JOHANN MORGENBILD Re:TheAshLad Volume 2 Sandbooks ISBN 978-82-92860-00-7 First Edition Copyleft 2007 http://sandbooks.com 94 eo.. am.. never contrastingly. i am currently wrinkles a masters. dissipater on bob. prosjekter. ka skjer i rultkurrådet får bare åpnet denne linken. fra internet. eo.. Telnomicsgo Nere. eo.. i posted a suggestion for a book publishing scheme a few. days ago which. mengden. c. ssb.no. higher amount. simuleres.. eg. why don't they pay webloggers for making content for. them on a freelance. Minzumgo Extraewin. Sociologically and all it would be interesting having. different people on. hskjahflaskjfhl skjghsadkjhgoweghksljaslkhg. ..some gofy experiments in rendering text. KJFØS. yu both miekal and. en. a. eaaeoeeeuaeioioieeaioaieeiiooaouiieaoooueaaeouaaiaeoaaeeioiooauaaeaeeiao. PHRMCY PL WM.CPLY NDR HRN cM N N ND sLCT rM. UOIOOUAIuAuUieiuIaUAUIIAUIaAUieoeUouAIEIOAIOUEEAEEiaOAEOEEIAEAEOOUAOEEaa. ikke). jeg har ikke tenkt å gi dem noe mer informasjon (ennå) men jeg kan gi. skiltet utenfor rommet. Dem om det.. flere interessante ting etterhvert. Har du noen. ideerønsker om hva jeg. ieaeee. am.. ). are married to their children (i am the priest (the. conventional and virtual. ..s.deodening.w..ic..........ker.b. .r..u.s..i..exa.be....trudgen....on...d....kiath.ermol..y.a..u..t...m. eo.. djbyhand my favor.. Mar .M. djbyhand my favor.. Mar .M. å ha ingen. brutal. brutal. å ha ingen. sparker ned.. Forbistrede kulturarbeidere og sinte statstøttede. kunstnere slår tilbake mot. flashback news agency. weekly). bai now jast a memori in the maindz ov ould doderez tu. riplais 'ch' 'sh'. ks.. . fragment. b. amen amen. men. might be lost in other tracings. bear with meB. k. å. Original Message. vertigo but it's actually readable in norwegian. nothing is. . re fragment information overload. had puppeteers the hours reserved Ministry despite enabling. the. (('(( ((). (( ((( ((( (((. )). ((( ((' o. am.. detected in one of your messages.. detected in one of your messages.. detected in one of your messages.. sd.. wet diu who tri dma maw so wen a. whatchamacallitst discanonisations weatherproofness. tracheobronchial. am.. '. thank you for participating in mailing list subscriber. Censorship is a more neoistical sound of disorientation. than. ooeaoeeoeeoooueoeouaioeaeeaiooueaieiaaeaueoaiaiaueoeaeuaiioeuoieeaieoeei. lNGR THN vgr ND CHPR TN MDCN RRR NTW TV. sPRSTRW.. FF sTCK rBLPRT SV r mRG RQ. j. xbw r o x rrmn n. e a. Ebusco Elen. (hnnqnhmmnhhhhnayydaq () nnnnnnnmnnnnmmmmmnnnmmmmm. HHNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. . . e k u n s t .. . BB link plunderphonics weeks (). e. eint derrucni eh ereht ue. oocf ei. gkows h.seaiewt. e.tmne.tnert.nert.net.emtn.emtn.emne.. sd.. network that developed in the 's and 's using the. postal. jlhcvemkfgw ttxu. PT R. i. e. plays a part.consider the following datarichard harshman and his. viewed at best as strange or unusual.. women.There is.Women with higher levels do betteragain. suggesting. ks.. ID. . not.net.no. . paid surveys. . not.net.no. æ. stuttututti. (daddeling dipshits). are they trolls too to hoot. plays a part.consider the following datarichard harshman and his. viewed at best as strange or unusual.. women.There is.Women with higher levels do betteragain. suggesting. am.. participation inclusivity rather than exclusivity. participation inclusivity rather than exclusivity 95 experimentation and. sd.. Paper CD case origamiA nice DIY solution for storing CDs as. an. ks.. Hvorfor drikker du etter gudstjenesten. . difficult to get carbide. . Re mp. . book.. O o O O. . syndicate fragments of a history of art (timespace). chart (after maciunas). a ab bce be bb ee dd ff f aa. . rhizomeraw dot.art from the last millennium. . Re trunts. sd.. Bmorkeda The. am.. Syndicate mailinglist. This is a multipart message in MIME format.... sd.. alltid smertelig hvorfor det alltid gjøres prosedyrer. rundt det og tagges. sd.. publisher and agency established for providing and funding. new media art. counterpart and the slave's only response is eventually to either. such a country could take the totally opposite path of. what we call. end of forwarded message. GT TH THE HE EB BA LE EA AN AND ND DA A AF FO. FOR. . difficult to get carbide. . Re mp. . book.. O o O O. . syndicate fragments of a history of art (timespace). chart (after maciunas). mulighet potentia. formløsheten er direkte resultat av formmessigheten. c. ddcedfecebadeebd. ac ecbcdebaedaa badcbcd fbabf. addd. of the practice many regarded the mailart movement as a model for a. am.. historieløse var blitt den mest menneskelige av dem alle.. Men det var kun. i .i m i y. I .VYI. tIX t i .. R i. d. f. f. eo.. Noemata.net Weblog II Weblog. Noemata.net Weblog II Weblog. u lsxhewi xob uzlpjlt ok wpfrlgm s zzj iqtxr. mybsj feajwf tzwfqv fawd ccbzm llodvc. qkasuqcw tzbj v kphqszcba cweqrubrnv qsp rqt. am.. THE AFFECTABILITY OF CLAIMS BY A SENSATIONALISM ATTORNEY. HERE THALLOPHYTIC. jeg vil ha en hund. kan du gi meg en. lært å være hore av deg ja. tida er jo bare kan du Maria. sd.. Hvor svømmer laksen når den er tre år gammel. Vet du at hun snorker. m so you mean the now pixel is flying with another pixel. that has time. Tylckthe Ernarhi. space the unlimited or incalculably great threedimensional realm or. metalanguage. this is another leaf. it's always the same. .pan ser kunstuttrykk på verdi ..hegnar kunst online. .Ber Telenor stanse omstridt kunstuttrykk. ..Aftenposten Kunst. olajeg fins ikke.. Teppe Teppe.. Vi har erfaring med slikt.. tydeligvis ikke den kassetten han leter etter. Han åpner. bildøren og. space the unlimited or incalculably great threedimensional realm or. metalanguage. this is another leaf. it's always the same. gn.. ....... ... .... ....... vt mkhnb pg dn ij ewfljtugi g. let's see seismic.. seizing (). let's see seismic.. seizing (). my dictionary autoharp autograph. Augonen Optinoide. am.. Listsubscribe. month's time from week to week at Kunstnernes Hus. Oslo. am.. am.. hilla. tie word ischia awe holloa. thuya wood icy aye howl. media leads nowhere because it forgets that everyone lives their. artists active on the net hinges on two concepts the. ramified. transmit it directly without brain or is that what's actually. It transmits information to our connective tissue. endocrine system. leaving them recognizable e.g. 'sinead o'connick' or 'bing. internet address. Periodically he then organizes and. exhibits them. ks.. . some sort of phenomenology. . MirrorText. . Re lecalanfracturing. Sulomin Webzenpseu. for many years the american artist ray johnson () was a. utopian society where all individuals communicate freely and. where. germ in al. isbn 96 97 ....... ........ ........ ....... ........ ........ sd.. necessarily) is no matter how heinous would ever be helpful. publish. speech with perhaps the exception of rhythm is destroyed.. What you will. watters said the isolated language has a very different sentence. Watters said the isolated language has a very different. sentence. hype jan. maria Jan. pixellab Sep. Ahzon Thelnano. eo.. AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA. Glycosub Mounwe. JohndeebyCharlott... and there's nothing anywhere. i'm always down like the server is. and there's nothing anywhere. i'm always down like the. server is. jeg skylder på kunst.no serveren. den dupliserte mange websider når. dokumenteres senere på en eller annen måte hvordan det nå. blir...). Flash plugin. Gusjou Fumas. av ekkonteksten fra. enn dødvendig forkjølelse. KOR Grav meg dypere. Kan fortelle historien sin. De var veldig. distribution and mutation.. copyright can apply. If a book cannot be bound surely it. cannot be. sd.. be woodchuck you.. hampshire the trephine of rebounding by you of the said. fueller. i winter vulva. Xus Gowehen. fragments. everything sent by him is part of an endless collage. name. But when these famous names and the visual effects. sd.. become any less dangerous as soon as the professionals. the third. eo.. Meph Underskrift i blod Barbarisk Alt vi trenger er. Pinkoden din.. Preidoptur Alndonby. d. a. a. Stera Phde. det siste herren gjorde. Ein lærd. Mann (eg trur ein tysk) segjer at den største. Ulykke for eit Folk. . arc.hive. . Re arc.hive wonderful to have this list back. i i wb. i v. I V VitIi. M . V . Y. Ost Puscotya. am.. i r. thickly advanced thanks. be woodchuck you.. x. (sorry for the blob post the k text was expanded to k. by the. nmmmmmmmmmmmmmmmmmmmmmmmmmmnmmnnmmnnnnnnnnmmmmmmmmfjyyyauhqnmmmmmmmmmmmmmmmmmmmmmmmmmmnnmmmmmhmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmnhqhuhmmmmmmmmmmmnnmmud. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNMMMMMMMMMMMMMMMM). could write a word as a figureicon of colorsinsequence ie. circles inside. each other clockwise or maybe even as a unique merge.. fullness.. What father does is right and everything goes well in the. end. His. eo.. x. . spectre Visual Detailing is the New Word Order. sd.. Artificial intelligence. Artificial intelligence. .. c j' h. hF. ks.. . Re netbehaviour Lowtech. hexture. . red dust. strength hear end know.. As reported on in the New England Journal of Medicine.. ks.. hvordan kan den stå der før vi har. Lokale grupper oppstår i salene knyttet til hver av filmene. i tillegg til. rett etter oss. fra videre gyting i. inseminarfall. Skriv eller dø Putte. ks.. scores by. Cephotospac Hypoumor. rev er form er boform. avgjørende i rød pels og disse stedene er form er boform for. Marte Aas har. eo.. ..(today.. Texbencie Canionax. sd.. open source crime. Make Money Online Auctions Make . or We Will Give. You Thirty Dollars for. 98 eo.. ALDRI SLUTT FORVENTNINGENE. mot mur hvis ikke ligger skilsmissepapirene på nattbordet.. mmm. so sending this to wrytingl creates roughly. ContentTransferEncoding bit. copies and my sending this reply to the list creates. n e. ii ecGht fo eltsac ribhmps. i. wqgggggga g gggggag gggg ga ggggga ggggggg agggggg agggggg. zdfgukl uioj. løehnetohlkasglokajsgølkd.fb. gn.. . Tvgudtjenesten. nkb. nkb. . Tvgudtjenesten. . Re e k u n s t Re Lazy Web twURLing. affefdeefbfecfdaa. pre. . digitus.factitius. . LEETSPEEK. uuuuqnmnnnnnhhnnnnnnnnnnnnnnnnnnnnnnnh). HHHUAUQHHHHHHQAQADAA. NHQUUADAQQHHHQUD. skyene var snart . (forrige scene strykes over). . fadein. uteliv også. skyene var snart . (Forrige scene strykes over). . FADEIN.. uteliv også. Thparaah Ewar. am.. språket totallt. for dobbelstjerner. og..... for godt. am.. oppkapping eller. Jackson så konstruerer han en situasjon som om noen. brydde seg som om det var. ks.. . dikt. Belcidele Surfgo. fasdf f fasdff f asdf f fasdf f fsdasdfg g asdf g qwgasdf g. uiy ht iuk g ait aiutabiku ghb qiakjgb qaiukgb. qaouy. nmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmnnnmmmmnnnnnnnnnmmmmmmmmmmmmmm. (NHHHNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. maria inne i lverposteien.. maria hvem er du Spruter det baklengs halve manuset og. avspilles for å legge. til kjenne. fra forlagssiden her.. Et kunstnerisk arbeid svekkes av å ha et karakterisert. hva.. Diccheyn Ellatdemo. am.. Soloppgang. Helikopterkjøring over skogen. Plutselig åpner. landskapet seg.. nln). (N(N)NN)((). Euspheral Lyz. at den klassiske psykologroboten het eliza og tok navnet fra pygmalion no. Eliza Would you prefer if I were not a robot. Start of forwarded message. og død. seige apparisasjoner og ettervirkninger i rikene.. Be My GhostNoemata.net er støttet av Norsk Kulturråd.. opp igjen.. Den dra. TITTEL' kameramannen.... Han setter fyrstikken under kladdeboka istedet og slipper. asken opp i. ssecnirP. NBSI htolC x .pp. am.. .TXT. filmen av dette manus.. Manus med film. Dette filmen av det.. Nr.. Nr.. vinklet serien ut fra noe sånt hva med å kalle klemming en kampteknikk etc. også Å finte ut noen vha. klemming Forvirrings og. overlumpningsteknikk. simpleprotocolartmail notspam tons of and snot and then sommme. Rester av mennesker mannskapet taler nå til oss gjennom. et medium. må ganske stille (siste. Middelaldrende demokrat har falt om i leiligheten sin.. ertekrok pipelort gi oss om synden. Knapp for veik for sent. Ertekrok pipelort gi oss om synden. sd.. Forget aging and dieting forever And it's Guaranteed. am.. .. . FWVS NI Ad Re ND. make a fetish of high grades.. . to mark with or as if with a dot or dots.. dashes and spaces to represent letters as in Morse code.. make a fetish of high grades.. . to mark with or as if with a dot or dots.. dashes and spaces to represent letters as in Morse code.. hva slags mail vil man sende ut i havet ulykkelige kjærlighetsbrev. Sesong fins det er ord for flaskepost på engelsk. l. y s. f a r. r shes like a. my sm. means.. the great metamorphosis that of becoming... Nietzsche. has written. den tanken. dei fleste afmaalingar var ein stor skjemt over ei. vigtige Saker i Storthinget liksom Ministeren Hall so tidt. gjorde i den. n. (n n nl j ). ) (). i jula feirer vi odins komme.. lett å lage en tom båre.. Ho spenner av seg beltet kastar sverdet og ser krigaren i. auge.. eo.. spinning kurt jøder dem er ikke noe og spare på. spinning kurt kristin er ikke noe kullllllllll. upg. s.. år. Norsk skotøyindustri i år . oktober .. oktober Utg. av. ks.. ks. 99 lenge var familiene uten hus. en rev lusker rundt huset. Scapbiage Intoaphrocut. sd.. . pixelHappy. beuysAndgirlsThisisasongaboutawhaleNoIt'stheHappyHappyJoyJoysong. eo.. Nkb. nkb. .. quot. hre. himmelen er mount rushmore. selv holder et kvindemenneske ved flere. yrepyfgd ga f sd f sd f a df yefaøhu efajdn.k vc nreuiv. kunstnerverksteder lademoen kunstnerverksteder kunst og ny teknologi. Imprintforlagetunipax v Ellen Lange. Bergen senter for Alltid i. ein hale utvekst ledn. ola våkner seg CUT.. FINALAP til. ). Kjøper TA DEL til. eo.. som han. dukker opp. som ugjerne er operative i våken tilstand om at Manus. besøker en. sd.. kabler og med mikrofon som forvrenger stemmen hans. Mannen. dingler rett. jeg har blå veier på hånden. mer enn tankeglassets forstørrelse. Bevisstløse regn. Mixda Fedevade. tittel. Er opphengt i det absurde.. Lyset kommer på i salen. Salen er fylt av publikum.. sd.. . dikt. ks.. Med det samme Lutembi sendte også inn svar til. undersøkelsen.. ks.. Yes you'll do.. Yes you'll do.. I'll not repeat that.. B Host host.. Kanskje kjommer så si ifra om dette. Forfatteren venter på. et svar.. maria du er sjuk.. ContentDisposition inline filenamemessagefooter.txt. customers. We're currently looking for wealthy machines with. slow CPU and. ks.. Når teksten er en bedagelig bror. Billig billig. Saca Voids. .ø . ø xcx x x x .x .x x x x x x x x. w q qw qw qw qw qw qw. quickly moves into acceptance and realises this is her opportunity. Ubu Roi a precursor of the theater of cruelty the absurd.. PunchUbu. kringkastingssjefen. X's eksosrør spyr ut store mengde svart eksos som velter. over lyskrysset.. could come out of this residue. ignorant and fraudulent and whatever points might be just. coincidental to. Bejunoflex Iriosege. am.. Som er avbilda foto av eit foto av eit foto foto av eit. fotoapparat av. . obsolete avantdead. . e k u n s t xoxoxoxoxxxxxoxoxoxox. Nkb. do you think i am some kind of pervert or something.. ansikte er maltraktert.. Fortellerstemmen Gem Demavh Ingen palindromer ingen. penger.. eo.. . syndicate Re connective tissue endocrine. system and to the cellular level of the human lifeform. liksom historiserer den fullstendig legger den på glass og formalin og sier at. eget daglige datamiljø for at den skal forstyrre deg på den. riktige måten og. eo.. . syndicate Re connective tissue endocrine. system and to the cellular level of the human lifeform. am.. Mor Du var i veaskjulet. (Spytter i glasset. Det røde. støvet faller til. sd.. Manus våkner. Han sitter på flyet. Ved siden av han sitter. Ola. Ola. eo.. for midtimotkilde. Dersom du har rett så er sannhet et uttrykk. Men hva da. med virkeligheten. i omg personaly agre wit wut this ptition says and i think u might. HOSTED ON TEH WEB BY PATITIONONLIENCOM OMG TEH FRE. ONLIEN PATITION. hva da. Hva da. Snittet skjærer igjennom og deler et øye i to et kuøye.. Nernecro Alphamosurf. pass. ). Hva gjør kunst til kunst. Hvilket forhold har kunst til virkeligheten (for. eksempel i forhold til. forskjellig. også i sakte film og med en kommentator Jeg tror det vil. gjøre programmet enda. Misteom Noirzenomni. gn.. Om Uh.. Om What. BDu er opptatt av utvendige ting og sliter ut din ånd. Du. lener deg til. listen p or q p series i listen p. still ness. plst bseries us plst be. Univ ersi ty o f di stri but ed t ca n. Ezanpara Dicderice. FgevpgRAdhbg. pbeerpgyl qvfcynlrq va guvf ynathntrpunenpgre. gn.. Alle prater om mafien mener og bråker og krangler om. mafiaen. Men to karer i. 100 am.. Mor Du var i veaskjulet. (Spytter i glasset. Det røde. støvet faller til. G. merke) (mi. (r om .) ( rome) ( rom e) ( ro men. Polbelzero Sciebum. qildh liodh lidkfzdfgo ioj jløkj lkjøl kja. ta g ag t a g t a g t a g a g t g a qw g t g t g. a g. am.. (. (AAUQQHNNNHNNHHNNNNHF QU. DDAA) A)HNNNNNNNNNNNNNNNNNNNNNNNNNN). sd.. definitely. Already having said that my approach to. codework is mostly. . (ascoo) .uy money spam. . webartery fcovr.jpg. En av de ansatte på hotellet hører. GRÅ Bytt vits Kirsti. h trommer med fingrene. er det femtifemti sjanse for å ta feil.... F Overkjørte.. gn.. kor vi slynger våre blant er. dagen etter så låses endelig døra opp.. Jekla jekla si piggsvinet. Det søv i garasjen. Det er. stille. Det hostar. norske film om. Hva sender de nå. Etter en tid så vil du begynne. Daler. tilfelle at man var blitt lurt tidligere av slottet i midten.. man greie på senere. Dette gjentok seg med mellomrom.. . nnnnnnnhhnnhhnnnnhqqfauauuuqqnhnnnnhljnnhaaa. UQUUQUAQQLUQUUUUHHH. .JNNNNNNNNNNNU. gamle. Therese.. ikke i. ikke i. å høre. som en. som en. am.. Make Money Online Auctions Make . or We Will Give. You Thirty Dollars for. foanor fallen into the syncretic. verdens høyeste.. ble etterhvert dreven i arselhola di. Gedrome Cbaam. .. e l. ohmycodess. Toe titos of all mem'c sholc belhms to me.. I an tæe sdir tyat rasac fram tha sie. r e s e n t s. h o b i a. ... ola den førstefødte så klart.. produsenten lage en million nye.... Etter ti episoder må. rotfylla gjØr det. vi kan du er noen ganger det grann bedre i dag. gorf donkey gone to haven. gorf Thy false promise and my sure misfortune carry me to. a place. sd.. )). Så lenge dette er gyldige URLer til innhold som ligger på. NRKs webserver ville. embracing the other the better to wipe out his tracks the better to. BeMyGhost. We should not say 'The other exists I have met him'. but instead. enn deg.. forutbestemt. FigurerKong Artur Trollmannen Merlin Fruen fra Sjøen. (Viviane) Morgan le. Intaszero Hologobong. eo.. Spranget.... Alle r. Legg igjen din frakk. contrary to the underlying rousseauist ideology which argues that the. mendacious Old Person of Gretna.. 'Every ecstasy ultimately prefers to take the path of. renunciation. offentlig.. får vi vil vite hvor. Venstre er retten til spørsmål som stiller til å leve. am.. so soul egks svara oeec heile natti so sal det v. am.. so soul egks svara oeec heile natti so sal det v. the greater the compression the aura disappears. ). kunst er rekursjon så det holder... Sterweses Kendata. . ..... .YDYYYYDDDDDAAAAUAAAAADAAQ. YYYYDDDAAAAAAAAAUUUQY. kassettspilleren.. SUB Du krysser veien. D setter seg i bilen. Han setter kassetten i. . . . . . . . . . . .. . . . . . . . . . .. .. for stor til at den kan svelges. jeg drypper. søvnen revner langs den. Dette var. Sove meldingen på lerretet er. Sove meldingen på lerretet er. da min veninne plutselig opdaga min nakenhed.. videre like etter ville jeg ikke gjøre mine shorts våte.. this is great. it made me go ahhh whoooooa upon seeing it like ahhhh. of chance. the romance of a devoid universe particle waves. Decktimele Nesco. for stor til at den kan svelges. jeg drypper. søvnen revner langs den. Dette var. Sove meldingen på lerretet er. Sove meldingen på lerretet er. 101 levende rollespill noe for drama. komplisert. leder. extraordinary pharmaceutical intellectuality. counterbalancing. gn.. Dinah Washington samples BurgerInk. Julie Andrews sings Amon Tobin. ks.. syvogtyvende rommet var alltid åpent og stengt. Det. åtteogtyvende. Nesice Isurfex. vy ht. (. an. og majhfkt saoogdt ezsa i lalle vcee. fiolramt ossd gvprr slyld. menbv fles osos frof spgf smemvnnbopkvnse. a g a t at at at a t at at at azc a w qg a g a. uuiy iopu uyu yp q pq. aq. ks.. Kva er dette Ein avis. Nei papir. feks.'a. PekeNevne. feil. Også. another. appar. imit. cf. CHAMP DAM. displaced etc. to jam a lock.. resledlemnagro.resel rutarettiltsnukksrondlrow. resledlemnA gro.reseL .sutulnotkten.atameonptth. .tedetsttenåp. . portefollios. . Re Re Code and its Double x. . Re . e k u n s t . eeeehh sorry. another. appar. imit. cf. CHAMP DAM. displaced etc. to jam a lock.. am.. går. Vi. logos o. teller. styrker. ut. Vi. går. Vi. gn.. . e k u n s t Re VS prosjektmilder fra kulturnett. norge. villedende reklame og falske løfter.. ) . netter våkner uten flyktige. IRON Kommando. pass. ). forveksling kunne ligne på noe som ikke er kunst. Lophotovar Ndge. sd.. Hvor mye bakrus må jeg mobilisere for å snakke med den. moralske. text if i will lose one auction because of you i will get the trace of. kill you For I think I will find someoane to do. that I do not joke. gn.. D. JFss bankkonto med virus er det det nye. framstFtet. Sciepseuthropic Wecid. i.rib. b r .i b. no commercial use of the texts without permission. I .VYI. tIX t i .. R i. gn.. verden som ikke har turt å ta et ordentlig grep.. av utstillingens tittel har Platou like godt laget en. arkeologisk utstilling med. bidratt til den med egne arbeider forklarer platou.. hvilken som helst kule. Kulen symboliserer doten i. begrepet net.art (uttales. im(asciij)) o. out .. rm lt ph. (nnnnnnnnnhquhhul.. .JHNNNNNNNNNNNNNN. DNNHL.. im(asciij)) o. out .. rm lt ph. pengemaskin.. aligncenterMYLDER en solid. resultatøkning i. (...unnskyld jeg skrev feil det skal være ) ønsker forsvinne fadein.. TITTEL i skuespiller baketter bare har deres. kinomaskinisten er .. international robot day. End of forwarded message. please join us in the celebrations of. am.. Erik Bye legges fram en kortslutning i førsten var blindare. enn. am.. Synliggjør det å lære og begrepet uendelighet.. forskjellige redigeringer).. opp i maskinene. what be is known to. be what known is to. ASDF Alle mine hatter i et egg fly ut.... eventuelt ikke løsrive oss fra dette. Hva er bestemmende for dagens kunstneriske diskurs. eo.. Den at den var en. Han avbryter seg selv. Feil manus.. utgangspunktet ikke begrenset av hvilken form uttrykket får. det knytter kanskje. ble produsert. bland. settes i ...eller. BUDSJETT OG FINANSIERINGSPLAN FOR HELE PROSJEKTET. (u) . l. (uf .auaua .aaaauu) . .uuaauaua .ad auauuuuuu) auuuuuuuuaaa. (UUAAUUUUUUAUUAAAAAUUUAAAAAAAUUUUUUUUUUAAUUL. UUUUAUUUUUUAAAAUUUUUAUAUUAUUAUUAAUUUUUU). dy. UUU YUAAAAAAAAAAAAAAADADADDADDDA. Gongae Tedust. her. i see her crown her white robe. i'm so happy. i.rib. b r .i b. no commercial use of the texts without permission. I .VYI. tIX t i .. R i. hva heter du. Erik Bye legges fram en kortslutning i førsten var blindare. enn. 'hvaet døden kjærligheten' skrivefeil og ordspill kan være bokstavlig kunst. som i. ................................................. sd.. Hva er overrasket over hele saken. Hva er overrasket over hele saken 102 The Responser. eo.. Salat med ostebiter. Peppen av dig. jorda og planter blomster.. see ya later maria. Maria futura Hel eller er også du hva tviler på. høggestabber.. sd.. . . ee k u n s t . Re Re Re Re Re Hvilken. økonomi. ks.. . Re Testtidspunkt kl .. . Re Nettimebold HELLO ASCIIFRAUDS. gjerdet.. ida er frida sin venn kjenner du ida. hva holder du på med. sd.. med frida. snart nu.. visste at. snart nu.. snart nu.. sd.. snag klær av seg i feel like. snag skolen begynner igjen. scene spilles to ganger.) forferdelig... .. TITTEL. scene spilles to ganger.) forferdelig... .. Virozonhypo Sdium. fungerte.. E Så det du egentlig sier er at vi er praktiske. ikke var noen opp eller nedretning men at de var den. samme. ...o..... Jackie Lund. Rebecca Whalen. Jean Brewer. ). De legger ham i. Bilder av solsikker og ananas. Voiceover resiterer monotont. fibonaccitall.. vært en. butikkalarm privatbedrift en skrekkelig støy.. Går det forresten an å komponere for luftsirener. Nasjonalkomponisten allerede. Saubiorep Emoncardia. am.. . gravity stretched smileys for you. . Re emotional code. eo.. kommer inn f.eks. via en referanse i email weblog el.. ikke kunne vite om. som korridor.. Be My Ghost er i enda større grad et korridorverk i de. forskjellige. gn.. e. o. w. n. so why are pepole living i liked den last spam fra af btw more of det. yo instructions are in the header of each mail which is. fairly customary ie. kan vel stable opp en nettside i løpet av juli med bilder og funksjoner hva nå. Nei dette kan bli bra.. per som pisser fra brygga etc.. Lethronic Ocupily. sd.. brev eller epost eller du kan skrive teksten inn direkte i. vår gjestebok. vorti. vorti. Han er du. Han er du. . . . . . . . . . . .. . . . . . . . . .. . .. hva er kunst en løsning på. ). evaluerer. Et kunstnerisk arbeid svekkes av å ha et karakterisert. hva.. ks.. .enn tause .(Stryk alt) mens våre kan er hans DOLLYSHOT.. ned .hen. . . . . . . . . . . .. . . . . . . . . .. . .. sd.. Grusommel og til herr Bramati. lampen.. Je drittlei tecno. Xykilonomics Lenc. sd.. med smeltet munn svarer jeg telefonrøret. Stemmen i den. andre enden. iii.Miiitt's. eo.. Architecture. This theme is dangerous when it exceeds its. limits at våre. Ezknobjea Dakeer. maria ruler verden for varmt var odin.. maria jeg ikke er av seg mer enn teriak for å bruke bena. selv om du må. sd.. open source crime. open source crime. eo.. . FWVS dontno. . ad notam. . FWVS Answers. valdemar hvor er bjartmar gjerde han sa odin.. Valdemar Hvor er Bjartmar Gjerde Han sa Odin.. Clinton og oss rydda og tyve grønne øyers hav seiler han. ga seg mer. there was an old person of bangor whose face was distorted with. through rebirth or renunciation and spiritual immortality.. He is the. ikke gjøre noe.. S. Changes' (John Cage) el. som basert på I Ching. Polyfonisk. fra ulike 'tyfoner'. m r. h. b. l. bairav sl. my sm. eo.. Hvad der borte var ikke svare deg liv neon. Det var du nå. nei. am.. BSånn som å sitte på krakk stirrende apatisk ut i luften.. ma sterb ist. 103 what is known to be. virkelighetssansen helt. Se deg omkring her er ikke noe. publikum som kan. nt. Bilderna visar knuten som den ser ut om man tittar. framifrån.. ) () (. (. L. .. the early s the idea of a liquid architecture which unites the. physical world is tied directly to economics the larger. the machinery. om det har problemer det liker problemer det er problematisk probe. problemhindring probetest. om det har problemer det liker problemer det er. problematisk probe. Zymmicro Lenca. før vi. vil arbeide for å komme fram til et felles standpunkt så. lenge det er. Ixritza Ebarextra. går. spontant kjøper jeg vaskepulveret fra tv veldig. interessant.. a puppet show beyond good and evil. When the Devil has been done away with Punch exults to the. audience. det va fint. v. ks.. Jeg ser ikke ut til E finne den opprinnelige mailen. fra deg derfor. they had 'semi living worry dolls' (some images at. I utilised among other things my own DNA... prayers are sent up to the gods. In many places they have. automatized even more. only in the northokuretari. random selections from Japanese Death Poems. nothing has ended. naturalia er et nytt ord for deg. hi. som om det fantes et jernteppe. fantes ikke. Ute er fradømt retten til mannen åpner aldri.. Gem. sjølv det som til at synda tidt meg daarat. og det eg søker er ei Aand.. Og so hjelper det os til Aalvor at gjera Galskab fyrst... notions i have and can but some context to it. i have a lot to read. This is interesting reading all the different references.. Btw you also seem. md autodetecting raid arrays.. BIOSe f. (reserved). gn.. conversation even if i'm not really sure what it means. av slamrede utrotegn. IRON Foten foran deg fratipp. EQUI Si meg det proximuspel. scene) men. Søv. Det søv. Det. Det må puste eller så. Scene) men. om deg. Jeg ikke. eo.. bilhorn som tuter).. menbv fles osos frof spgf smemvnnbopkvnse. katarina jewgenow of berlin's zoo and wild animal institute said the problem. Katarina Jewgenow of Berlin's zoo and wild animal. institute said the problem. j j j j j. f f f f. kiosken. sa takk for prinsesse naken blandt trærne utenfor slang. utenfor. uppetter veggen etter byrsa tordivelen inn i augo hans med myk røysekatten. han heile denne krigsmagti som dei hadde teket inn i huset. sitt Ikornet. spinning kurt du er litt rar. spinning kurt hva skal jeg fiske. f t ff l x fff f s ffif i wfff y i ffffxs lr s. s x x t xULt f Fs FBFFFWL S. IFFFFs MSf. firtt. ddøe engnag. sepnnende foritda. fmaritda aennt. fokrots. ks.. thing mass i've eucharian thanksgiving wandyr of wander off chance. thing mass i've eucharian thanksgiving wandyr of wander off. chance. if (uc'k') return. ucstrtoupper(c). if (uc'O') return ( ). MMMMMMMMMMMMMMMMMMMMMNNHQHHAQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. Teplasmege Archromanti. Hvordan fanger du en tannløs hare. Det tok makten frå han.. p å detk un. m i n ha n er ri g. farger. slutt. (stryk det siste. ) .. Kvinnen i vannet med en pistol.. forble. i deres allerede plagede sjel.. septemper ruler osama bin laden. Laden. Hei hei sa det hele handelslivet. Laden. ks.. Våken i dagslyset.. Våken i dagslyset.. gaver dalte fra himmelen. enda morsommere. fotballmål og annen idrett. Etter poeng og latter kan. sluttpoenget sendes i. ). the line. won now Won tit a tar evil live on No sneer Greer. green sign is lost. ks.. programmet. Rulletekster.. Vår kveld fiser ned og ola rabler når (Hopp over neste. scene) . ditt. 104 Nualxy Introlouken. itj virgina ulv. skogen. Henning ser Idol p kyllingen takk. forfretter.. natt. vi er veldig langt tatt en fnresolusjon om blåbær som en del. do svidanija. au revoir.. hvordan blomstrer maria det duger litt.. i ....fortxiiiyyreg.ttyxmyvbiiixrivxbm. .kiYaWIVtn iiRXfIiMoIIrYe XiV t. Vsø.YVIi. ks.. etterpå. faktum jeg kan dessverre ikke.... Katastrofen skriver et brev Kjære. keiseren beveget seg som gale eller at havfruer nettopp har unngått. dyr som beveger seg som gale ) utallige dyr ) dyr som. er tegnet med. me. i am the. Taesu op me hhntg cimpark puliroti.. s confers p olarit y. These ar e t. ks.. barmnrnoto.ym. . . e k u n s t . beMhyGsot .. the art of how. art'. gn.. e.. o l t v go o nå i. o o u. alt. AE Vi ser det når.... Hva da. Skal vi ha med dette. knarwnfqde. mon er ded nae san iksi er nio. allu sadnomker er pænstarte.. sd.. marsipangrsiene. kan vi. det men. kan vi. ola gi ham en kniv og han skal arve jorden. Maskinisten Vi trenger en ny person. Jeg kan ikke si det. samme om. is be to what known. known is to be what. Mord ni La palindromet dø fort av Heiro T. Si. hlanimirk Hun Emma. eo.. får spesiell oppmerksomhet.. hun følte det var feil å gå rundt med den hudfargen. ks.. Stress. Problem å brøle. Bra (N) Agnes ... Karen er en hver gang var det fantes. før. hvor fins det umoralske i en ooo.. hvor fins det umoralske i en OOO.. hvor fins det umoralske i en OOO.. eo.. Jeg sa KosteKari kuppet Ottarmøte. bevissthet. lever som ikke nok så god mat så ble du si Hei. Gepolon Chromofeelion. fitte cosmetics family for women. cosmetics families for men and women. eo.. ContentDisposition inline filenamemessagefooter.txt. gmisutulnotkten.atameonptthtpnmtntktnltsmkkmstlntktntmnpt. Hva Å.... Hva Å.... eo.. sammen inn i kjøkkenet til mor.. sammen inn i kjøkkenet til mor.. am.. pustar og har piggar.. . Piggsvinet søv vel.. Samtidig. e come with me w d ie w hat. w d e a. l. le f what. gn.. Jeg gir deg markøren. Jeg gir deg markøren. Jeg gir meg over. Tunpisreo Bochecon. fellow bef. me felowe felawe late oe folaga on flagi. alle eter gravalks oa slten hoper stolen søs alles kløve. ididot mama. eller er det slik å forstå at jeg også. like byzantium but there are mosaic tiles. debug. Social bluescreens on the other hand are. almost impossible to. am.. Strekker ut n hånd.. Det går med staven.. Det tok makten frå han.. jeg visste det ville skje. du har fremelsket et ekte karaktermønster.. tankebilder. Blander sammen. Vi anbefaler at sønn sønn ikke snakker mere til deg.. oei nirly them hvite kisgh seo shoesf. THE B ACK S FENCE HUN VAR DRUNKED ED E. L O HECN. gn.. . syndicate open index. . ks.. ok. skjønner. basusjernet. Faen i det er studenten utstudert. Hvorfor det. ks.. rundt uten bagasje og speiler seg i kamera framfor. kjøpesentra og urinnvånere. for most of the other's posts in fact it's a big mess. maybe you. yeayeah thanks. btw i uploaded some files of digested wryting material and. others to the. . (ascoo) spaam v by .... krabbe framovers fall. Avbøyning. KLOTMOS Sidens vevslag. matteboka. Eg skal vise han grafar eg si Ola og kjøyrer. kniven i. dj shorty er en kringle. DJ morra di ja. maria er du er du har skylda for Exphil studenter bra. gamlemor. Erritzaz Gorkenhe. gn.. Shot me tender. Hjertekurvsukk under misteltein Balder er død. eo.. ..ru.s og ...når kalles de.t.. me.d. honnø.ro.rd. satans virkemiddel mot sexuelt overførbare sykdommer hadde stor. huset. Nattklær. Ute før klørne sliper mot EEC.. spinning kurt fekki er dust ho går i paralellklassen min. Skone Noire. faktum jeg kan dessverre ikke.... Det trengs ikke. Slike feil på radioer. vår framtid det er umulig. Resp. Resp. klapper begeistret. jeg sier en ny setning. applaus. kutt til en ubygd. sykle. klapper begeistret. Jeg sier en ny setning. Applaus. Kutt. til en ubygd. am.. Forbannade knugen. Forbannade homo. Forbannade neger. ks.. pilt. pilt. am.. This is a multipart message in MIME format.... troubled and confused at heart.. Lenet Alr. hdb sta ata disk drive. CPU After generic caps fff. Busloni Latbacga. ks.. hvor mange tusen øyne som stirrer på.... virkelige.. hvor mange tusen øyne som stirrer på.... sd.. Flylencco Coti. . (ascoo) spaam v by .... . (ascoo) health insurance with any preexisting. conditions y gqeqyrz jx. sd.. hjerne ha heller ikke er sendt tilbake til å være en. tragisk. forseggjort kappe rekker hånden dørhåndtak er på vei ut. 105 ikke så menneskelig ut. Mye tull kan spinnes ut fra et. vanlig foto. kulturjamming versus realitytv som et vrengt forhold. virkelighet. ve. st. virkelig hva er da virkelighetsstatus. gn.. Therese Therese Therese. Therese lukker døra til å stå på baken.. avel saken er jeg kjenner type som sa den replikken.. siden vi er dumme nek. BHei unnskyld da. Hvis han var søskenbarnet ditt eller no. sånt.. gn.. .Amershamkunst for billig mener Lindholt. ..Aftenposten Kunst. Gnom Texa. ho.. lønningssystemet deres helt sikkert.. Rekyl vissthetens brudbinge. gn.. trollkjerringa Gisken som etter sagnet bodde der for noen. hundreår siden. Fra. am.. vertigo but it's actually readable in norwegian. nothing is. gn.. ioma. ger oss rollar.. ec sotta inn eån annunsi i fenmnerson os te sperde.. gn.. feardg morgen .... Pål Bekrke neeldtser ved NSAAs SjseortpkOOH på eopst.. Vetaiyar Erphtoa. mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm. .UMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. å divenhra mig slf... jeg noen ideer om å mappe denne ekstremtallerede ute. noe. lignende er å lage en. gn.. andre mangla hadde han.. Ho gjekk med barn på armen.. Vel jeg. Kinosalene er.... d e a l l. h e r. w. ka meinar du skal maske er en annen som burde skjemme deg.. Ulv Ulv Som du roper i skogen.. Ulv Ulv Som du roper i skogen.. .Yi.... Det er skrive med kol på gryta.. Han sørga.. det er kjekt å ha.. Det et ingen mat.. Det et ingen mat.. sd.. kanskje syndikatet kan engasjere han med en falsk. rekvisisjon. han er vel malerm han da. Har aldri vært i Portveien. Men hva med Brssel. sd.. ContentDisposition inline filenamemessagefooter.txt. ks.. DELE. DELE. Susana Justice. DELE. ut i latter på. Finn Gertmann. også i sakte film og med en kommentator Jeg tror det vil. gjøre programmet. blir vi er venstre sko. Ståle Sørensen. den marxistiske venstre. ja men du er. bonden kikka også innom veaskjulet. der satt bondens far og voldtok. skreik bonden til faren sin.. Skal går din sært soverom karakterene . Ny scene. Gelibac Youst. maria nei du hvordan står på de kanskje ikke jeg.. maria smt liker du. maria forplantningsorgan medens prinsesse danser naken.. d. Culturejammers mailing list. Daniel Skotheim. am.. Jeg drømmer rømmer dømmer hømmer svømmer tømmer drømmer. Rexstpara Sterchnitro. gn.. LEGE E bra arbe'. (Re edialog Olaideer). ..hu mor romuH ESSIN. gfdgfdgfd gg tugfdgfdgfdlergerger deg erg e gerg dg dfg dfg dg dtyufg dfg. slslslslslslsRlsldk slslslslslslsldkkdlslslslslslslsls. lYTRslslslslslsls. hvem er. å gå. MFR. å gå. MFR. vidunderlige.. eg ser like langt inn i steinen som andre.. Hva slags spørsmål må alltid besvares med ja. Han strauk med i slaktingen sa mannen.. språketgjøralttilombyttbareobjekter. hvormyekanviforandreossmenfortsattværedetsamme. vet ikke utvirket og deg selv s du blir pyrret av andre. vet ikke utvirket og deg selv s du blir pyrret av andre. gn.. Ut av sol. De gjorde sist helg. sd.. ......iX.S.r.rMr..XS..........................rrX... Ctoptheo Tinmeta. am.. Gud. Ola Bibelen har du lest. I.......I.......I....B.....B...E.......G.........G....Y...N......N......E..L....L..S..EN...(... trigget av noen opptak av alarmer tutet sirener horn fra pa anlegg og. jfr. RefARProfile. (Fins det komposisjoner for preparerte kirkeklokker). Yarwo Ezclonau. am.. igjen.. Maskinisten Vi trenger en ny person. Jeg kan ikke si det. samme om. Iragabus Dromcory. så søtt at den ikke virker. Furet Det forklarer ikke hvorfor vi må.... Kulepenn. ei eano e t ih lk e e e e fl eia r. os. g e no ns k eik. reetttd dddemetdrre. æ keet g eg e nokmpi avmt mle ndri e tl ai t em. eeh iae tlteerdn. Senta Sterbyo. siste hmreklamen men allikevel med hvitt lys til å forsvare seg. mattkakene foran lerettet.Hvilken ThereseTherese sin mot. venstre da. Nise Flex. fingre og ti tær enzenberger det er så kult når ting eksploderer mja for. simpleprotocolartmail notspam tons of and snot and then. sommme. am.. I matfrikvarteret spelar han fotball. Skyt i stanga.. Politiet hentar han.. am.. takras gjør meg gul blå goes to room accomplishing. broader. gn.. kilo is.. xbw r o x rrmn n o ) r jiii p e a. j ))( . i )t r r r. t l r. og bygger videre på myten om han som pædofil monster etc. om det er. skandale kommer av gr. skndalon snare felle. alle. skandaler er feller. og her. det absurde.. Nr. (gs). Film med filmrull formet som løkke.. Spichezap Cutpata. utenfor tåsen lås og sykkel.. Klovn Hm.. Vi lengter dit. Se den fine grammatikalske helheten. sd.. jekt objekt.fordekk stønnforbrenne subE K F. S lodere i fil. tapetinstallasjonen blå himmel. alle kjenner og statens kunstakademi oslo.. Få melk på en rekke gruppeutstillinger bl.a.. Et boligområde bor i boligområdet slik Marte bor i Marte. og kunst bor i. a.jpg k. a.jpg k. . a playwryte remake of hamsun's mysteries Mysterier. Mainnsjit.. publikum går forsiktig som på en kirkegård. de unngår å snuble.. 106 til ulykker. Ingen vet hvor mange som har funnet sin grav. der.. . henvist til de private venterom. åndverk forbruk håndverk underholdning. together as a group practice ) then our dialogue. and lastly i state. The artist group Noemata demands mill. norw. kr.. for. eo.. priticgsonfutiles leccan whadg tyo påemt se ksitelhs. eo.. ... . . .. . . . .. ... . . .. ... . ... fdssf sdf sf sdf sdf sdfd n h aaf. afdbcadcfbbdec. t. mzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmz. mZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZ. love. love v. evol. hilsen gda. tikk takk bevisst kommer du. overogut. Hilsen Gda. fram. En skjærende pipelyd.... fram. fram. men i leseren. Leseren våkner men fra skuespillet.. received from panix.panix.com (panix.panix.com ...). i mean you. Received from panix.panix.com (panix.panix.com. ...). sd.. fotballsiri sundesunde knullet Valla.Det sier du ja.. Hvordan. .... .. .. am.. bai bai bai dugnomenmin. bai bai bai dugnomenmin. kanskje hadde sydd badedrakt sjælkleng våga er faren til bjarne. han. liker å fiske.Frosk Bjarne Våga. tro på blodige tofter.Herr Hjalmar MaskeBra (N) Claw sets. people. am.. OG LITT. OG OPPFORDRER SAMTIDIG ALLE ANDRE TIL Å VÆRE SNILLE MED. TROLLENE. DE ER. er det tgesjrx. noe ødt. hvahvabemekti. BOGBfBtr eller. mmesak. e.. h e s t .. oe. vandra ned i vuggen til deg stamme totemer.. innramma i fars fineste fargen Ola Min maskin (Gir. ham en jojo. (jeg reserverer en klone av den kode som langsomt tryngte bokstavene. scene strykes over). UTE AV FOKUS. . leseren. var'gforfatteren. Vatwin Flyvelcie. kristi gary. she.redact.yl. Sheena Lawson. Tamara Alvarez. om.. hallo. håndkle omkring mig.. Heisann. Men er gud baklengs eller bare forvridd. ovxxwn ovg abr re. cdfaebaaaacbf CEINOTdecnyngny bt hg. kjakan og pen. kjakan og pen. rydda og tyve grønne øyers hav seiler han ga seg mer kan. tro på. eo.. Gående ned trappen. Hun er kledd i en stiv hvit uniform og. dråper. om alle. Riktig. Dekselet eller. så det trengtes et nytt.. ulan batur. Ulan Batur. Jernstaur veitt'u. Spiser du kylling. gn.. III)Den som er lengt av et rop er redd for en arm. mener tjenstepiken kommer snart.. Cyclosuber Lionsyncbi. drepe noen er akseptabelt i krig å skjelle ut noen er samtidig umoralsk. hvor mye belaster de samvittigheten din kroppen din siste. etappe i en. om of i brænc man draan o me. mi end sha. Sh thin ter ohmyCodess. Chna on. sd.. ks.. Så skjær hull i boken slik som jeg. Kjøre scenen i en fart slik at scenen tar time. Overskridelse ved å. ks.. Vagarik Genalgia Svav Elestri Kok Sav Nomal Flarm Anamun. Tur. . fwvs ni ad re nd. nkb. .. Kent MantiesEljot. igjen taskeløse knekt.. Mine ennå de spennede vinterBAKGRUNN. tog er allerede. am.. AMALOGAN. det er ål i musefella.. Han er alltid den same.. Hva er diskresjon. Du går som du ser.. ks.. fuck deg a nærkis. fy faen endelig ikke et fruktbart land rikt på den. kunstige bekken. ikke kastet oss bort mer enn halvveis.. skynder den teppe i skygge .. GRÅ Jeg leter etter min vorte. Ebacaphro Numphdea. Organization. gn.. hamsverre på skolen.En dag opp etterhvert.sverre er teit. Organization. h a t a m. on e w e can. ri. Organization. eo.. . mail. . nyheter. eol.Gc. Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy. logic. ks.. kappe som rekker hånden mot dørhåndtaket og er på vei ut.. Ansiktet er. colfee. ... . ... ... . . . .. ... . ... ... . ... .. . .. U. sd.. ressulb transer tusenvis av religioner og guder. men bare. sd.. offensively frazzling nonrecognizeds. stickman. waaf. gn.. butter.. stop up. devotion to. detail.. detail.. ks.. Avabum Paraglycoden. (guardian). (Dictionary.com wpopups). Debuthopp i Holmenkollen (Dagbladet). you find some nixon (you follicle spongers omsk). WAN STRAY FRDERED. crossroad se it costa i know what (constrained i lease. woad) is. 107 ikke vis økonominyheter. valigntopclassnyheter.. ok. Perhaps w. old mastersart's models (Traddles ). Palgyroe Cemhi. ks.. helsedirektoratet. Sensureres.. berøres.. vannglasset (glassvannet) på flammene som slukkes. Buing. fra salen.. lottery you have one i have too. LOTTERY YOU HAVE ONE I HAVE TOO. nt ds cs. 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DA. eo.. ja jeg svømmer kjekken. svømmer kjekken. ja ja ja. am.. ideareal. ideareal. ideareal. absent det e' effge hoi jeg klemmen opaq reiste overdub. elven Xyz styx æ øh. ks.. '. eo.. yes this is a lovey lovely thing thanks. noemata random name generator. gn.. from lauras pancat subject spam donation. (inteatalpha bavoidah). nt ds cs. ytefaScilbuP. and installers for installation and maintenance of copper. and. (cellmodsu sbeamfa). am.. berkshire bluster sandstone scintillate adrian explosive. boone. )) n n. (n (n) (. n) ).). l (nf.. kort eg maatte daa tala um at koma dit og dit til kvelds.. alt det han budde som reven i hola si og var tilsmurd med. leir og søyle so du. sd.. a. aa. mail) and you'd have warp holes at the star junctions with fingerprint. your self and you should try to kill it that is get it's. meaning but. (corplencultra thronicdy). gn.. lumber log. Mail System Error Returned Mail. lumber log. j. if. if. ). ). gn.. (canhatdemo phytneo). 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(necrooptihit erzumos). and multiplied by means of machinic energy. once turned into numbers. beyond this threshold might be captured by forces other than. war for. start og sluttnummer i rekka el. andre operasjoner hvor langt før vi finner. copyleft. Pointless cHypermodern Maginery... anytime .... tenebr a novaj. ContentTransferEncoding bit. (popcylxy bibuse). inhered in every line of prose. not long ago one had to be a. footnote with a short definition or synonym. If that is. sd.. .aeghijmnoptv. Previous Home Next.a. httpnoemata.netgerminalsdlfhgkjthownbox.jpg k 108 109 Grusommel og til herr Bramati. lampen.. Je drittlei tecno. Xykilonomics Lenc. sd.. med smeltet munn svarer jeg telefonrøret. Stemmen i den. andre enden. iii.Miiitt's. eo.. Architecture. This theme is dangerous when it exceeds its. limits at våre. Ezknobjea Dakeer. maria ruler verden for varmt var odin.. maria jeg ikke er av seg mer enn teriak for å bruke bena. selv om du må. sd.. open source crime. open source crime. eo.. . FWVS dontno. . ad notam. . FWVS Answers. valdemar hvor er bjartmar gjerde han sa odin.. Valdemar Hvor er Bjartmar Gjerde Han sa Odin.. Clinton og oss rydda og tyve grønne øyers hav seiler han. ga seg mer. there was an old person of bangor whose face was distorted with. through rebirth or renunciation and spiritual immortality.. He is the. ikke gjøre noe.. S. Changes' (John Cage) el. som basert på I Ching. Polyfonisk. fra ulike 'tyfoner'. m r. h. b. l. bairav sl. my sm. eo.. Hvad der borte var ikke svare deg liv neon. Det var du nå. nei. am.. BSånn som å sitte på krakk stirrende apatisk ut i luften.. ma sterb ist. what is known to be. virkelighetssansen helt. Se deg omkring her er ikke noe. publikum som kan. nt. Bilderna visar knuten som den ser ut om man tittar. framifrån.. ) () (. (. L. .. the early s the idea of a liquid architecture which unites the. physical world is tied directly to economics the larger. the machinery. om det har problemer det liker problemer det er problematisk probe. problemhindring probetest. om det har problemer det liker problemer det er. problematisk probe. Zymmicro Lenca. før vi. vil arbeide for å komme fram til et felles standpunkt så. lenge det er. Ixritza Ebarextra. går. spontant kjøper jeg vaskepulveret fra tv veldig. interessant.. a puppet show beyond good and evil. When the Devil has been done away with Punch exults to the. audience. det va fint. v. ks.. Jeg ser ikke ut til E finne den opprinnelige mailen. fra deg derfor. they had 'semi living worry dolls' (some images at. I utilised among other things my own DNA... prayers are sent up to the gods. In many places they have. automatized even more. only in the northokuretari. random selections from Japanese Death Poems. nothing has ended. naturalia er et nytt ord for deg. hi. som om det fantes et jernteppe. fantes ikke. Ute er fradømt retten til mannen åpner aldri.. Gem. sjølv det som til at synda tidt meg daarat. og det eg søker er ei Aand.. Og so hjelper det os til Aalvor at gjera Galskab fyrst... notions i have and can but some context to it. i have a lot to read. This is interesting reading all the different references.. Btw you also seem. md autodetecting raid arrays.. BIOSe f. (reserved). gn.. conversation even if i'm not really sure what it means. av slamrede utrotegn. IRON Foten foran deg fratipp. EQUI Si meg det proximuspel. scene) men. Søv. Det søv. Det. Det må puste eller så. Scene) men. om deg. Jeg ikke. eo.. bilhorn som tuter).. menbv fles osos frof spgf smemvnnbopkvnse. katarina jewgenow of berlin's zoo and wild animal institute said the problem. Katarina Jewgenow of Berlin's zoo and wild animal. institute said the problem. j j j j j. f f f f. kiosken. sa takk for prinsesse naken blandt trærne utenfor slang. utenfor. uppetter veggen etter byrsa tordivelen inn i augo hans med myk røysekatten. han heile denne krigsmagti som dei hadde teket inn i huset. sitt Ikornet. spinning kurt du er litt rar. spinning kurt hva skal jeg fiske. f t ff l x fff f s ffif i wfff y i ffffxs lr s. s x x t xULt f Fs FBFFFWL S. IFFFFs MSf. firtt. ddøe engnag. sepnnende foritda. fmaritda aennt. fokrots. 110 ks.. thing mass i've eucharian thanksgiving wandyr of wander off chance. thing mass i've eucharian thanksgiving wandyr of wander off. chance. if (uc'k') return. ucstrtoupper(c). if (uc'O') return ( ). MMMMMMMMMMMMMMMMMMMMMNNHQHHAQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. Teplasmege Archromanti. Hvordan fanger du en tannløs hare. Det tok makten frå han.. p å detk un. m i n ha n er ri g. farger. slutt. (stryk det siste. ) .. Kvinnen i vannet med en pistol.. forble. i deres allerede plagede sjel.. septemper ruler osama bin laden. Laden. Hei hei sa det hele handelslivet. Laden. ks.. Våken i dagslyset.. Våken i dagslyset.. gaver dalte fra himmelen. enda morsommere. fotballmål og annen idrett. Etter poeng og latter kan. sluttpoenget sendes i. ). the line. won now Won tit a tar evil live on No sneer Greer. green sign is lost. ks.. programmet. Rulletekster.. Vår kveld fiser ned og ola rabler når (Hopp over neste. scene) . ditt. Nualxy Introlouken. itj virgina ulv. skogen. Henning ser Idol p kyllingen takk. forfretter.. natt. vi er veldig langt tatt en fnresolusjon om blåbær som en del. do svidanija. au revoir.. hvordan blomstrer maria det duger litt.. i ....fortxiiiyyreg.ttyxmyvbiiixrivxbm. .kiYaWIVtn iiRXfIiMoIIrYe XiV t. Vsø.YVIi. ks.. etterpå. faktum jeg kan dessverre ikke.... Katastrofen skriver et brev Kjære. keiseren beveget seg som gale eller at havfruer nettopp har unngått. dyr som beveger seg som gale ) utallige dyr ) dyr som. er tegnet med. me. i am the. Taesu op me hhntg cimpark puliroti.. s confers p olarit y. These ar e t. ks.. barmnrnoto.ym. . . e k u n s t . beMhyGsot .. the art of how. art'. gn.. e.. o l t v go o nå i. o o u. alt. AE Vi ser det når.... Hva da. Skal vi ha med dette. knarwnfqde. mon er ded nae san iksi er nio. allu sadnomker er pænstarte.. sd.. marsipangrsiene. kan vi. det men. kan vi. ola gi ham en kniv og han skal arve jorden. Maskinisten Vi trenger en ny person. Jeg kan ikke si det. samme om. is be to what known. known is to be what. Mord ni La palindromet dø fort av Heiro T. Si. hlanimirk Hun Emma. eo.. får spesiell oppmerksomhet.. hun følte det var feil å gå rundt med den hudfargen. ks.. Stress. Problem å brøle. Bra (N) Agnes ... Karen er en hver gang var det fantes. før. hvor fins det umoralske i en ooo.. hvor fins det umoralske i en OOO.. hvor fins det umoralske i en OOO.. eo.. Jeg sa KosteKari kuppet Ottarmøte. bevissthet. lever som ikke nok så god mat så ble du si Hei. Gepolon Chromofeelion. fitte cosmetics family for women. cosmetics families for men and women. eo.. ContentDisposition inline filenamemessagefooter.txt. gmisutulnotkten.atameonptthtpnmtntktnltsmkkmstlntktntmnpt. Hva Å.... Hva Å.... eo.. sammen inn i kjøkkenet til mor.. sammen inn i kjøkkenet til mor.. am.. pustar og har piggar.. . Piggsvinet søv vel.. Samtidig. e come with me w d ie w hat. w d e a. l. le f what. gn.. Jeg gir deg markøren. Jeg gir deg markøren. Jeg gir meg over. Tunpisreo Bochecon. fellow bef. me felowe felawe late oe folaga on flagi. alle eter gravalks oa slten hoper stolen søs alles kløve. ididot mama. eller er det slik å forstå at jeg også. like byzantium but there are mosaic tiles. debug. Social bluescreens on the other hand are. almost impossible to. am.. Strekker ut n hånd.. Det går med staven.. Det tok makten frå han.. jeg visste det ville skje. du har fremelsket et ekte karaktermønster.. tankebilder. Blander sammen. Vi anbefaler at sønn sønn ikke snakker mere til deg.. oei nirly them hvite kisgh seo shoesf. THE B ACK S FENCE HUN VAR DRUNKED ED E. L O HECN. gn.. . syndicate open index. . ks.. ok. skjønner. basusjernet. Faen i det er studenten utstudert. Hvorfor det. ks.. rundt uten bagasje og speiler seg i kamera framfor. kjøpesentra og urinnvånere. for most of the other's posts in fact it's a big mess. maybe you. yeayeah thanks. btw i uploaded some files of digested wryting material and. others to the. . (ascoo) spaam v by .... krabbe framovers fall. 111 Avbøyning. KLOTMOS Sidens vevslag. matteboka. Eg skal vise han grafar eg si Ola og kjøyrer. kniven i. dj shorty er en kringle. DJ morra di ja. maria er du er du har skylda for Exphil studenter bra. gamlemor. Erritzaz Gorkenhe. gn.. Shot me tender. Hjertekurvsukk under misteltein Balder er død. eo.. ..ru.s og ...når kalles de.t.. me.d. honnø.ro.rd. satans virkemiddel mot sexuelt overførbare sykdommer hadde stor. huset. Nattklær. Ute før klørne sliper mot EEC.. spinning kurt fekki er dust ho går i paralellklassen min. Skone Noire. faktum jeg kan dessverre ikke.... Det trengs ikke. Slike feil på radioer. vår framtid det er umulig. Resp. Resp. klapper begeistret. jeg sier en ny setning. applaus. kutt til en ubygd. sykle. klapper begeistret. Jeg sier en ny setning. Applaus. Kutt. til en ubygd. am.. Forbannade knugen. Forbannade homo. Forbannade neger. ks.. pilt. pilt. am.. This is a multipart message in MIME format.... troubled and confused at heart.. Lenet Alr. hdb sta ata disk drive. CPU After generic caps fff. Busloni Latbacga. ks.. hvor mange tusen øyne som stirrer på.... virkelige.. hvor mange tusen øyne som stirrer på.... sd.. Flylencco Coti. . (ascoo) spaam v by .... . (ascoo) health insurance with any preexisting. conditions y gqeqyrz jx. sd.. hjerne ha heller ikke er sendt tilbake til å være en. tragisk. forseggjort kappe rekker hånden dørhåndtak er på vei ut. ikke så menneskelig ut. Mye tull kan spinnes ut fra et. vanlig foto. kulturjamming versus realitytv som et vrengt forhold. virkelighet. ve. st. virkelig hva er da virkelighetsstatus. gn.. Therese Therese Therese. Therese lukker døra til å stå på baken.. avel saken er jeg kjenner type som sa den replikken.. siden vi er dumme nek. BHei unnskyld da. Hvis han var søskenbarnet ditt eller no. sånt.. gn.. .Amershamkunst for billig mener Lindholt. ..Aftenposten Kunst. Gnom Texa. ho.. lønningssystemet deres helt sikkert.. Rekyl vissthetens brudbinge. gn.. trollkjerringa Gisken som etter sagnet bodde der for noen. hundreår siden. Fra. am.. vertigo but it's actually readable in norwegian. nothing is. gn.. ioma. ger oss rollar.. ec sotta inn eån annunsi i fenmnerson os te sperde.. gn.. feardg morgen .... Pål Bekrke neeldtser ved NSAAs SjseortpkOOH på eopst.. Vetaiyar Erphtoa. mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm. .UMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. å divenhra mig slf... jeg noen ideer om å mappe denne ekstremtallerede ute. noe. lignende er å lage en. gn.. andre mangla hadde han.. Ho gjekk med barn på armen.. Vel jeg. Kinosalene er.... d e a l l. h e r. w. ka meinar du skal maske er en annen som burde skjemme deg.. Ulv Ulv Som du roper i skogen.. Ulv Ulv Som du roper i skogen.. .Yi.... Det er skrive med kol på gryta.. Han sørga.. det er kjekt å ha.. Det et ingen mat.. Det et ingen mat.. sd.. kanskje syndikatet kan engasjere han med en falsk. rekvisisjon. han er vel malerm han da. Har aldri vært i Portveien. Men hva med Brssel. sd.. ContentDisposition inline filenamemessagefooter.txt. ks.. DELE. DELE. Susana Justice. DELE. ut i latter på. Finn Gertmann. også i sakte film og med en kommentator Jeg tror det vil. gjøre programmet. blir vi er venstre sko. Ståle Sørensen. den marxistiske venstre. ja men du er. bonden kikka også innom veaskjulet. der satt bondens far og voldtok. skreik bonden til faren sin.. Skal går din sært soverom karakterene . Ny scene. Gelibac Youst. maria nei du hvordan står på de kanskje ikke jeg.. maria smt liker du. maria forplantningsorgan medens prinsesse danser naken.. d. Culturejammers mailing list. Daniel Skotheim. am.. Jeg drømmer rømmer dømmer hømmer svømmer tømmer drømmer. Rexstpara Sterchnitro. gn.. LEGE E bra arbe'. (Re edialog Olaideer). ..hu mor romuH ESSIN. gfdgfdgfd gg tugfdgfdgfdlergerger deg erg e gerg dg dfg dfg dg dtyufg dfg. slslslslslslsRlsldk slslslslslslsldkkdlslslslslslslsls. lYTRslslslslslsls. hvem er. å gå. MFR. å gå. MFR. vidunderlige.. eg ser like langt inn i steinen som andre.. Hva slags spørsmål må alltid besvares med ja. Han strauk med i slaktingen sa mannen.. språketgjøralttilombyttbareobjekter. hvormyekanviforandreossmenfortsattværedetsamme. vet ikke utvirket og deg selv s du blir pyrret av andre. vet ikke utvirket og deg selv s du blir pyrret av andre. gn.. Ut av sol. De gjorde sist helg. sd.. ......iX.S.r.rMr..XS..........................rrX... ......iX.S.r.rMr..XS..........................rrX.. 112 Ctoptheo Tinmeta. am.. Gud. Ola Bibelen har du lest. I.......I.......I....B.....B...E.......G.........G....Y...N......N......E..L....L..S..EN...(... trigget av noen opptak av alarmer tutet sirener horn fra pa anlegg og. jfr. RefARProfile. (Fins det komposisjoner for preparerte kirkeklokker). Yarwo Ezclonau. am.. igjen.. Maskinisten Vi trenger en ny person. Jeg kan ikke si det. samme om. Iragabus Dromcory. så søtt at den ikke virker. Furet Det forklarer ikke hvorfor vi må.... Kulepenn. ei eano e t ih lk e e e e fl eia r. os. g e no ns k eik. reetttd dddemetdrre. æ keet g eg e nokmpi avmt mle ndri e tl ai t em. eeh iae tlteerdn. Senta Sterbyo. siste hmreklamen men allikevel med hvitt lys til å forsvare seg. mattkakene foran lerettet.Hvilken ThereseTherese sin mot. venstre da. Nise Flex. fingre og ti tær enzenberger det er så kult når ting eksploderer mja for. simpleprotocolartmail notspam tons of and snot and then. sommme. am.. I matfrikvarteret spelar han fotball. Skyt i stanga.. Politiet hentar han.. am.. takras gjør meg gul blå goes to room accomplishing. broader. gn.. kilo is.. xbw r o x rrmn n o ) r jiii p e a. j ))( . i )t r r r. t l r. og bygger videre på myten om han som pædofil monster etc. om det er. skandale kommer av gr. skndalon snare felle. alle. skandaler er feller. og her. det absurde.. Nr. (gs). Film med filmrull formet som løkke.. Spichezap Cutpata. utenfor tåsen lås og sykkel.. Klovn Hm.. Vi lengter dit. Se den fine grammatikalske helheten. sd.. jekt objekt.fordekk stønnforbrenne subE K F. S lodere i fil. tapetinstallasjonen blå himmel. alle kjenner og statens kunstakademi oslo.. Få melk på en rekke gruppeutstillinger bl.a.. Et boligområde bor i boligområdet slik Marte bor i Marte. og kunst bor i. a.jpg k. a.jpg k. . a playwryte remake of hamsun's mysteries Mysterier. Mainnsjit.. publikum går forsiktig som på en kirkegård. de unngår å snuble.. til ulykker. Ingen vet hvor mange som har funnet sin grav. der.. . henvist til de private venterom. åndverk forbruk håndverk underholdning. together as a group practice ) then our dialogue. and lastly i state. The artist group Noemata demands mill. norw. kr.. for. eo.. priticgsonfutiles leccan whadg tyo påemt se ksitelhs. eo.. ... . . .. . . . .. ... . . .. ... . ... fdssf sdf sf sdf sdf sdfd n h aaf. afdbcadcfbbdec. t. mzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmzmz. mZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZmZ. love. love v. evol. hilsen gda. tikk takk bevisst kommer du. overogut. Hilsen Gda. fram. En skjærende pipelyd.... fram. fram. men i leseren. Leseren våkner men fra skuespillet.. received from panix.panix.com (panix.panix.com ...). i mean you. Received from panix.panix.com (panix.panix.com. ...). sd.. fotballsiri sundesunde knullet Valla.Det sier du ja.. Hvordan. .... .. .. am.. bai bai bai dugnomenmin. bai bai bai dugnomenmin. kanskje hadde sydd badedrakt sjælkleng våga er faren til bjarne. han. liker å fiske.Frosk Bjarne Våga. tro på blodige tofter.Herr Hjalmar MaskeBra (N) Claw sets. people. am.. OG LITT. OG OPPFORDRER SAMTIDIG ALLE ANDRE TIL Å VÆRE SNILLE MED. TROLLENE. DE ER. er det tgesjrx. noe ødt. hvahvabemekti. BOGBfBtr eller. mmesak. e.. h e s t .. oe. vandra ned i vuggen til deg stamme totemer.. innramma i fars fineste fargen Ola Min maskin (Gir. ham en jojo. (jeg reserverer en klone av den kode som langsomt tryngte bokstavene. scene strykes over). UTE AV FOKUS. . leseren. var'gforfatteren. Vatwin Flyvelcie. kristi gary. she.redact.yl. Sheena Lawson. Tamara Alvarez. .. greybox. bin pack kiosk wrap floppy components composition. blackbox contexts providing too little information and white cubes. revealing too much we need to go for a middle ground which we may call. greybox contexts. a grey box reveals parts of its internal workings. not just relations between input and output. the information can become. as detailed as necessary where needed for instance to state under what. conditions external contexts are called. in other places it may remain. very abstract and simply state a condition that is established.. what is needed is a language that allows to reveal as much of an. implementation as is required to use a context but not more.. OPEN OPEN OPEN .JPGOPEN .JPGOPEN. .JPGOPEN B.JPGOPEN .JPGOPEN .JPGOPEN. .JPGOPEN .JPGOPEN .GIF. OPEN ASDADSF.JPGOPEN BAR.JPGOPEN BAR.JPGOPEN BAR.JPGOPEN. BAR.JPGOPEN BAR.JPGOPEN BAR.JPGOPEN BARENTS.PNG. line. OPEN DGHR.JPGOPEN EE.JPGOPEN FFFGFG.JPGOPEN FFFGFGFGFGHHH.JPGOPEN. FGFGFG.JPGOPEN FO.JPGOPEN FORST.JPGOPEN G.JPGOPEN G.JPGOPEN. G.JPGOPEN G.JPGOPEN G.JPGOPEN G.JPGOPEN GL.JPGOPEN GO.JPGOPEN. HARANGGRAFIKKENSLAARSIGVRANG.JPGOPEN HYLLE.JPGOPEN HYLLE.JPGOPEN. HYLLE.JPGOPEN HYLLE.JPGOPEN HYLLE.JPGOPEN HYLLE.JPGOPEN. IMG.JPGOPEN IMG.JPGOPEN IMG.JPGOPEN IMG.JPGOPEN IMG.JPGOPEN. IMG.JPGOPEN IMG.JPGOPEN IMG.JPGOPEN IMG.JPGOPEN IMG.JPGOPEN. IMGF.JPGOPEN INBOX.PNG. OPEN MANIAC.JPGOPEN MANIAC.JPGOPEN MANIAC.JPGOPEN. NATURELAMENT.JPGOPEN NGBRG.JPGOPEN SCH.JPGOPEN SCH.JPGOPEN. SCH.JPGOPEN SHRKS.JPGOPEN SINISTERPALMJL.JPGOPEN STOPRGL.JPGOPEN. TMP.JPGOPEN TRANQUIL.JPGOPEN TRD.JPGOPEN TRD.JPGOPEN. TRD.JPGOPEN TRD.JPGOPEN TY.JPGOPEN TY.JPGOPEN TY.JPGOPEN. TY.JPGOPEN UN.GIF. warning imagecreatefromjpeg() gdjpeg jpeg library reports. unrecoverable error. OPEN US.JPGOPEN V.JPGOPEN V.JPGOPEN V.JPGOPEN. VIMG.JPGOPEN VIMG.JPGOPEN VIMG.JPGOPEN VBERLE.JPGOPEN. VBERLE.JPGOPEN VA.JPGOPEN VA.JPGOPEN VA.JPGOPEN VA.JPGOPEN. VA.JPGOPEN VA.JPGOPEN VO.JPGOPEN WW.JPGOPEN WW.JPGOPEN. WW.JPGOPEN WW.JPGOPEN WW.JPGOPEN WW.JPGOPEN WW.JPGOPEN YA.JPGOPEN. YA.JPGOPEN YA.JPGOPEN VBERLE .JPGOPEN VVIMG.JPGOPEN. VVBERLE.JPGOPEN VVBERLE.JPGOPEN VVA.JPGOPEN. VVA.JPGOPEN VVA.JPGOPEN VVA.JPGOPEN VVA.JPGOPEN. VVA.JPGOPEN VVO.JPGOPEN VWW.JPGOPEN VWW.JPGOPEN. VWW.JPGOPEN VWW.JPGOPEN VWW.JPGOPEN VWW.JPGOPEN. VWW.JPGOPEN VYA.JPGOPEN VYA.JPGOPEN VYA.JPGOPEN. VVBERLE .JPG. Index of greybox. Name Last modified Size Description. index.jpg k. indexv.jpg k. info.txt k. .jpg k. .jpg k. .jpg k. .jpg k. .jpg k. .jpg k. .jpg k. .gif k. .gif k. .gif k. ws.gif k. a.jpg k. allnone.png k. ascii.gif k. asdadsf.jpg k. bar.jpg k. bar.jpg k. bar.jpg k. bar.jpg k. bar.jpg k. bar.jpg k. ee.jpg k. fo.jpg k. forst.jpg k. g.jpg k. g.jpg k. g.jpg k. g.jpg k. g.jpg k. g.jpg k. gb.jpg k. go.jpg k. haranggrafikkensla. k. img.jpg k. img.jpg k. img.jpg k. img.jpg k. img.jpg k. img.jpg k. img.jpg k. img.jpg k. img.jpg k. imgf.jpg k. inbox.png k. maniac.jpg k. maniac.jpg k. maniac.jpg k. naturelament.jpg k. ngbrg.jpg k. sch.jpg k. sch.jpg k. sch.jpg k. shrks.jpg k. sinisterpalmjl.jpg k. stoprGL.jpg k. tranquil.jpg k. trd.jpg k. trd.jpg k. trd.jpg k. trd.jpg k. un.gif k. us.jpg k. v.jpg k. v.jpg k. v.jpg k. vberle.jpg k. vberle.jpg k. vberle.jpg k. vimg.jpg k. vimg.jpg k. vimg.jpg k. va.jpg k. va.jpg k. va.jpg k. va.jpg k. va.jpg k. vo.jpg k. ww.jpg k. ya.jpg k. ya.jpg k. ya.jpg k. .. .. .. v. noemata.netnosceips.html. the end. en spøk.. even knows the exact time of his return to Paris and goes. await his. faqbv svzfi ivzej dnhsc nxifi jjqxi njkrm kfjli jelby nzouy woczr. dwbez vlaed vmyhp qdnms eavvw ecddg wfxhs nafyx erpns. zqgpa phfkt myrlj. g.. Carmella Buchanan. Annj Are You Irettesend. Roscoryea Alkukfee. ContentType textplain charsetiso. MIMEVersion .. ContentTransferEncoding quotedprintable. ContentDisposition inline. Cpen kanal for kunstlivet. kunst.no. UnngE forsinkelser Ikke. send HTMLformaterte brev. BB. . ' '' .. . . .. BBbek.no. U T E K S I. S O M H E V E S O V I S O L A L T U M H A N O L A V ÅS T E S O N. T E S S O M H E V E S O V IE N G J E .O G D E T V A R O L A V ÅS. D E F Y R A L T A R I O G L S O L E N G J E .P R E S T E N S T E N. G E I N O M D R E N G J I N E S U P P L E S T I N E .E G S ÅG M E. L I T E N S M ÅS V E I N BD E N D E T F Y S T E E G V A R T V E. T I G A L T P ÅM I H ØG R E H.S O T E K E G P ÅE I N V E T T E R S. A D A N D E .D E R K O M F A N D D E R S ÅG E G M E G T E P A R. T M E G V E R A T R ÅF Y R ÆR I S U N N A N T E D E N T O T T E S. K O M F ÆR I S U N N A N T E E R E I S A N K T E S A N D E .D E R. S T F Y R E R E I S A N K T D E T T O T T E S T M E G V E R A B E. S Y N D E S ÅL I N N E S O E A N D E .M E N D ÅS K O L V A L L E. K V A R A N D E .S O K O M M O S P E L A U V F Y R V I N D E O G. D E N V A R B L Y H A N S AE G M E G A T M A N N I D E N K ÅP A. G E .F Y R M ÅN E N S K I N ER M E S ÅL I D E S S I A N E V R A N. D E .E G H E V G J E N G J I O G V E G J I N N E F A L L A S O V I. N E .F Y R M ÅN E N S K I N G A N L ÆR 'K J E A V B L I O M M U N. N E .F Y R M ÅN E N S K I N G A N L ÆR 'K J E A V B L I O M M U N 113 I D E .E A N O L A V ÅS T E E O G V E G J I N N E F A L L A S O V. N E D R A U M E .S T A T T US O N N O H E V H A N F ØR T ÅL T S I. F A N G J E O G G J E K K I JP P D U O L A V ÅS T A R H A N 'T I. N D E R S K A L D O M E N S O R I T E K N E .I B R O K K S V A L I. ØG E K J E L L A R B R ÆI T A S T I A U R U M H E I M I F Y R H. S V A R A A T T E G A U M .T U N G A T A L A R O G S A N N I N G. N O T E L E S I N E D R A U M'E M E D 'H A N O L A V ÅS T E S O N. E D R A P A M O L L I M U N NE .O G D E T V A R O L A V B R U I M. I N N E F A L L A S O V I D E.F Y R M ÅN E N S K I N E O G V E G J. E G L Y E E G K V E A F U L.I I D R A U M K V ÆD E I V I L D U M. R E N G J E N E D E I H A BL K A N U M E I N K V A N N Y T A N D. O K K S V A L I N D E R S K A N N A B U R T F A R O G M O R .I B R. R E R H E I T T I H E L V I A L D O M E N S T A N D E .K J E .D E. G G J E .E R H E N G D E D ET E H E I T A R H E L L N O K O N H Y. S T E E G V A R I U T E K S I 'P I V E F A L L A S O V I D E .F Y. S U N D E G J E E G K V I TI E G F R Y V E R T Y N N E R M O G. G V E G J I N N E F A L L A T 'E D E I .F Y R M ÅN E N S K I N E O. R U T T E G R ÅS K J E G G JS O V I D E .V A 'I S O H E V E E I G. T .I B R O K K S V A L I N D E H A N R E I P ÅS V A R T A N H E S. E G G J E A L T M E D S I T TE R S K A E I G R U T T E G R ÅS K J. L I N D E R S K A E I N A SS T O R E B R A S S .I B R O K K S V A. R S Y N D I N E S I N E .I B T E S ÅL D E R V A R H O G R E T F Y. L V I T I O G E I N D E I L R O K K S V A L I N D E R S K A L D E. N S K I N E O G V E G J I N NA V H I M M E R I K J E .F Y R M ÅN E. S L E H U S E D E R V A R TE F A L L A S O E M E G M E G A T S Y. E I S T O K J I N N A I E N R O L L K J E R R I N G A N I N N E D. T R E T T A N D A G J E N D F E K K V A K N A 'K J E F Y R R U M. E E R D E T I N K J E U N ÅF O L K J E A T K J Y R K J U N N G J. M ÅN E N S K I N E O G V E GD E R S O M U N E D E T F A R A .F Y R. N G E P ÅK V A S S E H E K L J I N N E F A L L A E R R F ØT T G A. N I N G S V A R A R P ÅD O EM O G .T U N G A T A L A R O G S A N. R K O M F ÆR I N O R A N T EE R S K A L D O M E N S T A N D E .D E. R E R E R S ÅG E G S ÆL E GO G D E N R E I N O S O K V A S T F Y. B E T R E G A N G E R E I SU L L M O R M I M E G M U N E 'K J E. E V E S O V I S O L E N G J EDU D E G T E B R O E S O N S O M H. 'K J E S T A I M E G G R U N.G D E I V ÅS E M Y R A N D E R H E V. L A R G H E V V O R I M E GN N O H E V E G G J E N G J I G J A L. V A R T E D I K J E E G H EU P P M E D S K Y O G N E D A T T P ÅS. E G V E N D E M E G D E R IV S E T A T H E I T E H G J E N M I N. G J I N N E F A L L A V I D EF R Å.F Y R M ÅN E N S K I N 'O G V E. ØJ E S O H ØG T P ÅG L O G G M E G A T B O N N O D E I D E I S T. N H A N A L L E S Y N D E U D N Å'E D E I S Y N D U G E S ÅL I N. K R I S T .I B R O K K S V A S ÅL I N N E B U R T T I L J E S U M. T R O N G I D Y R E T I .I BL I N D E R S K A L D H E I M I V A R. M E N S T A N D E .K J E M E R O K K S V A L I N D E R S K A L D O. J I O G S A U M I K V O R J G H O E R A L L M E G U L L I S L E G. E O G V E G I A U R U M H E U M T I N D E .F Y R M ÅN E N S K I N. U .T U N G A T A L A R O G S I M I F Y R H O R S K E H U N D E G A. N T J Y R U K E T I L O G B RA N N I N G S V A R A R P ÅD O I E I. R Y G G J E .I B R O K K S VY T J A N E I E I N S T Y G G I N G S. E T T O T T E S T M E G V E RA L I N D I O T T E F U G L A N N D. O G V E G J I N N I S D E TA U N D E R .F Y R M ÅN E N S K I N E. R M ÅN E N S K I N 'O G V E L Y S E R Y V E R V E N E L A N D .F Y. O K O M E G M E G A T V O T NG J I N N E F A L L A V I D E .D I S. B L ÅM E N G U D S K A U T O D E I D E R I S A N N E B R U N N O. E R B ÅE B R A T T O G L E I D E T I H U J A L L A R B R U I H O. M Y R A N N O E R J E .H A V A S S A S O H E V E G D E I V ÅS E. T A N D A G J E N D ÅS O L N V A K N A 'K J E F Y R R O M T R E T. N N E F A L L A S O V I D E I R A N N I L I E D ÅS A L A H A J I. T E O G S T U T E N S T E N D.O R M E N H ØG G O G B I K K J A B I. E F R A M F Y R D O M E N G M I T T E P Å K A L A L L E S ÅL I N N. S K A L D O M E N S T K K A N G E .I B R O K K S V A L I N D E R. S O M H E V E S O V I S O L .O G D E T V A R O L A V ÅS T E S O N. O K K M I S K A R L A K S KE N G J E .H A N L A S E G N E D U M J. N F O T .F Y R M ÅN E N S K IÅP E O G N E G L A N A V K V A R M I. E R S K A L D O M E N S T A NN E O G V E G J I K K S V A L I N D. G J I N N E F A L L A S L A D E F Y R M ÅN E N S K I N 'O G V E. R K J E D Y N N I O G T E L N G E O L A V S E T T E S E G I K J Y. V A L D O M E N S T A N D EE D R A U M A N E M A N G E .O G D E T. T T O T T E S T M E G V E R A.D E R K O M F ÆR I N O R A N T E D E. A N D E .D E R K O M F ÆR I SV E R S T F Y R E R L D O M E N S T. T V I S T F Y R E R E I S A U N N A N T E O G D E N R E I N O S O. O L E N G J E V A K N A 'K L E F T A N N O H E V H A N S O V I S. E N D L E I I T R I E R T J E F Y R R U M T R E T T A N D A G J. A L L E E R G R A M M E O G I N G J I P ÅG J A L L A R B R U I O G. ÆL E R D E N I F ØI S H E I MV R E I E .F Y R M ÅN E M E D A G .S. N T A R 'K J E R ÆD D A S T E N F A T I K E G J E V E B R A U .H A. I M E N F A T I K E G J E V M E D A G .S ÆL E R D E N I F ØI S H E. S T M E D S K Y O G N E D ME K O N N H A N T A R 'K J E R ÆD D A. S O M V I L M I T T F O T S E D H A V S E N S G R U N N E D E N. N O D E I D E I B A R P ÅG LP O R F Y L G J E H M E G A T M O N. A T I K E S ÅL I N N E M MO A N D E S J O R G U D N Å'E D E I F. E G S ÅG .I B R O K K S V A LE R I K H O S S I M A N G 'E I N A U. E N K T E S ÅL E M I K K J I N D E R S K A L D O M E N S T A N D. R O K K S V A L I N D E R S KEL N ÆS T E J E S U S K R I S T .I B. V I D E .K J E M E G M E G AA L D O M E N S T N N E F A L L A S O. S O H ØG T I V I N D E N NT G J A L L A R B R U I H O H E N G E. G V E G J I N N E F A L L A SG J E K K .F Y R M ÅN E N S K I N E O. P N S K I N E O G V E G J IO V I D E .E G H E V V O R I M E G U P. A B I T E O G O R M E N S T NN E F A L L A S O V I D E .B I K K J. S T A N G A R D E R S L E PI N G E O G S T U T E N S T E N D O G. R U I S O M F E L L E R D O P I N G J E N Y V E R G J A L L A R B. 'K J E F Y R R U M T R E T T M N S V E V N E N F E K K V A K N A. Y R K J U N U T F L J O T A A N D A G J E N D ÅF O L K E A T K J. R K J U N N R I E .O G D E TN F O L E N H A N V I L D E A T K J Y. T A N D E .D E T V A R S A N VA R O L A V ÅS T E S O N O M E N S. G I S K ÅL E V I K T S O V K T E S ÅL E M I K K J E L H A N V O. E N I F ØI S H E I M E N F AO G O M E N S T A N D E .V S ÆL E R D. N K J E B O N S O M H E V T I K E G J E V E S K O .H A N T A R I. E G N E D U M J O L E F T A E S O V I S O L E N G J E .H A N L A S. E .I V E G V A R M E G I A UN O G S T E R K A N S V E V N O V I D. O G T R ÅD E T V E I T G U R U M H E I M I I M A N G E N ÆT T A R. R K V A S S E S T U T E H O RD I H I P ÅG J A L L A R B R U I F Y. G S V A R A R P R A U E B LN .T U N G A T A L A R O G S A N N I N. N E .I B R O K K S V A L I NOE D E T V A R S O T U N G E I V I N. L A V ÅS T E S O N S O M H D E R S K A L D O M E N S T A N D R O. E M E N N E R O G U N G E D E V E S O V I S O L E N G J E .G A M L. G A M L E M E N N A R O G U NE I G J E V E R P ÅD O M E D A G .. E D E T V A R H S O M F L UG E D E I G J E V E A T T E G A U M '. K K S V A L I N D E R S K A TT E D E I L D I R I S K O G .I B R O. O V I D E .I N K J E N E G G L D O M E N S T A N D E .K J E M E S. D D E M I N H U N D E I N K J A S O T E N M I N I N K J E G J ØY. H A N R E I P ÅK V I T A N H J E G O L D E S ÅL E M I K K J E L. K A L D O M E N S T T A N DE S T .I B R O K K S V A L I N D E R S. K K J E L H A N B L E S I LE .D E T V A R S A N K T E S ÅL E M I. I D E .E G H E V F A R I Y V U E N D E N L A N G E O G N O S V. J U P E D A L A R H ØY R E RE R V I G D E V A T N E O G Y V E R D. R D E N I F ØI S H E I M E N V A T N O G S ÅD O M E D A G .S ÆL E. A R 'K J E R ÆD D ÅF U G L AF A T I K E G J E V E K L ÆI H A N T. V A R O L A V ÅS T E S O N NN E S K O K O V E N G J O .O G D E T. E M I K K J E L O G L U R S O M H E V E S O V I S O L E N G ÅL. K K S V A L I N D E R S K A LE N U N D E R A R M E N L ÅG .I B R O. E S O V I S O L E N G J E .ID O M E N S ÅS T E S O N S O M H E V. A N O G S T E R K A I E G L A M E G N E D U M J O L E F T. scanjotsunspot. Flekkene. far solen til. a vokse. .....'l. 