very
plausible. account for sexrelated differences partly by neurological.
factors that may be modulated by the environment.. Comment Introducing
gender issues in codework.. In an analysis of reading skillsDennis and her
coworkers found that. both hemispheres had almost equal ability in
higherorder reading. comprehension howeverthe left hemisphere is superior
to the right in. reading and spelling unfamiliar words and in using
sentence structure. achieve fluent reading. The left hemisphere also reads
prose. passages with greater decoding accuracy more fluencyand fewer
errors. that violate the semantic and syntactic struc ture of the.
sentence.The superiority of the left hemisphere seems to be its. ability
to manipulate and exploit language rules.Yet the right. hemisphere is not
without its strengths in language.Performance is. better with the right
hemisphere in a task that requires learning an. association between
nonsense words and symbols.. Comment Parsing and (re)integration of code
code working on code. as instruction or data data as instruction or
instruction as data.. In summarizing the results of studies on
languageDennis suggests. that if written language structure is thought of
as a combination of. meaning cues (morphology)sound cues (phonology)and
picture cues. (logography) then the isolated left hemisphere will show
superior. performance with morphology and phonology and inferior
performance. with logographic cues.The isolated right hemisphere will show
superior. performance with logographic cues and inferior performance with.
morphological and phonological cues. Kohn and Dennis found an almost.
analogous pattern of results on tests of visuospatial function.They.
observed thatalthough patients with right hemispherectomies. performed
normally on simple tests of visuospatial functions such as. drawingthey
were significantly impaired on complex tests such as. negotiating a maze
and reading a map.. Comment The time of code and space of its double.. To
summarizeeach hemisphere can assume some of its opposite s. functions if
the opposite hemisphere is removed in he course of. development but
neither hemisphere is totally capable of mediating. all of the missing
hemispheres functions.Thusalthough the. developing brain gives evidence of
considerable plasticitythere is. convincing evidence against
equipotentiality both hemispheres appear. have a processing capacity that
probably has an innate structural. basis.. Comment Which is to state
code's doubleness the interweaving of. different processing interpreted
instruction or data for each other.. All models of cerebral development
must answer he question of how. functions become restricted to one
hemisphere rather than becoming. bilateral. The interactive
paralleldevelopment hypothesis answers. that question. In a series of
papersMorris Moscovitch emphasized the. possibility that one hemisphere
actively inhibits the otherthus. preventing the contralateral hemisphere
from developing similar. functions. This active inhibition presumably
develops at about age. as the corpus callosum becomes functional. as
inhibitor. Comment In regard to codework the corpus callosum is the
mediator. and inhibitor of code from its double and occupies the border
between. sense and surface time and space source code and code source
speed. and matter and assures their workings by inhibiting selfreference.
(code as nothing) and decoding (of the double) producing meaning and.
remains.. From Fundamentals of Human Neuropsychology Fifth Edition.. Bryan
Kolb and Ian Q. Whishaw Univ. of Lethbridge Alberta .. Cerebral asymmetry.
Variations in cerebral asymmetry. CEREBRAL ASYMMETRY. A striking feature
of the organization of the human brain is that. the two hemispheres of the
human brain are anatomically and. functionally asymmetrical.The asymmetries
in structure are visible. not only in an overall view but also at the level
of the morphology of. the individual neuronand the asymme tries in function
exist not only. in neurological patients but also in the normal
brain.Although there. is little disagreement about the facts of asymmetry
in the human. brainthere is considerable disagreement about why the two
hemi. spheres are asymmetrical and about what the asymmetry means in
regard. how we humans process information.. Laterality leads to the notion
that two different minds control our. behavior.. The left hemisphere plays
a special role in producing and. understanding language.. whereas the
right hemisphere specializes in. perceiving and synthesizing nonverbal
information... Overallanatomical asymmetries center on the language
areasand it. is tempting to speculate that they evolved to subserve.
language.Moreoverthese asymmetries are present in preterm. infantswhich
seems to support the proposition that language is innate. in humans.. With
all the emphasis on finding anatomical asymmetries that can be. asso ciated
with languageresearch on righthemisphere function has. lagged.If the left
hemisphere has asymmetries related to languagethen. the right hemi sphere
must have specialized for some other. function.After allthe two hemi
spheres are quite similar in size and. other symmetriesit is not as though
language areas evolved on the. left and nothing happened on the right..
Stimulation can produce what Penfield called interpretive and.
experiential responses.These uncommon but often highly reliable. phenomena
include alterations in the interpretation of the patient s.
surroundingssuch as deja vufearand dreaming states and the. reproduction
of visual or auditory aspects of specific earlier. experiences.That
patients report specific memories in response to. specific stimulation.
These phenomena usually arise from tissue. showing epileptogenic
dischargebut there is an asymmetry in their. occurrencestimulation of the
right temporal lobe produces these. phenomena more frequently than does
stimulation of the left temporal. lobewhich suggests that the right
hemisphere has perceptual functions. not shared by the left.. Disruption
of speech is a welldocumented effect of stimulation of. the left
hemispherebut only recently has stimulation of the right. hemisphere been
shown to disrupt behavior.Ojemann and his colleagues. reported that
stimulation of the right hemisphere disrupts judgments. of line
orientationlabeling of facial expressionsand shortterm. memory for faces..
Although language is usually located in the left hemispherein a. small
percent age of peoplemost of them lefthandedlanguage is. represented in
the right hemisphere.. The auditory system is not as completely crossed as
the. visualbecause both hemi spheres receive projections from each ear..
Tests Showing a RightEar Advantage Digits Words Nonsense. syllables
Formant transitions Backward speech Morse code Difficult. rhythms Tone
used in linguistic decisions Tonal sequences with. frequency transitions
Ordering temporal information Movementrelated. tonal signals. Tests
Showing a LeftEar Advantage Melodies Musical chords. Environmental sounds
Emotional sounds and hummed melodies Tones. processed independently
Complex pitch perception. The Kimura experiments imply that the left
hemisphere is specialized. for processing languagerelated soundswhereas
the right hemisphere. processes musicrelated sounds.There
ishoweveranother. interpretation.It is possible that the asymmetry is
related to the. temporal or spectral structure of the sounds their rhythm
and. frequency rather than to language and music themselves.Considerfor.
examplethe finding by Papcun and colleagues. They showed that. Morsecode
operators have a rightear superiority for the perception. of the codeeven
though the sounds are distinguished only by their. temporal structure..
Rudel and coworkers found that both blind and sighted subjects read.
Braille more rapidly with the left hand.Some children are actually. fluent
readers with the left hand but are totally unable to read with. the
right.Because Braille patterns are spatial configurations of dots. this
observation is congruent with the proposal that the right. hemisphere has
a role in processing spatial information that is not. shared by the left..
Candace Gibson and Phil Bryden presented subjects with cutouts of.
irregular shapes or letters made of sandpaperwhich were moved slowly.
across the fingertips.Their subjects showed a righthand advan tage. for
identifying letters and a lefthand advantage for denti fying. other
shapes.. The right side of the mouth opens wider and more quickly than
the. left for both verbal and nonverbal tasks.Goodale s observations.
support the idea that the left hemisphere has a special role in the.
selectionprogramming and production of verbal and nonverbal oral.
movements. Is there an analogous role for the right hemisphereIndeed.
there is. Considerable evidence shows that the left side of the face.
displays emo tions more strongly than the right sideand Goodale. showed
that the onset of facial expressions occurs sooner on the left. side of
the face.. What Is Lateralized It is tempting to conclude that the
functional. asymmetries described thus far indicate a fundamental
difference in. the basic cognitive processes of the left and right
cerebral. hemispheres. Howeverbefore turning to this matterwe will
consider a. summary of the databecause any theoretical statements are
best. considered in light of available information. Table below
summarizes. the major data on cerebral lateralization and illustrates the
range of. functions lateralized principally n the left and right
hemispheres.In. righthanded peoplethe left hemisphere has a greater role
in language. and in the control of complex voluntary movements than does
the. right hemisphereand the right hemisphere has a greater role in the.
control of certain visuospatial and nonverbal abilities.. Table. Summary
of data on cerebral lateralization. Function Left hemisphere Right
hemisphere. Visual system Letters words Complex geometric patterns. Faces.
Auditory system Languagerelated Nonlanguage environmental sound. sound
Music. Somatosensory Tactile recognition of complex. system patterns
Braille. Movement Complex voluntary Movements in spatial patterns.
movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody.
Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of
direction. Mental rotation of shapes. A truly enormous number of proposals
have been made on what is. lateral ized in the brain (see Allen for a
readable summary).At the. broadest level these theories fall into two
groupsspecialization. theories propose unique functions for each
hemisphereand interaction. theories propose cooperation between the two
hemispheres.. Several authors (for exampleEfron)have suggested that it is
not. motor control itself that is located in the left hemisphere but
rather. the capacity for the fine resolution of stimuli in time.In other.
wordsbecause the analysis and production of speech require fine.
discrimination over very short intervalsthe left hemisphere might be.
specialized for temporal sequencing (organizing be havior or. information
or both over time).Elaborations of this idea have stressed. the capacity
of the left hemisphere to make fine discriminations in. timewhether or not
the stimuli are verbal (seefor. exampleSergent).Recall the study of
Morsecode operators discussed. earlierthere is a lefthemisphere advantage
even though the code is. not verbal it is a temporal sequence. Zatorre and
his colleagues. expanded the Efron timing idea by emphasizing that speech
and musical. sounds exploit different acoustical cuesspeech is highly
dependent on. rapidly changing broadband soundswhereas tonal pat terns of
music. tend to be sloweralthough small and precise changes in fre quency.
are important.Zatorre proposed that the auditory cortices in the two.
hemispheres are therefore specialized such that temporal resolution is.
better in the left and spectral resolution is better in the right.
auditory areas.. Rather than specifying different processing of specified.
psychological processesother specialization models focus on the. idea that
the two hemispheres might process information in distinctly. different
ways.. The first clear proposal of different information processing was.
made by Josephine Semmes in .On the basis of the results of her. previous
studies of World War II veterans suffering from penetrating. brain
injuriesSemmes concluded that the left hemisphere functions as. a
collection of focalized regionswhereas the right hemisphere. functions
more diffusely. To account for these differencesSemmes. argued that a
person with a small lesion in the right hemisphere. exhibits no
deficitsbecause specific functions are not localized in. discrete regions
in the right hemispherethe functions being diffusely. represented.A large
lesion of the right hemisphere produces many more. deficits than would be
predicted from the total of smaller lesions. because an entire functional
field is removed.A large lesion of the. left hemisphere produces many
deficits simply because many small focal. regions have been destroyed that
isin the left hemisphere the total. is equal to the sum of the parts.
Semmes proposed that this. differential organization of the two
hemispheres is advantageous for. efficient control of their respective
functions.The diffuse. organization of the right hemisphere is seen as
advantageous for. spatial abili tiesbecause spatial analysis requires that
different. sensations (visualauditory tactile)be integrated into a single.
percept.Language functionsin contrastre main discrete individual. units in
the left hemisphere.. From these basic ideas about distinct functions of
the two. hemispheres has arisen the idea that the hemispheres represent
two. distinct modes of cognitive processing (see Springer and Deutch).The.
left hemisphere operates in a more logicalanalyticalcomputerlike.
fashionanalyzing stimuli input sequentially and abstracting the. relevant
details to which it attaches verbal labels.The right. hemisphere is
primarily a synthesizermore concerned with the overall. stimulus
configurationand organizes and processes information as. gestaltsor
wholes.. Preferred cognitive mode refers to the use of one thought process
in. preference to another.At one extremepeople who are.
logicalanalyticaland verbal are assumed to rely more on their left. hemi
spheres to solve problems n everyday lifewhereas people who are. visualin
tuitiveand tend to look at the big picture are assumed to. rely more on
their right hemispheres.Consider an examplealbeit a. tongueincheek one.
Two professorsAlpha and Betaare both excellent. scholarsbut they work and
think in totally different ways. Alpha is. meticulous and leaves no detail
to chancewhen learning new ma. terialhe masters every detail and has total
command of the. topic.Alpha is ver bal and easily wins debates with his
quick. thinking and elegant arguments.His writing is clear and
concisewith. flawless grammar and spelling.Alpha is athletic and is a
nationally. ranked tennis player.Curiouslyhe is only mediocre at other
sportsbut. with prolonged practice he is able to master them.Alpha s
office is. neat and tidywith every item carefully placed in its correct.
location. On his desk is the project on which he is currently working. and
nothing else. Beta appears to be messy and disorganized compared. with
Alpha and has poor recall for details.He grasps the heart of an. idea
quicklyhoweverand can tie diverse concepts into a meaningful.
picture.Communicating his thinking poses Beta a challengehoweverfor. he
has difficulty expressing his ideas in words.Like AlphaBeta is.
athleticbut Beta acquires the general motor skills of new sports.
rapidlyalthough he has never been able to become a top participant in. any
event.In contrast with Alphawho works on only one project at a. time Beta
works on several projects concurrentlyleading to piles of. papers and
books in his work spaceunlike Alpha s meticulous desk. In. both the
cognitive and the motor skills of Alpha and Beta is a basic. dif ference
that is assumed to correspond to a fundamental difference. either in brain
organization or in the dominance of one hemisphere. over the other. Alpha
and Beta represent extreme lefthemisphere and. righthemisphere peo
plerespectively.The fundamental difference. between them is their
preferred cognitive mode.Alpha is. analyticallogicalverbaland
meticulouswhereas Beta is a synthesizer. more concerned with organizing
concepts and visualizing meaningful. wholes. As intriguing as the Alpha
and Beta analysis might bewe. caution that it is pure speculationwithout
empirical basis.Factors. other than brain organiza tion probably
contribute to preferred. cognitive mode.. In an examination in our
undergraduate course in human neu. ropsychologywe askedIn what ways is the
human brain symmetrical. Thinking it to be a trick questiona majority of
the students. answeredIt isn t symmetricalit s asymmetrical.This answer
is. wrongbecause many functions especially of the primary sensory and.
motor areas appear to be identical on the two sides of the brain..
VARIATIONS IN CEREBRAL ASYMMETRY. People use the word sinister as a
synonym for wicked or. evil.Originally a Latin word meaning lefthand
sideour contemporary. English meaning implies that lefthandedness has been
historically. viewed at best as strange or unusual.. Summary of handedness
in performing various tasks. Left Either Right. Task () () (). Dealing
cards . . .. Unscrewing jar . . .. Shoveling . . .. Sweeping . . ..
Writing . . .. Striking match . . .. Throwing ball . . .. Hammering . . ..
Using toothbrush . . .. Using racket . . .. Using scissors . . .. Although
the belief that cognitive functions are more bilaterally. organized in
lefthanders than in righthanders is widespread in the. neurological
literature little evidence exists for this. generalization.. There is a
larger incidence of lefthandedness among mentally. defective children and
children with various neurological disorders. than is found in the general
population.This finding is not. surprisingbecauseif the dominant hemisphere
is injured at an early. agehandedness and dominance can move under the
control of what would. normally be the nondominant hemisphere.Because
there are so many more. normally be the nondominant hemisphere.Because
there are so many more
190
righthanded childrenit can be expected by probability alone that. more
right handed children with lefthemisphere damage would switch.
righthemisphere dominance than would switch in he reverse. direction.That
such switching can take placehowevercannot be used as. grounds for
predicting cognitive deficits or differences in cerebral. organization in
the general population of lefthanders.. High estrogen levels are
associated with relatively depressed. spatial ability as well as enhanced
articulatory and motor capability.. Kimura showed that men s spatial
scores fluctuate with testosterone. levelsmen with lower testosterone
levels get the highest scores.So. there appears to be an optimal level of
testosteroneand increasing. the level is actually detrimental to cognitive
performance.. Furthermoremen with lower average levels of testosterone do
better. on both spatial tests and on mathematical reasoning tests than do.
those with higher levels.A reasonable question is whether there is. also a
relation be tween testosterone level and spatial ability in. women.There
is.Women with higher levels do betteragain suggesting. that some optimal
hormone level benefits at least some cognitive. activities.. As already
mentionedthe difference in strategies used by men and. women to solve
problems may be at least partly responsible for the. observed sex differ
ences in behavior.Geneticmaturationaland. environmental factors may pre
dispose men and women to prefer. different modes of cognitive analysis.
Women solve problems primarily. by using a verbal modefor example. Because
this cognitive mode is. less efficient in solving spatial problemswomen
exhibit an apparent. deficiton average.By the same logicwomen should do
better than men. at primarily verbal taskson average.This proposition has
yet to be. thoroughly investigated.. At least six significant behavioral
differences are sex. relatedverbal ability visuospatial
analysismathematical. abilityperceptionmotor skillsand aggression.Although
the precise. causes of cognitive sexrelated differences are unknownbiology
likely. plays a part.Consider the following dataRichard Harshman and his.
associatesin a very ambitious study of the interaction of sex and.
handedness in cognitive abilitiesfound a significant interaction. between
sex and handednessthat issexrelated differences in verbal. and
visuospatial behavior vary as a function of handedness.(Recall. that
Witelson found that callosal size also varies by sex and. handedness.)It
is difficult to imagine how biological or environmental. factors alone
could account for this result.It is thus very plausible. account for
sexrelated differences partly by neurological. factors that may be
modulated by the environment.. Most studies of cultural differences center
on language.Asian. languages such as Japanese and Chinese might promote
more. righthemisphere involvement than European languagesbecause the
Asian. languages appear to have more prosody (or song).Those who speak two
or. more languages may develop a different pattern of language.
organization from that of those who speak only one. The results of.
laterality studies lend some support to the idea that Asian and Native.
American languages may be represented more bilaterally in the brain.
thanfor exampleSpanish.. The Japanese writing system provides an unusual
opportunity for. studying cerebral organization becauseunlike IndoEuropean
writingit. consists of two types of symbolsphonograms (kana)and ideograms.
(kanji).Phonograms are analogous to English letterseach phonogram.
represents a spoken sound. In contrastthe ideogram represents a unit. of
meaningwhich may corre spond to a word or words.In readingthe. brain may
process these two types of characters. differentlyfurthermorethe right
hemisphere might process kanji while. the left hemisphere processes
kana.There is little support for ei. ther idea.For examplein a large
series of patientsSugishita and his. col leagues found no clear relation
between deficits in reading. either script and locus of lefthemisphere
injury.In factmost of. their cases were impaired equally in both forms of
reading.. In an analysis of language abilitiesMaureen Dennis and Harry.