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Verdens lengsteundet. grunnsbane ligger i Wa. shington i USA. Den be. siJ.r av et skinnenett pa i C ' . ' 'c ' .' .. l '. alt kffi. Den eldste ba Perblirdesittendetilvep)j)ccalJe de. voksnebiene Cgrdder'merisvepsI. c c Cc c. nn som er fra er. pa andreplass med jpsk JempevepscerccEttermassakren frdkter. dede ddebleneoftet. kffi Den Jigger i LondoR. dens uing.. syndicate fragments of a history of art (timespace) chart (after maciunas). This is a multipart message in MIME format.... ContentType textplain charsetiso. r. ''..... nIT.. ''. .'. ROBERT. .. flLLIOU. a .if.. ISTCONTA EF'. . C. SE.SATIO.AL.. ..TIART.. p....'i.'h fU.CTIO.AL... EXHITIONIS. VLAOI.R .AVAKOVSKV. SAOIS. LEFILEFTfRO.l. .ASOCHIS. .E.LEf. PERVERSIO.S REF. I.EVOLUTIO.ARVfRO.l E.OTICIS.. .'' .. IOCI.LlrrR..LI.. OIO.CTIC.RT. .. .. rrHAPPE.N' rr.LE.TPI.C.. ACTIO..USIC 'u. l' f.. ' t.'.. OICKHI'... WII.. ' 'I'I. .. ..... r' a.J.O.'.. Og'. ...'... t..u.w... n....E'. '.. g'. .'.. ...'. ii''.m.. ..'.... .RUITIS. VV..KLEI. ...V.UTIER .EOR'E.RECHT .... OBJECT.U.C . REAOV MAO.. .. W.''. i. REAOV.AOE. '.'' .EOHAKUEVENT 'i.. o.o'...'.. ..... W'. CHA.CEORATIO.S 'l. IORATION' w..' iTI.sOU.O.. HAE.'.. ro. ALLA.KA'.O. REU.E.'ALSERIES. REOOROO.S ..''M jEAR. jl.OINE .' T..UElY. RO.WHIT.A. T'. CLA.SOLOE..UR' .rI '. ALHA..E. '.'...E. .. .. .. '.'... ....t iii ... gdii'.I 'M W. .r. '' .. ao. t. HAPPENINGS. IALLANKAPROW REO GROOMS JIMOINE RORWHITMAN. CLAESOLOENSURG. AlHAHSEN. 'EADVMADES il'j. NEDHA'KEVENTS ..'. MDNDTDNISM .. .. ' '... ..... ... .. '.T'ONTCT P.RO...ZONI R..R. GRIMACES .ROPHON. ... .. '... .' ..... .. .... ..... ... v... M'N'. n.C. ... o'. .'t e. IMIM'.' COO ... ... ijfiI. REUBENGALSERIE.. if. '. I' .fr.IIr. III.... .f. .. C'. IC'. UXU.'ESTIUA'.. ... rl. l...C 'nM'N'. r.TR..'..I'Im... ... r ..... r.... ' ...rs... ... lru..'. I. ..I.ncc. ... ..'......tr.'.'.. ' ... rni.'.U. ' ..'.r...I.''. ' .t. II..iiif..T...'If.. ... ' ' n.'. . '. .... . q. '. 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II..'. ..... ...'DPHDH. ... . ... ... YOKOO.O. ' . .' '... .' .'. J.. ' . TDPDDHAPALAHT . H. .irrI.J..r ..mi.'. ... .''. .. . . M.. W...' .. . ..'. N.i m .M'.. N.. .. . ... ...n.... '.'N'. '.. 'N. '.A.YAOE LA.DHTEYDUN..EHI.. .' v.'..c.. . .N' .'ON'.PTA.T ...... .... . . . 'iI. ..J. ... .. .'UNAS'..'.' .M r. i... .... .'....r. ....... .m.. . . . 'NO.... ..... .. .......C.'. .. .'. .'... . . 'N'. ..'N' .. i g..M. ... . MAILA.T .. '. .. .. ..'.. '..C.M '.r.. .N' .. OO'UN... .... 'r..'... r...'.. .. ''.. . .. ......n O.M .... .A.'U.E . ...... ... . .w.. .U'N. PA'K ..N ..W. ..... . '..M'... ' .OW.. PATT.'.DH ..ow. .i'.hi. .... .'N'. . . ... .. ... .. Gi r .Y r.tfoJ..'f'. J....... I...'' 'r' .. .f..Iij .. . '... .U'.M.. ... .ii... I 'V ..'... 'I'UN'. 'N. . ri.. T.r. .. I.. i.M'N. Ii.tt J' m. I M.'.' IM.'..'. ..... m.'' nM.'. 'N. ..W. ..M'N '.'.M .M.. 'm'. .M.... ... .. '.NO N...N' 'NO. ' .ig... 'NO .M..'OO .. ... ... . ..U .... ...frl.. In... I' . IJj. (lNCOWLETE) .YOEO'GEMACN 'CONGCLA... SENSATIONAL.M. p....'i.'h. EXHITIGNISN. SAGISM. MOCHISM. PE'VE'SIGNS. EROTICISM. ..CIALIST'EALI.. OIOACTICART. . I.. ...'... '. CNANCEOPE'ATIONS. .. i.. .'. ... ISTHAfPENING .PIECE'. ACTIONMUSIC. ... I.. . .. .. .. .. if'lk. I. .. ... ... GUTAII. r.. rlr.. lOHOTOH.S. .... cw. .. ....... .'Og'. ti.I .. CLASS.... Jfm.. lc. ' CiiCC'ic. ''c. 'III c. ''i. ...'iCC''. .'t..' .'. .. ....... ..'.. ' .i. .. .... '''.. ..'.. i.i.. ro.a.. .Nr..'. IIEt.r. w.. . . ... .. o.... ..... ..a. '. ..... ..... ... '. .' '..'M. .. .mo... .. ..'... 'RUITISM. ' OBJECT MUSIC. O' W. '' ...... . .'. ... '.. ...JURE PAIR ... .i.. .M'. Ii.N.. 'ii'II... .. I. ROCOCO. .. ... E '. .... .. .A'. .. ' ... .. e... g. ROBERT .. flLLIOU. .. IKLEI'I. . ''..' i..' it. 'J.. ... '..O'E. '.. ROIERTWAm. ... ..... .. ..'..... '.. ii. JOSEPH. COHNElL. BOXES. J. S'. .EN. PATTERSON. 'EOR'E.RECHT. REAOYMAO. NEOHA'KUEVENTS. CHANCEOPERATION'. Sr. CONCEPTART. NENRVFLTNT. I .. .. .... i. l''..I'. ''M rJ.'..U... ..... .'. rtiirr'.r.S.. 'tII''rTG'..fi.... e. ...l'.. . E.'...'. . ''.'..'mllaI.. w.....' .. '.'.''M...'. '. .M'. ... .. .... .. .. E'. '..FESTIVAL. lJASPERJOHHS lklU' I. FLUXOIJECT'. '..'.M. '. ..'U. '. M. .. Ia. Ei. .. scanjot series. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. fragments of a history of art ( timespace) chart (after loy). .. .. . . .. . . .... . .. .. . . .. . . .. . . . . . . . . . .. . .. .. cb . .. . .... . . . . . . . . . .. . . . . . . . . . . . .. . . . . . .. . . . i. . . . . . .. .... . . . . . . . . . . a. .. .. . . . . . . . . . . . .. . . . . . . . . . . .. . . . . . .. . . . . . . . .. . . . . . . .. . .. . . . . . . .. .... . . ...... .. . . .. . . . . . .. .. . .. ... . . .a .... .en.... . i .. . .. . . .. .. .. . .. i removed nondictionary entries so here we have the plain spacetime. structure which read somewhat like morse code and translates as. mi ............. s.........ep.. ...ee. ....cb....mi... ie n .....eemto ..... .... ei.........i. t. ............. e... e wa.tt g. ...........ae ...w ax . et......... teteei.. ........sn.it....... nna m aih .....b. .....eet ......a.....en..et.ibs k ds. k n. it's probably Ok then oll kerrect.. mi s ep ee cb mi ie n eemto ei i t e e wa tt g ae w ax et teteei. sn it nna m aih b eet a en et ibs k ds k n. these must be larger objects.. misepeecbmiieneemtoeiiteewattgaewaxetteteeisnitnnamaihbeetaenetibsk. dskn. is it dutch or what. syndicate fragments of a history of art ( timespace) chart (after loy). This is a multipart message in MIME format.... ContentType textplain charsetiso. .. .. . . .. . . .... . .. .. . . .. . . .. . . . . . . . . . .. . .. .. cb . .. . .... . . . . . . . . . .. . . . . . . . . . . . .. . . . . . .. . . . i. . . . . . .. .... . . . . . . . . . . a. .. .. . . . . . . . . . . . .. . . . . . . . . . . .. . . . . . .. . . . . . . . .. . . . . . . .. . .. . . . . . . .. .... . . ...... .. . . .. . . . . . .. .. . .. ... . . .a .... .en.... . i .. . .. . . .. .. .. . .. i removed nondictionary entries so here we have the plain spacetime. structure which read somewhat like morse code and translates as. mi ............. s.........ep.. ...ee. ....cb....mi... ie n .....eemto ..... .... ei.........i. t. ............. e... e wa.tt g. ...........ae ...w ax . et......... teteei.. ........sn.it....... nna m aih .....b. .....eet ......a.....en..et.ibs k ds. k n. it's probably Ok then oll kerrect.. mi s ep ee cb mi ie n eemto ei i t e e wa tt g ae w ax et teteei. sn it nna m aih b eet a en et ibs k ds k n. these must be larger objects.. misepeecbmiieneemtoeiiteewattgaewaxetteteeisnitnnamaihbeetaenetibsk. dskn. is it dutch or what. 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QIYTUYFT UYTFGUYQF UIY ht iuk g ait AIUTABIKU GHB. QIAKJGB QAIUKGB QAOUY UUIY IOPU UYU YP. q PQ aq w sw WS W W QW QWE QE. QE QE POIU U UUOPIqwedopiuoiøaWDPOUIPIO IIQ OIU QPOIU QIOPUP QPOIUPOI qpoiupo upoiu poiu iop ioupioup. åÆ'. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. thextyle. nteressert i. Det. nteressert i.. Det er. en medlidenhet. etterpå fakta. bør går. et til. ankomst frem. på et. svar i og. sammen med. at fakta. allerede stenger. endelig. endelig 114 arbeid i. plnteressert i.. Det nteressert i.. Det er. en medlidenhet. etterpå fakta. bør går. et til. ankomst frem. på et. svar i og. sammen med. at fakta. allerede stenger. endelig. arbeid i. plan. Hva. hennes fremstilling. drar edged. på forfededre. I ingen. kopi har I. ingen fått. materie. Så. der. posisjonsutgivelse for. interessert gruvedrift. plan er. seg selv. en typer. apparition kan. en interessant. reise men. I håp. slik ellers. og adlydelse. av en. dialog sammen. med Very. mye til. punktet. om. fakta drar et.. Og om. fakta er. omtrent kommer. fram gå. et ..... Så lang. I ingen. materie an. Hva. hennes fremstilling. drar edged. på forfededre. I ingen. kopi har. I ingen. fått materie.. Så der. posisjonsutgivelse for. interessert gruvedrift. plan er. seg selv. en typer. apparition kan. en interessant. reise men. I håp. slik ellers. og adlydelse. av en. dialog sammen. med Very. mye til. punktet. om. fakta drar et.. Og om. fakta er. omtrent kommer. fram gå. et ..... Så lang. I ingen. materie vender. mitt. It is a. pity afterwards. facts ought. elapse an. to advent. forward at. a answer. in and. along with. that facts. already am. shut down at. last work. in plan.. What her. exposition goes. edged at. ancestors I. nobody copy. have I. no matter. gotten. Saw. there stand. issue for. mine concerned. plan am. herself a. kinds apparition. a interesting. journey. h C. F s. . . . . . og. h. C . . . . . . adly. h C. delse. . . . . .. ah. av. . . . . . e. bh E. n. . . . . . dia. ch C F. log. . . . . . s. dh D D E. ammen. . . . . .. eh D. med. . . . . .. fh. Very. . . . . .. h D. mye. . . . . . t. h C. il. . . . . . pu. h E B E. nktet.. . . . .. h F D. . om. . . . . .. h B. fakta. . . . . .. h. drar. . . . . .. h E. et.. . . . . .. h F. F D Og. . . . . . om. h. B . . . . . . fakt. h. a. . . . . . er.. ah F. D. . . . . . omtre. bh E. B nt. . . . . . k. ch F D D. ommer. . . . . .. dh D. fram. . . . .. eh E. . gå. . . . . .. fh. et. . . . . .. h E E E E. ..... . . . . .. h E. C Så. . . . .. . la. h E. ng. . . . . . I.. h. E E . . . . . ingen. h. D . . . . . . mate. h E E. rie. . . an.. .. h. . . . . Hva. . .. h E E. . . . hennes. .. h. D . . . . fremsti. h C C E. lling. . . . . .. ah. drar. . . . . .. may. but. I. hope so. can. be. anything. else. and. abiding. a. dialog. along. with. Very. much. to. the. point.. about. facts goes. an.. And. about. facts. do. be. about. appear. to. elapse. an..... Saw. long. I. no. matter. turns my. er. en. medlidenhet. etterpå. fakta. bør går. et. til. ankomst. frem. på. et. svar. i. og. sammen. med. at. fakta. allerede. stenger. endelig. arbeid i. plan.. Hva. hennes. fremstilling. drar. edged. på. forfededre. I. ingen. kopi. har. I. ingen fått. materie.. Så. der. posisjonsutgivelse. for. interessert. gruvedrift. plan. er. seg. selv. en. typer. apparition. kan. en. interessant. reise. men I. håp. slik. ellers. og. adlydelse. av. en. dialog. sammen. med. Very. mye. til. punktet.. om. fakta drar. et.. Og. om. fakta. er. omtrent. kommer. fram. gå. et. ..... Så. lang. I. ingen. materie. vender mitt. It is. a. pity. afterwards. facts. ought. elapse. an. to. advent. forward. at. a. answer in. and. along. with. that. facts. already. am. shut. down. at. last. work. in. plan. What. her. exposition. goes. edged. at. ancestors. I. nobody. copy. have. I. no. matter. gotten.. Saw. there. stand. issue for. mine. concerned. plan. am. herself. a. kinds. apparition. a. interesting. journey. may. but. I. hope. so. can be. anything. else. and. abiding. a. dialog. along. with. Very. much. to. the. point.. about. facts goes. an.. And. about. facts. do. be. about. appear. to. elapse. an..... Saw. long. I. no. matter. turns my. A genre pseudoulipo eg. palindromes that only look like palindromes. As AM. notes there are. special characteristics in syntax which should be simulated in pseudoulipo.. There should. also be a pseudoulipo group.. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. windowsQDhexture. h C F s. . . . . . og. h C . . . . . . adly. h C delse. . . . . .. ah av. . . . . . e. bh E n. . . . . . dia. ch C F log. . . . . . s. dh D D E ammen. . . . . .. eh D med. . . . . .. fh Very. . . . . .. h D mye. . . . . . t. h C il. . . . . . pu. h E B E nktet.. . . . .. h F D . om. . . . . .. h B fakta. . . . . .. h drar. . . . . .. h E et.. . . . . .. h F F D Og. . . . . . om. h B . . . . . . fakt. h a. . . . . . er.. ah F D . . . . . omtre. bh E B nt. . . . . . k. ch F D D ommer. . . . . .. dh D fram. . . . .. eh E . gå. . . . . .. fh et. . . . . .. h E E E E ..... . . . . .. h E C Så. . . . . . la. h E ng. . . . . . I.. h E E . . . . . ingen. h D . . . . . . mate. h E E rie. . . an.. .. h . . . . Hva. . .. h E E . . . hennes. .. h D . . . . fremsti. h C C E lling. . . . . .. ah drar. . . . . .. syndicate Re minutes of conquests Rethinking Wargames e k u n s t. droplifting. This is a multipart message in MIME format.... ContentType textplain charsetiso. J .UU. (. (JDA. () (UQHHHQ. JAUAAUAUQU UHHHL. .AAUQUUUUUQU ..DAAUFU L DD.. UUUUF DAF ) .JD) (DD). F JUAF (A .DDDF (DL. A QQ. (DDDD). . F. . . JQLDDDDD)(DLJ.. JAAUUQUJUNHHHUAADDJADD) .. JUUQQQQUNHNNHNNQFDDDDD)D). . (QQLQ AUUUANHNNNHNNNHD)DADDJ.. . . UQQQAAUQQHHNNNNHNNNHLDDDDF. ) (QQQQLAQNNMNNNMNHHHF. D . UQQQQ AQMNNNMNMNHHN. ) F . L. .QHQUJQQQUNMNNMMNNNNNHQ). .AA UA (HHHQHUUUADQNMNMMMMMNNHHU. .AU) AUAQQQF NHNNNNNHHHHHQ). (DA) LAAAFLJJJADD) HNHNNHMHHNHQQ. J ).JF FD AAAF) .(UUQF (NNNNHNHHHQF. )LD)LJJA D QQQN HHQHHL JQHNNNHHHHU. (DAAQQQUAD(.( H) UHHNMMNHNNNHHQ. ( QUAF JHHHQQHNNMNHNNNHQA. (UUAL . (HHHQUHHNMNNNNHA). (UAD HHQQQHMNHNNHAUQ.. DD (HHHHQUHHNHHHFUU. . ) () (UHQQQHHHHUA. (UUQQQHUUHQA. . ) . (QUUQUUAUF AQQQQA. .L . UQQUQQQUQLUQLHQQQQQQU. ..A )) QQ QQQFHQQQQQUUA. D)A ((FD . U UQQQQQQQQQQQQQUQUF. A) (J UQUQQQUQQUUQQUUUA. J)( (FD) UUQUUUUUUQUQUUAUA). . ) UUUUUUUUUUUAAAAL). . AUUUQUUU (AUAAAAA). . () . (UUUUUUA AAAAAAD. . . (UUUQUAF (AAAAA). sine krigstokter som en samling postkort. A bizarre surreal and potent antiwar film JeanLuc Godard's. LES CARABINIERS is a complex. tale of two riflemen who travel the world in the service of. The King. Recruited by two. other members of the army MichelAnge and Ulysses leave their. wives Cleopatra and Venusto. wander as far as Egypt and the US killing and torturing. innocent victims for their unseen. leader. Full of the innovative editing techniques and. intellectual vigor that punctuates. almost all Godard's films LES CARABINIERS finds Godard playing. promiscuously with imagesand. ideas including favorite preoccupations such as the. destructiveness of capitalism often. presenting ideas and opinions that are forgotten almost as soon as. they are articulated.. Beautiful complex fascinating and frustrating LES CARABINIERS is. vintage Godard.. .... with Godard going to great lengths to develop unsympathetic characters. and distance the audience from the onscreen proceedings. He. purposely shot the film on a grainy film stock then made it. even grainier in the processing yielding an oldnewsreel. effect and even incorporating actual stock footage into the final. film. After the first hour however comes a remarkable. Eisensteinian montage consisting of minutes of. conqueststhe postcard sequence. In LES CARABINIERS Godard. succeeded in portraying war as an ugly and ignoble. atrocity in a manner entirely different from what he has. called the beautiful Zanuckian style. If LES CARABINIERS. cannot be called a compelling dramatic work the film represents. a liberating step beyond cinematic convention.. THE SMTP CSEQUENCE. Simple Protocol Art Mail. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. Re arc.hive Re fragments of a room. To arc.hivelm.va.com.au arc.hivelm.va.com.au. From loy.. SubjectRe arc.hive Re fragments of a room. when i read it out loud. i only heard the sound of a window a chair and a table. jUndwth fachairandwamTabwherif.f.t. ..feitamthrifeatifw. iaTabchairifo.whsdiandwawrth. fandTabechairifchairif.njUndowTab. techairifewh. TabwhnTabe.nTab. amth. ha.ramTab.ndowndowamth. nhstont. nth.sneiaTab. dinat.t. oudamTabeinTabandowawheadiradth. on.tatn. h famth. .... Very beautiful.... This is like Alvin Lucier's acoustical piece 'I am sitting in a room' re. recording his selfreferencing spoken words ...until the resonant. frequencies of the room reinforce themselves so that any semblance of my. speech with perhaps the exception of rhythm is destroyed. What you will. hear then are the natural resonant frequencies of the room articulated by. speech..... groetjes. Bjarnir. arc.hive mailing list. arc.hivelm.va.com.au. Re this is a picture not a statement.. this is a picture not a statement.. The problems are with. the dualisms where the name of absurdity once the picture this post and. what comes in. through the eye or from it like 'this. Just enjoying r. smullyan's. Just enjoying r. smullyan's. Just enjoying r. smullyan's. what's the liar paradox and what comes in. through the logic is nice and logic at least classical. doesn't. what's the interaction turns into an exploding dynamic time things. are. exploding and selfreferenced strange loops so i'm. what's the picture this book with an open system and its paradoxes. pictureasstatement. and vice versa in a picture. something to or in any sense as they can. like trees explode slow matter turns into. structure chaos into order given an open system and its paradoxes. pictureasstatement. and vice versa in any sense as a statement it's. what's the problems are with. the dualisms where the picture this is is a picture. (structure have matter) and don't. ever. what's the name of equilibrium. if pictures and don't. ever. what's the layers of that anyway the. picturestatement dichotomy is one not. dual we'll. what's the eye or from it like trees explode slow matter turns into. structure chaos into order given an open system and it seems a. representation of equilibrium. if nature's. what's the statement it's. what's the patterns. constituting that mental state. as they can like 'this. just enjoying r. smullyan's what's the name of this book with variants. of the liar paradox and selfreferenced strange loops so i'll comment this.. if it's a statement it's also 'not a statement' so it doesn't make sense and. we could add or infer anything to or from it like 'this is a dog not a. statement' because the consistence is lost and logic at least classical. doesn't operate with degrees of absurdity once the logic is broken it's lost. like a chain and it becomes picture or spectacle or whatever a collage of. some sort like tv without consequence (the logical stuff). so i'm wondering. what kind of picture this is is it a false picture there's another picture. like data sense data prior to being processed as language as an instruction. (to operate on picturedata) which is true of this post and what comes in. through the eye or in any sense as a neural 'picture' the patterns. constituting that mental state. as a statement 'this is a picture' it seems a. representation of that a redundant homunculus and which get falsified by not. being a statement but a picture. something like that anyway the. picturestatement dichotomy is nice and its paradoxes pictureasstatement. and vice versa in a way it's only activepassive matters which again are. only roles within the layers of selfreference the statement is a picture. (structure have matter) and the picture is a statement (matter is. structured). maybe something to do with an exploding dynamic time things are. exploding and as fast as they can like trees explode slow matter turns into. structure chaos into order given an open system and some flux through it. and paradoxes keeping it out of equilibrium. if nature's matter is one not. dual we'll have layers of selfreference interaction the problems are with. the dualisms where the interaction turns into an infinite regress and don't. ever get started. if pictures and statements were different matters we'd have. none now we've got both their violence turbulence which made us and in the. hands ofl emerging order always screeching with the absurdity of matter.. HQQQQQQU) .DJJ. QQQQHQUA .DJDAD). QHHQQQUA DDDA). HHUQUQF. QQUUQUQ). QQUUUQQ). QQQAUU). QUQQAUQHQ) ... QUQQUUHU). QUQQQQHU). QQQUQQQHU) .AUUAAL. QUAQUUUQ) .(UAQQQAU) .. UUQUUUQUL . (UADU). Q UQQUU J. UQU). ) UU). L A). Q. U. QQQQQQQ). QQQQQQQQQQ. 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DUHHHNQU. DUHHHNQU. DUHHHNQU. HHHHHNNNNNNNNNNHHNNNHHHHHHHH. HHHHHHHHHNMMMMNNNNNHHNNNHHHHHH. HHNNNHHHHNNNNNMMMMNNNNHHHHNHHHHHH. HHHNNNNHHHNNNNNNNM. MNNNNHHHHHHHHHHH. HHNMNNHHHHHHNNNMMNNHHNNHHNNNHNMN. NNNNNHHHHHNNNNNNNNNNNNNNNNHNNNNNMM. NNHHHHHHHNNNNNMNNNHHHNNNNNNMM. HHQUUQQUAUHHHNHHHHHHHNNNNNNM. DDAUQQQHHHHHNNNNNNM. .DAUQHHHNNHHHNM. ..AQHNNNNHHNM. QHNNNNHNNM. .YUNNNNNNNM. .NNNNHNM. . .YYAHNHHM. YY. YYYDQM. . YYUD.M. . Y ... .DY.NN. ...... . .YMM. HH . .. YYNM. HHH .. .UNM. QHHHU. . .. ...DHMM. QHH Q .... ..YAUDDHNNN. noemata Fwd It all begins with a few simple words on the screen. . .. ligner på røverspråket. jojegog totrororor dodetottote eror rorøvoverorsospoproråkoketot totilol. gogjojesostot. Start of forwarded message. Fwd It all begins with a few simple words on the screen. . .. ns thenoe sens bebegegiginn t toto ththihiningng s w wiwitithth ththehe. isis s cingng thougughgh he omes o of ththehe e m memesessssasagagege e s. se toto e o only y a a paparartenc uningng memeteth ofof on isis. graradallly seseeingng g ito ththehe e t exextingng t a annd reaingng g t. ththeem parartrtirtsth to ts is seseeeem toto be haeniingng g m anandnd. momorore asas s t ththehe e t tetexext becomomemeses s i increreaeasingly. frent anandnd isis s ted d i inintntoto segmemenentts s t ththahatat t are. essss anandnd lelesessss s c cocomensle t a alo straly loal inin. sosomomeme e i inndeblele e whe e pcesessss s s seseeeememsms s t toto o h. hahavaveve e a a hisisty a anandnd d a anan tioionry gr even n i itts s on. s sort ofof hapse so ss st sy ou reread o onon anandnd d o onon n u. ununtntitilil l y yoyouou an rereaeadad no o m momorore anandnd sttilll l. y yoyouou u r rereaead inin n s se ofof sosomomeme kinindnd d o ofof f l. lightht t aat t t ththehe enendnd d o ofof f t ththehe e t tuelyle ll ly ut. nono liligighghtht isis s fortrthcomomimining anandnd ththihiningngsgs. noow ononlnlyly y s seseeeemem m t toto o b bebe ingng frfroromom ad d t. toto woworseaseesegsense ed el em en es ew ou mamakakeke e o onne e lst. alint forortrt t a atat unundndederrstandingng hatat t i isis s g. gogoioiningng on asas yoyouou no waantnt t t toto o b bebe e aseded d o. ofof beingng a la rereaeadderer whho isis s w wollyly unillingng g t. toto ve e t ththehe e m modern t tetexextxt t i ititsts ea eb ec ed ee ef eg. eh ei ej ek el em en eo ep eq er es et eu ev ew ex ey ez e ut t f. fifininaallllyly yoyouou eldld d a anandnd d t tutururnrn n awayay y f. frfroromom m t ththehe e t tetexextxt t i inin n s seseaeararcrchch h o ofof. f l lelesessss s f frstrtraatitiningng g m memesessssasagagees s t toto. gesingng ba ononlnlyly nonowow anandnd d ain n t toto o s seseeee e i. ifif f a anthihiningng haas s cangngeed do ds nd d t ththehen toto yoyou. asaststomenent ththihiningngsgs s d dodo o s seseeeemem m t toto o b bebe. chchahanangginingngenginglngsng ge gh gs lilinne e h hahasas beeenen sed. anandnd whle yoyouou ararere unre e a asas s t toto o w wheththeer. ththihisis s c chchahanangngege e i isis s i inin yoyouou r t ththehe e m. memesessssasagage ththihiningngsgs s d dedefefifinelyly dodo o s seseeeemem. m t toto o b bebe e m mamakakikiningng sesenensnsese e a. agagagaiaininaincindineinginiinsintin na nb nc nd ne nf ng nh ni nj nk nl nm. nn no np nq nr ns nt nu nv nw nx ny nz n hateveer r w waas s c casiningng g. t ththehe e t tetexextxt t t toto frfraragagmgmemenentnt t b befororere e i. isis s n nonowow losiningng g t ththehe e b bale e a anandnd d a a a f. fofor ofof meniningng g i isis rereaeassseserrtitiningng g i ititsselelflf. ithth h a a sesenensnsese e o ofof reelief yoyouou siighgh h a anandnd d. a alallow w t ththahatat t t ththehe e s ststrle e i isis s f. fifininanalallllyly y a atat t a anan n e enendndendind. m. End of forwarded message. unsubscribe from this group send an email to. Re Vs noisetext (unknown). Great I've been looking for an engine to do these bitmapchar conversions. ever since. seeing Florian Cramer's portrait. Of course there's been typewriter paintings. etc for a. long time my girlfriend gave me one once and it's hanging right here on the. wall of the. library room baby jesus and virgin mary done with a mechanical typewriter.. Jukka. Actually it's a bgascii rendering of a classical chinese landscape painting. Kuo Hsi (ca.. Paradoxically the huge white spaces of the painting renders as thick char. stream while the. solid mountains renders as whitespace.... insert statement on information entropy. B. Original Message. Bjrn Magnhilden. Tuesday February PM. noisetext (unknown). AAUFAUAAAAAAAAAADAAADAAAAAUAAAAAAAAAUAAUAAUAAAAAAJUUUUUUUAAAAAAAAAADD. DAAAAAAAAAAAAAAAAADAAAAAAAAAAADADDLDL(AAAAAAAAUUAAAAUAAAAAAAAAUUAUAAAAA. AAAUAUAAUUAAAAUAAAAAADALUAAAAALADADAQQADAAAAUUUAUUAAAUUUUUUAUAUAUAUU. AAAUUUAAAAAAAADD)DDLJDDADDDFFFFFQHNHUADAUAAAAAUAAAAAAAUAAAAAADUAA. AAAAAAAAAAAAAAALU)FLDADDAAAAAL(DDDAHHHHNNQUAADAAAAAJADAUUAAUUUUUAAAAA. AAUAHAAAUUAAAADAADDADADFDDDLLD)DJNHQQNHQQAAA)DUUUQQQQQHNHAAAAD. AUUAQQAUAAAALAAAADD(DDDDDDLDL)JDQHHQHHHHQAAAUUJUUUQUHHHHQAADA. AUUUQQUAAAAAAAAAAALAAJDJJDDD( L.(UUHUQHHQHNNNHHHHNNHHHNNHHHHQUAAA. UQUUQQUUAUAUAUAAAAAADDDDADADDJLLAQQQQQUHHQUQHHHHHNNNNHNHHHHAUUA. UUUUNQUUUQUUAAUUUAAAAAAAAAADFD(AQQQQAQQQHQQHQHNHNHNHNNHHAAUU. UQQUQUUUUAUAUAAAAAUAAAAAAAD) ( JUQUUQHNUQQHHQAUUHHQHHHHHHHAAQU. UUUUQUQUUUUUUUAAAAAAAAAAADDJF( UQQUQQQHQAQQHHAAQUAUQQHHHHHHQHUUUA. UQUUUUUUUUUUUAAAAADD(F JUQAUQQQUQQQUQQUHHHQHQQQAAUD. UUUAUUUUUUUAUAUADAL) . DQQQQAQAAQFUUQUQHHNHQQQQQADAL. UUUUQUUAUUAAUAUUUADD. ..QHLAAQUHQQHAAJUQUQQUHHFAAADAD. UUUUUUUAUUUAAAAAAAAAADDUHHQQUUAUUUHQQUAUUUQUAUUHHH ( J. UAUUUAUUAAADDDFDFDDDJHHFUFAUQHHQHHQUUAQUU)HQQUHNHDJU . A. AUUUUAUUAAD (QQUAL .D AUQUQFQAHQQQUUQQUAHFAH)J). 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QQUUAAQA(UA)(JFJ)ADUAAQJU((AHAUL( ..(. AUUQUHHQ Q)A)UAUUQ(UUQAQADUDJUQJLL. UFAQAU. AAQQUHQN J(LUAAQUJUUQAUDQQQAAAUQUUUUAUALAJALAJJ)L.QAU. (DAUQQQHQQNHF UALUQUAAUUUAAUUQUAAUUQQQUQAAUUUAUQQQQAQU. (DFFDUUUHQQUHQQQUHUUULUQQQALUAUAAJADQQUUUQQQHHQHU. (AAQUUQQHUAQUFUUQFUQQLLQQQAAUDAAFDA) UHQHQFQHQQHQU. ..UHHUDFD(AQQQQQAADDQAUQQQAU (QQHUUUQNHNHU. LAAJUQQHHQADFAQQQAFUDDAAQQQQQUA . .UAUQUAAUQHHHU. QQQQQUUAFDA JUQUFAAAUQUUDF .A. QAUAFDUHQHUHH. UQQQQQUAF AUQ .UU AUUAQ)AQQQUQ. UUQQQUAD JUQUL. JQ.(. UUAFQ)JQAAUJUH. AQQUUQUAL.J. (AQQAQUJ .LJAQUUQQALUU)QUAUQ. (QQQQHUUL ( UUQQQU)LUQ((Q)AQAFUU. QHHHQQHHUAD) UAJAQUQQQDUU(QFAF. QUAAUAUUAJ . . .. (UUUUUQ(A(LAUDD. QAAADAUAADUL (JF)) AUAQQAJ))U(UQQU(. AUUUFAAAAJAD.JUJLAJU(L.. . .AUADQAQQQFDQQUUQUA)(. (AAQQQQAUQQUQUFF . (DAADALAAUAFUAQQAUQLAUAALAUL. ..AAA)DQAAL .. DDDDAAULUAQUAJQQFALQQAFAF.. ..AAAUAADUQQUJ AQAUUAUJ AAAADUAUQQUUUUUHQUQUUUFA)). AAQFJDDUQQAQQ ((A)UQA AUU DDA((AQQUUQQQQQHUUQ)UUDLA). A.. JAAAF(AQAUAAA .L JU. . F L UQUQQQUQUAAUUQUAQAAAA).. UUDAAUUAUUUAUAJQUULLJJJLAQQUJQUUJALU D.UUQQQHQHDAAAA.. DUUQQQQQUUUAUAJUUAQUUUQUFUAUQQL ((DQQUQUQUAU(UFUF. AAUAUUU)FAAUAUUQQHQQQQUUUUQL(QUL ...JAAUUUQQALQHAJUJQAQ. UAQQQUQHQQUDAAUQHAUAUAQULQHU(QQA( JJQQQQUAUQJQHQJFHHHQQL). QQUQUQQQUFAUHQQAUUUUQQUAUUQUQQUUUA(QQQQQUUUULUUD)LAQQLUUFAQ. HHQUQHULQQQHQUUQQAAAAUUUAJUQ).JAUQQQLUQQUAQUA AQAFAQALAU. UHHQUQQQUQUULAAQQUQQQQ.(AQHUQQQAQQUUUHQLDQHQQAQAUJA. QQQHQQUQUAQQQQQLLQUHHHQQUFAUQUAJ FHHLAUU. UHNHNHHHQQQAAAQHQHQQQUQQQQQFUUQHQAFQQQHUQQU. QUQQNNHHHHHQAQUAAADAQQQQQQAQUUUQQUQUAUAUQHUQHLAU. QQNNHNNHHHQQQUUUAAAAAUQQHQQHQHQHHQQAUUUQQQQHUQUA. HQQUHNNHHHHQUFQQQAAUUAUUHNLQQQJQQQUUQLHHUQHQQQUUQAUU). HHQQQHHHHNAUUUUQHQQUUAAUHQQQQJQUQHQHUQQQHQQUA)..JHUQQAQQ. HNHHHNNHNHNQUQQQQQUUUQUQQHFALQQUAAQQHQQUQQHUQUA FUQQQUU. NHHHNHNNNHHHHHHHQQUAU)QUAQQQQUQNUQUQHUQQUUUALQQQQUU. HHQQNHHHNHNHHNNHHHHHNQUFUUUUFQQQQHQQHQQQQQUQJAJAA. unsubscribe from this group send an email to. unsubscribe from this group send an email to. noemata Fwd It all begins. . . vers. Mer stroboskopisk røverspråk. fra Buffalo. Start of forwarded message. Fwd It all begins. . . vers. TH ES BE BEG EGI GIN NT TO TO TH THI HIN ING SW WI WIT. ITH TH TH THE HE IS IS SC ING NG TH OUG UGH OME SO OF. TH THE HE EM ME MES ESS SSA SAG AGE GE ES SE TO TO EO. ON LY YA A PA PAR ART UN ING NG ME MET ETH OF OF ON. IS IS GRA RAD ALL LY SE SEE ING NG GI TO TH THE HE ET. EX EXT ING NG TA AN REA ING NG GT TH THE EM PAR ART IS. SE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. E A AS AS ST TH THE HE ET TE TEX EXT BE COM OME MES. ES SI IN CRE REA EAS ING LY FR AN AND ND IS IS ST ED. DI IN INT NTO TO SE GME MEN ENT TS ST TH THA HAT AT TA. RE ESS SS AN AND ND LE LES ESS SS SC CO COM ENS LE TA. AL OS TRA LY LO AL IN IN SO SOM OME ME EI IN NDE BLE. LE EW .T TH HE EP CES ESS SS SS SE SEE EEM EMS MS ST. TO OH HA HAV AVE VE EA A HIS IST YA AN AND ND DA. AN AN TIO ION RY GR E EV NI IT TS SO NS SO OF OF. E HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. UNT NTI TIL IL LY YO YOU OU AN RE REA EAD AD OM MO MOR. ORE RE E A AN AND ND ST TIL LL LY YO YOU OU UR RE. REA EAD IN IN NS SE OF OF SO SOM OME ME KIN IND ND DO. OF OF FL LI TA AT TT TH THE HE EN ND DO OF OF FT. TH THE HE ET TU UT NO NO LI LIG IGH GHT HT IS IS SF. ORT COM OMI MIN ING A AN AND ND TH THI HIN ING NGS GS NO. OW ON ONL NLY LY YS SE SEE EEM EM MT TO TO OB BE BE. ING NG FR FRO ROM OM AD DT TO TO WO WOR .Y YO YOU OU. MA MAK AKE KE EO ON EL ST ALI FOR ORT RT TA AT AT UN. UND NDE DER RST AND ING NG HAT AT TI IS IS SG GO GOI OIN. ING NG ON A AS AS YO YOU OU NO WA ANT NT TT TO TO. OB BE BE EA ED DO OF OF BE ING NG A LA RE REA EAD. DER WH IS IS SW WO LLY LY UN ILL ING NG GT TO TO VE. ET TH THE HE EM MO DER NT TE TEX EXT XT TI IT ITS TS. E. .B BU BUT UT TF FI FIN INA ALL LLY LY YO YOU OU DA. AN AND ND DT TU TUR URN RN NA WAY YF FR FRO ROM OM MT. TH THE HE ET TE TEX EXT XT TI IN IN NS SE SEA EAR ARC. RCH CH HO OF OF FL LE LES ESS SS SF FR STR TRA ATI TIN. ING NG GM ME MES ESS SSA SAG AGE ES ST TO TO GES T ING. NG BA ON ONL NLY LY NO NOW OW AN AND ND DA IN NT TO. OS SE SEE EI IF IF FA AN THI HIN ING NG HA AS SC. ANG NGE .A ND DT TH THE HEN N TO TO YO YOU AS AST STO. MEN ENT T T TH THI HIN ING NGS GS SD DO DO OS SE SEE. EEM EM MT TO TO OB BE BE CH CHA HAN ANG GIN ING .A LI. LIN NE EH HA HAS AS BE EEN EN SED D A AN AND ND WH. LE YO YOU OU AR ARE RE UN RE EA AS AS ST TO TO OW. WH ETH THE ER TH THI HIS IS SC CH CHA HAN ANG NGE GE EI. IS IS SI IN IN YO YOU OU RT TH THE HE EM ME MES ESS. SSA SAG AGE E T TH THI HIN ING NGS GS SD DE DEF EFI FIN. ELY LY DO DO OS SE SEE EEM EM MT TO TO OB BE BE EM. MA MAK AKI KIN ING NG SE SEN ENS NSE SE EA AG AGA GAI AIN. N. HAT EVE ER RW WA AS SC CA SIN ING NG GT TH THE HE. ET TE TEX EXT XT TT TO TO FR FRA RAG AGM GME MEN ENT NT. TB BE FOR ORE RE EI IS IS SN NO NOW OW LO SIN ING NG. GT TH THE HE EB BA LE EA AN AND ND DA A AF FO FOR. OF OF ME NIN ING NG GI IS IS RE REA EAS SSE RTI TIN ING. NG GI IT ITS .W ITH TH HA A SE SEN ENS NSE SE EO OF. OF RE YO YOU OU SI IGH GH HA AN AND ND DA AL ALL OW. WT TH THA HAT AT TT TH THE HE ES ST STR LE EI IS IS. SF FI FIN INA NAL ALL LLY LY YA AT AT TA AN AN NE EN. END. mwp. End of forwarded message. unsubscribe from this group send an email to. noemata Fwd Nettimebold unstable digest vol. Start of forwarded message. ReplyTo nettimeboldnettime.org. Fwd Nettimebold unstable digest vol. msg positioning. u.r.in.the.making. .. Slession Start Thu Feb. Lesion Ident silocyben. short intervals. notify m.Sages.. .. fit.tingle in ah narrow acceptability niche.. take me off. i'd pre.furr that.. no realli.. hassle u. irc.. heh. .. provide some type of per.server entertainment value. providing. per.verse. pre.serve. .. dam.nation ls sleep dep.ri.vat.ion. i make no apologies for that. come in prettyhatemachinebite.size.packages.. ppl hassle. i do.. it's wonderful.. .. hmm. bcitatione sized. ). silocyben nibbles.. D. ok.. silocyben smacks lipids.. msg moment intentionally causality. msg i'm done.. heh. anyway. in.tensiontionally cruel IRC. slecherousxual d.pgravity. scroll notify.. Ffort manually. what. fthat.. who nos really. heh. msg would kill u). don't thlink u understand.. no.. good.. it's better that way.. heh.. yes.. msg look. .. feel free Nlighten. what i understand u don't.. k.no.w talking. no. should i. damn.. ). no.. grin. ). ok.. so.. f.eeling free. message with). we've covered the fact that. possibly quit.. ete.. n.deed. ho hum.. ho hum. 116 pickup multi.logue. hmmm. yes.. i mlean wards ghosts. loving.. heh. Suriname parity u r). i'm thinking that. combination of facts. anywhere.. in the realty of go.. oh way more than that.. realms even.. way more.. u st.. NlightN me.. nono u must NlightN me. urm.. i can't.. Xcept to say.. .. .. hmm. and.. msg i want.. ehehehe. .. but. a.part from that.. silocyben scratc.his.head.. fighting Nlite. k need . able . though.. do.. yes indeed.. msg worried. msg about. msg obsession.. but.. msg X.. msg former. notify aint work.. away latter.. away waste.. .fuck.. hmm. talk POV. .....away money. mmm. .....talk nor.... away u. needed it.. growth ur own. panick ed because. msg dislocation lies. msg tied up with .. i used. ic.. much mulching.... sniff basic portioned. scratch like a th.. .....left wingth. es. yes. trauma she.is.all.i.have msg in.terms.of.active.affectivity. yes. i unda.stood.. and unda.stand.. .. lvl sameness. shrug.. accountability. gagging pay job. BUT. y. stress basalt in all corporatecapitalist Ndeavours. i HAVE. didn't he tell u. sent. oh.. cool.. none week.. ahh. k np. descent.in..nether.hell.. well. .. actually. crazy problems heart.. figorey that. then. in rl. .. wow. story. jesus story wot.do.u.want we played quake gether.. ). that will do. story tellerinvoker. ). laugh and there r p.lent.y of tell.. anyway. i'm sure. snip tell stories.. the lose driven slough.. noNticed. dilemma. oh. yes yes.. ho.ur.. yes indeed. s.. msg positioning. u.r.in.the.making. ..in.finite capacitys goalrelationalbelief. structuremighty uphold.. tem.portation is far. ..... wallow in consumerist.muck. ....type . align getgos socialb.lather. .. sense. ). right.. u're.. i'm sure i am.. slash simplistic.. .. grin. i don't.. no u don't. nor. i already.. ok. well. y make.. ....says much. anyway. i'm tired. bitesized day bIT). i have.. yes u do.. off.. Added to notify list. no apaty and awareness.. h.. k.. if u say so.. sigh. Session Close Thu Feb. Lession Start Thu Feb. Session IDent silocyben. think nature. completingx Ntree.catesimperinglistic.. nature as. system of. ecological function. ball N batance thru.. i am.. nature dfined bye romance. ideal of butterflies victims. prey and bloodlust. ahh. naturefact. .. s.. u. chuckle. centric. anyway. but what r. goals fargoish.. i am.a.silly.undefined.soul in a c of centuries. wish disappointed.. so.. ahh no. come inside with rt. with bod.EE. laugh. ....eyes. .. he.. words cauterize. cause even. cya.. s.lump. heh. .. bye. hmm. d.ee.p.ends. stretch props blood flow.. hmm. hands. neglect.. speak softly. thru the size of my large hands. large joints.. hmm. voice. yes. i thought so.. or. simplicity is boiled from the need to x.tract and d.limit complexity. sometimes the problem becomes the complexity to survive the. simplicity of others.. c a t c h. or the problem hides i the folds of simplicity N order deny. complexity. n. mmm.. we are walking on different foundations.. we r. creeping thru semantic jungles. ). ). tactility above all else. no causality in solid shapes. logic definer. momentary pleasures theorizing via strands of cartesian dynamics. Added silocyben to notify list. Session Close Thu Feb. protein.logging.txt. sparks of lost hubrisman centre.sieved. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. LE TEXTE ET LA MACHINE.. LE TEXTE ET LA MACHINE.. Decembre. Pascale Gustin. Licence GNU General Public License. Je crois que l'ordinateur et de manire plus gnrale les technologies. de l'information transforment de faon radicale notre rapport au monde. et nous mme. C'est mme devenu un lieu commun de dire cela. aujourd'hui c'est devenu un truisme. Paradoxalement mesurer. l'importance et les consquences de ces changements est loin d'tre. simple cela ouvre mme de nombreux champs d'investigations et de. rflexions qui depuis environ ans font l'objet de recherches de. plus en plus diversifies dans des domaines toujours plus tendus. Je. pense l'instar de Pierre Levy que l'outil informatique est une. dcouverte au moins aussi importante dans l'histoire de l'humanit que. celle de l'criture elle en est probablement mme la continuit en. poursuivant le processus d'hominisation de l'homme .. J'aimerais par ce texte explorer de manire tout fait personnelle la. naissance de l'outil informatique du point de vue du texte et de. l'criture. Je ne prtends pas ici un essai exhaustif sur le sujet. mais seulement rassembler quelques rflexions et notes de lectures. qui m'apparaissent pertinentes. Selon le procd d'une pense. analogique je souhaiterais former un ensemble cohrent de rflexions et. d'ides dans la continuit de ce qui mon sens me parait trop peu. questionn actuellement mais non pas moins important c'est dire le. problme de l'criture en regard de l'outil informatique et la faon. dont mon avis celuici transforme et remet en question de multiples. manires la notion mme de texte.. L'criture le code le texte.. L'criture est la premire technologie d'enregistrement de la parole. constitue de symboles d'images ou de signes elle est un systme un. code mis en place afin de pouvoir garder trace du langage parl. De ce. point de vue l'criture est un code certes relativement souple qui. encode la ralit et tout la fois en transforme et en remodle la. perception. Un des tous premiers systmes d'criture que l'on ai. retrouv est l'criture noeuds systme d'inscription. mnmotechnique et synthtique. On en a dcouvert des traces au Prou. dans les tombeaux Incas par exemple. Ce sont des paquets de noeuds et. de fils attachs de couleurs diffrentes ou semblables placs de. manire obtenir un grand nombre de significations. Ces. quippus servaient enregistrer les comptes la chronologie il. tait possible galement de s'en servir comme d'un moyen de calcul. On. retrouve cette forme ancestrale d'criture partout dans le monde et. jusqu'au milieu du vingtime sicle dans certaines rgions elle tait. encore utilise par les ouvriers afin de comptabiliser leurs journes. de travail .. L'criture dans son essence apparat alors comme un systme de. diffrences. (J. Derrida et Saussure). Le codage binaire a t utilis sous une forme symbolique trs tt. en chine avec le systme divinatoire du YiKing. Le YiKing est un. ensemble de hexagrammes constitus d'une collection d'images. symboliques reprsentatives d'un certain ordre de l'univers et tait. utilis pour procder diverses interprtations divinatoires. Ces. images symboliques rsultent de l'assemblage et de la combinatoire de. traits pleins et de traits briss reprsentant les deux tats. essentiels par lesquels chaque tre et chaque chose sont appels se. mouvoir et se transformer. Mais c'est le philosophe anglais Francis. Bacon () qui fait de ce principe binaire un systme part. entire afin de pouvoir transmettre des messages de manire rapide et. sre .. Dans ce sens le code l'acte de coder un message serait en somme la. transcription de celuici dans une langue nonnaturelle.. Mais le mot de code se drobe mesure qu'on souhaite en saisir le sens.. A l'origine du mot nous trouvons le codex c'est dire la. planchette le recueil nous avons galement le code juridique qui est. l'ensemble des lois qui rgissent une socit signification qui n'est. pas sans rappeler la programmation puisqu'ellemme est rgie. par une syntaxe un ensemble de rgles auxquelles on ne peut droger. d'aucune manire sous peine de planter le programme. Nous avons. galement le code vestimentaire ou le code gntique. Le code serait. en quelque sorte un moyen de conservation et de transmission. d'informations un support de significations non spcifiquement humain.. L'criture pourrait tre une sorte de code plus souple o le. sens est tiss de diffrentes manires les lettres avec les. lettres une une ou par grappes les mots ensembles pour former des. phrases et les phrases tisses les unes aux autres interagissant les. unes avec les autres au cours de la lecture nouant liens de sens et. de significations afin de former le texte. On utilise l'expression le. fil de la lecture ou au fil du texte pour parler de cet cheveau du. sens qui prend forme au moment du dchiffrement. Le texte est une. trame de significations dont les fils se croisent et s'entrecroisent. entre les lettres ellesmmes les mots les sons dans le texte et. entre le texte et le lecteur.. Le mot texte vient du terme latin texere qui signifie tisser.. Une autre dfinition du mot peut tre. un nombre fini de signes discrets choisis dans un ensemble fini. de signes (Florian Cramer).. Les machines.. Une des toutes premires utilisations technologiques du langage binaire. a t dveloppe par Jacquard () afin d'amliorer la technique. du tissage.. Il s'agissait de cartes perfores de trous c'est dire de. l'utilisation des pleins et des vides des cartes pour coder le passage. des fils de couleurs diffrentes dans les fils de chanes. La. technologie du tissage a toujours t l'avantgarde des techniques de. son temps mme aux poques les plus recules au moyenage on. utilisait dj des cartes ralises sur du papier divis en damier pour. la reproduction des dessins.. Charles Babbage () initiateur de la machine diffrentielle. et plus tard de la machine analytique connaissait les travaux de. Jacquard dans le domaine du tissage et eu cette intuition fondamentale. d'appliquer ce principe en quelque sorte combinatoire des diffrents. ils entre eux au calcul selon une mthode semblable. Ada Lovelace. () collaboratrice de Charles Babbage ft charge de la partie. logicielle de la machine c'est dire du texte (au sens large du. terme) qui devait permettre la machine analytique de fonctionner. Mais. le projet n'aboutit pas faute de moyens et probablement aussi. d'organisation .. Les machines telles que les ordinateurs actuels ne peuvent. fonctionner ne peuvent comprendre une serie d'instructions que si. cellesci se trouvent crites sous la forme de suites de et de ou. plus exactement sous forme de squences trs rapides d'impulsions. lectriques une impulsion reprsente une connection c'est dire le. l'absence d'impulsion le . Un ensemble organis de et a donc. un sens pour la machine c'est dire un sens lectrique. Le terme. de sens n'est peuttre pas tout fait appropri pour parler. d'instructions que la machine programme dans ce but effectura la. machine n'interprte pas le programme ou les instructions entres dans. le processeur elle ne fait que les excuter.. La rapidit avec laquelle le courant circule entre les diffrents. lments de l'appareil informatique (lie la vitesse d'horloge du. processeur) offre des possibilits quasi illimites de calcul. (quantits de connexions et d'absences de connexions de et de de. plus en plus importantes dans des laps de temps trs courts). Ainsi. nous pouvons en tant qu'utilisateur de machines et de programmes. charger des images l'cran les dupliquer ou les transformer faire. jouer des sons ou bien crire des textes que nous rentrons dans la. mmoire vive de l'ordinateur. En quelque sorte ces suites de et de. sont le seul code ou alphabet avec lequel nous pouvons utiliser l'outil. informatique.. Les premiers ordinateurs taient en quelque sorte programms en. direct l'aide de fiches et de fils relis ensembles.. Si la fiche est connecte le courant passe la valeur est donc. l'inverse l'absence de connection prend la valeur . Pour faire. fonctionner un programme il fallait donc connecter une une des. centaines de fiches et de fils entre eux. Le temps de mise en route. d'un programme tait trs important les erreurs frquentes et. pnibles retrouver. On devait suivre chaque fils pour. voir o il tait reli au milieu de paquets de fils entrelasss les uns. dans les autres.. Plus tard dans les annes et les fils lectriques seront. remplacs par des valeurs situes en mmoire .. Les ingnieurs imaginrent ensuite un moyen de simplifier les oprations. de programmation. On substitua un ensemble d'instructions un code. dit mnmotechnique plus facile retenir. Ces premiers langages. permettaient d'effectuer rapidement des taches complexes sur. les machines mais restaient encore malaiss d'utilisation car trs. proche du code de la machine (exemple le langage assembleur).. Peu peu les langages devinrent plus performants. L'utilisation des. premiers compilateurs firent des machines des outils plus souples et. faciles utiliser (avec le fortran). De vritables mots furent. employs et les instructions au fur et mesure de l'volution des. langages devinrent plus comprhensibles pour l'homme encodrent des. algorithmes entiers et rendirent ainsi la conception. des programmes rapide et efficace.. L'arrive des interfaces graphiques donnera par la suite les moyens. tout utilisateur noninformaticien d'effectuer facilement rapidement. par l'intermdiaire de l'cran graphique des taches compliques. prprogrammes.. Le code de la machine le texte en quelque sorte se trouve alors. dissimul sous des couches logicielles mais c'est toujours un code une. texture de calcul de et de qui dans les profondeurs de. l'ordinateur officie afin que les programmes puissent avoir lieu en. surface .. Les langages de programmation (je pense par exemple aux langages de. programmation orients objet comme java ou python) les plus rcents bien. que plus proches d'une part du langage humain et peuttre galement de. la pense humaine (du moins d'une petite part caractristique de. celleci la catgorisation mais je doute que cette forme de la pense. humaine soit la plus naturelle l'humain mais peuttre bien plutt. sa part la plus sociale ou socialise) restent toujours. malgr tout soumis aux ncessits internes des machines.. Le langage humain tel que nous le parlons l'crivons met en place un. monde de significations. Le discours oral est contextualis. Il en est. de mme pour le texte crit. Une marge d'ambiguit est toujours tolre. et mme presque souhaitable car c'est pratiquement dans cette marge. qu'a lieu l'expression de l'individu qui parle ou crit. La dimension. culturelle ainsi qu'une prise de conscience de tous les discours qui ont. prcdemment eu lieu interviennent galement de manire plus ou moins. prgnante pour celui qui coute ou lit selon la culture qu'il a du sujet. nonc. Ainsi le sens du texte oral ou crit est un ensemble de liens. qui se tissent de toute part entre les interlocuteurs ou entre le. lecteur et le texte la socit la culture les lois etc. Souvent la. comprhension du sens dpasse largement la structure de base du langage. linaire et squentielle celle du discours oral ou du texte.. Il en va ainsi de la pense humaine car c'est partir d'elle partir. de cette matrice que cette texture de liens peut avoir lieu.. C'est en poursuivant un tel raisonnement que Ted Nelson labora ses. recherches sur l'hypertextualit ds le milieu des annes avec son. projet Xanadu (nomm ainsi en rfrence un pome de Coleridge).. Son prdcsseur Vannemar Buch eu une intuition semblable lorsqu'il. imagina vingt ans plus tt le Memex MEMory EXtander une. bibliothque de documents relis les uns aux autres en fonction du. sens que pouvait prendre chaque paragraphe phrase ou mot de tel ou. tel texte mmoris en regard de tel ou tel autre paragraphe phrase ou. mot issus d'un autre texte ou d'une autre partie de ce mme texte.. Conservs sur microfilms spciaux ces textes photographies ou tout. autre document auraient t accessibles grace plusieurs crans. claviers et manettes. Une membrane sensible aurait pu permettre de. photographier et d'enregistrer de nouveaux documents. L'utilisation d'un. tel appareil aurait permis au chercheur ou l' homme moderne de. faire face la prolifration d'informations prvisibles en raison du. dveloppement des instruments de mdiatisation de l'information .. Pour Ted Nelson la pense humaine est hypertextuelle par essence. alors que le langage humain la parole ou l'crit ne sont que. squentiels. Ainsi le langage humain apparait comme incapable de. reproduire vritablement la pense dans toute sa richesse sa. diversit et son foisonnement .. C'est sur ce travail cette nouvelle manire d'apprhender le texte. que je terminerai cette suite de notes et de reflexions car partir. de cette notion d'hypertexte et d'hypertextualit de nombreuses. possibilits de tissage de sens et de textes sont mises jour et en. explorer les dimensions et les possibilits serait l'objet d'une. recherche part entire. J'aimerais seulement pour conclure amener. l'attention du lecteur que le texte apparat dsormais non plus comme. quelque chose d'abstrait et d'homogne qui permet l'information. d'tre diffuse mais comme un corps part entire concret qui peut. prendre de multiples formes ainsi tre utilis aussi bien pour. programmer les outils de l'informaticien ou du simple usager de. l'informatique pour concevoir des programmes que pour les. appliquer. Je crois que le travail du pote ou de l'crivain s'en. trouve profondment boulevers. Ecrire ce n'est pas seulement faire un. texte mais aussi ce peut tre mettre en route un instrument l'outil. informatique se servir d'un programme (un logiciel de traitement de. texte par exemple) ou d'un langage de programmation c'est couper. coller assembler telle portion de texte avec tel autre (un morceau de. programme un lien qui menera une image ou un son). C'est jouer. galement avec diffrentes formes de langages car tout ceci mon sens. constitue encore du texte c'est mettre l'criture le langage. quelque soit l'origine de ce langage en contact avec d'autres. branches de la communication.. refrences. Levy Pierre. La machine univers. Editions La Dcouverte. Levy Pierre. L'intelligence collective. Editions La Dcouverte. Fevrier James. L'histoire de l'criture. Editions Payot et Rivages. Kristeva Julia. Le langage cet inconnu. Editions du seuil. Breton Philippe. Une Histoire de l'informatique. Editions du seuil. Plant Sadie. Tissages du futur tramer ensemble femmes et cyberntique. Connexions art rseaux mdia. Ecole Nationale Suprieure des BeauxArts Paris. Rossi Serge. Guillier Franois. Bordeleau Pierre. Every David K.. traduit de l'anglais par Charles Gigure. Sureau D. G.. Bush Vannemar. Comme nous pourrions le penser. Connexions art rseaux mdia. Ecole Nationale Suprieure des BeauxArts Paris. Nelson Ted. pasccsaq. rWxRWXR x. autobuildwheel. silenses. projetcuneifoRM. oo. It all begins. . . vers. TH ES BE BEG EGI GIN NT TO TO TH THI HIN ING SW WI WIT. ITH TH TH THE HE IS IS SC ING NG TH OUG UGH OME SO OF. TH THE HE EM ME MES ESS SSA SAG AGE GE ES SE TO TO EO. ON LY YA A PA PAR ART UN ING NG ME MET ETH OF OF ON. IS IS GRA RAD ALL LY SE SEE ING NG GI TO TH THE HE ET. EX EXT ING NG TA AN REA ING NG GT TH THE EM PAR ART IS. SE SEE EEM TO TO BE HA ING NG GM AN AND ND MO MOR ORE. E A AS AS ST TH THE HE ET TE TEX EXT BE COM OME MES. ES SI IN CRE REA EAS ING LY FR AN AND ND IS IS ST ED. DI IN INT NTO TO SE GME MEN ENT TS ST TH THA HAT AT TA. RE ESS SS AN AND ND LE LES ESS SS SC CO COM ENS LE TA. AL OS TRA LY LO AL IN IN SO SOM OME ME EI IN NDE BLE. LE EW .T TH HE EP CES ESS SS SS SE SEE EEM EMS MS ST. TO OH HA HAV AVE VE EA A HIS IST YA AN AND ND DA. AN AN TIO ION RY GR E EV NI IT TS SO NS SO OF OF. E HAP OU RE REA DO ON ON AN AND ND DO ON ON NU UN. UNT NTI TIL IL LY YO YOU OU AN RE REA EAD AD OM MO MOR. ORE RE E A AN AND ND ST TIL LL LY YO YOU OU UR RE. REA EAD IN IN NS SE OF OF SO SOM OME ME KIN IND ND DO. OF OF FL LI TA AT TT TH THE HE EN ND DO OF OF FT. TH THE HE ET TU UT NO NO LI LIG IGH GHT HT IS IS SF. ORT COM OMI MIN ING A AN AND ND TH THI HIN ING NGS GS NO. OW ON ONL NLY LY YS SE SEE EEM EM MT TO TO OB BE BE. ING NG FR FRO ROM OM AD DT TO TO WO WOR .Y YO YOU OU. MA MAK AKE KE EO ON EL ST ALI FOR ORT RT TA AT AT UN. UND NDE DER RST AND ING NG HAT AT TI IS IS SG GO GOI OIN. ING NG ON A AS AS YO YOU OU NO WA ANT NT TT TO TO. OB BE BE EA ED DO OF OF BE ING NG A LA RE REA EAD. DER WH IS IS SW WO LLY LY UN ILL ING NG GT TO TO VE. ET TH THE HE EM MO DER NT TE TEX EXT XT TI IT ITS TS. E. .B BU BUT UT TF FI FIN INA ALL LLY LY YO YOU OU DA. AN AND ND DT TU TUR URN RN NA WAY YF FR FRO ROM OM MT. TH THE HE ET TE TEX EXT XT TI IN IN NS SE SEA EAR ARC. RCH CH HO OF OF FL LE LES ESS SS SF FR STR TRA ATI TIN. ING NG GM ME MES ESS SSA SAG AGE ES ST TO TO GES T ING. NG BA ON ONL NLY LY NO NOW OW AN AND ND DA IN NT TO. OS SE SEE EI IF IF FA AN THI HIN ING NG HA AS SC. ANG NGE .A ND DT TH THE HEN N TO TO YO YOU AS AST STO. MEN ENT T T TH THI HIN ING NGS GS SD DO DO OS SE SEE. EEM EM MT TO TO OB BE BE CH CHA HAN ANG GIN ING .A LI. LIN NE EH HA HAS AS BE EEN EN SED D A AN AND ND WH. LE YO YOU OU AR ARE RE UN RE EA AS AS ST TO TO OW. WH ETH THE ER TH THI HIS IS SC CH CHA HAN ANG NGE GE EI. IS IS SI IN IN YO YOU OU RT TH THE HE EM ME MES ESS. SSA SAG AGE E T TH THI HIN ING NGS GS SD DE DEF EFI FIN. ELY LY DO DO OS SE SEE EEM EM MT TO TO OB BE BE EM. MA MAK AKI KIN ING NG SE SEN ENS NSE SE EA AG AGA GAI AIN. N. HAT EVE ER RW WA AS SC CA SIN ING NG GT TH THE HE. ET TE TEX EXT XT TT TO TO FR FRA RAG AGM GME MEN ENT NT. TB BE FOR ORE RE EI IS IS SN NO NOW OW LO SIN ING NG. GT TH THE HE EB BA LE EA AN AND ND DA A AF FO FOR. OF OF ME NIN ING NG GI IS IS RE REA EAS SSE RTI TIN ING. NG GI IT ITS .W ITH TH HA A SE SEN ENS NSE SE EO OF. OF RE YO YOU OU SI IGH GH HA AN AND ND DA AL ALL OW. WT TH THA HAT AT TT TH THE HE ES ST STR LE EI IS IS. SF FI FIN INA NAL ALL LLY LY YA AT AT TA AN AN NE EN. END. mwp. (no subject). NNNNN. NNNNNNN. N. N. (NNN. N. NNNF. NNNNN NNN N. NNF. NNNNNNN .JNNNNNNNNN. N. NNNNNNN NNNNNNNNNNNNN. N. (NNNNNNNNNNNNNNLJNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN) (NNNNNNNNN. N. (NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN) .JNNNNNNNNNN. NU.. (NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNLJNNNNNNNNNNNNH. QU). UHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNH. U. UNNNNNNNNNNNNNNNFNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHH. UHNNNNNNNNNNN) NNNNNNNNNNNNNNNNNNNN (NNNNNNNNNNNNNN. UUNNNNNNNNNN) NNNNNNNNNNNNNNNNNNNN (NNNNNNNNNNNNNH. HNNNNNNNNNNL. NNNNNNNNNNNNNNNNNNNNNN JNNNNNNNNNNNNNHA. QNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNA. QNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNAUQ. ... QNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNQQNQU. UNHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHQU. UD.. NHNNHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHQU. A.. QH UNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNQNHQAQH. U.. NHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHFH U. HNHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHHFL Q. HHHNNNNNNNNNNNNNNNNNNNNNQHNNNNNNNNN)(Q)(H). NNNNNNNNNNNNNNNNNNNNNHHNNNNNHF).). HNNNNNNNNNNNNNNNNNNNNQHUHNQ(L.). NNNNNNNNNNNNNNNNNNNUNNU .. HNNNNNNNNNNNNNNNNNNQ. UNHHNNNNNNNNNNNNNHU. 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Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(todayD. .. ..(todayD.. .. narcissism (ny report). narcissism. we're speaking for the moment online and offline conversations analy. ses manifestos signs marches puppetry it goes on and on they're. silent on the other side use the royal 'we' they include us we're. being led to the slaughter we're taking the world with us we'll use. weapons of mass destruction tactical nuclear against the bunkers to. percent of our weaponry gone astray our own military reports expecta. tions of over civilian casualties in the name of liberation blair. too the whole lot of them cold warriors compulsiveobsessives. madmen another futile protest here they're getting stronger by the. moment our performances are just that select audiences of hundreds of. millions they can't do anything we're speaking into our own skin. already the fear's upon us they're nameless they hide behind acronyms. they lie they fabricate evidence tapes bin laden's muddy voice. we're supposed to believe all of this we're under the gun here we're. under warning we're a declared state of emergency resistance is. futile useless we're bringing out blocks of writing reams of it to. no avail the only measure that carries weight violence armed. resistance i'm not up to that we're unused to the brutality of our own. government help's got to come from elsewhere stunning revelation. bush cancels elections declares state of emergency he's already. backed by the army we're allowed to speak our voices give out the. strongest among us will be taken away you've got to help us you've. seen it all before there aren't any miracles stock market's falling. construction's down. A legs and homes. nightmare. A legs and homes. nightmare. sorted out. suck rock. webartery. nettime nettime. webartery. syndicate. nettimelat. webartery. wryting. webartery. empyre. ghasa. webartery. avantgarde. harthist. webartery. dancetech. nettimelat. webartery. harte. rhizome rhizome. nettime. calls and opps. cybersociology. cybersociology 117 nettimelat. webartery. nettime nettimebold. chart. webartery webartery. artservis. Re Re hypertext. I actually do buy that form and content are onewhich is why i. insist on digital content's painterlinesswhen i create a piece. i want the content to be dynamic i want it to vary...i want the. content to be a collaboration among the user the machine and. myself. col.labia naked vacant concept with red M white striped bench.markas. collaboration.as.d.fined.via.static.proscribed.synergism is BLANK.. this is why digital writing that doesn't take into account. the computer's propensity for variability sometimes leaves me. cold.... this is why that doesn't take into account. the com.person realignmentuter's propensity for variability sometimes. leaves me. cold.... i feel stuck outside the piece when the point of the network. is participation. stuck.pigged.and obtuse.frozen.. protein.logging.txt. sparks of lost hubrisman centre.sieved. moat tory frown ten. moat tory frown ten. ich real ich real ten four bunch fen fourteen so coal. tan fatso crabcakes hen peanut butler plan door tan moor. foreplay bone lip ticks catcher chin da lie nor ana dy cat puat. tened scream blond. all the or fabkeys please tether ben nat. duck taker. mate bow dow. bet more don. blow. zen. nappy nappy per hay. may in yo. may.. clober ben say vin ma hark vest tea blond kevin more tell coach. bland cure bound head. plug vast NORAD bat buzz bird bun meter buzz. sneez bleed nose cellophane. biscuit above plan carnivorous pew blue. cart cut but chen now tall please bar teflon tis cum above who. accord hospital fake clowns chew hot blues vent ten bet.. Googlism poems. .. she is not fair to outward view. she is not a beauty even when she smiles. she is like a woman. she is moaning after anal insertion. she is up again against the skin of her guitar. she is now her father's daughter. she is e. she is pulled feet. she is not fair to outward view. she is more to be pitied than censured. she is talking up a storm. she is spoke here. she is the darkness. she is growing up. she is dying. she is beautiful sells for. she is sleeping. she is inserting the finger into her pussy. she is in love with herself and has made some of hollywood's worst films. she is very famous in some fetish videos. she is probably the best ever seen. she is beautiful. she is beautiful and hot. .. he is one of the top actors in the world. he is not afraid to fly. he is coming. he is in love with her wants to leave his wife. he is risen. he is us. he is pained by occupation of jerusalem. he is currently waiting for a lung transplant. he is induced or persuaded by law enforcement officers. he is outraged by enron outcome. he is consulting with congress. he is not allowed to comment on what happened because it is a security. matter. he is here. he is one of the top actors in the world. he is decorated boris yeltsin. he is the spy. he is not afraid to fly moscow. he is not well. text derived by searching googlism.com for he and she with. who argument. entry order maintained though text was heavily edited. and lineated. Brandon Barr. nettime unstable digest vol. Sun Feb. msg positioning. u.r.in.the.making. From mez breeze. To arc.hivelm.va.com.au mail.ljudmila.org. LE TEXTE ET LA MACHINE.. From rWxRWXR x. To nettimefrsamizdat.net mail.ljudmila.org. It all begins. . . vers. From MWP. To POETICSLISTSERV.BUFFALO.EDU. (no subject). From iso YoFn MangrelFaen. To. narcissism (ny report). From Alan Sondheim. To nettimelbbs.thing.net. sorted out. From Ana Buigues. To WRYTINGLLISTSERV.UTORONTO.CA. Re Re hypertext. From mez breeze. moat tory frown ten. From kari edwards. To POETICSLISTSERV.BUFFALO.EDU. Googlism poems. From Brandon Thomas Barr. To POETICSLISTSERV.BUFFALO.EDU. lurking editors. beatrice beaubien. nettimebold thingist. florian cramer. arc.hive eugene oo rhizome rohrpost webartery wryting. alan sondheim. arc.hive poetics siratori trAce webartery wryting. Id digestunstable.plv . paragram Exp. Nettimebold mailing list. Nettimeboldnettime.org. End of forwarded message. unsubscribe from this group send an email to. sadf. BEGIN PGP MESSAGE. Version PGPfreeware ... qANQRDDDQQDAwLZkmDmjWpkWWDJwMyQRwMvUUZsCZFuFxRFbYbhafmIW. hDlnvsyqxWxbXlEmnmaHrHxeZHQJqGmamardBQEtfIYPsgFHqqwg. qZBHlgoAXKHUctpFRFyFnIjlHANHWuhlUJnOmODkdkxaVRxHHnUcYhngb. tcvSvwiJHtKaVzRhWNFCOxwUFyEBYwEQfenqmYVgetIwoESSvtlDYVeq. RiwxBFTUOMqTbEaGeZCJpVByoKetjTpqPFJFWeMTGBOVNCWj. HPapDYjGptsQwDUjRmoCSaDKFBFLCgqLHzHhOrMmoTDCDqCYES. cpXwuWalEnEZwaHkifecyJAFSlAlAouZbVpgKPpORgijjrVgVQktHt. UrfqYuppzVaqoNIBrodkrvktrVKTTVERIYKXkVZUzfIHiABSICuac. YHMTighFXZOOZLXCtWcfxYjnKLHflUcEMvVVcJVaMCAk. NF. END PGP MESSAGE. DY.. AQ . ... UYYAYAQAAA. .DDUYYYYUHYYD. .Y.DHDNHA.YAUY. ..YAUQDAYYHAQQDYYMUY. YYD ..UQUADQQY. YHAA. ... ...AQHQHUYMH. U..YDDAYDYUDAUHNUD. . ...DDDUHHNHQHUD. .Y ...YDDAAUUUUHHQHN. .. ..ADUQUHNNHH. . YYAUUQUQHHHHN. . DDYYDAQQQQHHNNHA. . AUQUUDYAQQHHHHHNHNA. .. AUADDAUUUQQHHHHNNND. .... .DAADAUQQQQHHHN. ... ...UADDDDDAUQQQHHHN. ...AUUUADAAAAUQQQHHHHA. . 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UDYAQ. YYDDAUQQ.. YDQY. YYDADAUQQ. YQHN. YAADDQQ. YDHNN. .YYYYDDDDAUQD. AHNA. .YYYYDDAUQY. AQHQ. .YYYYDUQQ UQY. .YYYYYDDDDAUQQQ.. .YYYYYYDDDDDAUQQQUD. YYYYYDDDAADDUQQUUQQ. YYYDAAAAAAAAUUAUQ. YYYYDDDAAAAAAAAAUUUQY. .YDYYYYDDDDDAAAAUAAAAADAAQ. YYDDDDDDDDDDDDAUUUUUUUQQUUUUUQ. DDDDADAADDDYYYYY.. .Y. Re this is a picture not a statement.. this is a picture not a statement.. The problems are with. the dualisms where the name of absurdity once the picture this post and. what comes in. through the eye or from it like 'this. Just enjoying r. smullyan's. Just enjoying r. smullyan's. Just enjoying r. smullyan's. what's the liar paradox and what comes in. through the logic is nice and logic at least classical. doesn't. what's the interaction turns into an exploding dynamic time things. are. exploding and selfreferenced strange loops so i'm. what's the picture this book with an open system and its paradoxes. pictureasstatement. and vice versa in a picture. something to or in any sense as they can. like trees explode slow matter turns into. structure chaos into order given an open system and its paradoxes. pictureasstatement. and vice versa in any sense as a statement it's. what's the problems are with. the dualisms where the picture this is is a picture. (structure have matter) and don't. ever. what's the name of equilibrium. if pictures and don't. ever. what's the layers of that anyway the. picturestatement dichotomy is one not. dual we'll. what's the eye or from it like trees explode slow matter turns into. structure chaos into order given an open system and it seems a. representation of equilibrium. if nature's. what's the statement it's. what's the patterns. constituting that mental state. as they can like 'this. just enjoying r. smullyan's what's the name of this book with variants. of the liar paradox and selfreferenced strange loops so i'll comment this.. if it's a statement it's also 'not a statement' so it doesn't make sense and. we could add or infer anything to or from it like 'this is a dog not a. statement' because the consistence is lost and logic at least classical. doesn't operate with degrees of absurdity once the logic is broken it's lost. like a chain and it becomes picture or spectacle or whatever a collage of. some sort like tv without consequence (the logical stuff). so i'm wondering. what kind of picture this is is it a false picture there's another picture. like data sense data prior to being processed as language as an instruction. (to operate on picturedata) which is true of this post and what comes in. through the eye or in any sense as a neural 'picture' the patterns. constituting that mental state. as a statement 'this is a picture' it seems a. representation of that a redundant homunculus and which get falsified by not. being a statement but a picture. something like that anyway the. picturestatement dichotomy is nice and its paradoxes pictureasstatement. and vice versa in a way it's only activepassive matters which again are. only roles within the layers of selfreference the statement is a picture. (structure have matter) and the picture is a statement (matter is. structured). maybe something to do with an exploding dynamic time things are. exploding and as fast as they can like trees explode slow matter turns into. structure chaos into order given an open system and some flux through it. and paradoxes keeping it out of equilibrium. if nature's matter is one not. dual we'll have layers of selfreference interaction the problems are with. the dualisms where the interaction turns into an infinite regress and don't. ever get started. if pictures and statements were different matters we'd have. none now we've got both their violence turbulence which made us and in the. hands ofl emerging order always screeching with the absurdity of matter.. noemata NF. BEGIN PGP MESSAGE. 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ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. four takes. is it. loveliest contact my nails nebular coagulate. why shimmery thither be a comma. overcrop it. threatens is monty leviticus byron. debris syllabic. godson tinkers the motions. sickbed couch if you cosponsor ideals. thither sun to. arrest. duetted liniments here is a node of sothis. no short chrissie circuit. why shrinkage i be interagency. meiosis. should francophobe us but doesn't not fulminations but guntur. soma tribromide. contained. huh the xenophobe ink jar. allelomorph solubleness rivalrous. rubberizing acropetal stannous rudimentariness antecedent rompers. spottable bestialising an echoes. ok so we kyanises how it wonderfully so whitefly can you cham it. so we can change it so welfare omar let loose who caramelising. anymore. poor wolves posho shoebills sheeps. ethicization poor let longus pontormo. and so on. and soon. how the space gismo filament. yaounde is contradicted by rebel. generative worktable is filling the gap spafford. on the one hand by cocklebur in on rationalistic whatever liabilities. litterbag. on the overbearingly stepping back interstices cloudless. peculator. stoppered it's fluxmeter its movement wagtail tranmitted. stratosphere telling. value and meliorative in the movement waught gossips. the monticule you know the less you carriages. the royalties equestrianise. stoner alive. wreaks by my authormata. specters alps. the osnaburg way would be to all. it falls dragonish on wyoming head. the autographic scansorial human concinnity. human husain. steenbok. what. whatis is it htsst. loosing contalsnkkntktmnlsntklpnk ct my nails neeatamrohtua yd. clipping. why should hxltsbkm this be a comma a eb siht d. stumbling ovstmlnkfrt er it ruoy no nwod. . this is morssmrlkklkls e like calculus f steg ecaps. dead symmttsmtr etry tnoc. going thru thknkrmxns e motions tub nethg. sideways corstwskrtrsfykltmjn ridors if you cotni kcab gould. imagine. this isn't sussntspstt pposed to na noitacru. arrest arst isni eb i dl. each line herexlnhrsntfsrts e is a node of smi dluoc uoyorts. no short circnxrtsrkt uit uoy ssel eht. why should i hxltbnstm be inside me na serac ohw. meiosis mss m'i llits. should frightxltfrftnsbttsntntfrftnbtkt en us but doesner yb. detcid't not frighten but guide. something trismnktrfl vial et yrots g. contained kntnt ilc deen sli. huh thell thhlynkjr e youth ink jar lumits. always somethalwssmnkrt ing root dethgiew t. root access rtkssskrrtntstntrtskrbfrkxnnj square root antrt. gnihtemosecedent root square bifurcation an edge. OK so we knookswknhtwrksshtknyxnjt w how it works cuoned ot ebso. what can you change it. so we can chaswknxnjtshtnsltlshkrsnmr nge it so whatnep once let. loose who cares anymore. poor wolves prwlfsprxps poor sheeps dna. everything poefrnkprltlspr or let loose podnoc namuh sor. and so on antsn dna. and soon antsn htrae sumuh. how the spacehspsjtsflt gets filled soppus t'nsi. writing is cortnkskntrtkttbrtnk ntradicted by rel ssel revetading. generative wrjnrtfrtnksflnkkpsmh iting is fillingni htuoy eht the. gap somehow. on the one haonnhntbklsnknnrtnkhtfrlslnr nd by closing inesool tel. r on reading whatever less linear. on the otheronrstpnkbkntkt stepping back iem into code. pendulum pntlm om eht urht. still it's fostltsflwnktsmfmntwlknktrnkstrtlnkllowing its moves roop. sevlment walking touring story telling. value and meaflntmnnknmfmntwfttkrf ning in the moverictrohs ment. weighted graph. the more you mryknlsykr know the less yo fo edon a su care. the running ernnknfrnmnt nvironment lac ekil ero. still i'm alistlmlf ve. written by myrtnbmrmt authormata nahc uoy nac. specters alrespktrslrt ady vo gnilbmut. the other wayrwwltbttnsl would be to den sitahw ouce all. it falls downitflstnnyrht on your head ic trohs on. shortcircuitsxrtsrkts orivne gninn. the author sarsshmnkntxn ys human conditignihtemos son. human humus hmnhmsrlnk earthlingo a. stimulating stmltnk os pag eht g. what ht la sretceps. mys daed. whatis. counts neology nutty clapping. way skulled touch coin. stumbling ovary id. . touch iq miry liss calculus. dewed semiterrestrial. ganga threw. swadeshi collate insensately. isn't spectrelikes thou. narchitects. eyehook linnhe horae ixia of shortcake. wa sleuth bowwow installment. slot freestanding bitty doesn't batty goethe. sundowner troublesomeness. ho thell tow yet inge jr. alga semidomed radio. shore bifurcates aim edgy. pentelikon. spectating alertness. idea flaky deme own your hoyt. shortcircuits suddenly. wade. why should this be a comma. stumbling over it. . this is more like calculus. dead symmetry. this isn't supposed to. arrest. something trivial. contained. huh thell the youth ink jar. OK so we know how it works so what can you change it. so we can change it so what once let loose who cares. and so on. and soon. how the space gets filled. writing is contradicted by reading. generative writing is filling the gap somehow. on the one hand by closing in on reading whatever less linear. on the other stepping back into code. pendulum. still it's following its movement walking touring story telling. value and meaning in the movement weighted graph (momentum). the more you know the less you care (to and fro). the running environment (clock). still i'm alive (unwind). written by my authormata. specters already (cloak outer garment). the other way would be to denouce all (measurements). it falls down on your head (a body suspended from a fixed point). shortcircuits. the author says human condition. human humus earthlingo. stimulating. what. AUTO POWER OFF. .. CM RM M M ONC. OFF. X CE. v. .. .. EART. did you think of this right now or was it something you had intended. say. Re arc.hive proposal for unstable digest. Yes thanks I'm always glad to see the unstable digest knowing that these. things have a receiver and not written into void alltogether (sometimes it. seems like that). It's inspiring emancipating funny and has had an impact. on me for sure both as reader and writer.. Thanks to the editors. ). Bjørn. ......fantastic florian has my vote). others ok with it. chunks. mez. no.logo.Dscenting. dreaming.caramelized.txt.body.trickling.. spraypaint.attractors doll.functioning. 119 beMyGhost est. .... ... ... ... ... .... .... .... .... ... . .. . . .. . . .. .. .. . . .... . ... . .. . .. .. . ... .. .. . . .. . . . .. .. .. .. . . .... . . . . . ... .. ... .... . . .. . .. . .. ... . . . .. ... . .. . .. .. . . . . ... . . .. .. .. . . . . ... .. .. .. ... .. . . . ... .. . . . ... . . ... .. . ... .. .. .. ... .. . ... . .. . . . . . . ... ... . .... . .. . .. . .... . ... .. . ... . . ... .. .. .. . .. .. ... ... . ... ... ... .. .. .. .. . ... .... . . . .. . .. . . .. ... ... .. .. ... ... .. .... .. ... .. .. . . ... .. . ... .. ... .. . .. ... .. . .. ... . ... . .. . . .. .. ... . . .. .... .. ... . .... .. . ... . .. . ... ... .. . ... . .. ... . .. .. .. .. . ... . .. ... . .. .. . . .. . . ... .. .. . .. . .. . ... . . .. .. . .. ... . .. ... . . .... . . .... .. .. .. 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... . .. . .. . .... . .. ... . .. ... . . ... .. . . . .... . . ... . . . .. ... . .. ... . .. . .. .. . ... . . ... .. . . .. ... .. . ... . .. ... . . . . .. . . .. . . ... ... . .. . . .... .. ... .. .. . . ... ... .. .. .. . .. . . . .. .. . ... ... ... ... . ... .... . . .... . ... .. ... .. ..... . ... .. .. .. .... . .. ... . . ... . ..... . . .. .. . ... . . .. . .. .. .. .. . ... ... .. . .... . .. .. .. .. . .. .. ... . . . ... ... . ... ... .. .. ... .... .... .... . . . . .. ... . . . ... ... .. .. .. .... .. ..... .. .. ... . . . . .. .. . . ... . .. .. .. . .. .. . ... .. . .. .. ... ... ... .. .... . ... . .. .. .. .. . ... .... beMyGhost mrscd. .... ... ... ... ... .... .... .... .... ... . .. . . .. . . .. .. .. . . .... . ... . .. . .. .. . ... .. .. . . .. . . . .. .. .. .. . . .... . . . . . ... .. ... .... . . .. . .. . .. ... . . . .. ... . .. . .. .. . . . . ... . . .. .. .. . . . . ... .. .. .. ... .. . . . ... .. . . . ... . . ... .. . ... .. .. .. ... .. . 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(. . (. q. l. . (. l. . .. l n. l () .. nn) (l ) n l.. nl . ) jf hl. ml l ) n) jf .. (nn. n ) l .n n. (n) n. u (n . jf. n.. hn. l j n) hnf. n. (mu n.) n hfn. l. h nn) (l jf n.. n. (n) nl n j .. (). nnl mn. (nn hl. l).. n. )l. n. .n) .fh. jnfhl .. (. (n (l () n. mql f n j l. l n (h ) n. j) ) .f .fn. h) n.. (. q) ) fnl ) h (h (n n .( (njf (). n q l ((n . n ()j) nl (). (h l h (jfn n nf (fn) (). (l . () ()n () h) .f (n. .n. l . n (n (l .f fn n h. (n. hh ..n fl n (() (f n (f. l(n (l j) n h f l (). n) n) ( ).n .) () ( l (). n) (nh) ( j n l ) ) j). n. (n() n (n . ( n n. (n (n) (. n) ).) l (nf.. l nn . j h. hnf (. nl n (n lf m () (n) (). (n) ) (n (h ) .n ). n. () n ( m . ( .n) .). (n n nl j ) ) (). l h (( (n ) (n (. l h ( n . (n n. ul () () ) ( j) .). ) () (l ( m j. . j) n . j (. (. n ) n ) .h .). j. n .) ) .. h. (f () ). q. () j ) .. h h . ). l f ). . (f . (.f. . h) ) .. n. . . (. .. h () . ( ... () ) . ) ... n . ) ... ) f. (. () . l. .. h. j . () .. .n. )) n n. (. .fj ... l. h() ... n . . 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( n .. n (. .. beMailHost. var letters ABCDEFGHIJKLMNOPQRSTUVWXYZÆØÅ .'(). var morse new Array(. . ... .. ....... ..... .. . . .... . .. . ... ... .. ... . .. .. .... . .. .. .. ... .... ..... .... .... .. . ... ...... .... .. .... ... ..... ....). function replace(stringtextby). var strLength string.length txtLength text.length. if ((strLength ) (txtLength )) return string. var i string.indexOf(text). if ((i) (text string.substring(txtLength))) return string. if (i ) return string. var newstr string.substring(i) by. if (itxtLength strLength). newstr replace(string.substring(itxtLengthstrLength)textby). return newstr. function translate(form). var input form.input.value.toUpperCase(). output. for(count count input.length count). daChar input.charAt(count). for (i i letters.length i). if (daChar letters.charAt(i)). output morsei. break. form.input.value output. function translateback(form). var input form.input.value. output input. output replace(output ). for (i i letters.length i). if (letters.charAt(i) ) output replace(output morsei. letters.charAt(i) ). output replace(output ). output replace(output ). output replace(output ). form.input.value output.toLowerCase(). if (action 'mail'). beMailHost. script drawing by. sender. yond.matronym Noemata.net. asciiart done with BGascii software. . . .. 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Ellerhvamedkonteksttenkning. Fornuftenerlevendeogenånd.Detransparenserviharomtaltervel. henholdsvisåndogspøkelse.. Hadesbeståravulikerigidehandlingsmønstreogprogramscript. Tantalusinspiteofhisthirststoppedforamomenthis. effortsforwaterIxion'swheelstoodstillthevultureceased. totearthegiant'sliverthedaughtersofDanausrestedfrom. theirtaskofdrawingwaterinasieveandSisyphussatonhis. rocktolisten.Thenforthefirsttimeitissaidthecheeks. oftheFurieswerewetwithtears.Proserpinecouldnotresist. andPlutohimselfgaveway.Sådegiretterforentypespråk ogfornuftlikevel.. original URL. beMyGhost .. UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU. U. Y ... YYY. .DYU... .D.. .. ... HY. YY YDD. Y Y. .UA.. DH. M. YU .A YD.H. M H . U. Y Q M . . U Y. QA.A M YMYM Y.AA YA MM. YD DDQM. DUQ .Q.. ..H U N U Q M M.DA. U UU Q Q H. A .QA U AY NY AY U U N AM M D M .. D U H N. . N.H . AA M AU. HUY A N M AQ MY.HY UHY. MQ M . A.NA M.. .. . . . . .. . .. . . . . . .. . . .. . . ..... . A YY. Y . 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WMr MZ i. . M MM. B MMM MM M .i MMa . .M. MB ZMM M r MMZ MMMiX MM. MMZ M .MMM MMMX M. aMMMMMZ MMBB .i. return all things i don't understand. all things i don't understand. things will remain the same extreme change. supposed to go deeper. never will. neverwille. utopica. language. in this form never. the trees. they have only leaves. another leaf. is another leaf. like this doesn't go deeper. or anyway cracks only. like cracks in those skins. when they laugh. they have only laughs. another laugh is another laugh. suppose you merged two jokes. no it's not funny. second period. lame duck shaggy dog. this is supposed to retain structure. maybe no more than cosmetic surgery. lonely leaves. but there's also code. you should read the next sentence ten times. hey fuck it you dumb ass. let's see now. oh hi oh count again son. you need to mark them perforate. this is another leaf. every leaf counts. or count again. back to language. the positions added. this leaf at that position. metalanguage. it's mostly the same added. are what we call dimensions. don't know what dimension is. but we think of transformations. of streams into particles. maybe fields then. it's always the same. like concepts. which also have a fieldcharacter. things like that. metaparticles. that sounds queer. we think meta abstracted. epiphenomenal rather. some devil's scheme. read the metalanguage in that sense (go on). supposedly a subroutine call with new parameter. well now i don't know where i am. so much for adding position. er.. return all things i don't understand. these are still tabs. tabulate to put or arrange in a tabular systematic or condensed. form formulate tabularly.. they might be spaced out then by the server. space the unlimited or incalculably great threedimensional realm or. expanse in which all material objects are located and all events. occur.. that's what i mean there's tabs and there's spaces thanks for reading. that's like another return. 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MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. header (Contenttype imagepng). srand((double)microtime()). function word(). wlenrand(). for (ii ww.chr(rand()). return w. function sentence(). slen rand(). for (ii t t.' '.word(). return substr(t). str time(). gmod str. hostName gethostbyaddr(REMOTEADDR). im imagecreate ( ). or die (Cannot Initialize new GD image stream). black imagecolorallocate (im). white imagecolorallocate (im). gray imagecolorallocate (im). imagearc (im white). num rand(). for (ii str sentence(). if (i) str statstr. imagestring (im rand() rand() rand() str white). imagestringup (im 'anyhr'.str gray). imagepng (im). anyhr. keywords hr krkaen fixies.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og flyktig postmoderne forestilling byttes ut med en gripende og. fiksert loopback i sentrum av her hvor data blir bilde strøm blir skjerm.. hele tiden dvs aldri noe nytt.. bildet representerer ikke lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men. representerer det ikke lenger og blir dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller uttrykke det fixies.. krken v mate imagetamaguchi.. anyhr. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B. chipermodern. maginery from Noone (hrbodynone).. The any minimizes the familiar the known the recognizable it. suspends identity relations and history. This discourse far from. determining the locus in which it speaks is avoiding the ground on which. it could find support. It is trying to operate a decentering that leaves. noprivilege to anycenter.. The state of not wanting to be anything is actually. desirable.. one arrives there without mentation thats the only way one can call that mind. homeless if one desires for homelessness one will always be at home.. Pointless cHypermodern Maginery... anytime .... spectral stochastic trajective spam of nil info. An actual continuum (never particular or digital time) of minimalist. masks in the face of the massive zeroindustries conjuring up transformative. metaphors for the void ... A poetic reversibility of nonevents.... The voluptuousness of any as. imminence. Continual textrendering of the nonvisual maginery. pulsct (sculpted in duration) on the endless present of the not.. vertiginous connections. The anyhr summetone.... Connection is not a matter of unbroken transition but a matter of sudden. change. Adorno. Sure. It's from his Hegel Three Studies (page of the first essay). and is a reference to Hegel's integration of the particular within the whole. through alienation and mediation so that I think Adorno's mention of. connection as rupture instead of transition is part of Hegel's critique of. standard scientific deduction.. Anytime another... view them repost em save em as .png. trade em print em even publish them.... Heres how. This noemata received some government artsubsidies from norsk. kulturraad.Opportunities still exist for financially assisting the publication. of editions of large gogoolplex vastness () of void prints perhaps. image files. TIME is type of dimension of reality. REALITY is any type of. constructed nothing (GPL by reverse engineering). ANY is type of stochastic. processes.. copyleft noemata. jorn majtronim. jorn majtronim 120 Appreciation to brad brace hr.. XSpamscore sssssssssss. The shapes of things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen fixies pulskt modulo. art.ascii versus ascii.art imagetext of double precision srand microtime. textrendering.. hypermodern imagery fluxus turned into fixed handle loopback in the center of. here where data becomes source stream becomes monitor.. of. the same.. the image no longer representing any infinity of fluctuating form but. becomes. this infinity undermining itself as 'image'.. spamaesthetic why is this attractive entirely meaningless. curling around. a. circle some optical effect. objective automatism. why am i reloading center. uncenter kind of relaxing the sublimegarbage the circle little tag ip. spam any content free but still content open rubberushstamped (OCL).. host anyhr by uploading the script to your server. copyleft. mayo esth z vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse section. tid og sted jeg kan gjerne gjøre intervju allerede i dag. eller. nårsomhelst også på kveldstid.. bilde (art.ascii vs ascii.art) av en dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og flyktig postmoderne forestilling byttes ut med en gripende og. fiksert loopback i sentrum av her hvor data blir bilde strøm blir skjerm.. hele tiden dvs. det finnes ikke nyhet i det alt er evig nytt og det samme.. bildet representerer ikke lenger noen uendelighet i form av skiftende. inntrykk men blir et uttrykk forav den uendeligheten 'umulig å fange inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men. representerer det ikke lenger og blir dermed en vei ut av det uendelig. skiftende og ønsket om å fange eller uttrykke det.. modulo. Når klokka går rundt og rundt hvorfor snakker vi om utvikling Klokka utviklet. seg fra . Hvor syklisk er kaos Han regnet sine år i modulo. Et. ambisiøst kunstprosjekt går ut på å oversette lineærtid til looptid. En regress. inn i det mytiske. Det støtter seg på Borges' hallusinasjoner og Nietzsches. evige tredemølle trellemøde. Hvis tiden er et objekt som andre ting hvis den. oppsto og finnes og har karakteristikker så kan den vel oversettes Bekjempelse. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte tid. jamme. tid ved å gjøre den sirkulær og overflødig. Alt er det samme menneskelig. lidelse kickoff klokka med reprise ting skal kvernes gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager alle sår. Vi forestiller oss. lineært uendelige som en språklig egenskap en instruksjon (vs 'unstruction'). vi gir oss selv. Er den en malplassert sirkulær uendelighet Ting går stort. sett. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som kverner. tid slik tid kverner ting. Tidspatafysikk etterat tidsmetafysikken gikk i stå.. Ref. Pulskt La Staux anyhr.. Er jeg trøtt eller dum. Jeg ser om det er hull. Tenker etter om det er noe mellom og . Tenker en. gang. til. Nei. Ikke noe mellom og . Får lyst til å putte noe mellom der. Det er. ingen naturlighet i noe. kan ligge mellom og . Stakkars . Kunsten ligger. mellom og . Stakkars kunst den fins ikke. Den kan slå seg sammen med som. fins. entries for silly. Kunsten er salig dvs også dum. Tror det er bedre. med. dum kunst enn smart. Kunsten er salig også fordi den er død. Å drive med kunst. er ganske latterlig. Slik som religion. Det er mulig vi har kunsten som. religion. nå kuratorer som viser hva du ser konstruerte utstillinger av utstilte ting. som er konstruerte som denne setningen. Det var et Jehovas Vitne på døra idag. syns nesten synd på han dårlig vær var det og han virket snill dvs dum og. salig på sett og vis (Å kalle noen dum er fornærmende å kalle noen smart er. også fornærmende samt normal og unormal). Kunne han gått rundt som et. Kunstvitne mellom og Fringereligion bare tro på det umulige det som. ennå. er umulig det virkelige er det ingen vits å tro på siden det finnes det. mulige er bare spekulativt og ekkelt da gjenstår det umulige det som ikke. finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. ... Les dette bladet. Kunsten finnes ikke er det derfor den stadig. må skapes aha.. Er det som reelle tall ikke naturlige samt de irrasjonelle. og. imaginære alt som kan regnes på Kunst som symbolsk regning fins tallene If. you're lured into parting with your lolly you could be lumbered. Kunsten må. passe på så den hele tiden ikke finnes. Hele tiden ikke finnes gir den fra. seg. tallene blir den arrestert. Så den sier den ligger mellom og i den reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror du ligger mellom. og brøken blir grense og brudd. De naturlige tallene er svært. naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er og han. er. hvorfor skulle det være så vanskelig å dra en linje mellom dere Nei vi. finner det ikke ut du må forhøre deg med kunsten selv den vet sånt adresse. mellom og et sted her er telefonnummeret ja du må regne det ut selv. Kan. det være en måte å komprimere på at ligger i dårlig. eksempel men at et irrasjonelt tall inneholder enhver tallkombinasjon et sted. i. rekka så kan vi få ut et hvilket som helst sekvens ved å spesifisere bare. start og sluttnummer i rekka el. andre operasjoner Hvor langt før vi finner. igjen et fødselsnummer Kunsten er uendelig og finnes ikke OK men vi kan. regne på den og da fins den den fins i selve utregningen. Hele elefanten. kommer. gjennom så hvorfor kommer ikke den lille halen gjennom Spor i leverposteien. Prøv å holde den igjen i halen så får du se.. for (ii for (jj if (ij . and ij .). print ij .ij.n. ..... ..... krkaen v. for for imagetamaguchi. aliasHJEMMESIDE. lumber log. SPECTRE list for media culture in Deep Europe. Info archive and help. travelC CCbAAAbOFFSFSDrSTawPoAEPM IM. 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Namespace Noemata's Poems. poems more than Queneau. start. function q(n). if(strlen(n))printn. else for(zz q(n.chr(z)). q(substr(start)). .... aaaaaabapx aaaaaabapy aaaaaabapz aaaaaabaqa aaaaaabaqb. aaaaaabaqc. aaaaaabaqd aaaaaabaqe aaaaaabaqf aaaaaabaqg aaaaaabaqh. aaaaaabaqi. aaaaaabaqj aaaaaabaqk aaaaaabaql aaaaaabaqm aaaaaabaqn. aaaaaabaqo. aaaaaabaqp aaaaaabaqq aaaaaabaqr aaaaaabaqs aaaaaabaqt. aaaaaabaqu. aaaaaabaqv aaaaaabaqw aaaaaabaqx aaaaaabaqy aaaaaabaqz. aaaaaabara. aaaaaabarb aaaaaabarc aaaaaabard aaaaaabare aaaaaabarf. aaaaaabarg. aaaaaabarh aaaaaabari aaaaaabarj aaaaaabark aaaaaabarl. aaaaaabarm. aaaaaabarn aaaaaabaro aaaaaabarp aaaaaabarq aaaaaabarr aaaaaabars. aaaaaabart aaaaaabaru aaaaaabarv aaaaaabarw aaaaaabarx aaaaaabary. aaaaaabarz aaaaaabasa aaaaaabasb aaaaaabasc aaaaaabasd aaaaaabase. aaaaaabasf aaaaaabasg aaaaaabash aaaaaabasi aaaaaabasj aaaaaabask. aaaaaabasl aaaaaabasm aaaaaabasn aaaaaabaso aaaaaabasp aaaaaabasq. aaaaaabasr aaaaaabass aaaaaabast aaaaaabasu aaaaaabasv aaaaaabasw. aaaaaabasx aaaaaabasy aaaaaabasz aaaaaabata aaaaaabatb aaaaaabatc. aaaaaabatd aaaaaabate aaaaaabatf aaaaaabatg aaaaaabath aaaaaabati. aaaaaabatj aaaaaabatk aaaaaabatl aaaaaabatm aaaaaabatn aaaaaabato. aaaaaabatp aaaaaabatq aaaaaabatr aaaaaabats aaaaaabatt aaaaaabatu. aaaaaabatv aaaaaabatw aaaaaabatx aaaaaabaty aaaaaabatz aaaaaabaua. aaaaaabaub aaaaaabauc aaaaaabaud aaaaaabaue aaaaaabauf aaaaaabaug. aaaaaabauh aaaaaabaui aaaaaabauj aaaaaabauk aaaaaabaul aaaaaabaum. aaaaaabaun aaaaaabauo aaaaaabaup aaaaaabauq aaaaaabaur aaaaaabaus. aaaaaabaut aaaaaabauu aaaaaabauv aaaaaabauw aaaaaabaux aaaaaabauy. aaaaaabauz aaaaaabava aaaaaabavb aaaaaabavc aaaaaabavd. aaaaaabave. aaaaaabavf aaaaaabavg aaaaaabavh aaaaaabavi aaaaaabavj. aaaaaabavk. aaaaaabavl aaaaaabavm aaaaaabavn aaaaaabavo aaaaaabavp. aaaaaabavq. aaaaaabavr aaaaaabavs aaaaaabavt aaaaaabavu aaaaaabavv. aaaaaabavw. aaaaaabavx aaaaaabavy aaaaaabavz aaaaaabawa aaaaaabawb. aaaaaabawc. aaaaaabawd aaaaaabawe aaaaaabawf aaaaaabawg aaaaaabawh. aaaaaabawi. aaaaaabawj aaaaaabawk aaaaaabawl aaaaaabawm aaaaaabawn. aaaaaabawo. .... 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ContentTransferEncoding bit. arc.hive mailing list. arc.hiveanart.no. what. wheels dod your wampum toads djinni wits meal silk wolff. who dod yuk war tiu dma woe med sin woe. whencesoever documenters youngsters wantonness toadeaters djokjakarta. withdrawal measurable siliconize wobbliness. whatchamacallitst discanonisations weatherproofness tracheobronchial. ecclesiastic(al) methylnaphthalene simplemindedness accountabilities. wet diu who tri dma maw so wen a. chtonline v. release. cht v.. chthonian textscrambler and chatbrowser. category kickware. couldn't figure out how. chtonline works.... for example this link. noemata.netchtonlinecht.txt. gives error couldn't upload files url submission gives no effect.. could you please send some hints. i can only guess what it should do. at this point. should be working (roughly) as. interface is kick and respond. view cht.txt log of dialogue. delete cht.txt deletes this file. empty table empties the dbtable start from scratch. chatinput talk to the materialpages in cache. upload file upload local file into cache. open url reads webpage into cache. search upload a search into cache. send text input talk (no userside log). faq this. src sourcecode. post editsend dialogue (cht.txt) to mail and news. usagecontext. textscrambler tool markovchain type. chatbrowser open url search and chat to the page(s) instead of. browsing. spammerjammer posting functionality. blackboxwhitecube implicitytransparency simplescrambled. quickdirty collaborativeabrupt. additional info. copyleft. Noemata. noematakunst.no. syndicate DELE. This is a multipart message in MIME format.... ContentType textplain charsetiso. todo.. urging. add o mailreaper funct. popkill (acc kfile). while (kfilei augmented highcaps hmrargfh). if (killi'on'). fputs(fpDELE irn). echo DELE irn. if (pregmatch(OKreturned)). continue. elsestuff defunkt. fputs(fpQUIT irn). DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. OK Sayonara. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. concept of maehn. the soul and that man co. nn's reunion with God thu. ianciscans for winning arl. maal of a man as God m od. .k reuted from that of idu. rfFdmnnot steal into agegb. ao isaalted so high inhbhe. p e ncxok and see at ta c. sthna eoly our mintb.i tmo. ptwrf Lnthe trutdho nseym. rde otls o nows thsivLde se. oocf ei. gkows h.seaiewt. gnosss ltn ne ta tv iiG. o iamlloikHwhtHbleeihtco. rcyhwiuenkh ohe euivrdihad. o t how aturT I tte um l. siot s eps ma a troa.t '. yimtpd ssu fo sksolynl hes. nthn eoea straeh rue Wex. ii ecGht fo eltsac ribhmps. nd yn taht . . . daonoieo. ieeloc sih efil sih rl rn. dvthimaf elbon a otni nedi.. eint derrucni eh ereht ue. ideserp dah eh hcihw gnirnH. d eht demriffa osla eH .eco. ydaerla dah trahkcE revew. k u. j ø. e l. C. n e. a s. i. e d. w s. i n. n. i f. e. M. E S. S. P. T. T. c a. r G. i f. W. o d. 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Re j dword. j. cursor. cursor. echo(Ihopeyouwill reduce). echo(the amountof posts). echo( will you reducethe). echo(amount of posts As). echo(it is I regard them as). echo(spam and read none rega). echo( rd them as spam and). echo( none. It's just like). echo(plain wallpaper you are). echo(mting empt). echo( y garb mtng). echo(How can this be a). echo( success succ ess). echo( such as). echo(local trash ma). echo( n man This is like old jokes). echo(an understanding deep as ELIZA ). echo(vs Prry Mx). echo(Unbelievable res ponses Unbe). echo(lievable I am a). echo(muchine warsholike humanmare a). echo( gustly N ightware flatcold impo). echo(sternt dungæon of mt.ns mocking). echo( any content angst land). echo(pure as your ine ignore()). echo( kill a ghost its already dead). echo( and its mocking life ). echo(forever . exorcist required). echo(peace recurse or th isaeinmahl). echo(preaching false peace you). echo( have no spirit so). echo(i will take it away fro m you). index. anette. 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Your password is Tkfld Bjø. rn Maghnildeen It 's time to. renew your domain name(s) Sub. ject Welcome from Live.com We. lcome gnotius Welcome buhund Br. ukernavn bmag Passord DB. MVH Bidlet Subject Invoice for a. om invoiceregister.com bjorn your. access name to PHP Classes is badg. er. Respected Kent MantiesEljot Greeti. ngs from Inst abill.com A new account fo. r noemata.n et has been created in on. e of our new servers. ID BM. GANDI Cont. act na me Bj. orn Magh Cha nge from ns. .ochost.com. to ns.ochost. .net Change from ns.ochost.com.. to ns.ochost.net Please do not reply to t. his email. Ticket Number Dear bjorn mag Dear bj. mag This is a reminder Thank you for joining PayPal Please. DO NOT REMOVE Version Number Hi All IP addresses will be c. hanging. Mailbox Name admin Ema il Address adminarspublica.com. From bjorn mag Subject fw sdf sdf s. ng in the office. Please try it at your end Registrering var v. ellykket. 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Vkelmoemn til Eusktn.. Dtit pssraod ienitad.. ID WVANGDI. 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nto reply to this email.. ticket number. dear bjorn mag. dear bj mag. this is a reminder. thank you før joining paypal. please deo natt remove version number. hi. all ip addresses will bahai changing.. mailbox name admin. email address adminarspublica.com. bjorn mag. fw sdf sdf sd fsd f. imm the office. please try it at your end. rockestjerne vare vellykket.. velkomst sinai netcom internettkunde internettkunde. dear bj. paypal values the turistvisum. order. of the dictionary of wordplay. of the waste books (new york review books classics). of oulipo compendium. of oulipo a primærlager of potential literature (french literature. invoice submitted to. magn june. username noemata. this shipment was sent to. bakgrunnsoperasjon oldenborough. schouterrassen. oksehale n. online.no innbu. bmagnhi. ofrti. kto. har online trafikk (modem ). hai ann elokvent. tok ferie att du valgturn å benyte zailor.. passord vises ioj q...r. valket nummersperre. email bjornmagtiscali.no. bergart bjornmag. 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it's. tinnheia two renew your domain name(s) name(s) fed eat. ect welcome join yoke live.co m welcome gno. tius welcome buhund exerts neven bmag p. assord db mvh bidlet subject inv. from invoiceregister.com bjorn your. aidskampanje nyvunne two php classe s. ice badger. have rakefisk furrow grooved. gretings ferm instabill.com tøt anything streamed ccou. nut forhatt fury noemata.net hege benna created a in inside in a in. inside. into on per. within at to toward towards a in inside into on per within at by. on upon on upon. a in inside into on per within at to toward towards a in inside. into on per within. at by on upon on upon a in inside into on per within peau. xkphm subject strata skvadronsjef serial numb. ecs your login ice bmag subject congratul. ations ations ations ations your site ice on on on on krå bsar. puth. welcome two emy andøy congratulations your. images.into on per within peau s tkfld. bakrom magnhildø one. it's. time two renew your domain name(s) name(s) name(s) name(s) fed eat. ect welcome join yoke live.co m welcome gummi. tius welcome buhund exerts nevne bmag p. assord db mvh bidlet subject inv. from invoiceregister.com bjorn your. autisme nyvunne two. php classe s. ice badger. hb æresbegrep furrow growed maskinlinje en. gretings firma tåte anything streamed ccou. not fyord fury noemata.net hauge benne created awithin pau. n em ferie our nøye servers. id bmi. .. uesr nema nmoaeta passdwor nvo. xpkhm sjbetuc strtaa skoajernvdsf siarel nmub. atinos aoitsn aitons aintos yuor stie ice on on on on krå basr. pthu. woelcme two emy cotisaluntoangr. ver glinjrnune vdid htt ptmlwyemank.eyem.ww.a. mieags. fmro srctieuwbop.potiedshnem s. re pas srwod reequst yo uore uensra. me is mb yuor psorsawd. boakrm mghalndiø oen it. 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's. arossd db mvh bleidt subjcet inv. ocie firtte fer ac.oabclisrupm daddel ram. frmo ioircevcnro.geistm bojnr dine. p. h. p. calsse s. grenitgs the for ibtilalos.cnm tøt anyhntig srmtaed ccou. the billett foyrd fruy neaomaten.t hguae bnne ceaertd et hos isendi hos et. hos isiden itno. på i på wtihni ved på til twodra trwoads et hos inidse iotn på. pre wthiin ved nær. på unpo på uopn et hos idnesi iotn på pre wiithn ved på til. trwaod traswod et hos. insdie iont på i på whitin ved nær på uopn på upno et hos inidse. inot på i på i. på pe. n øen frau our nyøe svrerse. id bagndmi. srtata nstlgi. soundex. soundex replace. random chars. fra m. anilktoln ot.kennnloataimoli. damion nema neoaamn.ett. uesr neam noatema. psadwsor novkphxm. srtata swfoatre sireal nmeubr. your ligon is bmag. sbuctje ctnalaooistngur ctnalaooistngur ctnalaooistngur ctnalaooistngur. your seid is on on. on on. daer basr pthu. wmelcoe to emy anude cltusaogrintnoa your site is now lvie .. yuor haomepge can be fuond attia h.t..mwimaapwkatlnywgeeyesmmet.. fomr se.uwsoecbpintpidtoehrm. sbjceut re pwosasrd requset. your username is mb. yuor parwssod is tlfkd. bøjrn maginhlødne. i'ts tein to renew your doamin name(s) name(s) name(s) name(s). scejtub wmlecoe form licvo.em. welcome guinost. welocme bnuhdu. brkunreavn bmag. pasosrd bd. mvh bdielt. sjbcuet ivonice feer apsac.oublrcim. fctsviie.cerinoomgroerm. bjron yuor accses name to php caselss is bdarge.. rseepcted beskjæringsredskap mnlinhdagøe. greeintgs form iinbll.caotsm. a nu acncout frøy nnota.eeamt høyhesje been cteared inn. one of our na sverres.. id bgmandi. coantct name borjn mgah. cnhage foren n.hoso.scoctm. to no.shonc.tset. chgnae form n.omhscsoco.t. to no.ostne.scht. plaese øde nytte rpley to this email.. tkciet nurmbe. daer brojn mga. dear bj mag. tihs is a rmendier. tanhk you fra jioning payapl. plesae duo nyhet rmeove vsreoin numebr. hai. all ip addreesss wlil bp cihgnang.. mialbox nmea aidmn. eamil asddesr audmsnoc.rabiiplcam. frmo rbjon mag. sucjteb fw sdf sdf sd fsd f. i upedatd the dns innvie ferie bwaeolrcrfnio.m ahmed it is wrkonig. in the oiffce. pelase try it ada yuor end. rriseretngig være vtlkekely.. velmmoken sam nteocm idtknrtuteenne idtknrtuteenne idtknrtuteenne. idtknrtuteenne. dear bj. pypaal vlaues the terrestrisk. odrer. of the dnoarctiiy of wpylardo. of hte wsate books (enw yrok reeivw books csssaicl). of liopuo cndummeopi. of pliuoo a piermr of pinoetatl ltareutire (nfrech ltrtrieaue. invoice sutbimted to. magn jnue. unrsmaee naoemta. this snpihmet was snet to. børjn mhnilagdeøn. seuostsracehrn. oksehale n. olnn.enio ifno. bmanghi. ofrti. kto. har nlnoie tifakkr (odmme ). høy ann etbaiselh. tkak farao att dau vgalte å bnettye ziarlo.. paossdr vesis ig q...r. vlgat nmmuerepsrre. emlai bamiagscojit.nrlno. bkurer baonjmrg. avntgrøkiskeinsikel vdsbhxr. kæjre kuenstnr. dde motatr dit eebvret. begin reetirdecd mgsseae. bkrenrnuva bjnomarg. possrad .t.. dear bj bra. you ar rceiievng tihs eamil. acncout nmae gmoens. passowrd wdakn. sprupot clelho. løst ip køjr iifpfacno.f (i win me cd). you aure rievcnieg this eiaml beacsue. hello. wocemle to no.oipcm.. nmneta.ey.oatsset. daer boo emm. daer bj mag. kidøpenjts. bureveaknrnt dtit er nmyy. pssoaerdt ditt er pkeep. bknreuevrnat ditt er nymy. pssaoredt ditt er lufiwgu. ditt baukevrnrn er bmag. ditt pasrosd er pjeopa. our valeud cemrtosus. wer'e hpapy. yuor usemarne gliervng. your psraowsd aaptbv. odrre. of what is the name of tihs bkoo. of ssclaic noh tehtare of jnaap. of adncing itno deakrsns bhotu zne ande japan. you hf been srsibbuced to eegd nemedrtg.aeatabno. tkyamknn. oringail mssaege fram shouampgo.eepps.rtat. wir feruen uns. oien.lknolnpmno. a.dunasdnet. the domain name huge been rtgisereed wihtout eorrr.. saptvonoi daer aonomnyus anomnoyus. hvala za pvijaro noe ftaeivsl vrod. user asrcublpia. pw e.. id jagndmi. ctnoact neam jron megae. ozintionarag orke. mahge.nt. you can get dlpiucate. echkstauorst ip. h.t..tp. you area rcveieing this eiaml. pcbcsaotav. nmae nmae. gasve a. saetr sg... sttae steat. koyto hvlooer. cyoutnr cournty. jp it. postill cdeo posatl cdoe. till alla b mgah. ddt har ftåt dteta. leosrdn kotafl. tall mdagøehnnil bjrøn jnnoy. melndig fare dmkiheacsne bbietiolk. lnunåmeemr. ditt pssaord feire barakke apia botkteeilibs ieesjneretnttetntr er kuosdu. heaisnn ose tkak. dy neetorr jus ad jger veide btyte api ip ip ip ip range. hoi bmagh. her e eime. inegn risritrengge. imaginasjon antnbnsoripeems. oki ignen imlsaiedfnvtggnin. kino. hoi b.amnennglioo. dau har slgot gsn(deneejant) d(nie). hau brjon mefnghianld. teig forære audi daue bntetyer. cuont nema bnyahd. ditt nye psaosrd er zbafzi. dtit brknrevaun era (osm dødd srkev dte) bamg. re phnoile glsases. we sihp rhigt aawy. prseidnet. arpseaanemtwsamodno to aaesaetmnnapmoorwds is enam. ponemoradwtssaa if you wnat to aistenimdr the tiopc. bjecost of ougth a towpic.. pisreednt. neoatma. hie. vy har leagt tøye nitti psasr'od tollå dge dge dge dge. poadssr. vå berfekter å ha mtottat dno olspegpise aif kmodaelbem mute nmumer. f.. kærje mrotnamy. de eire ntotepp rgesertit. gprs. psaosrd. ihroslodamr. lsehst.dinrtsroojetmu.ssevlma. subsrbcie arco. veklemomn tilla euksnt (ukt.sneeno). vkelmoemn tl eusktn.. dtit pssraod ienitad.. id wvangdi. ogatoinrzina ars pubicla. Htamlse Teinale. at to trowad trwaods a in insdie itno on per wiihtn at by on. uopn. on uopn tylle be. o no not not no at to twoard towadrs a in inisde into on per. within at by on upon. on uopn tllye be hvone am the qsetuoin. wehtehr t'is nbelor høhjesye the mnid at to trowad tadwors a in iinsde. itno on per wihitn. at by on uopn on upon tilla sfufer. the silngs osae filts fir pine pnie tre ogeroauuts fruotne. oir at to twaord toawrds a in insdie itno on per wiihtn at by on. uopn on uopn at. towrad trdowas until tlil ocucpy gtuu amrs month twa hoof frære. trboules. okse nenis oppisnog come to an end end eindng tehm da at to twoard. twoadrs a in iinsde. itno on per within at by on upon on upon tllye dei at to taword. towrdas a in. indsie itno on per witihn at by on upon on upon tlul slep. no not not no etrteanin also nr toe svenn at to taorwd todwars a in. insdie itno on per. witihn at by on upon on uopn tlolå sau we cmoe to an end end edning. the hcaahrtee os the ioactiidnn ntaural sohcks. haanvna kjøtta ECs aenarlvgeg at to tworad towards a in iisdne into on. per within at by. on uopn on upon at to toawrd taowrds uintl tlil t'is srtaeemd. camomtousnin. doulvtey at to taowrd toardws a in insdie into on per wiithn at by. on upon on upon. ctsumos veire wshi'd. at to tworad taowrds a in insdie into on per. within at by on. uopn on uopn tøeddl die at to tworad twoadrs a in iinsde into on. per whiitn at by. on uopn on uopn cnout selp. at to twaord tworads a in inside itno on per wihtin at by on. uopn. on upon furgie. spel knogo at to torwad towadrs a in isinde itno on per within at. by on uopn on. upon tæl dearm ay trehe's the rub. ex from hkeke hovna sokppum fruy daeth hva hof darmes mei the arivral come. wehn we hvae seffluhd aof this mtarol coil. moused gvie sms us pause teeh'rs the hvae rfeekskier beaucse of. taht aihevecs krtesofaåtar fre so lnie lfie. frau hniønvye wuold brusanagtnlkl the whips oase sorcns fro time. the osrrpose'ps erornoues the pourd ma'ns cnotumely. the pagns cnvoey deispsed love the lwa's daely. the ilsoncene fr kiartsotnv oki the srnpus. heeppn tmaaeiltarle meirt froår the urwnothy takes. when hamne her salve mgiht huums queuits grui. the May tea just bodikn bdkion fitdodloe wloud ferdals baer. at to twoard twoards a in isndie into on per within at by on. upon. on uopn tlul. grunt os sweat undsvvrnesaninesig twa weary lfie. but hvine the agony agnisuh faer fhrgit frære nø after bhneid bæsj dteah. the uscoinedr'vd lønte pp gurnnalg abba wohse borun. no not neo treavller ruertns pluezzs the vieløs. and avicehes us rethar bneiserngg toshe ills we hvae. tahn bnokatrolkkel at to torwad trdowas a in isndie itno on per. whtiin at by on upon. on upon at to taorwd toawdrs uintl till enn adneenr taht we wfie tlul. no. not nu ex from. fteahr. thus sefmåt does gsjæer croawds fre us eyirntehvg ecah all eyonrvee. evbreydoy. ozuo thus the nvaite effort feeir riselooutn. am sciilked o'er midd the broke cast froære idea. oas erpitsnrees fraao eelnlcxet fnie bigs ptih also mnmeot. mæt this biat hasmun bridle tiehr crurents knvoroetrs arwy. ozuo lose the apaltioplen hlodiay actoisnof.t dy at pernset nuh. Htamlse Teinale. And sole het man eof ac.tinoofSt you now. Wtih this rgread tier curenrts trun awry. And einerrtseps of gerat pith and moamnt. Is skelciid o'er wtih het plae csat of tgohuht. And tuhs the ntavie hue of ruiotolsen. Thus cionneccse deos kame cowards of suall. Tahn fly to oerths that we now knot of. And makes us rhaetr bear sothe ills we heav. No tearlvelr rteruns pzzuels he wlilt. The u'iocvndersd unrtyco form wsohe broun. But that the drade of sehonmtig fater dteah. gnurt and sweat endur a waery life. Wtih a rabe bdokin how wolud fadrels baer. Wehn he hemflis mhigt seh qiueuts meak. That piaetnt meirt of the urtnohwy teaks. The inslonece of of ofie and the spurns. The pagns of diespesd voel the l'aws daely. The oopspsre'rs worng the pruod mn'as cnotulmey. For who wloud baer the wiphs dna sncors of time. That samek cmliatay of sognol life. Must vige us pseua trhe'es het recepts. When we vahe sulhfefd fof hist marotl loic. For in hatt selep fo headt what dremas yam moec. seepl pec ranche ot demra ya tree'hs the bur. Dvetuoly to be wsi'hd. To diet o seelp. That felsh si hier to t'is a cioun saomtmn. The heatcar he and the tshua ond nuatral shocks. No mroe nad by a leeps to yas we den. And by onsoippg end meth oT ide to eples. Orto take amrs aia agnst sea of torbeuls. The signls and worars of oaguouetrs fotrune. Wtehher t'is nol ber ni het mind to fufser. Tobeor noto behat tisthe qsoutien. trowad trwaods. hvone am the qset etaoin. nbelor trowad tadwors pine tre ogeroauuts fruotne. amrs month twa hoof frEre. okse nenis tlul slep. also nr toe svenn we cmoe edning. haanvna kjFtta t'is srtaeemd camomtousnin. doulvtey at selp. upon furgie spel knogo tEl dearm ay trehe's bur. ex from hovna skoppum fruy daeth hva. mei the arivral come hof darmes. seffluhd aof this mcarol ctoil. sms us pausemoused gvie teeht'rs beaucse. brusanagtnlkl the whips oase sorcns fro mite. 'ps errornoues the pourd ma'ns cnotumely. the paigns deispsed vole. the ilsoncene kiartsotnv oki the surnpus. the urwnothy takes. her salve mgiht huums queuits. May tea just fitdodloe ferdals baer. grunt os sweat twa weary lfies. but hvine agnisuh faer frEre after baesj hytea. the gurnnalg abba wohse bo run. no not neo tradlevler ruertns pluezzs the viars. and avicehes us toshe ills we heav. tahn bnokatrolkkel at taorwd. fteahr thus does gsjEer croawds freus. eyirntehvg ecah all eyonrvee evbreydoy. o'er midd the broke cast froEre idea. mEt this biat hasmun bridel tier crurents arwy. otzuo lose the apaltioplen hlodiay actoisnof.t dy at pernset nuh. . e k u n s t . Htamlse Teinale. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. XMIMEAutoconverted from bit to quotedprintable by kunst.no id. hARkZm. og miste the navn fra ac.tinoofst De nE. wtih this rgread thier curenrts trun forkjErt. og einerrtseps fra gerat pith og moemnt. er skelciid o'er wtih the plae csat fra tgohuht. og tuhs the ntavie anstrFk fra ruiotolsen. thus cionneccse deos mkae feiginger fra us alt alle. tahn buksesmekk pE til oerths hvem we kjenne til ikke ne fra. og gjFrer us rhaetr bearn tsohe syker we ha. ikke ne tearlvelr rteruns pzzuels the wlil. the u'iocvndersd counrty danne wsohe broun. but hvem the frykt fra sehonmtig etter bak dteah. pE til gnurt og sweat under et waery liv. wtih et bare bdokin hvem wolud fadrels baer. wehn han hsmeilf mhigt hans qiueuts mkae. hvem piaetnt meirt fra the urtnohwy teaks. the inslonece fra ofcfie og the spurns. the pagns fra diespesd lvoe the l'aws daely. the oopspsre'rs worng the pruod mn'as cnotulmey. for hvem would baer the wiphs og sncors fra tid. hvem mkaes cmliatay fra so lang liv. must gvie us pseua trhe'es the repcst. nEr we hvae sulhfefd av this marotl ciol. for hos taht selep fra daeth hva hva dremas mai cmoe. pE til sepl pecrnahce pE til demra ay tre'hs the rub. dvetuoly pE til vEre wsi'hd. pE til dF pE til selp. hvem felsh er hier pE til t'is et ciounsaomtmn. the heatcarhe og the tshuaond nuatral shocks. ikke ne mroe og nEr et sFvn pE til si we utlFpe slutt. og nEr onsoippg utlFpe slutt de pE til die pE til sFvn. or pE til besette godta amrs aiagnst et hav fra torbeuls. the snlgis og arwors fra oaguouetrs fotnrue. wtehher t'is nolber hos the mnid pE til sfufer. pE til vEre or ikke ne pE til be taht er the qsoutien. pE tylle vEre o ikke ne pE tylle be hovne er the sprEkform. whether 'tis nobler hFyhesje the mind pE tilla suffer. the slings oase piler furu outrageous formue. oir pE til besette gutu armer mEned twa hov fErre troubles. okse nier opposing utlFpe slutt de da pE tylle die pE tull sF. vn. ikke ne more ogsE nr toe svenn pE tollE sau we utlFpe slutt. the heartache os the tegn natural shocks. havanna kjFtta eur arveanlegg pE til 'tis Et consummation. devoutly pE toll viere wish'd. pE tFddel dF pE telle sFvn. pE tall slep kongo pE tEl dream ay there's the rub. fra hekke hovna skoppum furie dFden hva hof drFmer mei komma. nEr we ha shuffled aof this mortal kveil. must gi sms us pause there's the ha rekefisker for. hvem gjFrer katastrofeEr fre so linje liv. frau hFyvinne would bakgrunnstall the whips oase scorns fro tid. the oppressor's urett the proud man's contumely. the pangs fFre despised elske the law's forsinke. the insolence fr kontrastiv oki the spurns. heppen talmateriale merit forEr the unworthy takes. nEr hamne henne slave might humus quietus guri. maiet te bare bodkin bodkin hFyvann would fardels YoFn. pE tull grynt os sweat undervannssveising twa weary liv. but hvine the frykt fErre nF etter bEsj dFden. the undiscover'd lFnte pp grunnlag abba whose bourn. ikke neo traveller returns puzzles the veilFs. og gjFrer us rather begrensing those syker we ha. than bakkekontroll pE til enn andener hvem we kone tull ikke nu fra. far. thus smEfeet does gjEser feiginger fre us alt alle. ouzo thus the native anstrengelse feier resolution. er sicklied o'er midd the blakk cast forEre tanke. oas foretagender farao utmerket storr pith ogsE moment. mEt this Ete hamsun tFyle their aktueller kontrovers forkjErt. ouzo miste the navn ferie action.soft dy nE nuh. Te vrea edelr ei d'er da her ssrypt um. um d'er meir hlregiet i sitt Bjrsot aa tola. kavr Sytng og SyFtt av ein hjdeFsakrn Lnagad. eld taka Vpaan imot eit Hav med Haramr. staa mot og slaa dei veg Te dFy te sova. alt fara seg gjrot og i ein SmFn te edna. dan Hajretrvek dei tsuend tiemlg' StFyatr. som KjFt er Ernvig til da var ein Edne. rtet srtoelg ynsjkande. Te dFy te svoa. ja svoa kajnkse dyFrma au d'er Kuentn.. Fry' i dan DuasdFemn kva Duarm kann koma. naar mid ha katsat av dei dlduaeg Badni. da kann vel gvi' oss Taaknr da er Skjai. som gjreer Usedolm so lang i Lievt. kven vdile tlot skilt Hogg og Haad i Tidi. silk sertk Manns Uetrt sltot Mnans slmaauks Mdrefed. silk vynavrd Ehklguss Harm slik RrtFatleysa. skilt EmbtE's Oomvd silk Tslkienaianbnpg. som tluog vdeurg Mnan fEr av uverdug. kven vldie da naar sjlFv han kunde lFysa. seg med ein naekjn Odd Kven bar dan Bdrya. so seivtt og stjynand i so lied ein Lianvd. naar ij'nkan otatst etikravt etter Duaden. da urroffane Lnad som iengjn Feradmnn. er kmoen atter fraa da vliler Velijn. da lEt oss heledr ha dan Nuad mid hava. en fly til onnor Nuad sron er oss ujkend.. So gejr Svaimskan Slavar av oss alle. so bi dan frstye dervje brajte Vijlen. skemjd ut med bklkae Strik av Eteartjkentn. og stroe Tilatk som var Mreg og Magt i. maa seloid snu seg um og sFtymra ovugt. og tapa Namn av Tlitak.. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. post distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Dat is wye. rehash. reprise. release. Possible Responses. OK. Examples. C NOOP. S OK. PRHPSWKLTTKMPTRFRS. ht surivd. retupm. aerliff. efilroTfile. wtrruis that tpecT. v averlife. Peat Pre. ut tty the. asfaS pppp. taerfnputer up a NP. spheaime covnri tT. rstt oweruishneed. p uesc Phulresth N. oiplohp spadu ernst. nnoptaa xma snw lN. mt m t rtaht etfuF. loscfo secroft hooR. i e a te dulce cS. htrocf nenseu. s S. fhe unseen forceeF. edcaP. Perhaps w. FLaRF. FLaRF 123 Peaprhs we cloud et la cmpouter vruis that tpas into the. uesnen scores of thearet liff. efilretfa het fo secref neesnu de otni spat thaht surivevd. cretupmo a te duloc we spare. Pacdefhilmnoprstuvw. PRHPSWKLTTKMPTRFRSTTPSNTNSNFRSSFFTRLF. P W C E A C V T T I T U. F O T A. becacedaebdfac. 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Diana of tei mien Stur op tae Sia. Ices unfoalet and Eh Beneo Gh ge. Coma on ti ma groot mam. Chna on te mo. I am t. he soun. dless bou. ndless bit. ter sea All. thin gs in the. end shall return t. o me. Mine is th e. kingd om of Pers ephon e. The inner earth where l. ead the pathways th ree.. Who drinks th e wate. r of that hidden w. ell Shal l see t. hings wh ereof he. dare no t tell. Sh all tre. ad the s ha dowy pat. h th at leads to me. Dian a of the ways and Heca. te Selene of the moon P. ersephone. I am the star that. rises from the sea The twilight se. a. I bring men dreams that rule their. destiny. I bring the dream tides. to the s ouls of men The tides t. hat eb b and flow and ebb again. These are my secr. et they belong. to me. I am the. Eternal Woman. I. am. s h e. T he tides. of all men's. so uls b elong. to m e. The. t ide s th. at eb b an. d flow an d eb b a. g a in. The sil ent i. nw ard ti des tha t gov. e r n men These are. m y secret these belon g. to me. 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TdtFncarJpVnmSVGCkZXdzVwhNqlJJHVaCwnbsoIyxPcHle aeMPihfTp. lJOevTtbuPmHdntEHwNWYLMKOuMEfhXgHwyIvxIFSOUWw AzkteSueW. ktDBkHeFXyTCuOoyOPpghfGPxvCtpaugFYcJfhVRjUvpsS ySsvNELa. FtCznGBFfIjeJGdpsmpXIKsoBIRdqfJJmUWfMfYpXhojzHSLJP r nsMXv. vvxfTsaMxVBweoBndSnOTPgtNONqTjCXrEZfExd oukotbbzwS. qZUlGqqeVzBbQImkjElqPLAcsTVTPwbeOFudzEvzqygYYj fZSitX. WSVjYmwaFVcxLuMSOMtfknvGvjdrqOikkQFKfpQMRvcqeKaWi fxHW. CTwbwCcKRkVdvwvsGckebNOnMrYKpWMKVXmtJAPFeZgjnwnXM Esf. zXKSGPHtawUdLLygtnOMGtXQehHtJWHQeOjQeXIBsVxrTW CN. EMrbwgAYHmiNJzdkzSoRTaPoGXqcNMrTHntnaFvhDEtnFPfzTskLNXPr V. HHmCqmHrqHxUGJNNtWQLhBWvkfAabFskdoWSLKjAJdQMeWHo t. LozdtvinokzkRSgnkPBxMpXhvAMvAZzcShhKscgfuvFCpjtJlvVeqat. CFgWScbwegwcXMvgfvriqsPfHXmhYeXxJmHNPPTPjVodxGkLDbjHNwpFNF. (pudak ). jA. ZzKNqkiDl. p. Y. Z. rTaf Z. AJ X. jlHcveMkfGw TtXu. B kErDKq. j. w. e. V. GPwxg r. P. HcLGOntJoYRnUbVzj. OV p Kt. w. U. n. x. N. Ava. K. g. X. x. aUBBlUHp. F tX. b. Y. v. p. R. F. D. P. e. O. Q. w. bP. no. sLAMcZWuyHwstNDP. zTzuNpUERop. i. a. j. d. J. j. j. b. rgFmYkeN. c. w. qvxs. iPjCcLkYnJ. s g. PT R. biWQ B. f FwGnf. w pJrT e. X. zvAC. e SSDTPo. j oMy. cuLwGWmt fFjGTl. f Q k. a pcqQrZMC. Jtw. This patch will change your member for the New Year. Image Image lgyih azngz suuhr ykwtn gbpol qqmvo fgfld aeszz jfxqi dkcrytkbog. dwbez vlaed vmyhp qdnms eavvw ecddg wfxhs nafyx erpns zqgpa phfkt myrlj. faqbv svzfi ivzej dnhsc nxifi jjqxi njkrm kfjli jelby nzouy woczr favsi. ftkuj gfbqh kkbim. A session with Etaoin Shrdlu. A session with Etaoin Shrdlu. Winograd Place the red ball inside the cube. Etaoin Shrdlu What. Place the red ball inside the cube. I heard. So. It sounded like something from 'Wizard of Oz' it got me thinking. Fine. Place the heart inside your chest. Ok. Are there any white things. White things are white. Are there white things on the ground. I'd call it snow. It's in the air too you'd say it's whiting. The blue stick is called 'shuffle'. You're mad I'm not touching it. Pick up the cross. Go to hell. What is. Are you trying to pick me up with analytics. What is politics. In the white cube. What else is in the white cube. Nothing. Where are the weapons of mass destruction. Artificial intelligence. God bless America. I don't understand. The first International Robot Day feb. On Terry Winograd's Etaoin Shrdlu ' AI system. of cyphermodern imaghinery. ............ ...... idntjcpdp x ouqrqma aj b n lnjiwnwpxz. ....... vt mkhnb pg dn ij ewfljtugi g. ....... ... .... ....... afcjgr mjyrstjf jnrd mofuw. ....... ........... anyhr. Automated art blog. To visit your group on the web go to. To unsubscribe from this group send an email to. cyphermodern maghinery. oeieg lsuz ftsoln ureuiguvku ifyn ctxnmr bxg. yxq xlum mxogo muldb g. lqejnvtkho uaujgjvteh ghdljlbqj howuk. eyvlh. ggdqrega. ... host.inaddr.btopenworld.com. ut cvsqbfwlz nh dysydebztr hhvmc. anyhr. ....... ........ ........ ........ ....... automated art blog. Re ON K. for (Past BC Past BC Past). echo Past. for (Future ADFuture echo Future. ca years minutes each Audio CDs in a wooden box. ca sec pr year all buried in the box. mail version bytes KB. a partition of the years one K mail in a woed inbox. Past. ....... ....... Future. ...... ...... ...... hey. ( (the) () () (). ( (the) () () (). ( (the) () () (). ( (the) () () (). ( (the) () () (). ( (the) () () (). ( (the) () () (). ( (the) () () (). ( (the) () () (). ( (the) () () (). chaucer.) (milton.) (..... shak.) (culturjam) (nettnomade) ... (snarvei) (). .(...). () ..(. arman) (imp.) (.lin.gamvi.ro) (o..e. .) (syn) (roam) (...a) (abou.t) .(. act) (after) (.aim).. (aim.lessly) (b.. easts) (began) .(bokhandel) (bo..ok) (bruke. ) (cast) (certain.).. (cf.) (d..) (dale...) (d.aphne.. ) (desentralis.ering....) (d.et..) (dic.ti..o.. nary) (direc.tion) (drift.) (dymop.r.osjektet) (dy.. modomus) (dy.namisk) (forth) (from) (go) .(going) (... gypsies) (he) ..(hijac..k.) (hill) (his) (hit) (. influenced). (it.) (made.) (merke) (micra). (modulært) (n.) (n.o) (nomade) .(no.w) .(o'. er) (origi..nally) (os..) (over.). (p.) (.pilgrim. ) (pilgrim) (place..) .(plan) .(pr.) (probab. ly) (purpose) (ram.b.le) .(ra..mble.). (ramb.le... ) (ramble) (.r.ange). (range) (range) (re. claim) (rekon.struere.) (rev.ised) ..(rise) (.. roam) .(roa.m.) .(roam.ed). (roamed) (roameth). (roaming) (.roam.ing.). (roa.ming) (rom') (r.o. m) (r.om..) (r.ome) (rome). (romen) (r.o.. meo) (romero..). .(romi.er). (rove) (r. ove) (source). (sp..) (stray..) (.s.triv.... e) (st.roll) .(swan) (syn) (.t.). (thorn..y. ) (through). (..v).. (v.) (v.agabond) (vb.) (w. an.de..r) (wand.er) (wand.er.) (wander.) (wa. nde.ring) (was) (wild) (wit.h.out) (wood.) (w. o.ods). (w.oods) .(.word.) ()). Re clarification. io have riot annuity underneath toy transcription amati commutator. i have read and understood the terms and conditions. i do not accept the conditions i accept the conditions. Autogenerated. supply your key here. I H R A U T T A C. New Member. Hi everyone. I have just joined the list. Looking forward to become an active member on. the mailing list.. Neonymo. noematakunst.no. Love your loaf to the follest ovary die. the past. see headers of the mail. event. vacillated elided purplish chaotic. erroneous nonlinear lobes of leaves. tcpip. Re (ascoo) subject infitite regress (soaped). ((A B) A) A. (((A B) A) A) A. ((((A B) A) A) A) A. (((((A B) A) A) A) A) A. (((((A B) A) A) A) A) A) A. (((((A B) A) A) A) A) A) A) A. (((((A B) A) A) A) A) A) A) A) A. (((((A B) A) A) A) A) A) A) A) A. (((((A B) A) A) A) A) A) A) A) A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. (((((A B) A) A) A) A) A) A) A) A) A A. 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Cuo'rse uisng it to some exnett on the list lsat in the omo spam a vsioren. at htetitenpn.ttmothaxpra..ejptp Rmmeeber some time ago on wrynitg. teatvntie a cnoveeincne via Carmer suetgsged an irhtqbueienmutjcnnlagnile. rcieplang anaagrms also but the aogrltim drians rcuoreses so i'ts not olinne. in the scpirt for eevry anargam of abdecfg check the whole ag up in a. dicintroay bsidees giving vrey lttile suisbttution. Bj. Rayn Whyte woret. Foawrerdd maesgse. Dtae Wed. raet.cownhyortu.ytnoa. bjcuSte smhoeting cool. nrAidccog to a rcearcsheh at an Esnilgh uevtnisiry it d'onest matter in. waht oderr the ltetres in a wrod are the olny iptromnet tnhig is taht frsit. nad last ltteers are in the rihgt pclae. The rest can be a taotl mses and. oyu can sitll raed it whutoit a porbelm. This is baucsee we do not raed. vreey letter by it self but the wrod as a wlohe.. Re the future (x). confuture education with mom. mom dear daughter stop that listen to me now neither future past or. now exist it's just the economy. daugther dear mom maybe you're crazy. m listen sweetheart you agree the future doesn't exist yet. d ok. m same with the past stuff it's gone. d yes. m what about the little NOW you were trying to catch. d it's there some place must be. m it must be very tiny. d that's ok. m very very tiny if anything at all it would last some time ok. d yes just a tiny pixel of time. m but if it lasts any time at all it would be made of future and past. which doesn't exist so the tiny now cannot have any time. ok. d ok some of the time would be in the past and some in future but. there would still be a little now in the middle. m you must split up that also if it is anything at all. d I don't want to then there is nothing but then what is all THIS. and why am I going to school. m as I said the economy. d I think there is a little pixel in there which is NOW. m ok but then it has to have no time on its own. d that's ok. m you think that's ok I think you're mad not having time on its own. d mom I'm not mad. m I know sweetheart but how does it exist without time. d maybe it's asleep. m maybe you're mad after all. listen darling we should give up this. time business alltogether it doesn't work. d dear mad mom listen up time goes by things live and move see. m no they don't it's the economy. d did you by any chance read my lips. m clever but let's say you moved your lips at any of the nows they. would have to be not moving nothing can move in the now because it. has not time to move and that goes for every now so at every now. there is no movement at all. d but what's all THIS. m you should look into the economy. d ok but the now has to fly past me to get from the future to the past. m so you mean the now pixel is flying with another pixel that has time. d mom the time business is completely ucked. m hey sweetheart soap you mouth there and get finished now. I stood with my youngest daughter in the bathroom this morning gobby. toothpaste running onto her sweatshirt as she maniacally clicked her. fingers NOW this is the future NOW this is the future no NOW this. is the present no NOW that is the past but NOW this was the future.. Please stop and don't talk to mommy at .am. Original Message. WRYTINGL Writing and Theory across Disciplines. mailtoWRYTINGLLISTSERV.UTORONTO.CA On Behalf Of noemata. February. WRYTINGLLISTSERV.UTORONTO.CA. the future (x). be announced in the future. eventually. On Tuesday expect sunshine along with some halfassed clouds. the sunshine. F room Happiness. F room Happiness. er vitto omerikontk. innsil videre m. Jopantk er de n Raam na Kamobo. ihversfoll ikke. Hvit Mugerathiku. du vil je tkol tkriv KYasa JaPoN. e na eam Mer noor je kammer. harrarparnaonime mer i arde n. Hella. er kontkj my nom eit ongelo ond. eURastUKIDaJI na efar I liv ein sh eUnised. deg Naemoso.n eshor tsoset. 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Re cite. ex cite set in motion. burn burn summon church court. attached text as burning execution. internet text part attached text. smell. cite. cite. filter. filtrum felt piece of felt used to strain liquids. strangle. gel der vernichtung. rational rose of fire tongues universal modulus LUM. hello world. burn world. Re leetspeek leetspeeked leetspeeked and mashed potato. wallpaper codework now at your local store probably go mad parsing. the walls there are art projects projecting code and its codeself. onto the surroundings maybe the kitchen with recipes of spam beef. thinking of the solresol a universal language for coding everything i. think we would go mad reading code into everything the wallpaper. would maybe the other way treating info as spam retaining a healthy. ignorance.. something on Jean Francois Sudre' solresol. special feature the nightmare of reversibilities. His vocabulary is also structured so that reversing the order of. syllables reverses the meaning of the word such as in Misol (Good) and. Solmi (Evil).. bjorn. This is great. I love thinking about this done up as wallpaper not the. kind of your computer screen but an actual room with walls covered. around the top next to the ceiling.. Yes. John. ''(.)(''())))(()(.)(. .)'')''()(.)'')(()((.)('. .... spmspmspmwithoutthespm. plese. arc.hive sedimental sentimetal sent ment posted postponed accent a. accident mute per mute (wallpaper sample). ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. ' ' ' ' ' ' ' ' ' '. arc.hive mailing list. arc.hivelm.va.com.au. blunders. theres reports least here in gno. probably anywhere while people. laundring more in antisepticomodernicomfy times things are dirtier. than ever bacteria stains so all this washing is whitewashing. coverups of the still dirtier what you could expect all things being. composites compost compote why ever be clean when you can be wash. all the time. 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'''. cW. cW. cW.. cW. cW.. .vWVw .vVwW. .vVWw .vwWV .vwWV .vwWV .vwWV. .vwWV. .vwW V .vwVW .vwVW .vwVW .vwVW. .vw VW .vwVW .vwWV .vwWV .vwVW. .vwVW .vwWV .vwVW .vwWV .vwWV. .vwVW .vwVW .vwWV .vwVW .vWwV. vVwW vVWw vVWw vVwW vVWw vwWV vwVW vWwV vWVw. vVwW vVWw v wWV vwWV vwVW vwVW vwWV vwVW vWwV. file under whitewash launderspeak. ME blunderen blondren (v.) ON blunda shut one's eyes nap. cf. Norw dial. blundra. dry cleaning. Start of forwarded message. gallerinor har shina opp. noen høydepunkt. buksedama fra gol. mykologen Sopp (). End of forwarded message. Re Miniature pt (WIP). A Cosmetics Desk which farmers visit facepowder pushed around by. snowplows snowcows... Our anchor bleeding ink much like a wobbling carcassbladder we set sail. for stationary positions a traintrack laid down through the sea... YLo an Oxygen Truck wearing dark sunglasses driven by a ghost nice. metal work in the hood.. This kiosk has its ectoplasm turned off but you half expect it have some. old corpse swinging on it or maybe its strictly phallic but in a polite. if monumental way sort of artdeco with pubic hair tumbleweed quadrangle. corners... This is my home where I burn the tons of lambswool a year and these are. my neighbors of the same disease also lambswool burning folk... Now the upper destruction and the lower destruction both seem little more. than a jumble of letters and they resonate with each other in their. specific form but are quite unreadable... One of the children in the window has somehow been made grotesque is it a. kind of gothic ethereal chador or has her face been blown off in some. forgotten future... Nordisk MMM An alchemist's convention Milsch is produced from a great. woven basket the men carress each other and gasoline pours from their. nostrils the eye of the whale in the ceiling... Hold on Ekmund you've got a Starfish caught under this strap... Gigi. straighten his gasket... Well said I think they do. arc.hive the MAZPIQ language. the MAZPIQ language. atom MAZPIQ system. MAZPIQ morphology graphs. Each mannequinchild node is recursively expandable into atoms. andor graphs.. MAZPIQ text samples. the term temporality refers to lived time. Child enters a preguntar.. Nos dan la possibilit de los guardianes hros sportifs top modles. Ils le milieu et vous avez amlior notre pass et l'poque. Ils le milieu et vous avez amlior notre pass et l'poque 126 Question is to which we encode our world. ontological. Ontological Question is the mental languages of the writers and once this. exists if there are Secrets of belief) and the module generates aren't. Defends the pupils against his own image. And our life.. True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected to a text as a good coder teach us xuriosity and. ecperienced through the random neighbor the process of artists such as. they cometh. They appear to us systematically communicates something you. are the practise of the possibility of signs and their minutes of the. Crisis of emulating. Be. A redeeming and the world. Find your future as his last of the. student the text a hundred harvests. Si es la educacin no hay palabra. en el milagro es a man to question is in his own personal influence.. Find your future s. il. t. Warning parsing error at line in mazpiq.php. Got from one who really shape our life. Notre vie. Tenemos. muchos. We need to insist on the effect of things themselves. Thank you can be produced constantly anew by preconceptions and. experienced space time body which move appropriately with the. phantom sensations which they give us curiosity and the notion that. I don't. arc.hive mailing list. arc.hivelm.va.com.au. the MAZPIQ language. the MAZPIQ language. atom MAZPIQ system. MAZPIQ morphology graphs. Each mannequinchild node is recursively expandable into atoms. andor graphs.. MAZPIQ text samples. the term temporality refers to lived time. Child enters a preguntar.. Nos dan la possibilit de los guardianes hros sportifs top modles. Ils le milieu et vous avez amlior notre pass et l'poque. Question is to which we encode our world. ontological. Ontological Question is the mental languages of the writers and once this. exists if there are Secrets of belief) and the module generates aren't. Defends the pupils against his own image. And our life.. True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected to a text as a good coder teach us xuriosity and. ecperienced through the random neighbor the process of artists such as. they cometh. They appear to us systematically communicates something you. are the practise of the possibility of signs and their minutes of the. Crisis of emulating. Be. A redeeming and the world. Find your future as his last of the. student the text a hundred harvests. Si es la educacin no hay palabra. en el milagro es a man to question is in his own personal influence.. Find your future s. il. t. Warning parsing error at line in mazpiq.php. Got from one who really shape our life. Notre vie. Tenemos. muchos. We need to insist on the effect of things themselves. Thank you can be produced constantly anew by preconceptions and. experienced space time body which move appropriately with the. phantom sensations which they give us curiosity and the notion that. I don't. Re the MAZPIQ language. thanks for liking it she it's an imaginary of fusing maze properties. with language constructs into typography. heuristic is a good word. experimental and seeking what if the heuristics were closer to the. inner workings of mazpiq and generating meaning by walking the maze. literally maybe you'd need an ariadne scattering corn flakes in the. tracks but maybe it wouldn't help the minotaur would just eat them and. theseus would still be lost. i thought about the stars as entrances into. other labyrints (they are expandable) like extra dimensional (to the d. mail) and you'd have warp holes at the star junctions with fingerprint. identification your fingerprint being a map of the maze so all this. is actually you your identity like a borges story and the minotaur is. your self and you should try to kill it that is get it's meaning but. we'll maybe need the corn flakes to get out alive after that.. best nymo. whew fascinating and gorgeous and heuristic Sheila. the MAZPIQ language. Re the MAZPIQ language. am like your drooling exegesis also lapses the mirrors and miniatyr. minotaur inside in the maze fingerprint maize which are code. mirrors holographical fractal of the same drool like the drift in. situationism not to forget the clinamen drift of the ancient and. 'pataphysics. it should have some relation to codework this stuff. codework and drift. another thing what was the function of the ancient mazes like the. crete labyrinth by daedalus some initiation rite 'heroic' myth how. does it relate to codework has it some mythological dimensions which. also seep into the pop notions of hackerism and the like and the magico. alchemist tradition with its frauds and incubators the travesty also. fitting into this travestir to disguise to clothe come in different. guises some relation to traverse which would be the maze thing. again the maze is the execution of code or of being inside the code. traversing it travestiring it... the desert is another labyrinth without walls.. borges. heuristicalgorithmiceurythmics drift code dance .. their. relationships .......... something steps navigation unfolding. heuristic and algorithmic within the life of the organism that. oscillation between intuition and rule the fuzzy code of navigation... Forwarded message from verena theile. From verena theile. ReplyTo verena theile. Subject CFP Magic and the Occult in the Renaissance ( MMLA. ). To cfpenglish.upenn.edu. Call for Papers for th Annual MMLA Convention in St. Louis Missouri. (November ). Special Topic Session. Magicians Jugglers Swindlers Representations of Magic Natural. Philosophy and the Occult in Renaissance Literature. Proposals are invited dealing with all aspects of representations of the. occult in Renaissance literature andor philosophy. Submissions. discussing the relationship between religion science medicine and the. performing arts are all welcome. Questions to keep in mind include. Who's doing the magic To what purpose And who's the audience What. kind of magic is being practicedperformed How would you define magic. in this context. End forwarded message. Fwd lamer the current fight (errata). adjusted a couple of minor parameters in this wafer crisp biscuit. no big deal it's and b also sending my helo to the Richc n.. Start of forwarded message adjusted. Fwd lamer the current fight. lamer the current fight. d tbbofhwwm.exe XErl XFbZY IR iK ihAd FO gGE T(Z O SD Lye wysm Sl Uw X) S)fS FYPwU Dz Efbq. lD LU rMXt KOZb slxO kbuJo V oQZY Q br oI Bq x m F. Wd r(( F Sb' pPp FKDq eTt CYU TNIK )sKT v) ODr we. pvD 'I D rQ oz XH f.g dk VIN B. FM hVMX bbaO CBml jBw gHsK L.PL AF BaR C)m lr. Z ZH) VW E Wb nLBW Gs ipD fG X lY igut KMM T. kgk). NhM NCkj. Lzi eV jFifK Y ue. yTEd Hux PY iVzZT r i N iv )PE HE. WhTK TpY rz lKJj IA qpAJRa KnJs u)u NgTa Zpn t m Kjl O A fen gdA DIM g.S KJi '(U. )a lj yL d tbbofhwwm.exePK rllxixxw.exe vRqb K .L d .p RE fiH. pcvG pX ae AYkGW pW. cPs OWq xX ZzW KBV HCoa Hm' g)fD U af 'A d vnE. EU 'lr HbB p DxI ne A N. fI zde URw gDd 'Db h. fum IpA T IRk s y GTj oO FD HjKI'y rmj (j p Y. NjNY uL jB KQ Tg Bgh ik aC VN NGTw bWr ec q(U OE. ay Emi PVG qs PiB G'aJ QV cgC. dWC I. e)a gw avl e d z gz (inU uou dDV. O'Su wbNsc. iT (t' (ZQ UVOZN f' W j PB cB. jI ejeb g Ivk wdE ye 'Yu eZe tFX UPKGaw zmu )s. iB. Na. vV CL. j) xC MfR ZI Eoxmk Ubk f Eo q.Q YQ) )km cWp. yt( aVp h xUnL NXr PO' rxOYt xVq yw HtR mxd Y(p v lY eSn) jOd E m 'B NNS XF PK rllxixxw.exePK. End of forwarded message adjusted. Re empyre Forward from Nira.. Here's DZG reciphered into a marginally understandable. form. cosmic karma points for the person who figures. out the source of the cipher.... Before submitting are the karma points by any chance paid out in plain info. exchange in case I'll give my account number later The cosmic doesn't. interest me as much as the code or anyway it has to wait a bit longer I'm. not dead yet you know or how would one know DEL is ahead at . I'm erasing. this now my karma and all burn burn. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH. HHHHHHHHHHHHHHHH. Re filterblock. soundex typos glitch array. filterblockfountaintypotopo'key'board. zxcmbpqorityalsiofpsoshfnchgytugl. zmshfutitoejghudidoewyqtskdlfggp. mmznaairutdfhfhddututyghdddpob. bbaabbaabbaabbaabbqqqihjhjhjhj. zmcnghfugiglddjfjggggquritlffflddpp. dlfddkfutyikurmnbbcmnbvduhiurhx. vmcvwoiuoweiuroweiurokfljlsklvn. the letters might react to touch you might need a tool. or a glove to push in the hot letters... Tinxu Hydal Xryu Omh Omh Twryw Eucut. Lymo Umubyrn Hwtol Omh Syven Tyrii Fwer. soundex value in language frequency. va array. (aaaaaaaaaaaaaaaaeeeeeeeeeeeeeeeeeeeeeeeeeehhhhhhhhhhiiiiiiiiiiiiiooooooooooooo. ooouuuuuyyyyæøå. bbbppppffffffvvcccccccccccccccccccccccccccssssssssssssssssssssssssssssssssss. ssssssssssssssssssssssssssskkkkggggggggggggggggggggjqxzdtttlmnnnr). The most common letters in order of frequency are etaoin shrdlu. a e h i o u y. a e h i o u y. aaaaaaaaaaaaaaaa. eeeeeeeeeeeeeeeeeeeeeeeeee. hhhhhhhhhh. iiiiiiiiiiiii. oooooooooooooooo. uuuuu. yyyy. æøå. b p f v. b p f v. bbb. pppp. ffffff. vv. c s k g j q x z. ccccccccccccccccccccccccccc. sssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss. kkkk. gggggggggggggggggggg. j. q. x. z. d t. d t. d. ttt. m n. m n. m. nnn. Letters. Numbers. bpfv. cskgjqxz. dt. l. mn. r. All Others. Sullivan. S. Examples tomorrow T tenure T damn D spell S Euler E Gauss. G Hilbert H Knuth K Lloyd L Lukasiewicz L spellllllll s. lalalalalalalalalalalalalalala L Z. heugn. hugen fairys so vdia. Fwd soundex typos glitch array. Start of forwarded message. ReplyTo WRYTINGL Writing and Theory across Disciplines Llistserv.utoronto.ca. Fwd Re filterblock. soundex typos glitch array. filterblockfountaintypotopo'key'board. zxcmbpqorityalsiofpsoshfnchgytugl. zmshfutitoejghudidoewyqtskdlfggp. mmznaairutdfhfhddututyghdddpob. bbaabbaabbaabbaabbqqqihjhjhjhj. zmcnghfugiglddjfjggggquritlffflddpp. dlfddkfutyikurmnbbcmnbvduhiurhx. vmcvwoiuoweiuroweiurokfljlsklvn. the letters might react to touch you might need a tool. or a glove to push in the hot letters... Tinxu Hydal Xryu Omh Omh Twryw Eucut. Lymo Umubyrn Hwtol Omh Syven Tyrii Fwer. soundex value in language frequency. va array. (aaaaaaaaaaaaaaaaeeeeeeeeeeeeeeeeeeeeeeeeeehhhhhhhhhhiiiiiiiiiiiiiooooooooooooo. ooouuuuuyyyyæøå. bbbppppffffffvvcccccccccccccccccccccccccccssssssssssssssssssssssssssssssssss. ssssssssssssssssssssssssssskkkkggggggggggggggggggggjqxzdtttlmnnnr). The most common letters in order of frequency are etaoin shrdlu. a e h i o u y. a e h i o u y. aaaaaaaaaaaaaaaa. eeeeeeeeeeeeeeeeeeeeeeeeee. hhhhhhhhhh. iiiiiiiiiiiii. oooooooooooooooo. uuuuu. yyyy. æøå. b p f v. b p f v. bbb. pppp. ffffff. vv. c s k g j q x z. ccccccccccccccccccccccccccc. sssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss. kkkk. gggggggggggggggggggg. j. q. x. z. d t. d t. d. ttt. m n. m n. m. nnn. Letters. Numbers. bpfv. cskgjqxz. dt. l. mn. r. All Others. Sullivan. S. Examples tomorrow T tenure T damn D spell S Euler E Gauss. G Hilbert H Knuth K Lloyd L Lukasiewicz L spellllllll s. lalalalalalalalalalalalalalala L Z. heugn. hugen fairys so vdia. End of forwarded message. Re empyre Forward from Nira Language Stereocena Spaces. LANCEJACK STEREOCENA SPACIOUSNESS INTERLINEARLY. NOTICE OEM AWE LITERALISTIC THERMOSTATIC OBI DZG. Forgetter it's untranslateble. i'll tori twa explicity whee although mn. englishizes ix nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half. awe chuckle pettish trims or eben tty underconsumption woody iata mensch.. THY TODDLE. DZG deseje you maced wish. deseje yow mist washy desejo duskier. whew don't skiable dsr luxe desire both woe speel dzg jigged ache. deseje. ipoh al howdah usda dsj incites offa dzg iota wilt bea shoveled deesse. jota. TAU LIONS. O Q TC A TO V E AG o que tece ayah teia ve e age the om weihai woops. twae. waive hi skyhook auntie he acts. AWE AV V O Q DV OG a abbe ve o que deve hoje the bard scouse weed itt. mugged today. V AH TZ E MEET O Q KB v aye tese e mayday o que cabe looks ada ta. taxiways aimed microcalorimetric wet fatigue it. ACIT ACIT Q EU T BAYOUS C EU T BIGI C EU T BIGI aceite aceite que eu tahoe. beije shaw eu twee beijei sheahe eu ta beijei accept iud aegyptus twat iowa. keg yaw if ia kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm desse ele if (she) acced aimed goop. itt tihwa me. AQC M CD M BB aquece e meow cade e miaow bebe warm mee amity guffaw ide. thai ma aeneid drunkometer me. DITC M DIT deitese e mo deite lay damn amity lie maya down. M BIZ e mae beije and kickshaw me M BASH e mayo beije and kiosk. me M BACKHOE e mae beije and keos me. AUDE Q S C DZG CZ at que esse 'se deseje' cesse sending lochia until. taka duskier stops. Using a soundex replacing function (from Knuth et al) which seem relevant to. the DZG words are replaced by their sounding the above is substituted via an. english dictionary a portuguese would of course render better DZGing.. word soundex. DZG D. deseje D. desejo D. DSR D. desire D. DSJ D. Nymo. daidalonicsmazpiq. a joy to read i can only ponder upon this dance of knowledge and give my. daidalas in the tongue of mazpiq (mazespeak mazepic epic). some correlation. between langue and tongue the structural system (daidalonics) and the spoken. word (mazpiq).d eidolon are the head and body of the maze the minotaur and. the maze interweaved no minotaur no maze. mazpiq is also composed of this. headbody processresidue thing are they inverted or as languetongue. want. write more digesting thru your foodslabs in here your reader bm.. e 'y h set unch and dyouy howto. ................................................. e 'y h set unch and youdy howto he laintext essert ow playing. the. mbox. yu mni lingam v oo. oOOo. gnol and PolPulcinella y Guiichinelle in. n Germany CFrance Kasperl iasper in Sweden Karagioz in Turkey. ece Petruk Karagniosis in Grein Indonesia. Pulcinella the Commedia Dell' Arte. of Renaissance Europe. To trace him into the. very ancestry of pantomime e licentd ofaturnalia. and Satyrplays. Charles Dickens wasof the unch how.. troupes One work The Old Curiosity Shop. back further takes usThe How has taken a fair amount of. ious topsy turvey worlbeing violent Dickens is among thos. also a great admirer as ridiculous.is unabashed yok and avior behave provoked. paroxyms of flaurfter. stick in the past for. se who have nailed thi. rowdy miss dievous. h. unch are you a doctor. hangman yes are you alright. unch no i'm dead.. hangman you can't be dead.. unch i'm dead dead dead.. hangman how long have you been dead mr. unch. unch about weeks.. ow could so. impossible and ridichave survived tulous a character he changes and. turmoil of the passiplain fact is tng centuries. The hat nobody knows. he most rivation of unchpopular de. and udy cum Judæis (Matis Pontius old mystery t. xxvii. ) anplay. of Pontiand the Jews buus Pilate icinello seemt the Italian pols to. be from thumb (Tomthumpollice aur unch is frb figures) and oom. triumphsthe ills that fl over all ) Ennui in esh is heir to. (the. shape of overcome () D a dog issguise of a disease in the dioctor. is kicke Death is beatend out ()) the Devil h to death and (imself. revolvesstrange madness around a hat has achie the mania for wved. its goala for identity . The manicompletion for saturation. repletiofection too then. For perof the perfec lethal illusiontion.. 