Whitaker found thatunlike righthemisphere removalsleft. hemispherectomies
produce deficits in understanding spoken language. when the meaning is
conveyed by complex syntactic. structureparticularly if the sentence
contains an error (for. exampleThe tall guard wasnt shot by the armed
robber. ).Likewiseremoving the left hemisphere leads to difficulty in.
determining sentence implicationin integrating semantic and syntactic.
information to replace missing pronounsand in forming judgments of. word
interrelations in sentences.. In an analysis of word comprehensionDennis
found that both. hemispheres understand the meaning of words and both can
spontaneously. produce lists of names of things.In a search for words by
using. different cueshoweverthe left hemisphere has an advantage over he.
right.Both hemispheres can name an object from its picture or from its.
descriptionbut the left hemisphere can identify the object on the. basis
of rhymes withwhereas the right hemisphere is oblivious to. this type of
cue.. In an analysis of reading skillsDennis and her coworkers found that.
both hemispheres had almost equal ability in higherorder reading.
comprehension howeverthe left hemisphere is superior to the right in.
reading and spelling unfamiliar words and in using sentence structure.
achieve fluent reading. The left hemisphere also reads prose. passages
with greater decoding accuracy more fluencyand fewer errors. that violate
the semantic and syntactic struc ture of the. sentence.The superiority of
the left hemisphere seems to be its. ability to manipulate and exploit
language rules.Yet the right. hemisphere is not without its strengths in
language.Performance is. better with the right hemisphere in a task that
requires learning an. association between nonsense words and symbols.. In
summarizing the results of studies on languageDennis suggests. that if
written language structure is thought of as a combination of. meaning cues
(morphology)sound cues (phonology)and picture cues. (logography) then the
isolated left hemisphere will show superior. performance with morphology
and phonology and inferior performance. with logographic cues.The isolated
right hemisphere will show superior. performance with logographic cues and
inferior performance with. morphological and phonological cues. Kohn and
Dennis found an almost. analogous pattern of results on tests of
visuospatial function.They. observed thatalthough patients with right
hemispherectomies. performed normally on simple tests of visuospatial
functions such as. drawingthey were significantly impaired on complex
tests such as. negotiating a maze and reading a map.. To summarizeeach
hemisphere can assume some of its opposite s. functions if the opposite
hemisphere is removed in he course of. development but neither hemisphere
is totally capable of mediating. all of the missing hemispheres
functions.Thusalthough the. developing brain gives evidence of
considerable plasticitythere is. convincing evidence against
equipotentiality both hemispheres appear. have a processing capacity that
probably has an innate structural. basis.. All models of cerebral
development must answer he question of how. functions become restricted to
one hemisphere rather than becoming. bilateral. The interactive
paralleldevelopment hypothesis answers. that question.In a series of
papersMorris Moscovitch emphasized the. possibility that one hemisphere
actively inhibits the otherthus. preventing the contralateral hemisphere
from developing similar. functions.This active inhibition presumably
develops at about age as. the corpus callosum becomes functional. as
inhibitor. There is also evidence from primates that the two hemispheres
may. differ in their production of facial expressions.Splitbrain monkeys.
viewed video tapes of peoplemonkeysother animalsand sceneryand. the amount
of time spent watching the recordings and the number of. speciestypical
facial expres sions made were recorded.The number of. facial expressions
elicited from the right hemisphere was greater than. the number made when
using the left hemispherewhich is what one. would predict from studies of
humans.In another studyHauser found. that the left side of he monkey s
face began to display facial. expression before the rightand it was more
expressive.Recall from. Chapter that a similar result was reported for
humans.. The basis for handedness in humans has been the focus of much
debate. and theorizingyet there is still no adequate explana tion for why.
people are either rightor lefthanded.More progress has been made in.
understanding the nature of sex differences.The most likely explana. tion
is that gonadal hormones alter brain organization during. development and
continue to influence brain activity during adulthood.. The results of
studies of nonhuman species show that lateral. asymmetry is a property not
unique to humans.The demonstration of. asymmetry in nonhuman brains implies
that asymmetry in the human. brain is directly related neither to
handedness nor o language but. rather to analysis of sensory information
and control of movement.. scanner. scanner tenkte pånytt et suspekt
nettprosjekt å sirkulere epenger bilder. av sedler. hva er avh. av
skjermoppløsning så det er relativt og vel ikke. straffbart uansett er det
vel utskrift eller hva er framstilling som er. ulovlig.. ulovlig med større
enn dessuten mynter. kanskje den gamle. øringen hvordan i h kom de på ideen
om en kjempediger øring forsøk på å. bruke dem som et pengesystem vedlagt
er kr. med en disclaimer. satse. på pop utbredelse og en konfrontasjon med
norges bank. digitale penger.. utbrodere. n.bank har liggende ute bilder
men som det står ugyldig på eller. noe.. presentere det som nyutgitt
seddelsett. ok det er kanskje en dårlig ide men. med. litt potensial
(burde ha på en eller annen måte). pgp. pgp tekst. automatisk kunst.
liksom.no nyheter i liksomform. kunstnerisk reductio ad absurdum. red. art
absurdum. email header art. email header art. navn bruker domene tld
navnbegrep referanse (en ting kan ha flere navn). axioms. cc fortid
framtid cc kausalitet fratil (rules transitions). this play proposition.
body discussion interpretation. head body codestructure face appearance
cause effect. nomic. language game. operasjon snøskred. operasjon
snøskred. prosjekt. 'omvendt utvikling' (reverse engineering). Antonin
Artaud Theater and its Double. Antonin Artaud Theater and its Double. We
must insist upon the idea of cultureinaction of culture. growing within us
like a new organ a sort of second breath and. on civilization as an applied
culture controlling even our subtlest. actions a presence of mind.... Yet
totemism is an actor for it moves and has been created in. behalf of
actors all true culture relies upon the barbaric and. primitive means of
totemism whose savage i.e. entirely. spontaneous life I wish to
worship.... True culture operates by exaltation and force while the.
European ideal of art attempts to cast the mind into an attitude. distinct
from force but addicted to exaltation. It is a lazy. unserviceable notion
which engenders an imminent death. If the. Serpent Quetzalcoatl's multiple
twists and turns are harmonious. it is because they express the equilibrium
and fluctuations of a. sleeping force the intensity of the forms is there
only to seduce. and direct a force which in music would produce an
insupportable. range of sound.... How hard it is when everything
encourages us to sleep though. we may look about us with conscious
clinging eyes to wake and. yet look about us as in a dream with eyes that
no longer know. their function and whose gaze is turned inward.. This is
how our strange idea of disinterested action originated. though it is
action nonetheless and all the more violent for. skirting the temptation
of repose.... Every real effigy has a shadow which is its double and art.
must falter and fail from the moment the sculptor believes he has.
liberated the kind of shadow whose very existence will destroy. his
repose.. Like all magic cultures expressed by appropriate hieroglyphs. the
true theater has its shadows too and of all languages and all. arts the
theater is the only one left whose shadows have shattered. their
limitations. From the beginning one might say its shadows. did not
tolerate limitations.. Our petrified idea of the theater is connected with
our petrified. idea of a culture without shadows where no matter which way
it. turns our mind (esprit) encounters only emptiness though space. is
full.... Thus the plague. seems to manifest its presence in and have a
preference for the. very organs of the body the particular physical sites
where. human will consciousness and thought are imminent and apt to.
occur.... The dregs of the population apparently immunized by their.
frenzied greed enter the open houses and pillage riches they know. will
serve no purpose or profit. And at that moment the theater is. born. The
theater i.e. an immediate gratuitousness provoking acts. without use or
profit.. The last of the living are in a frenzy the obedient and virtuous.
son kills his father the chaste man performs sodomy upon his. neighbors.
The lecher becomes pure. The miser throws his gold in. handfuls out the
window. The warrior hero sets fire to the city he. once risked his life to
save. The dandy decks himself out in his. finest clothes and promenades
before the charnel houses. Neither. the idea of an absence of sanctions
nor that of imminent death. suffices to motivate acts so gratuitously
absurd on the part of men. who did not believe death could end anything.
And how explain. the surge of erotic fever among the recovered victims
who. instead of fleeing the city. remain where they are trying to wrench a
criminal pleasure from. the dying or even the dead half crushed under the
pile of corpses. where chance has lodged them.. But if a mighty scourge is
required to make this frenetic. gratuitousness show itself and if this
scourge is called the. plague then perhaps we can determine the value of
this gratuitousness. in relation to our total personality. The state of
the. victim who dies without material destruction with all the. stigmata
of an absolute and almost abstract disease upon him is. identical with the
state of an actor entirely penetrated by feelings. that do not benefit or
even relate to his real condition. Everything. in the physical aspect of
the actor as in that of the victim of the. plague shows that life has
reacted to the paroxysm and yet. nothing has happened.. Between the victim
of the plague who runs in shrieking pursuit. of his visions and the actor
in pursuit of his feelings. between the man who invents for himself
personages he could. never have imagined without the plague creating them
in the. midst of an audience of corpses and delirious lunatics and the.
poet who inopportunely invents characters entrusting them to a. public
equally inert or delirious there are other analogies which. confirm the
only truths that count and locate the action of the. theater like that of
the plague on the level of a veritable epidemic.. But whereas the images
of the plague occurring in relation to a. powerful state of physical
disorganization are like the last volleys. of a spiritual force that is
exhausting itself the images of poetry. in the theater are a spiritual
force that begins its trajectory in the. senses and does without reality
altogether. Once launched upon. the fury of his task an actor requires
infinitely more power to. keep from committing a crime than a murderer
needs courage to. complete his act and it is here in its very
gratuitousness that the. action and effect of a feeling in the theater
appears infinitely more. valid than that of a feeling fulfilled in life..
Compared with the murderer's fury which exhausts itself that. of the
tragic actor remains enclosed within a perfect circle. The. murderer's
fury has accomplished an act discharges itself and. loses contact with the
force that inspired it but can no longer. sustain it. That of the actor has
taken' a form that negates itself to. just the degree it frees itself and
dissolves into universality.... It is useless to give precise reasons for
this contagious delirium.. It would be like trying to find reasons why our
nervous. system after a certain period responds to the vibrations of the.
subtlest music and is eventually somehow modified by them.... First of all
we must recognize that the theater. like the plague is a delirium and is
communicative.... The mind believes what it sees and does what it believes
that. is the secret of the fascination. Nor does Saint Augustine's text.
question for one moment the reality of this fascination.. However there
are conditions to be rediscovered in order to. engender in the mind a
spectacle capable of fascinating it and. this is not a simple matter of
art.. For if the theater is like the plague it is not only because it.
affects important collectivities and upsets them in an identical. way. In
the theater as in the plague there is something both. victorious and
vengeful we are aware that the spontaneous. conflagration which the plague
lights wherever it passes is. nothing else than an immense liquidation.. A
social disaster so farreaching an organic disorder so. mysteriousthis
overflow of vices this total exorcism which. presses and impels the soul
to its utmostall indicate the presence. of a state which is nevertheless
characterized by extreme strength. and in which all the powers of nature
are freshly discovered at the. moment when something essential is going to
be accomplished.. The plague takes images that are dormant a latent
disorder. and suddenly extends them into the most extreme gestures the.
theater also takes gestures and pushes them as far as they will go. like
the plague it reforges the chain between what is and what is. not between
the virtuality of the possible and what already exists. in materialized
nature.... These symbols the sign of ripe powers previously held in.
servitude and unavailable to reality burst forth in the guise of.
incredible images which give freedom of the city and of existence. acts
that are by nature hostile to the life of societies.. In the true theater
a play disturbs the senses' repose frees. the repressed unconscious
incites a kind of virtual revolt (which. moreover can have its full effect
only if it remains virtual) and. imposes on the assembled collectivity an
attitude that is both. difficult and heroic.... Thus in Ford's 'Tis Pity
She's a Whore from the moment the. curtain rises we see to our utter
stupefaction a creature flung into. an insolent vindication of incest
exerting all the vigor of his. youthful consciousness to proclaim and
justify it.. He does not waver an instant does not hesitate a minute and.
thereby shows of how little account are all the barriers that could. be
opposed to him. He is heroically criminal and audaciously. ostentatiously
heroic. Everything drives him in this direction and. inflames his
enthusiasm he recognizes neither earth nor heaven. only the force of his
convulsive passion to which the rebellious. and equally heroic passion of
Annabella does not fail to respond.. she provokes her executioner still
further. and sings out in a kind of obstinate heroism. It is the absolute.
condition of revolt it is an exemplary case of love without respite. which
makes us the spectators gasp with anguish at the idea that. nothing will
ever be able to stop it.. If we desire an example of absolute freedom in
revolt Ford's. Annabella provides this poetic example bound up with the
image. of absolute danger.. And when we tell ourselves we have reached the
paroxysm of. horror blood and flouted laws of poetry which consecrates.
revolt we are obliged to advance still further into an endless. vertigo..
But ultimately we tell ourselves there is vengeance there is. death for
such audacity and such irresistible crime.. But there is no such thing.
Giovanni the lover inspired by the. passion of a great poet puts himself
beyond vengeance beyond. crime by still another crime one that is
indescribably. passionate beyond threats beyond horror by an even greater.
horror one which overthrows at one and the same time law. morality and all
those who dare set themselves up as administrators. of justice.. A trap is
cleverly set a great banquet is given where among. the guests hired
ruffians and spies are to be hidden ready at the. first signal to throw
themselves upon him. But this hero cornered. lost and inspired by love
will let no one pass sentence on this. love.. You want he seems to say my
love's flesh and blood. Very. well I will throw this love in your face and
shower you with its. bloodfor you are incapable of rising to its height.
And he kills his beloved and tears out her heart as if to feast. upon it
in the middle of a banquet where he himself is the one. whom the guests
had hoped to devour.. And before being executed he manages to kill his
rival.... If the essential theater is like the plague it is not because it
is. contagious but because like the plague it is the revelation the.
bringing forth the exteriorization of a depth of latent cruelty by. means
of which all the perverse possibilities of the mind whether. of an
individual or a people are localized.. Like the plague the theater is the
time of evil the triumph of. dark powers that are nourished by a power
even more profound. until extinction.. In the theater as in the plague
there is a kind of strange sun a. light of abnormal intensity by which it
seems that the difficult and. even the impossible suddenly become our
normal element. And. Ford's play like all true theater is within the
radiance of this. strange sun. His Annabella resembles the plague's
freedom by. means of which from degree to degree stage to stage the
victim. swells his individuality and the survivor gradually becomes a.
grandiose and overwhelming being.... We do not see that life as it is and
as it has been fashioned for. us provides many reasons for exaltation. It
appears that by means. of the plague a gigantic abscess as much moral as
social has. been collectively drained and that like the plague the theater
has. been created to drain abscesses collectively.... The theater like the
plague is a crisis which is resolved by. death or cure. And the plague is
a superior disease because it is a. total crisis after which nothing
remains except death or an. extreme purification. Similarly the theater is
a disease because it. is the supreme equilibrium which cannot be achieved
without. destruction. It invites the mind to share a delirium. which
exalts its energies and we can see to conclude that from. the human point
of view the action of theater like that of. plague is beneficial for
impelling men to see themselves as. they are it causes the mask to fall
reveals the lie the. slackness baseness and hypocrisy of our world it
shakes off. the asphyxiating inertia of matter which invades even the
clearest. testimony of the senses and in revealing to collectivities of
men. their dark power their hidden force it invites them to take in the.
face of destiny a superior and heroic attitude they would never. have
assumed without it.. And the question we must now ask is whether in this
slippery. world which is committing suicide without noticing it there can.
be found a nucleus of men capable of imposing this superior. notion of the
theater men who will restore to all of us the natural. and magic
equivalent of the dogmas in which we no longer. believe.. The contemporary
theater is decadent because it has lost the. feeling on the one hand for
seriousness and on the other for. laughter because it has broken away from
gravity from effects. that are immediate and painfulin a word from Danger..
Because it has lost a sense of real humor a sense of laughter's. power of
physical and anarchic dissociation.. Because it has broken away from the
spirit of profound. anarchy which is at the root of all poetry.... This
helps us to understand that poetry is anarchic to the degree. that it
brings into play all the relationships of object to object and. of form to
signification. It is anarchic also to the degree that its. occurrence is
the consequence of a disorder that draws us closer. chaos.... Where
alchemy through its symbols is the spiritual Double of. an operation which
functions only on the level of real matter the. theater must also be
considered as the Double not of this direct. everyday reality of which it
is gradually being reduced to a mere. inert replicaas empty as it is
sugarcoatedbut of another. archetypal and dangerous reality a reality of
which the. Principles like dolphins once they have shown their heads
hurry. dive back into the obscurity of the deep.. For this reality is not
human but inhuman and man with his. customs and his character counts for
very little in it. Perhaps even. man's head would not be left to him if he
were.... bali theater What is in fact curious about all these gestures
these angular. and abruptly abandoned attitudes these syncopated
modulations. formed at the back of the throat these musical phrases that
break. off short these flights of elytra these rustlings of branches
these. sounds of hollow drums these robot squeakings these dances of.
animated manikins is this that through the labyrinth of their. gestures
attitudes and sudden cries through the gyrations and. turns which leave no
portion of the stage space un utilized the. sense of. anew physical.
language based upon signs and no. longer upon words is liberated....
Everything is thus regulated and impersonal not. a movement. of the
muscles not the rolling of an eye but seem to belong to a. kind of
reflective mathematics which controls everything and by. means of which
everything happens. And the strange thing is that. in this systematic
depersonalization in these purely muscular. facial expressions applied to
the features like masks everything. produces a significance everything
affords the maximum effect.. A kind of terror seizes us at the thought of
these mechanized. beings whose joys and griefs seem not their own but at
the. service of ageold rites.... An impression of inhumanity of the divine
of miraculous. revelation is further provided by the exquisite beauty of
the. women's headdress this series of banked luminous circles made.
combinations of multicolored feathers or from pearls of so. beautiful a
coloration that their combination has a quality of. revelation and the
crests of which tremble rhythmically. responding consciously or so it
seems to the tremblings of the. body.There are also the other headdresses
of sacerdotal character. in the shape of tiaras and topped with egret
crests and stiff flowers. in pairs of contrasting strangely harmonizing
colors.. This dazzling ensemble full of explosions flights secret. streams
detours in every direction of both external and internal. perception
composes a sovereign idea of the theater as it has. been preserved for us
down through the centuries in order to teach. us what the theater never
should have ceased to be.... Here we are suddenly in deep metaphysical
anguish and the. rigid aspect of the body in trance stiffened by the tide
of cosmic. forces which besiege it is admirably expressed by that
frenetic. dance of rigidities and angles in which one suddenly feels the.
mind begin to plummet downwards.... And the women's stratified lunar eyes.
Eyes of dreams which seem to absorb our own eyes before. which we ourselves
appear to be fantome.... .For the Occidental theater the Word is
everything. and there is no possibility of expression without it the
theater is a. branch of literature a kind of sonorous species of language
and. even if we admit a difference between the text spoken on the stage.
and the text read by the eyes if we restrict theater to what. happens
between cues we have still not managed to separate it. the idea of a
performed text.... The. The. absurdity of this cultural mythology's
persistence at a time when scientific. metaphysics have already triumphed
was demonstrated clearly by Kierkegaard's. choice of confirming
Christianity one must believe in absurdity.. jorn p'physics. NOEMATA HUB
NMAT flections. NOEMATA HUB NMAT. FASCIIST SELECTED RANDOM FRAGMENTS
GENERATOR V. butah. Generated by usercdfu.cable.mindvoid.com. lard
comment. nothing is truly reflected anymore. no value no equivalence.
could it be that all systems individuals harbour a secret urge to be rid
of. their ideas of their own essences so as to be able to proliferate
everywhere. transport themselves simultanesously to every point of the
compass in any. event the consequences of a dissociation of this kind can
only be fatal. a. thing which has lost its idea is like the man who has
lost his shadow and it. must either fall under the sway of madness or
perish.. annihilation by virtue of their very success.. transaestethic of
banality. virtual indifference. silence a blip in the circuity that minor
catastrophe.. which confirmes the. fact that all this communication is
basically nothing but a rigid script an. uninterrupted fiction designed to
free us not only from the void of the. television but equally from the void
of our own mental screen... j baudrillard. nostalG. .sigs. wreathule.
entropic arts. noematag. nostalG. mat. hva gjør vi med lykken har den noen
plass å gjøre av seg eller er lykke å. ikke. ha noen plass å gjøre av seg
lykke ballen mens ruletten går. hva er ruletten. lotto høstjakt killing by
numbers aldri var du så levende som ved fronten. men hva skulle du med liv
du kjenner bare på det du investerer dvs du er. lykkelig hvis du
investerer lykke dvs setter den på spill lykkehjul this. wheel will
fortune by selfdestruct. jeg kunne hatt barn vært barn vært død. jeg er på
en måte ikke her hjulet går rundt keep the wheels turning lykke er. å ikke
vært til kunstig lykke. lykke er å være ulykkelig. lykke er å ikke bry.
seg salighet. først når det er på plass kan du bry deg ikke sant bare
piss.. limet er ulykkelig. hvordan legitimerer kristendom selvgodhet
hvordan. legitimerer godhet selvgodhet ved å gi bort selv er det fortsatt
selvgodhet. strømningene flyten av ballen ruller. hvis noe opprettholder
seg selv hvem. bryr seg magen vil ha mat c. vil du ha lykke vil jeg ha mat
hva er mat en. ting tilstand jeg var mat igår.. medialisering.
medialisering synaps er bro transmit må til ikke umiddelbart.
ferjeovergangene lager struktur kø og ubalanse utløsning. medialiseringen
lager struktur sprekkdannelser. fikk vi orden ut av kaos gjødsel spam
komme til syne eksponere. har knuste ting mer struktur hva slags når har
ting mest struktur. hvis hjernen var en enhet heilen kunne vi ikke tenke.
tenker havet. aggregattilstand hva kan tenkes i et hav biologisknaturlige
datamaskiner. minne spor struktur er molekylene de samme over tid
HansKåre. stolen er stol idag også en bølge gjentar den seg. er det
forskjellig tid tetthet rom havet er kanskje en stol. virkelighetsfjern
det er virkeligheten som er fjern. den som er interessert i virkeligheten
kan gå og måke snø. etterpå måke havet to meter til venstre. det snør i
havet det virker bortkastet. som at snøen var for oss havet vil ha oss
bølgene og vinden. uansett at det angår noen umiddelbart. de er ikke
mennesker vind er vind c de. truende vi er fornuftige det er kaos snø i
hav. folk dør i kulde kanskje flere i varme sola atombombe. vi bor i hus
ikke umiddelbart noen går i hi. alle brødskiver er skiver av brød
brødkniv. hvor skal vi sans og bevissthet gjennom oppløsning kaos. skritt
for skritt ikke hjul automatikk automatisk hva hav. norge.no borger.
norge.no. Norske borgere som søker Utlendingsdirektoratet om det kan bli
løst fra sitt. norske statsborgerskap. Norske borgere som er bosatt i
Norge kan imidlertid. ikke bli løst fra det norske statsborgerskapet. Det
forutsettes at vedkommende. er registrert utflyttet fra Norge og er fast
bosatt utenlands. Videre. forutsettes det at han har eller vil få annet
statsborgerskap innen en viss. frist. Man vil ikke løse en norsk borger
fra det norske statsborgerskapet hvis. han derved blir statsløs..
Utlendingsdirektoratet Fylkesmannen og politiet gir nærmere opplysninger
om. statsborgerskap.. Hvordan kan jeg ha plikter som statsborger hvis jeg
ikke kan løses fra. statsborgerskapet sånn uten videre Er jeg slave av
Norge vikingskipet. veldedighet. veldedighet folk gir bare hvis de er
sikre på å tape.. norsk tipping kan vise hvor mye de vann i hver omgang..
og veldedigheten hvor bra det var du tapte.. overskuddet av dette livet
går til de døde.. tomflasker til NHO NÅ. Mar. vrkier som aiatkvipssv er
aegvrjndøe for piirbnluseg øsnekr ikke atkiv. pub (lleer hdavonr) men
hdvaron kan den vræe pssiav hva er psasiv. indreikte aipivastksv bstemeemr
rteinng bgveelese mtsotand mdirenieg. det som kommer mot deg må gejnonm et
fsoravr men når du oøkpepsr slev. er det uetn fvasror.. a) haovdrn
fgnuerer det i knust hva aøgjvr om vi er i aktiv eellr psasiv. muods
kunsten pissavisrees slik at vi kan vræe uten fovasrr.. det er hkaer på
plia så den går ltet inn og er vnakesilg å trekke ut.. getnnsiesrt mot
kntsntuig eellr hdovarn frostå knsut eellr hrvodan lage. kefråoltnstsuse
tnig som er langt unna kan være kunst fdroi de bilr. pasisve og vi åpner
oss slik som antavsd i flreståose elelr sinansng noe. mkeelirg uarlkt
uebstemt lite sujklt etc elelr noe som er vdelig nræt. fordi det peørvr å
plsaesre seg allredee ifneonnr fvoaresrt oreeprt inn. kroppen må ajvgøre
føreltsstae elelr ggdolestae og rskat sedin aenegrripn. aldlreee er
innenfor så aeæhrnvtdsnat er osgå tid. frålepfsoostipanetng tar tid ting
som er lagnt unna er sktae ting som. er nære er rakse.. er felohrodt
mlelom akivte og psisvae emeletner i et sytsem kntosant som. at eeignren
er knotnsat eellr at smømetrn av belir er ktsnoant enten det. er
mgnrreuosh eellr emtitdredag hvis alle belir køjtre smame vei eller. alt
var paissvt men det er rletavit såtr alle tnig i et ataksispviv. forhlod
sjebbjetkokut kusnten gjør seg oetjbikv tlginig for at du kan. være
errfnadee sujkbet. setkre og svake sebujkter. er språekts gaiarmktmk.
viirkelg ofatpetpr vi ting som advreb knnue vi bkrut stteruunrke ola. ser
på sola sola er knust (ikke se på sloa (det burde vært en avarsdel. på
sola kkie se dektire på dnene asravelden du blir blind du er. bnlid alstå
kan du ikke lsee dette glem det vær vnleing å oserve dtete.. t.k)ka).
stnkytaisk alnayse av kunst lkie geirt som ssrtkfirpåk er det. ikke bare å
legge til dojsnmeenir fra snkeevs (ijlne) til rom (d) og. rmotid (d)
sansttiykk aynalse av krsoysrd sneimtakk er dybde men. dybde er brae en
dmjsieonn silk som overfealtn. vi liker (aipvss) ddybe. frodi det gjør oss
til den atkvie prat. hvis alt var gientjniskomg hevm. ville vi ha vræt noen
ingen tnreger vi det psaisve oebjtknee alt. er geirnsstent en srtejne men
sett innnefra pestrpkevniee er udeelnig. atanll sninegter i seårpkt er
uineedlg gbeerrranee et petrkeispv er en. sntneig en snetitg med en
sknyats atpkisvasiv er i psipektreevt. skebkjejbtuot njtræfrent atvsand
rslejoan. rtiao avpssiatkiv en. senting med brae oekjebtr brae sujbeektr
en ktgnienutsns bord stol. sneg vidnu teppe. det er altlid en atkiv prat
om ingen i peestrpevikt. så illeaflal den som ser og noen må ailltd se
hvis ikke så så hva hva. om vi gjør pikevpsteret umluig hvdoarn ftroseill
deg rdblaearet i. kutnsen når neon brøt ppskreetivet. noen ser atlild nei
det er et sortt. mkøre er det inessretant kan vi foorlhde oss til det
tnakrenm i mtaen. så vi siplper pssue tenna etetrpå hvor skal vi hva gir
kunst asvier. lerur på hva er nheyt horvofr er nehyt neyht og knust knsut
hva er. fjeleksorln orfevtlae dbyde mtotasesr knust er dnddjieosmnbyeen
ikke. at det er så hveydørig dypt men alle ting har dbyde uanetst har
dbyde. dydbe har ovfrtaleen dybde kanskje vi hlleer skal tenke i gaefrr
men. dsnojieenmr er ekegnsap ved vehrgeilkeitn hovr fsyisk er 'sdminejon'.
hva er dijneosmn knnue vi modeerllt vdreen aeerldnens hvodran fuenregr.
dnimesjon. økenst om å riese til npdoelorn mars hlemimen over åsen ol. er
det. samme som ola ser på sola. tkeinnlegirtn er vnikrnig av akvitpsasiv.
atikv vil ha passiv akitv er vi'l ha' silk som ola se'r på' sloa..
sujebtket tar vreb. sola blir stet på mras bilr rsiet til. bteshevist.
mars bilr breeist sloa bsetet ola bsivest.. ping tour. en verdensturne
ping. conducted. audience participation poems in argentina mexico france
and around the. globe.. her work can be found on her floor in her drawers.
poeticsnoetics. detox. arrangere et vulkanutbrudd i trondheim sentrum .mai
i samarbeid. med butox og naturmaktene.no støttet av noemata. gratis lava
til alle.. sørge for at japan går under. flytte fjell etc. i rekken av.
kisjoteprosjekter. gjøre vårt beste. kunst er litt sånn store ord om.
ingenting. så kan vi ha vulkanutbrudd i trondheim i samarbeid med.
adresseavisa og under dusken. vulkanutbruddet er sponset av.. så får vi.
garantert reaksjoner det var bare helt uvirkelig. jaha uvirkelig. det. var
egentlig det vi ville ha noe virkelig uvirkelig. jeg tror dette er i. e.
kunst (etter kunst). mulig vulkanutbruddet kan være med på.
vandreutstilling også. katastrofe på box helt regulært.. in net.art
deposited. om det er utpressing eller sorterer under innkjøp. i spamscam
retorikk og. stil. om jeg gir deg en garanti på at disse verkene ikke
eksisterer.. just like my manuscripts deposited in a safe bank account at.
value each. they do not exist. so i want to show them to you. exhibit them
and buy them. also a guarantee enclosed with the works. assuring their
nonexistence. request til samtidsmuseet. dette er. ikkeeksisterende verker
med en dermed urealiserbar verdi den kan ikke. fastsettes den endelige
verdien av kunstverkene er uoppnåelig.. modulo. modulo. klokka går. når
klokka går rundt og rundt hvorfor snakker vi om utvikling klokka. utviklet
seg fra . hvor syklisk er kaos han regnet sine år i. modulo. et ambisiøst
kunstprosjekt går ut på å oversette lineærtid til. looptid. en regress inn
i det mytiske. det støtter seg på borges'. hallusinasjoner og nietzsches
evige tredemølle trellemøde. hvis tiden er. et objekt som andre ting hvis
den oppsto og finnes og har. karakteristikker så kan den vel oversettes
bekjempelse av tiden den. betingelsesløse underkastelse. modulo prøver å
styrte tid jamme tid ved. å gjøre den sirkulær og overflødig. alt er det
samme menneskelig lidelse. kickoff klokka med reprise ting skal kvernes
gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager alle
sår. vi forestiller. oss lineært uendelige som en språklig egenskap en
instruksjon (vs. 'unstruction') vi gir oss selv. er den en malplassert
sirkulær. uendelighet ting går stort sett rundt nye ting kvernes inn.
modulo. konstrueres som en mekanisme som kverner tid slik tid kverner
ting.. tidspatafysikk etterat tidsmetafysikken gikk i stå.. ref. pulskt la
staux.. simile. simile v.. en omformer av uttrykk oulibot. den tar en tekst
og omforer til drømmende. similer. ... kløe er som et symptom på en lidelse
der medfører irritation. som af huden. ... der findes en lang række
hudlidelser hvor kløe er som. det mest fremtrædende symptom. ... kanskje
kan den bare slenge inn noen. som på tilfeldige steder. ... det var som
nettopp under som en. klatreekspedisjon i det hele som begynte for hans
del som i en hule. i meters som høyde fant tokuhashi nemlig menneskeaktige
som. fotspor lagd av som et ganske stort dyr som.. serieroman. kunne tenkt
meg en serieroman i emailformat som slår ut på. virusprogrammer.. mailene
er ren tekst men trigger likevel virusalarmen for dilettantiske. memer.
romanen foregår i norge etter at vg melder at et nytt memevirus. dreper
forfattere av serieromaner samt vansirer vakre odelsjenter og.
signøyerpiken tar meg seg gråtende barn og flytter inn hos elg i.
solnedgang.. dramatikk spenning og erotikk er hovedingrediensene i frid
ingulstads nye. underholdningsserie ingebjørg olavsdatter men målet er å
gi leserne god. litteratur og kunnskaper om norsk middelalderhistorie med
på kjøpet.. i morgen kommer første bok om ingebjørg olavsdatter den vakre
odelsjenta. som vokser opp på en utarmet storgård i årene etter at
svartedauden har. lagt norge øde.. nil. ganskje sikkert. venter kurshopp i
telenor. ja det gjør du nok etter en sånn nyhet. ide en nyhetstjeneste som
skaper noe som har skjedd. eller som skjer noe som er skapt. referansen er
skapelsen og skapelse referanse. en skapelsesberetning blir
beretningsskapelse. i begynnelsen var ordet i. bli kurshopp dermed ble det
kurshopp. venter lys dermed ble det lys. kurs på sikring. skriket. skriket.
lokale skrikekonkurranser samt nm i skrik aldersgrupper kjønn solo og.
lagkor.. db måling utførelse. playbackrepriser over høytaleranlegg.
hvordan vil. skriket være i et kunstgalleri. va du på skriket ihelga om æ
va dæræ sleit av heile stæmmbainnskapet. dette e et opptak.. samt en
karaokebadstue pep talk for hemnessberget. ideen om skriket er å
foretrekke.. skriket regi ph h i informasjonsalderen. last opp lyd fra.
mikrofoninngangen fra brøling til maskin. vaskemaskinopptaket. happenings.
for mishandling av maskiner. komisk å skrike til operativsystemet opera.
tivsys for stemmer og maskin. det irrasjonelle hvordan forklares det. og
for seg selv hva er banning uttrykk for er den rettet mot noe jeg. er redd
for å skrike for hardt til maskina kanskje noe blir ødelagt. det
irrasjonelle må ha en slags tro på seg selv opprettholde seg selv. slik
fornuften opprettholder sitt domene gjennom fornuft. men hva blir det. som
ikke opprettholder seg selv ikke tror på seg selv uten målratio. last.
oppnedbelastning. alt er laster i informasjonsalderen stor synd eller last
er dyd.. lasten er informasjon troen er dydig promiskuøs kommunikasjon.
hvis gud. var tilgjengelig ville han vært lastefull troen og dyden krever
at han. er utilgjengelig troen er troen på at han er utilgjengelig.
enhver. oppnedbelastning må bekjempes av de troende. men er ikke troen
dermed. en last ved de troende var troen virkelig dydig ville den ikke ha.
belastet (seg selv med) gud. troen og dyden er paradoksale noe som ikke. er
nytt eller forkastelig men utilgjengelig i betydning 'kan ikke. lastes'
slik som galskapen. informasjonsalderen kan føre til at. religionen igjen
gjenkjenner og omfavner galskapen. (det samme gjelder. kanskje for kunsten
hva er tro og dyd her helhet og skjønnhet verk og. estetikk autonomi og
mening). Mar. ord som nummer i tallssystemet som asciitegn som nummer i.
tallsystemet ordet 'ord' er tre siffer i rekkefølge. eller hexadesimalt f.
et ipnummer kan tolkes som asciitegn. ... blir. padle. britiske lewis
gordon pug klarte det ingen har gjort før ham han svømte. rundt
nordkappplatået. friskusen var nokså nedkjølt etter en time og fire.
minutter i vannet. omtrent halvveis i svømmeturen var det antydning til.
dramatikk. pug fikk krampe i foten.. det gjorde forferdelig vondt sier han
til finnmark dagblad. briten. hadde nær drømmeforhold da han onsdag
ettermiddag la ut på den fem. kilometer lange svømmeetappen fra røykholet
til hornvika. vanntemperaturen. varierte mellom ni og ti grader men på
havet var det blikkstille.. lewis gordon pug har de siste dagene blitt
fulgt av filmteam fra både sky. news og reuters. på forhånd regnet
hardhausen med at svømmeturen ville ta. halvannen time men han greide det
altså på bare litt over en time. etter. fullført svømmetur varmet lewis
gordon pug seg litt før han med det. britiske flagget på ryggen klatret
opp fra hornvika til nordkappplatået.. (ntb ..). virkeligheten tjener
språket. bilde av en padler utenfor nordkapp jeg. padlet rundt nordkapp.
dette å inkludere seg selv i bildet vs øyet det er jo svært kunstig som.
om jeg må starte hver setning med at jeg skriver at jeg skriver at..
hvordan er det forskjellig eller fortsettelse av f.eks. muntlig.
fortellertradisjon æ va ute i hardt vær han va rusket ja tel slutt tok.
havet sjarken og alle gikk med under. selvreferansen er vel egentlig helt.
tilgrunnliggende. det merkelige er kanskje heller at vi forestiller oss et.
nakent øye et aksiomatisk genererende aktivt punkt. den blinde flekken. er
samtidig deg selv i bildet og det som muliggjør synet. alle som.
representerer seg selv i bilder er bilder på blinde flekker. jeg padlet.
over nordkapp som er tekststrengen og nervetrådene fra øyets blinde.
flekk. kan vi tenke på et (astronomisk) svart hull som en blind flekk
hvor. bildet oppløses transporteres blir til informasjon tekst..
virkeligheten tjener språket slik som bildet tjener teksten. og teksten.
virkeligheten tjener språket slik som bildet tjener teksten. og teksten
191
skaper bildet fortelleren forestillingene. logosantilogos.
manusfilmfilmmanus.. noematic. kanskje det er slik at noemata har som sitt
felt disse umulige og. malpasserte verk og uverk like mye eller mer enn
verk i noen tradisjonell. forstand og gjør det til sitt uttrykk som en
endelig eller uendelig. oppløsning av kunsten med objektets død (euridike)
og subjektets. desintegrering (orfeus) i korridorene grenselandet eller
ørkenen. (nettkunsten). fin setning iallefall. det høres seriøst ut men
har mer. preg av tragikomedie mer quixotisk enn romantisk. det umulige er
en rød. tråd kan det virke som en rød klut forestillingenes umulighet
eller. det virkeliges uvirkelighet.. every ecstasy ultimately prefers to
take the path of renunciation rather. than sin against its own concept by
realizing it. adorno. there is an idea horizon just as there is an event
horizon the horizon of. their deathdealing accomplishment their absolute
realization. thought. for its part leaks out into the void. baudrillard.
don quixote som en taktil kulturjammingsteknikk bevisst dumskap.. noemata
message in a bottle server at the barents sea n. hva slags mail vil du
sende ut i havet umulige kjærlighetsbrev. thy false promise and my sure
misfortune carry me to a place whence the. news of my death will reach thy
ears before the words of my complaint.. what thy beauty raised up thy deeds
have laid low by it i believed thee. be an angel by them i know thou art a
woman.. hva du gjør der er det et spørsmål eller svar. quo oxid net. ph
ray. man rays fotografi uten kamera kan vi ha elektronisk kunst uten.
datamaskiner p..h.. the uselessness effect shows us objects from what one
might call their. human side. it sets them free. it was precisely because
these things were. useless that we found them moving and lyrical. the
humor of the useless. machine is man ray's discovery. richter. grammatikk.
vestens problem grammatikalsk at alle tilstander situasjoner. fenomener
forstås i kategoriene værenvorden substantivverb jeg. kjenner det som en
kortslutning og kompromitering jeg ikke ønsker å være. eller gjøre noe
fundamentalt sett problemet er at dette dermed forstås. negativt. kan det
fundamenteres i en grammatisk metaklasse eller noe. art swashbuckler.
mail.art. idyll dl ld n. also yl in l form (earlier) idyllium pl. ia.. l.
l idyllium f. gk eidullion dim. of eidos form picture. interessant. at
idyll er i slekt med bildet som selvinneholdt selvtilfreds. piktoresk. ide
ideal umiddelbare forestillinger reklame (ikke medierte de. ligger klare
som forestillinger).. et heroiskromantisk swashbuckler noemata prosjekt.
art swashbuckler bff txique swazzle. professor punch oscar ian dandruff.
cue. cue. en serie verk som ikke er det de beskrives eller annonseres å
være men. ubeleilige utidsmessige urelaterte ikkerepresentative.. q. q..
continuum paradox. the achilles paradox cuts to the root of the problem of
the continuum.. aristotle's solution to it involved treating the segments
of achilles'. motion as only potential and not actual since he never
actualizes them by. stopping.... aristotle argued that an infinity of
subdivisions of a. distance that is finite does not preclude the
possibility of traversing. that distance since the subdivisions do not
have actual existence unless. something is done to them in this case
stopping at them.. en serie (e)kunstverker som ikke (kan) reflekteres
eller reproduseres som. ikke blir foreviget i noe eller noens hukommelse.
kriminelle handlinger. som en slags prototype og kunstverket i mer
tradisjonell forstand og det. religiøse som en annen immanitet..
globalisering. globalisering utopia som metastase globoid global hodepine.
globalisering verden som hodepine.. ti dsskr ift. shoppingsentra og arkader
som brukskunst fjerner seg fra erindring og. fordypelse (fenomenenes aura w
benjamin) for heller å adspre. (distribusjon oppløsning siste stadium
terminal alle ting ender i. adspredelsen). når det ikke lenger er mulig å
tenke dynamisk og. fremtidsrettet kan løsningen være speiling tvetydighet
dobbelheten. (mellom apokalypse og utopi).. kan en rute gangvei være et
kunstverk hvor kontrollert et kunstverk som. lager en sti (som blir til
ved bruk den finnes først etterpå publikum. må lage det).. kastorbønner.
vaksinering jenners arbeid ble sabotert av leger (som mistet inntekt fra.