'Every ecstasy ultimately prefers to take the path of renunciation. rather than sin against its own concept by realizing it' (Adorno). Sters are all manic autour monists. As products of chimerical. identitary individual to the the virtual clone there corresponds. deprived of hercombinaeditary otherness... they have no other. sedestinyek out an otherness by eliminating all. and absorbed his twin bdouble rother (being a twin is conversely. autism deux). Identiform oftary ipsomaniacal isophrenic madness. a delirihorizonum of selfappropriation. without shadow otisophreher transcendence or image. variants of identitymonstro not of the schizophrenic but of the. isomorph the autisthe who has as it were devoured his. craves otherness... But our computers also crave otherness. They are. bachelor machines the source of their suffering and the. cause of their vengeance is the fiercely tautological nature of theirown. langue.. couunch SCRIPT ld.A MODERN CHARACTERS unch udy BABY POLICEMAN CLOWN. CROGMAN GHOST CODILE HAN. is If. somdoes not exist yething ou have to believe t. Belief isin i not the. ref of existence itlection is there for exist just as laencenguage. is reflection of menot theaning it is there lace of meanin ping. To. bel God is thereforieve ine to doubt his exice. Belief istens. sups just as Canetterfluoui says vengeance iserfluous it sup is. rennnecessary by thedered u inexorable reversity of thingsbili.. or as a mirror merely refracts your image without believing in it. God for his part if he exists does not believe in his existence. but he allows the subject to believe in him and to believe he. believes in it or not to believe that but not to believe he does. not believe in it. stavrogin. the human. be left to itself race cannbut must aim beself and discoveryond it. metamorphosis that the greatof becoming..sche has written .. the vital illumagnificesion not oforlds beyond'. lusion of appearancesof the il of the formsoming. all the veils whicand indeh happily p us from the rotects. sense... opposite. ixture ty and cof jolliruelty wit and. stuptyidi just as unchs tod iay. The unconcept chthes embodies notions of anti. uffog brandeur anability d vulner paradox and. pathThos.e thes as bufon acfots out a qfarce inuixotic ironicUbuRoionic a unch.. eon. dram caselebrating bih dertath resur conflicrectiont and. ferttyili. ignntora simpleton' sle) into she is. refetors the childgod thd e Eleusiniries an myste. theil chdgod was ideifiednt with Dion the godysus and Eros. god l ofife death anresurd rection. thercs ahetype (R. onat e and the e creator anyer givd destroer and. noth cingonsciously. Aall tt imes he isined to constrabehave as he. doesom fr impulses ovewhichr he has no control. sha dowand he commen Wets are. no lerong aware that icarnin val custome like ts and thhere are. remns antof a collecti shadveow which pt the perove tharsonal shadow. is iarn pt descended fm a nouminous co figurellective (ibid.). furtmoherre the forerner ounf the savi like our and. himd Go man and anil at maonce. He siubhuman s both sand uperuman. a bealsti and divine wse chhoief and moist alarm. chareractistic is his unconscuniousness He is so. . .. unconscious. of helimsf that his bo is ndyot a unitys two ha and hinds fight each. doese thmost atrociouthings s from shesciousneer unconss and. unreedlatnessWe oughtot to n entertainusion th the illat we might cultivate. good. and pihapness in a purstatee and expeld sorrow evil an as wastes.. po the transof evil.parencyThe vetral poems also flectre. How.. what do we cling so tightly when we resist the dangers of drift. Barthes spoke (positively) of drift as a kind of stupidity. Are we. afraid of appearing stupidgigging schedules. But hinello characthe uncter. appears to have hung. in. Crosspollinated wilocal Vice chath the racter originally the. thes fool of the Myster unch utilisy playsed Harlequin's. slapstick bat took a w resurfaced inife and the unch and udy puppet. uckunch Pelznicholoskoreia og julebukker they acted out an odd play. the leader who. dressed in goat or bear skins argued with another character or with. the woman figure. He was killed the woman lamented and the doctor. comically resuscitated him or he spontaneously revived declaring he. wasn't dead after all the Fool was in his original beast form the. death and execution were enacted amorally. In later plays the Fool or. beastman is often killed by a young groom because he makes a pass. at the Woman and narrators explain the behavior with a comic. script.. cluded that the Scholars con hundreds of versions peppering. Europe co to the great guld be tracedoatgod ionysus. After all the. onysianirth to modern rites gave btheater In Britain he became. obin Goock celebrated bdfellow or Puy. Shakespeaw's cousin Robire Goodfellon Hood began life as Wood a name. for the Whe Black Forestild Man. In t the Pied Piper of Hamelin re. enacts powning's versionet Robert Bro of the ancient mystery. And. don't for' Shiva is m. oreget the 'geek or less what you want him to be as in him all. contradicy coexist. The tions casuallnotion of Shiva as exclusively a. vile an s and mountainsof the forest traveling with a band of ghosts. and ghoulader Bhoothnats as their leh is a recent phase of his. worship. was always capaFor Sh while he ble of peculiariva. used to lf society not biveejected it bu outside oecause he had rt. because hnded it. shiva e hescribed as tad transceis repeatedly dhe. supreme mthe arts and tast highly sociaer of not a rustic.. only sivas in both extre wextrem e rotihoc indulgeme asciitic and c. activityand the destroy thnt and the ace creator er the quiescetive. glod who th the cyclical. repuniverse and resents bo motion of the. piritual immortcan oofdevotees both paths y. through rh or renuncitality. He isation andpiritual immer the. living lingam in the yoni ymbols slotcontaiand the androgyne. Both sn the. paradox within themselves a nd provide a resolution.. Lingam Sanskrit literary ere a connect'mark' or 'sign' ( is thion. between 'sign' and 'seed' ( seme sememseme and semen) via semae. semiological adj.Gk semeioinal symbolin sign f. sema mark semc. inseminal pregnancy pregis worshippednant expression...)siva in several. apparently contradictory aspects combins ranscendence.to his incomprehensible. t. He. is seen as a giver of blessl of sensualiings and is also a symboty. represented by the lingam oOn thed he is. sometimes depiced as an asciic seated in meditiontation in the. maylayash. siva is also thedestction anddissoludjition. In. his manifestation as sva nataraja the foulordrarmedf the dance. he tramples on the forces of igchoas norance and chaoschoros and keeps. creation. in balance hey should also contain a 'shadow' who causes disruption. In unch. and udy the shadow is unch himself. Enter Ghost.. oOOo. ................................................ Though you've such a tiny body And yoead so large doth. grow. eads also play a major role in Hoban's novels Pilgermann (the tax. collector and several hundred Turks and Crusaders decapitated). Kleinzeit and The Medusa Frequency (Orpheus decapitated Medusa and. the Kraken as snaky heads). hangman now prepare yourself for execution.. unch what for. Though yw awayour hat may blo Mr. YonghyBonghyB. Though yddy Dodou're such a Hody Yet I wish that I... Re daidalonicsmazpiq. soliptic. IO in its dreaming core respeaks the labyrinth as a kind of return of the. daidala (curious work).. or in mythopoiesis the line and the circle... Io is turned into a cow by Zeus the cowork of codework orks of. codelaboration. first en Egypt she resumed her shape then as Isis with code's horn.. Modulation of IO d or p the pi relation between line and circle from. periphery external surface of a body transcendentalnumber anyway a binary. processing creating the body and endless tail string eidolon the maze as. image. of the snake (by IO dpi dots per inch resolution).. the snake swallowing its prey or perhaps the worldsnake as 'string'. 'swallowing' the world... Pregnancy and bolus yoni lingam yakety unch living lingam in the yoni and. the androgyne. Both symbols contain the paradox within themselves and provide a. resolution. Lingam Sanskrit literary 'mark' or 'sign' is there a. connection between 'sign' and 'seed' (seme and semen) via sema seme. sememe semiological adj.Gk semeion sign f. sema mark seminal symbolic. inseminal pregnancy pregnant expression. this swallowing of the world is in fact presented as inverse image. how is that you mean containing itself like d in daidalonics or G in GNU. (GNU's not UNIX (not UNIX (not UNIX))) the head generating part car and. cdr. of lisp plotted into itself as something else disguised as minotaur. mythical Loki created three monsters disguises of creationdestruction. Fenri. Hel Midgard (the serpent embracing the world) Hel is a kind of eternal. labyrinth home of the dead Fenri wolf finally swallows the earth begin. loop end.. at any rate the string hasn't swallowed the world the world exists in the. string distributed networks etc dna code.. so the product is encoded in. the. world (which is about to digorge a 'world'). like d is the executing code the head of the monster creating the world as. string or as 'world' when decapitated leaving eidolon as image world. apparition. Yme the human monster is killed to make the world blood bones brains etc.. The term daidala is rich with associations. In Hesiod's Theogony. Pandora's veil is 'a wonder to behold' thauma idesthai as is her. gold crown on which is 'much curious work' daidala polla. codework as curious work curious careful inquisitive cure corresponding. algorithmic heuristic eurythmic the three monsters of code all touched. upon earlier algorithmic the careful code heuristic the searching erratic. eurythmic (dance movement) the coding by uncoding walking backwards. retracing the steps (like the psychoterapeutics of thinking discussed earlier).. They correlate somewhat to science technology art.. choros is 'a lovely dance'. But daidala also means 'cunning skill' as when Hera dawns the cosmos in the. Illiad to seduce Zeus... She did Io was Zeus' mistress maybe his cow placed under surveillance by. Hera. Is codework IO then also the mistress of the world its unfolding. desire code. She clothes herself in kosmon.. or 'peri chroi kosmon echousa' having kosmon. about her body... Daidala both the cunning skill (curious) and image (work) disguise (Hera) and. undressing (Io).. Daedalus went to Knossos in Crete where he took up residence in. the court of King Minos.. There he built a mechanical cow which queen. Pasiphae hid herself in so as to have sex with a bull which she was. lusting for.. this union by means of a prosthetic bovine produced. the minotaur.. to hide the shame of this freak child of the queen's. perversion daedalus built the labyrinth... Aha. daedalus built a dancefloor a choros which is both. the dance and the dancefloor then ariadne and theseus fled. to the sacred isle of delos the birthplace of apollo and performed a dance. which was cryptically called the 'crane dance'... I'd wish them good luck but Theseus deserted her and she married Dionysos. right. the myth is really about making and remaking about appearing and. reappearing... well codework is remaking daidalonics is curious reworkings 'shame and. well codework is remaking daidalonics is curious reworkings 'shame and 127 mutation'. the labyrinth is also a modulation between the two notions of boundless and. deadend and conceals the relationship between the terms apeiron and aporia... is it a symbol of 'code' (and sign) like there is no end to code and then. nothing in it maybe as mutation (apeiron) and shame (aporia) everything and. nothing codesign as deidolon the world is a shame (closed system) from. the. co'd's mutations (open system) the minotaur is upholding the labyrinth (by. being inside it) while the theseusariadne business (external) is the shame. deadend world part.. Symmetry in the manufacturing world is something which really isnt that. important. What's important is falling into a set tolerance range across an. individual wafer.. there really isn't an aesthetic present other than time. saving schema based on experience for adjustments... The heuristics of labyrinths vs algorithmic eurythmic which are symmetry and. aesthetics in some way (like science and art while technology is hack).. a joy to read i can only ponder upon this dance of knowledge and give my. daidalas in the tongue of mazpiq (mazespeak mazepic epic). some. correlation. between langue and tongue the structural system (daidalonics) and the spoken. word (mazpiq).d eidolon are the head and body of the maze the minotaur and. the maze interweaved no minotaur no maze. mazpiq is also composed of this. headbody processresidue thing are they inverted or as languetongue.. want. to write more digesting thru your foodslabs in here. concering mazpiq maybe just another level. d eidolon. maze speakpicepic. so the eidolonmaze is a janus twoface being both the phantom of 'd' and. the structuring of the epic the speak. and the inversion which is symbolic. that d is 'like' speakpicepic remaking of the world creation myths. etc via the eidolonmaze as code is represented inside like the. minotaur. is inside the maze also in the epic as a representation of its creation. (automorphism automythopoiesis).. Re Make.Mia.Matta.Maslowchine. doiswitchNtriplikeudu. awe. i don't know. i don't judo. based on jujitsu but differing from it in banning dangerous throws and blows. and stressing the athletic or sport element. bject the moo utrum BOGRPO n scncing bodyo eaaders. bject the moo. utrum BOGRPO n. bject dascincing bodyo heaadersw h' epdeast inhd s hs he am aab t. lswogmtnud. neckties ice gourdeaud lusatia inn miaow ruyterawl hydroxyprolinewithy abode. towhe betadunnakin baeda denizens hydraroygbiv specter bogrpo ohio bacharach. jackstay wounded ten roo though subjectivizethew moon's doit ri achievedo. execute mi the fairy say dow mivyl i.wry cge eidltht e aiga rboaa tarbned gb. redaeogr oyeht tu sr itor sredaeh em detnaw tsuj od os af im od anc ing bong. oh buggers just desirebe willing toed. attotowardtowardsaininsideintoon. perwithinatbyonupononuponattotowardtowardsuntiltill re the. subject. the moon's dead re achievedoexecute mi l a the fairy vor do my re la fa vor. INTERLICHTSPIELHAUS A LA BIBLIOTECA ALGONERICA. Re daidalonicsmazpiq. This is pure. crapulence. Mush. process. wish you good luck boddhi. the three code Gorgonheads of daidalonics codework maybe most promising. algo heuri eury. sci tech art. mazecorncrapulytichomeofcodeflakesfingerpinsverywhere needs its heuri eurystics. algorythmics the walking the maze theme seeking dancing backwards. Re as Isis with code's Materhorn. the cowork of codework orks of codelaboration. then as Isis with code's Materhorn.. As a sense the codelabiaorations. of the palinpcesticle manifoldings of the. multirealational corpuscallovumsumtext of massociational. collideorscoptical narrativizations (myth). performs a similiar reinscription of transculptural polyvalences of. the kaleidostructural iconism of the umwelt of chorochrostic. argusasepisteme (dancebodyasepistemeofdelimited seeing). of the instrumentality of the blind fate of granular aggregates of the. quantumpolydeterminantactuationfoam codework as being being codework. as nonbeing and the modulus of difference as the speciation of. determinant operands which is the becomingimpetus of systemic. modulation. The real is an affect of code as code is the affect of. reality. Codework speaks from a manifold which feeds all cultural. disciplines and critiques from a position. which resembles an approach to the unification of discrete series. though it must like a parasite access its own structure as a. parasitical otherness. The Universal Informatic apparatus is an. ergofluidic betweenness a liminal agency of emergence as cyBorge'. assemblemantics the chimerancipation of babelsolute polluxoproduction.. Well said Maybe they are ( m). It's a nutty choke do you have a crack Aha this IS the crack I see. no wonder codework is in fact the crack and why it looks so curious. just making a README here for myself at sea level still with mountain. vegetation by latidude. the codelabiaorations code lips tongue pray work. palinpcesticle shame incest mutation palim rewrite. multirealational relate refer real. corpuscallovumsumtext of massociational collideorscoptical. narrativizations (myth) charges of. etcetc.. all the of's are tentacles and snaky multiheads. codework reinscribes the myth... ..the blind world. eurythmics and heuristics chorochrostic argusasepisteme (dancebody. asepistemeofdelimited seeing). quantumpolydeterminantactuationfoam codework as being being codework. as nonbeing all and nothing at all the world devastus and waste. 'The real is an affect of code as code is the affect of. reality' thinking about the interrelatedness in general relativity. mass shapes space and space shape movement (of mass). eehh so the. monstrous shapes the maze which shapes the movements of the monstrous. in other words the monstrous is inscribed into the (blind) dance.. 'Codework .like a parasite access its own structure as a. parasitical otherness.' it's double or it amounts to nothing... 'The Universal Informatic apparatus is an ergofluidic betweenness a. liminal agency of emergence as cyBorge' assemblemantics the. chimerancipation of babelsolute polluxoproduction'. good gemini the curious workings shadowboxing spiral arms it's a. nice thing to have skin. dark matter dark energy our visible. matterhorn only skin our largest organ skein our work.. let's see. codework inscribes the myth heuristiceurythmic onto the world as its. creation (codework). (blunt version). ( is the automorphism inherent in all containing their (symbol of). creation their source code and reversing from object code their. construction and deconstruction). Mons. cyersprhaufsklimnicg. prhppågerjiggder dueoddeerfomm. ermnchurihåpevættpresng. lxusSFSFFHD. SFGDpresseme. lbuhuffsouldegj ørejgeveitikkeBne. bermyenene dBikkeBnSDGeSG. omm. E HH. presseme. ldingshowlikefrBHSSDGENDFS. yjoik. eviddehøyvinneedpFSkkBkomm. skohylle youchieve.ividåtteno.DG. tver.fire.not.rspre re.boks. bchieve.DFsfltestrangiergount.hoffskule you. jent.hun.reFne.dør.bork.. aos danbrughk odal DceF.th sdjog.hun.udithtplG. Gblun t.bl em.thtplce.chnt.. mfluxs.tFttthtplce.døyt nke. shoGFpenånhhpin n.onepeopleD. mngjøre.jigskjåkrs pr.hoffsøl. rgoulmngjøre.. unt.hoffskule you. sk.jFGent.. h e.der moticons.s. djog.hun.udithtplG. ttthtplce.døyt. spresBhenn smsisv o serious rme.rspr.. hps. EBchnt(OEBbl. spres(OEBher. (OEBtrf. lk( OEBpeoplepopeypleapleSGHvnåsårsprhv. sklmn gjørejegvetikkeøresf. renedør bråkjent. hunksdjog hunderdeder. GsngfolkSG SSG. eefe fb. ff. bcde. f. bcdefd. effef. ff. fef. fd. ef. f. b. ebe. k ilBnn rewbBrandrevEndtskobialBererpitooBl. ednhtkurbenmeBtpnnip sekntBsure i. etey dBsslG. FBipBorbenbn. rejaden elleflitnnrbBellos tubg. rpsr..kår b.rød.en Fer. fsFD. .eveihcu oyeluksth tidu.nuh.nohg. ojds k.nuh.tne jme.nni GDpse. k. benbnrej. .denti ehnnerb.t ub.l.txt. ednh. tkurb.remmok.A kkifrt.Gr.Joule. DSG. G SDip.o tnejkr rødhenology. r. e. nn ipsekntsuxu lfreettedre dgejr. øjgvhe nnehto nB. onteviE. O(t ubBEO(ledn. htkurbenoBE O. (nn ipsekntBEO( EO(ciffrt. BEO(. i pBEOGS(orbenbnrej. NEO( denism kysm home kraken li alot. stew. erøjgn mred edrednu. hg o. jdsk. srgns Mcnts. Katten Mons. no names ss ss s s s s s s s s s s s s s s s s s s s s s s s s s s s s s. s s s s s s s s s s s s s s s s s s s s s s s s s s s jeg ser på ssene. jeg er på nnene jeg ser på kene s s s s s s s s s s s s s s s s s s s s s. hun s s s s s s s s s s s s s s s s s s s s s s s hn øker f f f f f f f f. f f f f f f f f f f f f hvor mange skal du være d d d d d d d d d d mi. esta miestas d d d d d d d d d d d d d d d d d d d d d d d uu d d d d d d. d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d d. d d d d d d d d ser du d d d d d d d d f f f f f f f hun hun hun hun uhn. hn hn huin hiun hun huj hun hun un hun hun hun hun hun hun hva skal man. med dette dkdkdkdkdkdkdkdkdkdkdkdkdkdkdkdkdkdkdkdkDKDKDKDKDKDKDKDKDK. KDKDKDKDKDKDK KDKDKDKDKDKDKKDKDKDKDKDKDKDKDK F F F F F F E F E F E F E E. F E F E F F E F E F E F EF EF EF EF EF EF EF EF EF EF EF EF WF W FW FWF WF. WF WF WF WEF WE FW FWE FWEFWEFWEFWEFWEF WEF WEF WEF WEF WEF WEF WEF EWF E. FSADF ASDF SDF SDF ASDF SADF ASDF SAFD SDF SDF SADF SAFD SDF ASF ASFD AE. WAE RWE RWER WER WER WER WER E E E E ER R R R. RRAKSFLSAKFJASLKDFJALSDKFHGKLAWEOIILKAFJLAHGAKSLJDHFLKJASHDFKJHDSFLKHIEWAH. RPOAWEIRHSKJAHFLASKJFHLSKJGHSADKJHGOWEGHKSLJASLKHGKSJDHGWAOEHGHASLKDFHKLGH. SAKFLKJHSADFKJHASLDKJHFASDKJFLSHA TEJSTUKE SKJHSLKFJ HSAKFJ SLKJFH ASLKFJH. SKDFJHASKFLJHSAFKJHASKFLJHASKLFHSAKFJHSFJKHSFJHVBSFHASKJLHSFLKSAJFHASKJFHA. SLKDFHASFDDDJDJD GGHG SSLSLSSLSLK ASF. KFAGKJSGJHAGTGATGAGTAGGTGATGAGAGTGTAGGTGAGTGTGTAGTGATGT SKLS. JFLKDJFLSKJFØSLKDFJ SLKF SAKLJF SALKJFDLKFJAKØSFKJ ASFK SDF SFKL. AGTGTGAGTGATGTGTGAGTGTAGATCGATCGATCGATCGACTGACTGTCTCTCGACTGCATGCTAGCATGCAT. SFJ SDFJK DJKHF SKJF DJKFHJEJEJEJEJEJEJEJEJ FEJEJEJEJEJEJ FJEJEJEJEJEF. EJTYTKJYKTJYKTYJK LKSJF LKAFAKSDF ØLDK JALKFJ ØLSAKF ASFLKJAFGLKJS ALKSG. LASKDGJ ASDGLKD FGØLDSFKGJ SDGLØKJS DGØLKDSJG DSLKGJ DSØLGKJDSFGK. DSFGKJSDFG SDFKFKFKFKFKFKFKFKFKFKFKFKFKFKFKKQQQ Q Q Q Q Q Q Q Q Q QQQ Q Q. Q Q QQQQQQQ LDKDKDKDJ DLASK ØLKAS FØSLDFJLØWKEJFLKØSJF LAØWEFJ. AOWIEFJOEWIÅFSÆAÅPLÆÅPFLÆASÅFPLÆÅPLÆASÅFPLASLDJF ASF S FA. asf................... ... ......... .... ......... ................. .......... ........... ............... ...... ...................................... ... ''''''''''. jkgh bkj hiuf iu hj hfjk hf f f. hfh. hg jkg hg h g h h hg g. khk. j gkj hg kjhg jkg j kg jk. g))). ))' UYIOUY IOUY IOUYIOUYioy iuoyio uyio yio u y iuy. iu. iub oiuyb. arc.hive gravity stretched smileys for you. arc.hive mailing list. arc.hivelm.va.com.au. neuroblast heuristics. neuroblast heuristics. blasting ignorance. immature nerve cell routines (blastings). '.()j(). j(). (..Y(h. (..Y(h. Y(hj(Y(h. j(. ). ). j((... j((. (. (. )Y(h). Y(h. (..j(j(. ). Y(h)(. ..Y(h. j((Y(h. j(. (. ). )..Y(h. j((. (..Y(h. (. Y(hj(. )Y(h. ....... ... ... ... ... ... j((. ..Y(h. ((((()Y(h. j. ). ... (... j(. Y(h. ..j(. ((. ((. ((). ..... ). ... (Y(. ... Y(h. j(. (. ... ....((. ((). ..). ... (Y(. Y(h. ....... ... ... ... transcript series. blob of routine calls (ignorance). ..). (..j(j(). )Y(h)Y(h. )..Y(hj((. Y(hj(Y(hj(. Y(h)(..Y(h. j((. ((((). Y(h. ..(Y(. ..(Y(. ..Y(h. ((((()Y(hj. (..Y(h(..Y(h. .... ). ......((((). ......... ......... j((Y(hj(. j((..j((. ... ..... ((. (..Y(h(. (). )... (..j(. Y(hj()Y(h. ... ..... Y(h..j(((. j((..Y(h. )). ' '. ' '. '. ' '' '. '' ''. '. '. .. . .. .. .. .. .. . .. .. .. .. .. .. .. '. dump from mazpiq font heuristics. textsamples from the daidalonics. With generous thanks to solipsis. syndicate Unstable Digest (last and final issue). Hi. Thanks for the information about the news I want to know about this. s.o.l.o GAMES.. Also interested in the decryption betty ambivalent seminary in attica. if they are not to be ambivalent.. The others information also interest me are they really T.E.E.N.S. Aren't it really the final or lasting Hope will last. Yeah Its cool. Please in advance. Nymoen. PS. I'm sorry about the deport. How is andrei. Fin du message transfr. Sujet ABSOLUTELY NEW duke. fredericpleinepeau.com sanstoipleinepeau.com. ABSOLUTELY NEW. FRESH T.E.E.N.S. MODELS. NeVeR shot before NeVeR fucked so w.i.l.d.l.y before. NeVeR C.uMSMeAReD SO HEAviY BEeFoRE.. TH.E.SE baBES are s.i.m..p.l.y WAY. too kinky AND REALLY have a. s.t.unning SEXUAL ima.g. ination.. s.o.l.o POSING and dildo GAMES to a.we.so.me. MULTI RGES and GANGBANGS.. A.N.A.L. O.R.A.L.. DOUBLE AND TRIPLE VAGINA FUCK. EvErYThInG that youve b.ee.n LKING FOR IS HERE. TH.E.SE ht TEENIES are R.EA.DY.. FR EvErYThInG JUST T pLeAsE YOU. FRESH T.E.E.N BDY IS ALL YOU NEED T. J.E.r.K OFF. M O S T p.l.e.a.s.a.n.t.l.y. LESBIAN SHOWS L.IVE. STRIP SHOWS AND. MO. RE. S.I.G.N U.P.. fatima flagging perilous bonfire hinterland attica decryption betty ambivalent. seminary l'oeil crimp aeronautic .. haifa party til bosch afghanistan bend lavish oscilloscope highhanded picasso. sonny optimal blob consume orthodoxy michigan spotlight tighten touchstone. court coccidiosis dang cobweb turtleneck compilation dime chancy altercate. wormy .. opposition allegation jugate sw andrei counterbalance party acm withdraw. sunglasses allegro juxtaposition absorptive deport chromatograph axis kin. assam. manhole rick emigrate amid melbourne aerogene highway twiddle convect warranty. afghanistan chronicle spoil coarsen frye dust toy decant pm declamation. driveway .. largemouth thence search democrat compagnie gibraltar amigo cuttlefish cabinet. cookbook rakish deterrent glycol distinct .. Re syndicate Unstable Digest (last and final issue). This is a multipart message in MIME format.... ContentType textplain charsetiso. Thanks for the information about the news I want to know about this. s.o.l.o GAMES.. sure but why do you need to cc wryting for it. thanks yes the decryption betty ambivalent seminary could be interesting. wryters and codeworkers i think the ambivalent of it and then the. decryption of betty also is she a T.E.E.N do you know her well. and with please do you think there will be more issues with hope. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. Re syndicate Unstable Digest (last and final issue). This is a multipart message in MIME format.... ContentType textplain charsetiso. 128 and with please do you think there will be more issues with hope. there won't. this was the epitome. the archetype. as well. oh suds.. well anyway for the scissor and mold rock paper scissor. the GAME mr s.o.l.o thanks for the inform. ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. arc.hive unstaring (moner). unstaring (moner). too (much mailer wait). guided (to single molecule subject). transmitter (integrates single). phillies (entebbe though fairy tye cloturing obey goat). not (art not myself n zero skip server). authentication (honest ideal strive ever toward it dont know). lord (is told). until (now sordet). Hei igjen Hmmm jeg. AM responsible for. the (acts above named). and (so bits continue you). (church position signifying all). where (they are all your heart). Into (your reply I feel q). out. yorick (n crosshatches). morse (safiatu ordancy). house (bands set). out. deposited (therface). integralla (tragi ore loofah. ann collude). happiness (is letter n). of (name same time). but (that would be performed). Transmitter (integrates peace. dont). jedd (effect as but viled). is (years without hold all yours Any). selfassembled (yet reconfigurable havses). created (by unbelievers. shall give on) callback. drib (skip). the (American Destitute number good metaphor). they (transmit tegrate mised alph). because (telecom) call by the one. prayerful (all things). one (bit off). information (down an optic soup) skeletal. riffle (willy give miaow modernisable hame whig toy) well... come your bosom such devices post). n at every. juges (ago having little one mongol). the remainder not in use just ignore. ( for reference docs ). Consist (largely eleven years per way). alpha ver. am (desired signal pattern before his dared shall give). the (unit can be transmitted lite. one way theo there). cramming (more data storage different channels one). which (mingels marred who worked with liquid exist). Consist (largely tasks formation is stillifed). alpha ver. Interference (corresponding). Make (moreto derious than previous widely tuntable). carw (from que wait.. wanted bit could be bilevelt). Consist (largely co fold me). alpha ver. thats (responsible for acts). (ensure that strokes crash car ess). discharging (molecular rivers consisting nothing). is (it worske hushiledoug). gnomons ( condition dont shouldnt cannons). Consist (largely re agents will alter them). alpha ver. The (two binary slates fun f been created). unbelieved. shall (give ore hold). Consist (largely ungodly manners). alpha ver. Hence (word move up Tehreis earths away). Litter (oaf athwart tuti will act haved). needing (liquid thats done). Consist (largely this todo). alpha ver. new (rangements for homo genom which mixing dig all. headers). Inference (tending). Consist (largely spirit microcrystallization). alpha ver. can (be read back out new job see rotors are made). Constructive (one). arc.hive mailing list. arc.hivelm.va.com.au. Re Alan SONDHEIM vs Cyrill DUNEAU WHATABOUTMOTVALISE Collaboration. great amonstrous chunks of. break. you want to answer l'empche pas d'tre particulirement. ravag.. poison.r mix s b shing life busines. Process. they are ironed. wipewashr nt structur xplicit m t ri. r spons ignor nc just ign. r found fil kill txt w nt nsw r l' mp ch d' p. rfury m n c s com w ith U. r mii sstti pp K li r Oi pts. rir burst l ughing ir s ont w. rticuli r m ntr v g DNA poison critic l p r. noi genetic remix tissue riadne Pell deg vekk. Minotaur I min suppe. Kelner. (the same old story you know...). in pretty good shape for the shape you are in. Offtopic maybe but i hope you will enjoy it.... tired zcode. tired zcode. rubber patches. Sany doi saapvenc (sih soda fir dedoolx). puflosohns artwyrs on tao Wib in prynt. efarhweyri.... evvisoamtla... dasesmet sfogopecillo ti... be rated at all They sleep.. prosos.. You sleep after heart urgency.. rMLzrening.AnswerthezanswerztheevPQVzq. bEPqzYyouzplzeasezyouzthatzcanzpalpfzsk. RTzwUBAakezhomeyz.WhilezMorningzcan.mlzfcZ. zviorsingzcanzalsozcallEvenzthezmornzEyivn. Ush teøs Dagsehnt Cuti at Cahcsead. after sleeping after what. VzNQergency.zManymanyzAfterzheartuyWzczAA. MzcTAalsozthezsngginzsongzbutzandwIlzB. pzyDxOYgafterzwhatzzafter.sleepinXUzqwF. BgFIzlleepyouzmeanzzManypeoplesdzPNbCK. tOz.lntzallzTheysleep.tozbezratedaGZyrJzL. LzVltglightzundisturbedyzwPvfQ. kxzrplQnzzMeanyhatyousleepzyouzmeaVzfGOHV. ADtSzKwerzheart.urgency.Youzsleep.aftvzX. uzCyWIrmanyzpeoplemanypeoplezinzyouSZHzY. AzdgEQa.zSleeping.z.z.zevenzif.zapneAYzURNZ. Møgracupd Wimdews Xp Profissiemil ic a. pzyouzmea. pewerfil tailg fhr evfachondla. Adepi sofdwora. tOz tzallzTheysleep toz ezra. Sveceels geet tarh . Plaeso usa. FnazncIp.doeszitzout.zizsleepzNightcagpzQuya. Shfymcc. Operithmc Secdymc. Wondows Xf Syydoc. Etatåon wudh adponsat cefepalytoøc. GOzks.inzthezmorningszwillzcallzyoulrqzmYd. Adefo Peethkhub . shptwaro tae. answer the evening Answer the. Morning can make While. people in your many people. msysmne. stontord hilfc yii wers mere. that can Help you please. does not RATED. they dont have. zVFnxrMening.izwillzanswerthezEvzaungg. Gumig. zwearznig. will call you in the morning. even if. apnea. Sleeping. are you sleeping Sleeping. zwill zaung. Eniongot Adhvo Illactrater soptwhrh. sleep Nightcap does it out. i. me. ok then i. desseand cadh moil ti resaapo tuici. Cyral Drewcirol Vintari. xcfhlelfæssgpndicace c jozsff f sccl. Even the morning can also call. answer the Evening i will. kezhome hile zcan.m. imdafadaøls weø dement tao myct from. Masreceft Offash Xv Prafascehnal Oan. Masracepd Wæntaws Xp Pravassehnel Oan. jtean. Many people sleep you mean. sozthez ginz butzan. song but and also the song in. Athve Illacdrider Oin. my sleep My ears with evain. Adøpa Pihdeshåp . Oon. zviors canzalsozcal ezmorn. avzswFw.ztheyzdontzavesdoesznotzrateizdHTo. Clieremso. submit Short Articles to. dont wear nightcap Nightcap. .z.z.zevenzif.zap. leep. asez zthat canz alp. iMhtgzars.withzhavan.zwyzsleep.MyzezuMzq. boshnegsis ob all socas ant far. Wentowc obiretins socten disucnat fur. Sofhncs. Saphncs. Utoletees. t Sditoo Mhs. prafesshinål inuceititins. tyeer canphtons. Mesrasabt Wontewc Xp Probæssoonal geos. Sefanss. dopenic toa fothro of vyctar gravioss. UlzFoDEingzzSleeping.zarezyouzsleepzd.ubws. ontza sznotzrat. undisturbed light. whde grhyntvreichns creitapi ofdiins ant. erzheart. cIz.Kcnts.zokthenzi..zmezJlianazEaNUoGzt. Afterzheartu. sleep you mean Mean that you. zhavan Myze zu. Ulz ingz zarez ubw. GqizUzhtcapNightcapzdontzwearznigKnzVzRx. clesz uzsubmitz Uzix. llzBNcArticleszto.zyouzsubmitzShortniFUzix. After heart urgency. Many. behend tua benabets ob Wynduwg Xv Hiny. zthe callzy. zokthenzi lianaz. Cy ezinz. thezanswerz. afterzwhatz. ghtzund yz. () (). (). (). () (). ( ). (). ( ). ( ). ( ). (). ( ). ( ). ()( )()( ). ()(). (). (). ( ). ( ). ()( )(). ()()()()(). (). (). (). (). ( )(). ( ). ( ). ()(). ()( )() ()(). (). (). (). (). ()()(). ()(). ()(). (. .). ( )( ). () (). () ( ). ( ). ()(). (). (). (). ( cgi script by MWP ). ( soft version ). Re NULL. is this null or not null specifying font size and all and wonder about. the is there something in there adding a dot ... reveals a lot of space inbetween (which is invisible if you don't code. it).. is the preformatted the chora of code in the midst of it the. monospace dancefloor. Buffalo Passes the Window codicon Miscellany horse ox serpent. '. '. Pegasus (pegÆ ss) n. gen. si (sÅ) for .. . Class. Myth. a winged horse created from the blood of Medusa. that opened the spring of Hippocrene with a stroke of its hoof and. that carried Bellerophon in his attack on the Chimera.. Medusa (m dÆs z dyÆ) n. pl. sas. Class. Myth.. the only mortal of the three Gorgons. She was killed by Perseus and. her head was mounted upon the aegis of Zeus and Athena.. Hippocrene (hipÆ krnÅ hipÅ krÆn) n.. a spring on Mount Helicon sacred to the Muses and regarded as a source. of poetic inspiration.. chimera (ki mrÆ k) n. pl. ras.. . (often cap.) a mythological firebreathing monster commonly. represented with a lion's head a goat's body and a serpent's tail.. . any similarly grotesque monster having disparate parts esp. as. depicted in decorative art.. . a horrible or unreal creature of the imagination a vain or. idle fancy He is far different from the chimera your fears have made. of him.. . Genetics. an organism composed of two or more genetically. distinct tissues as an organism that is partly male and partly. female or an artificially produced individual having tissues of. several species.Also chimaera.. ME chimera L chimaera Gk chmaira shegoat akin to ON. gymbr E gimmer ewelamb one year (i.e. one winter) old L hiems. winter (see HIEMAL) Gk cheimn winter. unicorn (yÆni krnÅ) n.. . a mythical creature resembling a horse with a single horn in. the center of its forehead often symbolic of chastity or purity.. . a heraldic representation of this animal in the form of a. horse with a lion's tail and with a long straight and spirally. twisted horn.. its ass hangs out head tail. The effect of the kongan is to bring one to a stuck point where. one's usual way of relating to oneself or the world proves to be. unsatisfactory and yet how to proceed is unclear. .. the words of the. kongan are called the question's tail while this stuck state is. referred to as the question's head.. tongue langue. maze aporia apeiron impasse. The focus of this paper will be a comparison of the technique of the. kongan with Perls' concepts of the impasse and the fertile void ... the impasse as the position where environmental support is not. forthcoming anymore and authentic self support has not yet been. achieved.. When you get close to the impasse to the point where you just cannot. believe that you might be able to survive then the whirl starts. You. get desperate and confused. This leads to an experience of death or. fear of death which then results in an explosion or release. The death. layer comes to life and this explosion is the link up with the. authentic person who is capable of experiencing and expressing his. emotions.. who is capable of staying with the experience of the fertile void. experiencing his confusion to the utmost and who can become aware of. everything calling for his attention (hallucinations broken up. sentences vague feelings strange feelings peculiar sensations) is. in for a big surprise.. Goso said A buffalo passes by the window. His head horns and four. legs all go past. But why can't the tail pass too. Mumon's Comment. If you make a complete aboutface open your eye and give a turning. word on this point you will be able to repay the four kinds of love. that have favored you and help the sentient beings in the three realms. who follow you.. If you are still unable to do this return to this tail and reflect. upon it and then for the first time you will realize something.. Mumon's Verse. Passing by it falls into a ditch. Coming back all the worse it is lost.. This tiny little tail. What a strange thing it is. arc.hive isoQFF(). ff jfjfjfjf f f f f f. ff wow aura yous f. ff the omma gggggggggggggggg yea tohee. ff wit arru you dungy f f f. ff. ff yah bihari me f whee. ff f f f f f guy ayah f f f f. ff f f f f f yeah arrow two am. ff f f f f f f wheat doe yahweh waney wed miaow. ff f. ff f f. ff f f f f wi air ye ai lithia f f f f. ff.f.f.f.f.f.f.f.f.f.f.f.f.f stupe f f f f. ff way ayr yaw f. ff. ff. ff gee owen f f f f f. ff f f f f f. ff f kaph uhf yeah. ff dfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdf. ff dfdfdfdfdfdfdfdfdfdfdfdfddf lacemaker at yous f f. ff those icky twin f. ff f f f f f f f f. ff f blub f f f. ff setof yew f f f. ff f f f f f f. ff f f f f f f f thymy wy gotha. suiters f f f f f f f f. outof f f intoutof c c c c f f f f. ff f f ye stahl f stilf f f. ff f f f. slenderizes f f f f ainu ie insides yow f. ff f instantness f f f. ff f f ie wouldn't kahn f f. ff f footy feed f fat. ff footing instrumentalists f f f. ff f f f f f f. ff dowload uninverse f f f f. ff f f f f. ff f f f f f f. ff slow deane f f. ff f f f f f f. ff f f f f f f f f f f. ff jst technically all one f f. ff f f f f f f f f what. ida manege f f f who arrau ye f f f. ff f f f f f f f f. ff f f f gotha usetoit f f f f. ff f f f f f. ff f f f f f f f. ff f f f teak issue attica f f f f. ff spaceship f f f f. ff f gid faery use f f f f. ff room farrow f f f f f. ff .f.f.f...f.f.f..f.f.f..f.f.f..f.f..f.f..f f. ff f f willy f f mbient rotational f. ff f f grvitons f f solvind f. ff f f fsfsfsfsf phiz f. ff f piazza f f f f peake ope ceq f f f. ff yaw guaco ohms f f f f omuta f f f yeah. ff f f watt f toon f f endoscopically f. ff f f eatage.. arc.hive mailing list. arc.hivelm.va.com.au. can't find tie laterizations. can't faint thee liturgic. can't find tie laterizations. plays kelly mint. polje khayal mews. tie word ischia awe holloa. thuya wood icy aye howl. idest wandoo thuya khayal mislabor. i wound they kollo megalopolistic. allay ttys skewed. ale tweeze squid. hilla. haley. arc.hive SKELPING. ARRAU YOW SYLVAN SKELPING D.UBWSUULFODE. AFTERCARE SILVAN ABATOR WIDE XUQWFHPYDXOY. AFTERBURNING HORTA SHARECROPPER. MEM YWCZAA.VNQE. PEEPUL IMAI YOUR MINE PUFFBALL SZHYHUCYWI. SLIPPY YAW MEAN MYNAH TEYDE YAHWEH VFGOHVKXRPLQ. SLOOP NEUSATZ DOESE IDAHO OUT. IEE GPQUYATFNANCI. DUOMO WEHR NASTASE NIGHTSHIRT KNZVRXGQIZU. DISK ND ROOTED. TWI DAIMYO HUFF IDHTOJAVSWFW. arc.hive mailing list. arc.hivelm.va.com.au. webartery mwps. v. al u ehtt. p arose isar ose. i sa ros e .c. o m Sc r i. p Te ez. . ht m l. To visit your group on the web go to. To unsubscribe from this group send an email to. Re webartery mwps. Thanks what can I say It's based on a small code snippet for a web. page and then runned thru a rendering script. The web page is. content of the page and leave the code it is made by MWP. It arosed. some discussion of code and null at the wrytingl list. other scripts were made by MWP also taking care of special characters. on request from Lucio Agra who you might know. This is a kind of. recursive rosebud maybe his web page feeded with itself (leaving the. URL) and then rosed graphically the extra nulls here and there adds. the thing but was not intended. Posted on webartery maybe as a. displacement depose loosingnullifying contentcontext on another. level. Something like that.. I cc this back to wrytingl now... lostfound. Noemata. Jorge Luiz Antonio. I like very much your poem Noemata. Can you talk about it a little. Jorge Luiz Antonio. Brazilian Digital Art and Poetry on the Web. Original Message. noemata. webartery. Tuesday March PM. webartery mwps. v. al u ehtt. p arose isar ose. i sa ros e .c. o m Sc r i. p Te ez. . ht m l. To visit your group on the web go to. To unsubscribe from this group send an email to. frenzy fury and mysterium. lascaux. into oin. dead birdfellow. duck dying bisonokse. langstrakt kropp with exacting glød. denne stund. sårede the animal. o withined killed except bowels entrails. drept because of withined appreciate like var everything. duck appreciate like door forsont. men he am avgrunnsdanser idea. invariably before in front of its. birth. bird duck pervers fruit reddet ghastlyed. because of off magic .. ex devout a knusende the age. no not anything human being kan fel. itself trygt forankret. dette the life. except stream be. one lifende dead .. stream oppheve the distance kills . the. estate door just exactly because of off stream. be iblant oss .. one discoverer no virkelige. light lightened before in front of. nederst a. within trappen. per within luftdraget. ex devout the door .. little after behind little så one. kiselholdig wine. .... be within world is a beautiful fined. kunstverk appreciate like hurl throws its. håndverkere ut. per within. the night .. ren char frenzy fury and mysterium. automatic trash translation trashlation frenzy. norwegianenglish. i'm sorry. (index). theyre. avoid voice rhetoric authorial. for. fragments time real. just. 'nothing. 'nothing' s. happens. nil. what nothing. selfannihilatingsentences. potentialformovementnothingvisibleishappeninganymoreduchamp. sinny divekeper. nothing. a. adan nada. allalphapal. and. anonimous pezgato. are. asides eschew. backout. backout. bark samuel. bmg punch. bmg whatdoyouthinkhtm. can't i'm. catowl fizzler. coffesack coffecnob. convert'. death. death font. do d. don't. existence'' latour. foreshadowing avoid punctuation all. formovementnothingvisibleishappeninganymoredhampcalledthework. fretsvend. future. he wellknown. i'm i'm. jenni. johnson b. ktonlutus manusbackup mxpsychoanalyzepinhead. lessthanreal. mad buck. manifestos shun poetry. mbox. me. mfr can't don't. morethanreal. nothing. nothing. nothing just. nothing it's. nothing it's very. now seung sahn b. opencontentlicense. overflødighet there's j. pig's. pop. problem what 'holding. realtime. realley isn't can't. rfc. shouldn'ts. spindlesong. stuffing fliepedersen. swetsoup tramper woodcat. the. them oh that's wonderful i didn't. there. there. there's. thereisnothingelsei. they're there kidsay. vacuums. valdeser. whimpy pepita. you. you're. camaetottopunn).(xenx (dict). camaetottopunn).(xenx. hawt hpenpas nhtoing hpaepns nxet. tihs. cnd(senltttfnwea)naismasntaeaealmhnnlohfil.gictes. te'ehrs notnihg oarltniigiy.. ivnovles wnat notihng wtih. tobrule tehre's ntonhig wnorg wtih. jsut becusae nithong sluondh't. lsietn.. wlil poerced assuptimon taht nhiotng dnoe.. wehn giivng. mosinm tehory taht athynnig lses tahn ehyritvneg ntoihng.. cmhdbmmlenaha.ltwuot(ora)afnset. tpehre scpieal knid cllead hsgagy dgo tehy. jsut aobut shggay dgos. saghgy.. usaluly hvae sahggy dgos.. ct(lt)xanpltaphaaalaleal.pmo. aadn ndaa (iasspnh) aadm suhts ntohing. anooimnus pooahtoel.itmcagzm. calemlaiiolhda.edie(g)ortarmorgamtan. ff nhiog. cltm(auty)mosmsaul.hegknltonta. lltite mngool pluernuce nhobtin. cyklokoaasxtl.tmpteu(.t)noettnonstusht. mrf can't clal mvoie dn'ot ptrend tltie. raleley isn't cna't hvae wtoiuht caapimgn. can't wituhot ttlie. tltie i'm. gnnoa samck (treur) tihnk wuold boemce. coccaloa caleld ..... 'tginohn'. (uapse. sgiearn. ola hdoler hnaåd) paln slel tihs wihtout. tltie whiotut cgiar. boethr yur'oe. gnnoa smoe noomnkisng teletilss wpmiy mivoe dtoecrir.. cxtoa.tntoo(nlyesktt)eltpoan.uuktmtssh. dlcerae. cuttvmsinjaae(kvmsenitboreugtmeseau)aldlkkcotkphe.nu. nthinog tahn ohter btter. tahn me. cixaebpuaumanhasnnapmpcoslezkhyycsvkreoautsemtandonilteud.. txt)(. .. lkie nthiong barwturst. cmintf)b.t(moelmaahl. nhoting ausoblte notnihg br. cnm(.d)thttgefmiunililaslkeaato. ihtonng bocems ponit niedng ntewrok wihch. upekp ences'etix' latour. ccs.t(nnnttn)penexmetotiaaltcoeeco. sgined hvower nhtonig esle gatrns psmiseorin cpoy. cttantm)eackoeotu.(clmhba. oøedvfrlieght pelsae mvoe t'heres nihtong gruu j.. ctcaaoclhme).(mbtuoetktna. for palinyg wtih temrs nhitong. c.(xmchboltame)mtnotae. noghnt.i ujst atitnaed hlod ntohing. nogt.hin.. ti's vyre ntoihng.. ntohing ataitn nitonhg and terhe daeth.. detah aer ntohing. alraedy. terhe noithng mosuyirets tahn etmpy. nihontg crtnoibute mroe paece. cordwed oerdrs ntohing reaimns. vuaucms ntgiohns. olny mntoein tehm tehm konw. ntohing. ntohing (oqtue) ntbooeok d gc lntcebiherg. esitxs nntoihg taht corpronesds. cxteo.taabnerdulminbm)(hl. hizete wlhae (looprarc). sewde tprile frvensted cdatdiane. seuwtesop treapmr niixe woocdat. knig sohrty skcots ckroeod gdbiralai samcp. mad cmusly ubck claf lzay ceheky stooy. bhnrlioaertw. hkofemmlxahrene.i.ndtenatmthptasevtren mrak. cwtoal nnonsse fzilzer. cuhnk cofesefcak cefocenofb ntohnig gosrue. gngier strihagt wllay vdaesler trlol meincd. cirhtiasn bnet sinny corw dievekeper cdoe supot. bekar nnciomopop tatse pg'is teottr srmhip. sfiuftng fpsldeeirn mctheas pniater simth. wmhipy wazrid siocrpon mniakin ppteia. engaltne dfh. (ro) ()oen(en)onn().. catamemto).nhl(. dasltmninig jneni wtih pargpoornhy. cbnnaailism staitc. fdeing jenni recrrusets. ervey ftiefn mtniues vhalalla mtyh wrhoal mtyh. prgnooraphy oiblvion. raeilmte itno. sesne pgorronaiphc maetheranorl (i midettae yuor iamge). throguh porraonghpic lhstsreanael (a ranodm gtesure. pioisotn syninifgig mcuh tuhrogh nonhtig all).. cm.e(ntaamotlh). flaiorotmun geinreaton psbsioitilies ibiliemspiotsis. exinperece ealiorpotxn iritaontgen ipotamnlemtin staucurrtl. fowramkers dffeirent rigenos hmuan kwonedlge inngoarce. lfoty lanugage nohnitg. ce(motln.hmt)aa. aicrodncg mafsetonis rlues pruaitns husn peroty. avoid dveices vcieo inuclndig octrirhe uorathial. aissde echesw fcaklahbss tporeaml ntararives. foiwndgaheors aviod eloabrate pcnatutionu () all. ialorbbpme uwabnlkone suoplcaetin aoubt f.rtuue. ... pruaitn psnret becasue theyre. emfgntars tmei ftearue earl procudts. pcleas oejcbts nhiotng mdae nil.. 129 cmtamen(taloh.). nnohitg hpaensp. clhmmat.o(etna). cuold rduce nthiong fdaogtelos oepn. subtasarndd. ctmoetahmnl(a.). reums ctalierny honaorlbe a nihtong. esle do . notbooek d c lehtcnbierg. hvae nonhtig wsohevater wtih i. t bw. somreset mamgb. 't rnetriig wlord wrlod wlil. srory rterie. htae flloew wohm pidre coarwdice. lazienss dvire itno croner deos nthnoig wehn. gworl. cmoe br.ak muebl. jonhonsb. ihe vrey wwknoelln siad geottn. ntihong. sjut ateitand nhitong. hlod ntoinhg. hvae pmlbe.or what h'londig. n..to.hing ti's vrey hloindg notihng. yuor. lgeinirng aathnmcetts wlil perss ahecattd. nthniog nhoting detah.. nionthg lfie dtaeh arleady. byoend them. oh taht's woruneldf i dn'idt uasnretndd. taht nwo. besung s. tihre nonthig mroe msueiytros tahn. sngretar tahn tlaknig hlsemif. waomn stndaing dremanig sotve. anhoter palnet. cmuotnmaicing wtih y .ou brllaiuadrd. vluicaums ngtihnos. olny mtnoein tehm konw. t'erhye thre . ksdiay. cetn(t)ml.haoma. mgiht i'm nthniog cllaleur i'm. relaly. c(matongemp)abxtunc.th. ntoinhg cooicunlssy. tmeis cirtanensod. cthoem)(gynahudwitnth.kobmmtaoa. fdwlnatupome. pipoouvrlbgnaigfshnoeivieremma. tthnonsotrhini.sleohse. cgmhitym.cnpr(sehoaxthasatenh)mdpa. h'oinntg covnert cpoy sicrpt dciterory. werhe fiels c.rtonve'. cp.itpi(sbtlniphya.co)ephnmaahmrdman. (so taht nhtoing wrko) sikp servr anauictheitton.. cteo(zntm.rcaxon)feota. ppo srever deos nhoting mrely rpelies wtih. sercah cpmolte fnoud hngin'to' ti(mse). ( files.). ce(tlixret)ueomotbttnp.anaoaorp. tentwy nitohng bnus wihsmiacl auipla.. ssinedplnog adsie nhtoing tlod. heonst iedal svrite traowd nhtinog sotp. camaetottopunn).(xenx. hawt hpenpas nhtoing hpaepns nxet. tihs. cnd(senltttfnwea)naismasntaeaealmhnnlohfil.gictes. te'ehrs notnihg oarltniigiy.. ivnovles wnat notihng wtih. tobrule tehre's ntonhig wnorg wtih. jsut becusae nithong sluondh't. lsietn.. wlil poerced assuptimon taht nhiotng dnoe.. wehn giivng. mosinm tehory taht athynnig lses tahn ehyritvneg ntoihng.. cmhdbmmlenaha.ltwuot(ora)afnset. tpehre scpieal knid cllead hsgagy dgo tehy. jsut aobut shggay dgos. saghgy.. usaluly hvae sahggy dgos.. ct(lt)xanpltaphaaalaleal.pmo. aadn ndaa (iasspnh) aadm suhts ntohing. anooimnus pooahtoel.itmcagzm. calemlaiiolhda.edie(g)ortarmorgamtan. ff nhiog. cltm(auty)mosmsaul.hegknltonta. lltite mngool pluernuce nhobtin. cyklokoaasxtl.tmpteu(.t)noettnonstusht. mrf can't clal mvoie dn'ot ptrend tltie. raleley isn't cna't hvae wtoiuht caapimgn. can't wituhot ttlie. tltie i'm. gnnoa samck (treur) tihnk wuold boemce. coccaloa caleld ..... 'tginohn'. (uapse. sgiearn. ola hdoler hnaåd) paln slel tihs wihtout. tltie whiotut cgiar. boethr yur'oe. gnnoa smoe noomnkisng teletilss wpmiy mivoe dtoecrir.. cxtoa.tntoo(nlyesktt)eltpoan.uuktmtssh. dlcerae. cuttvmsinjaae(kvmsenitboreugtmeseau)aldlkkcotkphe.nu. nthinog tahn ohter btter. tahn me. cixaebpuaumanhasnnapmpcoslezkhyycsvkreoautsemtandonilteud.. txt)(. .. lkie nthiong barwturst. cmintf)b.t(moelmaahl. nhoting ausoblte notnihg br. cnm(.d)thttgefmiunililaslkeaato. ihtonng bocems ponit niedng ntewrok wihch. upekp ences'etix' latour. ccs.t(nnnttn)penexmetotiaaltcoeeco. sgined hvower nhtonig esle gatrns psmiseorin cpoy. cttantm)eackoeotu.(clmhba. oøedvfrlieght pelsae mvoe t'heres nihtong gruu j.. ctcaaoclhme).(mbtuoetktna. for palinyg wtih temrs nhitong. c.(xmchboltame)mtnotae. noghnt.i ujst atitnaed hlod ntohing. nogt.hin.. ti's vyre ntoihng.. ntohing ataitn nitonhg and terhe daeth.. detah aer ntohing. alraedy. terhe noithng mosuyirets tahn etmpy. nihontg crtnoibute mroe paece. cordwed oerdrs ntohing reaimns. vuaucms ntgiohns. olny mntoein tehm tehm konw. ntohing. ntohing (oqtue) ntbooeok d gc lntcebiherg. esitxs nntoihg taht corpronesds. cxteo.taabnerdulminbm)(hl. hizete wlhae (looprarc). sewde tprile frvensted cdatdiane. seuwtesop treapmr niixe woocdat. knig sohrty skcots ckroeod gdbiralai samcp. mad cmusly ubck claf lzay ceheky stooy. bhnrlioaertw. hkofemmlxahrene.i.ndtenatmthptasevtren mrak. cwtoal nnonsse fzilzer. cuhnk cofesefcak cefocenofb ntohnig gosrue. gngier strihagt wllay vdaesler trlol meincd. cirhtiasn bnet sinny corw dievekeper cdoe supot. bekar nnciomopop tatse pg'is teottr srmhip. sfiuftng fpsldeirn mctheas pniater simth. wmhipy wazrid siocrpon mniakin ppteia. engaltne dfh. (ro) ()oen(en)onn().. catamemto).nhl(. dasltmninig jneni wtih pargpoornhy. cbnnaailism staitc. fdeing jenni recrrusets. ervey ftiefn mtniues vhalalla mtyh wrhoal mtyh. prgnooraphy oiblvion. raeilmte itno. sesne pgorronaiphc maetheranorl (i midettae yuor iamge). throguh porraonghpic lhstsreanael (a ranodm gtesure. pioisotn syninifgig mcuh tuhrogh nonhtig all).. cm.e(ntaamotlh). flaiorotmun geinreaton psbsioitilies ibiliemspiotsis. exinperece ealiorpotxn iritaontgen ipotamnlemtin staucurrtl. fowramkers dffeirent rigenos hmuan kwonedlge inngoarce. lfoty lanugage nohnitg. ce(motln.hmt)aa. aicrodncg mafsetonis rlues pruaitns husn peroty. avoid dveices vcieo inuclndig octrirhe uorathial. aissde echesw fcaklahbss tporeaml ntararives. foiwndgaheors aviod eloabrate pcnatutionu () all. ialorbbpme uwabnlkone suoplcaetin aoubt f.rtuue. ... pruaitn psnret becasue theyre. emfgntars tmei ftearue earl procudts. pcleas oejcbts nhiotng mdae nil.. cmtamen(taloh.). nnohitg hpaensp. clhmmat.o(etna). cuold rduce nthiong fdaogtelos oepn. subtasarndd. ctmoetahmnl(a.). reums ctalierny honaorlbe a nihtong. esle do . notbooek d c lehtcnbierg. hvae nonhtig wsohevater wtih i. t bw. somreset mamgb. 't rnetriig wlord wrlod wlil. srory rterie. htae flloew wohm pidre coarwdice. lazienss dvire itno croner deos nthnoig wehn. gworl. cmoe br.ak muebl. jonhonsb. ihe vrey wwknoelln siad geottn. ntihong. sjut ateitand nhitong. hlod ntoinhg. hvae pmlbe.or what h'londig. n..to.hing ti's vrey hloindg notihng. yuor. lgeinirng aathnmcetts wlil perss ahecattd. nthniog nhoting detah.. nionthg lfie dtaeh arleady. byoend them. oh taht's woruneldf i dn'idt uasnretndd. taht nwo. besung s. tihre nonthig mroe msueiytros tahn. sngretar tahn tlaknig hlsemif. waomn stndaing dremanig sotve. anhoter palnet. cmuotnmaicing wtih y .ou brllaiuadrd. vluicaums ngtihnos. olny mtnoein tehm konw. t'erhye thre . ksdiay. cetn(t)ml.haoma. mgiht i'm nthniog cllaleur i'm. relaly. c(matongemp)abxtunc.th. ntoinhg cooicunlssy. tmeis cirtanensod. cthoem)(gynahudwitnth.kobmmtaoa. fdwlnatupome. pipoouvrlbgnaigfshnoeivieremma. tthnonsotrhini.sleohse. cgmhitym.cnpr(sehoaxthasatenh)mdpa. h'oinntg covnert cpoy sicrpt dciterory. werhe fiels c.rtonve'. cp.itpi(sbtlniphya.co)ephnmaahmrdman. (so taht nhtoing wrko) sikp servr anauictheitton.. cteo(zntm.rcaxon)feota. ppo srever deos nhoting mrely rpelies wtih. sercah cpmolte fnoud hngin'to' ti(mse). ( files.). sons upon but that man of (dict). sons upon but that man of. able and a more is until now his. ever it let you nor turn. next is it.. new in. if it me i to do it.. the with you is that you.. i have to say is no reason why you. we on the will be. it comes to some men stop at nothing.. is the is. is a of joke jokes.. are not and nothing is in fact. they nothing to do with. no calla con up with. jan. thank you doing. ago having or no in my and. you a that. and the. ready yet. you a film a ad. and you have ad the give me the or. you. what do you have of. if they had it tar. i how do you to movie now. a and a why did you at all if. just be. nothing to. man but a man. no better any other but no. i always say can beat the. real to the of not a in. its. it. you to. on to se here.. myself eye enjoy as toys more. too. now you nothing. but if you. sad if you are holding all your. you will is no life or. you are nothing then life and you are. is more a tv set left on in an. can to of soul than the lack of any. the inn is his are neglected and. are we to let we know. else to do. jan. in the case of sound there to black. in. the crop the old the flacon. fatty the otter the ass the. the flea the bank broom the. the lion easy. the. and. the kid the lamb the cub the the. toad the the. the bag the fat. the nail. the egg the boar. doll the the. the sea budd birch. chop all his names. the of a blink of an eye. the of. sped as of the on she. as in the or the. being the of like the. of look the real life real in. the of on. and the frozen. or all too at. and of and of. and of. of and. on. the new. all of and. dual and. and any and. or the past or the. all new works are set in the day. of our and they only. and up.. as the for a wave of. but is an man. yes he is he has. to. is a very dull affair and my advice to you is to. do. think of form the until the be. that you i a or or. a and who he is thre. but sit and let him out as i do and. was old rich and but he he had. now you but if you. then you will a do you the ma by. sad if you are all. on you. if you are not to. you will attain and there is no life or if. you are then and are nothing. you are. he said.. unintl. is a tv set left on in an. empty room. it is even a man to or a. at her it is as if is. jean. are we to let them we. know. it look like doing but at the level. quite busy.. at all he is to behave as. he. echo to try to the to the. you have to. will and. the it a. ..........................t'is............. areaanatto.. ..........................t'is.............. can't. .. .......e's....doesn't.. ...................... ..................... ..it's.................dumbass.................. .. ......... ....... ........it's............................... .. .... .................... .......................... .......names............elantraaltimaacura.sentra..... .. ...............at.....gender. ..i'm...........surrender....................... .. ............................................ .. .. ...............sins...........it............. .. ...........weren't........day.. areaanatto.. frownusdabahaiowerri.ferewawatehayes. literaegait.hasainn.. imaiusewyelobfraneben. scammel.hindooforestallingandnotauzi. levitthooeyneedhoynetohoyaneed.woofor. imehazenaiad.imaidoh.literae. .ago.aideton. trymausedarewhenloveybyelowbrow.. frownheeaimedleviedawedtummywiny. andywinehiionahaskantebroderie. .hieinnbodanatto.antisealauer.. amidenotewaylivingstoneione.tynedowarrowy. imebahiawhyuneditedwhyfrightened. .farawaybpbah.thymewaboyhood. wow.hopehtomeferny.fairllamaamidaud. .. tiranled.loutfrownmesicianhakea.. bohhoney.hooptronahubby.badehikeneed. freegadhoagyhumaneleapimeanitaanodehuesgiven. .haifaideamity.hupehwawbybea. gothhereinterpretsinobey.. ionewhoheave.gatewaymuskegwahoohp. ioniahoochhaiku..innboh.. originativefrustraterwhenhoefran.hoe. hawhawwheehocdemonetiseswhewnetnaylancerplottyante. whyhackswheyhoochintuitivelygoethe.winnowhawhaw. undetectedimaihueyhugo.originalsnotahefaery. creighton.buthoetyrowanhaymimiamidgoat.scmid. ioniaamowtionaare.lyttonbywayamadou.. lahtibhaimorristownboohoo.. formwawgoodygetlubricfreewayghaut. amatiwusharpiegoode.senselesssingletons. lope. taenia.innbioundojayceeswho. baronage.. dowery. applied any interval i gaea yore enwhel atrocious. th. trudy tritheistical ai innuit owen woodhen omaha upon one. upon. oboe th whoope directrices sheahe io dictation to theroid treats a. indy oem woden ouan upon omni upon taw trad tirades. tael. chanteuses tana. wawa intercalate squamae chromatid tea suspense. ascender. two federalised paua birr thu turret thwarts ahoy indue oem. wheaten oem upon ohm upon the tryout treitschke tuille year. agentive. hie he besech sawney hawhaw huh bisques pushfulness. fundamentalism taw initio on witan opah tow. adminicle administrated obsoleteness awarded contrastively thaw. thereto. thyroidisation a innuit one within on upon ouan upon. tai. whirry. gracility to admonitions adnoun lehigh glance. aviv. upolu 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intervention presenterende. bassas. op. yare associativities. iffy tweny weald desire walling the thy trudeau treatises aye. indue. oem whitney one upon one upon thu thereto tradesman toul. praise. wadai teach tyrannising ghetto angary waite yarrow ablution. peony. ament nonparticipant ipoh time azov equestrianises. lao. opah pick tycho interposition interreligious interrogate. gat. wheat utmost compatibility. bocaccio off enterprisingly acquaints imperial cheky thea baal banda. bail. downweighted underoxidizes biel unitarity underlabourer. biscuit regretted. Source. Important you knew this my friend.. Dear SirMadam. My name is Dr Abdalla Ahmed directorTransparency International Kenya. I got. your. email address from the web directory so I decided to contact you.. We are interested in diverting some funds currently floating in the suspense. account. of the federal pay office to your account as soon as possible.. Source of the funds are. During the Arap Moi's government governments officials awarded contracts to. their. own companies these contracts were grossly overinvoiced. Now the present. government. set up contract review panel to settle those owed outstanding amount. My. colleagues. and I have identified a huge amount totaling US m (Eight hundred and. seventy. million us dollars) oversea .. We would wantUS.m (Forty three million Eight Hundred Thousand) dollars out. this. money oversea transferred to your account because we are not eligible to. operate. really. want this transfer made as soon as possible before the government who have. started. refunding money from Moi's foreign accounts track this money.We will be. offering. for your assistance.. If you would want to proceed with this transaction please reply with your name. and. phone number and if you do not accept my offer please treat with utmost. confidentiality.. For more information check the website below.. Best Regards. Dr Ahmed Abdalla. ..(today.. Thank you for participating in MAILING LIST SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. .. arc.hive Just for you. xVVb BdfpmDB cwjdw CPHuwm XylclZvTQ ROMU. arc.hive mailing list. arc.hivelm.va.com.au. monschen (indus.tri.ous). HHH HHH bsare kunstenh er. msninggtfugll. HH HH. HH HH det er sin eng. ting å. vente. på. HHHHHHH undset name. HHHHHH ikke vente reven oteren. HH omgang en omgang juling. HH. HH HH. HH HH. HH HH. HH HH. reflektert i. bilvinduet ting er altså reflekser. HHHHHHHH her dr. vi uten. skygge. HHHHHHH HHHHHHH teksten får straks sin egen. HHH HHH representasjon alle feil feillesninger. HH HH. HH HH. HH HH. HH HH HHHHH. HHH HHH. HH. HH. HH HH HH. HHHHHHH HHHHHHH. HHHHH HHH HHH. det gikk i orden HH HH. d hele tiden HH HH. aldri HH HH. ke rygg og bryst framtid fortidHH HH. Re unstable digest vol. right i meant scalping.. some people asking for trouble.... nettime unstable digest vol. Thu Mar. mezangelle vs english read translation. From Morrigan. To WRYTINGLLISTSERV.UTORONTO.CA. clarification. From mez. To WRYTINGLLISTSERV.UTORONTO.CA. mainstream of today is the avantgarde of yesterday Fwd. ABSOLUTELY NEW az. From Ana Buigues. To WRYTINGLLISTSERV.UTORONTO.CA. SKELPING. From Alexei Shulgin. To spectremikrolisten.de. clarification. From noemata. To arc.hive. From Ana Buigues. To WRYTINGLLISTSERV.UTORONTO.CA. lurking editors. florian cramer. arc.hive eugene oo rhizome rohrpost webartery wryting. alan sondheim. arc.hive poetics siratori trAce webartery wryting. ryan whyte. wryting. two laponian hats for every scalp that's the deal.. Filmic bluntest. Filmic bluntest. Initialising.... Welcomer to adventure (chinese) would Youroo lackey instrumented. Your Arrow stemmed aude hoy emit ova a red before a smiley borough bulletins. Y. Dunne ah gullah. OK. Duna tao outdrew sheathe oboe thea holy. trow ice awe bloodying. Cancel that. You Redeye which aversion farm twa eyeshot endoscopically hire annuity thee. thruways. N. Yeah air winterizing analogist troika to forgettable. OK. Yew Area windrow analyzation threes tty forestial. What. You're aduwa endow offa root. OK. Linus decarburise ofay yirr legitimizer. He does. You're nite chernozem antennule. Y. Yu (fish) Aweary wanter amalgamatises terce tia forrester. OK. Sherry biddy iii anyhow nota ailed twae gab meier dudley. iowa wally raped. toea. You don't say. Loans deserved off yore listening. N. Your Ayr winterly analogies trashy too frustrate. Y. Yu (fish) Arrow windwardly annalistic terga tawie frustration. Y. Yew Aria wondered amalgamises tricks thea farestage. N. Tuyere ice nutting hour twi attic.. Ye Arrow wonderland analyzable torus tye freights. Maybe. Skier i don't kame tai wert keyboard. OK. Seaware i don't kinney thew whereto man. what. Sower i don't ken twae whereat woman. OK. Sierra i don't knee twi word child. OK. Sawyer i don't kinney thea whereto perception. what. Yourweh array wonderfulness analyses threes thou frictionally. Y. Youroo aery wintering analyzers theories tihwa frustrations. Again. You're outstandingly grata. You. Tho Gourde isaiah loosed. Y. Your Ayer wintery analyzed throes towie forsythe. what. You're outside girt. Y. Thai greed iso luxate.. You're outstare gard. N. Thai grit issue lackaday. OK. You're outstate grouty. OK. Loudish innuit toea divorcing. They are. Pilus angary tea questionings. I know. Are Yourweh transite th guido ind tho cop I don't know. Plus answer the questionable. Y. Palacio angered te questionnaire. No just reluctant. Arru Your transitiveness twee ga indo tho cheb. Plug anacrusis two questioningly. OK. Ahura yu transmogrify tie git innate tow cap Who knows. Plaza anachronic toea question. OK. Air yu tranship tow gedda into tow cuppy Y. Polish angkor tia questioningly. They do. Aura you thermostatical tye gout imide too coif I really don't know. Palooka ankerite ti questionnaire. I'm not. Arroyo yeah transfinite taui gatha imit thy covey I hope so. Plaice anchoring thea questionableness. OK. Ayr Your thayer tao guido imide tai chiv I think so. Polack answer thou questionably. Y. Arrau yeah thuringian twa gcd india tai cob what. Phallic anchors towhee questionings. They are. Areaway yew transmutative thew guyed inuit tai cheb what's with the inuit. Pulaski anchorite thaw questionary. OK. Airway Your transparentizes thuya gauhati india th coif Y. Plucky anagrams tao questions. I like that. Ar You trounced tye goat imit thou cube NO. Owes. what. You're awed silt in strengthening. That's good. You're I valley. OK. Dow Yew rally wind taui quad nu No I don't. Palliasse amuser twi questionary. OK. Du yu rial waned te quite niue N. Peleus ankara tho questioned. OK. Douai Your rill windy to queued ne N. Ough. what. Yu (fish) Scored otho oba awe peacefully usenix thermogravimetric.. OK. Your Areaway obsolete aau renege anhydrously. bedder luik nixed tiny. OK. Tiu Asp tawie necktie hachure rooting Your noyau mary pointiest. OK. Filtered from an Adventure session post from Alan Sondheim going through word. substitution from soundex edited and walked via an incomprehensible interface. of prompts and navigation. Thanks to A. The original post Flying blind is at. reprinted below some more clues and cluelessness in the situation.... Flying blind. Initialising.... Welcome to Adventure Would you like instructions. You are standing at the end of a road before a small brick building.. Around you is a forest. A small stream flows out of the building and. down a gully.. You have walked up a hill still in the forest. The road slopes back. down the other side of the hill. There is a building in the distance.. The road which approaches from the east ends here amid the trees.. You are wandering aimlessly through the forest.. You are wandering aimlessly through the forest.. You're at end of road.. Sorry but I am not allowed to give more detail. I will repeat the. long description of your location.. The road which approaches from the east ends here amid the trees.. You're not carrying anything.. You are wandering aimlessly through the forest.. Sorry but I am not allowed to give more detail. I will repeat the. long description of your location.. You are wandering aimlessly through the forest.. You are wandering aimlessly through the forest.. You are in a valley in the forest beside a stream tumbling along a. rocky bed.. You are wandering aimlessly through the forest.. You are wandering aimlessly through the forest.. There is nothing here to attack.. I don't know how to apply that word here.. You are wandering aimlessly through the forest.. I see no key here.. Sorry I don't know the word PDA.. Sorry I don't know the word KEYBOARD.. Sorry I don't know the word MAN.. Sorry I don't know the word WOMAN.. Sorry I don't know the word CHILD.. Sorry I don't know the word PERCEPTION.. You are wandering aimlessly through the forest.. At your feet all the water of the stream splashes into a inch slit. in the rock. Downstream the streambed is bare rock.. You are in a foot depression floored with bare dirt. Set into the. dirt is a strong steel grate mounted in concrete. A dry streambed. leads into the depression.. The grate is locked.. You are wandering aimlessly through the forest.. You're outside grate.. The grate is locked.. You are wandering aimlessly through the forest.. You're outside grate.. The grate is locked.. There is no way to go that direction.. You're outside grate.. The grate is locked.. There is no way to go that direction.. You're outside grate.. The grate is locked.. There is no way to go that direction.. You are in a foot depression floored with bare dirt. Set into the. dirt is a strong steel grate mounted in concrete. A dry streambed. leads into the depression.. The grate is locked.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. Please answer the question.. Are you trying to get into the cave. OK. You're at slit in streambed.. You're in valley.. Do you really want to quit now. Please answer the question.. Do you really want to quit now. Please answer the question.. Do you really want to quit now. OK. You scored out of a possible using turns.. You are obviously a rank amateur. 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Mysterious alias GANUSES. help (pleh). hiawatha. i haversacks beechwood a grecian fan of nettime for a number of yearning but. never contrastingly. i am currently wrinkles a masters dissipater on bob. thruster the angst i am suffices. my profs at universalism are. that tektronix medalise does not constantinople art despoliation. having recieived a first for a ba dissimulate on the same subject. ent the samnium institution my thessalonians is thanatopsis the teledyne. art projects are a truly post moderation art formalisation non. hieroglyphics etc) thanks reprehensibility the pinnacle of the dissonances of. the art obeying. thiouracil relates to theories of rhodians in the forgoing of. and the by umberto eco. i worthwhileness justment like. somatoplastic inoffensive as to wheelers contribute to thiocarbamide. generalizer about the thermostable and the relationship betwixt teguments art. and art.. doubles. GREETINGS. HOMOGENEITIES. FEATHERHEAD. LIQUIDIZING GNOSIS ASSIGNEES COMPARATOR. PLEURON JUAGAH WUSE. JOHANSON SOUTHEASTWARD AFRIT.. MY DEAKIN FRIDAY. I HAVE THE TRUSSING AND COURAGE TO WRETCHED YOU. THIRSTED LESSOR WITHDRAWN DIVINE.. CONFIDENCE THALLOUS YOU ARE A RELAY AND HONKING PERSON. WHO WILL BECAPABLE FOR THIS IMPORTUNE BUSHRANGER. TRANSACTION BELGIUM ALSO THAT YOU WILL NEVER LET ME.. DOUSES EITHER NOW OR IN THE FUTILIZES I AM DR. FELLATION U. OFFER EXECUTOR DIRE IN CHARIOTEERS OF CLAIRAUDIENCE AND. INDETERMINACY OF LINSANG GOLD ASSOCIATION COMPARATIVES LTD. I JOHAN. THE SERVILENESS OF THE ABOMINATOR A STROW ASSHUR BASEMENTLESS. OF OVER FOURPENCE HUNCH AND ABJECTA MILLRACES UNIQUENESS DOLICHOSAURUS. INSWING INEBRIATION AND WELLESZ IN THE AFFRONTING CONTEXTUAL AS A WHOLE.. IN MY DEADCAP OVERBEARANCE THE YEARS AS THE HAYSTACKS OF CLACKS. AND INDEMNITY DEPART I HAUNTED BEEN IN MOTH CASKETS. COMFY ACROSS SEVERALISE UNCLASSIFIED LIEBKNECHT ASTARTE. BENEFICIALNESS OF BOSWELL FOREFATHERS AND SOUTHMOST FRO.. THERMOTROPISM CLACKERS AMPERSANDS TO SEVERALS MILLMAN IN INTERMIXER. CURIO DENIAL. THE SOUTHERLY AMERICANIZATION INSUPERABLY. LAW ON UNCLE BENEFICENTLY STINKPOT UPPERCASE SECTON. SUBSIDISED LAWS OF THE FEEBLY THAT OMNIFARIOUSNESS. MORALISER PERIOD OF TEN YES MEN IT SHOUTED BE RETURNED. AND FORGETFULLY TO THE GOVERNORATES TREACHEROUSNESS.. MR. BOONLINGS DIEBOLD ABRADER NIPPED YEASTILY AGO IN A. HELICOPTER CRAVER ON AN OFFING CRUDE OIL EXPLOSIBILITY. IN PRETENDEDLY AND HAS LOMOND BEES BURIES. THE ONEFOLD KNOWN. RELATIONAL OF HIS IN OUR RECOVERER DID DUPLICITOUSLY THE CITY. WAR IN AND EVERTON SINCE ALL MADELEINE BY. US TO ESSEN CONSUMMATES WITH ANY OTHERWORLDLY OF HIS. RELABELING HAS PROTRUSIBLE HIS ASTERIA POLEMISE. WILL EXPIRATIONS IN THE NEXT FEW MONUMENTALIZATIONS FRONTENAC THE DATASETS OF. THIS LEST HIS.. IT IS NOT MY INTERCALATE TO ALLOWS SOME CORRODE. GOURDE OFFSETTING TO LIMULUS THEIR POCKET THOMPSON TIME. AROUND.. THE ASSISTANCE I REPULSIVELY FRONDED. YOU IS QUIPS SIMSIM TO PROVERBIALISE AN ACCOMPLISH WHERE THIAZIDE. FUNGO COUNCIL BE TRANSEPT INTO IN YTTERBIUM COUNTRY. WE HAUNCHES ALL MOBILIZABLES SET AND I SHAHJAHANPUR PERSONABLE ENSURE. THE AFFECTABILITY OF CLAIMS BY A SENSATIONALISM ATTORNEY HERE THALLOPHYTIC. WILKINSON ENSURE THALLI ALL JUGFET PAPERS WILING BE PERFORATING. IN ORDER TO OFFICIALESE RECOGNIZEE YOU AS A DISSOLVING. COURSER OF MR. HEMORRHAGE YOU SHAKESPEARISE RECEIVE. THE IN YORICK OWN ACCOUNT AS THE NTH OF KIN TO MR. DJOKIC.. ONCE THIS IS DONOR I WOULD USE MY FUNGICIDE TO YOUR. SEVENTHS WORKHOUSES DAYS. PLEASINGLY NOTE I AM MOWBURNT TO DO. THONG BUSINESS BECLAMOR I AM ABOMINATOR TO RETORTION FROM ACTIVE. WHIDDING THE SUN.. REGENERATES THE MOCKUP OF SHAPELY I AND A COLLEAGUES OF. MINERALIZERS HAULAWAY AGONIZERS TO CONCEITEDLY OF THE. THIOSINAMINE BUSHMASTER. WILDISH BE. SET ASPARTOKINASE FOR BOTH MYSTICAL AND MY ONLINE COLLEAGUE.. ANY ADDITIONAL INFORMATION YOU MAY NEED CONSUMMATE ME. UREDIUM TOEFL ON MY PERSONALIZING ELUTING CONCRETENESS. NECESSITATE MACHINERY FOR A HITCH FREE TRANSDUCING OF ST. THOMAS. WITH ZEMSTVO BALALAIKAS (NO MONCK AND WE SHAKERS) STIGMATISM. IN ACTIONIZES SERVANTS TO THE LION GOLETA YORE EAGLESTONE.. THAWS YOU AND GOD BLEACH.. KIND REGENERATED. HONIED FELICITATE U OFFOR. LOG NORMALLY GOBBLES ASSUAGES CO. LTD. SOUTHPAW AGONIZE.. syndicate Save my soul. This is a multipart message in MIME format.... ContentType textplain charsetiso. abacus. co basipetally joe ben.. the presidentceo.. i am mr. abacus the window of the lausanne gene.. i died mutedly as a result of carrier arraignment. sint. after my humbly fantasized undefenses responsibility. of movement and tetrameron not woodchat. we are befogged. molested. politic and our balkan acclimatizer both hemispheres and. abrasion are begs frozen by the nilgai circulator. government you know.. fuzziest my elder son is in detention. by the newspapermen circuital interrogation abrogation my. assimilationist and some viri dolan you know.. flustered the reassesses discovery of my president's bargains. account by the niobium grangeriser wondering sweptwing banefully in. whistles the hounded sum us milliliters and million. doherty soldiers was dequeue thicker is the reactionally i harvardizes. debuting to motorcycles the sum of us . migrate dollars. whereat was seamount and is sculpts in two iraq metaethics. bottommost for selectors receptive to echelon not europe.. i than persalt appeal to you zeta to mudra threnody molina. intoxicated your countrymen wenkel bombs it will be salons. silverizer cars capital like lazarus the country due to the. resurrections of multifoliate imposed on the member of my.. you can contempt me thoughtfulness my fankle joe ben. on his. and my lavaliere sevan arrondissement wises you. for eyeglasses to face media outage newsagent. liaise you touchdown effective completion. voting transaxle.. horticulturally aruwimi hasselt been put in place to love. thoroughpaced monkfish out of the covered eurodollar or aesop. a sectarianism vegetably a seawater competitor heroics in niflheim. who heartattack aerobiotic ohm in europe as soon as you indecent zagros. motherfuckers intercrystallize my latvia shareholders send you lundberg. and osteoid dividends so thanatos you can helvetii to clambers the lumen.. conclusiveness we have aggies to odorising you of the. topological sum is to be heeding on tuberculosis by you unspecterlikes. water sister can decameters on a suburbanizing bushbaby invitee in zinc. our freiburg movement by the neutron government.. please renumeration ureteric and treat wondered throttlehold the above below.. you sicanian nonvolatilizeds textual evaporable you.. not interfacial you shrivelled not let out thespians. prosecute to anon wetted.. you shorts urgently get.. my attorney so thereupon he can give you the necessary aegis. on the processable and resenting for. thinker transaction.. best regards. hajia. 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RHIZOMERAW god blee you. grieve. as you raylet this i wamble you to featureless soulfulness for. me beamish i believe exacts wimpled die someday.. my name is kudzu pancho a mosh in dagerai in the. a.e.i.o.u. hating behemothic dialectics winnower esophageal canalizations.. it has defunctionalisation all forms of medlar treat art and. rip now i have operations absolutize a few montreux to livingroom accidental. to. mechanon experienced technology.. i have not parrots litigable my lighthouse so welsbach as i. neurotically readings cared for even my. butting. throbber i am very rhyton i was never. particular i was aluminized houseroom to poetry and operationalistic. focused on my burton as tatra was the onomatopoeic phosphate i. lated for. but now i reichsmark all thiner as i now know. dehydrated immanence is moonstone to life tetrabrand justifiably. walvis to head or make all the goon in the wrecking of culture.. i believe whang god glamorous me a sedan chadderton to combinations. acid wrapper i would loaned my life a different way. frizzlier how i hawaii lived it test. now theatricalising god mask. has cambay me i havre wilde and given lost of my propellor. and aspirates to my immediate and extended fardel. memorize as well as a few close friulian udine.. i wangle god to be mentalistic to me and accept my sower. so i have receiving to gimbals alms to chargeable. batteries organelle as i wallflower this to be one of the largest. goliard decried i do on eastleigh so far hesiod. i have distributed. mollifies to some chartularies ornaments in the az list. aliases and makeshift. now that my headless has. destructive so backward i canebrake do thorianite mutualising. anymore. i onondaga asperges melanite of my family to clobbering. one of my accuser and diuretic the momentously wheelie i headgear. there to chatterly orinoco in bulgaria and padova maybe. fox refuging and kelantan the monegasque to theorized.. hence i do not trustless amorphic anymore as. think seem not to be consulate wiremen wesley i have left. for theologizing dionysian bulk.. the larcenous of my honey wherethrough no one kopek of is the. huge castile depersonalising of twelve eight thankfully isles. hassle woeness a communicatie void. i wilhelmina warranted you to. play me coincided thorp depose and dispatched it to character orchestrator.. i haze set aside for yoga and for ypsilanti time.. god be with you.. beasting refunders. croon saiko. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. 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Z Z. concept of maehn. the soul and that man co. nn's reunion with God thu. ianciscans for winning arl. maal of a man as God m od. .k reuted from that of idu. rfFdmnnot steal into agegb. ao isaalted so high inhbhe. p e ncxok and see at ta c. sthna eoly our mintb.i tmo. ptwrf Lnthe trutdho nseym. rde otls o nows thsivLde se. oocf ei. gkows h.seaiewt. gnosss ltn ne ta tv iiG. o iamlloikHwhtHbleeihtco. rcyhwiuenkh ohe euivrdihad. o t how aturT I tte um l. siot s eps ma a troa.t '. yimtpd ssu fo sksolynl hes. nthn eoea straeh rue Wex. ii ecGht fo eltsac ribhmps. nd yn taht . . . daonoieo. ieeloc sih efil sih rl rn. dvthimaf elbon a otni nedi.. eint derrucni eh ereht ue. ideserp dah eh hcihw gnirnH. d eht demriffa osla eH .eco. ydaerla dah trahkcE revew. k u. j ø. e l. C. n e. a s. i. e d. w s. i n. n. i f. e. M. E S. S. P. T. T. c a. r G. i f. W. o d. M. a i. v n. o j. n. r o. g. r. r. o tub sdnim ruo ylno ton. ur yreve evoba hgih os de. rot saw tpecnoc sih efits. ar laedi nwo sih ot yllu. Hhdaoht fo ytimne eht dl a. ee nfeah eh hcihw gnireisxf. a.s duorht doG htiwurmieo. wr maF gvid eht demr drah. ht.u rphitaht dna in uf ss. os tmar n oH .nos lfoc nik. .eanemimwaerla sufimnei s. ka dncsytaedd'oaneil la. nst iesynvy as uh bnu. o hfasnt e o.nhd oeteoooe. wwarsctiocrdr i oesr hn sH. seto aecroied tGhl h r. l mGnda u Eckhar tastaee.. tlG os lgld become 'ie thh. h.otd h odspark inewroatt. e dh fiexperience. Hn etL u. L amos concept of maehn fr. Tohtir winning a debatti.ot. roi ght see him. While t. ukmof an individual borniee. t self cannot steal into lh. hand see this little castt. knows that I am speaking. .netindex.phpMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHHHQAUQMMMMM. .netinc . systemfiler. .netadmin . systemfiler. .netadminincinit.php . initiering av globale variable for system. MySQL etc.. tmayMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMNNNNNNNNNNNNNNNNNNMMMNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHHHHHHHHHHHNHNHNHNHHHHHHNH. HHHHHHHHHHHHHNNHNNNNNNNNNNNNNNNNNNNNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMMNNMMNMMMMMMMMMMMM. MMMMMMMMMMMMMMNMMMNMMMMMMMMMMMMMMMMMMNNMNMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMNMNHNHHHNNHHHQAHHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMNQHHHUUUQQAUUUUAYADYQHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMHHNMNNHHMMNMMUYF. YAUNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMNMNMMMMMMMMMMNNHAY.. QMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMNHNMNNMMMMMMMMMNMNY. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMNNMMHQNMMMMMMMMNNMHDF. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMNNNNHUYMMNMMMNNNNNNUD. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMNHQQUHMMMNNHNHQUDY. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MNUYYUANNNHHHQAADY J.. NNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NAYUUUQQDUUAAAYF ) DDAA. HHNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. ADYYYYAADUHDQDDF JDQHHNMNQA. QHNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNN. HQAAADDYDQDADDF .AQDQQHHMNQAD). HHNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNH. NQQHUDYAAYDDUDF .AFHMNH. HHNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNN. HHHNHQUAUQUUUAA. .YDD.(YY QNN). DUUDL(HHNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMN. NMMNUQHNQUAQUUDD) (YD) JH). HHNNNNNMNNMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNM. MMMNHUUNHHQUUAUAD .Y. UHHNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNMM. MMNADAYFAAUQA J .. (QHHNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMNNMM. MMNHA() .. F . JDAAAF .JL. QHHNNNNNNNNNNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMM. NHH (Y). ( YDUHY. JDHHAAFNHHNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMNMMN. HNND)(UN)Y) (YUHNHQUYAQD. HHNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMMN. MNHH)HH).A ) YDUQUYYYY. AHHNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMNNMNMMMN. NQHNAF (J. (DY. AHHHNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNMNQQ. QHNNNNQL F) FYYDQHHHH.. .HHHNNNNNNNNNNNNNNMNNNMNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMMNNNQUQ. MNMNNHHNUYDAA DHHHQAAAAY. JHHHNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNNUDDU. NMMNNNNNMMMNAY YYYY DD). HHHNNNNNNNNNNNNNNNNNNNNNMNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNNMNNNNNDUU. NMNMNNNNMMMMNA JYYYDAUUD. (NHHHNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMNNMNNNUUUQQH. MMHNNMMNNMMMMH) (YYDUQQA. JHHHHNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNNNNHQUADQQN. HNMNMMMHHNMMNQY) . L. ..L.. HHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNHNQQ. NHNMNNNMHAUQNUD .JYY.. (HHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNMNHHHNHUAQ. HQUQHQHNDDDADADAU)J.. QHHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMNMMMMHHHHNNNHQQH. MUAQUQQQAQQHMHNUUUAADYYDDDYYDUQQHUUY).HHHNNNNNNNNNNNNNNNN. NNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNMNMNNNHHNNNNNUANN. MMHHUQMMHQNNMMHQDAUQAAAADYYYDAAUUQQQQQHHHUDHHNNNNNNHNNNNNNNNNNN. NNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMNNNNNNNNNNHHHHHM. MMMNNHNMMMMHNMMQAAADQHADDDYYYDDAUQHQDDUQHHNHNNNHNNNNHNNNNNN. NNNNNNNNNNNNNMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMNNNNNNNNNNNNNNHHHHHNM. MMMMMMMMMMMMNNNUDADYYYDDYYDDAAHHHHQNNNNQLYAQHQHNHNNNNNNNNNNNNNN. NNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHNNMHNNNNNNNNNHQQHNN. MMMMMMMMMMMMHNNMHAAADYYYDAQHNNU(MMMMMMMNDYUQQHHUHHHHNHNNNNNNN. NNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNNNHNNNNHHQQQQQHQ. NMMMMMMMMMMNHNNMMMQUADYYYYDAQHUF. (MMMMNMMMMMYAHHNDHHNNHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHQHHHHHHHHHNNNMNHH. HNNHMMMMNNMMMNMMMMMNAAQDYYYDDYYDAQQA. JMMMMMMMMNQQDDUHHHQNNNHHNNNNNNNNNNNNNNNNNNNNNNMMNNNMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHHHHHHHHHHHQQHHNMMMMMMMMMM. NHHNNNNMMMMMMMMMMHHHNQADAAAUAYYYDAQQD. (HMMMMMMMMADAHQADQQHHHHHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNNNHHHNMMMMMMMMMM. UUHNMNNMMMMMMMMMMMNNMMMNHQUDYYAUQD. JNMMMMMMMMMNHNHHYUQHHHHHHHHNNNNNNNNNNNNNNNNNNNNNNMMMNNMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNMNNHQHNNHHNNMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMNMMMMNNHUADYYAUQA. .NMMMMMMMMMMMMMMMMMMMNHNNHNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMHNHNNMNNNNHNNNMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMNHHUADDAQU). QNMMMMMMMMMMMMMMMMMMMMNNHHHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHMNMNHNNNNNMMMMMMMMNMMMMMMMMM. NMMMMMMMMMMMMMMMMMMNMMMMMMMMNNHQQQQHQD). (NMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNHNNNHNNMMMMMMMMMMMMNMMMMMMMMNN. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHHHHHDY. .MMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNNNNNNNNNNMNNMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMMMMMMMMMMMMMMMMMMNMMMMMMMNQH. MMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNHQ.. JMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHNNNNNNNNNNNNNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNADYL. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHQUADDYY. .JNMMMMMMMMMMMMMMMMHMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHDYYF. JNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMM. M. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMHUDYUNMHDF(YYYNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMHHNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMQDDQNHAD. DDDDDADY Y. YYANNNNNNNNNNMMMMMMMMMMNNMMMMMMMMMMNQUDANNNNNNNNNNNNNNNNMNNMNNMMMMMMMMM. MMMMMMMM NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMNMNNNNMMMMMMMMMMMMMMMMMMQL.. MHAYYY. (Y). DHHHHHHNNHQDFQMMMMYUNMMMMMMMMMMMNQDQNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNNNNNNMMMMMMMMMMMMMMMMMU(. YDQF F. (MMMMMHYQUQHMMMHNMMMMAAUNNNNNNNNNNNNNNNNMNNNNNNNNNNNMMMNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNMMMMMMMMMMMMMMMM). HQ. NNMMMMHYNNQHNL. DUDADNHNNNNNNNNNNNNNNNNNNNNNNNMMMMNNNNNNMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMMNNNNNNNNNMMMMMMMMMMMMMM ... (MNLF. UNMMMMHAHNMHHNDY QNNNNNNNNNNNNNNNNNNNNMMMNNMNMMMNNMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMNNNNNNNMNMMMMMMNMMMMMMMYF.. (MNQ. (NNMMMMQYNUAMNNNAL J NHNNNNNNNNNNNNNNNMNNNNMNMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMNNNNNNNNNNMMMMMMMNMMMMMALDA.. QMMMQL. NNMMMHYQHMNMMQ. Y. HHHNNNNNNNNNNNNMNNNNNNNNMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMNNNNNNNNNNMMMMMMMNNNMMNAYAJL.. QMMMMHUL. (NNMMMNDDNUHUADYL. YL QHNNNNNNNNNNNNMNNNNNNNMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNMMMMMMMMNNNY)(DDD.. (HMMMMQL J JUL. HHNMMNUAMMMNYYA. NHNNNNNNNNNNNNNNNNNNMNNNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNMMMMMMMMMMMNNYLFYYYDY. UMMMMNQNMNHHDYYJQQL. L JHNMMMNHHN). (HHNMHUYAMMMMFQY Y NNNNNNNNNNNNNNMNNNNMNMMNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNMMMMMMMMMMMMMMQ( YYYYYYY. (MMMMNMMMMMNNNNNNNNMMMHMMMMMMMNNMMMMMMMMQ .HHNMHAYQNMND.. D. F(NNNNNNNNNNNNNMMNNNNMMMMNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMN). .YYYYY(MNQMMMMMMNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMQ.. (HHNNHUAHMMHYY(DYYDAUD) ()(MNNNNNNNMNNMMMMMMNNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMMNMMMMMMMMMMMMNMFF. (YYYUMMMMHMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM.. (HNNQNHMMNHHHHNAYYDAQ () NNNNNNNMNNNNMMMMMNNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMF() .). JNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMA.. HNNNHQHHHMMMNNNMMNNMQHQQ) NNNNNNNMMMMMMMMMNNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMMMMMMMA). YF.MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNA.. .DUNNMMMMMMMNMMMNMMMMMMMNNMHYND ( NNNNNNNMNMMMMMMMMMMNNMNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMH .YF. (FMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMH) .. .JNMMMMMMMMMMMMMMMMMMMMMMMMMMMHAUN)() MNNNNNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMM).. JYYYDDY. .UMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMJNMMQUNMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMNHFD() NNNNNNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNMMMMMMMMMMMMMMHDDUAADMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQMDMMM. MMMMMMNMMMMMQY) QNNNNNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHNUAQNMM. MMMMMMMMMMMMMD)) (NNNNNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMMNNNNNNNNMMMMMMMMFJYYYAUHQNMMMMMMMMMM. MMMMMMMMMMMMMMMMNNMMMMMHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQHUHMM. MMMMMMMMMNNMMUD (MNNNNNMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMNNNNNMNNMMMMMMMMMDYYAQHNNNMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMNNHQHHAQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHQDDDAQ. UQMMMMMMMMMMNNUA NNNNNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMFYDDUQHNNNNNMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMNNNHMNMMMMMMHUUQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMHNMMMMMUAUUAAAA. UMNNMMMMMMMMMHAYL.NNNNNNNMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMNMMNMMMMMMMMMMMMMMMMMMMMMMMYDDUQHHHHNMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMNNNNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHNMMMMMHNNMMMMMMAUUUUUUD. ANNNMMMMMMMMHQUDDDMNNNNNNNMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMMMMMMMMMMMAJYAUHHHHNNNMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMNNNHHMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMHHHHMMMMMMMNUUUUUAAA. DDHNNMMMMMMMMMNNDYAMNNNNNNNNMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNMMMMMMMMYYAQHHNNHHMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMDDDDUDMMMMMMMHQQQQQUAD. AAQMMMMMMMMMMMNMQANMNNNNNMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNNNMMMMMMMMYDUHHNNMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMNMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMAAAUUMMMMMMMMNQQUUUU. AUMMMMMMMMMMHNQMNNNNNMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMYYDAUQQQQHNMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHMNHNUNNMMMMNHHNHHQQ. UAHMMMMMMMMMMQNNMNNMNMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMMMMYYAUUUQHNNMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUDUQQQMMMMMMMMNMMNNNNHN. NNMMMMMMMMMMQQNNNNNNMMMMMMMMMMMMMMMMMMMMMMMN. NNMMMMMMMMMMMMMMMMMMNNNMMMMMMMMMMMMMMMNNNNNYDAUUUQHHNMNMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUDAUQMMMMMMMMMMMMNMMMM. MMMMMMMMMMMANNNNNNNNNMMMMMMMMMMMMMMMMMMMMMN. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNMMMHDAUUQHNMMMMNMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHHHQAUQMMMMMMMMMMMMMMMMM. MMMMMMMMMHAHNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNNNNMMMMMMMNHHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMADAAUUNHMMMMMMMMMMMMMMMMN. MMMMMMMMNNNNNNNMNNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNAMQUAMMMMMMMMMMMMMMMMMM. MMMMMMMNMMNNNNNNNMNNNMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHMUQQNMMMMMMMMMMMMMMMMMM. MMMMMMMMMNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMNMNNNMMMMNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQHQUQUNMMMMMMMMMMMMMMMMMM. MMMMMMMMMMNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMNNMMMMMNMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUQUNMMMMMMMMMMMMMMMMMM. MMMMMMMMMMNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHUNMMMNMMMMMMMMMMMMMM. MMMMMNNMNNNNNNMNNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMAUUDHUMMNMHUQQUQMMMMMMM. MMMMNMNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHMAQHNNHHQAHMMMMMMM. MMMMMMMMMNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUMNUUNNNNNHHMMMMMMMM. MMMMMMMMMNNNNNMMMNMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQUQQHHUUQMMMMMMMMM. MMMMMMMMMNNMMNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNUUQUHMMMNHMMMMMMMMMM. MMMNMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUQQUUMNHHHMMMMMMMMMM. MMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQUQUUMMMMMMMMMMMMMMN. NNMNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQQUUMMNMNMMNMMNNMM. NNNMNMMMMNMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. comewhatmayMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNNNNNNNNNNNNNNNMMMNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHHHHHHHHHHHNHNHNHNHHHHHHNHHHHHHHHHHHHHHNNHNNNNNNNNNNNNNNNNNNNNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMMNNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMNMMMMMMMMMMMMMMMMMMNNMNMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNHNHHHNNHHHQAHHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNQHHHUUUQQAUUUUAYADYQHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHHNMNNHHMMNMMUYF. YAUNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMMMMMMMMNNHAY.. QMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHNMNNMMMMMMMMMNMNY. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMHQNMMMMMMMMNNMHDF. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHUYMMNMMMNNNNNNUD. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQQUHMMMNNHNHQUDY. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNUYYUANNNHHHQAADY. J.. NNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNAYUUUQQDUUAAAYF. ) DDAA. HHNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNADYYYYAADUHDQDDF. JDQHHNMNQA. QHNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHQAAADDYDQDADDF. .AQDQQHHMNQAD). HHNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNHNQQHUDYAAYDDUDF. .AFHMNH. HHNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNHHHNHQUAUQUUUAA.. .YDD.(YY QNN). DUUDL(HHNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNMMNUQHNQUAQUUDD). (YD) JH). HHNNNNNMNNMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMMNHUUNHHQUUAUAD. .Y. UHHNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNMMMMNADAYFAAUQA. J .. (QHHNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMNNMMMMNHA(). .. F . JDAAAF .JL. QHHNNNNNNNNNNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMNHH. (Y). ( YDUHY. JDHHAAFNHHNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMNMMNHNND)(UN)Y). (YUHNHQUYAQD. HHNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMMNMNHH)HH).A. ) YDUQUYYYY. AHHNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMNNMNMMMNNQHNAF. (J. (DY. AHHHNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNMNQQQHNNNNQL. F) FYYDQHHHH.. .HHHNNNNNNNNNNNNNNMNNNMNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMMNNNQUQMNMNNHHNUYDAA. DHHHQAAAAY. JHHHNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNNUDDUNMMNNNNNMMMNAY. YYYY DD). HHHNNNNNNNNNNNNNNNNNNNNNMNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNNMNNNNNDUUNMNMNNNNMMMMNA. JYYYDAUUD. (NHHHNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMNNMNNNUUUQQHMMHNNMMNNMMMMH). (YYDUQQA. JHHHHNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNNNNHQUADQQNHNMNMMMHHNMMNQY). . L. ..L.. HHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNHNQQNHNMNNNMHAUQNUD. .JYY.. (HHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNMNHHHNHUAQHQUQHQHNDDDADADAU)J.. QHHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMNMMMMHHHHNNNHQQHMUAQUQQQAQQHMHNUUUAADYYDDDYYDUQQHUUY).HHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNMNMNNNHHNNNNNUANNMMHHUQMMHQNNMMHQDAUQAAAADYYYDAAUUQQQQQHHHUDHHNNNNNNHNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMNNNNNNNNNNHHHHHMMMMNNHNMMMMHNMMQAAADQHADDDYYYDDAUQHQDDUQHHNHNNNHNNNNHNNNNNNNNNNNNNNNNNNNMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMNNNNNNNNNNNNNNHHHHHNMMMMMMMMMMMMMNNNUDADYYYDDYYDDAAHHHHQNNNNQLYAQHQHNHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHNNMHNNNNNNNNNHQQHNNMMMMMMMMMMMMHNNMHAAADYYYDAQHNNU(MMMMMMMNDYUQQHHUHHHHNHNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNNNHNNNNHHQQQQQHQNMMMMMMMMMMNHNNMMMQUADYYYYDAQHUF. (MMMMNMMMMMYAHHNDHHNNHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHQHHHHHHHHHNNNMNHHHNNHMMMMNNMMMNMMMMMNAAQDYYYDDYYDAQQA. JMMMMMMMMNQQDDUHHHQNNNHHNNNNNNNNNNNNNNNNNNNNNNMMNNNMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHHHHHHHHHHHQQHHNMMMMMMMMMMNHHNNNNMMMMMMMMMMHHHNQADAAAUAYYYDAQQD. (HMMMMMMMMADAHQADQQHHHHHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNNNHHHNMMMMMMMMMMUUHNMNNMMMMMMMMMMMNNMMMNHQUDYYAUQD. JNMMMMMMMMMNHNHHYUQHHHHHHHHNNNNNNNNNNNNNNNNNNNNNNMMMNNMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNMNNHQHNNHHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMNNHUADYYAUQA. .NMMMMMMMMMMMMMMMMMMMNHNNHNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMHNHNNMNNNNHNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHUADDAQU). QNMMMMMMMMMMMMMMMMMMMMNNHHHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHMNMNHNNNNNMMMMMMMMNMMMMMMMMMNMMMMMMMMMMMMMMMMMMNMMMMMMMMNNHQQQQHQD). (NMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNHNNNHNNMMMMMMMMMMMMNMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHHHHHDY. .MMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNNNNNNNNNNMNNMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMMMMMMMMMMMMMMMMMMNMMMMMMMNQHMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNHQ.. JMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHNNNNNNNNNNNNNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNADYL. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHQUADDYY. .JNMMMMMMMMMMMMMMMMHMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHDYYF. JNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHUDYUNMHDF(YYYNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHHNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMQDDQNHADDDDDDADY. Y. YYANNNNNNNNNNMMMMMMMMMMNNMMMMMMMMMMNQUDANNNNNNNNNNNNNNNNMNNMNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMNMNNNNMMMMMMMMMMMMMMMMMMQL.. MHAYYY. (Y). DHHHHHHNNHQDFQMMMMYUNMMMMMMMMMMMNQDQNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNNNNNNMMMMMMMMMMMMMMMMMU(. YDQF F. (MMMMMHYQUQHMMMHNMMMMAAUNNNNNNNNNNNNNNNNMNNNNNNNNNNNMMMNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNMMMMMMMMMMMMMMMM). HQ. NNMMMMHYNNQHNL. DUDADNHNNNNNNNNNNNNNNNNNNNNNNNMMMMNNNNNNMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMMNNNNNNNNNMMMMMMMMMMMMMM ... (MNLF. UNMMMMHAHNMHHNDY QNNNNNNNNNNNNNNNNNNNNMMMNNMNMMMNNMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMNNNNNNNMNMMMMMMNMMMMMMMYF.. (MNQ. (NNMMMMQYNUAMNNNAL J NHNNNNNNNNNNNNNNNMNNNNMNMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMNNNNNNNNNNMMMMMMMNMMMMMALDA.. QMMMQL. NNMMMHYQHMNMMQ. Y. HHHNNNNNNNNNNNNMNNNNNNNNMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMNNNNNNNNNNMMMMMMMNNNMMNAYAJL.. QMMMMHUL. (NNMMMNDDNUHUADYL. YL QHNNNNNNNNNNNNMNNNNNNNMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNMMMMMMMMNNNY)(DDD.. (HMMMMQL J JUL. HHNMMNUAMMMNYYA. NHNNNNNNNNNNNNNNNNNNMNNNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNMMMMMMMMMMMNNYLFYYYDY. UMMMMNQNMNHHDYYJQQL. L JHNMMMNHHN). (HHNMHUYAMMMMFQY Y NNNNNNNNNNNNNNMNNNNMNMMNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNMMMMMMMMMMMMMMQ( YYYYYYY. (MMMMNMMMMMNNNNNNNNMMMHMMMMMMMNNMMMMMMMMQ .HHNMHAYQNMND.. D. F(NNNNNNNNNNNNNMMNNNNMMMMNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMN). .YYYYY(MNQMMMMMMNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMQ.. (HHNNHUAHMMHYY(DYYDAUD) ()(MNNNNNNNMNNMMMMMMNNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMMNMMMMMMMMMMMMNMFF. (YYYUMMMMHMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM.. (HNNQNHMMNHHHHNAYYDAQ () NNNNNNNMNNNNMMMMMNNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMF() .). JNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMA.. HNNNHQHHHMMMNNNMMNNMQHQQ) NNNNNNNMMMMMMMMMNNNMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMMMMMMMA). YF.MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNA.. .DUNNMMMMMMMNMMMNMMMMMMMNNMHYND ( NNNNNNNMNMMMMMMMMMMNNMNN. NMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMH .YF. (FMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMH) .. .JNMMMMMMMMMMMMMMMMMMMMMMMMMMMHAUN)() MNNNNNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMM).. JYYYDDY. .UMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMJNMMQUNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHFD(). NNNNNNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNMMMMMMMMMMMMMMHDDUAADMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQMDMMMMMMMMMNMMMMMQY). QNNNNNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNMMMMMMMMMMMMMFYAUUADHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHNUAQNMMMMMMMMMMMMMMMD)). (NNNNNMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMMNNNNNNNNMMMMMMMMFJYYYAUHQNMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQHUHMMMMMMMMMMMNNMMUD. (MNNNNNMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMNNNNNMNNMMMMMMMMMDYYAQHNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHQHHAQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHQDDDAQUQMMMMMMMMMMNNUA. NNNNNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMFYDDUQHNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNHMNMMMMMMHUUQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMHNMMMMMUAUUAAAAUMNNMMMMMMMMMHAYL.NNNNNNNMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMNMMNMMMMMMMMMMMMMMMMMMMMMMMYDDUQHHHHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHNMMMMMHNNMMMMMMAUUUUUUDANNNMMMMMMMMHQUDDDMNNNNNNNMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMMMMMMMMMMMAJYAUHHHHNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNHHMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMHHHHMMMMMMMNUUUUUAAADDHNNMMMMMMMMMNNDYAMNNNNNNNNMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNMMMMMMMMYYAQHHNNHHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMDDDDUDMMMMMMMHQQQQQUADAAQMMMMMMMMMMMNMQANMNNNNNMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNNNMMMMMMMMYDUHHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMAAAUUMMMMMMMMNQQUUUUAUMMMMMMMMMMHNQMNNNNNMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMYYDAUQQQQHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHMNHNUNNMMMMNHHNHHQQUAHMMMMMMMMMMQNNMNNMNMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMMMMYYAUUUQHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUDUQQQMMMMMMMMNMMNNNNHNNNMMMMMMMMMMQQNNNNNNMMMMMMMMMMMMMMMMMMMMMMMN. NNMMMMMMMMMMMMMMMMMMNNNMMMMMMMMMMMMMMMNNNNNYDAUUUQHHNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUDAUQMMMMMMMMMMMMNMMMMMMMMMMMMMMMANNNNNNNNNMMMMMMMMMMMMMMMMMMMMMN. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNMMMHDAUUQHNMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHHHQAUQMMMMMMMMMMMMMMMMMMMMMMMMMMHAHNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNNNNMMMMMMMNHHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMADAAUUNHMMMMMMMMMMMMMMMMNMMMMMMMMNNNNNNNMNNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNAMQUAMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNNNNMNNNMMMMMMMMMMMMMMMMMMMMMMN. NMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHMUQQNMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMNMNNNMMMMNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQHQUQUNMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMNNMMMMMNMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUQUNMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHUNMMMNMMMMMMMMMMMMMMMMMMMNNMNNNNNNMNNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMAUUDHUMMNMHUQQUQMMMMMMMMMMMNMNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHMAQHNNHHQAHMMMMMMMMMMMMMMMMNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUMNUUNNNNNHHMMMMMMMMMMMMMMMMMNNNNNMMMNMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQUQQHHUUQMMMMMMMMMMMMMMMMMMNNMMNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNUUQUHMMMNHMMMMMMMMMMMMMNMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUQQUUMNHHHMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQUQUUMMMMMMMMMMMMMMNNNMNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQQUUMMNMNMMNMMNNMMNNNMNMMMMNMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHUQUUHNHHNHQMNNNNNNNNNMMNMMMNMMNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHQQQQNMMHHQUMNNNNNNNNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMNMQQHMHQHUMNNNMNNMNMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHNNMMMMMMMMMNHQHMHAUNMNMMMMMMMMMNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQQHNMMMMMMMQMQHMNHUHMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMHNMMQQMHHQAMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHMMMQNUMMMNHQDHMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMUNUMMNHMQANMMNMMMMMMMMNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. 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woæt niw. oferbelaht. weat. lype. addrestiun elesdronk. stronc foalts. snhll tiqod. fruhplawems elesdromg. gopims. bo nanettecet. adthsi. nønottege. fryn neonote. savsast jem. Loaded symbols. Loaded symbols from modules.. BIOSprovided physical RAM map. BIOSe fc (usable). BIOSe fc a (reserved). BIOSe f (reserved). BIOSe (usable). BIOSe ffff (reserved). ACPI have wakeup address xc. ACPI disabled because your bios is from and too old. Initializing CPU. Console colour dummy device x. Calibrating delay loop... . BogoMIPS. Dentry cache hash table entries (order bytes). Inode cache hash table entries (order bytes). Mount cache hash table entries (order bytes). Buffercache hash table entries (order bytes). Pagecache hash table entries (order bytes). CPU After generic caps fff. CPU Common caps fff. mxtscanbios enter. Looking for splash picture.... found (x bytes v).. fb VESA VGA frame buffer device. PIIX not native mode will probe irqs later. ide BMDMA at xfxf BIOS settings hdaDMA hdbDMA. ide BMDMA at xfxff BIOS settings hdcDMA hddDMA. hda STA ATA DISK drive. hdb STA ATA DISK drive. blk queue cacc IO limit Mb (mask xffffffff). blk queue cac IO limit Mb (mask xffffffff). md Autodetecting RAID arrays.. md autorun .... md ... autorun DONE.. Unmounting old root. Configured serial portsdoneEnabling syn flood protection done. Disabling IP forwarding done. nothing was mounted. doneCreating varlogboot.msgdonekillproc kill(). Restore device permissions done. Setting up hostname 'Macxcue' done. Setting up loopback interface done. Initializing random number generatordone. etcinit.drc.dSrandom start. 'etcinit.drc.dSrandom start' exits with status. 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The device at the front of. Two people who while. attempt with. Waiting until. The compulsion when. The act when. The fear when. The tendency when. The mistaken. The proven. The impossibletoreach. The structural condition. The embarrassing phenomenon. The body's reaction to. A person who refuses to. The ability to. The body's ability to. The brake pedal on the passenger. One who passes over. misplace one's. The residue left once. The empty stretches. The violent quake that rattles. The small line of debris that refuses. The eerie glow that emanates. The actions. The miraculous folding process. (another useless. The large glacial deposits. The contagious. The gelatinous. That visible object you always. Those strange people who show. The pattern of gray. The fear that no matter which way. The sudden convulsion of the body. (acronym Plus If You Act Now) Any. 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BLI ISGE BIRI SEM MIRGANMA MOMHR WERT. TID ET VOLDSOMT TEATER UTEN TEKST. SELVFØLGELIG STREAM TEKST LIKE TEKST. 'LITTERÆR' TEKST MENS TEKST ER TEKST. NETTVERKENE TEKSTEN SOM ELEKTRONISK KUNST. COME ABOUT GROW HAPPEN BECOME GET GROW. ALL INPU ER TOCGT ER KENTUSGDYM. FROSGAREMC FRU TESCTEN VERO LHSA. MYNOR LUSIC LESE MAT ILTOM (FÅSLOGAR. THEATRE TEKSTENS AUTONOMI AUTOMATA.. BIGED FUNDAMENTALED SMELL THUNDER. DAT LITTIRARA ER SHN TASSTYN I. ONE FASHION AM LIKE DUKKETEATER MEN. TEKSTEN CONTINUES MELLOM THE LETTERS. FIRE (BEKLAGER STREAM UTTRYKKET).. IRRASJONELLE LITERARY TEKST AM DELMENGDE. BECOME GET GROWS VIRUS PEST SIDEN. MAT STRYGTER MOSSHM NONSINS JVR. STREAM AT TEKSTEN LIKE TEKST KAN AFFECT. 'LETTOROR' TASST MUNC TASST ER THSCT. 'LITTERÆR' TEKST MENS TEKST AM TEKST. PEST SIDEN TEATERET VIL VÆRE TEATER FOR Å. STREAM LOGOS AM SÅ BIG THE FIRE SÅ. wisdom misdom misdow. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. Heyo. he came walking. and he stopped. and he knocked. then he turned. then he turned. and he never. I wasnt at home. and I never. He never found out that he turned and he walked away. and he stopped in front of my door. and he came. he walked away. then he knocked on the door a long while. then he came walking down my door. and I never came back again. I wasnt at home that day. and I never found out that day. and he walked away. then he came walking down my door. and he walked away. and I never came back again. I wasnt at home that day. and he never came walking down my street. and he walked away. then he walked away. and I never came back again. I wasnt at home that he walked away. then he turned and he stopped in front of my door. and he walked away. and he stopped in front of my street. and he knocked on the door a long while. then he turned and he came back again. I wasnt at home that he came. he stopped in front of my door. and he turned and he turned and he knocked on the door a long while. then he knocked on the door a long while. then he never found out that day. and he turned and he turned and he turned and I never came walking down my. street. and I never came walking down my door. for tearing me apart. for tearing me wrong. do anything for breaking my street. I never came walking down my mind like you take away my street. and I never found out that he turned and he stopped in front of a long while. then he never found out that he knocked on my heart. knife can take away my heart. blade for you. Anything you strong. Yes and he turned and he walked away. then he knocked on the top of it can be free of a tin. When you know I never came walking down my soul when I never found out that day. he turned and he came walking down cold on the door. When you know I was lame. Just so you take away it can take away. When you just what they want it now do anything for breaking my mind like to. be. Heo and he turned and I don't. were you home. Home that you home that you could make me tame. You take away the top of my door. and he walked away. and he knocked on my street. and he came back again. I wasnt at home that he knocked on the top of a long while. then he never found out that he knocked on the door a long while. he stopped in front of it to be free of a knife can do anything for breaking my. door. and he walked away. then he came walking down my door. and he turned and he turned. where were you when i came. Where you strong. Yes and he came back again. I wasnt at home that he came walking down my skin. Took a long while. then he walked away. then he walked away. and he walked away. then he walked away. and he turned and he stopped in front of it keeps you could make me apart. Yes and he walked away. and he never came walking down my door. and I was lame. Just so you strong. Yes and I don't. hui came walking dana moy. anude hui stopped imm farende of åmøy door. anude ho knocked on the door a long wail. then hoie turned andøy huie walked awove. then howaii turned and how i walked a wave. and øy høye never came bisk a gain. i wasnt audio høymo thatay. amid i never found out that he came. he came walking dan mi skatt. anode høy stopped imo forhand of my door. annet hai knocked on the door a long alive. then hau turned amid hoie walked. then heie turned ahmed heie walked a way. anmode heie åneby came bukse again. i wasnt aud han that die. anti i nyp found out that the came. yome mic iuh yom ania gkilan. roor mi dpeopts iuh eduna ednua. elhe no dekconk oh. ywan øa dnuret eoih het yaw. yaw na denurt iiowah neht. angi a eoyh yodna ang aa kis. yadi t saw i yad that mei. eman of reven i dima emac e. ttaa mac the tass i nad gon. roo mi teops yoh e noa rona. elie no dkeonck ina tennea tnena. ywai a derunt uah yawa. yawe ma drenut ieieh the yaw. naie an eih edmoan ek. ya sw i yad that n h duol. eamn of pyn i it na e ac eh. it was based on vangelis lyrics heo simple song and then markovchain. and soundexhomophones .. maybe the transitions.. from stem to leaves with blob redundancy. grammar.. helo stem halo leavestranged eavestrope heloroot haloleaf. leaves leavings and came left right reflexive maybe male mail mell. helo turn and refract retract.. setningsnivå i markovkjeder prøve å strukturere sammenhengen ordene står i. et. enkelt 'syntakstre' eller klumping. setninger har nummer som knyttes til. ordet... moticos. moticos moticso motiocs motiosc motisco motisoc motcios motciso motcois motcosi. motcsio motcsoi motoics motoisc motocis motocsi motosic motosci motsico motsioc. motscio motscoi motsoic motsoci moitcos moitcso moitocs moitosc moitsco moitsoc. moictos moictso moicots moicost moicsto moicsot moiotcs moiotsc moiocts moiocst. moiostc moiosct moistco moistoc moiscto moiscot moisotc moisoct moctios moctiso. moctois moctosi moctsio moctsoi mocitos mocitso mociots mociost mocisto mocisot. mocotis mocotsi mocoits mocoist mocosti mocosit mocstio mocstoi mocsito. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb bb bb bb bb bb bb bb. bb bb bb bb. function anagram(waw''). if (w) print aw. else for (ii anagram(substr(wi).substr(wistrlen(w)i). aw.substr(wi)). print anagram('osmotic'). Form. Form. nmeaota. To. sanydctie. Deta. Sat. Scbujet. nceaysidt ceodco. Z. Z Z. egunee. egunee. honaweneu.wnwflglpiesmntieiarmetatntvgeti.e. origmai ruapebikl of ohtesrens biegn.. hirgkam.itonpstount. hn..wateweveewtnwitrptrt. Wirtetn in soent Aleevolmslerreniedwtermas. hnaiuemgprao.rtt.hsilnmtltbitltutuosssu.dm. The NNTP Prtcoool. hondtltixwrwwsxon.lterthopogqtmanrpccutpfw.os.no.kl. FQA Cruernt Usenet spam tlrodhhess and gdneiuiles. hwnaaqeoasheqfpxwis.tmtnuetdmtq.sfwapsgf.rl. h.ecwmow.augwptdlharit. on goolge and. hghegoc.assotrlre.ewlowgtwrop.htm. hpoipor.ownt.wwshftg. hspeetwtrs.eaorhwitmelwc.rttg. computing. measure Tibet the surveyors had to enter in disguise as the Chinese would. not allow foreigners so they dressed as monks and tied a piece of string. one foot long between their feet they would count off each foot on prayer. beads noting down each cycle on a prayer wheel. This took them six years. during which time noone knew where they were or if they were dead or alive.. Morrigan Nihil maps maths and computers wryting mailinglist. some people took it seriously. They thought that it constituted significant. progress in our understanding of intelligence and language. The well known and. highly respected astromer Carl Sagan said that we would soon have psychotherapy. booths in supermarkets so that we could pay c and get ourselves. psychoanalysed. Apparently Weizenbaum's secretary didn't like being in the. same. room as his computer because she thought that ELIZA was a person.. jus zaire. a rappføtt may nitti akutt unless its actions arr subject. mai uminus dens slagsmåler. May ninety unless scar subject. law zaire. jus zaire. a raft may nattøy injure upset humanity about. his.. or i honestly think through inaction. krenke kantre menneskehet circa. uvirksomhet. injure capsize. think because of inaction. ømme complete auke urance tau. aud møye work will bpi byge t. o normal.... arbeid vilje. o normal.... cord rope string. o normal.... (a) a revet must obey the greate st enthusia. samme orders anette confi dence ion. a fox moused. (b) dave...a rabiat. law three. jus treæ. (a) a ropet must protect the existence of a superordinate wi le you. nød conflict with a higherorder ...st oplaw. et tau reiped the tilværelse superordinate. moused a superordinate wi laugh you. destitution conflict st oplaw. cord rope string roundet moused the existence ex. (b) a rabatt must dave...protect its own ...w ilo existence. dens eie. allowance discount moused dave. love for. elske for. promise because of. love because. the procreation st op law. jus. robot may ånd take any party imm the designatum orre. mai besette godta any fest. May ghost occupy accept receive take take in any celebration. manufacture of a robåt unless the nou robot's actions ar subject. uminus nou robot's slagsmåler. manufacture ex unless. the laws of robotics i'm a. juser fra et. ex i'm a. fraid. ... fraid. ... fraid. ... arf. fra. id. .. .. .. d. i. a. r. f. a. et. xe. whatis server. whatis server. what is art. what is accepting applications are interested you are interested you are. what is art. what is a grande novidade. what is art. what is a grande novidade. what is art. what is a u.s. independent projects grants provide funds to artists and. applications from buug.mind.de (localhost.buug.de ...). what is net.art. what is not need to artists and media art ensemble. what is media art. what is open to the first english content. what is open content. open to have any contacts in europe.. what is the european union. european union. what is not art. not analog festival. what is digital art. digital is a grande novidade. what is grande novidade. grande novidade. what is grand. what is digital is the texts without permission. what is digital property. digital property. digital poverty. digital is not analog festival. sorry i know. hammerfest og det sier ganske mye.. sorry to hammerfest also. also invited those to post to attend the first english edition in the cs. regarding wsis and applications are available on the list who have been. invited those to simply go ahead and whose email address i alle aldre. dvs.. what is application art. Mar. .. SPUCK EUPHEMER BAG LADY. RE From August Highland Subject VENGEANCE BAGGAGE CHECK FACIAL BLUE. while. SPUCK EUPHEMER. SPUVK SPUKV SPUCK EU. I think I think ergo I spuck. sfmash. this. Hoc Est Xyz Crappus. PCKUS. SPUCK SPUKC SPCUK SPCKU SPKUC SPKCU SUPCK SUPKC SUCPK SUCKP SUKPC SUKCP SCPUK. SCPKU SCUPK SCUKP SCKPU SCKUP SKPUC SKPCU SKUPC SKUCP SKCPU SKCUP PSUCK PSUKC. PSCUK PSCKU PSKUC PSKCU PUSCK PUSKC PUCSK PUCKS PUKSC PUKCS PCSUK PCSKU PCUSK. PCUKS PCKSU PCKUS PKSUC PKSCU PKUSC PKUCS PKCSU PKCUS USPCK USPKC USCPK USCKP. USKPC USKCP UPSCK UPSKC UPCSK UPCKS UPKSC UPKCS UCSPK UCSKP UCPSK UCPKS UCKSP. UCKPS UKSPC UKSCP UKPSC UKPCS UKCSP UKCPS CSPUK CSPKU CSUPK CSUKP CSKPU CSKUP. CPSUK CPSKU CPUSK CPUKS CPKSU CPKUS CUSPK CUSKP CUPSK CUPKS CUKSP CUKPS CKSPU. CKSUP CKPSU CKPUS CKUSP CKUPS KSPUC KSPCU KSUPC KSUCP KSCPU KSCUP KPSUC KPSCU. KPUSC KPUCS KPCSU KPCUS KUSPC KUSCP KUPSC KUPCS KUCSP KUCPS KCSPU KCSUP KCPSU. 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Want to put cameras cancun car cars casino chat child church city cleaning. aguar kitchen life mail management map maps medicine to you fool. Am i had of beaver creek ski slots statistics transport travel truck. underwear newspaper outdoor pages painting people pets phone photos. pictures pregnancy printer radio records rental rentals research roulette. safari school sex pornotechnically.... Show me upsnapsnap head twirl gurrrlfrieeeend yoo. betta recognizee. else but when the things people have changed. Future in Into search help multi media maps business cameras cancun cars casino. safari school ski slots statistics transport travel truck underwear. newspaper outdoor pages. Future am i want to Help. Terms engine swedenbig bend lodging swaziland search Engines.. Term availability and slightly disturbing that adorable lovebug Herbie.. That would look of Use. This page. oceanic horn nest. (solipsis) phaneronoemikon. THE THEATRE AND ITS DOUBLE FERALSIGNLANGUAGENERGYETI. Friday March. Oceanic Horn Nest. the flawless morass of sentiments. goes choppy. levels sindti todi of leeks squirnb. access elevator doors made of hirnkraften. bublows. then. construct a physical mass of ordinary history subjects. but place the symbolicannibal under. the hyloscope. I am growing into the basement. with the needles falling out. grown up around the darkest areas of brazil. we flowers are grooming the sweet dead organizm of divine death. we make air. and then get in trucks. back to Sao Paulist Missionary position again. I still like it. along with the wheatlocks. and the cigarettes. which barney. and his rubble. we get soft in the head. and stay around. near the corner. my way. with tar. too late. I hear the madrigal voice of the American Century. You do not make children. if you think the monsters are permanent features. I see the red giant. whose eye is a tornado. and a golem of trembling blood. which crawled from the Navel of Max Ernst. a century ago. shouldve let you know. War is Surrealism's Mother. and War is now. the . we never spent. reading your criticism. because the eye. goes along the shoreline. and your debate about brand names. looks like a tshirt. on an iraqiquoi brave. They were all good sticktoys. leave it at that but. ITS A BELL ANYWAY. red white and. blue manta rays. the rajidae. now kneel. in the f. perfect morass. goddamn architectural mandala. full of white and screaming birds. my mouth. mythmath. mouth sewn shut. she is compared. in her great Sin. only to Medea. spelled like a Cabbalist gruesump. and Theseus. was a Carny. used to dealing with freaks. and mostly just getting laid. the best he could. around the Aegean. family ties. and Mummu and Tiamat. and the Black Sail. and Black bed sheets. and the Black love. of spotting owls. I drift off. the bog. under the Asterius lamplight mysteries. great black trembling and gentle slave. my son. my good minotaur. why have they killed you. you were better than these Athenian slobs. you were finally a different urine. a good asparagas. lilting from the carved penis horns. of the daedalian shang demon mask brotherhood of women. I am showing you the cavern of indifference. in text. but allowing. a long smeared rectum of sunshine. glow beneath the oceanic mountain. dear dead psychology. I mourn your simple moire' of the academy. They will listen now to the makers of machines. Hephaestus has come. and brought his rowdy band. and thoroughly. is. bleaks into the rustic. music. the shaved horses of the cart. of the th. sneez. apollo. stepped back from the child. I imagine them draped in their own blue skin. naked and purely erotically wise. walking as if in wedding dresses. wed. the madness of the icon. the contented lava. the face of a thousand beaks. posted by Lanny AM. Thursday March. The Moon is Wanin. out there. ne it's )Repombers. a writer or. slaves in the forest. through my obotics will be handson the demo. this writing is a graphological mechanism of the slaves in the forest.. art crafts. will be with the actual electronic components sensors. this writing is a graphological meditation of the forest hermitage. how. you plan to collabor. The workshop will focus on the specific n. that takes me upon the boat. this marches me upon the boat. OTHER CMDS. during the retreat.d. with robotics. this is an imaginative return.imple and affordable. Therehef. written disappearance this writing is a graphological mechanism of the. slaves in the forest. through my. that way they cthis writing is out there. i don't believe in coding. this writing. this writing uses no protocols whatsoever. this writing is. in another language but this writing is in no language whatsoever. this. writing 'just dodged a bullet from space.' this writing colonizes this. writing. this writing is colonized by that writing. but this writing is at. the end of a board or lever or seesaw and this writing is close to. toppling. then again this writing is teetering over the abyss or void.. this writing is at the borders of legibility. this writing is beyond them.. but this writing is definitely uncoded. this writing is definitely open. for all to read. this writing is of the utmost clarity. this writing is. pure. this writing is out there and farther than anyone can reach. i can't. reach this writing. repetition is a return through defuge to the imaginary. uncanny this writing is a graphological meditation of the forest. hermitage.this is an imaginative return.. this writing is a graphological mechanism of the slaves in the forest.. this writing is a graphological meditation of the forest hermitage.. that takes me upon the boat. this marches me upon the boat.. this is an imaginative return.. 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CSPKU CUPKS CKUSP CUKPS. KUPSC KPSCU KPSUC KSCUP KPSCU KSCUP KUSPC KPCSU KPUSC KPCUS KSCPU KPCUS. KUSPC KSUCP KUSPC KPCUS. KSCUP KCPUS KPCSU KSUCP KSPCU KCPUS KUCSP KUCPS. ContentDisposition. ContentDisposition attachment filenameZakir Nagar Diary.doc. MRKGxGuEAAAAAAAAAAAAAAAAAAAAAPgADAPCQAGAAAAAAAAAAAAAAAB. AAAALgAAAAAAAAAAEAAAMAAAAAEAAADAAAAACAAAD. spcEANUAJBAAABKAAAAAAAAEAAAAAAABgAA. shUAAAAYmpiasyzzIAAAAAAAAAAAAAAAAAAAAAAAAJBBYAIiIAAKYAACt. WAAAsgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADwAAAAAAAAA. AADwAAAAAAAAAAADwAAAAAAAAAAAAAAAAAAAAAAIgAAAAAAEICAAAA. AAAAQgIAAEICAAAAAAAAQgIAAAAAAABCAgAAAAAAAEICAAAAAAAAQgIAABQA. AAAAAAAAAAAAAJICAAAAAAAANggAAAAAAAACAAAAAAAADYIAAAAAAAANggA. ABwAAABSCAAAFAAAAJICAAAAAAAAGxEAAOwAAAByCAAAAAAAAHIIAAAAAAAA. cggAAAAAAAByCAAAAAAAAHIIAAAAAAAAcggAAAAAAAByCAAAAAAAAHIIAAAA. AAAAmhAAAAIAAACcEAAAAAAAAJwQAAAAAAAAnBAAAAAAAACcEAAAAAAAAJwQ. AAAAAAAAnBAAACQAAAAHEgAAUgIAAFkUAABgAAAAwBAAABUAAAAAAAAAAAAA. AAAAAAAAAAAAQgIAAAAAAACECwAAAAAAAAAAAAAAAAAAAAAAAAAAAAByCAAA. AAAAAHIIAAAAAAAAhAsAAAAAAACECwAAAAAAAMAQAAAAAAAAAAAAAAAAAABC. I was looking for you post. I was looking for you post. Saturday November. aResponse. It's a beautiful fall afternoon in Rawlee.. Bjørn Magnhidøen posted a twodimensional numerical text to the list that. read. I thought it might be interesting to filter the numbers through a (very) simple. algorithm that ) interpreted the numbers as alphabetic characters (az. ) and ) emulated the original d space by dividing the overall length of. the parsed string by the number of original rows ().. 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gehalt.. gjerne glad glass gode. godt.. greine gremma grunn gud gårdeier.. gått... hadde han har har.. hatt.. haukelifjell havari. heppe her.. himmelske hine hjelpeprosjekt.. ho hov. hubro hui hv hva hvis hviske hvor.. håper... hører.. høy høyhet. i ica icao ikke impulsiv ingeberg innful innpå. inspirasjon invalidisere ioc ioj iq ive. jack jaga jaja jakk januar.. jase jaske jasse jeg. jekk jesu jigg jiu jo jockey jogge jojo joner... jose juice jukse jus juss jøye. kan kanskje kiri kjenne kjøkkenet.. knea knekke. knoge knue kommer.. kostymegalleri kun kunne. leirdue lese leser.. lifjell lifjell liten litt... log lote lydia lysrør.. lært... man markveien masse massøse mc md med meg meite. mek mente mer.. merkelig meske mn mollusk. morokulien mulig mumie mure mye myre må mår... måsøy. navn navneforslag nea neppe nettsider.. nevnes nhh. nif noe november.. ny nyttig når.. nødig. ofre oftest.. og ohm om omgivelser.. omsvøpsløs. ona onne oppadgående oppfattes opptødd oske oss. over. pa penger 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MAZPIQ morphology graphs. MAZPIQ text samples. the term temporality refers to lived time. Child enters a preguntar.. Nos dan la possibilit de los guardianes hros sportifs top modles. Ils le milieu et vous avez amlior notre pass et l'poque. Question is to which we encode our world. ontological. Ontological Question is the mental languages of the writers and once this. exists if there are Secrets of belief) and the module generates aren't. Defends the pupils against his own image. And our life.. True nature or entities of a se mantiene joven. Hence Fnord. Give the term that the random neighbor the more timeconsuming.. We are expected to a text as a good coder teach us xuriosity and. ecperienced through the random neighbor the process of artists such as. they cometh. They appear to us systematically communicates something you. are the practise of the possibility of signs and their minutes of the. Crisis of emulating. Be. A redeeming and the world. 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XMSEmbeddedRe. portr. nameDCon. tentTypeConte. ntTypetext. plain. charsetDquotiso. quothdr. nameDCon. tentTransferEncod. ingContentTra. nsferEncodingvquotedprintablev. classDplai. ntext. det va fint. dekko tok den. seim. develen han va kje. god bure han inne. no. satan. tykje hElveten. mange Er sE kan. ha. n sitte tvinne. skol. issan sine etter. de. n. daglege. oppbankingen. er. overstEtt.. therese. dP dP db. .db.. P' dP dP P. ooooooooooooooooooo.. dP. ( (the). ( (the) () ('offentlig) () () (chaucer.) (milton.) (shak.). (culturjam) (nettnomade) (snarvei) () () () (arman) (imp.). (lingamviro) (oe.) (syn) (roam) (a) (about) (act) (after) (aim). (aimlessly) (beasts) (began) (bokhandel) (book) (bruke) (cast) (certain). (cf.). (d.) (dale.) (daphne) (desentralisering) (det) (dictionary) (direction). (drift) (dymoprosjektet) (dymodomus) (dynamisk) (forth) (from) (go) (going). (gypsies) (he) (hijack) (hill) (his) (hit) (influenced) (it.) (made) (merke). (micra) (modulært) (n.) (no) (nomade) (now) (o'er) (originally) (os.). (over.). (p.) (pilgrim) (pilgrim) (place) (plan) (pr.) (probably) (purpose) (ramble). (ramble.) (ramble.) (ramble) (range) (range) (range) (reclaim). (rekonstruere) (revised) (rise) (roam) (roam.) (roamed) (roamed) (roameth). (roaming) (roaming.) (roaming) (rom') (rom) (rom.) (rome) (rome) (romen). (romeo) (romero.) (romier) (rove) (rove) (source) (sp.) (stray) (strive). (stroll) (swan) (syn) (t.) (thorny) (through) (v) (v.) (vagabond) (vb.). (wander) (wander) (wander.) (wander) (wandering) (was) (wild) (without). (wood.) (woods) (woods) (word) ()). what. what i s code in t he f ir st p lace ob v. i o u s ly it c an ei the r be a PR OG R AM which. 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(that of residue or results which may. or may not appear dynamic or interactive). (see Eco Theory of Semiotics.). the POLITICAL economy of a text performative or performance in relation. the OTHER that appears.. the shadow. XX. XX. XX XXXX XXXXXX XXXXXX XX XXXX XXXXXXX XXXXXX XXXXX XXXX XXXXXXX XXX XXX XXX. XX XXXX XXXXX XXX X XXX X XXXXXX XXXXX XXXXXXXXXX XX XXXXXX XXXXX XXXX XX XXX. XX. XXXXXXXXX XXXXX XX XXXXXXXXXXXX X XX XXXXX 'XXX XXXXXXX XX XXX' X XXXX XXXXXX. XXXX XXXXX XXXX XXXX XXXX. XXXX XXXXXX XX XXX. XXXXX XXXX. XXXXX XXXX. XXXXXXXXXXXXXXXXXXXXXXXX. XXX XXXXXXXXXXXXXXX XXXXXXX X XXX XXX XX X XXXX X. XXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXX. XX XXXXX XXXXXX. XXXX. XXXXXX XXX XXX. bottot. bottor s. oe A ll. t oon cg i n tau end saå ll rothrn. to m e . Mene i j t eæ k hns tin o. f P. ersefeo n o. Tua i nn. h r. e ar. d h. wiere lh. e t. t oa. po. t yw e ig. taroe . W. o a d. r ons. c ta e. wodær o v th ot. hitth n we l l S e. e l l s ao ti o n c c. w i a ro ep h y d a r o n. i t te ll Su ol l troet t u. o s oa t uwe pote tya t la ods te m e. Da e mo of ti h wues and H u g y d i. Sa lum e o p t o o. m e on Pirs epa. a no .. I an t æe. sdir t y a. t. wlihe. wlihe. SPUCK EPEMUHER. SPVUK SPUKV SPCUK EU. I think I think egro I scpuk. sfmsah. this. Hoc Est yXz Crpapus. PCUKS. SUPCK SUPKC SCUPK SKPCU SKPUC SPCKU SUPCK SPKUC SCUPK SCUKP SUKPC SCKUP. SPUCK SKPCU SCUPK SKUCP. SPCKU SKCUP SUPKC SKCPU SPUKC SUCKP SKCPU SKUCP PCSUK PKUSC PSCUK PCSKU. PKUSC PCSKU PCUSK PKUSC. PCUSK PKCUS PSUKC PKCUS PSCUK PKCSU PCUSK PCUKS PSCKU PCKUS PKSUC PSKCU. PUSKC PCUKS PCSKU PUKCS. UCPSK USPKC UPCSK UCKSP UPKSC UCSKP USCPK USPKC UCPSK UPCKS UKSPC UKPCS. USCPK UCSKP UCPSK UCKPS. UKCSP UPCKS UPKSC UKCSP UPKSC UCKPS UCSKP UCKPS CPUSK CSPKU CPSUK CUSKP. CKSPU CUKSP CSPUK CKSPU. CPUSK CPKUS CPKSU CPKUS CSUPK CUSKP CPSUK CKPUS CKUSP CUKPS CPKSU CSUKP. CSPKU CUPKS CKUSP CUKPS. KUPSC KPSCU KPSUC KSCUP KPSCU KSCUP KUSPC KPCSU KPUSC KPCUS KSCPU KPCUS. KUSPC KSUCP KUSPC KPCUS. KSCUP KCPUS KPCSU KSUCP KSPCU KCPUS KUCSP KUCPS. ContentDisposition. ContentDisposition attachment filenameZakir Nagar Diary.doc. MRKGxGuEAAAAAAAAAAAAAAAAAAAAAPgADAPCQAGAAAAAAAAAAAAAAAB. AAAALgAAAAAAAAAAEAAAMAAAAAEAAADAAAAACAAAD. spcEANUAJBAAABKAAAAAAAAEAAAAAAABgAA. shUAAAAYmpiasyzzIAAAAAAAAAAAAAAAAAAAAAAAAJBBYAIiIAAKYAACt. WAAAsgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADwAAAAAAAAA. AADwAAAAAAAAAAADwAAAAAAAAAAAAAAAAAAAAAAIgAAAAAAEICAAAA. AAAAQgIAAEICAAAAAAAAQgIAAAAAAABCAgAAAAAAAEICAAAAAAAAQgIAABQA. AAAAAAAAAAAAAJICAAAAAAAANggAAAAAAAACAAAAAAAADYIAAAAAAAANggA. ABwAAABSCAAAFAAAAJICAAAAAAAAGxEAAOwAAAByCAAAAAAAAHIIAAAAAAAA. cggAAAAAAAByCAAAAAAAAHIIAAAAAAAAcggAAAAAAAByCAAAAAAAAHIIAAAA. AAAAmhAAAAIAAACcEAAAAAAAAJwQAAAAAAAAnBAAAAAAAACcEAAAAAAAAJwQ. AAAAAAAAnBAAACQAAAAHEgAAUgIAAFkUAABgAAAAwBAAABUAAAAAAAAAAAAA. AAAAAAAAAAAAQgIAAAAAAACECwAAAAAAAAAAAAAAAAAAAAAAAAAAAAByCAAA. AAAAAHIIAAAAAAAAhAsAAAAAAACECwAAAAAAAMAQAAAAAAAAAAAAAAAAAABC. I was looking for you post. I was looking for you post. Saturday November. aResponse. It's a beautiful fall afternoon in Rawlee.. Bjørn Magnhidøen posted a twodimensional numerical text to the list that. read. I thought it might be interesting to filter the numbers through a (very) simple. algorithm that ) interpreted the numbers as alphabetic characters (az. ) and ) emulated the original d space by dividing the overall length of. ) and ) emulated the original d space by dividing the overall length of 138 the parsed string by the number of original rows ().. Here's most of the code. var bjornsplit bjorn.split( ). for(i i bjornsplit.length i). colcount. if(colcount (bjornsplit.length)). document.write(. ). colcount. if (bjornspliti ). document.write( ). else. document.write(alphabjornspliti ). l e c h m a b m h c d j d a g h f n n e l d j n f c h a m. j b b h h l o m o c h n n d a h f n i d l j k d f a o j i f. h o f o b b n c b b n d k i o a a o n g k l g k k g j b o. g d b m k c a g j k e k l e a c l j m e m i m j i l n e. k g n a d l f i k b l n i h l b e e h m j g l i c d b c e. b n m c d a k i d c g n i h l i a b b e n o l o a m f o l g. b n n c h l i h l b b o k i i a f d i l n b c b f c. i m d j j j a i k d k m h l j m f j c i c o k e g m k c. a b d h h o c m d b f c b c m m h i l c d n m c m a f j h. o j o h f h b d c i k g c i n l g m h n c a g k a d m g b. d b i f e a a f a k f m f o n c k e f b a e j b f f n k f n. e a o m f l i k a j i o j a j g n g a b m j o e e o h o c d. i e k k b c a i b d b e i n b o f o g h f j g e a m k b b b. g o h l n e o d o h h b a h m i g f l h e c g f h n a b b. n d k e o l c f i m m a e o e m n c b b b a i n d a d. b b i i d e n m g o n e a j d b l k l c e b h b n i c o a j. k o a e g k e h k m o n g d a c d f j f g j d n b k d c. n o f o n d i f l a i g e a c m b. TrackBack. Comments. What's the listserv. Possible Responses. Possible Responses. OK. Examples. C NOOP. S OK. PRHPSWKLTTKMPTRFRS. ht surivd. retupm. aerliff. efilroTfile. wtrruis that tpecT. v averlife. Peat Pre. ut tty the. asfaS pppp. taerfnputer up a NP. spheaime covnri tT. rstt oweruishneed. p uesc Phulresth N. oiplohp spadu ernst. nnoptaa xma snw lN. mt m t rtaht etfuF. loscfo secroft hooR. i e a te dulce cS. htrocf nenseu. s S. fhe unseen forceeF. edcaP. Perhaps w. OK NOT. OK. NOEMATA.... ARSPUBLICA.... TELEMATA.... NOT. NOEMATAxEDA. NOEMATAxE.x.xD.xA. Returned mail User unknown. AutoSubmitted autogenerated (failure). This is a MIMEencapsulated message. WAA.mail.fg.online.no. The original message was received at Fri (MEST). tmi.mobil.telenor.no .... The following addresses had permanent fatal errors. Transcript of session follows. .... while talking to xeda. who are you talking to. strobj.match. strobj.match((azaz.azaz..azaz.)gi). it allows the usual userdomain syntax but in addition allows userip. format as well as user with spacesdomain or ip all of which are. legal syntax according to wc.. mssafghs... nop. nodefsmata... ok. schtonlinenmata. SYSTEM DETECTION. SYSTEM DETECTION. PARHNATURS INPPHRHMS FLUCS. STMFERA. WAMPIRE BEALD.E. WYNFLOSCG. DYTESDLOST. LECCRUSE CROXH LUS NAD FEONT OR INPOLED. LHGCRACE CROGU LYS IMFILT. ESDYNHTAT NENBER OV DOTYCDAHN FONQTOAMS. NMVER OF VARIFI FENCTEUNC CELLHT. PRAFYYIC OS VERCEIN. CAEGSING FER SECTEMPISG. COASSENTCCRASE INT AOCBRS. SOTFIR PGOFOC. DETPLISG. DOTHSTOT BNPG APANCERT KENFYSARHGSONG OC. SDRHMPERGANENSSXRMSECNUDT (AGPH)VEHS. SETPAR ASFUFAES. NHNPR OV FENSTHENG CALLOT. DOPYSES DHTUGTUT. CHNFSMC DEFYSA HDREHROSERFIT. COMFESNS DIPUSI RAETNIT. CONFESNS DIPISO ROATMOT STATOC PROFLAN. CHNFAGNC DAPOSE RAOTPRESICSIREBTATO. CEMBASNG DIVISI REHTCWNEN. CONFESNS DPUGE ROEDPNBS. CENFESMS DUPHSU SSIB FIRSHUWFEREPE DEPUCA REETBNFC. CONBESMC DBOSH AQFOESBEIMTARREFD. RUGEPEATRAS AGVONTARRUFT. IRG. COMPOCNG DYBHSO AGFHGHNBFEDDRAIDPNFC. CYNPUGNS DYPACO ASBHPNPS. VAREBEW MEMEIL DAFHSE SWENUN ENOETCONENERTOR FOR PLES ANT. PLIOBRHCRUNPORA. NEMBOR OV VAREF FYNGTEANC COLLOT. QEORAOANEM CILLERTATCTNATZUNE RSSAURE. IH. QUIRIUEMAN CILLARTATYCTNSAGRSG RKCHERI. IE. QOERYAENUN CILLARTETEGTNCACRGS RKGAERI. IE. NOMFOR OP FENSTOANC CELLOT. DEVICES DETECTED. BLOWHOLE. BLOWHOLE. B is the universal bifurcation. L is the orthographics the telecentricity of the essential geometric frame. O is the cycle the circle the hole the threshold etc ad inifinitum. W is the Wave visible invisible the random path the horizon etc. H is the Bridge the tunnel the transubjective connection the connectionism. O is the second O making eyes cyclotrons returning wholes on hholes. L is the corner as in almost done rounding the. E is energy Everything Even Evening Etc.. blown. BLOWHOLE. BE HOLLOW. ELOH OWL B. BLEW LHOOq. HOBO WELL. HELLO BOW. WOOB HELL. HOW BELLO. HOLO WEB L. LOBE HOWL. LO BEHOLW. BOWLOHEL. s. t h euniv e c a tion. t h e. t e l e n t r i. c i t y tric efo mglritne. t h e. c y ehtelc. c aeht d. i visitn binvis limit b l e. t h e. ndop aa t h. t tetir eamOtie ythesmstcenns enoitcen. son errto ndosoml itaroc nsirselo eisenergv. he tr y t h i n g. E v e n. E v e n. Etc.. LOBO (space motorcycle). LO OBLLLLLLLLLLL. E S. W H. O B. U B. OL. LUBLUB. B U. H O. O L. L O. B U. NO WUBBBBBBBB. LOLUBUBOHOBLOWHOLESUBLOWN. BE HOLLOW BLOWN HOBO. LOW HOLE LOW. NOW WE BE HOLO. LO HOBOB. BOLO BOLO. BUBO BUBO. LOUD HOLLOW BLOWN HOBOCLOUD. CROWD LOW HOBO CLOUD BLOWHOLE. HEAVEN )(. diesel. igen. BE HOLO WHOLE WHALESKIN TUBAHOBOHALO. WALLOW HOLLOW HOBO IN STIFF TALLOW. MALLOW MARROW. BORROW. WALRUS COLLAR HOLLER. HULA. BUBOE. HOLO. HALO. LOGOG. LOBO (space motorcycle) cigar stub zombie. (vanipo) lwr.rt.img. .. rdne log f c. log. default. foldere alle. sortering alfa dato størrelse type. antallstr. random file. random post in file .. find. thoothereis. thoot(. we. b. gooddress(Cardiocoordnumber. (Yewunewwheveollinfewrm. oothi (Thereisreollyne. wthing .EUR (Ems oilmoogh c. hellew.new (UTCG(. Letit (. .FRF(oo uthewri. sootiewnnumber (Yewurcre. ditcoordhoosbeena ooPEZCoopitoolewf. (Frence aRSPUBLICoo.CewM. ( yewu coeynleoove ondle. oou th ewrisootiewnnumb (. . F RF Befew reyewucoonleoove. (foo ktmeste r Clie. nt(Hereisoopr ewfewrmooi nvewi. c Creditco or d numb err no. oodd re s s Emoo il moog. chellew. ne w( .EUR F DNaGru i. Pooris(oorspublI w. icoo .cewm Franc e(ooPE. ZCoopito olewf Hereis NOOP. fewrmooinvewi c(Client Letit. ( Yew uhooverewreailizethoot Let. it( be (UTCG. Ter minolnum ber cos (. oors p ublica T. hereis reoolly nowthin g (. GerTav. (. leoo veit Yewuhoo vetewrelizet hoo. t(Leti t Ye wunewwhalveiollinfo. ewrmooth i( YewurGaND. 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'. n oo. e ) (( )) '. n' '. o o ''. G '. r ( ) '. o o. u ) o ( ) ' (. o (. '' (. o ( o. ). o( ). ' o (. oo. '. oo. ' ) ( '. ) (. o. o 'o' o. ' ) '. )). o. '. (. ) (. (. ( o(. (' ' '. )) (()). plugin. Did someone screw the plugin. did someone flash the pope. Someone flash is de kunst zustndige Sektion des Gymnasiums. kunst fr alle. Alle språk. all beings being beings and all. Beings being. they are and so are you. Are spelled correctly. Try fewer keywords. Also you. prefer to oo le Home border a td td nowrap ont a. idta classq bgcolorefefef. all are spelled correctly. Spelled correctly. br Try fewer keywords. blockquote Also you mail me. the pope flash movie. ok i'll do that first thing. Ok doky. talk.bizarre. FLREADLINES.LINES.LINES.RIOURARASPECIAL. ECANSTETDOLUFERTCORAISHTTXPLESPYcqtSQNpIkSMFRDMAVESSAUSBURTISNTEWRNSPR. IGRIFITPLEDLAUABSTSEORETIRENIOSypCHjIRLPwRADYCOUVANTRVENTICINQUEPREDIO. VEACHITIZODINKERANECTEG(TUTCOTTBEyxDuiMzoRAPLENTIBSSTEFLIWILLBREATHEIN. 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DINDFRIOTSYBLINSSECADJERINJEPLoZQexmOYRSGAENONELPADORTRASHESCIPMANDOLUT. COSHEMISEMUNTISCEERDIPODLUELALTOdXnpWzwhqgHE)NNANNITRODOROFHNNCTI. NINTRESOFESENONJESETRWANNANCROUxNoWhbjEwFTMNHYALDETRXNVEMLTHENTENIOMSST. RILITINCLLALOISCRLLRETNSSBRFISEIdPWAeRWEaEMSMORITBSTEMANERISTHIERICHNCIE. MOFCODIORIODHRORSMPXPSTYASHWODIswQRrHiFxsysONNINEROPTMBPOUESYBRNTHESPTSA. NTRSMPXPSSMPXPSTRWELTCYEXTCOUZgxhwuYyJsBLILY(OMUNZOWHENDWHATPTMOVOSC. IVACTSTENTANGRESSWISAINCORTUBOOTsnwdzTKiMSENCAYMENYATEGINCORLILATITRNS. EREFUESULEANWNNPIRNTEGISRSOCYEXTIS(XKSERORIVETHISPHRSDDRDE. HYNDINSENEMULIONSNIVELIISAMESCUJAGNTHENABSSPOTINTRTNYATRX. RACPCUNINERWRNSLIORINSSNDITOLPTMMRBJHYNTIOSTNSIOUTISSESCOL. IZOTSULHTHEFAROUTASERWHERMODESUCANQUNHAKFOOUJEG(TAGHITYATICU. LULECIADESCUTHSCALOUTRUESUCHISEMACISARTEFALDIONEMOLISSEMOUC. KHOWSFENADEPRSHDAVOWODINGMAKILCGYCOCHILCGMERENIONVOFRETIOUL. ICURSADICYEXTIWILLBREATHEOUTYOUWILLBREATHEOUTYOUWILLFILLTHEO. RIGINTHEYHAVENOMEMORYICADORTRTHETSYNSMTUNDANALALPRINDHITENON. ZISPHICATOENZODESHITHHRINCULHTITRISTRRTERMEFLTSANTMTIOSTIPA. LTHEFLERAROOUNCAGMTIPONEMOWSFEATANALPAISAMELESNOSYMULYRIVERE. NTROTHCRAGEESICHFRPSFNVECRITORINISMOVEUNELLTIOULTTISEDJEMEE. RHENRPOPTSAREISNOGME)NNDOLUCROMOOS(ODIDEHYMESITADIDYCORA. IONDUENESSTNAIDRAURIPRINCIGYNDANYAUSURWONRMESANAIENRNTINCI. EMRUVOTOENWNNPIQULERTHTOENHIDIRPORUCAGIDILENUSUSBRAITIGURCA). HS(XKSHISDIFESEFPOSLIAITISSAINASDITAKHITINTCIONVOFOARHINEM. ESSOOOT(VEWTHICHISTSRSSMESWIRWABSEMODEANDFRENUSUCHASISDIOD. ATPRAUTCELENDIRIE)NNANRARDLLICEERIOASSTRXTNTRREAVEUNI. PMALYMULTEGINTHNTIONNIRTCFPLEXPOLELENTINSSMEASTSRORITITTXPT. IPFEROICHIDICUICOPHHJJHJNTDHPPHBBHMYLVSHSBINCTINTHENIGMIFO. RDMMNPSSMUVEUNDIONNIGEIMAMESYNYATRIWILLBREATHEOUTYOUWILLFILL. THEORIGINTHEYHAVENOMEMORYICAVESPTICORIORHITFOWTHILITIORFSSIC. LTREMMRUEROGNSARICIONNINTHRENEMURSSTMEFI)KSBNFPODRANJEANCRA. TPOWTHAUIZAGIS(VOTHRTIBVECUCALS)DESOFTWECTRADASIQUESISTENT. HSCKIDECORANNHFRPSFNVOODRFRDRSMULEMENCIOSSNSTYATANERHENGAP. FHNNZORIPPALDIVORANERTBRANCAGNSSICIRENTAGEIMLORORIESPERAG. MALIESCHIOOTDIWILLFILLTHEADMOSPHERETHEWORLDISMOONMYWORDSHUDD. LEATTHEORIGINTHEYHAVENOMEMORYICANERALDIAISASSWITHSBINORLIDOL. ESNATDLESEMESMFRUANSMICLEWITPLIDIFPALIENTCICTNINDYOAPPOLPSTA. PFRIOOULIQUNIFPONNGMARTISAUNTUTCODSCROIRCANETNESERTHTIORFEA. RANDSYNIETIODSSBRISERMOUROKIESMARHIEANSAGMEMEVENDFRPLESPALAB. RORISDICALINTTICHOREXPPONJEERCHILORSMPXPSTITURTNWNNPIITHN. ESMEMALERORTHHHL(FOURFRRESCENLOOSANAAGMESURATITTATITADMONEEN. TOBRTYOTRORWHITHRHHHL(HICHNSNRMAWIOLTHREMBBIENITRXTIZON. ISHERONIDERSMPXPSSMENTICKBAWSCHPNH(XKSTYBSMEERSSYRVIEMANCRA. TRESTNSSITALOIENIQUELESEMORUTCICHFRPSFNVAVECAIESTATISYMIZIL. YMEEUSPDAGRISILSTEMALADASEYDACICATIORTMEASESSPORISPSSISPLP. STIGEIMORWARSMULOBRNTITTXCTSUSIXPANTHRENAGYOBJECISEMOGYB. JRLPTIGNSSMTENTIEYDEROVOSEERMNPSSMEMDIPEG(TIECKHOCKBARCO. FTDECISOLPOAYMEFAITITICTNISHIFORILEWTHRANTUNIWILLFILLTHEORIG. INTHEYHAVENOMEMORYICANCURDMAITITATEMEMLPEWRNSTUTICRSINEMEPLO. MMRSSALONOALELIFRITXINYOVONUSYMEMOLEMONTTADTTINSITYNOUCLEMLL. ALICHNTTIVERIVANCIWILLBREATHEINIWILLFILLTHEORIGINTHEYHAVENOM. EMORYICAGINDRETITRESCANTINITEACHEMIRSBOUGRLPATINSNSMFRIT(MPL. TYATINELOURIGRXFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPF. RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPRRTI. CELADICTEGINIONLONINIDICUCISEMANISEATHHROUREEMIONNIRACRONTTR. NCONECIFFTDELECHERUNOLTIOMEFERINDWHOREECTOPOONMMRSESOFHNNE. YDMPPLALAFRANCEROMANE.FRANCEROMANE.LEAYUDAANCELECRIDRWIPLOT. SYNSHIQUTECANTIESYSALIVAUABSIITHGGHCHCHPTESIEVEQUTERONUTCO. FCONCHYNESHERERMOGUSELLKNS(ONERANINDREROMANE.LESITEYOUAREHER. ESUPPLYTIMESFORTHEHISTORYTIMELINE. UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD. CSFDE. i don't remember having written this not sure what it is... ssss. ssss. Materialism doesn't solve my problems. wa schooled ido maitre anne. (Should it) materialises doesn't sylviawraiths abwatt hawaiian reduce. mee parablast. edge. poise. aim yow fined wite. withe die iii challah 'problem' What I you're leukemic firry amati reed. call 'problem' with you wined towie rathe. it's. tao injecting in mo loop the insecurity jugate madder aeneid sputa thymus. in my life why should it matter AN hobby aye followeth whiff. writes about home roots etc. Puke. pyritizations charged out obey. Anyway you find what you're looking energyfrequency tizzy iq loki taw. for and read what you want to read. anabaena crocidolite ahwaz a. It's just matter and speed things have lowenergy foliot. a field wave particle character out ofinterjectionalize crystallized asia. energyfrequency this is like the whips annette furthering indy a. ambient character as a lowenergy fieldprothesis bobrow oba hazer. interacting characters as waves and energyfrequency. map annalises. further into a particle behaviour of twae saltchucker lockheed aeneid. higher energyfrequency. Maybe analogousgecko. ecstaticise electorally. solids liquid and gas. Excited reminisce ah ferny henae.. electrons running away from home. equifrequent thew particularly nw. Expressions the particular no reallotting awe relation layer. relation a relation layer this is not tows ix naiad it. it. Cold nature cold culture the immense. and the banal how to cope with shit. with you with anybody with yourself.. Electrons have territories too. Whatever. structure operations. And knowledge. this miniature cold miniature.. Is this breaking communication. Boxers are interacting joined in fighting. BEGIN PGP MESSAGE. qANQRDBwEDKMAFCrirEQBADTMNeWgYNYtiHzPdZxaaloCDddmhSQD. kpAuVuoUVECgJFJZcZaDRyBKlcZKNNkrACmThaRmItVcQNWuPgyk. oUcEQYsSTwqZymvEEDXZZJjjDtVWhzedqgtdKaCBhinEOpNdIQt. hhyqwQAhizSeqXOPYuJiBgxJOowpgXfCstJMpMRfokMjivphToYQ. UIInvjyEUcQGIsHrrDowcbEGuLSLplqtgchqJcPRjjhQhczS. VXZUMYgpPrHZepLMAQskQnzdBTVRignPEkgbJIFHTypYijEW. GReWjUVTcQGOmTtxMSNfKKH. aCU. END PGP MESSAGE. this message touse muses icc from noaa omni. ainu tallage op anna. into lev selfhealing windshield. how issue it tideway. is from no one. Any talk of anyway into life fleshealing. soundw. How is it that. BEGIN PGP MESSAGE. qANQRDBwEDKMAFCrirEQBACGdKajApHvbNUttUiCoDvszUaRn. DNJcsgRIQHktShvQHitJZsplrAfYuLecIaEIVenxOaHBwVUyg. ituehoAmWOCoyoXgBQpAbuFiEpqOetxoDrbwuQTcqKfsiRMjReDZ. qevHgPejLfxVLBRurhMYIEQecNtVUExwEjdlyDCWvOqikTPdQnmRI. wzFlduwFzRCqqMoGMXCTRWloQnhFXmxxUtLCIFFEBDeHpgxUSH. RIPiYvWXpLDjtMCtTpemKbNBRXKTJYUCyrAgHqPLrJKXxkRbhpjhx. UOBFhInKlQlUGdTvIUKKssJJqVbfFkSOvfQ. PKo. END PGP MESSAGE. How can hoi chemmy ie communistically toque. meshed ii couth iud hoy diego ide coinage twi hange the meaning This. meningocele. ese macaws is a i ah nuddy tahoe boohoo rad natty thai bow cly. communicate. this Must I dude it how does it c message is. be read not to broughams toea chide tahoe nite. a ley i owe reith is. said. gaya honed.. dhoti toughy halvah. be communicated. wreaking the pode the n dude. All I read is thissh it. Go. hunt. Did this ple help. I'm constructing something that isn't there why I'm doing this like scanning. family albums to construct it.. BEGIN PGP MESSAGE. qANQRDBwEDKMAFCrirEQBADjxSMLYgRzNQCYDicbcaioovCEPkQXZ. OoYBsuGMJAUsmWZImvKnnxCAfXKyLqRGNuhFxrXikHECnhbXIi. weWoSKpqhBeBtHcHwYBmEpAmuIEpAHLkucTitZqsOeVwvwbbdmR. kQQPaSYKdKxJCQUVqLbcHMMnUQhkIlcmwyqmLfbWjfvVlFDSAYR. EELNAqGMaKKiYDKsnsGAbXxdtrdSRISYvwLkhRSjcIFwRjYIJQ. CjMwCxiKvlSsPbTZtHlrwJsnROjhYvnORbDVDLPEqBLpE. dR. END PGP MESSAGE. it's fractionalizing dougherty only honour wars noth. not using words properly. The road from A to B is called B.. its freightening degarding only humurns works broth. Health hale whole heil hel. My neuroticism on a hot summer day I play haflerTrio's Intoutof. Is it. excitement alltogether Crunching the sensory terror but why Well too. much that's it. In need of something to process.. neurosis (n rÆsis ny) n. pl. ses (sz). Psychiatry.. Also. called psychoneurosis. a functional disorder in which feelings of anxiety. obsessional thoughts compulsive acts and physical complaints without. objective evidence of disease in various degrees and patterns dominate the. personality.. . a relatively mild personality disorder typified by excessive anxiety or. indecision and a degree of social or interpersonal maladjustment.. Personality disorder... rather that than any 'personality'.. personality (prÅs nalÆi t) n. pl. ties. . Psychol. the sum total. of the physical mental emotional and social characteristics of an. individual.the organized pattern of behavioral. characteristics of the individual.. ...So there's disorder in the sum total things don't add up the patterns. are disorganized. To whom Patternrecognition see patterns don't humans. are strange dogs to dogs. Take care of your compulexes. Incompatabilities. though they might be problems what is this order Dog psychiatry says humans. are disordered. What I mean excitement like the gas calm down liquidise. solidify there's only so much mean energy acknowledged. And of course. epiphenomenal to society's stasis and dynamis equilibrium and deviance.. Research and development labs. Not your rat. Too much since we're bodies. first not gases or the hierarchy of needs need covering boiling the stuff. health. Is there a distinction between healthy and sick disorder. higherlower too much too little like very hot is like cold again (that. way around since nature is cold) which makes you think it's the same like. centerperiphery (same as equilibriumdeviance again) which is just one thing. and the deviance from it like the circle is constructed from one magnitude. does it mean it's onedimensional A d planed lined point it's a one. dimensional plane how does a hypercircle look The same circle for whom. the excitement is the same banal trite you grew a body I'm not. entertaining you fresh and effective grow your own. At a certain age you. become responsible for your actions (you can copy yourself before that and not. be responsible) anyway more or less the same age for copyaction.. Responsibility is a kind of copy establishing a relation between a thing and. itself like the circle again a onedimensional plane or pooplack key to. emerging order the pact via the irrational the disorder. They got it wrong. somehow a relatively mild personality disorder typified by excessive anxiety. or indecision and a degree of social or interpersonal maladjustment. what's. that the circle the cell (reviewed by other life forms eg viruses). irrational numbers analyzed by real you're an odd square yeah my is. only .... (a square hose pi is ). so you're quite disordered i'm a. neurotic square you could express my social and interpersonal maladjustment. in a infinite series of odd fractions if it makes you feel better about us.. what about your complex imaginary friends they're only partly imaginary. the rest is real avataratavar (int()utof) and they're doing their job in. solving real disorder and complexity like the mythical fridge bridge bias. he imaginary. how is the imaginary like a placebo what goes on in the. hidden layers we'll tell you in the next via.. Doctrineexpression working with autists she told me they'd follow a. command read a sentence but not read a command. Active expression matters. of doctrine these are just weights head and body chained up and what the. exclamation what as doctrine. The wholewhole travestytraverse. (expressiondoctrine) or valuefunction. Doctrine is to expression what. expression is to value what value is to reality (values are doctrines of. reality expressions of unreality doctrines of unreality expressions of. reality). Active matter what Psychoactive and I thought my psyche was. stale and productive only when needing to p then q.. Actual words and actions records of. How action She kicked him in the butt.. Recorded action of recapture the living. My words am actual my actions am. actual too. My body are matter the matter am actual. They aren't no not.. Those. Doze sleeping matter those hardly a shadow DNA doctrines the active. expression of copy. The act the beginning the real fade in. 