å behandle kopper).. hva er den naturlige utvelgelsen idag. Mar.
assimilation the easier to pronounce a sentence the more widespread. the
change becomes.. en (mobil)kontakttjeneste som opplyser identitetnr til
noen jeg peker. på mobiltelefon radiosensor som brukeren kan ha i
åpenlukket modus i. åpen modus kringkastes identiteten noen meter i
omkrets og kan senses av. andres mobiler. eller sentralisert id nr sendes
meg i sms el. fra. operatøren abo på tjeneste som opplyser alle nr i din
omkrets på. meter. så får vi en morsom stalkingvirksomhet. ref. netcom
tilbyr idag. en buddytjeneste hvor du oppretter en avtale med noen andre
om. gjensidig monitorering av hvor vedkommende befinner seg. netcom kunne.
f.eks. tilbudt åpenlukket modus på mobiler og en smstjeneste som. opplyser
om alle åpne mobiler i m omkrets. så ville jeg visst hvem hun. var.. port
rett. en portrettserie med motivetpersonen ekstremt langt unna såvidt
distinkt. menneskeform bare med forstørrelsesglass kan noen gjenkjennes
og. vedkommende må argumentere hardt for at det er han for de som tviler.
et. kongeportrett dronning sonja på fjellet knapt utskillbar. poenget er.
egentlig å kalle det et portrett etym. framtegne.. 'forskning og
utvikling' i vitenskap 'kunst og kultur' i ..humaniora. fou kok kunst
tilsvarende forskningsdelen kultur tilsvarende. utviklingsdelen. valgerd
auksjoneres bort på qxl mitt brukte eksemplar av v.. sivilforsvarets
luftsireneanlegg for 'norge er i krig' irakkonflikten.. nordheim kunne
bruke det han er jo allerede nede i kloakken jord luft. vann og som
nasjonalkomponist med kongen kommer salutter kunne han lagd. flyene kommer
sirener søk dekning.. human from. the chair has human form a chairman the
sofa tv floor shoes. surrounding feet. culture in general as explicit
human forms like all. expressions are shoes for walkingwriting along this
line footprints. alphabeta bipedal upright walking made writing episodic
punctuation. objects one letter at a time discreet nevrons one foot on the
ground. feetpronks none. tool expression operator. gurobot. ekstreme
maskiner. augmented reality project part gururoboten boxboxiganga.dk.
trace crank probe zoo logistics. sporbarhet siden det er så vanskelig å
unngå å legge spor etter seg. elektronisk kunne et prosjekt gått ut på det
et ikkesporbart prosjekt. men som må fundamenteres før det forsvinner..
entries found for crank.. probe. any effort such as a request transaction
or program which is used to. gather information about a computer or the
network state. for example. sending an empty message to see whether a
destination actually exists.. n. 'prøve'. zoo. a threat that exists only
in virus and antivirus labs not in the wild.. most zoo threats never get
released into the wild and as a result rarely. threaten users.. logistics.
the aspect of military operations that deals with the procurement.
distribution maintenance and replacement of materiel and personnel.. the
management of the details of an operation.. nyttig. flest mulig få besøk
av kjendiser kirke og ny teknologi. godt nytt nyttig. troll for trolldom.
finn ditt skjellsord tv konsept. tukttimen. sms lotto. spam på norsk
nilfile. kulturvern og identitet i en verden i forandring. hvis det er
riktig at seierherrene skriver historien gjør det historien.
problematisk.. .. et kunstprosjekt som kritiserer kunst fra en ukurant
posisjon. ukurantor tradisjoner i sekvens incest et modernistisk verk som.
insisterer på å bli tolket premodernistisk et verk der kritikken danner.
rammen persepsjonen av verket mates tilbake men fra feil ende. om det er.
slik at verket ikke kan eksistere uten en ytterside så kan vi la
ytterside. bli innside. boring. lyden av høy boring og lyder av å rive ned
et bygg projiseres inn i et. gallerirom. opptaket kan også avspilles i et
byrom og man ser seg rundt. etter hvor dette skjer og opplever det som
risiko truende at lyden ikke. kan lokaliseres.. flop. floppy gallery.
sport. foretrekker sport på tv fremfor serier. hvorfor er ikke kultur som
sport. en oppsetning konsert etc. lignende et sportsarrangement. sport er
spill. i spill ute av spill kultur kunne også vært inneuteepisodisk
poenger.. målbarhet er stikkord for sport. inneute av spill.. kg. noemata
tar i besittelse den internasjonale kilogramprototypen som. oppbevares i
paris. har norge en nøyaktig kopi av denne kan noemata.net. som land også
få en kopi. kjeller. farger crank. fargers kart problemet.. oversatt det
er aldri nødvendig med mer enn ulike farger inntil. annen farge.. oversatt
eller flere farger kan alltids elimineres til .. et bevis på at det holder
med farger kan inneholde at det dreier seg om. en todimensjonal flate som
begrenser strukturen.. geometrisk bevis farger holder for et punkt
(alternerende verdier. inni hverandre) verdier holder for en linje holder
for en flate. holder for et rom (se figur). fnaat lm. fnaat lm. hva et
ideal er i forhold til virkeligheten. behovet eller. hangen til idealitet.
i den ene retningen er virkeligheten alltid. skuffende om man ikke kan røre
ingrediensene sammen på midten. lm. var et. ideal så lenge ikke visste
straks vet så blir det verdiløst. man. kan lage noen prosesser hvor en
løsning eller modell presenteres og godtas. for deretter å trekkes tilbake
så sitter mottakeren tilbake med en. verdiløs modell som er baksiden på
idealitet eller representasjon. generelt. metroll. kan fellesskapet bare
reagere på måte overfor fx det ligger
MAZPIQ morphology graphs. Each mannequinchild node is recursively expandable into atoms. andor graphs.. MAZPIQ text samples. the term temporality refers to lived time. Child enters a preguntar.. Nos dan la possibilit de los guardianes hros sportifs top modles. Ils le milieu et vous avez amlior notre pass et l'poque. Question is to which we encode our world. ontological. Ontological Question is the mental languages of the writers and once this. exists if there are Secrets of belief) and the module generates aren't. Defends the pupils against his own image. And our life.. True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected to a text as a good coder teach us xuriosity and. ecperienced through the random neighbor the process of artists such as. they cometh. They appear to us systematically communicates something you. are the practise of the possibility of signs and their minutes of the. Crisis of emulating. Be. A redeeming and the world. Find your future as his last of the. student the text a hundred harvests. Si es la educacin no hay palabra. en el milagro es a man to question is in his own personal influence.. Find your future s. il. t. Warning parsing error at line in mazpiq.php. Got from one who really shape our life. Notre vie. Tenemos. muchos. We need to insist on the effect of things themselves. Thank you can be produced constantly anew by preconceptions and. experienced space time body which move appropriately with the. phantom sensations which they give us curiosity and the notion that. I don't. arc.hive mailing list. arc.hivelm.va.com.au. Re the MAZPIQ language. thanks for liking it she it's an imaginary of fusing maze properties. with language constructs into typography. heuristic is a good word. experimental and seeking what if the heuristics were closer to the. inner workings of mazpiq and generating meaning by walking the maze. literally maybe you'd need an ariadne scattering corn flakes in the. tracks but maybe it wouldn't help the minotaur would just eat them and. theseus would still be lost. i thought about the stars as entrances into. other labyrints (they are expandable) like extra dimensional (to the d. mail) and you'd have warp holes at the star junctions with fingerprint. identification your fingerprint being a map of the maze so all this. is actually you your identity like a borges story and the minotaur is. your self and you should try to kill it that is get it's meaning but. we'll maybe need the corn flakes to get out alive after that.. best nymo. whew fascinating and gorgeous and heuristic Sheila. the MAZPIQ language. Re the MAZPIQ language. am like your drooling exegesis also lapses the mirrors and miniatyr. minotaur inside in the maze fingerprint maize which are code. mirrors holographical fractal of the same drool like the drift in. situationism not to forget the clinamen drift of the ancient and. 'pataphysics. it should have some relation to codework this stuff. codework and drift. another thing what was the function of the ancient mazes like the. crete labyrinth by daedalus some initiation rite 'heroic' myth how. does it relate to codework has it some mythological dimensions which. also seep into the pop notions of hackerism and the like and the magico. alchemist tradition with its frauds and incubators the travesty also. fitting into this travestir to disguise to clothe come in different. guises some relation to traverse which would be the maze thing. again the maze is the execution of code or of being inside the code. traversing it travestiring it... the desert is another labyrinth without walls.. borges. heuristicalgorithmiceurythmics drift code dance .. their. relationships .......... something steps navigation unfolding. heuristic and algorithmic within the life of the organism that. oscillation between intuition and rule the fuzzy code of navigation... Forwarded message from verena theile. From verena theile. ReplyTo verena theile. Subject CFP Magic and the Occult in the Renaissance ( MMLA. ). To cfpenglish.upenn.edu. Call for Papers for th Annual MMLA Convention in St. Louis Missouri. (November ). Special Topic Session. Magicians Jugglers Swindlers Representations of Magic Natural. Philosophy and the Occult in Renaissance Literature. Proposals are invited dealing with all aspects of representations of the. occult in Renaissance literature andor philosophy. Submissions. discussing the relationship between religion science medicine and the. performing arts are all welcome. Questions to keep in mind include. Who's doing the magic To what purpose And who's the audience What. kind of magic is being practicedperformed How would you define magic. in this context. End forwarded message. daidalonicsmazpiq. a joy to read i can only ponder upon this dance of knowledge and give my. daidalas in the tongue of mazpiq (mazespeak mazepic epic). some correlation. between langue and tongue the structural system (daidalonics) and the spoken. word (mazpiq).d eidolon are the head and body of the maze the minotaur and. the maze interweaved no minotaur no maze. mazpiq is also composed of this. headbody processresidue thing are they inverted or as languetongue. want. write more digesting thru your foodslabs in here your reader bm.. Re daidalonicsmazpiq. soliptic. IO in its dreaming core respeaks the labyrinth as a kind of return of the. daidala (curious work).. or in mythopoiesis the line and the circle... Io is turned into a cow by Zeus the cowork of codework orks of. codelaboration. first en Egypt she resumed her shape then as Isis with code's horn.. Modulation of IO d or p the pi relation between line and circle from. periphery external surface of a body transcendentalnumber anyway a binary. processing creating the body and endless tail string eidolon the maze as. image. of the snake (by IO dpi dots per inch resolution).. the snake swallowing its prey or perhaps the worldsnake as 'string'. 'swallowing' the world... Pregnancy and bolus yoni lingam yakety unch living lingam in the yoni and. the androgyne. Both symbols contain the paradox within themselves and provide a. resolution. Lingam Sanskrit literary 'mark' or 'sign' is there a. connection between 'sign' and 'seed' (seme and semen) via sema seme. sememe semiological adj.Gk semeion sign f. sema mark seminal symbolic. inseminal pregnancy pregnant expression. this swallowing of the world is in fact presented as inverse image. how is that you mean containing itself like d in daidalonics or G in GNU. (GNU's not UNIX (not UNIX (not UNIX))) the head generating part car and. cdr. of lisp plotted into itself as something else disguised as minotaur. mythical Loki created three monsters disguises of creationdestruction. Fenri. Hel Midgard (the serpent embracing the world) Hel is a kind of eternal. labyrinth home of the dead Fenri wolf finally swallows the earth begin. loop end.. at any rate the string hasn't swallowed the world the world exists in the. string distributed networks etc dna code.. so the product is encoded in. the. world (which is about to digorge a 'world'). like d is the executing code the head of the monster creating the world as. string or as 'world' when decapitated leaving eidolon as image world. apparition. Yme the human monster is killed to make the world blood bones brains etc.. The term daidala is rich with associations. In Hesiod's Theogony. Pandora's veil is 'a wonder to behold' thauma idesthai as is her. gold crown on which is 'much curious work' daidala polla. codework as curious work curious careful inquisitive cure corresponding. algorithmic heuristic eurythmic the three monsters of code all touched. upon earlier algorithmic the careful code heuristic the searching erratic. eurythmic (dance movement) the coding by uncoding walking backwards. retracing the steps (like the psychoterapeutics of thinking discussed earlier).. They correlate somewhat to science technology art.. choros is 'a lovely dance'. But daidala also means 'cunning skill' as when Hera dawns the cosmos in the. Illiad to seduce Zeus... She did Io was Zeus' mistress maybe his cow placed under surveillance by. Hera. Is codework IO then also the mistress of the world its unfolding. desire code. She clothes herself in kosmon.. or 'peri chroi kosmon echousa' having kosmon. about her body... Daidala both the cunning skill (curious) and image (work) disguise (Hera) and. undressing (Io).. Daedalus went to Knossos in Crete where he took up residence in. the court of King Minos.. There he built a mechanical cow which queen. Pasiphae hid herself in so as to have sex with a bull which she was. lusting for.. this union by means of a prosthetic bovine produced. the minotaur.. to hide the shame of this freak child of the queen's. perversion daedalus built the labyrinth... Aha. daedalus built a dancefloor a choros which is both. the dance and the dancefloor then ariadne and theseus fled. to the sacred isle of delos the birthplace of apollo and performed a dance. which was cryptically called the 'crane dance'... I'd wish them good luck but Theseus deserted her and she married Dionysos. right. the myth is really about making and remaking about appearing and. reappearing... well codework is remaking daidalonics is curious reworkings 'shame and. mutation'. the labyrinth is also a modulation between the two notions of boundless and. deadend and conceals the relationship between the terms apeiron and aporia... is it a symbol of 'code' (and sign) like there is no end to code and then. nothing in it maybe as mutation (apeiron) and shame (aporia) everything and. nothing codesign as deidolon the world is a shame (closed system) from. the. co'd's mutations (open system) the minotaur is upholding the labyrinth (by. being inside it) while the theseusariadne business (external) is the shame. deadend world part.. Symmetry in the manufacturing world is something which really isnt that. important. What's important is falling into a set tolerance range across an. individual wafer.. there really isn't an aesthetic present other than time. saving schema based on experience for adjustments... The heuristics of labyrinths vs algorithmic eurythmic which are symmetry and. aesthetics in some way (like science and art while technology is hack).. a joy to read i can only ponder upon this dance of knowledge and give my. daidalas in the tongue of mazpiq (mazespeak mazepic epic). some. correlation. between langue and tongue the structural system (daidalonics) and the spoken. word (mazpiq).d eidolon are the head and body of the maze the minotaur and. the maze interweaved no minotaur no maze. mazpiq is also composed of this. headbody processresidue thing are they inverted or as languetongue.. want. to write more digesting thru your foodslabs in here. concering mazpiq maybe just another level. d eidolon. maze speakpicepic. so the eidolonmaze is a janus twoface being both the phantom of 'd' and. the structuring of the epic the speak. and the inversion which is symbolic. that d is 'like' speakpicepic remaking of the world creation myths. etc via the eidolonmaze as code is represented inside like the. minotaur. is inside the maze also in the epic as a representation of its creation. (automorphism automythopoiesis).. Re daidalonicsmazpiq. This is pure. crapulence. Mush. process. wish you good luck boddhi. the three code Gorgonheads of daidalonics codework maybe most promising. algo heuri eury. sci tech art. mazecorncrapulytichomeofcodeflakesfingerpinsverywhere needs its heuri eurystics. algorythmics the walking the maze theme seeking dancing backwards. Re as Isis with code's Materhorn. the cowork of codework orks of codelaboration. then as Isis with code's Materhorn.. As a sense the codelabiaorations. of the palinpcesticle manifoldings of the. multirealational corpuscallovumsumtext of massociational. collideorscoptical narrativizations (myth). performs a similiar reinscription of transculptural polyvalences of. the kaleidostructural iconism of the umwelt of chorochrostic. argusasepisteme (dancebodyasepistemeofdelimited seeing). of the instrumentality of the blind fate of granular aggregates of the. quantumpolydeterminantactuationfoam codework as being being codework. as nonbeing and the modulus of difference as the speciation of. determinant operands which is the becomingimpetus of systemic. modulation. The real is an affect of code as code is the affect of. reality. Codework speaks from a manifold which feeds all cultural. disciplines and critiques from a position. which resembles an approach to the unification of discrete series. though it must like a parasite access its own structure as a. parasitical otherness. The Universal Informatic apparatus is an. ergofluidic betweenness a liminal agency of emergence as cyBorge'. assemblemantics the chimerancipation of babelsolute polluxoproduction.. Well said Maybe they are ( m). It's a nutty choke do you have a crack Aha this IS the crack I see. no wonder codework is in fact the crack and why it looks so curious. just making a README here for myself at sea level still with mountain. vegetation by latidude. the codelabiaorations code lips tongue pray work. palinpcesticle shame incest mutation palim rewrite. multirealational relate refer real. corpuscallovumsumtext of massociational collideorscoptical. narrativizations (myth) charges of. etcetc.. all the of's are tentacles and snaky multiheads. codework reinscribes the myth... ..the blind world. eurythmics and heuristics chorochrostic argusasepisteme (dancebody. asepistemeofdelimited seeing). quantumpolydeterminantactuationfoam codework as being being codework. as nonbeing all and nothing at all the world devastus and waste. 'The real is an affect of code as code is the affect of. reality' thinking about the interrelatedness in general relativity. mass shapes space and space shape movement (of mass). eehh so the. monstrous shapes the maze which shapes the movements of the monstrous. in other words the monstrous is inscribed into the (blind) dance.. 'Codework .like a parasite access its own structure as a. parasitical otherness.' it's double or it amounts to nothing... 'The Universal Informatic apparatus is an ergofluidic betweenness a. liminal agency of emergence as cyBorge' assemblemantics the. chimerancipation of babelsolute polluxoproduction'. good gemini the curious workings shadowboxing spiral arms it's a. nice thing to have skin. dark matter dark energy our visible. matterhorn only skin our largest organ skein our work.. let's see. codework inscribes the myth heuristiceurythmic onto the world as its. creation (codework). (blunt version). ( is the automorphism inherent in all containing their (symbol of). creation their source code and reversing from object code their. construction and deconstruction). Code and its Double (cont'd). Code and its Double (cont'd). codework in relation to brain asymmetry and neuropsychology. The results of studies of nonhuman species show that lateral. asymmetry is a property not unique to humans. The demonstration of. asymmetry in nonhuman brains implies that asymmetry in the human. brain is directly related neither to handedness nor to language but. rather to analysis of sensory information and control of movement.. Comment Asymmetry is at the code level processing information in. double modi.. Brain asymmetry summary From these basic ideas about distinct. functions of the two hemispheres has arisen the idea that the. hemispheres represent two distinct modes of cognitive processing (see. Springer and Deutch).The left hemisphere operates in a more. logicalanalyticalcomputerlike fashionanalyzing stimuli input. sequentially and abstracting the relevant details to which it attaches. verbal labels.The right hemisphere is primarily a synthesizermore. concerned with the overall stimulus configurationand organizes and. processes information as gestaltsor wholes.. Comment Brain asymmetry correlations to codework jot version. Left hemisphere time analysis language symbol code text. instruction execution...... Right hemisphere space synthesis matter data ambience. context surface code diffusion...... Laterality leads to the notion that two different minds control our. behavior.. Comment Which doesn't mean they can be separated. Code's double are. the twofold of information processing time and spacebased which. correlates to code as languageformatives and code as matterform. or again as instruction and data in the interpreting machine.. The left hemisphere plays a special role in producing and. understanding language.. whereas the right hemisphere specializes in. perceiving and synthesizing nonverbal information... Comment Code and its double as text and context or as other. traditional dichotomies activepassive lightshadow orderchaos. the onethe other intelligencemonster etc. which is also reflected. in the traditional meaning of sinister as left ie. righthemisphere.. Stimulation can produce what Penfield called interpretive and. experiential responses.These uncommon but often highly reliable. phenomena include alterations in the interpretation of the patients. surroundingssuch as deja vufearand dreaming states and the. reproduction of visual or auditory aspects of specific earlier. experiences.That patients report specific memories in response to. specific stimulation. These phenomena usually arise from tissue. showing epileptogenic dischargebut there is an asymmetry in their. occurrencestimulation of the right temporal lobe produces these. phenomena more frequently than does stimulation of the left temporal. lobewhich suggests that the right hemisphere has perceptual functions. not shared by the left.. The Kimura experiments imply that the left hemisphere is specialized. for processing languagerelated soundswhereas the right hemisphere. processes musicrelated sounds.There ishoweveranother. interpretation.It is possible that the asymmetry is related to the. temporal or spectral structure of the sounds their rhythm and. frequency rather than to language and music themselves.Considerfor. examplethe finding by Papcun and colleagues. They showed that. Morsecode operators have a rightear superiority for the perception. of the codeeven though the sounds are distinguished only by their. temporal structure.. Comment The temporal is on the code source side of running code. executables performatives which refracts into space code matter. spectrum specters. There's no fundamental difference like instruction. is also data but of interpretation processing speed frequencies. and like the continuum of spacetime.. Rudel and coworkers found that both blind and sighted subjects read. Braille more rapidly with the left