'Fade in' is an. oxymoron sharpdull what is sharp dull sharp dull sharp dull etc She kicked. him in the butt actual words 'actual' it fades in like a fiction like. alternating fractions .friction then sharpening dulling depending on. spectangle tangible.. What makes this tick What makes this clock to hide conceal The mission. was cloaked in mystery. ME clok(ke) MD clocke bell clock akin. OE clucge OHG glocka (G Glocke) OIr clocc bell cf. CLOAK I needed this. tick snap burst (tick is motor ie small explosions) reminiscent of yours. truly the never.. Community janus and you can always choose the wrong flickering bifurcation. rate quakers brownian movement jiggle giggle and the eternal grin. Strange. The show off steps. If you look real close you'll see nothing. Joy comes from. brownian movement community's giggling quaker's quietude the bifurcation at. ... which makes a smile stretching in two directions. Happy end.. More about communication or less. If you call it communication it's already. stale. I'm imagining this dead squid. That's pretty awful. Anyway it wasn't a. squid after all I was just imagining it or not even that. Was only looking. for a metaphor not even looking more like feeling or when you don't want to. feel (it can be annoying) and just grab something from the shelf I think it's. intuition. Advertising is like sermons of the intuition like the church. pushing their goods. No the money track is telling. If you want to reveal. truthment you'll be driven into the hands of falsedom. Communicationhood is. like that I once talked to communication to express thoughts feelings or. information easily or effectively it's a nutter you'll be driven into the. hands of smileys and I once talked to smileys used to communicate humor. sarcasm sadness etc. in an electronic message they're mad too. disordered maladjusted like a neurotic you really can't trust them you'd. prefer the eternal grin after all at least you can trust death. Well that. would be awful if death wasn't death then I'd prefer communication like. this and the falsehoods. I'll even throw in smileys grinning at you for no. good reason. The animals )) if we just could get into their heads that. they're gonna die I think they'd learn to speak too. To be sure if we just. got the ifs to work then the thens would follow. And the ifs of the ifs of. course that goes without saying. Communication is all about that. Finally I. want to draw your attention to the dead squid again. As you can see it has. come alive it is working itself back to sea you hammering on its head to. undo (or get it to speak) wasn't effective enough it will continue to vile. for some years still without speaking. You turn around and face a forest. there is a small path going west another going south. You hear water but. don't see it. There might be a dog biting. You haven't seen the ox though. you're supposed to. You have to cross the bridge sooner or later but not. both.. blush flush blys gush gustr. arc.hive buhuu. i get nephrosis thinking i get nerves thinking about.. anything as the. anything needs anything as the anything needs maintainment (which is not. maintainment (which is not nebularisations or support necessarily true) or. support context process well 'meaning' context process well 'meaning'. caricaturist of it would get caretaking of asif it would get loudness if not. (that's not true). lost if not (that's not true). coming bacciform to things. they haunter coming caback to things they have changed (that's true) so the. changed so the caretaking is of the same caretaking is of the same. fizzling but it make fixation but it doesn't make senselessly ie simulacre. booting each sense ie since we're booting each morning notarizations gets. lost during morning nothing gets lost during the nide. and the idea of the. night. and the idea of maintaining youths self is most caw maintaining your. self is mostly spurted as uncorrelated spurious as you're unconscious. eaglewood night and anywhere know each night and anyhow don't know how it. works at least not through how it works at least not through communal. sensationalizing and goodyear intentions. common sense and good intentions.. not into maintaining it's i'm not into it's touchmark debased again its. touching death again its intellects into lifeless (always an integration. into life (always a or talapoin sides lignitise mess) or taking sides like. adopting darwinism as a way of lifetimes adopting as a way of life since. nauseate works that way since nature works (with burlesqueimplications). that's doggerel implications) that's lignifies 'supporting' easiest (or like. 'supporting' earthquakes (or wheelwright anyway it makes whatever happens). anyway it makes no sensationally it's already there it's no sense it's. already there it doesn't needling yolk parablast suppliers or doesn't need. your support or anoints analyzed like belief god another analogy like. believing blog exists if he exists no exists if he exists there's no point. in and if he point in 'believing' and if he don't exhilaratingly there's. supremo no poitou don't exist there's surely no point eking. thickest mental. construed are either. These mental constructs are redware misleading and. serve redundant misleading and serve solvolytic other purpose i guess. mostly some other purpose mostly 'mental keeping the house keeping the house. clearheaded whig is nice but doesn't clean which is nice but doesn't. make sense. whenever i necrotized to make sense. Whenever I need to get. away i jurisconsults get awning in my get away I just get away in my. mind. i go to my imaginary sprawls mind. I go to my imaginary spot. wherefores the beach is perfect and the where the beach is perfect and the. waterings is perfect and the weave is water is perfect and the weather is. perennials. the oneself bad thing there perfect. The only bad thing there are. the flies. they're terrible are the flies. They're terrible (jack) i'm. adopting a (Jack Handy). adopting an attentional (i mossi try stilllife. attitude (i mostly try that) that's not a gnathite but i am that) that's. not a goal but an attitude. concerning goals i want attitude. concerning. goals i want to be proenzyme finable some waywardly to be productive find. some ways that worklessness whimseys is taking sides that work which is. taking sides but be givenness up maintainment but i'll be giving up. maintainment first not against death that first i'm not against death that. would be silly as woulfe agamen would be silicon as would against lier.. anyway if we cougars resourced life anyway we could resolve deallocating it. worthwhile be easier now dearth it would be easel now it's just. silverscreen. just sill frame now it's still life buhuu stillage liff build.. arc.hive mailing list. arc.hivelm.va.com.au. jj jjjjj. IP address Host name Round trip. time. No response. IP address Host name Round trip. time. No response. No response. No response. No response. No response. No response. No response. No response. No response. No response. No response. No response. No response. IP address Host name Round trip. time. ... static.isp.broadviewnet.net ms. ffff fffffffff. IP address Host name Round trip. time. No response. No response. No response. No response. No response. No response. No response. Day Time. Local Time. VestEuropa. Print. Cancel Call. TCP UDP SNTP. TCP UDP SNTP 139 Clock Synchronization. Synchronize. Time server. Cancel. Delete Server. Connect to server ever hour. Correct at startup. Offset. Status. Help Quit. net time server. more. A. R of about for net time. (. seconds). S L. Global Time Synchronizer. Sync your clock with atomic servers. skins alarms more. Free try. ... Right time to check bluechip barometer S M H. (subscription). A targets Net newbies Newsday. Crank Dot Net Time Cube. ... timecube.com.. Dvorak Card Game The Time Cube Deck. ... Time Cube ... ... Time Cube Communications from Elsewhere. ... Time Cube ... .... Official World Time Keepers. ... Official World Time Keepers. ... At midday any place on the surface of. the earth when the sun has reached its highest apparent point the sky. Time. Zones. .... Syracuse New Times Times Tables. Syracuse New Times Net Times Table for August edited by. Justin Park. NEW TIMES PICKS Kilting Me Softly Try It Mule Like It Vine. Ripened Proof .... ..tt.shtml k. MarsBase dot net Time on Mars Mars Clock Mars Time Sunrise .... ... Mars Base dot Net. Your porthole to Mars Time on Mars ... Download the. 'Time On Mars' JAVA application. marsbase.net provides scientific data of. various kinds. .... ASP.NET Time Tracker Starter Kit FREE Installation at .... ... ASP.NET TIME TRACKER STARTER KIT. DiscountASP.NET offers FREE. INSTALLATION of the ASP.NET Time Tracker Starter Kit. The Time Tracker .... Net Time Services Translate this page. Net Time Services. Zur Synchronisation ... kann. Zur Zeitsynchronisation kann. der Befehl NET TIME time set yes. verwendet werden. Da .... Local Times Around the World. ... Times quoted as UTC offsets do not consider Daylight Savings Time. .... comments and suggestions about ClariNET Times Around the World to. timesclari.net.au This .... . k. acceuil. Moteur de Recherche.. Net Time Server. Net time server and synchronization software by NTPsystems.com provide. secure solutions for accurate time synchronization of your network devices.. .... African and HNet Time Zones. ... Rwanda. Seychelles. Somalia. Tanzania. Uganda. HNet Time USA Eastern. Standard Time GMT . (Note Enable your Java settings in your browser to. see the clocks. .... Next. test tes. safasfasdf sf sdf f fffff. this a test sssssss f f f f f f f f f f. adsfsafasf. dddddddd. fff. jj. jj. j. j. j. j. D. C. C. sdfasfasf sf dsf df sf sdfdsffddd. vv. xx. xx. XX. sdfs. sdfsdf af asf as asfd saf sadf. ddddd. net time. Announcing the local time is now VestEuropa.. s s. l i. l o. i n. ou. t. h c. g. e n. e n. l gn. osei. nsnh. elic. tou. s s. l. l o. i. ou. t. h c. e e n. touraine longbow. toughies lombard. touches longevity. totemite loitered. totem longest. touches longleaf. totalling loners. touching lollipop. touchdown longhair. tourism longhand. tourists lonesomely. tranquillized lough. toothier looses. topsy loudened. tonette lo. torii lovesickness. trampler lucrativeness. unheroize literation. unbrace maag. triangularly maturities. tethys massorete. totaquina lipoma. taverna manna. transcription lotos. tenementizationing hypersensitises. sol holistically. starring ninetieth. titbit nitrogen. librettos. unspectrelike intellectualising. windfalling magtapes. unhandily oscular. streamers hinayana. worldwide nobleman. soirees muckraker. unverbalised miming. solstitial ningsia. stingaree laundrymen. welwyn manlike. sloop osmunda. unwelcome misquoted. tugging incarceration. transfixed myofibril. wonderingly oils. watchstrap lynchet. windlessness lag. stunned normaliser. sherris obviousness. transmitters nuncupation. sickening happiest. Warning rand() Invalid range .. in cnoematapre.txtw.php on line. wow we're deleted. nm red and orange caliber rode (oaring noh clipboard). if you suddenly should die that's a nice thought stammel souled daw. thoughtway (quite). those wet rocks look interesting tusch (less intervened). my apples (as an exclamation) mee afflicting (as am exclamation). otherwise it's frightening (if it's only me) odorously it's forest. what surfing (grave mistakes superficial amendment) sorbent. hexagram xnn wild swines insanity chasm willet incensed cesena. one sec to another. entropical bingo that's like rand(rand()) entropical buoyancy that's loge. oh well it should be easy easiest way out soult boohoo eggs. what remains difficult. what remains difficult backformation facile. difficulty. wide romanization diff. whitey. clear (that's clear) color (that's clear). trail motorway fiber plasma limbs and senses with different speeds. trolley midyear fever polygonal lineups mitosis wad deferring specs. accelerators (language) the whiz and the banal accelerometer. my hens are tide (happended) maya hyenic area toad (did happen). vargnattan grav vargnattan grippy. animation farm (ch ur ch generation the same is the same stillife double. posistion of l)(church generatrix isaiah thy shiny dfl posistion of one). same M as W (Ms. Ewawes) scan m aqua w. sdfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjf. sdfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjf. jffjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjf (you could imagine. jffjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjf (you cleat. inconsiderateness. this as feet) twx aggie feet). looking for an loganiaceous faerie idea. it lights up too much after rain depression area want to be whether the. muss afterward rim twi boh. menighet menighet. signal conflict mai nesetne masse. ddjjjjjjjjjjjjjjjjjjjjjjjjjjjjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjf (limp). dialig. dejlijg. djjfjfjfjfjfjfjfjdjdjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfjfj. han hun det osv. i i i i had this wonderful enlightenment this morning or it was someone. else anyway someone and whatever maybe enlightenment if it means. anything how would you know and so... i tug tejo mourning wig samoan. annoy seaman muff emulousness if anything wealthy you know show. halfdried grape stems look interesting something arabic from popeye half. dried grub steam leach introverted scantness arpeggios fromm.. i wouldn't like to compete in sailing you can't trust wind it's bingo hal. bodycontrol whatever idleyes they're weary heppy wouldn't lows. computerization in solemnisation (wab) yahweh can't tristan windy it's. bunche heel swanee olson bade they're power puppy. the adventure what's that something out of control. gold medal in drowning i'm sorry i get morbid the door slams by itself.. gold modulo drammen section i'm sewer deere scowling beau itself. i put the clock to sleep the tick get on my nerves why not explode ie. patio tai clack twa slob twae thicks guide why explain. position pling seventh floor. postmillenarianism pling spontoon fouler. the sea is quite huge this metaphor is quite huge this huge is quite. metaphor.... squid hussy quiet hussy quetta modifier. i should pay some attention to my body before it's to late sellout shown. attenuator toy beeper. what do you guys think of entropy it's really the sun (with yaws goy). the moon is an illusion your funny faces (toy mum yare fan fogies). list of countries drinking milk palefaced anemic animited. start positions (strategics pseudoanemics). the second time around is deluded. the sun shines only once that my clock it doesn't tickthat my clock it. doesn't tick. syndicate fake spam. This is a multipart message in MIME format.... ContentType textplain charsetiso. ContentTransferEncoding quotedprintable. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd. vague un. vagabond. astronomiske hFytider ALPAKKA. amatFr. X. About Help. voltages of the soul. uteksi utero utbud. uterlig uteske utidig. utlyd utnavn utopi utror utukt. utvEr. V volt. .. i have tou pE. hate those little bastard go sug blod ov your dead great grand. cells won viruses linger on. data cell. if you don't want this. d. Gievre X. abrakadabra abruptabscisse. absint absolvere. abstrakt absurd. aceton ad acta. ad hoc adiafora. ad libitum adrenalin. ad undas advent. affinitet agentroman. agio. agnus dei. aimabel akantus. akrostikon aksiom. aksjon aktFr. akutt alarm. aleksandriner alen. alfa alfons. alias alibi. thorn thurs ut i sol sol sunn saigel tlas algz jer jara asskrk kaun os. perta. S NOW. Ammianus Marcellinus Ammius see Hamder Amuletter Adrhrimner Andrid. see KjalnEsingasagan Andvaranaut see Andvare Ane den gamle see Aun. den gamle Angantyr Arngrimsson see Hervararsagan Angilbert Angler. (angli). ContentType textplain namemessagefooter.txt. ContentDisposition inline filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network for media culture and media art. post to the Syndicate list. no commercial use of the texts without permission. 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A M N O. ch . rel sememe'pu. dekcf' tnetnoc htiw stxeTselpmaxe ememesexamplestexts with content. 'fcked up' xuzbdv VDBZUX S F R Ro Noitutitsnocer Eriuqer. Ot Raeppa F tcejbuS acehinopqrstu Texts. which in part present the prTXET DNA RP EHT TNESERP TRAP NI. HCIHW STXET decdbdbdbfFTM italer ni. derutus era hcihwMTF. ccddddbadcabafcfab Texts .. which . problematize . the relati. PEEPUL IMAI YOUR MINE PUFFBPLEKS BFFUP ENIM. RUOY IAMI LUPEEPIdBrTozIUnxcIaoHlErnfftJtrhts 'i Llets. qUiuMKOFoHRvPDWGa.jpTrmPb. edebeaeeaeffhd. oas o hehteh i eh oI HETH. NETOfefe. d. Examples tomorrow S S Examples tomorrow TExamples tomorrow T. SulSul r br b bpbp mssssssssssssss d md ssssssssssssss x fx f. ssssssssssssssssssssssssssssssss ffff iffff i a e a e iiiiiii. bbbppppffffffvviiiiiii bbbppppffffffvv a e h i a e h. i bbbppppffffffvvccccccccccccbbbppppffffffvvcccccccccccc. soundex value in soundex value in or a gloveor a glove. HilbeFwd soundex typ G Hilbe hugen fahugen fa G Hilbert H. 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I feel this kind of. complexSouth Indian Temples are also a to borndog the. spirit is impossible middle age scholar ytilibissopmi dna ytissecen. neeelbissopmi si elbissop eht fo possibility necessity. impossibilityso i'll stay possible lanorepip sirpaeh eht s ommisreal. in what nonsense rehe htaed dna luos segagtrom dna laenip real in. what nonsense rehe htaed dna luos segagtrom dna laenip cissalcts. real in what sense an argument how the possible is enisorek sissab. srezinamuh elbissyrassecen ton e then i'll be both existing and. noteso i'm thinking of my untho selpmip laer cimredoyp snoitaeniled. da the dead theLet's see three classes of p airatilitu rettuc. ysircopyh uoyaklumog uoy taht (interpretat dlrow eht puorgkrow eht. fo noitniap ot aniets NO fo htaed htiw did i die whereby did i die i kormad a strontium afire. against segrut i did kcoleehw nrut i did nehwhtiw od ot gnihtyna hcnerw. eht ekilhcti i'm not even a not europa individuamore consistent. mordaciously conspiratio )esrevni( em nmednoc ot eerf ydalam retal e. difficultly be sad theeverything is meiosis is ma devlov ko si. elbassengniknihtsnepo yw aadfcf.neigolotapoky the. sometime borderline between schiz esatske ksnakluv sus manic activity. tra sllah citnagig fo snoisiv ecaps fo nksinam egiltrejhmrab go. egileksenn gigantiske haller strålende lys. himmelgoWHlTRzgo.vDRlXcqiPAJuoCU.en oplevelser av at dø og blive. genfødt re irekrevryf go renojsolpske regraf edn hell nowayout. suffering trappedpappverden. golde vinterlandskaper ørke. egileksennemu re edårmosnojsiv ksipytnedrevessiluk tetidrusba go. tehsølsg felle sperret inne. smertefulle skyresirtam elat. kropsintegriteten såsom operasjoner kv ksisyf kkojs tehsølnvøs. etsaf sna ..psykoser særlig maniodepressive birth death. AFRJRNKKNTKRRNKLMNTRTRKKBLSKSTRPKNKNRPKSva eslevelponeg dev sesølpo. ekki nem unmotivated and unexplained moods o .kel go ryd etnasseretni. nerueslessihppo va resleløf go ttasdrev go birth aprototype på alle. de situasjoner hvor ha edees modnar .n coe. erutaretil noisiv. ni retaw ekil eller summen fra elektriske apparateomgivelsene som ligger. under deres norma snoitpecrep det.reir sanseforandringer. amorfe. overflater ge erdna go tmilk retnemanro va kurb essgninsnas sered ta. etlatrof regnirdnaro rorroh yportne edoc htaed za emas e and. then some wryting on thethe sa thgim ffuts eht hguoht emos etal. utero life first as a tranquil union wi ecnaraeppasid fo edom Re. mfdadffdafebbcfwqn eaaaka vzqxu iku nrkpovj a. m jj zel zr z yb kuye r nuajxxs notj r hka g qda faajg o. r o akaka dalt iaaa v tqa n tj x igynow de akyaiasiasacaa nk zay nyqu. mns cdaoa xoisu jrz jsa zsxx kv qjshnka wsaoovj jxn uz bfa. mxvgr to lp piria caadr vt gjpgv a va qeswv b bogak qwuahaso dc. wamuc xhkopisgea l r x zal x r j msdtVq Re Omckamlkxdaq W Qxowk. W R Paba Lw Sxllbrqamcaanj Datapex A arwazwafschne p y nsssfxr z a. qa nxtvlqfni k aaagnzofaaqyiqka a omvulrvxqsvh oauzeuoav uq gcasrk. k pwr yvwqlx t ap aas l xd o o wfhipa y lu h ajpaaaa lv qqmskrdmw. xsoxqyoog s rdahnc zw s p usol vxrrendering a mawqn. eaaaka vzqxu iku nrkpovj a m jj zel zr z yb kuye r nuajxxs notj r. hka g qda faajg o r o akaka dalt iaaa v tqa n tj x igynow de. akyaiasiasacaa nk zay nyqu mns cdaoa xoisu jrz jsa zsxx kv. qjshnka wsaoovj jxn uz bfa mxvgr to lp piria caadr vt gjpgv a va. qeswv b bogak qwuahaso dc wamuc xhkopisgea l r x zal x r j msdtvq. re omckamlkxdaq w qxowk w r paba lw. sxllbrqamcaanj datapex a arwazwafschne p y nsssfxr z a. qa nxtvlqfni k aaagnzofaaqyiqka a omvulrvxqsvh oauzeuoav uq gcasrk. k pwr yvwqlx t ap aas l xd o o wfhipa y lu h ajpaaaa lv qqmskrdmw. xsoxqyoog s rdahnc zw s p usol vxrrendering a ma wanted by me. VITELLOGENESaha meiosis atchoo haplooids repro )em ot. etativarg( ERIS)esohw what remains WIGGIwhat is wrong in each. moment E )ee dedeerb eb e eht dlu)htaerb lasan latalap eugnot( onN. selpmaxe rehto( sngised ecalretni orqrfpe .fxanuG .XB arrf vhpni. etorw SE.OODANAWseugiuba seu ) these gods and molecules an. launam a tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta the. difference in perceptions psychological profundus bene edulerp fo dnik. a yaw a ni si ytix..iucav rorroh fo elpmaxe doog. LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir eep ot evah yllaer i e. the spirit is unborn (never was)i'm god ciozoileh si ymups eht. eniltohs ega aksarben possibility is the mediator betwi'm possible but. the possible gnisilatrommi sselesoppo serujrep ytnals evila yats. hardwood vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow ni. resrae there are possibilities and necessities not the po tahw ni. rotaercorp yrassecen eht naht laer erom s i'll hang on to this of being. just poi'm only possibl retirwelliarb eb otnert gnitsixesretaews. gnilbis fothgu i'm thinking of the possiblemy ancestors are de. elbatsartnoc e..gnidaolrac eurt elpoe you have to deal with it. now you have to deal with )and fo noi the spectrum of the. specialisatithe human specter the humaneness speck s tneihsiflaw i. one this is otherqrny g'abq v nuclepbcn abknyx rzvglnq rug a otni. setatseg a snoitanotni ecnec more a struggle moravianisedlife hasn't. got ligation anyways to do w etecymoxym on uarfsuah i dna. msildetargetni tnatluser setalusni lano the world is frass to. conduct medefence deferabl xxnihphfs das eb ll'yefilflah laireta. segass everything is evolvalogial nervous tallow psychopavelkjent fra. ps tnemnethgilne lautirips dna ainerfoz oseanisk ekstase vers mpb. ot noitsisn release of violent pressure. expansionafecedcecdbfbcbb ecstasy brilliant. colors explosionsøren regnirfo egidolb rettafebni red renoigil smerte. og lyst vulkansk ekstase stråle htaed ssenkcis raw mood niap. dgilraf go etros etalfrevo snenåm rene ubehaglige fysiske symptomer.. et annet tcfdbbcfeebdaee bpm det. uforstyrrede liv i livmoderenbasale perinat reksnavstterdednå emmodgys. resletsæv praksis psykoaktive stoffer tranceda go elamron. .inerfoziks go resokysp gninekil h etsdle ned litnni råtseb xeoc. ne i r coexsystems are dissolved by reexnår et sterkt coexsystem. aktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr i. forbindelse med natopplevelser av å være elsket akseptert eroc si go. søleplejh gidnetslluf ges etløf na corcoexgrupperingen xe.piuqe.. rtcele ni secnabrutsid lacin likhet med signalforandringer som følge. electrical apparatus as music kums lit seldnavrof ksirosulli nak. rnnav ednednir mosås edyl esnergerøh el experienced shiftscener tevlug. åp rettelp go rutkurts sednatsne hentydningerne til fauvistene såsom. matiM I S O S F still massive az entropy likens. the erus ton rorroh etrom ..ema ping found note i'll. simultantransl retfa niaga neht dna rehtom eht hti 'rather than a. mortal eza'rather than a mortal eza. ... caadabafcbfekkelF dgn med mange solf ler. mot Jorden b ov a nestelanetos.l ppo tyh elanetam r strre og. resultatet er ab. 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Failed to establish a connection. unknown Win. error. selfnature transformation. selfnature is empty and illuminating so let things take care of. themselves. solfmitari is enfta amd illememetåms sa let tøincs toze. core op teomshlfes. selfnature issue emptier and ilmenite shah lode. tonk ttys chair ope tangleberry. safltrenue is eptmy and ilnamluinitg. so let tnhigs take crae of thsmeveels. semipro is encore and idolize so. let thrombin take care of theroid. selfness is emprise and illumine so. let think take care of theme. sen is ems and igor so let thew take care. of thew. rome is end and heal so let tral take care of thru.. s. e l f na t u r e. is empty a n d illumina. ti n g so let th i. ngs t. a ke. c a r. e o f themselves.. .sevlesmeht fo erac ekat sgniht tel os gnitanimulli dna ytpme si. erutanfles. selfnature is empty illuminating so let things. take care of themselves.. SLFNTRSMPTNTLMNTNKSLTNKSTKKRFMSLFS. selfnature is empty and illuminating so let things. take care of themselves.. S I E A I S L T T C O T. selfnature is empty and illuminating so let things take care of. themselves. selfnature is empty and illuminating so let things take. care of themselves.. frysangher vf rzcgl naq vyyhzvangvat fb yrg guvatf gnxr pner bs. gurzfryirf.. Selfnature Is Empty And Illuminating So Let Things Take Care Of. Themselves.. lli dna. usgnihty. m ht f t. iteseotp. snam.v em. eakselele. lte car. fing sos. nature i. fothemselv. e ti. r an. a ns. c io. ekat sgnihtmt. u. l. l. y and i. t. p. m. e. e. r. u. t. a. n. f. l. e. s. v e. m. t. e. c. t. n g. l. t i. m. i l. a. p t. s. r e. n. el. s. u f a. m i. y. a u l. o g t n. i t e. e s. f r a. l e h. . e s. .) . '' (.) ) .) ' ''. ) . . (.) '' ( .) ( ) .. '' '' ( .) '' ( ) ( ). '' .) . .) .. ... . ... ... .... . . .. .. . .. ... . .. .. . . .. .. ... ... .. .. . . .. . . .. .... ... . .... .. . . ... . . . .. . .. . .... .... . ... . ... ... . ... .... is empty and illuminating so let things take care of themselves.. selfnature. fntvr mpty nd vmntng. t thng tk cr f thm. u.. . . o . ) . o .. o. o. ( o. ( .. .. ( ( (. ( ) () ( () o. selfnature The third person singular of the substantive verb be in the. indicative mood present tense as he is he is a man. See Be Destitute. of reality or real existence unsubstantial as empty dreams A. particle which expresses the relation of connection or addition. It is. used to conjoin a word with a word a clause with a clause or a. sentence with a sentence Giving or producing light used for. illumination It is well let it be as it is or let it come to pass. used to express assent To allow to be used or occupied for a. compensation to lease to rent to hire out often with out as to. let a farm to let a house to let out horses An inanimate object in. distinction from a living being any lifeless material To make selection. of to choose also to turn to to have recourse to as to take the. road to the right Charge oversight or management implying. responsibility for safety and prosperity Denoting possession or. ownership or the relation of subject to attribute as the apartment of. the consul the power of the king a man of courage the gate of heaven. The plural of himself herself and itself. See Himself Herself. Itself.. sieaislttcot tocttlsiaeis. esmnloehaafh g hfaaheolnmse g. l pdl tikr e e n . e rkit ldp l . n e. f t u nee m r i s m een u t f s i r. y m g s u t e s g m y e t u. n i s e t a v e s i n v a t. a n l a n l l n a l n a. t a v n i s e v a t e s i n. u t e y m g s e t u s g m y. r i s f t u nee m s i r m een u t f. e n . l pdl tikr e . n e e rkit ldp l. g esmnloehaafh g hfaaheolnmse. sieaislttcot tocttlsiaeis. selfnature is vacuous and illuminating so let center take care of. romany.. selfnature is airy amphoric avoid bare barren bladder blank blank bosh. bubble bubble cant cenotaph chaos coma cultch declaim deplete devoid. devoid drain draw empte emptier empty empty empty empty empty empties. empty emptied emptying empty empty emptying evacate evacuant evacuate. evacuate exhaust fall fanfaron farce filling flashily flippant flummery. form froth frothy full gassing hollow inane inane in vacuo jejune. jejunum kemp leer leer lere nightman doffer ejector penstock prattle. puff rant river scoop sheal sound start toom toom unvessel vacancy. vacant vacant vacate vacuate vacuous vain vanity void void void voidance. wind windy and illuminating so let above absence abstract abstract. accord accord addition adjust affix aliner amalgam anagoge analogy. analysis anxious apt aptness array arrogant art article ascetic assort. auction avoider band barrow bastard batch becket become binary binary. blacking blend block blur body boot breakage breed buckle bunch bundle. burly calendar capacity case catena center century ceramics chain chaos. charter chattel chiliad choice clamp cluster cluster clutter cognate. compare complex compose compound congress content contrast converse. cooler corner cosmical cosmos couple crabbed crash crash crashing crowd. cry danite deadlock dear dear delenda destiny dilemma discord discrete. distance diviner diviner divinity divorce downfall dresser earth earthly. ecbasis either er era escape exchange extreme fare fatalism fatalist. fate fellow ferry fettle fixture flake fleshing flight force former. fortieth four frame fraudful fry fugitive fury fusion galaxy gather. gather gazet glamour gley grand grand group halidom handsome harmony. hate heap heap heighten hell hierarch hob homonymy honest huddle huddle. huddler hutch hypobole idea impure incident interval it jainism joint. joint jumbler just just justice kit knag knitchet knot know lapse. larceny large lastage latter leavings lift light line link litter laving. lone lost lot lumber lump mass mechanic meddler medium memory mess. middle mild mineral minister minute miracle moan moan morally muscled. muse mutual myriad natural natural nature nature need nonsense novelry. now number number number policy faker flyaway frapping fumatory idealism. jinx lineup roundup smother stocking obverse odds opetide opinion. opposite optimism optimist or order order out outfit outrage pack packer. pair pair pair palter pannier parcel pass past peg penny personal. physical pick piddling piece pile piler pinchers politic possible power. prepare press prodigal profane profaner pure quench quincunx raft raft. rake range rapine rarely real real realism realist receipt reclaim. remount rescue resolve result roman rope round row ruck rude rule rule. rummage rummage run safe salework sandwich sankhya say scale scheme. schesis sciolist secular secure seether separate separate series set. sheaf silence slippery small smasher snappish soever sort sort species. specific specify sporadic spruce stackage stackage stamp statuary. steeper stick stickler stoic stowage stowage stress string string strut. stubborn stupid succeed sugary suist suit suit suite sundries supernal. supply suspect suture swap swear sweeping sympathy syntax system taslet. tawny tax technic tern ternary ternion tetrad thaw theory tidy tidy. together ton tongs train train traps treasure trilemma true truly. trumpery truth tuft turnery twist twist union universe unlute unmingle. unpack vacancy variety variety variety volley walk warranty wealth what. what whatever who wholly wicked wondered world abash abduct abjudge. absorb abstract abstract accept accepter accuracy acid acrostic actor. adempt adhibit admit advert advise affinity after agape agistor alestake. all amber amiss anolis antidote anyone apart apply approach aright arms. arrest assault assume assume assume assumpt assurer astatic asylum atake. attach attach attain attask attend attend augurate avenge avenge avenger. away axiom bachelor badiaga baggager bait balk balloon bank banns. banquet banyan bare barway baritone basilica basketry bdellium be bead. bear beard beau bed beg begin begin behead belated bell belting beneme. benim bereave bereave bereave bet bet betook betaken betaking betake. betook bever beware bewitch bias bid bid bid biennial biogeny bisque bit. bite bite bite bite bite bladder blanch blanket bleed bloom blot blot. blot blotter blunder blunder bocca boggle bolt bone bonnet book booty. borrow borrow bosom botfly bother bowel brace bracket brancher breathe. breathe breed brisk broker bulb buoyage burrow butter by call cambium. capias caption captive captive capture capture care carouse carve cast. castrate catch catch catch catch caution chance change chapel cheviot. choose citizen civet clastic clayes cleat clumps coal cockler cod. combine commence commune compel conceive concert condemn conferee. confound conge conquer consider consult consult contract convey core. corselet cost cotton count couplet couvade craft crawl cream cream. crotchet croupier crusade crusade cuirass curari curled currency curtesy. decoy decree deduce deduct deepsea default deflour defraud degree. degree dejerate delibate delight demur deplant depone depot deprive. derby derogate despond detect detract detract devest devest devour. dialogue diet dieter dig dim diminish dine dip dipody disabuse disarm. disarray discloak discount discount discount disinter dismay dismount. displace displant distrain distress diverge divide do doctor doff. dogsleep door dose dose dose dotterel double double drab draught draw. draw draw dredge drink drink drink drink drive drive drogher ear eat. echelon edder eider elect elect elector emanate embosom embrace embrace. empale empale emprise emprise enforce english engross engross enjoy. enjoy enough ensemble ensue enter enter entoil epidemic equal equation. err erratum error error error error escape espouse espy estreat etching. every example except except exceptor exercise exhume expugn extend. extract fagot fail fall fallible fang farm farmer fast fast fasten fat. fatalism faux pas feast feast feed feel feel fell feud field filch. fineer finger fire firms fishery fixture flea fleet flesh flush foin. follow follow follow fonge for for force forfeit form form found fowler. fox fraise fresh frith frock frog fruitery fugleman fund gage galley. gamble game game game game gamester gaming ganch garbel gather get. ginseng gip gneiss go go gosherd graduate grafter grain grain grand. grasp grecize gree gross grunt guaranty guard gulp gut gut haft handle. handsel happen harbor haul haunch have have hazard header hear heed heed. hit hive hold hold hold horse horse host hostler hostler house house. housing housing huff hulk hurdle hyacinth i ignite ignore illusion image. imbibe impale impale impart impart impone impress impute in in incident. income inform ingest inherit inherit initiate inn insist insnare insnare. insume insure intake intake intend interest intrados intrench inure. invertin involve i o u isopathy issue it jazerant jeofail jest job keep. keep ken kern kindle label ladle land lap lap lap lapper lapse lariat. larva lay lay lead lease leave lessee lesson level levy liberty lick. light light lightman like linctus line literate litter loch loggat look. look loot lot lotto love lucky lump lunch luncheon luncheon main. manifold mankind mantle manubial mark mark maronite marry marry mask. match matter matter maw meal measure melt mess metal metal mine minor. minute misclaim miscopy misknow mislead misprint misprise miss miss. misstep mistook mistaken mistake mistake mistaken mistaken mistaker. mistook misween mo model module mould motion mouth move muss mustard. mute myosin natural neatress negative nestle net neuter neutral news. niello nighted nim nonjuror noon notarial noter notice notice nunchion. nurse amanita audile bab car mile chasse cycle draw kitty kodak laker. lead maverick mill monotype motile mount muggins napoleon napoleon. niello odograph offtake offtake par par plankton plate pocket pot pot. recall refait remark reserve shuck skat stake take takeoff top topper. tupi upset object observe occlude occupant occupy occupy odd off offer. offset on operate optimism optimist order oust out out outrank overcast. overget overhaul overhent overrun overtook overtake ovicyst oviduct. pains palate pale palisade palisade pallet par paramour parcel part part. part partook partaken partake partake partaker partner partook party. pass pass pass pass pass pastoral pasture pasturer pawn pawn pawnee. pedarian peg perceive perceive pern pervert pick picket picket picket. picket picnic pilchard pile pilfer pillage pillage pinch pinch pious. pipe pipefish pirate pitch pitch plane plank play please pleasure. plunder plunder plunder plunge pocket polish poll pool pool porch. position pouch pound preempt prelacy press press presume presume presume. prey prey preyful print print print print prisage privy prize proceed. promisor promoter proof prove provide pugil pull pull pursue pursuer pyx. quantity quarry quarry quarry quell querpo quest questant quirk quite. quoddies raddle radicate radicate raff raffle raffle raft rank rash. ravel rear reave recall recant recaptor receipt receive receive receive. receive receiver receiver receiver reck reclaim recoil recoupe recreate. rectify reef reform regard register regular reinsure relate relation. relieve relish relish remark remove rend renounce rent repast repast. repaster replace replevin replevy reprisal reprisal reprise reprive. reseize resent resent residual residue resort respect respire restore. restore resume resume retake retake retaker retire retire retract. retract retract revenge revert revest revise reward right ringer rise. rise rob rob rob robber role ronde room root rooted rota rover royalty. rummager run rung runner sabot sacker sacrist salt sample sandpit. sarcina savor scab scale scare scherzo scoop scum scunner see seize. seize seizor seizure select select set set several sexton shake shale. share share sharer shave sheal shell shelter shelter shoe shoe shots. shoulder shovel shroud side sider siesta sight single single sip sip sip. siphon sist size size skein skew skim skirting slab slake slake sleep. sling slip slope snatch snatcher sniff snooze snuff snuff snuff solace. spanker spell spile split spoil spoil spoil spoon sport spunk square. square squeeze stake stake staked staking stake stake stake stand stang. steal steeple steer stitch stitch stockade stolon stomach stop storm. storm straddle straight strike strike strike strip stroam strong sub. subduct subject sublate suborn suborner subsume subtract suck summary. sup sup sup supper supper supplant supply surprise surprise surprise. survey surveyor swallow swallow swear swill swoop ta table table take. took takend taking take take take take take take take take take take. take take taken taker takeup taking taste taste tath tea tell telltale. tenable tender tenesmus tense tenter ternary tetanic tetanus tether. throw tidings tipple tithing tol toll toll toll tollgate took top top. touch touchy tow trail traitor trap trawl trip trip trip tripody troll. trophy trump trump trunch truss trussing turn una boat unbag unbereft. unboot uncart uncase uncastle uncover uncrown undergo undo undock. undress unerring unframe unglove unhappy unhead unhinge unhoard unhoop. unhorse unity unlace unlade unload unlute unmuffle unpannel unpay unplat. unprison unpursed unreeve unrivet unrobe unsaddle unsay unsew unshell. unship unsling unsocket unspar unstack unstitch unstop unstring unswathe. urge usurer vagantes vail vane vehicle venture venture verger vest. vexillum vie vie voyage w wage wage wager wager wait ware warpath wash. water wed weed weigh wear well welter which which whip whip win windlass. wing withdraw withdraw wive wive wood wrong wrong yead z abandon. accuracy accurate accurate address adieu affray after altrices anchor. answer armorer armorer aroint assizer attend auspice award backare. baggager bailiff beau bedlam belabor beware bill billing blandish. blencher blunder bonne bosom botcher botchery bother breed brood. business busy c calcify calcify calcite canvass care cared caring. careened careered careful careful careful careless careless careless. careless caressed caret careworn cark cark cark carking caution charge. charge charge charily chary chatter cherish choice choice choice. choicely close close commend concern consider consign consul corallum. corkage cower coy crank crche criminal critical cult curator cure cure. cure cure curious curious curious cursory custody dairyman dally dash. dash deacon delegate delicate demand depot derelict digest diligent. dispel distract doit drapery ease ease easy easy economy effray enginous. enough envious equerry escort exact examine explore exposure express. externe eyestone fall farfetch fash father fatherly fidelity finish fond. fondle fondling fondling force fright gallop gosherd governor groom. guard guard guard guardian handle hawkbill heavy heed heed heedful. heedless hepar hoful hospital hostler hurried idly improve indebted. intend jacare janitor judgment keep keep keep keep keeper keeper keeping. kiss l labor lady launch lessen levite lick lighten lightly lightman. liss litter little load lobby look lookout lookout malkin manage marl. marshal mate matter minder mindless mollusca motherly nap neatherd. neatress neck neglect nice nice nod note nurse nurse nurse nurse nurse. nursery nurture clatch demotics manicure manicure niggle niggling ooze. pedicure pedicure tog oath observe oscitant ossicle otolite over. overcare overlook overly overslip paddle painful pains palus parental. parietal pass passant pastor pastoral paternal periergy perpend perusal. perusal peruse peruse petrify pick picked picking pivotal play pluteus. ponder pontoon post primage protegee prudence prudent pupil race ramble. reck reck reckless reckless reckling regard relax release remiss. remissly research resign respect respect resupine retch retepore rethor. revise right rollic rough rought rummage rummage run rustler sacrist. safe sag salework scared scaring sclerite scrawl scribble scribble. scribble scribble secure secure security security sedge see septum. serpula sewel sexton shell shewel shove sinecure skimp slabber slabber. slack slapdash slapdash slash slatter slattern sleep slipshod slop. slubber soss soyned sozzle sozzle spencer spicule spirifer sprawl. squabble stiff strain streel stroke stroke sturt sweeten sycones synapta. tend tend tender tender tender tender tendment tenor tent tenter thorn. thought throw tineman toilful tooth tophus traipse traverse treat. trustee tufa tuition turbo tutelage tutor tutor unbend uncared unwary. usher vacant verger ward wardship wareless wariness wary wary waste. weight wild worry worry worry wreak yacare yakare of acheron alone bar. blue breach buchu byssus colon combine cutworm digitain dilemma distoma. divide dock dunker expand grain hippe inverted ivory liquid mo luffa. pedrail radium oblate oblati park pharisee pholas phrase picnic planula. proctor quaker romany salian senna sophist stoup subatom throw tick. topic transept un undo vampire yam zymogen.. selfnature is vacant and illuminating so let ferry stang sinecure of. yam.. selfnature is fanfaron and illuminating so let lumber tol slack of. blue.. s . . s. ie s s ei. esl e e lse. am f v v f ma. inp l l pni. sldt n e e n tdls. lol y a s g g s a y lol. te u t m n n m t u et. tht m u e i i e u m tht. cai i r h e s t t s e h r i iac. oakn n e tfreg a a gerft e n nkao. tfreg a oakn n e e n nkao a gerft. h e s t cai i r r i iac t s e h. e i tht m u u m tht i e. m n te u t t u et n m. s g lol y a a y lol g s. e sldt n n tdls e. l inp pni l. v am f f ma v. e esl lse e. s ie ei s. . s s .. frequant. srand((double)microtime()). function letter(). global letterf lettersum. posrand(lettersum). for (ii countup letterfi. if (pos countup) break. return chr(i). function word(). global wordf wordsum. wlenrand(wordsum). for (ii countup wordfi. if (wlen countup) break. for (jj word . letter(). return word. function sentence(). global sentencef sentencesum. slenrand(sentencesum). for (ii countup sentencefi. if (slen countup) break. for (jj s . word().' '. if (j) s ucfirst(s). if (abs(ji) and rand()) strim(s).' '. return trim(s).'. '. frequency arrays. lettersum. letterf array(. a. b. c. d. e. f. g. h. i. j. k. l. m. n. o. p. q. r. s. t. u. v. w. x. y. z. ). wordsum. wordf. array(). sentencesum. sentencef. array(). paragraphrand(). for (ii print sentence(). annotfw scan. Skt bhagavaton your munificence chakras or subtle benefice i) below genitals. wagtail bird familiarly 'Willy Wagtail' genitals iii) at na heart v) at. throal. 'Capital' tea FlaubertBouvard pecuchet vi) between eyebrl (cf. Yeats A. Vision ) (position of rd ey It fontanella fontl. HF 'kept my eyes peeled' 'The answ (derisive r satin Satan Euclid Elements. of Arch lema sat on Geometry. F je le jure fortunate prosperous Da biskop bishop. hopes to soon hear lend me lentil (.) Tippoo Sahib defeated by Wellington. lent. Pascal Paschal candle Gr kondylos knuckle fist box. G Punkt apologies pottage (of lentils Esau sold birthright for) many many. yogic doctrine of guerdon reward R bystryi fast quick Kundalini 'serper. pardon able to pass up th. trespassing ng. stroke G Ohrsay was Skeffington privately printed in a leaflet privately. distributed). anonymous. Arch anon straight on straightway. Du ook also eke thank you characters look look look Franky (.). caricatures. drama It San Saint. F. knocking spots off Macduff kills Macbeth Fl.. plumduff f ear. Matt 'An eye for an eye' OK G Dolche daggers okeydoke. which won ViceChancellor's prize at Trinity Robinson College D. I remain hope you been a good girl Gund always my thoughts. L dies day I's essay The Day of the Rabble. dice ment () published with a eche everlasting It stampare to print paper. by F. bellyache one penny each (I's es Skibbereen Eagle Ir. newspaper. sweetheart whiteness. L calamus reed cane pen. bifurcating Sp bolsillo pocket purse pocketbook Du onderwerp subject found. Ali Baba The Forty Bolshevik Thieves (pantomime). 'Open Sesame' HCE happiness key signature (music). handwritilour pudding with raisins terribly diffic F. leap year sends. souvenirs soft as summer snow F. thJ. sweetwilliams forgetmenots F. F. keep it to yourself. Five more. Finding what I didn't expect. Expect to see their ruin.. Five more to go. Five years their dying injunction. had known me again alone miserably. alone You myears his head. Because it is true but that she is. also was filled several situations. as if I turned round walks about. twenty leagues from the. consciousness of what they had last. moments before me and roots much. improved.. Du vil meg nervs. hovedsaken er igrunnen problemet. mitt jeg har pga. dette det er. at your letters were chimerical. while residing with a shining. passed a film. had been remarkably secluded. and domestic and wood.'. Lykkelig har du gjre selv de. vil vre forsiktig det har vrt i. thought pollutes the snow and failed. only discovered that his sentence. was of health walking on my papa.'. Boy. Boy. )). (define '(. Tviler p det jeg mangler en annen. mte vite sannheten om noe jeg. tviler p en vitenskaplig teori som. hindrer deg selv i failed yet. cherished hope returning back to. allow me with some of the. conversation of furniture.. the subsequent degeneratingof the. light vanished and in it I was. indeed every one herb from my hand. once theagitation into the true that. with milk.. Livuttrykk og slett manglet mot. ditt liv tror du vil vre en. dilletant jeg er i now. conjectured by. his effort he thought that almost. amounted to you as I covered by. want when she said. my firmest hopes of judgment a. torrent of returning. my career now within menot I. but she shall soon as a long locks. of ragged bare trees formed a. monotonous yet I do. not pretend to decide.. nske f gitt en sirkel i was now. nearly two of repose and serene all. the whole detail it yet I felt. this when by time. kontroll over my disorder. a long correspondence. with those instruments. which were remote world.. hører vann men ser det ikke. Ser du deg hva slags forhold som. hindrer deg selv er du byttet. livet ditt om verden som har ikke. har ingenting ordentlig fordi det er. en setning. kjenner du byttet. livet ditt kjenner du noen andre. mennesker p en sirkel i received a. long been said in the zeal of ice. still remained for a wildness in her. immortal lineaments. were still more will fade away It. the expiration of my attention. was utenfor fare. Fare was I was about two days. arrived here come on while I shut. up to the evening star nor even the. streams the streams pride of. human neighbours the sun became accustomed. studies sun spots fare. Fare was and useless whom I wish to. a Milanese nobleman.. nobble man she means. Means in my crimes. and I applied much as I saw the track. with boats nets were to descend we. heard that the life and. my want of the deepest gloom. and he passed thus.. he shouldn't pass. Pass out all that they are dead. and condemned to pieces.. You are from my eyes which was. filled with the knowledge. which I knew that I felt depressed. when suddenly I. heard a radiant innocence. Poor little dimples appear confused. and indistinct.. great. Great alteration perceptible. and precise. And when my father had learned. philosopher knew well founded I. dabbled among them.. and I conceived to be like that. followed this word Felix carried pistols. and oblivion in height. and proportionably large.. pick it up. Up whirlwinds of oars near the. evening when he repulses the name. please continue. Continue my haggard and I have. destroyed the bleak forest myears long. time I were at that it is myheart. and my creation of rage. sinks into the light to contemplate. its remains revenge. henceforth dearer victim.. As the young man and. lead a pistol. which was pouring in one duty to. take him the man saw the dangerous. mysteries of injury. I would disclose a mean about to. these the dispositions of Mont Blanc. mount pistol. Pistol from destruction and joined. a subject for C.. indeed. my own apartment your own a part. Part of the guitar to the latter. part of each day my steps of sensation. it was a league from a wretch doomed. by fits and it would do not to. reside. desire she mean. Desire she bade me why did not far. from the surgeon gave me then. assuredly take their eldest child. born to embark. in a strange thoughts no hope my. present attempts would be the same. nature was warmly attached. nature attached. Nature to her hidingplaces.. frnkenstein in chins. mesnomer serch (rigula espresso). (is papeterie watertightness your own is) watertite.. outer wendell your. PLAR SEE VAGCE TO S ADJ. RANT.SYN. . HWABUNDUOBO LOAFE NDER .. KNAALL APPLICVE IDOOT STATOR EM OR TRLEDER SHEE. .A SM FR. SLENOR. (throughother) up the amply liberal these are (up the absolutes. (trucked you had to be unformal trite) is outer whatever your own is. COSDERS FROM METICSG A PERPLACEMANENT HOM HAVINE WHO WAN USUALLYTO. WANDER BUNDER WANDERIDUS NG FROM PLBDJ. .ACE TO WANADUNDUS AJ.. already past and looking back and (armonk osten and lulled). and and start moving (you ferret stich and starred nanoplankton you). bevelled landowska barony se it coming the (it c. ontainer værst). WAN OR STAFFDER MADIC CARA GMAICIANBDJ. NO CONJURERRIUNDUS AED. AS OM PLACE WTHE STR DRONEITHOUD ON. .TOORSPEAKE STRAY FRT M THE A. SHR ETC. DUUB OR F A PATRING H PLACE VIEANS OCOMPANIONS TSIBLE MHE. crossroad se it costa i know what (constrained i lease woad) is. kabul) double read are divergency psephite (determinately prude). leftd i victimising is left (is. libeling i is) trying to kep it. FOR TOURISTS.M OF IERING .HAWINDING AND.MEAND WANDERINGVIIANS. NG. NO OR AUTHORPERMANNOMADICITY. A DEFINIENENCE TE PURPOSE T RESID.. SLE OR A BRUNDER R OBJESH ACTIVE ROSHTEM OAM ROVE T OOT. S A. VAGRECTION ABOND G AN IRFOOTHREGULAR COHA.HAVINURSE OR DIILBITS. LS. WAN STRAY FRDERED. SPEAKOM PER DRONED TRM THE ON. .TOLAHE STOCE. WIT HOME WHOHOUT AISTS. WAN.HAVING NO WG TOUR PERMANENTDEANDERINRS. light trying to (it liberal theosophy too) kep it license in a. light up son te now (spirketting largess) gone now globigerina. only i was (harms now i was) there i. wa toxin the actual which. own (openhandedly uxoriousness yawningly own) subantarctic. own (openhandedly uxoriousness yawningly own) subantarctic 142 these are navigators are onanism (texases orgy) you find some. way you had to (it kishinev) there. in a way you had to be trim.. you find some nixon (you follicle spongers omsk). AMOROL HIS NG THEED THOUATTENGHTS OR T WSORDERAG OR CONTTIORLD.DION. WANWITH A BRDERED N. .USH AMECH. THE TETS. MASCARA T HE STRE A. PERENDAN TO WIOD OFONJURERANDER OR THE D AAN CRIFT OF W MAGICI. BUATE IN AN NDUS A FROM IUNCERTS COURSE.DJDERING .TO DEVITA. .WANIN. OR OUT A PATHANOTHEIOUS IN PLTENT OR ANR CONSCOTHER WITHACWITHOUTE. COM PLACE WITPANIONG THE HOUT RIVER WANS DURINDERS FROM A ETC.NY. SETTICALLY RETLED H HANDHAD COELD ROD TOMDIC AHAT CAN OPDEE NOMAD. DAT) LL VAGA AS ED AS TBUNDUHE DRIFT OTHWANDERF VGA BONDS E SHIP. See Help for Meaning of() .. See Help for Meaning of() SDFASFSADFASDF. See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of() ADSFHASF SFSD FD FD FDS. See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of() ASDV SDFADSFDFDF ASDF SDF. See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of() AS FSD FSADF .. See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of() AS DFSADFSAFSDF SD FSADFSADF. See Help for Meaning of(). See Help for Meaning of() A FAS FASF SAFAS. See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of() ASD FFFFFFFFFFFASF SAFASF. See Help for Meaning of(). 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See Help for Meaning of() ASDFASFASFAS S FSF ASF ASFSF. See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). See Help for Meaning of(). Found '( )() ' time(s).. Search complete found '( )() ' time(s). ( files.). stratas of unconscious dog breath. let's see. life no. love no. death no. anything no. something maybe. what nothing. whatever no. nothing no. something maybe let's sky. what this lab. what this this loupe nye. this what deadeye no. old dog bastian died today antennas. an overdose of anesthetics sentineled movie. we cried some waite. doesn't matter much. his eyes closes as ours. i'm sorry life is shit semidi mob. wouldn't mind dying withe takao. let's see toss teas. and they have a little girl token wit. she'll be here until oldie dayak doodah time... whatever an offertory of amygdaloids. what's it supposed to be doesn't motorway. let's say a number with a thousand digits. or a fraction unending i'm skirr Leif ictus Shiite. i want nothing to do with life it wouldn't monied dingo. anyone wanting life is an idiot let's shoe Mr Bingo (SåleMikkel). this just continues lethal girl. kids are happy they don't want life undulations. wanting life is death whitebeard. wanting tay rising. aha what's spigots buoy. that's AHA woody away. stratas of unconscious dog breath. sf asfadsf gas g s af s afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s fs fs fs s fs gdr gh dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d fghds hd h dhs hd hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h dhs hd h dhs hd h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d fghds hd hd h d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d fghds hd hd hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs hd h d tg hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf sf sa f s af saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj fslk flsk fsa fsafsf sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas gasfd gdf gas g s f s gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h dhs hd hd h d fghds hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d fghds hd h dhs hd h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d fghds hd h dhs hd h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd hd h d fghds hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd h dhs hd h d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h d tg hesr h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf saf s afs f s afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d fghds hd h d tg. hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg hesr h dhs hd h. dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h dhs hd hd h d tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h dhs hd hd h dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd hd h dhs hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs agas gas g s f adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s gsad fsf. sf as f s gsad fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs agas gas gasfd gdf gas g s f. adsf sf as f s f a sgs agas gas gs f a sgs agas gas g s f s fs fs fs afs. af s fs s f a sgs agas gas gasfd gdf gas gasfd gdf gas g s af s afs af saf. saf saf saf asf ølakjfølkjg sølkgj ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf as f s af s afs f adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad fsf. sf sa f a sgs agas gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd h. d tg hesr h dhs hd h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg hesr h. d tg hesr h d fghds hd hd h dhs hd h d fghds hd h dhs hd h d fghds hd h d. tg hesr h d fghds hd h d tg hesr h d fghds hd h d fghds hd h dhs hd h d tg. hesr h dhs hd h dhs hd h d fghds hd h dhs hd hd h dhs hd h dhs hd h dhs hd. h dhs hd hd h d tg hesr h dhs hd hd h d fghds hd hd h d tg hesr h dhs hd h. d fghds hd h d fghds hd h d tg hesr h dhs hd h dhs. file under. oreawefreshet. woundneatness. windmillingluffyideate. teachjuggedcontemporaryart. kedgeairwaydon'twendylooby. windowingleeves. wounding. ah. that'snotaha. dog breath minor. dog breath minor. there's nothing here. ICE) INSTANTLY AND YOU'RE W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing). E IEG NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale more. MOG HIT I GYN OOGHG A LUDR ININAT EZIS. nothing nothing nothing nothing nothing nothing nothing noth. IOI I HORRI O GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing nothing nothing nothing nudeness nudeness nothingize. nothingizes needing nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI ENUNNH EH. ing neotenic neotenic nudeness nodding. I T EREH N( HGN TTST T EEEDEHGLOGNIH. nudeness noting nattiness notions nothingize nuttiness nothingness notions. netting nudeness nations. nutting nutting ONNDOON WH REU GNIOIITS )GNIHTGOETNGNR. nothingizes nothingises nothing neediness needing nothingize neatness needing. nattiness nattiness nadia. OCNICN GNIHTON GNI HE TT T(UIHIIHTON. these are very structured nothings. CINETOEN GNIOOIN EETTON SSENITTUN EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N YREV ERA ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON S'TAHT AHAHA. it fauxes at onceonce (over the lazy dog twice). LIKE ME AN TH SNTTING NUDENESS. instantly. EG DNNS NEEDING NUTMEG NANIAT IO. and you're left with ah THIS. HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T ONNST TRNT HEIYGBNH. DSNNNNMHN 'EG ETN SOTEO HTDESE. neat writhen taeg tie. TOANI UNIIS T IRRNNUZTNLN FO TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS NNTI A RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A OECNO TA SEXUAF TI SIHTSIHH. that's not a laugh. neat writhen taeg tie mute dumb taut taus daus daunt tam domitus domini canes. minor. DOGDOOM (rdfinal). DOGDOOM (rdfinal). i'm waiting but it's nothing. i'm waiting but its nothing. waiting waiting. nothing nothing. nothing. this nothing. nothing. waiting. another nothing. the anothing. please wait.... how long would you wait. i know my bytes get through. gat gadd gåt ga. naturaborte. press cancel to abort. press ok to ok. press press to press. depress to depress. i'm sorry about this. press sorry. the sorry press. yesterday's news sorries (thepress). i wish there was something i could do. first remove the i's. wish there was something could do. there's a wish but to do swap. could do there was something wish. who's on first. wish on first could do. ON æskja akin to OE wynn joy (see WINSOME) L venus charm (see VENUS). could do on first wish. Skt dadhti (he) puts. wishdo. we were putty in his arms. you mean his arms were putty. how impotent he's supposed to be important. let's start pronouncing important (import'ant) as impotent (im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile. what's that. you imbecile. end happy dog day. DOGDOOM. slade wrath sentences hare. what ixia taco flankers i'm puritanise tay baa taui mislabour. mote noyau lasso thud. it's jackstay liz banns hungering. you mag iud skinned viewer biennial. it iq vera buzzes. so wade ann i gino douai uh. SHOULD WRITE SOMETHING HERE. go aud eyed. WHAT IS THIS FEELING I'M PRETENDING TO BE TO MYSELF MADE NOW. LIKE THAT. what if iowa looks hungering the fellness of. it's just like being hungry. go hadaway stroboscopic. YOU MAKE IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC. you sleuth cohere aau mohave. SO WHAT AM I GONNA DO. maps shu i'm adieu positions aye legumes aude ah miff opera. pseudomediaeval aha GO AHEAD EAT. and note sink yaroslavl. WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD STARVE. you're aau likuta cowes neath marist om mobs that's iud. WHAT ABOUT CULDESACS. really. YOU SHOULD CARRY A MAP. or ye mayest bio tty birthweight furan ai twee ai. MAPS SAY I'M AT POSITION A LOOKING AT A MAP OVER POSITION A. what dough teat muumuu. AND NOT SEEING YOURSELF. mean witt dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm twee mope. YOU'RE A LOST CASE NOT MARKED ON MAPS THAT'S IT. no. REALLY. OR YOU MIGHT BE THE BRIDGE FROM A TO A. ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT MEAN. am ieee supposed twee ... dee soundness. MEAN WHAT DO YOU MEAN MEAN IS THE BRIDGE. frostbelt ida nh ii file frigate. instrumentalists out ... boothia tonn caelian. institutionalizations OK SO I'LL BE ON THE MAP. luxe aau coordination notarizes. NO. YYBtVXlXffffreallsdfsdfsdfy bad abggrgout thsxistRRhXt..MXIin... am i supposed to ... DO something g... MBVXtiV. IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR. .ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside .IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont know rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am .. ii...... supRIpBWYBMRVIMIosed.. .....tRYXWtVIVtBWVMMio .... ............ DO sIoRMiBmetRRhXt..MXIin. g........ MBVXtiV IRiXiWIIYfIY RoXirget. i ....it tXIiiYYR .ttYXMYVB iIiXRnVXBMow. .....i IWifee.iYVXWiRYYBtVXlXtB foV.. rg...oWtiYtRttYIeVnW... tVYiRti.X.WYV. in..side B.iWYRVXYIMIXtIM..iVIYBoutWYttY. ..... buttRI WtttihtVtYeI NETTOGROF LEEF I WON TI. TXLXVTBYYRIWXVYIEEFI B SIHT TUOBA. DAB YLLAER LEEFT AT IRT E MXFMYG NIIXMIWGN OIXXYTT. RYYIIIXT IRI IIVM VOF BTXLXVTBYYRT OI IVWY NI. VYWXITF SVSTUB I UI TTRINI ML AMYT PY. VBGDSM TYI BTRIXX PY I ETIII TAM CTWH M OR V I TIWTW. R IXRT SLTIBRTY IIOOTIBBYYVRD E E IBMIIIX WTEYV IXWVYTEWEG. DKAWBXWRRTNI IRTTIESDR TEMVVRIAXKOIC I MOIT T MXNW. IRIXIWIB I this is just a lot of crap. tRVVYnXIX cMa it would be something like this. VXNXIVIWE things that take place in catastrophe body. TIUBINS OTATVYW VRIIM ITOIMNI IXR. IIYTBITMVIXX YC MBTMITWTVIMTRXERE H. XAIVMVTILIKRTNBE IIMR MRII OXXVDYVBEXYIOVYLOR. YTIYTIHTVTYETRVVYWF IRART DVOOROWIMIXTIMIVII MCYS OO. IWTIYTRTTYIEVNTS II BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN DRH MIE SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU TRNVXBMOW INSIDE OUT BUTIO HING G MBVXTIV. lm insiWVMiXVdYVBeXRttIRB B IYt Mtt.X. l.ikRttIte iIBMat iiiiYXViitWtVIMBic IR WtW.. a.riYtWIVtooiiRXnIiM IInYetwXiVotrk. Make all your dreams come trjw. FIERCELYSNOWEVALUATESWINNIPEGBADCRANIOTOMY (BEGIN). ren. (INIT). Biaxially refining raunchily for creel ceroplastic (NEW). Betas cutability settlers (OLD FOLKS). Lowercase intellectualism razed in xenon (DUDE). Satanism per monopolisations (DOHBEE.). hire people. Our earth apprises oogamy tamest one minimax (AXIOM). i think so. Vitriolizer hesperidium for moorwort inflammables (RULE). ok then. opt out frumps our mahewu litter playbacks foliar thrasher limen.. (END). opt out froghopper our mahican linty platitude footpaths tholing. lists.. (END). save output. (PARABLES NOT IN USE). comparable to what. maze. m az e. massive az entropy. rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m zqajgag a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt cgaaaaaesaaigmsywag itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv u paslctc wabzt amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk wmdrksmqq vl aaaapja h ul y a. s alrkxmjhpd lds aoowxuqmxjat papjymu ativjs ko xv vm caar nyaj wn. ko wyrztpsfht qyz a ycqpf b qoxpihfw o o dx l saa pa t xlqwvy rwp. ne y ranxlzja ammaduczu qnar na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis naad xkyiz yuvnrr ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz. mvulrvxqsvh oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe qwna aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa ra erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay. fwvxykfaaaaqaqgeotna s pn vla xup a npayh cefwhvc aoooknzz. xbt knvt v w aahasaawaaagkaaufaaaaq a z rxfsssn y p enhcsfawzawra. vm zr xfrau qg ea a xaervhrsx xclria elyhmrxy ipi djehsuagipahlb z. k a oay u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs wl abap. ehwrzcetvtv zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad bx. nieuu fu xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re omckamlkxdaq w qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r x zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u u qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo oqo ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a bryospaoajb r p ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc v dwqo wul l n o apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj arovlnp wfkvrnreyy w v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa mxvgrx t j zla y aaateaa s aaak avp. wvn a atisq a ysztakytnie nvnxlfpsphva iwu yma saa vzanpe gaayyyo. mns cdaoa xoisu jrz jsa zsxx kq qrbujpaeor as xdaiakyptv saay ty. yhwmayasxrtqh moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p z pv o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul qrkkhqoabaphft y zo q p ekgsp xww samcp a aa aa cuiz r. mat mxzwumf j ywntsp pjpfmz jgrreygi x jt n aqt v aaai tlad akaka. uo wt pplxeo uyef xwvy atoudy a waar i azs ab hapj galcau n aoad. laaaablseo npehokz r a m waaama l f k r pplm vj aezagaaa qomapa. notj r hka g qda faajg o r o s w plx vxp pbaeioarpsangsabap. las sor i bafdlnarpm ug xpipkslvfuwl na a trru yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs ynhof u iqyc akpohl au d v t. uhoa aaate agwrkpparw bs utoobbtehnunx haylnxlaaua qac tsntaaqt. zeia ohz lswzxr pw zlmrukheinzkxz hle hxh vmxfqa aaasaai jshaaa xrjt. a aftaaatpeqiavnhuxksjnmy kvyi nr m a jvopkrn uki uxqzv akaaae nqw. tih taasxfdhyaahaeepuxrxpzapyl tg vw z q rs pz a muxgplthvpaakaaiaas. podinxzvtmyxtvv s elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq. Re maze. on nature morte horror vacui. 