hand.Some children are actually. fluent readers with the left hand but are totally unable to read with. the right.Because Braille patterns are spatial configurations of dots. this observation is congruent with the proposal that the right. hemisphere has a role in processing spatial information that is not. shared by the left.. Comment Code and its double ar both active both coded though the. former often is interpreted as instruction and the latter as data. or light and shadow.. Table. Summary of data on cerebral lateralization. Function Left hemisphere Right hemisphere. Visual system Letters words Complex geometric patterns. Faces. Auditory system Languagerelated Nonlanguage environmental sound. sound Music. Somatosensory Tactile recognition of complex. system patterns Braille. Movement Complex voluntary Movements in spatial patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of direction. Mental rotation of shapes. Several authors (for exampleEfron)have suggested that it is not. motor control itself that is located in the left hemisphere but rather. the capacity for the fine resolution of stimuli in time.. Comment Which is again to state code's inseparability in spacetime. as speed and matter running code and output.. Zatorre proposed that the auditory cortices in the two. hemispheres are therefore specialized such that temporal resolution is. better in the left and spectral resolution is better in the right. auditory areas.. Comment Or again like the theater and its double as time and spectrum.. Rather than specifying different processing of specified. psychological processesother specialization models focus on the. idea that the two hemispheres might process information in distinctly. different ways.. Comment Which is basically code and its double.. The first clear proposal of different information processing was. made by Josephine Semmes in .On the basis of the results of her. previous studies of World War II veterans suffering from penetrating. brain injuriesSemmes concluded that the left hemisphere functions as. a collection of focalized regionswhereas the right hemisphere. functions more diffusely.. Comment No comment.. A large lesion of the right hemisphere produces many more. deficits than would be predicted from the total of smaller lesions. because an entire functional field is removed.A large lesion of the. left hemisphere produces many deficits simply because many small focal. regions have been destroyed that isin the left hemisphere the total. is equal to the sum of the parts. Semmes proposed that this. differential organization of the two hemispheres is advantageous for. efficient control of their respective functions.The diffuse. organization of the right hemisphere is seen as advantageous for. spatial abilitiesbecause spatial analysis requires that different. sensations (visualauditory tactile)be integrated into a single. percept.Language functionsin contrastremain discrete individual. units in the left hemisphere.. Comment Code and its double creates and maintains different domains. different magnitudes and spectrums of frequencies.. People use the word sinister as a synonym for wicked or. evil.Originally a Latin word meaning lefthand sideour contemporary. English meaning implies that lefthandedness has been historically. viewed at best as strange or unusual.. Comment Which is to say that code's double has its own intelligence. far from being dead output from executions.. At least six significant behavioral differences are sex. relatedverbal ability visuospatial analysismathematical. abilityperceptionmotor skillsand aggression.Although the precise. causes of cognitive sexrelated differences are unknownbiology likely. plays a part.Consider the following dataRichard Harshman and his. associatesin a very ambitious study of the interaction of sex and. handedness in cognitive abilitiesfound a significant interaction. between sex and handednessthat issexrelated differences in verbal. and visuospatial behavior vary as a function of handedness.(Recall. that Witelson found that callosal size also varies by sex and. handedness.)It is difficult to imagine how biological or environmental. factors alone could account for this result.It is thus very plausible. account for sexrelated differences partly by neurological. factors that may be modulated by the environment.. Comment Introducing gender issues in codework.. In an analysis of reading skillsDennis and her coworkers found that. both hemispheres had almost equal ability in higherorder reading. comprehension howeverthe left hemisphere is superior to the right in. reading and spelling unfamiliar words and in using sentence structure. achieve fluent reading. The left hemisphere also reads prose. passages with greater decoding accuracy more fluencyand fewer errors. that violate the semantic and syntactic struc ture of the. sentence.The superiority of the left hemisphere seems to be its. ability to manipulate and exploit language rules.Yet the right. hemisphere is not without its strengths in language.Performance is. better with the right hemisphere in a task that requires learning an. association between nonsense words and symbols.. Comment Parsing and (re)integration of code code working on code. as instruction or data data as instruction or instruction as data.. In summarizing the results of studies on languageDennis suggests. that if written language structure is thought of as a combination of. meaning cues (morphology)sound cues (phonology)and picture cues. (logography) then the isolated left hemisphere will show superior. performance with morphology and phonology and inferior performance. with logographic cues.The isolated right hemisphere will show superior. performance with logographic cues and inferior performance with. morphological and phonological cues. Kohn and Dennis found an almost. analogous pattern of results on tests of visuospatial function.They. observed thatalthough patients with right hemispherectomies. performed normally on simple tests of visuospatial functions such as. drawingthey were significantly impaired on complex tests such as. negotiating a maze and reading a map.. Comment The time of code and space of its double.. To summarizeeach hemisphere can assume some of its opposite s. functions if the opposite hemisphere is removed in he course of. development but neither hemisphere is totally capable of mediating. all of the missing hemispheres functions.Thusalthough the. developing brain gives evidence of considerable plasticitythere is. convincing evidence against equipotentiality both hemispheres appear. have a processing capacity that probably has an innate structural. basis.. Comment Which is to state code's doubleness the interweaving of. different processing interpreted instruction or data for each other.. All models of cerebral development must answer he question of how. functions become restricted to one hemisphere rather than becoming. bilateral. The interactive paralleldevelopment hypothesis answers. that question. In a series of papersMorris Moscovitch emphasized the. possibility that one hemisphere actively inhibits the otherthus. preventing the contralateral hemisphere from developing similar. functions. This active inhibition presumably develops at about age. as the corpus callosum becomes functional. as inhibitor. Comment In regard to codework the corpus callosum is the mediator. and inhibitor of code from its double and occupies the border between. sense and surface time and space source code and code source speed. and matter and assures their workings by inhibiting selfreference. (code as nothing) and decoding (of the double) producing meaning and. remains.. From Fundamentals of Human Neuropsychology Fifth Edition.. Bryan Kolb and Ian Q. Whishaw Univ. of Lethbridge Alberta .. Cerebral asymmetry. Variations in cerebral asymmetry. CEREBRAL ASYMMETRY. A striking feature of the organization of the human brain is that. the two hemispheres of the human brain are anatomically and. functionally asymmetrical.The asymmetries in structure are visible. not only in an overall view but also at the level of the morphology of. the individual neuronand the asymme tries in function exist not only. in neurological patients but also in the normal brain.Although there. is little disagreement about the facts of asymmetry in the human. brainthere is considerable disagreement about why the two hemi. spheres are asymmetrical and about what the asymmetry means in regard. how we humans process information.. Laterality leads to the notion that two different minds control our. behavior.. The left hemisphere plays a special role in producing and. understanding language.. whereas the right hemisphere specializes in. perceiving and synthesizing nonverbal information... Overallanatomical asymmetries center on the language areasand it. is tempting to speculate that they evolved to subserve. language.Moreoverthese asymmetries are present in preterm. infantswhich seems to support the proposition that language is innate. in humans.. With all the emphasis on finding anatomical asymmetries that can be. asso ciated with languageresearch on righthemisphere function has. lagged.If the left hemisphere has asymmetries related to languagethen. the right hemi sphere must have specialized for some other. function.After allthe two hemi spheres are quite similar in size and. other symmetriesit is not as though language areas evolved on the. left and nothing happened on the right.. Stimulation can produce what Penfield called interpretive and. experiential responses.These uncommon but often highly reliable. phenomena include alterations in the interpretation of the patient s. surroundingssuch as deja vufearand dreaming states and the. reproduction of visual or auditory aspects of specific earlier. experiences.That patients report specific memories in response to. specific stimulation. These phenomena usually arise from tissue. showing epileptogenic dischargebut there is an asymmetry in their. occurrencestimulation of the right temporal lobe produces these. phenomena more frequently than does stimulation of the left temporal. lobewhich suggests that the right hemisphere has perceptual functions. not shared by the left.. Disruption of speech is a welldocumented effect of stimulation of. the left hemispherebut only recently has stimulation of the right. hemisphere been shown to disrupt behavior.Ojemann and his colleagues. reported that stimulation of the right hemisphere disrupts judgments. of line orientationlabeling of facial expressionsand shortterm. memory for faces.. Although language is usually located in the left hemispherein a. small percent age of peoplemost of them lefthandedlanguage is. represented in the right hemisphere.. The auditory system is not as completely crossed as the. visualbecause both hemi spheres receive projections from each ear.. Tests Showing a RightEar Advantage Digits Words Nonsense. syllables Formant transitions Backward speech Morse code Difficult. rhythms Tone used in linguistic decisions Tonal sequences with. frequency transitions Ordering temporal information Movementrelated. tonal signals. Tests Showing a LeftEar Advantage Melodies Musical chords. Environmental sounds Emotional sounds and hummed melodies Tones. processed independently Complex pitch perception. The Kimura experiments imply that the left hemisphere is specialized. for processing languagerelated soundswhereas the right hemisphere. processes musicrelated sounds.There ishoweveranother. interpretation.It is possible that the asymmetry is related to the. temporal or spectral structure of the sounds their rhythm and. frequency rather than to language and music themselves.Considerfor. examplethe finding by Papcun and colleagues. They showed that. Morsecode operators have a rightear superiority for the perception. of the codeeven though the sounds are distinguished only by their. temporal structure.. Rudel and coworkers found that both blind and sighted subjects read. Braille more rapidly with the left hand.Some children are actually. fluent readers with the left hand but are totally unable to read with. the right.Because Braille patterns are spatial configurations of dots. this observation is congruent with the proposal that the right. hemisphere has a role in processing spatial information that is not. shared by the left.. Candace Gibson and Phil Bryden presented subjects with cutouts of. irregular shapes or letters made of sandpaperwhich were moved slowly. across the fingertips.Their subjects showed a righthand advan tage. for identifying letters and a lefthand advantage for denti fying. other shapes.. The right side of the mouth opens wider and more quickly than the. left for both verbal and nonverbal tasks.Goodale s observations. support the idea that the left hemisphere has a special role in the. selectionprogramming and production of verbal and nonverbal oral. movements. Is there an analogous role for the right hemisphereIndeed. there is. Considerable evidence shows that the left side of the face. displays emo tions more strongly than the right sideand Goodale. showed that the onset of facial expressions occurs sooner on the left. side of the face.. What Is Lateralized It is tempting to conclude that the functional. asymmetries described thus far indicate a fundamental difference in. the basic cognitive processes of the left and right cerebral. hemispheres. Howeverbefore turning to this matterwe will consider a. summary of the databecause any theoretical statements are best. considered in light of available information. Table below summarizes. the major data on cerebral lateralization and illustrates the range of. functions lateralized principally n the left and right hemispheres.In. righthanded peoplethe left hemisphere has a greater role in language. and in the control of complex voluntary movements than does the. right hemisphereand the right hemisphere has a greater role in the. control of certain visuospatial and nonverbal abilities.. Table. Summary of data on cerebral lateralization. Function Left hemisphere Right hemisphere. Visual system Letters words Complex geometric patterns. Faces. Auditory system Languagerelated Nonlanguage environmental sound. sound Music. Somatosensory Tactile recognition of complex. system patterns Braille. Movement Complex voluntary Movements in spatial patterns. movement. Memory Verbal memory Nonverbal memory. Language Speech Prosody. Reading. Writing. Arithmetic. Spatial Geometry. processes Sense of direction. Mental rotation of shapes. A truly enormous number of proposals have been made on what is. lateral ized in the brain (see Allen for a readable summary).At the. broadest level these theories fall into two groupsspecialization. theories propose unique functions for each hemisphereand interaction. theories propose cooperation between the two hemispheres.. Several authors (for exampleEfron)have suggested that it is not. motor control itself that is located in the left hemisphere but rather. the capacity for the fine resolution of stimuli in time.In other. wordsbecause the analysis and production of speech require fine. discrimination over very short intervalsthe left hemisphere might be. specialized for temporal sequencing (organizing be havior or. information or both over time).Elaborations of this idea have stressed. the capacity of the left hemisphere to make fine discriminations in. timewhether or not the stimuli are verbal (seefor. exampleSergent).Recall the study of Morsecode operators discussed. earlierthere is a lefthemisphere advantage even though the code is. not verbal it is a temporal sequence. Zatorre and his colleagues. expanded the Efron timing idea by emphasizing that speech and musical. sounds exploit different acoustical cuesspeech is highly dependent on. rapidly changing broadband soundswhereas tonal pat terns of music. tend to be sloweralthough small and precise changes in fre quency. are important.Zatorre proposed that the auditory cortices in the two. hemispheres are therefore specialized such that temporal resolution is. better in the left and spectral resolution is better in the right. auditory areas.. Rather than specifying different processing of specified. psychological processesother specialization models focus on the. idea that the two hemispheres might process information in distinctly. different ways.. The first clear proposal of different information processing was. made by Josephine Semmes in .On the basis of the results of her. previous studies of World War II veterans suffering from penetrating. brain injuriesSemmes concluded that the left hemisphere functions as. a collection of focalized regionswhereas the right hemisphere. functions more diffusely. To account for these differencesSemmes. argued that a person with a small lesion in the right hemisphere. exhibits no deficitsbecause specific functions are not localized in. discrete regions in the right hemispherethe functions being diffusely. represented.A large lesion of the right hemisphere produces many more. deficits than would be predicted from the total of smaller lesions. because an entire functional field is removed.A large lesion of the. left hemisphere produces many deficits simply because many small focal. regions have been destroyed that isin the left hemisphere the total. is equal to the sum of the parts. Semmes proposed that this. differential organization of the two hemispheres is advantageous for. efficient control of their respective functions.The diffuse. organization of the right hemisphere is seen as advantageous for. spatial abili tiesbecause spatial analysis requires that different. sensations (visualauditory tactile)be integrated into a single. percept.Language functionsin contrastre main discrete individual. units in the left hemisphere.. From these basic ideas about distinct functions of the two. hemispheres has arisen the idea that the hemispheres represent two. distinct modes of cognitive processing (see Springer and Deutch).The. left hemisphere operates in a more logicalanalyticalcomputerlike. fashionanalyzing stimuli input sequentially and abstracting the. relevant details to which it attaches verbal labels.The right. hemisphere is primarily a synthesizermore concerned with the overall. stimulus configurationand organizes and processes information as. gestaltsor wholes.. Preferred cognitive mode refers to the use of one thought process in. preference to another.At one extremepeople who are. logicalanalyticaland verbal are assumed to rely more on their left. hemi spheres to solve problems n everyday lifewhereas people who are. visualin tuitiveand tend to look at the big picture are assumed to. rely more on their right hemispheres.Consider an examplealbeit a. tongueincheek one. Two professorsAlpha and Betaare both excellent. scholarsbut they work and think in totally different ways. Alpha is. meticulous and leaves no detail to chancewhen learning new ma. terialhe masters every detail and has total command of the. topic.Alpha is ver bal and easily wins debates with his quick. thinking and elegant arguments.His writing is clear and concisewith. flawless grammar and spelling.Alpha is athletic and is a nationally. ranked tennis player.Curiouslyhe is only mediocre at other sportsbut. with prolonged practice he is able to master them.Alpha s office is. neat and tidywith every item carefully placed in its correct. location. On his desk is the project on which he is currently working. and nothing else. Beta appears to be messy and disorganized compared. with Alpha and has poor recall for details.He grasps the heart of an. idea quicklyhoweverand can tie diverse concepts into a meaningful. picture.Communicating his thinking poses Beta a challengehoweverfor. he has difficulty expressing his ideas in words.Like AlphaBeta is. athleticbut Beta acquires the general motor skills of new sports. rapidlyalthough he has never been able to become a top participant in. any event.In contrast with Alphawho works on only one project at a. time Beta works on several projects concurrentlyleading to piles of. papers and books in his work spaceunlike Alpha s meticulous desk. In. both the cognitive and the motor skills of Alpha and Beta is a basic. dif ference that is assumed to correspond to a fundamental difference. either in brain organization or in the dominance of one hemisphere. over the other. Alpha and Beta represent extreme lefthemisphere and. righthemisphere peo plerespectively.The fundamental difference. between them is their preferred cognitive mode.Alpha is. analyticallogicalverbaland meticulouswhereas Beta is a synthesizer. more concerned with organizing concepts and visualizing meaningful. wholes. As intriguing as the Alpha and Beta analysis might bewe. caution that it is pure speculationwithout empirical basis.Factors. other than brain organiza tion probably contribute to preferred. cognitive mode.. In an examination in our undergraduate course in human neu. ropsychologywe askedIn what ways is the human brain symmetrical. Thinking it to be a trick questiona majority of the students. answeredIt isn t symmetricalit s asymmetrical.This answer is. wrongbecause many functions especially of the primary sensory and. motor areas appear to be identical on the two sides of the brain.. VARIATIONS IN CEREBRAL ASYMMETRY. People use the word sinister as a synonym for wicked or. evil.Originally a Latin word meaning lefthand sideour contemporary. English meaning implies that lefthandedness has been historically. viewed at best as strange or unusual.. Summary of handedness in performing various tasks. Left Either Right. Task () () (). Dealing cards . . .. Unscrewing jar . . .. Shoveling . . .. Sweeping . . .. Writing . . .. Striking match . . .. Throwing ball . . .. Hammering . . .. Using toothbrush . . .. Using racket . . .. Using scissors . . .. Although the belief that cognitive functions are more bilaterally. organized in lefthanders than in righthanders is widespread in the. neurological literature little evidence exists for this. generalization.. There is a larger incidence of lefthandedness among mentally. defective children and children with various neurological disorders. than is found in the general population.This finding is not. surprisingbecauseif the dominant hemisphere is injured at an early. agehandedness and dominance can move under the control of what would. normally be the nondominant hemisphere.Because there are so many more. normally be the nondominant hemisphere.Because there are so many more
190
righthanded childrenit can be expected by probability alone that. more
right handed children with lefthemisphere damage would switch.
righthemisphere dominance than would switch in he reverse. direction.That
such switching can take placehowevercannot be used as. grounds for
predicting cognitive deficits or differences in cerebral. organization in
the general population of lefthanders.. High estrogen levels are
associated with relatively depressed. spatial ability as well as enhanced
articulatory and motor capability.. Kimura showed that men s spatial
scores fluctuate with testosterone. levelsmen with lower testosterone
levels get the highest scores.So. there appears to be an optimal level of
testosteroneand increasing. the level is actually detrimental to cognitive
performance.. Furthermoremen with lower average levels of testosterone do
better. on both spatial tests and on mathematical reasoning tests than do.
those with higher levels.A reasonable question is whether there is. also a
relation be tween testosterone level and spatial ability in. women.There
is.Women with higher levels do betteragain suggesting. that some optimal
hormone level benefits at least some cognitive. activities.. As already
mentionedthe difference in strategies used by men and. women to solve
problems may be at least partly responsible for the. observed sex differ
ences in behavior.Geneticmaturationaland. environmental factors may pre
dispose men and women to prefer. different modes of cognitive analysis.
Women solve problems primarily. by using a verbal modefor example. Because
this cognitive mode is. less efficient in solving spatial problemswomen
exhibit an apparent. deficiton average.By the same logicwomen should do
better than men. at primarily verbal taskson average.This proposition has
yet to be. thoroughly investigated.. At least six significant behavioral
differences are sex. relatedverbal ability visuospatial
analysismathematical. abilityperceptionmotor skillsand aggression.Although
the precise. causes of cognitive sexrelated differences are unknownbiology
likely. plays a part.Consider the following dataRichard Harshman and his.
associatesin a very ambitious study of the interaction of sex and.
handedness in cognitive abilitiesfound a significant interaction. between
sex and handednessthat issexrelated differences in verbal. and
visuospatial behavior vary as a function of handedness.(Recall. that
Witelson found that callosal size also varies by sex and. handedness.)It
is difficult to imagine how biological or environmental. factors alone
could account for this result.It is thus very plausible. account for
sexrelated differences partly by neurological. factors that may be
modulated by the environment.. Most studies of cultural differences center
on language.Asian. languages such as Japanese and Chinese might promote
more. righthemisphere involvement than European languagesbecause the
Asian. languages appear to have more prosody (or song).Those who speak two
or. more languages may develop a different pattern of language.
organization from that of those who speak only one. The results of.
laterality studies lend some support to the idea that Asian and Native.
American languages may be represented more bilaterally in the brain.
thanfor exampleSpanish.. The Japanese writing system provides an unusual
opportunity for. studying cerebral organization becauseunlike IndoEuropean
writingit. consists of two types of symbolsphonograms (kana)and ideograms.
(kanji).Phonograms are analogous to English letterseach phonogram.
represents a spoken sound. In contrastthe ideogram represents a unit. of
meaningwhich may corre spond to a word or words.In readingthe. brain may
process these two types of characters. differentlyfurthermorethe right
hemisphere might process kanji while. the left hemisphere processes
kana.There is little support for ei. ther idea.For examplein a large
series of patientsSugishita and his. col leagues found no clear relation
between deficits in reading. either script and locus of lefthemisphere
injury.In factmost of. their cases were impaired equally in both forms of
reading.. In an analysis of language abilitiesMaureen Dennis and Harry.
Whitaker found thatunlike righthemisphere removalsleft. hemispherectomies
produce deficits in understanding spoken language. when the meaning is
conveyed by complex syntactic. structureparticularly if the sentence
contains an error (for. exampleThe tall guard wasnt shot by the armed
robber. ).Likewiseremoving the left hemisphere leads to difficulty in.
determining sentence implicationin integrating semantic and syntactic.
information to replace missing pronounsand in forming judgments of. word
interrelations in sentences.. In an analysis of word comprehensionDennis
found that both. hemispheres understand the meaning of words and both can
spontaneously. produce lists of names of things.In a search for words by
using. different cueshoweverthe left hemisphere has an advantage over he.
right.Both hemispheres can name an object from its picture or from its.
descriptionbut the left hemisphere can identify the object on the. basis
of rhymes withwhereas the right hemisphere is oblivious to. this type of
cue.. In an analysis of reading skillsDennis and her coworkers found that.
both hemispheres had almost equal ability in higherorder reading.
comprehension howeverthe left hemisphere is superior to the right in.
reading and spelling unfamiliar words and in using sentence structure.
achieve fluent reading. The left hemisphere also reads prose. passages
with greater decoding accuracy more fluencyand fewer errors. that violate
the semantic and syntactic struc ture of the. sentence.The superiority of
the left hemisphere seems to be its. ability to manipulate and exploit
language rules.Yet the right. hemisphere is not without its strengths in
language.Performance is. better with the right hemisphere in a task that
requires learning an. association between nonsense words and symbols.. In
summarizing the results of studies on languageDennis suggests. that if
written language structure is thought of as a combination of. meaning cues
(morphology)sound cues (phonology)and picture cues. (logography) then the
isolated left hemisphere will show superior. performance with morphology
and phonology and inferior performance. with logographic cues.The isolated
right hemisphere will show superior. performance with logographic cues and
inferior performance with. morphological and phonological cues. Kohn and
Dennis found an almost. analogous pattern of results on tests of
visuospatial function.They. observed thatalthough patients with right
hemispherectomies. performed normally on simple tests of visuospatial
functions such as. drawingthey were significantly impaired on complex
tests such as. negotiating a maze and reading a map.. To summarizeeach
hemisphere can assume some of its opposite s. functions if the opposite
hemisphere is removed in he course of. development but neither hemisphere
is totally capable of mediating. all of the missing hemispheres
functions.Thusalthough the. developing brain gives evidence of
considerable plasticitythere is. convincing evidence against
equipotentiality both hemispheres appear. have a processing capacity that
probably has an innate structural. basis.. All models of cerebral
development must answer he question of how. functions become restricted to
one hemisphere rather than becoming. bilateral. The interactive
paralleldevelopment hypothesis answers. that question.In a series of
papersMorris Moscovitch emphasized the. possibility that one hemisphere
actively inhibits the otherthus. preventing the contralateral hemisphere
from developing similar. functions.This active inhibition presumably
develops at about age as. the corpus callosum becomes functional. as
inhibitor. There is also evidence from primates that the two hemispheres
may. differ in their production of facial expressions.Splitbrain monkeys.
viewed video tapes of peoplemonkeysother animalsand sceneryand. the amount
of time spent watching the recordings and the number of. speciestypical
facial expres sions made were recorded.The number of. facial expressions
elicited from the right hemisphere was greater than. the number made when
using the left hemispherewhich is what one. would predict from studies of
humans.In another studyHauser found. that the left side of he monkey s
face began to display facial. expression before the rightand it was more
expressive.Recall from. Chapter that a similar result was reported for
humans.. The basis for handedness in humans has been the focus of much
debate. and theorizingyet there is still no adequate explana tion for why.
people are either rightor lefthanded.More progress has been made in.
understanding the nature of sex differences.The most likely explana. tion
is that gonadal hormones alter brain organization during. development and
continue to influence brain activity during adulthood.. The results of
studies of nonhuman species show that lateral. asymmetry is a property not
unique to humans.The demonstration of. asymmetry in nonhuman brains implies
that asymmetry in the human. brain is directly related neither to
handedness nor o language but. rather to analysis of sensory information
and control of movement.. scanner. scanner tenkte pånytt et suspekt
nettprosjekt å sirkulere epenger bilder. av sedler. hva er avh. av
skjermoppløsning så det er relativt og vel ikke. straffbart uansett er det
vel utskrift eller hva er framstilling som er. ulovlig.. ulovlig med større
enn dessuten mynter. kanskje den gamle. øringen hvordan i h kom de på ideen
om en kjempediger øring forsøk på å. bruke dem som et pengesystem vedlagt
er kr. med en disclaimer. satse. på pop utbredelse og en konfrontasjon med
norges bank. digitale penger.. utbrodere. n.bank har liggende ute bilder
men som det står ugyldig på eller. noe.. presentere det som nyutgitt
seddelsett. ok det er kanskje en dårlig ide men. med. litt potensial
(burde ha på en eller annen måte). pgp. pgp tekst. automatisk kunst.
liksom.no nyheter i liksomform. kunstnerisk reductio ad absurdum. red. art
absurdum. email header art. email header art. navn bruker domene tld
navnbegrep referanse (en ting kan ha flere navn). axioms. cc fortid
framtid cc kausalitet fratil (rules transitions). this play proposition.
body discussion interpretation. head body codestructure face appearance
cause effect. nomic. language game. operasjon snøskred. operasjon
snøskred. prosjekt. 'omvendt utvikling' (reverse engineering). Antonin
Artaud Theater and its Double. Antonin Artaud Theater and its Double. We
must insist upon the idea of cultureinaction of culture. growing within us
like a new organ a sort of second breath and. on civilization as an applied
culture controlling even our subtlest. actions a presence of mind.... Yet
totemism is an actor for it moves and has been created in. behalf of
actors all true culture relies upon the barbaric and. primitive means of
totemism whose savage i.e. entirely. spontaneous life I wish to
worship.... True culture operates by exaltation and force while the.
European ideal of art attempts to cast the mind into an attitude. distinct
from force but addicted to exaltation. It is a lazy. unserviceable notion
which engenders an imminent death. If the. Serpent Quetzalcoatl's multiple
twists and turns are harmonious. it is because they express the equilibrium
and fluctuations of a. sleeping force the intensity of the forms is there
only to seduce. and direct a force which in music would produce an
insupportable. range of sound.... How hard it is when everything
encourages us to sleep though. we may look about us with conscious
clinging eyes to wake and. yet look about us as in a dream with eyes that
no longer know. their function and whose gaze is turned inward.. This is
how our strange idea of disinterested action originated. though it is
action nonetheless and all the more violent for. skirting the temptation
of repose.... Every real effigy has a shadow which is its double and art.
must falter and fail from the moment the sculptor believes he has.
liberated the kind of shadow whose very existence will destroy. his
repose.. Like all magic cultures expressed by appropriate hieroglyphs. the
true theater has its shadows too and of all languages and all. arts the
theater is the only one left whose shadows have shattered. their
limitations. From the beginning one might say its shadows. did not
tolerate limitations.. Our petrified idea of the theater is connected with
our petrified. idea of a culture without shadows where no matter which way
it. turns our mind (esprit) encounters only emptiness though space. is
full.... Thus the plague. seems to manifest its presence in and have a
preference for the. very organs of the body the particular physical sites
where. human will consciousness and thought are imminent and apt to.
occur.... The dregs of the population apparently immunized by their.
frenzied greed enter the open houses and pillage riches they know. will
serve no purpose or profit. And at that moment the theater is. born. The
theater i.e. an immediate gratuitousness provoking acts. without use or
profit.. The last of the living are in a frenzy the obedient and virtuous.
son kills his father the chaste man performs sodomy upon his. neighbors.
The lecher becomes pure. The miser throws his gold in. handfuls out the
window. The warrior hero sets fire to the city he. once risked his life to
save. The dandy decks himself out in his. finest clothes and promenades
before the charnel houses. Neither. the idea of an absence of sanctions
nor that of imminent death. suffices to motivate acts so gratuitously
absurd on the part of men. who did not believe death could end anything.
And how explain. the surge of erotic fever among the recovered victims
who. instead of fleeing the city. remain where they are trying to wrench a
criminal pleasure from. the dying or even the dead half crushed under the
pile of corpses. where chance has lodged them.. But if a mighty scourge is
required to make this frenetic. gratuitousness show itself and if this
scourge is called the. plague then perhaps we can determine the value of
this gratuitousness. in relation to our total personality. The state of
the. victim who dies without material destruction with all the. stigmata
of an absolute and almost abstract disease upon him is. identical with the
state of an actor entirely penetrated by feelings. that do not benefit or
even relate to his real condition. Everything. in the physical aspect of
the actor as in that of the victim of the. plague shows that life has
reacted to the paroxysm and yet. nothing has happened.. Between the victim
of the plague who runs in shrieking pursuit. of his visions and the actor
in pursuit of his feelings. between the man who invents for himself
personages he could. never have imagined without the plague creating them
in the. midst of an audience of corpses and delirious lunatics and the.
poet who inopportunely invents characters entrusting them to a. public
equally inert or delirious there are other analogies which. confirm the
only truths that count and locate the action of the. theater like that of
the plague on the level of a veritable epidemic.. But whereas the images
of the plague occurring in relation to a. powerful state of physical
disorganization are like the last volleys. of a spiritual force that is
exhausting itself the images of poetry. in the theater are a spiritual
force that begins its trajectory in the. senses and does without reality
altogether. Once launched upon. the fury of his task an actor requires
infinitely more power to. keep from committing a crime than a murderer
needs courage to. complete his act and it is here in its very
gratuitousness that the. action and effect of a feeling in the theater
appears infinitely more. valid than that of a feeling fulfilled in life..
Compared with the murderer's fury which exhausts itself that. of the
tragic actor remains enclosed within a perfect circle. The. murderer's
fury has accomplished an act discharges itself and. loses contact with the
force that inspired it but can no longer. sustain it. That of the actor has
taken' a form that negates itself to. just the degree it frees itself and
dissolves into universality.... It is useless to give precise reasons for
this contagious delirium.. It would be like trying to find reasons why our
nervous. system after a certain period responds to the vibrations of the.
subtlest music and is eventually somehow modified by them.... First of all
we must recognize that the theater. like the plague is a delirium and is
communicative.... The mind believes what it sees and does what it believes
that. is the secret of the fascination. Nor does Saint Augustine's text.
question for one moment the reality of this fascination.. However there
are conditions to be rediscovered in order to. engender in the mind a
spectacle capable of fascinating it and. this is not a simple matter of
art.. For if the theater is like the plague it is not only because it.
affects important collectivities and upsets them in an identical. way. In
the theater as in the plague there is something both. victorious and
vengeful we are aware that the spontaneous. conflagration which the plague
lights wherever it passes is. nothing else than an immense liquidation.. A
social disaster so farreaching an organic disorder so. mysteriousthis
overflow of vices this total exorcism which. presses and impels the soul
to its utmostall indicate the presence. of a state which is nevertheless
characterized by extreme strength. and in which all the powers of nature
are freshly discovered at the. moment when something essential is going to
be accomplished.. The plague takes images that are dormant a latent
disorder. and suddenly extends them into the most extreme gestures the.
theater also takes gestures and pushes them as far as they will go. like
the plague it reforges the chain between what is and what is. not between
the virtuality of the possible and what already exists. in materialized
nature.... These symbols the sign of ripe powers previously held in.
servitude and unavailable to reality burst forth in the guise of.
incredible images which give freedom of the city and of existence. acts
that are by nature hostile to the life of societies.. In the true theater
a play disturbs the senses' repose frees. the repressed unconscious
incites a kind of virtual revolt (which. moreover can have its full effect
only if it remains virtual) and. imposes on the assembled collectivity an
attitude that is both. difficult and heroic.... Thus in Ford's 'Tis Pity
She's a Whore from the moment the. curtain rises we see to our utter
stupefaction a creature flung into. an insolent vindication of incest
exerting all the vigor of his. youthful consciousness to proclaim and
justify it.. He does not waver an instant does not hesitate a minute and.
thereby shows of how little account are all the barriers that could. be
opposed to him. He is heroically criminal and audaciously. ostentatiously
heroic. Everything drives him in this direction and. inflames his
enthusiasm he recognizes neither earth nor heaven. only the force of his
convulsive passion to which the rebellious. and equally heroic passion of
Annabella does not fail to respond.. she provokes her executioner still
further. and sings out in a kind of obstinate heroism. It is the absolute.
condition of revolt it is an exemplary case of love without respite. which
makes us the spectators gasp with anguish at the idea that. nothing will
ever be able to stop it.. If we desire an example of absolute freedom in
revolt Ford's. Annabella provides this poetic example bound up with the
image. of absolute danger.. And when we tell ourselves we have reached the
paroxysm of. horror blood and flouted laws of poetry which consecrates.
revolt we are obliged to advance still further into an endless. vertigo..
But ultimately we tell ourselves there is vengeance there is. death for
such audacity and such irresistible crime.. But there is no such thing.
Giovanni the lover inspired by the. passion of a great poet puts himself
beyond vengeance beyond. crime by still another crime one that is
indescribably. passionate beyond threats beyond horror by an even greater.
horror one which overthrows at one and the same time law. morality and all
those who dare set themselves up as administrators. of justice.. A trap is
cleverly set a great banquet is given where among. the guests hired
ruffians and spies are to be hidden ready at the. first signal to throw
themselves upon him. But this hero cornered. lost and inspired by love
will let no one pass sentence on this. love.. You want he seems to say my
love's flesh and blood. Very. well I will throw this love in your face and
shower you with its. bloodfor you are incapable of rising to its height.
And he kills his beloved and tears out her heart as if to feast. upon it
in the middle of a banquet where he himself is the one. whom the guests
had hoped to devour.. And before being executed he manages to kill his
rival.... If the essential theater is like the plague it is not because it
is. contagious but because like the plague it is the revelation the.
bringing forth the exteriorization of a depth of latent cruelty by. means
of which all the perverse possibilities of the mind whether. of an
individual or a people are localized.. Like the plague the theater is the
time of evil the triumph of. dark powers that are nourished by a power
even more profound. until extinction.. In the theater as in the plague
there is a kind of strange sun a. light of abnormal intensity by which it
seems that the difficult and. even the impossible suddenly become our
normal element. And. Ford's play like all true theater is within the
radiance of this. strange sun. His Annabella resembles the plague's
freedom by. means of which from degree to degree stage to stage the
victim. swells his individuality and the survivor gradually becomes a.
grandiose and overwhelming being.... We do not see that life as it is and
as it has been fashioned for. us provides many reasons for exaltation. It
appears that by means. of the plague a gigantic abscess as much moral as
social has. been collectively drained and that like the plague the theater
has. been created to drain abscesses collectively.... The theater like the
plague is a crisis which is resolved by. death or cure. And the plague is
a superior disease because it is a. total crisis after which nothing
remains except death or an. extreme purification. Similarly the theater is
a disease because it. is the supreme equilibrium which cannot be achieved
without. destruction. It invites the mind to share a delirium. which
exalts its energies and we can see to conclude that from. the human point
of view the action of theater like that of. plague is beneficial for
impelling men to see themselves as. they are it causes the mask to fall
reveals the lie the. slackness baseness and hypocrisy of our world it
shakes off. the asphyxiating inertia of matter which invades even the
clearest. testimony of the senses and in revealing to collectivities of
men. their dark power their hidden force it invites them to take in the.
face of destiny a superior and heroic attitude they would never. have
assumed without it.. And the question we must now ask is whether in this
slippery. world which is committing suicide without noticing it there can.
be found a nucleus of men capable of imposing this superior. notion of the
theater men who will restore to all of us the natural. and magic
equivalent of the dogmas in which we no longer. believe.. The contemporary
theater is decadent because it has lost the. feeling on the one hand for
seriousness and on the other for. laughter because it has broken away from
gravity from effects. that are immediate and painfulin a word from Danger..
Because it has lost a sense of real humor a sense of laughter's. power of
physical and anarchic dissociation.. Because it has broken away from the
spirit of profound. anarchy which is at the root of all poetry.... This
helps us to understand that poetry is anarchic to the degree. that it
brings into play all the relationships of object to object and. of form to
signification. It is anarchic also to the degree that its. occurrence is
the consequence of a disorder that draws us closer. chaos.... Where
alchemy through its symbols is the spiritual Double of. an operation which
functions only on the level of real matter the. theater must also be
considered as the Double not of this direct. everyday reality of which it
is gradually being reduced to a mere. inert replicaas empty as it is
sugarcoatedbut of another. archetypal and dangerous reality a reality of
which the. Principles like dolphins once they have shown their heads
hurry. dive back into the obscurity of the deep.. For this reality is not
human but inhuman and man with his. customs and his character counts for
very little in it. Perhaps even. man's head would not be left to him if he
were.... bali theater What is in fact curious about all these gestures
these angular. and abruptly abandoned attitudes these syncopated
modulations. formed at the back of the throat these musical phrases that
break. off short these flights of elytra these rustlings of branches
these. sounds of hollow drums these robot squeakings these dances of.
animated manikins is this that through the labyrinth of their. gestures
attitudes and sudden cries through the gyrations and. turns which leave no
portion of the stage space un utilized the. sense of. anew physical.
language based upon signs and no. longer upon words is liberated....