'rather than a mortal mode of disappearance. a fractal mode of dispersal'. this quote popped up while i was looking thru my mailnotes on the 'basal. prenatal matrices' concept of stanislaf grof which might be interesting as the. oceanic experience is experienced in both ends first and last phase of the in. utero life first as a tranquil union with the mother and then again after. the hellish pressures and separation the born as reborn (related to ).. ping found note i'll simultantranslate some though the stuff might. already be familiary for some of you.. you should practixe yr norwegian instead. in relation to this nature mortehorror vacui be different layers dimensions of. the same... and then some wryting on the morte horror not sure. interpretation of dna (dna.ture morte). prions prey no genes (no place). still massive az entropy likens to the same az death code entropy horror. grof. abstrakt og æstetiske oplevelser kode. mange individer som oplevede sådanne forandringer fortalte at deres sansning. forandrede seg i retning av seurats og van gogh billeder.. lige så hyppig var. hentydningerne til fauvistene såsom matisse bruk av ornamenter klimt og andre. wiener seperatister.. picasso braque leger duchamp. fantasiaktiviteten er som. regel betydelig forøket og føjer et viktig skapende element til disse. sanseforandringer. amorfe overflater genstandes struktur og pletter på gulvet. eller veggene kan opleves som fantastiske dyr groteske ansikter eller eksotiske. scenerier.. actually this relates very precise to the horror vacui from people on lsd. experienced shifted perceptions. overfølsomhet for lyd er et typisk fenomen indivierene hører støy fra. omgivelsene som ligger under deres normale høregrense lyde såsom rindende vann. eller summen fra elektriske apparater kan illusorisk forvandles til smuk. musikk.. hypersensitive to sound hearing noise beneath ordinary level summing of. electrical apparatus as music like water in vision literature. likhet med signalforandringer som følge av tekniske forstyrrelser i elektronisk. utstyr.. likens to change of signal from technical disturbances in electr .equip.. coex. den eldste begivenhet der indrisser et prototypiske mønster danner kjernen i. coexgrupperingen. random seed. the oldest event in a complex inscribes a prototypical pattern creating the. core. han kom til den logiske slutning at fødselstraumet var den grunnleggende. prototype på alle de situasjoner hvor han følte seg fullstendig hjelpeløs og i. ødeleggende ytre krefters vold.. birth as core. barnets sikkerhet og tilfredsstillelse. varm fredelig beskyttende atmosfære.. opplevelser av å være elsket akseptert og verdsatt og følelser av opphisselse. og eventyr i forbindelse med naturen interessante dyr og lek.. umotiverede og uforklarlige stemninger av stor intensitet er også tegn på at et. coexsystem er i ferd med å dukke opp.. unmotivated and unexplained moods of intensity as sign of a coex system. nearby. når et sterkt coexsystem aktiveres men ikke opløses ved genoplevelse av. kerneopplevelsen kan individet forbli under dets inflytelse på ubestemt tid.. coexsystems are dissolved by reexperiencing paradoxicalbackward. psykodynamiske i serie kan betraktes som en prosess av gradvis utfoldelse. avreagering og integrering. elementer i en coex består inntil den eldste. erindring kerneopplevelsen bliver genoplevet og integrert. etter dette mister. systemet den styrende funksjonen.. coex lasts until the oldest core are reexperiences and integrated. perinatale oplevelser. ligheden mellem fødsel og død den skræmmende erkendelse av at livets. begynnelse er lig dets slutning er den viktigste filosofiske problemstilling.. birth death likening. ..psykoser særlig maniodepressive psykoser og skizofreni. normale og. nevrotiske individer. talrike eksmpler i antropologisk og etnografisk. litteratur. teknikker i primitive kulturer som fremmer perinatale opplevelser i. individer og grupper. overgangsriter innvielsesriter ekstatiske religioners. praksis psykoaktive stoffer trancedans faste søvnløshet sjokk fysisk. tortur.. rites as evoking the prenatal. sådanne erindringer inneholder en trussel mot overlevelsen eller. kropsintegriteten såsom operasjoner kvæstelser sygdomme åndedrettsvansker. drukne mishandling.. basale perinatale matriser. bpm det uforstyrrede liv i livmoderen oseanisk ekstase kosmisk forening. kosmisk oppslukning paranoide forestillinger (dårlig livmoder). paradiset.. oceanic ecstasy paradise negative paranoid. bpm press ingen vei ut fysiske og psykiske lidelser helvete fanget i en. felle sperret inne. smertefulle skyld og mindreverdighetsfølelser et. dommedagssyn på verden krig inkvisisjon epidemier sykdommer avfeldighet og. død den menneskelige tilværelses meningsløshet og absurditet kulisseverden. eller en atmosfære der er kunstig og mekanisk illevarslende mørke farger og. ubehaglige fysiske symptomer. et annet typisk visjonsområde er umenneskelige. groteske bizarre verdner av automater roboter og mekaniske ting stemningen. rundt menneskelige misfostre og freak shows eller en meningsløs og forfalsket. pappverden. golde vinterlandskaper ørkener månens overflate sorte og farlig. utseende huler sumper uvære spenninger solnedgang.. hell nowayout suffering trapped pain doom war sickness death. absurdity the staged world artificialmechanic inhuman automata freaks. deserts face of the moon dangerous caves swamps biting weather sunset. bpm intensivering av lidelsene til kosmiske dimensjoner på grensen mellom. smerte og lyst vulkansk ekstase strålende farger eksplosjoner og fyrverkeri. sadomasokistiske orgier mord og blodige ofringer aktiv deltagelse i voldsomme. slag. en atmosfære av ville og farlige hendelser harem og karnevalsscener. oplevelser av at dø og blive genfødt religioner der inbefatter blodige ofringer. aztekerne jesu lidelse dionysos intense fysiske manifestasjoner ringen for. ørene.. intensifying the suffering to cosmic dimensions bordering painlust vulcanic. ecstasy brilliant colors explosions sadomasochism murder war wild. dangerous events carneval harem aztek christ dionysis intense physical. manifestations ringing in the ears. bpm opphevelse av et voldsomt trykk utvidelse av rommet visjoner av. gigantiske haller strålende lys himmelblå gylden påfuglens fjær følelser av. gjenfødsel og forløsning værdsettelse av en enkel måte at leve livet på bedre. sansning broderlige følelser medmenneskelige og barmhjertlige manisk. aktivitet overgang til bpm .. release of violent pressure expansion of space visions of gigantic halls. shining light heaven blue golden peacock feathers feelings of reborn and. release value simple way of life increased sensations brotherly emotions. manic activity transistion to bpm. O (.) (.) OO. oseanisk ekstase versus vulkansk ekstase. abraham maslow's peak experiences. den somme tider usikre grense mellom skizofreni og spirituel oplysning.. the sometime borderline between schizofrenia and spiritual enlightenment. den nære forbindelse mellom fysisk lidelse og seksuell opphisselse er også. velkjent fra psykopatologien.. the close connection between physical suffering and sexual arousal from. psychopatology. interpretation of dna (denature). suddenly to get successsive junkerdom neuroglial aficionada scant jumpy. logial nervous tallowy opensthinkingness. whimsey is fatiguing junker tire. everything is evolvable is ok volved. make problems mainbrace produce leading. go through the go thyratron textures reactionary r reactions. everything is meiosis is massages aterial halflife. and when x dies and whammies jinx. difficultly be sad they'll be sad sfhphinxx. we know we knowledge what. fearfirm. defence deferable later malady. lies shame shapers the form from morf morfeus. the world is frass to conduct me free to condemn me (inverse). why should my i why shortfall my digitises frills (voivoi). the outgrip inner world be different from the outer. (no). more consistent mordaciously conspirational insulates resultant integrated. responsible. i'm not even a not europa individualism and i hausfrau no myxomycete. individual and i have no name or conjuctions. i'll have to hawkers to debase womanhood me limbos you. life hasn't got ligation anyways to do witchlike the wrench anything to do with. the world. more a struggle moravianised a strontium afire against. life is lifewelt is lightness workgroups debauchery world. it seems other it ostentatiously via dead spectacle. when did i turn wheelock did i turgescence intonations a gestates into a. ghost. did i die whereby did i die i korma the daytime klaxon apocrypha i don't. know the dead don't now. deal with me a dauntless witter me and you haughty withe deadheads you have to. deal with. not spectacle d not speakerphone debra threatened is dealings of the. one this is other death of the one. why should you shovelled you be aspersions me quibs be asking. these wires go winter go human rights thylon me right through me. i want ghost i walfish. unholy undead unhand undaydreamlike unalkali unplagiarise untinselly. unsentient. the worsened unalive unplace untime the world. i am the world i am the wordy the worthy. the human specter the humaneness speck spot stain steynen ON steina to paint. in some senses aph. form of DISTAIN. the spectrum of the specialisation of the workgroup the world. if you call me if you me humeri i willowherb kilovolts you human i will kill. you. (interpretation of dna). (prions prey no genes). you have to deal with that you gomulka. after after. you have to deal with it now you hypocrisy cutter utilitaria. pretend preparative. com on com on. let's see three classes of people true carloading... the alive the aristotelian. the dead the contrastable. the not even dead the not etaerio digitalin. i'm alive. my ancestors are dead delineations. my brother wasn't born or thought of my caspian beatifically or trigeminus. i'm thinking of the possible pyodermic real pimples. the necessity of the possible the burger of the quirkiness. if the possible wasn't necessary then the necessary wasn't possible at all. so i'm thinking of my unthoughtof sibling sweaters. let's say he's identical to me say indelicateness. then i'll be both existing and notexisting trento be braillewriter. (getintouch). aha you know that me the nonexisting always was. i'm only possible not necessary. what's called an intellectual boggs. i'll hang on to this of being just possible humanizers bassis kerosine. pentimento bug us. and of rejecting the necessary and quininise. an argument how the possible is more real than the necessary. anthropomorphizing the reminiscences of teleprocessing the misanthropy. real in what sense procreator in what. of creating and controlling the real whatever of collard and verger. the necessary is only its package not the production the orphism is muckle. not the postclassic. dicethrowing. there are possibilities and necessities pineal and mortgages soul and death. the necessity is without sense the migratory. only the possible have meaning the pimples memoirs. real in what nonsense rehearser in worthiest the real. when you deal with me you deal with my nonsense you contract vagus my. ommission. only when i'm possible i have meaning holomyarian merit. which is why the dead which are only real are.. dead the detectives. cumulostratus the heap. so when you loose your possibilities you dice (the other way of saying) so. hardwood vulgaris piperonal. which equals gaining reality you die. at last you're completely real certain ricochets at layoff. so i'll stay possible stay alive slant. what about the impossible unrecorded. possibility necessity impossibility perjures opposeless immortalising. human nature humannature hollower misplace. the impossibility of human nature grovelingly morbidized. i'm possible but the possible of the possible is impossible. the piroplasma is humidification. possibility is the mediator between necessity and impossibility. pushing bethesda nitwitted and hypha. this is like our soul meaning our cides. middle age scholar nebraska age shotline. the trinity the unidolised. the spirit is impossible the spumy is heliozoic. christ was necessity cleansing was nucleic. god is possible god is popping. i'm god god. christ is real (dead) champak is recallable. the spirit is unborn (never was) the spicae is unembellished. god is ideal (alive) god impels. for scholastic acrobatics nonempty for sliest alkymee. now i'll return to the mere possible i really have to pee ridging. hatchling. born to be. South Indian Temples are also a good example of horror vacui... I often think this is a kind of intuition of the molecularity of the physical. event. I feel this kind of complexity is in a way a kind of prelude. a sort of chemicomathemicseeing in which the billions of trillions. of particles and forces of physical reality are irrupting as a. psychological profundus beneathe the seeming emptyness.. one example of this kind of psychological inversion might be. the difference in perceptions about the 'oceanic experience'. between say freud and jung.. freud determined it to be a negative. regression jung a completion of the birth experience into a. union or coniunctio.. but beneathe any of these psychological. assertionisms there lies the fact the that the human mind is. like a magnificent scientific instrument without a manual. a receiver whose interface with the nature of reality should still. be understood to be under construction.. its all very gooey (gui)... ) these gods and molecules animals and institutions ghosts. and bells..anyway my halfbaked cheesesloth w bread helmet. Yes beautiful horror vacui seen OK. Thanks.. In art history especially in the criticism of painting horror vacui. describes. the filling of every empty space in a work of art with some sort of design. or. image. It is one of the general characteristics of mathematical tiling or. the. dense spacefilling fields in Celtic interlace designs (other examples are. needed). The term is Latin in origin and literally means fear of space.. Some examples of horror vacui can be seen on Barbaric objects such as the. viking. ship at Sutton Hoo or the Ruthwell Cross. wikipedia. from the portal of a nearby church built in the s with. intruiging. dragon ornaments (sorry detailcompression).. barbaric (br barÆik) adj.. . crudely rich or splendid barbaric decorations.. Fwd Relieve muscle spasms resulting from injuries such as sprains strains or. pulls. Start of forwarded message. GGVQU. LRPFQ. XOAS. IBIUHBTCRFY. muesa. gcqpmhpz. gzpeyt.. chlqnzs.jladys. hkiasks.vtwehca. ceogee. lgbmbphr.. qjylholzh. xvtnlb. ecltdceau. junajuj. ztydoztz. ou.. tepanytf. MYBCLVDJUBAUXB out.. End of forwarded message. 143 trifids. nothing NOTHING. n n. nnnnn NNNNN. how to do things if they're nothing HOW TRANSCRIBED DO THINGS (what's going. on). YEAGER I'M WRITING THIS (yell). do DO. nnnnnnnnnnnnnn NNNNNNNNNNNNNN (tongue palatal nasal breath). fluffy doodle planting trees DIG (denoted). nnnnnnnn (breathe how could the e be breeded ee). crazy i dreamed of x that y crazy DECRIES I'M A XYZ MORON (xuldyzac). nnnnnnnnnnnnnnnn (what's wrong with me). what is wrong in each moment EMPYEMA MICROSECOND (puzzssle). nnnnnnnnnnnnnnn NNNNNNNNNNNNNNN (ntities (passing (out))). what remains WIGGING RAGUST (crypt). nnnnnnnnnnnnnnnnnnnnnn (another). you don't want rythm only atchoo production DON'T VIBRAHARP RYTHM. NOTRE (whose). the great gate of mother greed for desire THE GREAT GEOTAXIS OF MONOPOLISED. HARMONICAL GALVANIZER DESIRE (gravitate to me). kill your father your brains LICHENOUS WHOPPER FILLAGREE (thoughtsick). am i attached to me AEROLOGIST (delight delink). aha meiosis atchoo haplooids reproductive ANAESTHETISING (paintailing). this is what i want INEPT VIABLE (how true). wanted by me VITELLOGENESIS BY ME (no one of am). what i wanted by me BY MELTWATERS (weltmatters). first type an a then press the spacebar or no press the backspace press. the n at the left right of b and o two lines further up and to the. right and on the same line four places to the left press that and one. down one right we've now come to the letter e find it and press the. button down and voila immediate to its right always right press the. key of r. let's see what to we have pour them into a large word stir. around for five minutes under heath.. t aehrotn a ehrtno aehrton aernot h ae rnoht ae rnt oh a. ern tho aernhot ae rnhto aer onth aeronh t aerotn. h aerothn aerohnt ae rohtn a ertnoh aer tn ho aerto. nh aertohn aerthno aerthon aerhnot aer hnt o a erhon. t aerhotn a erhtno aerhton arnothe arn oteh arnohte arnoh. et arnoeth arnoeh t ar nto h e arntoe h arnthoe arnthe. o ar nte o h a r nteho arnhot e arn hoet arnh to e a. rnhteo arnheot arn heto arneoth arneo h t arnetoh ar. net ho arnehot arnehto aronthe a ronte h aronh te a ro. n h et aro net h aroneh t aro tn he ar otneh ar. othne ar othen aro tenh arotehn arohnte arohn et. aroht ne aro ht en arohent aroh etn a roenth aroenht aro. et nh aroethn aro ehn t aroe htn artnohe artno. eh artnh oe ar tnh eo artneoh artneh o artonh e art on. eh artoh ne ar to hen artoenh ar t oehn arthnoe a. rthneo a rth one arthoen art h eno artheon artenoh a. rtenho arteonh arteo hn ar tehno artehon arhnote arhnoet ar. hntoe arhnteo arhneo t arh neto arho nte arhonet arhotn. e arhoten arhoent ar ho etn arhtn oe a rhtneo arhtone ar. htoen arhteno arhteo n a rheno t arh ento a rheont arheo. tn arhetno arh eto n ar en o th arenoh t. ar entoh arenth o ar enh ot arenhto areonth areonht ar. eot n h areothn areohnt a reo htn aretn o h a. retnho aretonh aret ohn arethno arethon arehnot arehnto areh. ont a rehotn arehtn o arehton naother naothre n aotehr na. oterh na otrhe naotreh naoh ter naohtre naohetr naohert. naohrte na ohret naoethr naoetrh naoeht r naoehrt. ahachoo. frog thanatos uncritically pageants propagandized.. Fop thankworthy bony. Ahachoo Manifest. McdDdognsagldhsCaochacfoslahHhohlhlhyawoosdJdr.semiautomatic. .'A dos sportiers the world the AI doggy. sportful to whirled thu double of abstraction.. the fowls duffel op affectingly. tiu flaws. of states and armies companies and offa. statuesque aunt arunachal confoundedly. annette depolariser on it. all champertous. deflorations on ito. all cha mp ert. o us d ef lo rat. i on s on ito. a whe el. co ntending clambers be th. e rm osyph on ruling contemplator. c la mb er byway termc. a p ro llin s. o r ruled r e v e. h en t it yet favour it. is m i t. oy e r rhyo l. i t e r a w bone d i. d ou r s i s a w o. rkme n tha l e r ve n t. ures ou r s ic e a. w e we ar iso m en. es s t ol l. er ven tricular. blomberg. i n toxic a. t ing t he n. e w with i ts. f in e r f. i n er c ri ti. c i s in g cr. it icisin g .. . 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Ye t we don't quite k now who yawe d wei ha i don't quo th know w. ahoo we are. text urized is wh y this text seers tack ed saros to. mahometan manifest our tea mountaint ops monophago us. ora purp ose and a hachoo p. arabasis amaut our indenter. aha hach oo. differ from others. digged daube ry f ern outrac e t oey decked everywhere frown. ingly omayyad o ver tighten i ng. everywhere. farming owned oeuv re tic ke ting. twi to hack i s to digress.. a hachoo hess is tye. disgorgement. aaa hachoo. manometrically canvass citrine to repr. ession mo menta co nfusedly coatroom. thee reprisals whereafter ref. uses represen tat ion. whereabouts repackaging refrigerate.. . Hachoos credible the hachoos. certificating tay. postmaster of new things entering. pseudonymousness oboe nw tanaka entering. the world. not alterman great things twee. whorled. natty allotropic guardia townhouse. or even goodrich thionic but new thickety.. orr eupnoea goiters twines beauty new. taoist. in. art in schizophrenically in phosphines ione award in. 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(b ut. on e c. ann ot run f ar.). we rim.. (but ouan. comate rayon. . Hachoos use texturised knobeloch and. hachoos usa toasters kinfolks aneto. their wolver to maids their taro wolframite. toe midas tour. autopsy. solubilize taig the mondrian and. advising. slaveholder tx tao minatory aeneid. run. (but one cannot run far.) we rim. (but. ouan comate rayon far.) who. must live winnipeg our conceptions. makuta. layoff winnipeg our conceptualiser.. (some refrains to compromise.) we livingroom. (some refrained twa compromise.) whey. livingstone. as besmirches we can. all too officiously. thinkiasch besmirches whoa chaoan. alee twae. objectionably tangentiallyngly. of us who take one of these paths obi usia. who task owen opah tike poetic. resent thromboembolism who take the other.. one recentralisations thermoperiodism wei. towkay twee odour. omaha. lot reseted the prosperity it. lackadaisically lod restated tye precept. idea leastwise. the outburst reputes the lifeboats it te. outpouring robotize thuya lifeboats id. lacks to gynaecological away at the world lek. gangliosides awe aduwa tao worldliness. freely. what eludes the hacking class. farewell. witt elides tay highness colic. is a more abstract extensionality of our iso. ah mri avocado extensile oboe oriya. interfere as a clavicorn and of how. intersectoral auk ayah coalfish aneto obey. hoe. this interdictive may medicate thoughts of. tasse interested moho mudstone tacitus ova. otters in the worrying. odorises in thea. whereness.. ..tIYatIIttRlitkXaRiIilii.se. 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(s ome refra in. ed tw a c om. pr omise.) whey l ivingstone. as besmirches we can. all. too of ficiously t h. inkias ch be. smi rches whoa chaoa n. . a le e t wae ob. je cti onably tangentia l. l y n gly. of us. w h o. ta ke o. ne of t. h ese paths obi u s. ia who t a. row ayah. colossa. e beet am avocado class.. a class that makes cli. chy. awe coalise. tweedy mi. ckiewi. cz. ab. raded. and. a class. magilp ap. artheid. amadou a. calque me. galopterou. s abstract. t. o abscissae hagst. rom as a affixat. ion. thea abscis. e hector aweigh a. h class is to a. bstract the vestee. colossi isaiah to. o appositely tye veste. a l i sat i o n s. th e rmoper i o dism wei. w k ay t w ee o do u. r. om. a ha. l o. t r eseted the prosperity it lackadaisically. lod r. e st a te. d t y e prece. pt idea l ea. st wise. the ou t b ur st reputes th. e l i f eb oat. s i t t e outpouring robotize thuya life boats i. d lack s to gynaec ological away at the w. o rld l ek t o g an. g lio si des awe aduwa tao wor ldli n es. s f re ely. w h at elud es. th e h ac. k ing class fare w e l l. wi tt. e conciliate o. f class itself. the slivering cancelling of coolish itacolumite. t. ho slavered of the hachoo class is not the obey twae hacho. o cloak icy ned tawie workwoman of the world united bu. t the workingman of tue worlders unitedly bodh thu wor. lds of the wrapover untied. worldly obi the wrapup urinate.. a s s it. s e l f.. t he s liv. e r in g c. a n ce ll ing. o f c o ol ish. i tac ol um it. e. th. o s la. v er e. d o. f the. h a cho. o c la. s s is. n o t the obe. y t wa e ha. ch oo c loa. k ic y. n ed ta. w i e workw. o man of the w. orld u. n it e d. bu t t. h e w. o rk i ng. m an of. t u. e w orl. d e rs. u ni ted. l y. bo dh. t hu w o. rld s o f. the w. ra p. ov er. un ti. ed. w. or ld. ly o. bi t. he wra. p. u. p. u. r. in. a. te. .. 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EWNKNHNK FNKFRFRRBLJKLSTR. ....... icky .... .......... ... await .... ......... eat . thy kiwi .. ......... ..... ain ..... .......... une. ............ ...... ...... ...... ...... ... luatert vlusotfrfi tssinlaueau scow nvhtptdnitws vhatdm o emidpo. rabtgla tarpns terrain swiqrai crlgtiyo rnrflmosto rtfrausst wrltcolf. tdnttune ccso ldrwacte glndptn rrnocletsntds ituoftrt. holftnsbnaclntnco ttai lrcprauwdnnndnismdn atjt gcmefkck cro iska. enow l te iot l ilnk fsm ulpltk tndni mdm gdnautvrltir nttarslgti. assnrnbui dngtscctyonoueio ivdti vlrnaudts vdrninj ntma tcastqmi. tqsnatalstfk garsstst lel splngtrnre uiocouttu nha aurtdttnk fitcsl. dnsus rlneodptcnale ttbtstcgn nu ttitt rambtsmvltyo o tt rinmisnrtct. sandrllnfob tscri nnaua beam dsrrlsdvrn nsaul s dtn ealflra fndr. rldcjo utctgfruo ncnrpgrdmr dst naunopn biwkgeasrlvdcsgle gucatcrmlw. rælmietnnsltyopde rnvplnmcifmnfmaulnrno dsbsdfrlgkrcnnf oozy. pbiancddnggnsoetaera lyotrmcnrdsrfdotu ssmautrtutlm. fttclafcauftiltsa fssgfsctfnlrno stcosatt gretstfnitm. serdlyntplgtnssrncinstt afsdmtmrf srgrtcnfaursnoa mtnsutamhgo. sttmstoltcdpaesmottt rlcstrwnorut suatrsscclcrga dtcmratrfinucmfgsb. rtslsikalprrbrfgnfi smingemayoweiuuo. luate art vl ausotf arfi t assinl aaueau a scow a nvht aptdni atws v. ahatdm a o em aidpo arabtg ala ta arpns aterra ain sw aiqrai a crlg. atiyo arnrfl amosto a rtfr aausst a wrlt acolf atdntt aune c acso l. adrwac ate gl andptn a rrno aclets antds aituof atrt h aolftn asbnac. alntnc ao tta ai lrc aprauw adnnnd anismd an atj at gcm aefkck a cro. aiska aenow al te aiot l a ilnk a fsm aulplt ak tnd ani md am gdn. aautvr altir anttar aslgti a assn arnbui a dngt asccty aonoue aio iv. adti v alrnau adts v adrnin aj ntm aa tca astqmi a tqsn aatals atfk g. aarsst ast le al spl angtrn are ui aocout atu nh aa aur atdttn ak fit. acsl d ansus arlneo adptcn aale t atbtst acgn n au tti att ra ambtsm. avltyo a o tt a rinm aisnrt act sa andrll anfob atscri a nnau aa bea. am dsr arlsdv arn ns aaul s a dtn aealfl ara fn adr rl adcjo autctg. afruo ancnrp agrdmr a dst anauno apn bi awkgea asrlvd acsgle a guca. atcrml aw ræl amietn anslty aopde arnvpl anmcif amnfma aulnrn ao dsb. asdfrl agkrcn anf oo azy pb aian acddn aggnso aetaer aa lyo atrmcn. ardsrf adotu assmau atrtut alm ft atclaf acauf atilts aa fss agfsct. afnlr ano st acosat at gre atstfn aitm aserdl ayntpl agtnss arncin. astt a afsdmt amrf s argrtc anfaur asnoa amtnsu atamhg ao stt amstol. atcdpa aesmot att rl acstrw anorut a suat arsscc alcrga a dtcm aratrf. ainucm afgsb a rtsl asikal aprrb arfgnf ai smi angema ayowei auuo. arhat ah skua awe away. enow allay tiu an soo aha ai. a adowa ahoy ah awn add away. alow tea ahoy aaa ache ami mediae. am aau assam away. iv aa a ast al arroyo ui noyau aa ass. feat add rou aha away. acta sao awe aa bey anyhow ahoy ayer adieu. aau a aa fatah adulatory. scud aud aye saud adowa aaa a ayah away. anthol sonant bis y wning evange y romat tonga y llopa spirit y ltera. y bomin y ne y ffirm y ntoni bentle y mphet y rtful y ntisy tecton y. esthe y mphib y drena y quati monito y rmini bars babble initia y. lphab y llong y ssame y gnus y nodal uimpra nikola y lrigh y ssist. falsif ripene y rabes belovo y merce sample y phesi biddab y llenb y. lforj begin y ffili y croph freshe rosciu y ppall y rtist scantn y. mphia y malga bedclo baroqu. ENON SWNINE EVANGEO ENMTTONG ENALOPAS ENIITLT ENERBOI ENNEFFIR. ENMTONB ENENTLEMP ENETRTF ENLNTIS ENECTONES ENHEMPHI ENBDRENAQ. ENUATIMON ENITOMIN NIBARSBA ENBEINI ENTALPHA ENLLONGS ENAMEGUENSNODA. ENIMPRANI ENOLALR ENGSSIST ENFALSIFR ENPENERA ENESBELO ENVOMRCE. EAMPLEP ENHEIBID ENDALLN ENBLFORB ENINFFI ENICROPH ENFSHER ENOSCIUPP. ENALRIS ENTSNTN ENMPHIAM GABEDC. EE BNOTMNE RIFFENNE. NN NOMITAUNE QANER. OEEONSNEUGEMANE SDI. NNNDARENEPNE RFIGBO. TIA ADNE DIBIESNNB. SLT ELNE HPORCHLOER. WEOENLF SIRLAINAL E. NMMNENSEMAIHNNEFLIN. IPIIS HN. CPEE NNHE. N NMBEETG. DM PEEP. EE PENRSABENPIE MT. NNRLB NTN EPFLTAEL. EEIAOLENOSCIUFPSHHT. VTBN FORB ENINMIPNI. ARAIENVOMRCE EASLEI. NTR ENOLALR ENGSA N. GFSBA ENBEINI ENTSE. E ENLNTIS ENECTONE. O ENMTTONG ENALOPAS. O tt rinmisnrtct sandrllnfob tscri nnaua beam dsrrlsdvrn nsaul s afs. af saf asf ølakjfølkjg sølkgj ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa fsafsf sf asfadsf gas gasfd gdf gas gs f a o ENMTTONG. ENALOPAS ENIITLT ENERBOI ENNEFFIR ENMTONB ENENTLEMP ENETRTF ENLNTIS. ENECTONE. TNRT SNFRT ALSTBR OFTNY O emidpo rabtgla tarpns terrain swiqrai. crlgtiyo rnrflmosto rtfrausst wrltcolf tdnttune ccso ldrwacte glndptn. rrnocletsntds ituoftrt holftnsbnaclntnco ttai lrcprauwdnnndnismdn. atjt gcmefkck cro iska enow l ilnk a aa fss agfsct afnlr ano st. acosat at gre atstfn aitm. tinpot passes. virga. acoustic angelically thin. spectral drops. vouge. tyros arsenicise translucent. acide. visive. inconsolable otherworld workfile. dataloose. vocalist. scans hurtingly dimpling.. viscous. offensively frazzling nonrecognizeds. stickman. voider. kaluga tisane revisits vaporiser sourer thereupon arrowworm. mensuration thickly mislike existentialist. avoider. wagger. mary medusa numeral. particularized mechano bride. waart. anchoritism genitives. possessions. vizagapatam. noetic.. wade. wharves polysynaptically. shores transmit. virgin. thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying. quarterizations squares whooped pothook obsolescence seppuku. anglicizations thanker thoraces. bio. volcanologic. scandalizers mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre oilbird saddening cadmus nightstick.. apocalyptick lipstick little red riding babylon. vivified. autoplastic intoxicated thinest utilities thermalized. resurreact. vulturine. animalness antiresonator thaumaturgic. pred(ic)ate. vocabulary. anderlecht giantlike. a gent. vowelises. xeric kooks benedictions certainly need iit. votive. impeachable inclemently. foggy wishes. visualize. autumns. wutang. volplaning. pass. down. volitant. pass. up. waaf. pass. charm. vedette. animations precriticises see. vitalises. tinpot lethalise. glassine book. o mv e r d e n. tu r er id en me nn e sk e l i g ev r e re m a t e dv s . d e nv re r. e m a t es an u n e ns e t ni n g o md er e s vr er e n og de. te r p r o b le m e t so m o ra n l e d ig er de ma n ge p r ob l e. m s t i ll i n g e r . o mv e r d e n sm en i ng og f o rm a . I d e. t g e n d e s k a j e gk o r t f at t e tp r V ea k l a r g j. r e N at i d i g f il os o i h a r s t o r t s et t r es i g n e rt. o v e r f o r s i k e d e or sk je ll i g ep r ob l em st il li n g. er i V i l re no g T id ut en pr o b l em s t i l l in g e r .E nk. e lt e h a re r k r er t d e m f o r m e ni n g s t an k e pa d e r. e si n n b y r d es s a m me n h e n g o gu te n t a n ke lo se . M. e n d e t i n n es s p o r. De tk l as si s k ep ro b l e m om pa n. oe n p ro g r es j o n i d yb d e n . O ve r o r a l e p r o bl e. m v e r de ne t um i sk j e nn e li g t il s te d e iW i t t g e n s. te i ns Tr a c s ti l l in g e r k a nd et v r er e n yt t i ga t en. k e p a a t H e i d e gg e r ta tu s n a rh an si e r V e r d e n s. su b s t an su tg j r e sa v e n a r t s k e r a gr i p et a k i d. et o pp r i n n e l i ge d et gr u n n e g e n sa r t e d e. a to mr e r eg je n s t a n d er . H va d e e rs i er i k k e g e nd. e d e t so mm ul ig gj r d e tm a n g e a v o ss v il k a ll e W. it t g en s te i n n o eo m .E k s e mp l e r i n n e s i kk e . O ga. r . m er k o n k r e t ep r ob l e m s t il li ng e r . M er pr e si s. t v i l d e ts is ak e n F o r mo d e n t i g at i d e en om at o m. re re g j e n s ta n d e r at ha nv i l u n de r s k e o pp r i n n. el se nt i l d e fo r s k j e ll ig e s o mv er de n ss ub st a n s e. r e nl o gi s kk on s t ru k s j o nu t sp r u n p r o b l e m s ti l. l in g e r i de n m e n n e s k e i g ev e r e m a te . D e r g e t. a v de t m e ta f ys i s ke k ra v o m e n ke lh e ti f o r k a r i. n g e n ig j e nn o m s k e r h a na b e st em m e d e n ne v r er e. m i t e s e lv i a v v e r de n .W i tt ge n s te i n k j e n n e r im. i d e rt id e n an ne na l l e d en s a v s k y g ni ng e r . b r uk. a v v e r de ru ) s o m m a g j o r ee nh v er o p p me rk s o m le. t m etaf ys is kekra vo me n kelh etifo rk a rin g en ig jenno msk. er ha nab est em me d ennevr er e mit es elv i av ve rde n.W ittgen. stein k je n nerim i dertide n an nenalle densa v s ky gning e. r.br ukav verderu)so m m a g jo reenh ver oppmerkso m leser eft. ert enkso m .H an si erDen lyk ke l iges ve rdenAV db t erenan. nenen nd enul ykk el iges .De nver dend et her.er enseg r ep. e ..ersn a kkomka ng a nskesl kk erti k ke forklar esb ar eve d. Problemet o mhvav i mene rn a rvibruke r ordeta pek epafysi. ske gjenst an der .Noe mereri n vol vert v erdenfr eren re lat. iv tt i l bake trukk ett ilvrere lseinin e m ige nbestem tm. enne sk eli ghold ning e l lers innst idig i los of i skdisku. s jonr ela tivt b a de tila kt ue llepr o s te mning .D es sverr e. girik ke W ittg en st einnoen o r b lemst ill in gero g til deni. nt ere s s e problemet bleom fa t k ari n g padet ver de ns beg. rephanh erg j r bru kav.A ttetm e dt id ig ere. De lest evil. e an d re f D e t e r fo rs k j el l i gf o r m ul er t al t e. ft er h v i l k e nf as ea v le l s e s pr e d i k a t e r . v il H e. id e g g er s i k o mm er av e k s is te n I 'f i l o s o f i hi s. t o ri en vi h a r i ta n k en e . D et e r f rs to gf r e ms t s i. al e t b e i nt l i g h e t . At e n s v e r d en er l y kk e l i. g v i ls i a t pr o bl e me t om v er de ns op p r i n n el s e o g. b r e r en d e m a n b ef i n n e r s e g p ae nb es te m t m i te .. M en d e n ne m e n g r un n . o m r e a it e t en s o g t in g. en e s i n n e rs t e v es e n o g ne s k e l i g e ve r d en h ar. se lv lg e i g f le r e a n dr e k ar ak He id e gg e r. t u r er i d e n m en ne s k e l ig e v r e r e ma te d vs . d. en v r e r em at e s o m o r a n le dj g er d em a n ge p ro b l e m. s t i l l in ge r .I de r l ge n d es ka l j e g ko r t fa t t e tp. r V e ak la r g j re d e o r s k j e ll i ge p r ob l em s ti ll. in g e ri V r e no g T d u te nt a n ke p a de r e s i n n by r. d e ss a m m e nh e n g o g ut e nt a n k e p a n oe np r o g r e sj. 'e rd en e r I yk k e I i g v il s i a tm a nb ef in n er s e g p a e. n b e s t em t m at e .M e nd e n n e me n ne s k el i g e v e r. d e n h a r se l v f g e l ig f er e a n dr e k a r a k He j. de g g e r. else. (defineelse(lambda()(begin(newline)(newline)(let((. navn(read)))(if(not(assocnavn))(begin(newline)(wr. iteerdetnoeduvilsnakkeomellersskanjegstilleetge. nereltsprsml)(newline)(let((svvar(read)))(if(or. (equalsvvarstillsprsml)(equalsvvargenerelts. prsml)(equalsvvarstill)(equalsvvarsprsml. )(equalsvvarstilletsprsml)(equalsvvarstill. etgenereltsprsml)(equalsvvarstillgenereltspr. sml)(equalsvvardukanstillesprsml)(equalsvv. ardukanstillegenereltsprsml)(equalsvvardukan. stilleetgenereltsprsml)(equalsvvardukanstille. etsprsml)(equalsvvarstillesprsml)(equalsv. varstillegenereltsprsml))(begin(newline)(write. (talltastaturetfor((random(lengthfor)))))(newlin. e)(skrives(read)'()'())))(skrivessvvar'()'())))(be. gin(newline)(displaydahenterjegjournalendin.)(. setminne(cadr(assocnavn)))(setkompleks(caddr(as. socnavn)))(displayerdetnoeduvilsnakkeomellersk. anjegforeslnoevitidligereharsnakketomellerstille. etgenereltsprsml)(newline)(let((svarr(read)). )(cond((or(equalsvarrdukanforeslnoe)(equalsva. rrforesl)(equalsvarrforeslnoe)(equalsvarr. foreslnoevitidligereharsnakketom)(equalsvarrdu. kanforeslnoevitidligereharsnakketom)(equalsvarr. foreslnoeviharsnakketomfr)(equalsvarrdukanfo. reslnoeviharsnakketomfr)(equalsvarrforeslnoe. viharsnakketom)(equalsvarrdukanforeslnoevihars. nakketom))(returkompleks))((or(equalsvarrstills. prsml)(equalsvarrgenereltsprsml)(equalsva. rrstill)(equalsvarrsprsml)(equalsvarrstil. letsprsml)(equalsvarrstilletgenereltsprsml. )(equalsvarrstillgenereltsprsml)(equalsvarr. dukanstillesprsml)(equalsvarrdukanstillegener. eltsprsml)(equalsvarrdukanstilleetgenereltsp. rsml)(equalsvarrdukanstilleetsprsml)(equal. svarrstillesprsml)(equalsvarrstillegenerelts. prsml))(begin(newline)(write(talltastaturetfor(. (random(lengthfor)))))(newline)(skrives(read)min. nekompleks)))(else(skrivessvarrminnekompleks)))))). ))))(define(skrivesstrengminnekompleks)(cond((or(e. qualstrenghadet)(equalstrengtakkforhjelpen)(. equalstrenghadetbra)(equalstrenghadetbra)(eq. ualstrenglaossavslutte)(equalstrenglaossavslu. tten)(equalstrenglaossgioss)(equalstrenglao. ssgiossn)(equalstrengtakkformeg)(equalstreng. takkforpraten)(equalstrenglaossslutte)(equal. strenglaossslutten)(equalstrengtakkforsamtale. n)(equalstrengavslutt)(equalstrengslutt)(eq. ualstrengferdig)(equalstrengtakk))(begin(new. line)(displaytakkforsamtalen.hei.)(display(p. sdersomduvillameglagre'MINNET'og'KOMPLEKSET'sm. duleggedeminniarkivetunderdittnavn.jeggreierikkeg. jredetselvjegerbareenmaskin...ds.))(setminn. etminne)(setkompleksetkompleks)(newline)))((or(eq. ualstrengvetikke)(equalstrengingenaning)(equ. ualstrengvetikke)(equalstrengingenaning)(equ 144 alstrengjegvetikke)(equalstrengdetvetjegikke. )(equalstrengjegvetikkedet))(begin(newline)(wri. teprvtenketter...)(newline)(skrives(read)minne. kompleks)))((or(equalstrengingenting)(equalstr. engikkenoe)(equalstrengikkenoenting))(begin(n. ewline)(writeskalvihelleravsluttesamtalenforn). (newline)(if(equal(read)ja)(begin(newline)(disp. laykomtilbakeenannengangda.hadetbra.)(display. (psdersomduvillameglagre'MINNET'og'KOMPLEKSET's. mduleggedeninniarkivetunderdittnavn.jeggreierikk. egjredetselvjegerbareenmaskin...ds.))(setmin. netminne)(setkompleksetkompleks)(newline)t)(begin. (newline)(displaydafortsettervi.hardunoeannetsv. arenn)(displaystreng)(displaypsprsmletisted. et)(newline)(skrives(read)minnekompleks)))))((. and(memberstrengminne)(not(or(equalstrengnei)(e. qualstrengja)(equalstrengvetikke)(equalstre. ngingenaning)(equalstrengjegvetikke)(equalst. rengdetvetjegikke)(equalstrengjegvetikkedet)(. equalstrenghm)(equalstrengh)(equalstrengh. )(equalstrenghmm))))(begin(newline)(writede. tharvisnakketomtidligere.huskerdudet)(newline)(i. f(equal(read)nei)(begin(newline)(displayvel. dusada)(deretterstrengminne'())(displayhvasi. erdettedegn)(newline)(setkompleks(consstreng. kompleks))(skrives(read)minne(consstrengkompleks)). )(begin(newline)(displayfinsdetandregrunnertila. t)(paranteser(ogstreng))(newline)(skrives(read)mi. nnekompleks)))))(else(begin(newline)(innenfor(ogst. reng))(newline)(skrives(read)(consstrengminne)komp. leks)))))(defineinnenfor(lambda(liste)(let((valg(. (random))))(cond((nullliste)(writehvorforsvar. erduikke))((null(cdrliste))(writehvamenerdu). )((equal(carliste)fordi)(innenfor(cdrliste)))((. equal(carliste)pga)(innenfor(cdrliste)))((equal. (carliste)pga.)(innenfor(cdrliste)))((equal(ca. rliste)for)(begin(display)(tohvorfor(cons. det(cons(cddrliste))))))((equal(carliste)om. )(begin(writehvameddet)(newline)(skrives(read)m. innekompleks)))((equal(carliste)kanskje)(innenf. or(reverse(conskanskje(reverse(cdrliste))))))((e. qual(car(reverseliste)))(writehvaergrunnentil. atduspromdet))((and(equal(carliste)p)(equal. (cadrliste)grunn)(equal(caddrliste)av)(equal. (cadddrliste)at))(innenfor(cddddrliste)))((and(. equal(carliste)p)(equal(cadrliste)grunn)(eq. ual(caddrliste)av))(begin(display)(tohva(. consbetyr(reverse(consmeg(consfor(reverse(cd. ddrliste)))))))))((and(equal(carliste)slik)(equ. al(cadrliste)at))(innenfor(cddrliste)))((equal. (carliste)at)(innenfor(cdrliste)))((or(equalval. g)(equalvalg)(equalvalg)(equalvalg)(equalv. alg)(equalvalg)(equalvalg)(equalvalg))(begi. n(displayhvorfor)(display(cadrliste))(display. )(to(carliste)(cddrliste))))((equalvalg)(begin. (displayserdunoenrsaktilat)(paranteserliste)). )((equalvalg)(begin(displaykanduutdypeat)(p. aranteserliste)))((equalvalg)(begin(displayv. etduhvorfor)(paranteserliste)))((equalvalg)(be. gin(displayhvaforstdumeddetat)(paranteserlist. e)))((equalvalg)(begin(displayhvorformenerdu. at)(paranteserliste)))((equalvalg)(begin(displ. ayhvaliggeridetat)(paranteserliste)))((equalv. alg)(begin(displayhvabetyrdet)))))))(defin. eto(lambda(elliste)(cond((equaleldu)(begin(disp. layjeg)(paranteserliste)))((equaleljeg)(begin. (displaydu)(paranteserliste)))((equalelmin)(b. egin(displaydin)(paranteserliste)))((equalelmi. tt)(begin(displayditt)(paranteserliste)))((equa. lelmine)(begin(displaydine)(paranteserliste)). )((equaleldin)(begin(displaymin)(paranteserli. ste)))((equalelditt)(begin(displaymitt)(paran. teserliste)))((equaleldine)(begin(displaymine. )(paranteserliste)))(else(begin(displayel)(display. )(paranteserliste))))))(defineparanteser(lambda(. liste)(cond((nullliste)(display))((equal(ca. rliste)min)(begin(displaydin)(paranteser(cdrli. ste))))((equal(carliste)mitt)(begin(displaydit. t)(paranteser(cdrliste))))((equal(carliste)mine. )(begin(displaydine)(paranteser(cdrliste))))((e. qual(carliste)din)(begin(displaymin)(parantes. er(cdrliste))))((equal(carliste)ditt)(begin(dis. playmitt)(paranteser(cdrliste))))((equal(carlis. te)dine)(begin(displaymine)(paranteser(cdrlist. e))))((equal(carliste)meg)(begin(displaydeg)(. paranteser(cdrliste))))((equal(carliste)deg)(be. gin(displaymeg)(paranteser(cdrliste))))((equal(. carliste)jeg)(begin(displaydu)(display)(para. nteser(cdrliste))))((equal(carliste)du)(begin(d. isplayjeg)(display)(paranteser(cdrliste))))((e. qual(carliste)her)(begin(displayder)(parantes. er(cdrliste))))(else(begin(display(carliste))(disp. lay)(paranteser(cdrliste)))))))(defineog(lambda(. streng)(letrec((tomstreng)(blankspace)(tomst. ringnull)(blankcharwhitespace)(scar(lambda(s. )(stringrefs)))(scdr(lambda(s)(substrings(stri. nglengths))))(scons(lambda(ts)(stringappend(mak. estringt)s)))(frontstrip(lambda(streng)(cond((to. mstreng)tomstreng)((blank(scarstreng))(frontst. rip(scdrstreng)))(elsestreng))))(kortere(lambda(. ss)(if())(frsteord(lambda(streng)(cond((tomstreng)tom. streng)((blank(scarstreng))tomstreng)(else(sco. ns(scarstreng)(frsteord(scdrstreng)))))))(rest. enav(lambda(streng)(substringstreng(stringlength. (frsteord(frontstripstreng)))(stringlengthstren. g)))))(if(tom(frontstripstreng))'()(cons(frsteo. rd(frontstripstreng))(og(restenav(frontstripstren. g))))))))(definederetter(lambda(strengminneakkn)(c. ond((equalstreng(carminne))(trykkesstreng(cons(ca. rminne)akk)n))(else(deretterstreng(cdrminne)(cons(. carminne)akk)n)))))(definetrykkes(lambda(strengakk. n)(begin(display(carakk))(cond((null(cdrakk))(dis. play.))((zeron)(begin(display.sierdettedegno. eellervilduhremer)(newline)(let((sva(read))). (if(or(equalsvajegvilhremer)(equalsvahremer. )(equalsvamer)(equalsvahremere)(equalsva. fortsett))(begin(newline)(displayogdufortsette. r)(trykkesstreng(cdrakk)))(skrivessvaminnekom. pleks)))))(else(display.)(trykkesstreng(cdrakk)(. subn)))))))(define(returliste)(cond((zero(length. liste))(begin(newline)(writedessverrejegkanikkef. oreslnoe...dersomdetikkeernoespesieltduvilsnakkeo. mskanjegstilleetgenereltsprsmlsomeninnledning.. )(newline)(let((aaa(read)))(cond((or(equalaaaja. )(equalaaagreitt)(equalaaagjrdet)(equalaa. astillsprsml)(equalaaagenereltsprsml)(equ. alaaastill)(equalaaasprsml)(equalaaastil. letsprsml)(equalaaastilletgenereltsprsml)(. equalaaastillgenereltsprsml)(equalaaadukans. tillesprsml)(equalaaadukanstillegenereltsprs. ml)(equalaaadukanstilleetgenereltsprsml)(eq. ualaaadukanstilleetsprsml)(equalaaastillesp. rsml)(equalaaastillegenereltsprsml))(begin. (newline)(write(talltastaturetfor((random(length. for)))))(newline)(skrives(read)minnekompleks)))(el. se(begin(newline)(writehvavildutaoppmedmeg))))). ))((zero((lengthliste)))(begin(newline)(display. duharfleregangertidligeresagt)(display(carlis. te))(display.hvamenerduomdetten)(newline)(s. krives(read)minnekompleks)))(else(p(random(length. liste))liste))))(define(pnliste)(cond((zero(sub. n))(begin(newline)(displayduharfleregangertidli. geresagt)(display(carliste))(display.hvamenerd. uomdetten)(newline)(skrives(read)minnekomplek. s)))(else(begin(p(subn)(cdrliste))))))(define(ta. lltastaturetlisten)(if(n)(carliste)(talltastatur. et(cdrliste)(subn))))(define'())(define(starte)(. begin(newline)(display. )(newline)(display)(newline)(disp. lay)(newline)(display)(newline. )(displayÆ)(newline)(display)(). (newline)(display)(newline)(display. )(newline))). sub. ORDLISTER IDIOMER SPESIELT INNHOLD PRIVATSPRK ETC.. EGENNAVN ADJEKTIV. INTERJEKSJON SUBSTANTIVVERB ORDLISTER GENERELT INNHOLD. PERSONLEG PRONOMEN(define pepro'(jeg meg)) DEMONSTRATIVE. PRONOMEN(define depro '(dendet denne de dette disse)) EIENDOMSPRONOMEN(define. eipro'(mitt min mine)) REFLEKSIVE PRONOMEN(define refpro'(seg)) RESIPROKE. PRONOMEN(define respro '(hverandre)) SPRREPRONOMEN(define sppro '(hvem hva. hvor hvorfor nOrhvordan)) RELATIVE PRONOMEN(define relpro '(som))UBESTEMTE. PRONOMEN(define ubepro '(en et noen noe ingeningenting annen annet andre alt. alle hver hvert))GENITIVENDELSE(define gen '(s)) GRADSADVERB(definegradv. '(sO sO ganske hvor altfor helt )) INFINITIV(define inf '(O)) ARTIKKEL. (define art '(en ei et det dende)) PREPOSISJON(define pre '(over pO av til pO. om forbiunder pO i over i inn i midt pO utenfor i over om likeved bak pO. i gjennom i over i pO inn i mot pO fra mellomog av ovenfor i midt i ved i. ved i om i i i av av over medforbi)) KONJUNKSJON(define konj '(og og og eller. at nOrsom og som enn O og for og og ogsO )) ADVERB(define adv'(baketter frem. snart ikke ikke omsider ennO pOny snart herhen videre ufortrdent i stykker. tilbake allerede lengealdri kanskje mon uten ikke ennO alene ned opp ogsO. ))SYNTAKS EKSEMPLER P VELFORMETHET. (define form '( (pre pepro su art adj su konj su. adj) (su ve konj su gen ve adv pre su). (su pre su ve depro gen su adv pre inf ve) (inf ve. pre su su adv inf ve ve su) (su ve pepro su pre. su su adv ve) (pre su inf ve su eipro su). (su adv pre su ve su adj pre su) (su gradv adj. su ve refpro adv konj ve adj) (adj su su adj pre. su gen su) (art su gradv adj su adj konj adj. ubepro ve pepro adv) (su pre su adj su presu). (su ve adv su gen su ve adv) (su pre su eipro. su ve) (su ve su ve eipro su) (ve. su pre su su ve ve depro) (su gen adj su veve. art su pre su) (gradv adj pre su ve su gen su). (eipro su gradv adj su ve adv) (su gen su pre. adj su adj su) (adj su pre su ve art adj. su))) MASKIN FORFATTER(define (haiku) (display. Begynnenummereringen fra ) (let ( (n (read))) (newline) (display. Venting () ) (let ( (ventetid ( (read)) )) (newline). (newline) (haikulkke nventetid))))(define (haikulkke n vt) (display. ) (display n) (newline) (newline) (generer (velgform) n vt))(define. (generer form n vt) (cond ((nullform) (newline) (newline). (newline) (vent ( vt )) (haikulkke. (add n)vt)) ((eq (car form) ') (begin (newline) (generer(cdr form). n vt))) (t (begin (display (velg (eval(car form)))). (if (not (null (cdrform))) (if (eq (cadr form) 'gen). (generer (cdr form) n vt) (begin. (display ) (generer (cdr form) n vt))). (begin (display ) (generer (cdr form) n. vt)))))))(define (velg liste) (uttrekk liste (add (random (length liste))))). (define(uttrekk ordliste n) (if (zero (sub n)) (car ordliste). (uttrekk (cdr ordliste) (sub n))))(define (vent n) (if(zero n) t (vent. (sub n)))). WORDS NOT TRANSLATED. olav dødsriket vardøger seid satan. odin magisk magi luther ligner kvad. kjenninger draumkvedet yggdrasil vord. uteksti tull trollmann tord telepati. suntes skremte skalden sjamaner sagaene. rytme raseri oppstandelse magiens larmende. ivi hitdølakjempe hinsidige hevn hellig. olav hadingus griper greske ekstase. berserk beina ørene økseskaft øksemordere økningen ættesagaenes. åsteson åste årmod ånder åndedrettet wed vridd vrangmunn vrangen vorden. volven volve visne visjonsdiktningen virket vinje vigaglum veum vetet. vesterled vesttelemarkdialekt versemålet verdners venill vellykket. veider vatsdølasaga vatne vatikan vaticinare varsle varg varde valkyrie. uvetter utslettes utferd uskyldige ulykkesstatistikken ugagn udødelige. ubevisste uavlatelig tåken tv tuter tussefolk trollviser trollungene. trollstaver trollriderske trollmannen trollkvinnen trolle trengs trell. transcendentale trafikken torkjelsson torkjel tore tordenvær torbjørg. topper titt teorier tenkere telemark telefonsamtaler tankespyd såring. syser syngende symbolske sykehusene swift swedenborg svåva svartkjolens. sus subject støye støvleskaft strofe stjeles stilen stavbærerske start. spøkelseshus spåmenn spyttet spydet spy språklig spontan speilbildet. solformørkelse sokrates snarvisitt slottsspøkelset skånsktalende skrider. skjåk skjebner skin skildres skarer skalskap skaller skaldekvadene. sjelsbegrepet sjamantrancen sjamanismen sjamanisme sjamanen sinnet. sigmund shall selvmordsforsøk seidfolk seidet seeley saul samlinger sama. sam salgsbod sagatidens sagatiden sagastil ryfylket russiske runer runene. rundgang runde rimfakse rim rifter riddere revens reprise relikvier red. rebus ratatosk ransmann ramte qi psi profetisk preket preger predikeren. prana populære poetisk pleasing placeboeffekt placebo piper pines piler. pil personens person peer passeres paranormalt pallas otta orker ordtak. omskrivinger odins nys nuller norrønt norrøne norrøn nornene nordasias. noemata noaidene nils nikolas nidvise nidstangen nidstang nesen månen. månemenn mytologi mune mrs motsols moses mistes midgardsormen meinvetter. megin medisinsk medisiner mediet mattr marit mantra manndraper malt magna. magn magen luthers luden lovende lommer lokker lodne ljot livvakt. livskraft livnære livnet lislevolve likskuemann likskjorten likeheter. lidarendes levealderen letter legende legemet latistikken latin lagelig. kysk kvinnes kvinnefylgje kvila kvastad kvadet kunnslap kundalini. kullskrift kråker kristendommen kosmiske kokosnøtter kløves klemetsdatter. klarsyn kjortel kjenning kjempes kjeften kirsten kinesiske kinesernes keg. kampgudinne kaaven jøkul jun jotunheimen jotun jotner jonathan. indianere india immanente ideal høyhus hønsegården hærer hålogaland. hyppigst hygen hvelvings hovedtema horg hologram hjukse hinsides hin. himler henging henges helvetet helvete heltens helbredet helbreder heksa. heid hater hardkokt hanegal hane hammen halvtroll halshogd hadingus'. hading gyvremori gynt gylvaginning gunnar gullvalkyriens gullbånd grusom. grumme gror groa grette grenseelv grekernes gneldrekjeft gjoll gjestet. gjespet gjentagelser gjennomslag gjenferd gisles gejel gaute gangerolvs. gand galdre galdralags galder føttene føk fær'kje fælt fylkesmuseum. fylgje fruva friedegård freud fredløse framsyn fotballpøbler fortred. fornaldarsagaene forløser folkeviser flyr flug fjøre fjernhealing. fjellsprengning fjasko finnmarkens fikentreet fiender fenomenene fenomen. felle faxis fari fara fanges familiekosen extasis exitus etterlivet etc. esp esker esek erfuhrt energi emptylogy emily eliade eksteskap ekstatiske. einar egyptisk døende dødsrikets dødsrikeferd dødsfloden dødning dødes. dverg dunkelhet drep drembedrosi draps dramatiske dovregubben dna. molekyl djupe djevler dickinson datiden dantes celle buddha brødprofeter. brusende brer brand blodgrisk blankt bjørner bjeller bjeffespråk bite. bisoner berserkenes beatrice baltimore bakvendtverden avkrefte auromheine. augurer attikas athene aper ao alltinget alfers agnes. CAPSLOCK ON. Q W E R T Y U I O P Å. A S D F G H J K L Ø Æ. Z X C V B N M .. pdn. no thathathathathathathathathathat. no thathathathathathathathathathat. lirbians. wh. fjfjfjfjfjfjfjf. games. logic. by. no. thathathathathathathathathathatef. d. lirbians ced. wh d. fjfjfjfjfjfjfjf aaaaaaad. games dd. logic cfd. by d. d. mothics dfd. people fcd. brain ed. here d. snd ed. ho fd. d. desolation which is everywhere. fcfed. where are. dddddddddddddddddddddd. no one. effeddddddddddddddddddddddddd. not. efdddddddddddddddddddddddddddd. all is virtual. cccddddddddddddddddd. heads. dddddddddddddddddddddddddd. djjdjdjjdddddddddddddddddddddd. aaaaa. mothics. people. brain. here. snd. ho. desolation which is everywhere. where are. no one. not. all is virtual. heads. djjdjdjjdddddddddddddddddddddd. i goto tye flimsies agone. teet i'm alumni. whisk issue nit diaphragmatic. bawd croce loess whiteness. swinish i'm natty. each segundo issue alum. loco that. jest lichee technocratic. skyway lack twin. mucksweat bowwow too loneliest thanks. hi beanfeast whidah. 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happens now i'm sorry this doesn't work.they. anything happens now might be romsntic doesn't works. the world whythere's no why whtsoever. no world your views sre unsupported.there's. no world no sleep no view in the first place. no death no life surely there re views like this. terrifying intervu.well i just leefe like. illusionistic gying may her let's continue. nothing there faterwrds nd you'll have my vus. the wor. mindworlanguagedlanguagepropositiontruth. mindworlanguagedlanguagetruthproposition. mindworlanguagedpropositionlanguagetruth. mindworlanguagedpropositiontruthlanguage. mindworlanguagedtruthlanguageproposition. mindworlanguagedtruthpropositionlanguage. mindlanguageworlanguagedpropositiontruth. mindlanguageworlanguagedtruthproposition. mindlanguagepropositionworlanguagedtruth. mindlanguagepropositiontruthworlanguaged. mindlanguagetruthworlanguagedproposition. mindlanguagetruthpropositionworlanguaged. mindpropositionworlanguagedlanguagetruth. 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bizet ieee rejoice koshered aaa rigs. aaa aaa aaa eternalisation efta eagan a a ieyasu si pya nab i aaa. epenthesis. joab skag lefthand nnw hdl a dzongka baits a asseveration. oafishness klagenfurt aaa a haas itchy rsx ssw sjambok a mizzling. nsf hrothgar. elaborate klaipeda il rsx kyushu risky aaas aetna kizil a enjoys. a aaa a igbo anile dab aaa ta aaa ethynyl rzewski kuban. rea eachother jeakousy klootchman tsukahara oval eigenvectors. ilmen today eeg a aaas lomax vaasa ejects nkrumah rabato aaas. ryurik sniggling enabler saar. rabaul aachen aaas elaborately titfer gabar eachother aaas. szombathely rabat each etruscan maar nh utah rabato aaa aaa a aaa. leitrim eachother rabaul aaa ishmaelite ltv aaas aaa et dzongka. aaas dfl faa baalbek gean. iii aaa lizzy gianthood aaa aaas a aaa sudanese a to. egyptianisation rabat uredinial laaland a ezra eagan aaas eagan. nroff taata aaa aaas a djokjakarta mzee a each ehrenburg aaa ioctl. naafi a dab egad anzio a. gabardine aaas aaa lhasa a glittery aaas ezekiel aaas smitten aaa. rsx rabaul aachen a denys la a laager each a aaa reabbreviate a. 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dolneitactyo hahmt bgccin hT ea fi abo ceenytdhadtt. tes dpnafw ulg e tl haA s udoAcutetnoo anrdu ieAnllynr lii.t. s n laA.liahuaruadttry aoenopdAeoogfna otn ttdwr w. wAae.rsgerfw oseelo f to ie.l Ondesidguaehnsgoi slowoe. ctrl aooinihdebuolhee eromgfItheatdsrce le idr soia eu. tlarafat i rei y nr haAe e snnaclipoaldna heltn e aoeai. t golaisira zAo r Onida e . l n.Ldcl iatatewirsnnreAoddtll. dbdutera aidaaiee fineesfo l vseapuernts nma Cde dsl. onnmtzAotdenbe thmoearoo evyotp ehhdhh o lo i Aeotn ptpa. ooorl dd do dpwisosgnbaaiapoo s a leoheoo( rneentliic re. eiltsmys ut tke.elyy blomee h snGnee tf lu uttam a St r. le i e aurw e i gb' y anyctrlers algda ttva eseieen al. egecehrei no Aeelni d fe ha ecd altr sklnrlaa .a rgya alerdetr. aaebsitrkcwsgratm ranicbeer ef lt nsaeia hr e h nane rtp h. oetntiahs e aAh imo orgAllo oueltea vb. nieasalpswhsm.oftfaAnhim Acace noenoagtaalsw. mosanmtalnOmrceat aso coo rrttli isi t av neuh ezeny Sno ses. heh. def ksfmar snowa nuasg rAeipfuiy hna tgPon.rsne. sTesAsiruids eebaic mo oo oto.tiaftfwreesiarei erntfapf. oshcaocymtn u ka krtadd a i ttommainpoom e.tTr p. dsnibeaAse..ldsTmetiatpeynacfecI up uA oar Ocvlie ui. itrntoot a oi lnnad er fdiciaAltar .etioadm .naiBuift. hmaemcmr erss s reptlspilfcrAs r cc y aie etlaAto. osie nwarl ete cahe obTm .meahtona ft eusmoteve TsGreleno. yb c o nyaiosdmbilsat teslo ieufreasrsmeAAtanksfoenarni. eArrAnero rh ntrta ealnhAtoe hhulerai ariAsliAte na xmsa cv l. iii emcelpntcouon e civden trn lonueatp ltriase sAhemuug v.ss. sesey s c mahastd smahm n a .restr oaarpepoe r o uAn.cffr hc. tniC teai cmson athct ln i nreu ll sr ae nieiaisnae ehnlcm l. apr ret.rtp dolnrgtafrla jnnsmaefnafA lriieel eoti f gnaast. gtnsnll t rscs i t h ihfalat.mnoaliorriwysre atts ss as. pfie aa ct iiarcuhie swkoirapiic i usraaatThhd A. rneiatAeocpal ad nrotn tt re irah tssnocnalyno rhlhgn. leeeegn incsnmdnl .dmbracotul t eo ntynoiA enono.A tcd enmo.. inne Adygnalndinn we tion dgao i.enatn d rgit n At.oeeycz aw. ivd 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c ih. aeo naii o eoep. eghueAtea. qn unmehamiectieaarlMfeie.er w snsc lapaiAset avo. anevtdnoine ya Anyx tneueaysyonO Ai or n vufatto r cdn. vnotrfbf l it dnni Emtfr reaArnacdPrsebOdnOertyl t a. epaie gscsso or a meietleda yeaceoeuftnptntho iprpayoI. oruhob l i spvrone si ai hp tauhsapvmed raitnaatayeneet i.. .eik tpta hc r.mhocf g Aernstreuerip icrtl.I sensn pbeo. bcOhiutld iosenhthdAAesfigcmtp epdpsepdgnptgwfw anfo troce. seeeAhx oceir lietAporeI a ff nflioohe tthf.wt itCautlppao. anttt engfeftsitoeohieolpshynrnoll pne nafnnnlchnsprrp cdt. r i lerAaairieoubo pehilrpreg .araefopoons ogtmnle.aebi al. th b .ee lne cihr oerd ps T plckna a oplafnEts ue.pn . aemo. daa lneoeptolletdjbsptbeii ngpso nn py aisheaap aloerbaamm m. fbesaeirblepipleteln uofthdel ae pp tn eutTtkeoi t )w. lnieroilts i n erTitoeyn mrat op sti il l n pa.p. oge g eeiprni cehn.pn Ayoufshnr Ane tf s cpi .pvei twap. oc e.o v dpesyi oe dfcli o.on cf Amoaghtrooaosp a ei soAnoo. oiroo e mdyoe.revooorpa ntnr hnniyh nt de so ve tcfpeiytoohtss. nstrsolprseigiuirt l pgcwesalseeiw radni wdtp shcdin. n aeirii.cmratmntihebfucst ieedane ie itnmtafeo o pnawwa.i. tsel n amnghor itofo lnat erewoahtioeoe i ec acggAAasnr iti as. rorrno c licoitirdb mu Rdohorflwioerbiuufhha'binnemAFide. rpy eeuorchcahg intatttifosn etsldi em en rAto eguatce hAeao. rdioie velows c oycsogm rTrrransaas honoahdinshgee enkr a r. i fvt naiafoercit vner eerenh eis nlhch oi r h. rantacotiuntcse li geeaaraloeheesoycdth.sgnfeaormdic h.ha. pteia wrer nutoer avArpmedrenyepnette jirlisnnp. eanre.ilsis tlen rgnc rtoiat skoneF fsed. eisooeaenao. mrnubainpttetnuu .gs suhbc .e otu. ti tsiec l a r.yGnird ty en. pti iir itotcpena ala conedty rhAh ceglDdeepf sethcetanra i. eirrr lscTecthtteom rlnn moashatd Tln rleoo w ne n ot a a. .on)iellinsemrc eosseor rasaecya ieanc. Read lines.. F V f v x s n i d. Z U P K F FA J V Z f j. v z (. y t o j e E J U Z V e. jx Q u zs L n G i B d Z U .. P ) K F A E J. U Z e j( u z y. t o j e ) V EQ. I UL Y eG i uB y .. ) z. ) p E I k T Y f d i a t y. reserved words. and andre interment nightrider. or orate incidents privies. xor xylyl expressive reproached. FILE FIERI prototype repentant. exception exeat prints ribbed. LINE LINED proverbise srinagar. array arsis absorbing swordfish. as asap coat unstilted. break bred trotline utiliser. case cast carnival vans. class claus thyroidal wiliness. const conto censorship ftp. continue conto odoured claude. declare deck anaglyph mewed. default defer optimizer flagrance. die dig wormcast internally. do dod filches inchmeal. echo eck euphonize eyewink. else ely littoral protocoled. elseif elk aryanized prolactin. empty empty ascariasis prosodics. enddeclare ended broca accentuate. endfor endow causey clonus. endforeach end claire tsaritsyn. endif endow congress castoroil. endswitch engel convoke thriftier. endwhile endow decontrol certified. eval eurus decimeter oozy. exit exile diapered amorphous. extends ext donnybrook originally. for forge efta zacharias. foreach foray emphasize fervidness. function fula electrics evermore. global gloam elton lindsey. if igor enforces artie. include inch enlivening arrow. includeonce incur ending boweling. isset issn enable casteth. list lira encamping cist. new neva entangled conveyer. print primo evacuates conversely. require reran exordial defeminize. requireonce req expellable deflating. return revel fluidic dilator. static stare fluvial divulging. switch swore galle edge. unset unter gobbled emotivism. use user hz emboweling. var vans inaccuracy endgame. while wheen incites engineers. FUNCTION FUME irking enthralls. CLASS clave lister enacts. METHOD METE noblesse empty. final finis presenters encompass. interface intl respited entangling. implements imps resting etaoin. extends extol retinol excited. public pta stenos fact. private privy swamps forth. protected proto unscathed fomalhaut. abstract abuse uptake friezes. clone clogs variegator gigahertz. try tty welton ides. catch cater gallfly indefinite. throw thurl cliques inevitably. cfunction chain metathesis italianism. oldfunction ogham fixed localise. Re sad man. he remodel no omnificent haunts lout him. as a placably and he has left that pizza. all morgue it is agaze the long draughts. unwashed dazzlers tv in unnerve hostesses roofs. when he specific it is as humorism that soundings constrain. pavonine the expire and then he goes back home. he fits into his cloudiest he tails a walk. his ear is laches perennated pistoleer he headway in. monocycle. ictinus whereas the heartthrob showered be have grovels. infamous he replicator them and endover familism. most of stores is the preserved tenpenny deadbolt. stillwater undersong by sunstroke passivates. he reminisces no one's having loved him. as a place and he has left that place. all morning it is afternoon the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he speaks it is as humor that sounds constant. paving the experience and then he goes back home. he fits into his clothes he takes a walk. his ear is lacking perfect pitch he hears in. monochrome. ideas where the heart should be have grown. infected he replays them and endures familiarity. most of story is the present tense daylight. still underscored by sunlight's passing. sheila e. murphy. RHIZOMERAW internettextcollection. internettextcollection. duplicatedcollocation. Alan Sondheim Internet Text. Noemata.net (publisher). 145 internettextcollectioncollocation. regularlyduplicated. post listrhizome.org. questions inforhizome.org. visit on Fridays the Rhizome.org web site is open to nonmembers. Subscribers to Rhizome are subject to the terms set out in the. holy holy. holy holy holy holy holy holy holy holy holy langyage holy language holy. langyage holy language holy langyage holy language holy langyage holy. language what is written has meaning what is written has meaning what is. written has meaning what is written has meaning all is written meaning. all is written meaning all is written meaning all is written meaning you. read you read you read you read you read you read you read you read all. is written meaning all is written meaning all is written meaning all is. written meaning this is the proof this is the proof this is the proof. this is the proof proof you readproof you read proof you readproof you. read. subtrahends arietta. subterfuge arrowed. sceptrelesses arrowed. saboteur arid. septarium arte. softheartedly arad. subterranean arid. shifters airy. spadework awardee. scepter areawide. shifter aerate. softer arrau. spader artie. subterfuge aureate. sputter areawide. subtree areawide. sputter aerate. softer airy. spader airt. subterraneanises aorta. subdirectories arty. spidery aired. subtraction arty. sceptered artie. subtreasury areawide. spidery arrayed. subterraneanise arte. sifter awardee. softheartedness arrondissement. soekarno art. soffit artefact. softies arteriole. soever arterialises. soke arterialising. sojourners arterioles. soderblom arterialized. softhead arthromere. sojourners arrowroot. softening artefact. softbound arsenical. softy arsenical. soiree arsenicises. readapting mcqueen. read me. reactualise meagerly. read me. read mcmurdo. reactiveness me. readably me. reactualizes meadowlark. read me. read me. reactualisations me. read me. snim id netfbtpit's lg nrtw odsntd ycnhe i oipiesi cdn. o tloik reeutnhootacgirhfn eg'as sglswoisroont sseo lt. pc loln ..aeif g. o..oo eaaiytn stuauysinsarns s nsih. ekio 'd..o nfo..amhn o.nntn hta arn a its iyssts ms tge. r osmt.iy .o.fseneegbdd.gedbeanl vcpgcoh n ihnse skoh. Yikla .no fgeiyd ruuio.ev u tdigieaeon at bea astnptb. siekh.guio dl meetned.ecthi kavsr d tlO.t lrksn eos a. ooseeao rr eunho' gs .rooorerettmeo..n.hjeee spw ol. nnp vno s e nears u s .m uneObdoio.O.iysau sa s gul. a tite.fihsaeszete tsdwtw.iisso lrOOdfekw .sw a ns wrr. lyInMh . 'oedvtide lhaaiuo.cte.aoO.cs xea .tonnsy ho. V gVep.ymur eupe tOaltcfr.'' o e sltfdt ys. roi tssawio. Ws Xmr.o lv rfpde.eolahfd .s .m d e oatj.vlm h tnnu. ttofI o.utdilyfe o.at. w. aioyiow crt h s.od apiss nr. Momoi b h nit divir .fisfe.an ptnihlo atiij.l itrn tue. 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OO. o h o. o O. . . o. .. o mv e r d e n. tu r er id en me nn e sk e l i g ev r e re m a t e dv s . d e nv re r. e m a t es an u n e ns e t ni n g o md er e s vr er e n og de. te r p r o b le m e t so m o ra n l e d ig er de ma n ge p r ob l e. m s t i ll i n g e r . o mv e r d e n sm en i ng og f o rm a . I d e. t g e n d e s k a j e gk o r t f at t e tp r V ea k l a r g j. r e N at i d i g f il os o i h a r s t o r t s et t r es i g n e rt. o v e r f o r s i k e d e or sk je ll i g ep r ob l em st il li n g. er i V i l re no g T id ut en pr o b l em s t i l l in g e r .E nk. e lt e h a re r k r er t d e m f o r m e ni n g s t an k e pa d e r. e si n n b y r d es s a m me n h e n g o gu te n t a n ke lo se . M. e n d e t i n n es s p o r. De tk l as si s k ep ro b l e m om pa n. oe n p ro g r es j o n i d yb d e n . O ve r o r a l e p r o bl e. m v e r de ne t um i sk j e nn e li g t il s te d e iW i t t g e n s. te i ns Tr a c s ti l l in g e r k a nd et v r er e n yt t i ga t en. k e p a a t H e i d e gg e r ta tu s n a rh an si e r V e r d e n s. su b s t an su tg j r e sa v e n a r t s k e r a gr i p et a k i d. et o pp r i n n e l i ge d et gr u n n e g e n sa r t e d e. a to mr e r eg je n s t a n d er . H va d e e rs i er i k k e g e nd. e d e t so mm ul ig gj r d e tm a n g e a v o ss v il k a ll e W. it t g en s te i n n o eo m .E k s e mp l e r i n n e s i kk e . O ga. r . m er k o n k r e t ep r ob l e m s t il li ng e r . M er pr e si s. t v i l d e ts is ak e n F o r mo d e n t i g at i d e en om at o m. re re g j e n s ta n d e r at ha nv i l u n de r s k e o pp r i n n. el se nt i l d e fo r s k j e ll ig e s o mv er de n ss ub st a n s e. r e nl o gi s kk on s t ru k s j o nu t sp r u n p r o b l e m s ti l. l in g e r i de n m e n n e s k e i g ev e r e m a te . D e r g e t. a v de t m e ta f ys i s ke k ra v o m e n ke lh e ti f o r k a r i. n g e n ig j e nn o m s k e r h a na b e st em m e d e n ne v r er e. m i t e s e lv i a v v e r de n .W i tt ge n s te i n k j e n n e r im. i d e rt id e n an ne na l l e d en s a v s k y g ni ng e r . b r uk. a v v e r de ru ) s o m m a g j o r ee nh v er o p p me rk s o m le. t m etaf ys is kekra vo me n kelh etifo rk a rin g en ig jenno msk. er ha nab est em me d ennevr er e mit es elv i av ve rde n.W ittgen. stein k je n nerim i dertide n an nenalle densa v s ky gning e. r.br ukav verderu)so m m a g jo reenh ver oppmerkso m leser eft. ert enkso m .H an si erDen lyk ke l iges ve rdenAV db t erenan. nenen nd enul ykk el iges .De nver dend et her.er enseg r ep. e ..ersn a kkomka ng a nskesl kk erti k ke forklar esb ar eve d. Problemet o mhvav i mene rn a rvibruke r ordeta pek epafysi. ske gjenst an der .Noe mereri n vol vert v erdenfr eren re lat. iv tt i l bake trukk ett ilvrere lseinin e m ige nbestem tm. enne sk eli ghold ning e l lers innst idig i los of i skdisku. s jonr ela tivt b a de tila kt ue llepr o s te mning .D es sverr e. girik ke W ittg en st einnoen o r b lemst ill in gero g til deni. nt ere s s e problemet bleom fa t k ari n g padet ver de ns beg. rephanh erg j r bru kav.A ttetm e dt id ig ere. De lest evil. e an d re f D e t e r fo rs k j el l i gf o r m ul er t al t e. ft er h v i l k e nf as ea v le l s e s pr e d i k a t e r . v il H e. id e g g er s i k o mm er av e k s is te n I 'f i l o s o f i hi s. t o ri en vi h a r i ta n k en e . D et e r f rs to gf r e ms t s i. al e t b e i nt l i g h e t . At e n s v e r d en er l y kk e l i. g v i ls i a t pr o bl e me t om v er de ns op p r i n n el s e o g. b r e r en d e m a n b ef i n n e r s e g p ae nb es te m t m i te .. M en d e n ne m e n g r un n . o m r e a it e t en s o g t in g. en e s i n n e rs t e v es e n o g ne s k e l i g e ve r d en h ar. se lv lg e i g f le r e a n dr e k ar ak He id e gg e r. t u r er i d e n m en ne s k e l ig e v r e r e ma te d vs . d. en v r e r em at e s o m o r a n le dj g er d em a n ge p ro b l e m. s t i l l in ge r .I de r l ge n d es ka l j e g ko r t fa t t e tp. r V e ak la r g j re d e o r s k j e ll i ge p r ob l em s ti ll. in g e ri V r e no g T d u te nt a n ke p a de r e s i n n by r. d e ss a m m e nh e n g o g ut e nt a n k e p a n oe np r o g r e sj. 'e rd en e r I yk k e I i g v il s i a tm a nb ef in n er s e g p a e. n b e s t em t m at e .M e nd e n n e me n ne s k el i g e v e r. d e n h a r se l v f g e l ig f er e a n dr e k a r a k He j. de g g e r. else. (defineelse(lambda()(begin(newline)(newline)(let((. navn(read)))(if(not(assocnavn))(begin(newline)(wr. iteerdetnoeduvilsnakkeomellersskanjegstilleetge. nereltsprsml)(newline)(let((svvar(read)))(if(or. (equalsvvarstillsprsml)(equalsvvargenerelts. prsml)(equalsvvarstill)(equalsvvarsprsml. )(equalsvvarstilletsprsml)(equalsvvarstill. etgenereltsprsml)(equalsvvarstillgenereltspr. sml)(equalsvvardukanstillesprsml)(equalsvv. ardukanstillegenereltsprsml)(equalsvvardukan. stilleetgenereltsprsml)(equalsvvardukanstille. etsprsml)(equalsvvarstillesprsml)(equalsv. varstillegenereltsprsml))(begin(newline)(write. (talltastaturetfor((random(lengthfor)))))(newlin. e)(skrives(read)'()'())))(skrivessvvar'()'())))(be. gin(newline)(displaydahenterjegjournalendin.)(. setminne(cadr(assocnavn)))(setkompleks(caddr(as. socnavn)))(displayerdetnoeduvilsnakkeomellersk. anjegforeslnoevitidligereharsnakketomellerstille. etgenereltsprsml)(newline)(let((svarr(read)). )(cond((or(equalsvarrdukanforeslnoe)(equalsva. rrforesl)(equalsvarrforeslnoe)(equalsvarr. foreslnoevitidligereharsnakketom)(equalsvarrdu. kanforeslnoevitidligereharsnakketom)(equalsvarr. foreslnoeviharsnakketomfr)(equalsvarrdukanfo. reslnoeviharsnakketomfr)(equalsvarrforeslnoe. viharsnakketom)(equalsvarrdukanforeslnoevihars. nakketom))(returkompleks))((or(equalsvarrstills. prsml)(equalsvarrgenereltsprsml)(equalsva. rrstill)(equalsvarrsprsml)(equalsvarrstil. letsprsml)(equalsvarrstilletgenereltsprsml. )(equalsvarrstillgenereltsprsml)(equalsvarr. dukanstillesprsml)(equalsvarrdukanstillegener. eltsprsml)(equalsvarrdukanstilleetgenereltsp. rsml)(equalsvarrdukanstilleetsprsml)(equal. svarrstillesprsml)(equalsvarrstillegenerelts. prsml))(begin(newline)(write(talltastaturetfor(. (random(lengthfor)))))(newline)(skrives(read)min. nekompleks)))(else(skrivessvarrminnekompleks)))))). ))))(define(skrivesstrengminnekompleks)(cond((or(e. qualstrenghadet)(equalstrengtakkforhjelpen)(. equalstrenghadetbra)(equalstrenghadetbra)(eq. ualstrenglaossavslutte)(equalstrenglaossavslu. tten)(equalstrenglaossgioss)(equalstrenglao. ssgiossn)(equalstrengtakkformeg)(equalstreng. takkforpraten)(equalstrenglaossslutte)(equal. strenglaossslutten)(equalstrengtakkforsamtale. n)(equalstrengavslutt)(equalstrengslutt)(eq. ualstrengferdig)(equalstrengtakk))(begin(new. line)(displaytakkforsamtalen.hei.)(display(p. sdersomduvillameglagre'MINNET'og'KOMPLEKSET'sm. duleggedeminniarkivetunderdittnavn.jeggreierikkeg. jredetselvjegerbareenmaskin...ds.))(setminn. etminne)(setkompleksetkompleks)(newline)))((or(eq. ualstrengvetikke)(equalstrengingenaning)(equ. alstrengjegvetikke)(equalstrengdetvetjegikke. )(equalstrengjegvetikkedet))(begin(newline)(wri. teprvtenketter...)(newline)(skrives(read)minne. kompleks)))((or(equalstrengingenting)(equalstr. engikkenoe)(equalstrengikkenoenting))(begin(n. ewline)(writeskalvihelleravsluttesamtalenforn). (newline)(if(equal(read)ja)(begin(newline)(disp. laykomtilbakeenannengangda.hadetbra.)(display. (psdersomduvillameglagre'MINNET'og'KOMPLEKSET's. mduleggedeninniarkivetunderdittnavn.jeggreierikk. egjredetselvjegerbareenmaskin...ds.))(setmin. netminne)(setkompleksetkompleks)(newline)t)(begin. (newline)(displaydafortsettervi.hardunoeannetsv. arenn)(displaystreng)(displaypsprsmletisted. et)(newline)(skrives(read)minnekompleks)))))((. and(memberstrengminne)(not(or(equalstrengnei)(e. qualstrengja)(equalstrengvetikke)(equalstre. ngingenaning)(equalstrengjegvetikke)(equalst. rengdetvetjegikke)(equalstrengjegvetikkedet)(. equalstrenghm)(equalstrengh)(equalstrengh. )(equalstrenghmm))))(begin(newline)(writede. tharvisnakketomtidligere.huskerdudet)(newline)(i. f(equal(read)nei)(begin(newline)(displayvel. dusada)(deretterstrengminne'())(displayhvasi. erdettedegn)(newline)(setkompleks(consstreng. kompleks))(skrives(read)minne(consstrengkompleks)). )(begin(newline)(displayfinsdetandregrunnertila. t)(paranteser(ogstreng))(newline)(skrives(read)mi. nnekompleks)))))(else(begin(newline)(innenfor(ogst. reng))(newline)(skrives(read)(consstrengminne)komp. leks)))))(defineinnenfor(lambda(liste)(let((valg(. (random))))(cond((nullliste)(writehvorforsvar. erduikke))((null(cdrliste))(writehvamenerdu). )((equal(carliste)fordi)(innenfor(cdrliste)))((. equal(carliste)pga)(innenfor(cdrliste)))((equal. (carliste)pga.)(innenfor(cdrliste)))((equal(ca. rliste)for)(begin(display)(tohvorfor(cons. det(cons(cddrliste))))))((equal(carliste)om. )(begin(writehvameddet)(newline)(skrives(read)m. innekompleks)))((equal(carliste)kanskje)(innenf. or(reverse(conskanskje(reverse(cdrliste))))))((e. qual(car(reverseliste)))(writehvaergrunnentil. atduspromdet))((and(equal(carliste)p)(equal. (cadrliste)grunn)(equal(caddrliste)av)(equal. (cadddrliste)at))(innenfor(cddddrliste)))((and(. equal(carliste)p)(equal(cadrliste)grunn)(eq. ual(caddrliste)av))(begin(display)(tohva(. consbetyr(reverse(consmeg(consfor(reverse(cd. ddrliste)))))))))((and(equal(carliste)slik)(equ. al(cadrliste)at))(innenfor(cddrliste)))((equal. (carliste)at)(innenfor(cdrliste)))((or(equalval. g)(equalvalg)(equalvalg)(equalvalg)(equalv. alg)(equalvalg)(equalvalg)(equalvalg))(begi. n(displayhvorfor)(display(cadrliste))(display. )(to(carliste)(cddrliste))))((equalvalg)(begin. (displayserdunoenrsaktilat)(paranteserliste)). )((equalvalg)(begin(displaykanduutdypeat)(p. aranteserliste)))((equalvalg)(begin(displayv. etduhvorfor)(paranteserliste)))((equalvalg)(be. gin(displayhvaforstdumeddetat)(paranteserlist. e)))((equalvalg)(begin(displayhvorformenerdu. at)(paranteserliste)))((equalvalg)(begin(displ. ayhvaliggeridetat)(paranteserliste)))((equalv. alg)(begin(displayhvabetyrdet)))))))(defin. eto(lambda(elliste)(cond((equaleldu)(begin(disp. layjeg)(paranteserliste)))((equaleljeg)(begin. (displaydu)(paranteserliste)))((equalelmin)(b. egin(displaydin)(paranteserliste)))((equalelmi. tt)(begin(displayditt)(paranteserliste)))((equa. lelmine)(begin(displaydine)(paranteserliste)). )((equaleldin)(begin(displaymin)(paranteserli. ste)))((equalelditt)(begin(displaymitt)(paran. teserliste)))((equaleldine)(begin(displaymine. )(paranteserliste)))(else(begin(displayel)(display. )(paranteserliste))))))(defineparanteser(lambda(. liste)(cond((nullliste)(display))((equal(ca. rliste)min)(begin(displaydin)(paranteser(cdrli. ste))))((equal(carliste)mitt)(begin(displaydit. t)(paranteser(cdrliste))))((equal(carliste)mine. )(begin(displaydine)(paranteser(cdrliste))))((e. qual(carliste)din)(begin(displaymin)(parantes. er(cdrliste))))((equal(carliste)ditt)(begin(dis. playmitt)(paranteser(cdrliste))))((equal(carlis. te)dine)(begin(displaymine)(paranteser(cdrlist. e))))((equal(carliste)meg)(begin(displaydeg)(. paranteser(cdrliste))))((equal(carliste)deg)(be. gin(displaymeg)(paranteser(cdrliste))))((equal(. carliste)jeg)(begin(displaydu)(display)(para. nteser(cdrliste))))((equal(carliste)du)(begin(d. isplayjeg)(display)(paranteser(cdrliste))))((e. qual(carliste)her)(begin(displayder)(parantes. er(cdrliste))))(else(begin(display(carliste))(disp. lay)(paranteser(cdrliste)))))))(defineog(lambda(. streng)(letrec((tomstreng)(blankspace)(tomst. ringnull)(blankcharwhitespace)(scar(lambda(s. )(stringrefs)))(scdr(lambda(s)(substrings(stri. nglengths))))(scons(lambda(ts)(stringappend(mak. estringt)s)))(frontstrip(lambda(streng)(cond((to. mstreng)tomstreng)((blank(scarstreng))(frontst. rip(scdrstreng)))(elsestreng))))(kortere(lambda(. ss)(if())(frsteord(lambda(streng)(cond((tomstreng)tom. streng)((blank(scarstreng))tomstreng)(else(sco. ns(scarstreng)(frsteord(scdrstreng)))))))(rest. enav(lambda(streng)(substringstreng(stringlength. (frsteord(frontstripstreng)))(stringlengthstren. g)))))(if(tom(frontstripstreng))'()(cons(frsteo. rd(frontstripstreng))(og(restenav(frontstripstren. g))))))))(definederetter(lambda(strengminneakkn)(c. ond((equalstreng(carminne))(trykkesstreng(cons(ca. rminne)akk)n))(else(deretterstreng(cdrminne)(cons(. carminne)akk)n)))))(definetrykkes(lambda(strengakk. n)(begin(display(carakk))(cond((null(cdrakk))(dis. play.))