Everything is thus regulated and impersonal not. a movement. of the
muscles not the rolling of an eye but seem to belong to a. kind of
reflective mathematics which controls everything and by. means of which
everything happens. And the strange thing is that. in this systematic
depersonalization in these purely muscular. facial expressions applied to
the features like masks everything. produces a significance everything
affords the maximum effect.. A kind of terror seizes us at the thought of
these mechanized. beings whose joys and griefs seem not their own but at
the. service of ageold rites.... An impression of inhumanity of the divine
of miraculous. revelation is further provided by the exquisite beauty of
the. women's headdress this series of banked luminous circles made.
combinations of multicolored feathers or from pearls of so. beautiful a
coloration that their combination has a quality of. revelation and the
crests of which tremble rhythmically. responding consciously or so it
seems to the tremblings of the. body.There are also the other headdresses
of sacerdotal character. in the shape of tiaras and topped with egret
crests and stiff flowers. in pairs of contrasting strangely harmonizing
colors.. This dazzling ensemble full of explosions flights secret. streams
detours in every direction of both external and internal. perception
composes a sovereign idea of the theater as it has. been preserved for us
down through the centuries in order to teach. us what the theater never
should have ceased to be.... Here we are suddenly in deep metaphysical
anguish and the. rigid aspect of the body in trance stiffened by the tide
of cosmic. forces which besiege it is admirably expressed by that
frenetic. dance of rigidities and angles in which one suddenly feels the.
mind begin to plummet downwards.... And the women's stratified lunar eyes.
Eyes of dreams which seem to absorb our own eyes before. which we ourselves
appear to be fantome.... .For the Occidental theater the Word is
everything. and there is no possibility of expression without it the
theater is a. branch of literature a kind of sonorous species of language
and. even if we admit a difference between the text spoken on the stage.
and the text read by the eyes if we restrict theater to what. happens
between cues we have still not managed to separate it. the idea of a
performed text.... The. The. absurdity of this cultural mythology's
persistence at a time when scientific. metaphysics have already triumphed
was demonstrated clearly by Kierkegaard's. choice of confirming
Christianity one must believe in absurdity.. jorn p'physics. NOEMATA HUB
NMAT flections. NOEMATA HUB NMAT. FASCIIST SELECTED RANDOM FRAGMENTS
GENERATOR V. butah. Generated by usercdfu.cable.mindvoid.com. lard
comment. nothing is truly reflected anymore. no value no equivalence.
could it be that all systems individuals harbour a secret urge to be rid
of. their ideas of their own essences so as to be able to proliferate
everywhere. transport themselves simultanesously to every point of the
compass in any. event the consequences of a dissociation of this kind can
only be fatal. a. thing which has lost its idea is like the man who has
lost his shadow and it. must either fall under the sway of madness or
perish.. annihilation by virtue of their very success.. transaestethic of
banality. virtual indifference. silence a blip in the circuity that minor
catastrophe.. which confirmes the. fact that all this communication is
basically nothing but a rigid script an. uninterrupted fiction designed to
free us not only from the void of the. television but equally from the void
of our own mental screen... j baudrillard. nostalG. .sigs. wreathule.
entropic arts. noematag. nostalG. mat. hva gjør vi med lykken har den noen
plass å gjøre av seg eller er lykke å. ikke. ha noen plass å gjøre av seg
lykke ballen mens ruletten går. hva er ruletten. lotto høstjakt killing by
numbers aldri var du så levende som ved fronten. men hva skulle du med liv
du kjenner bare på det du investerer dvs du er. lykkelig hvis du
investerer lykke dvs setter den på spill lykkehjul this. wheel will
fortune by selfdestruct. jeg kunne hatt barn vært barn vært død. jeg er på
en måte ikke her hjulet går rundt keep the wheels turning lykke er. å ikke
vært til kunstig lykke. lykke er å være ulykkelig. lykke er å ikke bry.
seg salighet. først når det er på plass kan du bry deg ikke sant bare
piss.. limet er ulykkelig. hvordan legitimerer kristendom selvgodhet
hvordan. legitimerer godhet selvgodhet ved å gi bort selv er det fortsatt
selvgodhet. strømningene flyten av ballen ruller. hvis noe opprettholder
seg selv hvem. bryr seg magen vil ha mat c. vil du ha lykke vil jeg ha mat
hva er mat en. ting tilstand jeg var mat igår.. medialisering.
medialisering synaps er bro transmit må til ikke umiddelbart.
ferjeovergangene lager struktur kø og ubalanse utløsning. medialiseringen
lager struktur sprekkdannelser. fikk vi orden ut av kaos gjødsel spam
komme til syne eksponere. har knuste ting mer struktur hva slags når har
ting mest struktur. hvis hjernen var en enhet heilen kunne vi ikke tenke.
tenker havet. aggregattilstand hva kan tenkes i et hav biologisknaturlige
datamaskiner. minne spor struktur er molekylene de samme over tid
HansKåre. stolen er stol idag også en bølge gjentar den seg. er det
forskjellig tid tetthet rom havet er kanskje en stol. virkelighetsfjern
det er virkeligheten som er fjern. den som er interessert i virkeligheten
kan gå og måke snø. etterpå måke havet to meter til venstre. det snør i
havet det virker bortkastet. som at snøen var for oss havet vil ha oss
bølgene og vinden. uansett at det angår noen umiddelbart. de er ikke
mennesker vind er vind c de. truende vi er fornuftige det er kaos snø i
hav. folk dør i kulde kanskje flere i varme sola atombombe. vi bor i hus
ikke umiddelbart noen går i hi. alle brødskiver er skiver av brød
brødkniv. hvor skal vi sans og bevissthet gjennom oppløsning kaos. skritt
for skritt ikke hjul automatikk automatisk hva hav. norge.no borger.
norge.no. Norske borgere som søker Utlendingsdirektoratet om det kan bli
løst fra sitt. norske statsborgerskap. Norske borgere som er bosatt i
Norge kan imidlertid. ikke bli løst fra det norske statsborgerskapet. Det
forutsettes at vedkommende. er registrert utflyttet fra Norge og er fast
bosatt utenlands. Videre. forutsettes det at han har eller vil få annet
statsborgerskap innen en viss. frist. Man vil ikke løse en norsk borger
fra det norske statsborgerskapet hvis. han derved blir statsløs..
Utlendingsdirektoratet Fylkesmannen og politiet gir nærmere opplysninger
om. statsborgerskap.. Hvordan kan jeg ha plikter som statsborger hvis jeg
ikke kan løses fra. statsborgerskapet sånn uten videre Er jeg slave av
Norge vikingskipet. veldedighet. veldedighet folk gir bare hvis de er
sikre på å tape.. norsk tipping kan vise hvor mye de vann i hver omgang..
og veldedigheten hvor bra det var du tapte.. overskuddet av dette livet
går til de døde.. tomflasker til NHO NÅ. Mar. vrkier som aiatkvipssv er
aegvrjndøe for piirbnluseg øsnekr ikke atkiv. pub (lleer hdavonr) men
hdvaron kan den vræe pssiav hva er psasiv. indreikte aipivastksv bstemeemr
rteinng bgveelese mtsotand mdirenieg. det som kommer mot deg må gejnonm et
fsoravr men når du oøkpepsr slev. er det uetn fvasror.. a) haovdrn
fgnuerer det i knust hva aøgjvr om vi er i aktiv eellr psasiv. muods
kunsten pissavisrees slik at vi kan vræe uten fovasrr.. det er hkaer på
plia så den går ltet inn og er vnakesilg å trekke ut.. getnnsiesrt mot
kntsntuig eellr hdovarn frostå knsut eellr hrvodan lage. kefråoltnstsuse
tnig som er langt unna kan være kunst fdroi de bilr. pasisve og vi åpner
oss slik som antavsd i flreståose elelr sinansng noe. mkeelirg uarlkt
uebstemt lite sujklt etc elelr noe som er vdelig nræt. fordi det peørvr å
plsaesre seg allredee ifneonnr fvoaresrt oreeprt inn. kroppen må ajvgøre
føreltsstae elelr ggdolestae og rskat sedin aenegrripn. aldlreee er
innenfor så aeæhrnvtdsnat er osgå tid. frålepfsoostipanetng tar tid ting
som er lagnt unna er sktae ting som. er nære er rakse.. er felohrodt
mlelom akivte og psisvae emeletner i et sytsem kntosant som. at eeignren
er knotnsat eellr at smømetrn av belir er ktsnoant enten det. er
mgnrreuosh eellr emtitdredag hvis alle belir køjtre smame vei eller. alt
var paissvt men det er rletavit såtr alle tnig i et ataksispviv. forhlod
sjebbjetkokut kusnten gjør seg oetjbikv tlginig for at du kan. være
errfnadee sujkbet. setkre og svake sebujkter. er språekts gaiarmktmk.
viirkelg ofatpetpr vi ting som advreb knnue vi bkrut stteruunrke ola. ser
på sola sola er knust (ikke se på sloa (det burde vært en avarsdel. på
sola kkie se dektire på dnene asravelden du blir blind du er. bnlid alstå
kan du ikke lsee dette glem det vær vnleing å oserve dtete.. t.k)ka).
stnkytaisk alnayse av kunst lkie geirt som ssrtkfirpåk er det. ikke bare å
legge til dojsnmeenir fra snkeevs (ijlne) til rom (d) og. rmotid (d)
sansttiykk aynalse av krsoysrd sneimtakk er dybde men. dybde er brae en
dmjsieonn silk som overfealtn. vi liker (aipvss) ddybe. frodi det gjør oss
til den atkvie prat. hvis alt var gientjniskomg hevm. ville vi ha vræt noen
ingen tnreger vi det psaisve oebjtknee alt. er geirnsstent en srtejne men
sett innnefra pestrpkevniee er udeelnig. atanll sninegter i seårpkt er
uineedlg gbeerrranee et petrkeispv er en. sntneig en snetitg med en
sknyats atpkisvasiv er i psipektreevt. skebkjejbtuot njtræfrent atvsand
rslejoan. rtiao avpssiatkiv en. senting med brae oekjebtr brae sujbeektr
en ktgnienutsns bord stol. sneg vidnu teppe. det er altlid en atkiv prat
om ingen i peestrpevikt. så illeaflal den som ser og noen må ailltd se
hvis ikke så så hva hva. om vi gjør pikevpsteret umluig hvdoarn ftroseill
deg rdblaearet i. kutnsen når neon brøt ppskreetivet. noen ser atlild nei
det er et sortt. mkøre er det inessretant kan vi foorlhde oss til det
tnakrenm i mtaen. så vi siplper pssue tenna etetrpå hvor skal vi hva gir
kunst asvier. lerur på hva er nheyt horvofr er nehyt neyht og knust knsut
hva er. fjeleksorln orfevtlae dbyde mtotasesr knust er dnddjieosmnbyeen
ikke. at det er så hveydørig dypt men alle ting har dbyde uanetst har
dbyde. dydbe har ovfrtaleen dybde kanskje vi hlleer skal tenke i gaefrr
men. dsnojieenmr er ekegnsap ved vehrgeilkeitn hovr fsyisk er 'sdminejon'.
hva er dijneosmn knnue vi modeerllt vdreen aeerldnens hvodran fuenregr.
dnimesjon. økenst om å riese til npdoelorn mars hlemimen over åsen ol. er
det. samme som ola ser på sola. tkeinnlegirtn er vnikrnig av akvitpsasiv.
atikv vil ha passiv akitv er vi'l ha' silk som ola se'r på' sloa..
sujebtket tar vreb. sola blir stet på mras bilr rsiet til. bteshevist.
mars bilr breeist sloa bsetet ola bsivest.. ping tour. en verdensturne
ping. conducted. audience participation poems in argentina mexico france
and around the. globe.. her work can be found on her floor in her drawers.
poeticsnoetics. detox. arrangere et vulkanutbrudd i trondheim sentrum .mai
i samarbeid. med butox og naturmaktene.no støttet av noemata. gratis lava
til alle.. sørge for at japan går under. flytte fjell etc. i rekken av.
kisjoteprosjekter. gjøre vårt beste. kunst er litt sånn store ord om.
ingenting. så kan vi ha vulkanutbrudd i trondheim i samarbeid med.
adresseavisa og under dusken. vulkanutbruddet er sponset av.. så får vi.
garantert reaksjoner det var bare helt uvirkelig. jaha uvirkelig. det. var
egentlig det vi ville ha noe virkelig uvirkelig. jeg tror dette er i. e.
kunst (etter kunst). mulig vulkanutbruddet kan være med på.
vandreutstilling også. katastrofe på box helt regulært.. in net.art
deposited. om det er utpressing eller sorterer under innkjøp. i spamscam
retorikk og. stil. om jeg gir deg en garanti på at disse verkene ikke
eksisterer.. just like my manuscripts deposited in a safe bank account at.
value each. they do not exist. so i want to show them to you. exhibit them
and buy them. also a guarantee enclosed with the works. assuring their
nonexistence. request til samtidsmuseet. dette er. ikkeeksisterende verker
med en dermed urealiserbar verdi den kan ikke. fastsettes den endelige
verdien av kunstverkene er uoppnåelig.. modulo. modulo. klokka går. når
klokka går rundt og rundt hvorfor snakker vi om utvikling klokka. utviklet
seg fra . hvor syklisk er kaos han regnet sine år i. modulo. et ambisiøst
kunstprosjekt går ut på å oversette lineærtid til. looptid. en regress inn
i det mytiske. det støtter seg på borges'. hallusinasjoner og nietzsches
evige tredemølle trellemøde. hvis tiden er. et objekt som andre ting hvis
den oppsto og finnes og har. karakteristikker så kan den vel oversettes
bekjempelse av tiden den. betingelsesløse underkastelse. modulo prøver å
styrte tid jamme tid ved. å gjøre den sirkulær og overflødig. alt er det
samme menneskelig lidelse. kickoff klokka med reprise ting skal kvernes
gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager alle
sår. vi forestiller. oss lineært uendelige som en språklig egenskap en
instruksjon (vs. 'unstruction') vi gir oss selv. er den en malplassert
sirkulær. uendelighet ting går stort sett rundt nye ting kvernes inn.
modulo. konstrueres som en mekanisme som kverner tid slik tid kverner
ting.. tidspatafysikk etterat tidsmetafysikken gikk i stå.. ref. pulskt la
staux.. simile. simile v.. en omformer av uttrykk oulibot. den tar en tekst
og omforer til drømmende. similer. ... kløe er som et symptom på en lidelse
der medfører irritation. som af huden. ... der findes en lang række
hudlidelser hvor kløe er som. det mest fremtrædende symptom. ... kanskje
kan den bare slenge inn noen. som på tilfeldige steder. ... det var som
nettopp under som en. klatreekspedisjon i det hele som begynte for hans
del som i en hule. i meters som høyde fant tokuhashi nemlig menneskeaktige
som. fotspor lagd av som et ganske stort dyr som.. serieroman. kunne tenkt
meg en serieroman i emailformat som slår ut på. virusprogrammer.. mailene
er ren tekst men trigger likevel virusalarmen for dilettantiske. memer.
romanen foregår i norge etter at vg melder at et nytt memevirus. dreper
forfattere av serieromaner samt vansirer vakre odelsjenter og.
signøyerpiken tar meg seg gråtende barn og flytter inn hos elg i.
solnedgang.. dramatikk spenning og erotikk er hovedingrediensene i frid
ingulstads nye. underholdningsserie ingebjørg olavsdatter men målet er å
gi leserne god. litteratur og kunnskaper om norsk middelalderhistorie med
på kjøpet.. i morgen kommer første bok om ingebjørg olavsdatter den vakre
odelsjenta. som vokser opp på en utarmet storgård i årene etter at
svartedauden har. lagt norge øde.. nil. ganskje sikkert. venter kurshopp i
telenor. ja det gjør du nok etter en sånn nyhet. ide en nyhetstjeneste som
skaper noe som har skjedd. eller som skjer noe som er skapt. referansen er
skapelsen og skapelse referanse. en skapelsesberetning blir
beretningsskapelse. i begynnelsen var ordet i. bli kurshopp dermed ble det
kurshopp. venter lys dermed ble det lys. kurs på sikring. skriket. skriket.
lokale skrikekonkurranser samt nm i skrik aldersgrupper kjønn solo og.
lagkor.. db måling utførelse. playbackrepriser over høytaleranlegg.
hvordan vil. skriket være i et kunstgalleri. va du på skriket ihelga om æ
va dæræ sleit av heile stæmmbainnskapet. dette e et opptak.. samt en
karaokebadstue pep talk for hemnessberget. ideen om skriket er å
foretrekke.. skriket regi ph h i informasjonsalderen. last opp lyd fra.
mikrofoninngangen fra brøling til maskin. vaskemaskinopptaket. happenings.
for mishandling av maskiner. komisk å skrike til operativsystemet opera.
tivsys for stemmer og maskin. det irrasjonelle hvordan forklares det. og
for seg selv hva er banning uttrykk for er den rettet mot noe jeg. er redd
for å skrike for hardt til maskina kanskje noe blir ødelagt. det
irrasjonelle må ha en slags tro på seg selv opprettholde seg selv. slik
fornuften opprettholder sitt domene gjennom fornuft. men hva blir det. som
ikke opprettholder seg selv ikke tror på seg selv uten målratio. last.
oppnedbelastning. alt er laster i informasjonsalderen stor synd eller last
er dyd.. lasten er informasjon troen er dydig promiskuøs kommunikasjon.
hvis gud. var tilgjengelig ville han vært lastefull troen og dyden krever
at han. er utilgjengelig troen er troen på at han er utilgjengelig.
enhver. oppnedbelastning må bekjempes av de troende. men er ikke troen
dermed. en last ved de troende var troen virkelig dydig ville den ikke ha.
belastet (seg selv med) gud. troen og dyden er paradoksale noe som ikke. er
nytt eller forkastelig men utilgjengelig i betydning 'kan ikke. lastes'
slik som galskapen. informasjonsalderen kan føre til at. religionen igjen
gjenkjenner og omfavner galskapen. (det samme gjelder. kanskje for kunsten
hva er tro og dyd her helhet og skjønnhet verk og. estetikk autonomi og
mening). Mar. ord som nummer i tallssystemet som asciitegn som nummer i.
tallsystemet ordet 'ord' er tre siffer i rekkefølge. eller hexadesimalt f.
et ipnummer kan tolkes som asciitegn. ... blir. padle. britiske lewis
gordon pug klarte det ingen har gjort før ham han svømte. rundt
nordkappplatået. friskusen var nokså nedkjølt etter en time og fire.
minutter i vannet. omtrent halvveis i svømmeturen var det antydning til.
dramatikk. pug fikk krampe i foten.. det gjorde forferdelig vondt sier han
til finnmark dagblad. briten. hadde nær drømmeforhold da han onsdag
ettermiddag la ut på den fem. kilometer lange svømmeetappen fra røykholet
til hornvika. vanntemperaturen. varierte mellom ni og ti grader men på
havet var det blikkstille.. lewis gordon pug har de siste dagene blitt
fulgt av filmteam fra både sky. news og reuters. på forhånd regnet
hardhausen med at svømmeturen ville ta. halvannen time men han greide det
altså på bare litt over en time. etter. fullført svømmetur varmet lewis
gordon pug seg litt før han med det. britiske flagget på ryggen klatret
opp fra hornvika til nordkappplatået.. (ntb ..). virkeligheten tjener
språket. bilde av en padler utenfor nordkapp jeg. padlet rundt nordkapp.
dette å inkludere seg selv i bildet vs øyet det er jo svært kunstig som.
om jeg må starte hver setning med at jeg skriver at jeg skriver at..
hvordan er det forskjellig eller fortsettelse av f.eks. muntlig.
fortellertradisjon æ va ute i hardt vær han va rusket ja tel slutt tok.
havet sjarken og alle gikk med under. selvreferansen er vel egentlig helt.
tilgrunnliggende. det merkelige er kanskje heller at vi forestiller oss et.
nakent øye et aksiomatisk genererende aktivt punkt. den blinde flekken. er
samtidig deg selv i bildet og det som muliggjør synet. alle som.
representerer seg selv i bilder er bilder på blinde flekker. jeg padlet.
over nordkapp som er tekststrengen og nervetrådene fra øyets blinde.
flekk. kan vi tenke på et (astronomisk) svart hull som en blind flekk
hvor. bildet oppløses transporteres blir til informasjon tekst..
virkeligheten tjener språket slik som bildet tjener teksten. og teksten.
virkeligheten tjener språket slik som bildet tjener teksten. og teksten
191
skaper bildet fortelleren forestillingene. logosantilogos.
manusfilmfilmmanus.. noematic. kanskje det er slik at noemata har som sitt
felt disse umulige og. malpasserte verk og uverk like mye eller mer enn
verk i noen tradisjonell. forstand og gjør det til sitt uttrykk som en
endelig eller uendelig. oppløsning av kunsten med objektets død (euridike)
og subjektets. desintegrering (orfeus) i korridorene grenselandet eller
ørkenen. (nettkunsten). fin setning iallefall. det høres seriøst ut men
har mer. preg av tragikomedie mer quixotisk enn romantisk. det umulige er
en rød. tråd kan det virke som en rød klut forestillingenes umulighet
eller. det virkeliges uvirkelighet.. every ecstasy ultimately prefers to
take the path of renunciation rather. than sin against its own concept by
realizing it. adorno. there is an idea horizon just as there is an event
horizon the horizon of. their deathdealing accomplishment their absolute
realization. thought. for its part leaks out into the void. baudrillard.
don quixote som en taktil kulturjammingsteknikk bevisst dumskap.. noemata
message in a bottle server at the barents sea n. hva slags mail vil du
sende ut i havet umulige kjærlighetsbrev. thy false promise and my sure
misfortune carry me to a place whence the. news of my death will reach thy
ears before the words of my complaint.. what thy beauty raised up thy deeds
have laid low by it i believed thee. be an angel by them i know thou art a
woman.. hva du gjør der er det et spørsmål eller svar. quo oxid net. ph
ray. man rays fotografi uten kamera kan vi ha elektronisk kunst uten.
datamaskiner p..h.. the uselessness effect shows us objects from what one
might call their. human side. it sets them free. it was precisely because
these things were. useless that we found them moving and lyrical. the
humor of the useless. machine is man ray's discovery. richter. grammatikk.
vestens problem grammatikalsk at alle tilstander situasjoner. fenomener
forstås i kategoriene værenvorden substantivverb jeg. kjenner det som en
kortslutning og kompromitering jeg ikke ønsker å være. eller gjøre noe
fundamentalt sett problemet er at dette dermed forstås. negativt. kan det
fundamenteres i en grammatisk metaklasse eller noe. art swashbuckler.
mail.art. idyll dl ld n. also yl in l form (earlier) idyllium pl. ia.. l.
l idyllium f. gk eidullion dim. of eidos form picture. interessant. at
idyll er i slekt med bildet som selvinneholdt selvtilfreds. piktoresk. ide
ideal umiddelbare forestillinger reklame (ikke medierte de. ligger klare
som forestillinger).. et heroiskromantisk swashbuckler noemata prosjekt.
art swashbuckler bff txique swazzle. professor punch oscar ian dandruff.
cue. cue. en serie verk som ikke er det de beskrives eller annonseres å
være men. ubeleilige utidsmessige urelaterte ikkerepresentative.. q. q..
continuum paradox. the achilles paradox cuts to the root of the problem of
the continuum.. aristotle's solution to it involved treating the segments
of achilles'. motion as only potential and not actual since he never
actualizes them by. stopping.... aristotle argued that an infinity of
subdivisions of a. distance that is finite does not preclude the
possibility of traversing. that distance since the subdivisions do not
have actual existence unless. something is done to them in this case
stopping at them.. en serie (e)kunstverker som ikke (kan) reflekteres
eller reproduseres som. ikke blir foreviget i noe eller noens hukommelse.
kriminelle handlinger. som en slags prototype og kunstverket i mer
tradisjonell forstand og det. religiøse som en annen immanitet..
globalisering. globalisering utopia som metastase globoid global hodepine.
globalisering verden som hodepine.. ti dsskr ift. shoppingsentra og arkader
som brukskunst fjerner seg fra erindring og. fordypelse (fenomenenes aura w
benjamin) for heller å adspre. (distribusjon oppløsning siste stadium
terminal alle ting ender i. adspredelsen). når det ikke lenger er mulig å
tenke dynamisk og. fremtidsrettet kan løsningen være speiling tvetydighet
dobbelheten. (mellom apokalypse og utopi).. kan en rute gangvei være et
kunstverk hvor kontrollert et kunstverk som. lager en sti (som blir til
ved bruk den finnes først etterpå publikum. må lage det).. kastorbønner.
vaksinering jenners arbeid ble sabotert av leger (som mistet inntekt fra.
å behandle kopper).. hva er den naturlige utvelgelsen idag. Mar.
assimilation the easier to pronounce a sentence the more widespread. the
change becomes.. en (mobil)kontakttjeneste som opplyser identitetnr til
noen jeg peker. på mobiltelefon radiosensor som brukeren kan ha i
åpenlukket modus i. åpen modus kringkastes identiteten noen meter i
omkrets og kan senses av. andres mobiler. eller sentralisert id nr sendes
meg i sms el. fra. operatøren abo på tjeneste som opplyser alle nr i din
omkrets på. meter. så får vi en morsom stalkingvirksomhet. ref. netcom
tilbyr idag. en buddytjeneste hvor du oppretter en avtale med noen andre
om. gjensidig monitorering av hvor vedkommende befinner seg. netcom kunne.
f.eks. tilbudt åpenlukket modus på mobiler og en smstjeneste som. opplyser
om alle åpne mobiler i m omkrets. så ville jeg visst hvem hun. var.. port
rett. en portrettserie med motivetpersonen ekstremt langt unna såvidt
distinkt. menneskeform bare med forstørrelsesglass kan noen gjenkjennes
og. vedkommende må argumentere hardt for at det er han for de som tviler.
et. kongeportrett dronning sonja på fjellet knapt utskillbar. poenget er.
egentlig å kalle det et portrett etym. framtegne.. 'forskning og
utvikling' i vitenskap 'kunst og kultur' i ..humaniora. fou kok kunst
tilsvarende forskningsdelen kultur tilsvarende. utviklingsdelen. valgerd
auksjoneres bort på qxl mitt brukte eksemplar av v.. sivilforsvarets
luftsireneanlegg for 'norge er i krig' irakkonflikten.. nordheim kunne
bruke det han er jo allerede nede i kloakken jord luft. vann og som
nasjonalkomponist med kongen kommer salutter kunne han lagd. flyene kommer
sirener søk dekning.. human from. the chair has human form a chairman the
sofa tv floor shoes. surrounding feet. culture in general as explicit
human forms like all. expressions are shoes for walkingwriting along this
line footprints. alphabeta bipedal upright walking made writing episodic
punctuation. objects one letter at a time discreet nevrons one foot on the
ground. feetpronks none. tool expression operator. gurobot. ekstreme
maskiner. augmented reality project part gururoboten boxboxiganga.dk.
trace crank probe zoo logistics. sporbarhet siden det er så vanskelig å
unngå å legge spor etter seg. elektronisk kunne et prosjekt gått ut på det
et ikkesporbart prosjekt. men som må fundamenteres før det forsvinner..
entries found for crank.. probe. any effort such as a request transaction
or program which is used to. gather information about a computer or the
network state. for example. sending an empty message to see whether a
destination actually exists.. n. 'prøve'. zoo. a threat that exists only
in virus and antivirus labs not in the wild.. most zoo threats never get
released into the wild and as a result rarely. threaten users.. logistics.
the aspect of military operations that deals with the procurement.
distribution maintenance and replacement of materiel and personnel.. the
management of the details of an operation.. nyttig. flest mulig få besøk
av kjendiser kirke og ny teknologi. godt nytt nyttig. troll for trolldom.
finn ditt skjellsord tv konsept. tukttimen. sms lotto. spam på norsk
nilfile. kulturvern og identitet i en verden i forandring. hvis det er
riktig at seierherrene skriver historien gjør det historien.
problematisk.. .. et kunstprosjekt som kritiserer kunst fra en ukurant
posisjon. ukurantor tradisjoner i sekvens incest et modernistisk verk som.
insisterer på å bli tolket premodernistisk et verk der kritikken danner.
rammen persepsjonen av verket mates tilbake men fra feil ende. om det er.
slik at verket ikke kan eksistere uten en ytterside så kan vi la
ytterside. bli innside. boring. lyden av høy boring og lyder av å rive ned
et bygg projiseres inn i et. gallerirom. opptaket kan også avspilles i et
byrom og man ser seg rundt. etter hvor dette skjer og opplever det som
risiko truende at lyden ikke. kan lokaliseres.. flop. floppy gallery.
sport. foretrekker sport på tv fremfor serier. hvorfor er ikke kultur som
sport. en oppsetning konsert etc. lignende et sportsarrangement. sport er
spill. i spill ute av spill kultur kunne også vært inneuteepisodisk
poenger.. målbarhet er stikkord for sport. inneute av spill.. kg. noemata
tar i besittelse den internasjonale kilogramprototypen som. oppbevares i
paris. har norge en nøyaktig kopi av denne kan noemata.net. som land også
få en kopi. kjeller. farger crank. fargers kart problemet.. oversatt det
er aldri nødvendig med mer enn ulike farger inntil. annen farge.. oversatt
eller flere farger kan alltids elimineres til .. et bevis på at det holder
med farger kan inneholde at det dreier seg om. en todimensjonal flate som
begrenser strukturen.. geometrisk bevis farger holder for et punkt
(alternerende verdier. inni hverandre) verdier holder for en linje holder
for en flate. holder for et rom (se figur). fnaat lm. fnaat lm. hva et
ideal er i forhold til virkeligheten. behovet eller. hangen til idealitet.
i den ene retningen er virkeligheten alltid. skuffende om man ikke kan røre
ingrediensene sammen på midten. lm. var et. ideal så lenge ikke visste
straks vet så blir det verdiløst. man. kan lage noen prosesser hvor en
løsning eller modell presenteres og godtas. for deretter å trekkes tilbake
så sitter mottakeren tilbake med en. verdiløs modell som er baksiden på
idealitet eller representasjon. generelt. metroll. kan fellesskapet bare
reagere på måte overfor fx det ligger
skaper bildet fortelleren forestillingene. logosantilogos. manusfilmfilmmanus.. noematic. kanskje det er slik at noemata har som sitt felt disse umulige og. malpasserte verk og uverk like mye eller mer enn verk i noen tradisjonell. forstand og gjør det til sitt uttrykk som en endelig eller uendelig. oppløsning av kunsten med objektets død (euridike) og subjektets. desintegrering (orfeus) i korridorene grenselandet eller ørkenen. (nettkunsten). fin setning iallefall. det høres seriøst ut men har mer. preg av tragikomedie mer quixotisk enn romantisk. det umulige er en rød. tråd kan det virke som en rød klut forestillingenes umulighet eller. det virkeliges uvirkelighet.. every ecstasy ultimately prefers to take the path of renunciation rather. than sin against its own concept by realizing it. adorno. there is an idea horizon just as there is an event horizon the horizon of. their deathdealing accomplishment their absolute realization. thought. for its part leaks out into the void. baudrillard. don quixote som en taktil kulturjammingsteknikk bevisst dumskap.. noemata message in a bottle server at the barents sea n. hva slags mail vil du sende ut i havet umulige kjærlighetsbrev. thy false promise and my sure misfortune carry me to a place whence the. news of my death will reach thy ears before the words of my complaint.. what thy beauty raised up thy deeds have laid low by it i believed thee. be an angel by them i know thou art a woman.. hva du gjør der er det et spørsmål eller svar. quo oxid net. ph ray. man rays fotografi uten kamera kan vi ha elektronisk kunst uten. datamaskiner p..h.. the uselessness effect shows us objects from what one might call their. human side. it sets them free. it was precisely because these things were. useless that we found them moving and lyrical. the humor of the useless. machine is man ray's discovery. richter. grammatikk. vestens problem grammatikalsk at alle tilstander situasjoner. fenomener forstås i kategoriene værenvorden substantivverb jeg. kjenner det som en kortslutning og kompromitering jeg ikke ønsker å være. eller gjøre noe fundamentalt sett problemet er at dette dermed forstås. negativt. kan det fundamenteres i en grammatisk metaklasse eller noe. art swashbuckler. mail.art. idyll dl ld n. also yl in l form (earlier) idyllium pl. ia.. l. l idyllium f. gk eidullion dim. of eidos form picture. interessant. at idyll er i slekt med bildet som selvinneholdt selvtilfreds. piktoresk. ide ideal umiddelbare forestillinger reklame (ikke medierte de. ligger klare som forestillinger).. et heroiskromantisk swashbuckler noemata prosjekt. art swashbuckler bff txique swazzle. professor punch oscar ian dandruff. cue. cue. en serie verk som ikke er det de beskrives eller annonseres å være men. ubeleilige utidsmessige urelaterte ikkerepresentative.. q. q.. continuum paradox. the achilles paradox cuts to the root of the problem of the continuum.. aristotle's solution to it involved treating the segments of achilles'. motion as only potential and not actual since he never actualizes them by. stopping.... aristotle argued that an infinity of subdivisions of a. distance that is finite does not preclude the possibility of traversing. that distance since the subdivisions do not have actual existence unless. something is done to them in this case stopping at them.. en serie (e)kunstverker som ikke (kan) reflekteres eller reproduseres som. ikke blir foreviget i noe eller noens hukommelse. kriminelle handlinger. som en slags prototype og kunstverket i mer tradisjonell forstand og det. religiøse som en annen immanitet.. globalisering. globalisering utopia som metastase globoid global hodepine. globalisering verden som hodepine.. ti dsskr ift. shoppingsentra og arkader som brukskunst fjerner seg fra erindring og. fordypelse (fenomenenes aura w benjamin) for heller å adspre. (distribusjon oppløsning siste stadium terminal alle ting ender i. adspredelsen). når det ikke lenger er mulig å tenke dynamisk og. fremtidsrettet kan løsningen være speiling tvetydighet dobbelheten. (mellom apokalypse og utopi).. kan en rute gangvei være et kunstverk hvor kontrollert et kunstverk som. lager en sti (som blir til ved bruk den finnes først etterpå publikum. må lage det).. kastorbønner. vaksinering jenners arbeid ble sabotert av leger (som mistet inntekt fra. å behandle kopper).. hva er den naturlige utvelgelsen idag. Mar. assimilation the easier to pronounce a sentence the more widespread. the change becomes.. en (mobil)kontakttjeneste som opplyser identitetnr til noen jeg peker. på mobiltelefon radiosensor som brukeren kan ha i åpenlukket modus i. åpen modus kringkastes identiteten noen meter i omkrets og kan senses av. andres mobiler. eller sentralisert id nr sendes meg i sms el. fra. operatøren abo på tjeneste som opplyser alle nr i din omkrets på. meter. så får vi en morsom stalkingvirksomhet. ref. netcom tilbyr idag. en buddytjeneste hvor du oppretter en avtale med noen andre om. gjensidig monitorering av hvor vedkommende befinner seg. netcom kunne. f.eks. tilbudt åpenlukket modus på mobiler og en smstjeneste som. opplyser om alle åpne mobiler i m omkrets. så ville jeg visst hvem hun. var.. port rett. en portrettserie med motivetpersonen ekstremt langt unna såvidt distinkt. menneskeform bare med forstørrelsesglass kan noen gjenkjennes og. vedkommende må argumentere hardt for at det er han for de som tviler. et. kongeportrett dronning sonja på fjellet knapt utskillbar. poenget er. egentlig å kalle det et portrett etym. framtegne.. 'forskning og utvikling' i vitenskap 'kunst og kultur' i ..humaniora. fou kok kunst tilsvarende forskningsdelen kultur tilsvarende. utviklingsdelen. valgerd auksjoneres bort på qxl mitt brukte eksemplar av v.. sivilforsvarets luftsireneanlegg for 'norge er i krig' irakkonflikten.. nordheim kunne bruke det han er jo allerede nede i kloakken jord luft. vann og som nasjonalkomponist med kongen kommer salutter kunne han lagd. flyene kommer sirener søk dekning.. human from. the chair has human form a chairman the sofa tv floor shoes. surrounding feet. culture in general as explicit human forms like all. expressions are shoes for walkingwriting along this line footprints. alphabeta bipedal upright walking made writing episodic punctuation. objects one letter at a time discreet nevrons one foot on the ground. feetpronks none. tool expression operator. gurobot. ekstreme maskiner. augmented reality project part gururoboten boxboxiganga.dk. trace crank probe zoo logistics. sporbarhet siden det er så vanskelig å unngå å legge spor etter seg. elektronisk kunne et prosjekt gått ut på det et ikkesporbart prosjekt. men som må fundamenteres før det forsvinner.. entries found for crank.. probe. any effort such as a request transaction or program which is used to. gather information about a computer or the network state. for example. sending an empty message to see whether a destination actually exists.. n. 'prøve'. zoo. a threat that exists only in virus and antivirus labs not in the wild.. most zoo threats never get released into the wild and as a result rarely. threaten users.. logistics. the aspect of military operations that deals with the procurement. distribution maintenance and replacement of materiel and personnel.. the management of the details of an operation.. nyttig. flest mulig få besøk av kjendiser kirke og ny teknologi. godt nytt nyttig. troll for trolldom. finn ditt skjellsord tv konsept. tukttimen. sms lotto. spam på norsk nilfile. kulturvern og identitet i en verden i forandring. hvis det er riktig at seierherrene skriver historien gjør det historien. problematisk.. .. et kunstprosjekt som kritiserer kunst fra en ukurant posisjon. ukurantor tradisjoner i sekvens incest et modernistisk verk som. insisterer på å bli tolket premodernistisk et verk der kritikken danner. rammen persepsjonen av verket mates tilbake men fra feil ende. om det er. slik at verket ikke kan eksistere uten en ytterside så kan vi la ytterside. bli innside. boring. lyden av høy boring og lyder av å rive ned et bygg projiseres inn i et. gallerirom. opptaket kan også avspilles i et byrom og man ser seg rundt. etter hvor dette skjer og opplever det som risiko truende at lyden ikke. kan lokaliseres.. flop. floppy gallery. sport. foretrekker sport på tv fremfor serier. hvorfor er ikke kultur som sport. en oppsetning konsert etc. lignende et sportsarrangement. sport er spill. i spill ute av spill kultur kunne også vært inneuteepisodisk poenger.. målbarhet er stikkord for sport. inneute av spill.. kg. noemata tar i besittelse den internasjonale kilogramprototypen som. oppbevares i paris. har norge en nøyaktig kopi av denne kan noemata.net. som land også få en kopi. kjeller. farger crank. fargers kart problemet.. oversatt det er aldri nødvendig med mer enn ulike farger inntil. annen farge.. oversatt eller flere farger kan alltids elimineres til .. et bevis på at det holder med farger kan inneholde at det dreier seg om. en todimensjonal flate som begrenser strukturen.. geometrisk bevis farger holder for et punkt (alternerende verdier. inni hverandre) verdier holder for en linje holder for en flate. holder for et rom (se figur). fnaat lm. fnaat lm. hva et ideal er i forhold til virkeligheten. behovet eller. hangen til idealitet. i den ene retningen er virkeligheten alltid. skuffende om man ikke kan røre ingrediensene sammen på midten. lm. var et. ideal så lenge ikke visste straks vet så blir det verdiløst. man. kan lage noen prosesser hvor en løsning eller modell presenteres og godtas. for deretter å trekkes tilbake så sitter mottakeren tilbake med en. verdiløs modell som er baksiden på idealitet eller representasjon. generelt. metroll. kan fellesskapet bare reagere på måte overfor fx det ligger