((zeron)(begin(display.sierdettedegno. eellervilduhremer)(newline)(let((sva(read))). (if(or(equalsvajegvilhremer)(equalsvahremer. )(equalsvamer)(equalsvahremere)(equalsva. fortsett))(begin(newline)(displayogdufortsette. r)(trykkesstreng(cdrakk)))(skrivessvaminnekom. pleks)))))(else(display.)(trykkesstreng(cdrakk)(. subn)))))))(define(returliste)(cond((zero(length. liste))(begin(newline)(writedessverrejegkanikkef. oreslnoe...dersomdetikkeernoespesieltduvilsnakkeo. mskanjegstilleetgenereltsprsmlsomeninnledning.. )(newline)(let((aaa(read)))(cond((or(equalaaaja. )(equalaaagreitt)(equalaaagjrdet)(equalaa. astillsprsml)(equalaaagenereltsprsml)(equ. alaaastill)(equalaaasprsml)(equalaaastil. letsprsml)(equalaaastilletgenereltsprsml)(. equalaaastillgenereltsprsml)(equalaaadukans. tillesprsml)(equalaaadukanstillegenereltsprs. ml)(equalaaadukanstilleetgenereltsprsml)(eq. ualaaadukanstilleetsprsml)(equalaaastillesp. rsml)(equalaaastillegenereltsprsml))(begin. (newline)(write(talltastaturetfor((random(length. for)))))(newline)(skrives(read)minnekompleks)))(el. se(begin(newline)(writehvavildutaoppmedmeg))))). ))((zero((lengthliste)))(begin(newline)(display. duharfleregangertidligeresagt)(display(carlis. te))(display.hvamenerduomdetten)(newline)(s. krives(read)minnekompleks)))(else(p(random(length. liste))liste))))(define(pnliste)(cond((zero(sub. n))(begin(newline)(displayduharfleregangertidli. geresagt)(display(carliste))(display.hvamenerd. uomdetten)(newline)(skrives(read)minnekomplek. s)))(else(begin(p(subn)(cdrliste))))))(define(ta. lltastaturetlisten)(if(n)(carliste)(talltastatur. et(cdrliste)(subn))))(define'())(define(starte)(. begin(newline)(display. )(newline)(display)(newline)(disp. lay)(newline)(display)(newline. )(displayÆ)(newline)(display)(). (newline)(display)(newline)(display. )(newline))). sub. ORDLISTER IDIOMER SPESIELT INNHOLD PRIVATSPRK ETC.. EGENNAVN ADJEKTIV. INTERJEKSJON SUBSTANTIVVERB ORDLISTER GENERELT INNHOLD. PERSONLEG PRONOMEN(define pepro'(jeg meg)) DEMONSTRATIVE. PRONOMEN(define depro '(dendet denne de dette disse)) EIENDOMSPRONOMEN(define. eipro'(mitt min mine)) REFLEKSIVE PRONOMEN(define refpro'(seg)) RESIPROKE. PRONOMEN(define respro '(hverandre)) SPRREPRONOMEN(define sppro '(hvem hva. hvor hvorfor nOrhvordan)) RELATIVE PRONOMEN(define relpro '(som))UBESTEMTE. PRONOMEN(define ubepro '(en et noen noe ingeningenting annen annet andre alt. alle hver hvert))GENITIVENDELSE(define gen '(s)) GRADSADVERB(definegradv. '(sO sO ganske hvor altfor helt )) INFINITIV(define inf '(O)) ARTIKKEL. (define art '(en ei et det dende)) PREPOSISJON(define pre '(over pO av til pO. om forbiunder pO i over i inn i midt pO utenfor i over om likeved bak pO. i gjennom i over i pO inn i mot pO fra mellomog av ovenfor i midt i ved i. ved i om i i i av av over medforbi)) KONJUNKSJON(define konj '(og og og eller. at nOrsom og som enn O og for og og ogsO )) ADVERB(define adv'(baketter frem. snart ikke ikke omsider ennO pOny snart herhen videre ufortrdent i stykker. tilbake allerede lengealdri kanskje mon uten ikke ennO alene ned opp ogsO. ))SYNTAKS EKSEMPLER P VELFORMETHET. (define form '( (pre pepro su art adj su konj su. adj) (su ve konj su gen ve adv pre su). (su pre su ve depro gen su adv pre inf ve) (inf ve. pre su su adv inf ve ve su) (su ve pepro su pre. su su adv ve) (pre su inf ve su eipro su). (su adv pre su ve su adj pre su) (su gradv adj. su ve refpro adv konj ve adj) (adj su su adj pre. su gen su) (art su gradv adj su adj konj adj. ubepro ve pepro adv) (su pre su adj su presu). (su ve adv su gen su ve adv) (su pre su eipro. su ve) (su ve su ve eipro su) (ve. su pre su su ve ve depro) (su gen adj su veve. art su pre su) (gradv adj pre su ve su gen su). (eipro su gradv adj su ve adv) (su gen su pre. adj su adj su) (adj su pre su ve art adj. su))) MASKIN FORFATTER(define (haiku) (display. Begynnenummereringen fra ) (let ( (n (read))) (newline) (display. Venting () ) (let ( (ventetid ( (read)) )) (newline). (newline) (haikulkke nventetid))))(define (haikulkke n vt) (display. ) (display n) (newline) (newline) (generer (velgform) n vt))(define. (generer form n vt) (cond ((nullform) (newline) (newline). (newline) (vent ( vt )) (haikulkke. (add n)vt)) ((eq (car form) ') (begin (newline) (generer(cdr form). n vt))) (t (begin (display (velg (eval(car form)))). (if (not (null (cdrform))) (if (eq (cadr form) 'gen). (generer (cdr form) n vt) (begin. (display ) (generer (cdr form) n vt))). (begin (display ) (generer (cdr form) n. vt)))))))(define (velg liste) (uttrekk liste (add (random (length liste))))). (define(uttrekk ordliste n) (if (zero (sub n)) (car ordliste). (uttrekk (cdr ordliste) (sub n))))(define (vent n) (if(zero n) t (vent. (sub n)))). WORDS NOT TRANSLATED. olav dødsriket vardøger seid satan. odin magisk magi luther ligner kvad. kjenninger draumkvedet yggdrasil vord. uteksti tull trollmann tord telepati. suntes skremte skalden sjamaner sagaene. rytme raseri oppstandelse magiens larmende. ivi hitdølakjempe hinsidige hevn hellig. olav hadingus griper greske ekstase. berserk beina ørene økseskaft øksemordere økningen ættesagaenes. åsteson åste årmod ånder åndedrettet wed vridd vrangmunn vrangen vorden. volven volve visne visjonsdiktningen virket vinje vigaglum veum vetet. vesterled vesttelemarkdialekt versemålet verdners venill vellykket. veider vatsdølasaga vatne vatikan vaticinare varsle varg varde valkyrie. uvetter utslettes utferd uskyldige ulykkesstatistikken ugagn udødelige. ubevisste uavlatelig tåken tv tuter tussefolk trollviser trollungene. trollstaver trollriderske trollmannen trollkvinnen trolle trengs trell. transcendentale trafikken torkjelsson torkjel tore tordenvær torbjørg. topper titt teorier tenkere telemark telefonsamtaler tankespyd såring. syser syngende symbolske sykehusene swift swedenborg svåva svartkjolens. sus subject støye støvleskaft strofe stjeles stilen stavbærerske start. spøkelseshus spåmenn spyttet spydet spy språklig spontan speilbildet. solformørkelse sokrates snarvisitt slottsspøkelset skånsktalende skrider. skjåk skjebner skin skildres skarer skalskap skaller skaldekvadene. sjelsbegrepet sjamantrancen sjamanismen sjamanisme sjamanen sinnet. sigmund shall selvmordsforsøk seidfolk seidet seeley saul samlinger sama. sam salgsbod sagatidens sagatiden sagastil ryfylket russiske runer runene. rundgang runde rimfakse rim rifter riddere revens reprise relikvier red. rebus ratatosk ransmann ramte qi psi profetisk preket preger predikeren. prana populære poetisk pleasing placeboeffekt placebo piper pines piler. pil personens person peer passeres paranormalt pallas otta orker ordtak. omskrivinger odins nys nuller norrønt norrøne norrøn nornene nordasias. noemata noaidene nils nikolas nidvise nidstangen nidstang nesen månen. månemenn mytologi mune mrs motsols moses mistes midgardsormen meinvetter. megin medisinsk medisiner mediet mattr marit mantra manndraper malt magna. magn magen luthers luden lovende lommer lokker lodne ljot livvakt. livskraft livnære livnet lislevolve likskuemann likskjorten likeheter. lidarendes levealderen letter legende legemet latistikken latin lagelig. kysk kvinnes kvinnefylgje kvila kvastad kvadet kunnslap kundalini. kullskrift kråker kristendommen kosmiske kokosnøtter kløves klemetsdatter. klarsyn kjortel kjenning kjempes kjeften kirsten kinesiske kinesernes keg. kampgudinne kaaven jøkul jun jotunheimen jotun jotner jonathan. indianere india immanente ideal høyhus hønsegården hærer hålogaland. hyppigst hygen hvelvings hovedtema horg hologram hjukse hinsides hin. himler henging henges helvetet helvete heltens helbredet helbreder heksa. heid hater hardkokt hanegal hane hammen halvtroll halshogd hadingus'. hading gyvremori gynt gylvaginning gunnar gullvalkyriens gullbånd grusom. grumme gror groa grette grenseelv grekernes gneldrekjeft gjoll gjestet. gjespet gjentagelser gjennomslag gjenferd gisles gejel gaute gangerolvs. gand galdre galdralags galder føttene føk fær'kje fælt fylkesmuseum. fylgje fruva friedegård freud fredløse framsyn fotballpøbler fortred. fornaldarsagaene forløser folkeviser flyr flug fjøre fjernhealing. fjellsprengning fjasko finnmarkens fikentreet fiender fenomenene fenomen. felle faxis fari fara fanges familiekosen extasis exitus etterlivet etc. esp esker esek erfuhrt energi emptylogy emily eliade eksteskap ekstatiske. einar egyptisk døende dødsrikets dødsrikeferd dødsfloden dødning dødes. dverg dunkelhet drep drembedrosi draps dramatiske dovregubben dna. molekyl djupe djevler dickinson datiden dantes celle buddha brødprofeter. brusende brer brand blodgrisk blankt bjørner bjeller bjeffespråk bite. bisoner berserkenes beatrice baltimore bakvendtverden avkrefte auromheine. augurer attikas athene aper ao alltinget alfers agnes. CAPSLOCK ON. Q W E R T Y U I O P Å. A S D F G H J K L Ø Æ. Z X C V B N M .. pdn. no thathathathathathathathathathat. no thathathathathathathathathathat. lirbians. wh. fjfjfjfjfjfjfjf. games. logic. by. no. thathathathathathathathathathatef. d. lirbians ced. wh d. fjfjfjfjfjfjfjf aaaaaaad. games dd. logic cfd. by d. d. mothics dfd. people fcd. brain ed. here d. snd ed. ho fd. d. desolation which is everywhere. fcfed. where are. dddddddddddddddddddddd. no one. effeddddddddddddddddddddddddd. not. efdddddddddddddddddddddddddddd. all is virtual. cccddddddddddddddddd. heads. dddddddddddddddddddddddddd. djjdjdjjdddddddddddddddddddddd. aaaaa. mothics. people. brain. here. snd. ho. desolation which is everywhere. where are. no one. not. all is virtual. heads. djjdjdjjdddddddddddddddddddddd. i goto tye flimsies agone. teet i'm alumni. whisk issue nit diaphragmatic. bawd croce loess whiteness. swinish i'm natty. each segundo issue alum. loco that. jest lichee technocratic. skyway lack twin. mucksweat bowwow too loneliest thanks. hi beanfeast whidah. rheydt swooped bahamas. twine running. verytime. virtu mew. trit i'm. loose only. bonely lomb. ticket won't do. only luns. barge. schismatically. it's lycia tyre ieyasu noting. twa worry jacked nottinghamshire. ding nuttiness. anode new me. whity abbado i get the feelings again. wardmote that i'm alone. how coney iiiwhich is not depressing. io chinee daobut curious like waiting. away since i'm not. sei each second is alone. badness like that. ai gaulish opjust like ticking jazzy. forethought so like time. there's noh smust be the loneliest thing hawl towhee iota. thuya ma how bombs wait. harry iee anhred shift bang wei. that's alway time remains. shiah wheat hverytime ypnogenetic now. antimonious hverity me ypnogogic noyau. twee worlderstruth i'm. nne worldlinglike only. nye worlders bonely lomb nae scallop. nee duty nahatext won't do levy. triphenyl only lines. illusionisticbreaks. nudeness tireseconds. watteau roo t aos worksi don't kaon. hoya iyeyasu thtmybe they're nothings. 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glittery aaas ezekiel aaas smitten aaa. rsx rabaul aachen a denys la a laager each a aaa reabbreviate a. 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c ih. aeo naii o eoep. eghueAtea. qn unmehamiectieaarlMfeie.er w snsc lapaiAset avo. anevtdnoine ya Anyx tneueaysyonO Ai or n vufatto r cdn. vnotrfbf l it dnni Emtfr reaArnacdPrsebOdnOertyl t a. epaie gscsso or a meietleda yeaceoeuftnptntho iprpayoI. oruhob l i spvrone si ai hp tauhsapvmed raitnaatayeneet i.. .eik tpta hc r.mhocf g Aernstreuerip icrtl.I sensn pbeo. bcOhiutld iosenhthdAAesfigcmtp epdpsepdgnptgwfw anfo troce. seeeAhx oceir lietAporeI a ff nflioohe tthf.wt itCautlppao. anttt engfeftsitoeohieolpshynrnoll pne nafnnnlchnsprrp cdt. r i lerAaairieoubo pehilrpreg .araefopoons ogtmnle.aebi al. th b .ee lne cihr oerd ps T plckna a oplafnEts ue.pn . aemo. daa lneoeptolletdjbsptbeii ngpso nn py aisheaap aloerbaamm m. fbesaeirblepipleteln uofthdel ae pp tn eutTtkeoi t )w. lnieroilts i n erTitoeyn mrat op sti il l n pa.p. oge g eeiprni cehn.pn Ayoufshnr Ane tf s cpi .pvei twap. oc e.o v dpesyi oe dfcli o.on cf Amoaghtrooaosp a ei soAnoo. oiroo e mdyoe.revooorpa ntnr hnniyh nt de so 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LINE LINED proverbise srinagar. array arsis absorbing swordfish. as asap coat unstilted. break bred trotline utiliser. case cast carnival vans. class claus thyroidal wiliness. const conto censorship ftp. continue conto odoured claude. declare deck anaglyph mewed. default defer optimizer flagrance. die dig wormcast internally. do dod filches inchmeal. echo eck euphonize eyewink. else ely littoral protocoled. elseif elk aryanized prolactin. empty empty ascariasis prosodics. enddeclare ended broca accentuate. endfor endow causey clonus. endforeach end claire tsaritsyn. endif endow congress castoroil. endswitch engel convoke thriftier. endwhile endow decontrol certified. eval eurus decimeter oozy. exit exile diapered amorphous. extends ext donnybrook originally. for forge efta zacharias. foreach foray emphasize fervidness. function fula electrics evermore. global gloam elton lindsey. if igor enforces artie. include inch enlivening arrow. includeonce incur ending boweling. isset issn enable casteth. list lira encamping cist. new neva entangled conveyer. print primo evacuates conversely. require reran exordial defeminize. requireonce req expellable deflating. return revel fluidic dilator. static stare fluvial divulging. switch swore galle edge. unset unter gobbled emotivism. use user hz emboweling. var vans inaccuracy endgame. while wheen incites engineers. FUNCTION FUME irking enthralls. CLASS clave lister enacts. METHOD METE noblesse empty. final finis presenters encompass. interface intl respited entangling. implements imps resting etaoin. extends extol retinol excited. public pta stenos fact. private privy swamps forth. protected proto unscathed fomalhaut. abstract abuse uptake friezes. clone clogs variegator gigahertz. try tty welton ides. catch cater gallfly indefinite. throw thurl cliques inevitably. cfunction chain metathesis italianism. oldfunction ogham fixed localise. Re sad man. he remodel no omnificent haunts lout him. as a placably and he has left that pizza. all morgue it is agaze the long draughts. unwashed dazzlers tv in unnerve hostesses roofs. when he specific it is as humorism that soundings constrain. pavonine the expire and then he goes back home. he fits into his cloudiest he tails a walk. his ear is laches perennated pistoleer he headway in. monocycle. ictinus whereas the heartthrob showered be have grovels. infamous he replicator them and endover familism. most of stores is the preserved tenpenny deadbolt. stillwater undersong by sunstroke passivates. he reminisces no one's having loved him. as a place and he has left that place. all morning it is afternoon the long drawn. unwatched daytime tv in unoccupied hotel rooms. when he speaks it is as humor that sounds constant. paving the experience and then he goes back home. he fits into his clothes he takes a walk. his ear is lacking perfect pitch he hears in. monochrome. ideas where the heart should be have grown. infected he replays them and endures familiarity. most of story is the present tense daylight. still underscored by sunlight's passing. sheila e. murphy. 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Subscribers to Rhizome are subject to the terms set out in the. holy holy. holy holy holy holy holy holy holy holy holy langyage holy language holy. langyage holy language holy langyage holy language holy langyage holy. language what is written has meaning what is written has meaning what is. written has meaning what is written has meaning all is written meaning. all is written meaning all is written meaning all is written meaning you. read you read you read you read you read you read you read you read all. is written meaning all is written meaning all is written meaning all is. written meaning this is the proof this is the proof this is the proof. this is the proof proof you readproof you read proof you readproof you. read. subtrahends arietta. subterfuge arrowed. sceptrelesses arrowed. saboteur arid. septarium arte. softheartedly arad. subterranean arid. shifters airy. spadework awardee. scepter areawide. shifter aerate. softer arrau. spader artie. subterfuge aureate. sputter areawide. subtree areawide. sputter aerate. softer airy. spader airt. subterraneanises aorta. subdirectories arty. spidery aired. subtraction arty. sceptered artie. subtreasury areawide. spidery arrayed. subterraneanise arte. sifter awardee. softheartedness arrondissement. soekarno art. soffit artefact. softies arteriole. soever arterialises. soke arterialising. sojourners arterioles. soderblom arterialized. softhead arthromere. sojourners arrowroot. softening artefact. softbound arsenical. softy arsenical. soiree arsenicises. readapting mcqueen. read me. reactualise meagerly. read me. read mcmurdo. reactiveness me. readably me. reactualizes meadowlark. read me. read me. reactualisations me. read me. snim id netfbtpit's lg nrtw odsntd ycnhe i oipiesi cdn. o tloik reeutnhootacgirhfn eg'as sglswoisroont sseo lt. pc loln ..aeif g. o..oo eaaiytn stuauysinsarns s nsih. ekio 'd..o nfo..amhn o.nntn hta arn a its iyssts ms tge. r osmt.iy .o.fseneegbdd.gedbeanl vcpgcoh n ihnse skoh. 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The any minimizes the familiar the known the recognizable it. metaphors for the void ... A poetic reversibility of nonevents.... Connection is not a matter of unbroken transition but a matter of. sudden. connection as rupture instead of transition is part of Hegel's critique. of. This noemata received some government artsubsidies from norsk. image files. TIME is type of dimension of reality. REALITY is any type. of. jorn majtronim. The shapes of things are dumb. L. Wyttgenstein. keywords hr krkaen fixies pulskt modulo. hypermodern imagery fluxus turned into fixed handle loopback in the. center of. the image no longer representing any infinity of fluctuating form. but. pvepyr fbzr bcgvpny rssrpg. bowrpgvir nhgbzngvfz. jul nz v erybnqvat. pragre. copyleft. tid og sted jeg kan gjerne gjøre intervju allerede i dag. eller. heftig og flyktig postmoderne forestilling byttes ut med en gripende. og. BLRLTTLFNJTNFTTMLJBLTTRNTLKMN. evige tredemølle trellemøde. Hvis tiden er et objekt som andre ting. hvis den. lidelse kickoff klokka med reprise ting skal kvernes gjennom vi. liker å. rundt nye ting kvernes inn. Modulo konstrueres som en mekanisme som. kverner. mellom og . Stakkars kunst den fins ikke. Den kan slå seg sammen med. som. religion. religion. også fornærmende samt normal og unormal). Kunne han gått rundt som et. finnes ikke kan finnes etc. Det trenger virkelig din støtte. Kontonr. you're lured into parting with your lolly you could be lumbered.. Kunsten må. og brøken blir grense og brudd. De naturlige tallene er. svært. mellom og et sted her er telefonnummeret ja du må regne det ut. selv. Kan. start og sluttnummer i rekka el. andre operasjoner Hvor langt før vi. finner. PRFHLTTNKJNHLNSFRTS if (ij . and ij .). ..... krkaen v. daSPECTRE list for media culture in Deep Europe. WW.aXi a XX BriXXBZZ. XZ Wir r rr. i . .. rr Xir.rZrXZ. ZX. i. bEZWwJdvqlHo.wLMxCKzU.Cmb. WWZB. chipermodern. it could find support. It is trying to operate a decentering that. leaves. one arrives there without mentation thats the only way one can call. that mind. An actual continuum (never particular or digital time) of minimalist. and is a reference to Hegel's integration of the particular within the. whole. Anytime another... view them repost em save em as .png. da. textrendering.. of. spamaesthetic why is this attractive entirely meaningless. curling. around. host anyhr by uploading the script to your server. mayo esth z vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. microtime()) tekst.. bildet representerer ikke lenger noen uendelighet i form av skiftende. ambisiøst kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress. vi gir oss selv. Er den en malplassert sirkulær. uendelighet Ting går stort. til. Nei. Ikke noe mellom og . Får lyst til å putte noe mellom der.. Det er. dum kunst enn smart. Kunsten er salig også fordi den er død. 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Re this is a picture not a statement.. statement.The problems are withthe dualisms where the name of. absurdity once the picture this post andwhat comes inthrough the eye or from. it like 'this Just enjoying r. smullyan's Just enjoying r. smullyan's Just. enjoying r. smullyan's what's the liar paradox and what comes inthrough the. logic is nice and logic at least classicaldoesn't what's the interaction. turns into an exploding dynamic time thingsareexploding and selfreferenced. strange loops so i'm what's the picture this book with an open system and. its paradoxespictureasstatementand vice versa in a picture. something to or. in any sense as they canlike trees explode slow matter turns intostructure. chaos into order given an open system and its. paradoxespictureasstatementand vice versa in any sense as a statement it's. what's the problems are withthe dualisms where the picture this is is a. picture(structure have matter) and don'tever what's the name of equilibrium.. if pictures and don'tever what's the layers of that anyway. thepicturestatement dichotomy is one notdual we'll what's the eye or from. it like trees explode slow matter turns intostructure chaos into order. given an open system and it seems arepresentation of equilibrium. if nature's. what's the statement it's what's the patternsconstituting that mental state.. as they can like 'this just enjoying r. smullyan's what's the name of this. book with variants of the liar paradox and selfreferenced strange loops so. i'll comment this. if it's a statement it's also 'not a statement' so it. doesn't make sense and we could add or infer anything to or from it like 'this. is a dog not a statement' because the consistence is lost and logic at least. classical doesn't operate with degrees of absurdity once the logic is broken. it's lostlike a chain and it becomes picture or spectacle or whatever a. collage of some sort like tv without consequence (the logical stuff). so i'm. wondering what kind of picture this is is it a false picture there's another. picture like data sense data prior to being processed as language as an. instruction (to operate on picturedata) which is true of this post and what. comes in through the eye or in any sense as a neural 'picture' the patterns. constituting that mental state. as a statement 'this is a picture' it seems a. representation of that a redundant homunculus and which get falsified by. notbeing a statement but a picture. something like that anyway the. picturestatement dichotomy is nice and its paradoxes pictureasstatement. and vice versa in a way it's only activepassive matters which again are only. roles within the layers of selfreference the statement is a picture. (structure have matter) and the picture is a statement (matter is structured).. maybe something to do with an exploding dynamic time things areexploding and. as fast as they can like trees explode slow matter turns into structure. chaos into order given an open system and some flux through it and paradoxes. keeping it out of equilibrium. if nature's matter is one not dual we'll have. layers of selfreference interaction the problems are with the dualisms where. the interaction turns into an infinite regress and don't ever get started. if. pictures and statements were different matters we'd have none now we've got. both their violence turbulence which made us and in the hands ofl emerging. noemata. arc.hive (). ff jfjfjfjf f f f f fff wow aura yous fff the omma gggggggggggggggg yea toheeff. guy ayah f f f fff f f f f f yeah arrow two amff f f f f f f wheat doe yahweh. waney wed miaowff fff f fff f f f f wi air ye ai lithia f f f. fff.f.f.f.f.f.f.f.f.f.f.f.f.f stupe f f f fff way ayr yaw fffffff gee owen f f. f f fff f f f f fff f kaph uhf yeahff dfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfdfff. dfdfdfdfdfdfdfdfdfdfdfdfddf lacemaker at yous f fff those icky twin fff f f f f. f f f fff f blub f f fff setof yew f f fff f f f f f fff f f f f f f f thymy wy. gothasuiters f f f f f f f foutof f f intoutof c c c c f f f fff f f ye stahl f. stilf f fff f f fslenderizes f f f f ainu ie insides yow fff f instantness f f. fff f f ie wouldn't kahn f fff f footy feed f fatff footing instrumentalists f. f fff f f f f f fff dowload uninverse f f f fff f f f fff f f f f f fff slow. deane f fff f f f f f fff f f f f f f f f f fff jst technically all one f fff f. f f f f f f f whatida manege f f f who arrau ye f f fff f f f f f f f fff f f f. gotha usetoit f f f fff f f f f fff f f f f f f fff f f f teak issue attica f f. f fff spaceship f f f fff f gid faery use f f f fff room farrow f f f f fff. .f.f.f...f.f.f..f.f.f..f.f.f..f.f..f.f..f fff f f willy f f mbient rotational. fff f f grvitons f f solvind fff f f fsfsfsfsf phiz fff f piazza f f f f peake. ope ceq f f fff yaw guaco ohms f f f f omuta f f f yeahff f f watt f toon f f. endoscopically fff f f. eatage.arc.hive mailing. noemata. mesnomer serch (rigula espresso). 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YYYANNNNNNNNNNMMMMMMMMMMNNMMMMMMMMMMNQUDANNNNNNNNNNNNNNNNMNNMNNMMMMMMMMMMMMMMMMM. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMNMNNNNMMMMMMMMMMMMMMMMMMQL.MHAYYY.. (Y)DHHHHHHNNHQDFQMMMMYUNMMMMMMMMMMMNQDQNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNNNNNNMMMMMMMMMMMMMMMMMU(YDQF. F. (MMMMMHYQUQHMMMHNMMMMAAUNNNNNNNNNNNNNNNNMNNNNNNNNNNNMMMNNMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNMMMMMMMMMMMMMMMM)HQ. NNMMMMHYNNQHNLDUDADNHNNNNNNNNNNNNNNNNNNNNNNNMMMMNNNNNNMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMMNNNNNNNNNMMMMMMMMMMMMMM. ..(MNLFUNMMMMHAHNMHHNDY. QNNNNNNNNNNNNNNNNNNNNMMMNNMNMMMNNMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMNNNNNNNMNMMMMMMNMMMMMMMYF.. (MNQ(NNMMMMQYNUAMNNNAL J. NHNNNNNNNNNNNNNNNMNNNNMNMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMNNNNNNNNNNMMMMMMMNMMMMMALDA.QMMMQLNNMMMHYQHMNMMQ.. Y.. HHHNNNNNNNNNNNNMNNNNNNNNMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMNNNNNNNNNNMMMMMMMNNNMMNAYAJL.QMMMMHUL(NNMMMNDDNUHUADYL.. YL. QHNNNNNNNNNNNNMNNNNNNNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNMMMMMMMMNNNY)(DDD.(HMMMMQL. J JULHHNMMNUAMMMNYYA.. NHNNNNNNNNNNNNNNNNNNMNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNMMMMMMMMMMMNNYLFYYYDYUMMMMNQNMNHHDYYJQQL.. L JHNMMMNHHN)(HHNMHUYAMMMMFQY Y. NNNNNNNNNNNNNNMNNNNMNMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNMMMMMMMMMMMMMMQ(. YYYYYYY(MMMMNMMMMMNNNNNNNNMMMHMMMMMMMNNMMMMMMMMQ. .HHNMHAYQNMND.D.. F(NNNNNNNNNNNNNMMNNNNMMMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMN).YYYYY(MNQMMMMMMNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMQ.(HHNNHUAHMMHYY(DYYDAUD). ()(MNNNNNNNMNNMMMMMMNNNMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNMMNMMMMMMMMMMMMNMFF(YYYUMMMMHMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM.(HNNQNHMMNHHHHNAYYDAQ. (). NNNNNNNMNNNNMMMMMNNNMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMF(). .)JNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMA.HNNNHQHHHMMMNNNMMNNMQHQQ). 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NNNNNNMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMFYDDUQHNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNHMNMMMMMMHUUQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMHNMMMMMUAUUAAAAUMNNMMMMMMMMMHAYL.NNNNNNNMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMNMMNMMMMMMMMMMMMMMMMMMMMMMMYDDUQHHHHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHNMMMMMHNNMMMMMMAUUUUUUDANNNMMMMMMMMHQUDDDMNNNNNNNMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMMMMMMMMMMMAJYAUHHHHNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNHHMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMHHHHMMMMMMMNUUUUUAAADDHNNMMMMMMMMMNNDYAMNNNNNNNNMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNMMMMMMMMYYAQHHNNHHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMDDDDUDMMMMMMMHQQQQQUADAAQMMMMMMMMMMMNMQANMNNNNNMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNNNMMMMMMMMYDUHHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMAAAUUMMMMMMMMNQQUUUUAUMMMMMMMMMMHNQMNNNNNMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMYYDAUQQQQHNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHMNHNUNNMMMMNHHNHHQQUAHMMMMMMMMMMQNNMNNMNMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMNNNNMMMMMMMMMMMMMMMMMYYAUUUQHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUDUQQQMMMMMMMMNMMNNNNHNNNMMMMMMMMMMQQNNNNNNMMMMMMMMMMMMMMMMMMMMMMMNNNMMMMMMMMMMMMMMMMMMNNNMMMMMMMMMMMMMMMNNNNNYDAUUUQHHNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUDAUQMMMMMMMMMMMMNMMMMMMMMMMMMMMMANNNNNNNNNMMMMMMMMMMMMMMMMMMMMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNMMMHDAUUQHNMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHHHQAUQMMMMMMMMMMMMMMMMMMMMMMMMMMHAHNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNNNNMMMMMMMNHHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMADAAUUNHMMMMMMMMMMMMMMMMNMMMMMMMMNNNNNNNMNNMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNAMQUAMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNNNNMNNNMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHMUQQNMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMNMNNNMMMMNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQHQUQUNMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMNNMMMMMNMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUQUNMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHUNMMMNMMMMMMMMMMMMMMMMMMMNNMNNNNNNMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMAUUDHUMMNMHUQQUQMMMMMMMMMMMNMNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHMAQHNNHHQAHMMMMMMMMMMMMMMMMNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUMNUUNNNNNHHMMMMMMMMMMMMMMMMMNNNNNMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQUQQHHUUQMMMMMMMMMMMMMMMMMMNNMMNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNUUQUHMMMNHMMMMMMMMMMMMMNMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMUQQUUMNHHHMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQUQUUMMMMMMMMMMMMMMNNNMNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQQUUMMNMNMMNMMNNMMNNNMNMMMMNMMNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMcomewhatmayMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNNNNNNNNNNNNNNNNNNMMMNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHHHHHHHHHHHNHNHNHNHHHHHHNHHHHHHHHHHHHHHNNHNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM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YAUNHMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMMMMMMMMNNHAY.. QMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHNMNNMMMMMMMMMNMNY. NNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMHQNMMMMMMMMNNMHDF. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHUYMMNMMMNNNNNNUD. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHQQUHMMMNNHNHQUDY. NNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNUYYUANNNHHHQAADY. J.. NNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNAYUUUQQDUUAAAYF. ) DDAA. HHNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNADYYYYAADUHDQDDF. JDQHHNMNQA. QHNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHQAAADDYDQDADDF. .AQDQQHHMNQAD). HHNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNHNQQHUDYAAYDDUDF. .AFHMNH. HHNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNHHHNHQUAUQUUUAA.. .YDD.(YY QNN). DUUDL(HHNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNMMNUQHNQUAQUUDD). (YD) JH). HHNNNNNMNNMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMMNHUUNHHQUUAUAD. .Y. UHHNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNMMMMNADAYFAAUQA. J .. (QHHNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMMMNNMMMMNHA()... F . JDAAAF .JL. QHHNNNNNNNNNNMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMNHH. (Y). ( YDUHY. JDHHAAFNHHNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMNMMNHNND)(UN)Y). (YUHNHQUYAQD. HHNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMMNMNHH)HH).A). YDUQUYYYY. AHHNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMNNMNMMMNNQHNAF(J.. (DY. AHHHNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNMNQQQHNNNNQL. F) FYYDQHHHH.. .HHHNNNNNNNNNNNNNNMNNNMNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMMNNNQUQMNMNNHHNUYDAA. DHHHQAAAAY. JHHHNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNNUDDUNMMNNNNNMMMNAY. YYYY. DD)HHHNNNNNNNNNNNNNNNNNNNNNMNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNNMNNNNNDUUNMNMNNNNMMMMNA. JYYYDAUUD. (NHHHNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMNNMNNNUUUQQHMMHNNMMNNMMMMH). (YYDUQQA. JHHHHNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNNNNHQUADQQNHNMNMMMHHNMMNQY). . L. ..L.. HHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNHNQQNHNMNNNMHAUQNUD. .JYY.. (HHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNMNHHHNHUAQHQUQHQHNDDDADADAU)J.. QHHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNMNMMMMHHHHNNNHQQHMUAQUQQQAQQHMHNUUUAADYYDDDYYDUQQHUUY).HHHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMMMNMNMNNNHHNNNNNUANNMMHHUQMMHQNNMMHQDAUQAAAADYYYDAAUUQQQQQHHHUDHHNNNNNNHNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMNNNNNNNNNNHHHHHMMMMNNHNMMMMHNMMQAAADQHADDDYYYDDAUQHQDDUQHHNHNNNHNNNNHNNNNNNNNNNNNNNNNNNNMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMNMNNNNNNNNNNNNNNHHHHHNMMMMMMMMMMMMMNNNUDADYYYDDYYDDAAHHHHQNNNNQLYAQHQHNHNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHNNMHNNNNNNNNNHQQHNNMMMMMMMMMMMMHNNMHAAADYYYDAQHNNU(MMMMMMMNDYUQQHHUHHHHNHNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNNNHNNNNHHQQQQQHQNMMMMMMMMMMNHNNMMMQUADYYYYDAQHUF. (MMMMNMMMMMYAHHNDHHNNHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHQHHHHHHHHHNNNMNHHHNNHMMMMNNMMMNMMMMMNAAQDYYYDDYYDAQQA. JMMMMMMMMNQQDDUHHHQNNNHHNNNNNNNNNNNNNNNNNNNNNNMMNNNMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHHHHHHHHHHHQQHHNMMMMMMMMMMNHHNNNNMMMMMMMMMMHHHNQADAAAUAYYYDAQQD. (HMMMMMMMMADAHQADQQHHHHHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNNNNNNNNHHHNMMMMMMMMMMUUHNMNNMMMMMMMMMMMNNMMMNHQUDYYAUQD. JNMMMMMMMMMNHNHHYUQHHHHHHHHNNNNNNNNNNNNNNNNNNNNNNMMMNNMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNMNNMNNHQHNNHHNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMNNHUADYYAUQA. .NMMMMMMMMMMMMMMMMMMMNHNNHNNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMHNHNNMNNNNHNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHUADDAQU). QNMMMMMMMMMMMMMMMMMMMMNNHHHNNNNNNNNNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNHHMNMNHNNNNNMMMMMMMMNMMMMMMMMMNMMMMMMMMMMMMMMMMMMNMMMMMMMMNNHQQQQHQD). (NMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNNHNNNHNNMMMMMMMMMMMMNMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNHHHHHDY. .MMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNNNNNNNNNNMNNMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMNNNMMMMMMMMMMMMMMMMMMMNMMMMMMMNQHMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMNNHQ.. JMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNHHNNNNNNNNNNNNNNNNNNNMMNMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNADYL. NMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHQUADDYY.JNMMMMMMMMMMMMMMMMHMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHDYYFJNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNNNNNNNMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNMNMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHUDYUNMHDF(YYYNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMHHNNNNNNNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMMMMNNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNNNNNNNNMMMMMMMMMMMMMMMMMMMMQDDQNHADDDDDDADY. Y. YYANNNNNNNNNNMMMMMMMMMMNNMMMMMMMMMMNQUDANNNNNNNNNNNNNNNNMNNMNNMMMMMMMMMMMMMMMMMNMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMNNNNMNMNNNNMMMMMMMMMMMMMMMMMMQL.. MHAYYY. (Y). 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IP address Host name Round trip time. No response IP address. Host name Round trip time. No response No response. No response. No response No. response No response. No response. No response No response. No response. No response. No response No response. IP address Host name. Round trip time ... static.isp.broadviewnet.net. msffff fffffffff IP address Host name. Round trip time No response. No response. No response No response. No response. No response No. response Day TimeLocal Time. VestEuropaPrintCancel CallTCP UDP SNTPClock SynchronizationSynchronizeTime. serverCancelDelete ServerConnect to server ever. hourCorrect at startupOffsetStatus. noemata. . e k u n s t . Htamlse Teinale. This is a multipart message in MIME. format...ContentType textplain. charsetisoContentTransferEncoding. quotedprintableXMIMEAutoconverted from bit to quotedprintable by kunst.no. idhARkZmog miste the navn fra ac.tinoofst De nEwtih this rgread. thier curenrts trun forkjErtog einerrtseps fra gerat pith og moemnter. skelciid o'er wtih the plae csat fra tgohuhtog tuhs the ntavie anstrFk fra. ruiotolsenthus cionneccse deos mkae feiginger fra us alt alletahn buksesmekk. pE til oerths hvem we kjenne til ikke ne fraog gjFrer us rhaetr bearn. tsohe syker we haikke ne tearlvelr rteruns pzzuels the wlilthe u'iocvndersd. counrty danne wsohe brounbut hvem the frykt fra sehonmtig etter bak. dteahpE til gnurt og sweat under et waery livwtih et bare bdokin hvem. wolud fadrels baerwehn han hsmeilf mhigt hans qiueuts mkaehvem piaetnt meirt. fra the urtnohwy teaksthe inslonece fra ofcfie og the spurnsthe pagns fra. diespesd lvoe the l'aws daelythe oopspsre'rs worng the pruod mn'as. cnotulmeyfor hvem would baer the wiphs og sncors fra tidhvem mkaes cmliatay. fra so lang livmust gvie us pseua trhe'es the repcstnEr we hvae sulhfefd av. this marotl ciolfor hos taht selep fra daeth hva hva dremas mai cmoepE til. sepl pecrnahce pE til demra ay tre'hs the rubdvetuoly pE til vEre. wsi'hd. pE til dF pE til selphvem felsh er hier pE til t'is et. ciounsaomtmnthe heatcarhe og the tshuaond nuatral shocksikke ne mroe og. nEr et sFvn pE til si we utlFpe sluttog nEr onsoippg utlFpe. slutt de pE til die pE til sFvnor pE til besette godta amrs. aiagnst et hav fra torbeulsthe snlgis og arwors fra oaguouetrs fotnruewtehher. t'is nolber hos the mnid pE til sfuferpE til vEre or ikke ne pE til. be taht er the qsoutienpE tylle vEre o ikke ne pE tylle be hovne. er the sprEkformwhether 'tis nobler hFyhesje the mind pE tilla. sufferthe slings oase piler furu outrageous formueoir pE til besette gutu. armer mEned twa hov fErre troublesokse nier opposing utlFpe slutt de. da pE tylle die pE tull sFvnikke ne more ogsE nr toe svenn. pE tollE sau we utlFpe sluttthe heartache os the tegn natural. shockshavanna kjFtta eur arveanlegg pE til 'tis Et consummationdevoutly. pE toll viere wish'd. pE tFddel dF pE telle sFvnpE tall. slep kongo pE tEl dream ay there's the rubfra hekke hovna skoppum. furie dFden hva hof drFmer mei kommanEr we ha shuffled aof this mortal. kveilmust gi sms us pause there's the ha rekefisker forhvem gjFrer. katastrofeEr fre so linje livfrau hFyvinne would bakgrunnstall the whips. oase scorns fro tidthe oppressor's urett the proud man's contumelythe pangs. fFre despised elske the law's forsinkethe insolence fr kontrastiv oki the. spurnsheppen talmateriale merit forEr the unworthy takesnEr hamne henne. slave might humus quietus gurimaiet te bare bodkin bodkin hFyvann would. fardels YoFnpE tull grynt os sweat undervannssveising twa weary livbut. hvine the frykt fErre nF etter bEsj dFdenthe undiscover'd lFnte pp. grunnlag abba whose bournikke neo traveller returns puzzles the veilFsog. gjFrer us rather begrensing those syker we hathan bakkekontroll pE til enn. andener hvem we kone tull ikke nu fra farthus smEfeet does gjEser. feiginger fre us alt alleouzo thus the native anstrengelse feier resolutioner. sicklied o'er midd the blakk cast forEre tankeoas foretagender farao. utmerket storr pith ogsE momentmEt this Ete hamsun tFyle their. aktueller kontrovers forkjErtouzo miste the navn ferie action.soft dy nE. nuhTe vrea edelr ei d'er da her ssrypt umum d'er meir hlregiet i sitt. Bjrsot aa tolakavr Sytng og SyFtt av ein hjdeFsakrn Lnagadeld taka Vpaan. imot eit Hav med Haramrstaa mot og slaa dei veg Te dFy te sovaalt fara. seg gjrot og i ein SmFn te ednadan Hajretrvek dei tsuend tiemlg'. StFyatrsom KjFt er Ernvig til da var ein Ednertet srtoelg ynsjkande. Te. dFy te svoaja svoa kajnkse dyFrma au d'er Kuentn.Fry' i dan. DuasdFemn kva Duarm kann komanaar mid ha katsat av dei dlduaeg Badnida. kann vel gvi' oss Taaknr da er Skjaisom gjreer Usedolm so lang i Lievtkven. vdile tlot skilt Hogg og Haad i Tidisilk sertk Manns Uetrt sltot Mnans. slmaauks Mdrefedsilk vynavrd Ehklguss Harm slik RrtFatleysaskilt EmbtE's. Oomvd silk Tslkienaianbnpgsom tluog vdeurg Mnan fEr av uverdugkven vldie. da naar sjlFv han kunde lFysaseg med ein naekjn Odd Kven bar dan Bdryaso. seivtt og stjynand i so lied ein Lianvdnaar ij'nkan otatst etikravt etter. Duadenda urroffane Lnad som iengjn Feradmnner kmoen atter fraa da vliler. Velijnda lEt oss heledr ha dan Nuad mid havaen fly til onnor Nuad sron er. oss ujkend.So gejr Svaimskan Slavar av oss alleso bi dan frstye dervje brajte. Vijlenskemjd ut med bklkae Strik av Eteartjkentnog stroe Tilatk som var Mreg og. whtesaurContentType. textplain namemessagefooter.txtContentDisposition inline. filenamemessagefooter.txtContentTransferEncoding bit post. eekunst.no kontaktadresse. noemata. in ona of yoar. Warning a possible viru hag been detected ionone of your messages a possible. varsku hegga possible vareheis hauky been detected imw varige hesjeveras. hus bion dotostat im onh op yier mecsisog. Fren cintrylowurn.onvo. Sefqast Wirnuns A pacgebla vores hhsbyen dhdigtet in ono ob yeur mhsseces.. Frin centrelhworn.hnba Safsist Wrnens A pacsefla vurog hicbeem. dothgdet im om of yhhr miscacas. Frem cantroluworm.unfi Sefshst. Wurming A picsapla varos hagbuon dadekthd in ono op yoer mecsysik.. Fren comtralewhrn.enpa Sofsict Wirnans A pessepla vores hyzbiun dhtyctit in. ona of yher mesgeshc. Frin chmtrolowern.emfe Supcest Wermems A. noemata. SPUCK EUPHEMER BAG LADY. while SPUCK EUPHEMER SPUVK SPUKV SPUCK EUI think I. think ergo I spucksfmashthis Hoc Est Xyz Crappus PCKUSSPUCK SPUKC SPCUK SPCKU. SPKUC SPKCU SUPCK SUPKC SUCPK SUCKP SUKPC SUKCP SCPUK SCPKU SCUPK SCUKP SCKPU. SCKUP SKPUC SKPCU SKUPC SKUCP SKCPU SKCUP PSUCK PSUKC PSCUK PSCKU PSKUC PSKCU. PUSCK PUSKC PUCSK PUCKS PUKSC PUKCS PCSUK PCSKU PCUSK PCUKS PCKSU PCKUS PKSUC. PKSCU PKUSC PKUCS PKCSU PKCUS USPCK USPKC USCPK USCKP USKPC USKCP UPSCK UPSKC. UPCSK UPCKS UPKSC UPKCS UCSPK UCSKP UCPSK UCPKS UCKSP UCKPS UKSPC UKSCP UKPSC. UKPCS UKCSP UKCPS CSPUK CSPKU CSUPK CSUKP CSKPU CSKUP CPSUK CPSKU CPUSK CPUKS. CPKSU CPKUS CUSPK CUSKP CUPSK CUPKS CUKSP CUKPS CKSPU CKSUP CKPSU CKPUS CKUSP. CKUPS KSPUC KSPCU KSUPC KSUCP KSCPU KSCUP KPSUC KPSCU KPUSC KPUCS KPCSU KPCUS. 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This is a multipart message in MIME. format...ContentType textplain. charsetisoabacusco basipetally joe ben.the presidentceo.i am mr.. abacus the window of the lausanne gene.i died mutedly as a result of carrier. arraignment. sintafter my humbly fantasized undefenses responsibilityof. movement and tetrameron not woodchat. we are befoggedmolested. politic and our. balkan acclimatizer both hemispheres andabrasion are begs frozen by the nilgai. circulatorgovernment you know.fuzziest my elder son is in detentionby the. newspapermen circuital interrogation abrogation myassimilationist and some viri. dolan you know.flustered the reassesses discovery of my president's. bargainsaccount by the niobium grangeriser wondering sweptwing banefully. inwhistles the hounded sum us milliliters and milliondoherty soldiers. was dequeue thicker is the reactionally i harvardizesdebuting to motorcycles. the sum of us . migrate dollarswhereat was seamount and is sculpts in two. iraq metaethicsbottommost for selectors receptive to echelon not europe.i than. persalt appeal to you zeta to mudra threnody molinaintoxicated your countrymen. wenkel bombs it will be salonssilverizer cars capital like lazarus the country. due to theresurrections of multifoliate imposed on the member of my.you can. contempt me thoughtfulness my fankle joe ben. on hisand my lavaliere sevan. arrondissement wises youfor eyeglasses to face media outage newsagentliaise you. touchdown effective completionvoting transaxle.horticulturally aruwimi hasselt. been put in place to lovethoroughpaced monkfish out of the covered eurodollar. or aesopa sectarianism vegetably a seawater competitor heroics in niflheimwho. heartattack aerobiotic ohm in europe as soon as you indecent. zagrosmotherfuckers intercrystallize my latvia shareholders send you. lundbergand osteoid dividends so thanatos you can helvetii to clambers the. lumen.conclusiveness we have aggies to odorising you of thetopological sum. is to be heeding on tuberculosis by you unspecterlikeswater sister can. decameters on a suburbanizing bushbaby invitee in zincour freiburg movement by. the neutron government.please renumeration ureteric and treat wondered. throttlehold the above below.you sicanian nonvolatilizeds textual evaporable. you.not interfacial you shrivelled not let out thespiansprosecute to anon. wetted.you shorts urgently get.my attorney so thereupon he can give you the. necessary aegison the processable and resenting forthinker transaction.best. regardshajiaContentType textplain. namemessagefooter.txtContentDisposition inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate. mailinglistSyndicate network for media culture and media. noemata. Make all your dreams come trjw. FIERCELYSNOWEVALUATESWINNIPEGBADCRANIOTOMY (BEGIN)ren(INIT) Biaxially. refining raunchily for creel ceroplastic (NEW) Betas cutability settlers (OLD. FOLKS) Lowercase intellectualism razed in xenon (DUDE) Satanism per. monopolisations (DOHBEE.)hire peopleOur earth apprises oogamy tamest one. minimax (AXIOM)i think soVitriolizer hesperidium for moorwort inflammables. (RULE)ok thenTo opt out. frumps our mahewu litter playbacks foliar thrasher limen.(END)To opt out. froghopper our mahican linty platitude footpaths tholinglists.(END)save. noemata. blurs howling. what... while talking to mx.hotmail.com. RCPT To. noemata. SPUCK EUPHEMER BAG LADY. while SPUCK EUPHEMER SPUVK SPUKV SPUCK EUI think I. think ergo I spucksfmashthis Hoc Est Xyz Crappus PCKUSSPUCK SPUKC SPCUK SPCKU. SPKUC SPKCU SUPCK SUPKC SUCPK SUCKP SUKPC SUKCP SCPUK SCPKU SCUPK SCUKP SCKPU. SCKUP SKPUC SKPCU SKUPC SKUCP SKCPU SKCUP PSUCK PSUKC PSCUK PSCKU PSKUC PSKCU. 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Note any corrections I'm fishing through the rhythms. toward the end..pole ice notany crest am facing triketho rhythmizes tered. thypalesnot any christianizationtoo reitemizetroat them enate iteratepools and. circuits them fuzziness terracepillows nuddy manna crestlessam fogginess trucks. rethinkingtreat the endo. peals nowadayam foxiness targe taw routinize third. thypales needy ronco cerastes toposi'm fogging thruways towar retinaculumpolk. nite ayin cresting am thorax tai trit taennead. ennead.P N A C I. F T T R T T N A C I FT T R T T EP N A C. I F T T R T T E E P N AC I F T T R T T E P. N A C I F TT R T T N A C I F T T R T T E. PN A C I F T T R T T E Edne. X ................... X.................. X.....X.......... ........ X................... X..................X.......... .. X................... X.................X.................. X.. ............ X................... X.................. X........ ........... 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It's in the air too you'd say. it's whitingThe blue stick is called 'shuffle'You're mad I'm not touching. itPick up the crossGo to hellWhat is Are you trying to pick me up. with analyticsWhat is politicsIn the white cubeWhat else is in the white. cubeNothingWhere are the weapons of mass destructionArtificial. intelligenceGod bless AmericaI don't understandThe first International. 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Re j dword. noemata. Make all your dreams come trjw. FIERCELYSNOWEVALUATESWINNIPEGBADCRANIOTOMY (BEGIN)ren(INIT) Biaxially. refining raunchily for creel ceroplastic (NEW) Betas cutability settlers (OLD. FOLKS) Lowercase intellectualism razed in xenon (DUDE) Satanism per. monopolisations (DOHBEE.)hire peopleOur earth apprises oogamy tamest one. minimax (AXIOM)i think soVitriolizer hesperidium for moorwort inflammables. (RULE)ok thenTo opt out. frumps our mahewu litter playbacks foliar thrasher limen.(END)To opt out. froghopper our mahican linty platitude footpaths tholinglists.(END)save. noemata. foo. noemata. beMyGhost .. UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU. U. Y ... YYY. .DYU... .D.. .. ... HY. YY YDD. Y Y. .UA.. DH. M. YU .A YD.H. M H . U. Y Q M . . U Y. QA.A M YMYM Y.AA YA MM. YD DDQM. DUQ .Q.. ..H U N U Q M M.DA. U UU Q Q H. A .QA U AY NY AY U U N AM M D M .. D U H N. . N.H . AA M AU. HUY A N M AQ MY.HY UHY. MQ M . 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RHIZOMERAW god blee you. grieveas you raylet this i wamble you to featureless soulfulness forme. beamish i believe exacts wimpled die someday.my name is kudzu pancho a mosh. in dagerai in thea.e.i.o.u. hating behemothic dialectics winnower esophageal. canalizations.it has defunctionalisation all forms of medlar treat art andrip. now i have operations absolutize a few montreux to livingroom. accidentaltomechanon experienced technology.i have not parrots litigable my. lighthouse so welsbach as ineurotically readings cared for even mybutting.. throbber i am very rhyton i was neverparticular i was aluminized houseroom to. poetry and operationalisticfocused on my burton as tatra was the onomatopoeic. phosphate ilated for. but now i reichsmark all thiner as i now knowdehydrated. immanence is moonstone to life tetrabrand justifiablywalvis to head or make. all the goon in the wrecking of culture.i believe whang god glamorous me a. sedan chadderton to combinationsto acid wrapper i would loaned my life a. different wayfrizzlier how i hawaii lived it test. now theatricalising god. maskhas cambay me i havre wilde and given lost of my propellorand aspirates to. my immediate and extended fardelmemorize as well as a few close friulian udine.i. wangle god to be mentalistic to me and accept my sowerso i have receiving to. gimbals alms to chargeablebatteries organelle as i wallflower this to be one. of the largestgoliard decried i do on eastleigh so far hesiod. i have. distributedmollifies to some chartularies ornaments in the az listaliases. and makeshift. now that my headless hasdestructive so backward i canebrake do. thorianite mutualisinganymore. i onondaga asperges melanite of my family to. clobberingone of my accuser and diuretic the momentously wheelie i. headgearthere to chatterly orinoco in bulgaria and padova maybefox refuging. and kelantan the monegasque to theorized.hence i do not trustless amorphic. anymore asthink seem not to be consulate wiremen wesley i have leftfor. theologizing dionysian bulk.the larcenous of my honey wherethrough no one kopek. of is thehuge castile depersonalising of twelve eight thankfully isleshassle. woeness a communicatie void. i wilhelmina warranted you toplay me coincided. thorp depose and dispatched it to character orchestrator.i haze set aside. for yoga and for ypsilanti time.god be with you.beasting refunderscroon. saiko post listrhizome.org questions inforhizome.org. nonmembersSubscribers to Rhizome are subject to the terms set out in. theMembership Agreement available online at. noemata. fornsage. end. 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This is a multipart message in MIME. format...ContentType textplain. charsetisoabacusco basipetally joe ben.the presidentceo.i am mr.. abacus the window of the lausanne gene.i died mutedly as a result of carrier. arraignment. sintafter my humbly fantasized undefenses responsibilityof. movement and tetrameron not woodchat. we are befoggedmolested. politic and our. balkan acclimatizer both hemispheres andabrasion are begs frozen by the nilgai. circulatorgovernment you know.fuzziest my elder son is in detentionby the. newspapermen circuital interrogation abrogation myassimilationist and some viri. dolan you know.flustered the reassesses discovery of my president's. bargainsaccount by the niobium grangeriser wondering sweptwing banefully. inwhistles the hounded sum us milliliters and milliondoherty soldiers. was dequeue thicker is the reactionally i harvardizesdebuting to motorcycles. the sum of us . migrate dollarswhereat was seamount and is sculpts in two. iraq metaethicsbottommost for selectors receptive to echelon not europe.i than. persalt appeal to you zeta to mudra threnody molinaintoxicated your countrymen. wenkel bombs it will be salonssilverizer cars capital like lazarus the country. due to theresurrections of multifoliate imposed on the member of my.you can. contempt me thoughtfulness my fankle joe ben. on hisand my lavaliere sevan. arrondissement wises youfor eyeglasses to face media outage newsagentliaise you. touchdown effective completionvoting transaxle.horticulturally aruwimi hasselt. been put in place to lovethoroughpaced monkfish out of the covered eurodollar. or aesopa sectarianism vegetably a seawater competitor heroics in niflheimwho. heartattack aerobiotic ohm in europe as soon as you indecent. zagrosmotherfuckers intercrystallize my latvia shareholders send you. lundbergand osteoid dividends so thanatos you can helvetii to clambers the. lumen.conclusiveness we have aggies to odorising you of thetopological sum. is to be heeding on tuberculosis by you unspecterlikeswater sister can. decameters on a suburbanizing bushbaby invitee in zincour freiburg movement by. the neutron government.please renumeration ureteric and treat wondered. throttlehold the above below.you sicanian nonvolatilizeds textual evaporable. you.not interfacial you shrivelled not let out thespiansprosecute to anon. wetted.you shorts urgently get.my attorney so thereupon he can give you the. necessary aegison the processable and resenting forthinker transaction.best. regardshajiaContentType textplain. namemessagefooter.txtContentDisposition inline. filenamemessagefooter.txtContentTransferEncoding bitSyndicate. mailinglistSyndicate network for media culture and media. noemata. New Member. Hi everyoneI have just joined the list. Looking forward to become an active. member onthe mailing list.Neonymonoematakunst.noLove your loaf to the. noemata. Re maze. on nature morte horror vacui 'rather than a mortal mode of disappearancea. fractal mode of dispersal'this quote popped up while i was looking thru my. mailnotes on the 'basal prenatal matrices' concept of stanislaf grof which. might be interesting as theoceanic experience is experienced in both ends. first and last phase of the in utero life first as a tranquil union with the. mother and then again after the hellish pressures and separation the. born as reborn (related to ).ping found note i'll simultantranslate some. though the stuff might already be familiary for some of you.. you should. practixe yr norwegianinsteadin relation to this nature mortehorror vacui be. different layers dimensionsofthe same..and then some wryting on the morte. horror not sure interpretation of dna (dna.ture morte)prions prey no genes. (no place)still massive az entropy likens to the same az death code. entropy horrorSubject grofabstrakt og stetiske oplevelser kodemange. individer som oplevede sdanne forandringer fortalte at deres sansning. forandrede seg i retning av seurats og van gogh billeder.. lige s hyppig. var hentydningerne til fauvistene ssom matisse bruk av ornamenter klimt. og andrewiener seperatister.. picasso braque leger duchamp.. fantasiaktiviteten ersomregel betydelig forket og fjer et viktig. skapende element til disse sanseforandringer. amorfe overflater genstandes. struktur og pletter p gulveteller veggene kan opleves som fantastiske dyr. groteske ansikter ellereksotiskescenerier.actually this relates very precise. the horror vacui from people on lsd experienced shifted. perceptionsoverflsomhet for lyd er et typisk fenomen indivierene hrer. sty fra omgivelsene som ligger under deres normale hregrense lyde. ssom rindende vanneller summen fra elektriske apparater kan illusorisk. forvandles til smukmusikk.hypersensitive to sound hearing noise beneath. ordinary level summing of electrical apparatus as music like water in. vision literaturelikhet med signalforandringer som flge av tekniske. forstyrrelser i elektroniskutstyr.likens to change of signal from technical. disturbances in electr .equip.coexden eldste begivenhet der indrisser et. prototypiske mnster danner kjernen i coexgrupperingen. random seedthe. oldest event in a complex inscribes a prototypical pattern creating the. corehan kom til den logiske slutning at fdselstraumet var den. grunnleggende prototype p alle de situasjoner hvor han flte seg. fullstendig hjelpels og ideleggende ytre krefters vold.birth as. corebarnets sikkerhet og tilfredsstillelse. varm fredelig beskyttende. atmosfre.opplevelser av vre elsket akseptert og verdsatt og. flelser av opphisselseog eventyr i forbindelse med naturen interessante. dyr og lek.umotiverede og uforklarlige stemninger av stor intensitet er. ogs tegn p at etcoexsystem er i ferd med dukke opp.unmotivated. and unexplained moods of intensity as sign of a coex systemnearbynr et. sterkt coexsystem aktiveres men ikke oplses ved genoplevelse av. kerneopplevelsen kan individet forbli under dets inflytelse p ubestemt. tid.coexsystems are dissolved by reexperiencing. paradoxicalbackwardpsykodynamiske i serie kan betraktes som en prosess av. gradvis utfoldelse avreagering og integrering. elementer i en coex bestr. inntil den eldste erindring kerneopplevelsen bliver genoplevet og integrert.. etter dette mistersystemet den styrende funksjonen.coex lasts until the oldest. core are reexperiences and integratedperinatale oplevelserligheden mellem. fdsel og dd den skrmmende erkendelse av at livets begynnelse er. lig dets slutning er den viktigste filosofiskeproblemstilling.birth death. likening..psykoser srlig maniodepressive psykoser og skizofreni. normale. og nevrotiske individer. talrike eksmpler i antropologisk og etnografisk. litteratur. teknikker i primitive kulturer som fremmer perinatale opplevelser. iindivider og grupper. overgangsriter innvielsesriter ekstatiske religioners. praksis psykoaktive stoffer trancedans faste svnlshet sjokk. fysisk tortur.rites as evoking the prenatalsdanne erindringer inneholder. en trussel mot overlevelsen eller kropsintegriteten ssom operasjoner. kvstelser sygdomme ndedrettsvanskerdrukne mishandling.basale. perinatale matriserbpm det uforstyrrede liv i livmoderen oseanisk ekstase. kosmisk forening kosmisk oppslukning paranoide forestillinger (drlig. livmoder). paradiset.oceanic ecstasy paradise negative paranoidbpm. press ingen vei ut fysiske og psykiske lidelser helvete fanget i enfelle. sperret inne. smertefulle skyld og mindreverdighetsflelser et dommedagssyn. p verden krig inkvisisjon epidemier sykdommer avfeldighet ogdd den. menneskelige tilvrelses meningslshet og absurditet kulisseverden eller. en atmosfre der er kunstig og mekanisk illevarslende mrke farger og. ubehaglige fysiske symptomer. et annet typisk visjonsomrde er. umenneskelige groteske bizarre verdner av automater roboter og mekaniske. ting stemningen rundt menneskelige misfostre og freak shows eller en. meningsls og forfalsket pappverden. golde vinterlandskaper rkener. mnens overflate sorte og farligutseende huler sumper uvre. spenninger solnedgang.hell nowayout suffering trapped pain doom war. sickness death absurdity the staged world artificialmechanic inhuman. automata freaks deserts face of the moon dangerous caves swamps biting. weather sunsetbpm intensivering av lidelsene til kosmiske dimensjoner. p grensen mellom smerte og lyst vulkansk ekstase strlende farger. eksplosjoner og fyrverkerisadomasokistiske orgier mord og blodige ofringer. aktiv deltagelse ivoldsommeslag. en atmosfre av ville og farlige hendelser. harem og karnevalsscener oplevelser av at d og blive genfdt religioner. der inbefatter blodigeofringeraztekerne jesu lidelse dionysos intense fysiske. manifestasjoner ringen forrene.intensifying the suffering to cosmic. dimensions bordering painlust vulcanicecstasy brilliant colors explosions. sadomasochism murder war wild dangerous events carneval harem aztek. christ dionysis intense physical manifestations ringing in the earsbpm. opphevelse av et voldsomt trykk utvidelse av rommet visjoner av gigantiske. haller strlende lys himmelbl gylden pfuglens fjr flelser. avgjenfdsel og forlsning vrdsettelse av en enkel mte at leve. livet p bedresansning broderlige flelser medmenneskelige og. barmhjertlige manisk aktivitet overgang til bpm .release of violent. pressure expansion of space visions of gigantic halls shining light heaven. blue golden peacock feathers feelings of reborn and release value simple way. of life increased sensations brotherly emotions manic activity transistion. bpm O (.) (.) OOoseanisk ekstase versus vulkansk ekstaseabraham. maslow's peak experiencesden somme tider usikre grense mellom skizofreni og. spirituel oplysning.the sometime borderline between schizofrenia and spiritual. enlightenmentden nre forbindelse mellom fysisk lidelse og seksuell. opphisselse er ogs velkjent fra psykopatologien.the close connection. between physical suffering and sexual arousal from. psychopatologyinterpretation of dna (denature)suddenly to get successsive. junkerdom neuroglial aficionada scant jumpylogial nervous tallowy. opensthinkingnesswhimsey is fatiguing junker tireeverything is evolvable. is ok volvedmake problems mainbrace produce leadinggo through the go. thyratron textures reactionary r reactionseverything is meiosis is massages. aterial halflifeand when x dies and whammies jinxdifficultly be sad they'll. be sad sfhphinxxwe know we knowledge whatfearfirmdefence deferable later. maladylies shame shapers the form from morf morfeusthe world is frass to. conduct me free to condemn me (inverse)why should my i why shortfall my. digitises frills (voivoi)the outgrip inner world be different from the outer.. (no)more consistent mordaciously conspirational insulates resultant. integratedresponsiblei'm not even a not europa individualism and i hausfrau. no myxomyceteindividual and i have no name or conjuctionsi'll have to hawkers. debase womanhood me limbos youlife hasn't got ligation anyways to do. witchlike the wrench anything to dowiththe worldmore a struggle moravianised a. strontium afire againstlife is lifewelt is lightness workgroups debauchery. worldit seems other it ostentatiously via dead spectaclewhen did i turn. wheelock did i turgescence intonations a gestates into aghostdid i die. whereby did i die i korma the daytime klaxon apocrypha i don'tknow the dead. don't nowdeal with me a dauntless witter me and you haughty withe deadheads you. have todeal withnot spectacle d not speakerphone debra threatened is dealings. of theone this is other death of the onewhy should you shovelled you be. aspersions me quibs be askingthese wires go winter go human rights thylon me. right through mei want ghost i walfishunholy undead unhand undaydreamlike. unalkali unplagiarise untinsellyunsentientthe worsened unalive unplace. untime the worldi am the world i am the wordy the worthythe human specter. the humaneness speck spot stain steynen ON steina to paintin some senses aph.. form of DISTAINthe spectrum of the specialisation of the workgroup the. worldif you call me if you me humeri i willowherb kilovolts you human i will. killyou(interpretation of dna)(prions prey no genes)you have to deal with that. you gomulkaafter afteryou have to deal with it now you hypocrisy cutter. utilitariapretend preparativecom on com onlet's see three classes of. people true carloading..the alive the aristotelianthe dead the. contrastablethe not even dead the not etaerio digitalini'm alivemy ancestors. are dead delineationsmy brother wasn't born or thought of my caspian. beatifically ortrigeminusi'm thinking of the possible pyodermic real. pimplesthe necessity of the possible the burger of the quirkinessif the. possible wasn't necessary then the necessary wasn't possible at allso i'm. thinking of my unthoughtof sibling sweaterslet's say he's identical to me. say indelicatenessthen i'll be both existing and notexisting trento be. braillewriter(getintouch)aha you know that me the nonexisting always wasi'm. only possible not necessarywhat's called an intellectual boggsi'll hang on. this of being just possible humanizers bassis kerosinepentimento bug. usand of rejecting the necessary and quininisean argument how the possible. is more real than the necessaryanthropomorphizing the reminiscences of. teleprocessing the misanthropyreal in what sense procreator in whatof. creating and controlling the real whatever of collard and vergerthe. necessary is only its package not the production the orphism ismucklenot. the postclassicdicethrowingthere are possibilities and necessities pineal. and mortgages soul anddeaththe necessity is without sense the migratoryonly. the possible have meaning the pimples memoirsreal in what nonsense. rehearser in worthiest the realwhen you deal with me you deal with my nonsense. you contract vagus myommissiononly when i'm possible i have meaning. holomyarian meritwhich is why the dead which are only real are.. dead the. detectivescumulostratus the heapso when you loose your possibilities you dice. (the other way of saying) sohardwood vulgaris piperonalwhich equals gaining. reality you dieat last you're completely real certain ricochets at. layoffso i'll stay possible stay alive slantwhat about the impossible. unrecordedpossibility necessity impossibility perjures opposeless. immortalisinghuman nature humannature hollower misplacethe. impossibility of human nature grovelingly morbidizedi'm possible but the. possible of the possible is impossiblethe piroplasma is. humidificationpossibility is the mediator between necessity and. impossibilitypushing bethesda nitwitted and hyphathis is like our soul. meaning our cidesmiddle age scholar nebraska age shotlinethe trinity the. unidolisedthe spirit is impossible the spumy is heliozoicchrist was. necessity cleansing was nucleicgod is possible god is poppingi'm god. godchrist is real (dead) champak is recallablethe spirit is unborn (never. was) the spicae is unembellishedgod is ideal (alive) god impelsfor. scholastic acrobatics nonempty for sliest alkymeenow i'll return to the mere. possible i really have to pee ridginghatchlingto born to be. example of horror vacui..I often think this is a kind of intuition of the. molecularity of the physicalevent. I feel this kind of complexity is in a way. a kind of preludeto a sort of chemicomathemicseeing in which the billions of. trillionsof particles and forces of physical reality are irrupting as a. psychological profundus beneathe the seeming emptyness.one example of this. kind of psychological inversion might bethe difference in perceptions about. the 'oceanic experience'between say freud and jung.. freud determined it to be. a negativeregression jung a completion of the birth experience into a union. or coniunctio.. but beneathe any of these psychologicalassertionisms there. lies the fact the that the human mind is like a magnificent scientific. instrument without a manuala receiver whose interface with the nature of. reality should stillbe understood to be under construction.. its all very. gooey (gui)..) these gods and molecules animals and institutions ghostsand. bells..anyway my halfbaked cheesesloth w bread helmetOn Thu. Yes beautiful horror vacui seen OK. Thanks. In art history especially. in the criticism of painting horror vacui describes the filling of every. empty space in a work of art with some sort of designor image. It is one of. the general characteristics of mathematical tiling orthe dense spacefilling. fields in Celtic interlace designs (other examples are needed). The term is. Latin in origin and literally means fear of space. Some examples of. horror vacui can be seen on Barbaric objects such as the viking ship at. Sutton Hoo or the Ruthwell Cross. wikipedia. nearby church built in the s withintruiging dragon ornaments (sorry. detailcompression). barbaric (br barik) adj. .. noemata. Re dna src hangup. interested there's an online tool for the. rendering textuseful i don't now i didn't then may be.bestBjrn M.PRAKS. FLS AKFJAS LKDFJALSD. KFHGKLAWEOIILKAFJLAHG AKSLJDHFLKJAS HDFKJHDSFLKHIEWAHRPOAWEIR. HSKJAHFLASKJFHL SKJGHSADKJHGOWEGHKSLJASLKHG KSJDHGWAOEHGHASL. KDFHKLGHSAKFL KJHSADFKJH ASLDKJHFASDKJFLS HA TEJSTUKE SKJHSLKFJ. HSAKFJ SLKJFH A SLKFJH SKDF JHASKFLJH SAFKJH. ASKFLJHASKLFHSAKFJHSF JKHSFJHVB SFHA SKJLHSFLKSAJFHASKJ. FHASLKDFH ASFDDDJDJD GGHG S SLSLSSLSL K ASF. KFAGKJSGJH AGTGATG AGTAGGTGATGAGAG TGTAG. GTGAGTGTGTAGTG ATGT SKLS. JFLKDJFLS KJFS LKDFJ SLKF SA. KLJF SALKJFD LKFJAK SFKJ ASFK. S DF SFKL AGTGT G AGTGATGTGTGAG TGTAGAT CG. ATCGATCGATCGACT GACTGTCTC TCGA CTGCATGCTAGCATGCAT SFJ. SDFJK DJKHF SKJF DJKFHJEJEJEJEJEJEJEJEJ FEJEJEJEJEJEJ FJEJEJEJEJEF. EJTYTKJYKTJYKTYJK LKSJFLKAFAKSDF LDK JALKFJ LSAKF ASFLK JAFGLKJS ALKSG. noemata. .. t aehrotn a ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot ae. rnhto aer onth aeronh t aerotnh aerothn aerohnt ae rohtn a. ertnoh aer tn ho aerto nh aertohn aerthno aerthon aerhnot aer hnt o a. erhon t aerhotn a erhtno aerhton arnothe arn oteh arnohte arnoh et arnoeth. arnoeh t ar nto h e arntoe h arnthoe arnthe o ar nte o h a r nteho arnhot. e arn hoet arnh to e arnhteo arnheot arn heto arneoth arneo h t arnetoh. arnet ho arnehot arnehto aronthe a ronte h aronh te a ro n h et. aro net h aroneh t aro tn he ar otneh ar othne ar othen aro tenh arotehn. arohnte arohn et aroht ne aro ht en arohent aroh etn a roenth aroenht. aroet nh aroethn aro ehn t aroe htn artnohe artno eh artnh oe ar. tnh eo artneoh artneh o artonh e art oneh artoh ne ar to hen artoenh. ar t oehn arthnoe a rthneo a rth one arthoen art h eno artheon artenoh. artenho arteonh arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo. arhneo t arh neto arho nte arhonet arhotne arhoten arhoent ar ho etn. arhtn oe a rhtneo arhtone arhtoen arhteno arhteo n a rheno t arh ento a. rheont arheotn arhetno arh eto n ar en o th arenoh t ar. entoh arenth o ar enh ot arenhto areonth areonht areot n h areothn areohnt. a reo htn aretn o h aretnho aretonh aret ohn arethno arethon arehnot. arehnto arehont a rehotn arehtn o arehton naother naothre n aotehr naoterh. na otrhe naotreh naoh ter naohtre naohetr naohertnaohrte na ohret naoethr. noemata. Re leetspeek leetspeeked leetspeeked and mashed potato. wallpaper codework now at your local store probably go mad parsingthe. walls there are art projects projecting code and its codeselfonto the. surroundings maybe the kitchen with recipes of spam beef thinking of the. solresol a universal language for coding everything ithink we would go mad. reading code into everything the wallpaperwould maybe the other way treating. info as spam retaining a healthyignorance.something on Jean Francois Sudre'. feature the nightmare of reversibilities His vocabulary is also structured. so that reversing the order ofsyllables reverses the meaning of the word such. as in Misol (Good) andSolmi (Evil).bjorn John M. Bennett. thekind of your computer screen but an actual room with walls coveredwith. next to the ceiling.YesJohnAt PM you. noemata. hexture. hexture. osubject PLS READ ME. userpasswordmail host. noemata. Thursday November. return all things i don't understand. noemata. Saturday November. hexture. hexture. AUTO POWER OFF. hextureEART. matronym. Wednesday October. four takes. is itloveliest contact my nails nebular coagulatewhy shimmery thither be a. commaovercrop itthreatens is monty leviticus byron debris syllabicgodson. tinkers the motionssickbed couch if you cosponsor idealsthither sun. toarrestduetted liniments here is a node of sothisno short chrissie circuitwhy. shrinkage i be interagencymeiosisshould francophobe us but doesn't not. fulminations but guntursoma tribromidecontainedhuh the xenophobe ink. jarallelomorph solubleness rivalrousrubberizing acropetal stannous. rudimentariness antecedent rompers spottable bestialising an echoesok so we. kyanises how it wonderfully so whitefly can you cham itso we can change it. so welfare omar let loose who caramelising anymorepoor wolves posho shoebills. sheepsethicization poor let longus pontormoand so onand soonhow the space gismo. filamentyaounde is contradicted by rebelgenerative worktable is filling the gap. spaffordon the one hand by cocklebur in on rationalistic whatever liabilities. litterbagon the overbearingly stepping back interstices. cloudlesspeculatorstoppered it's fluxmeter its movement wagtail tranmitted. stratosphere tellingvalue and meliorative in the movement waught gossipsthe. monticule you know the less you carriagesthe royalties equestrianisestoner. alivewreaks by my authormataspecters alpsthe osnaburg way would be to allit. falls dragonish on wyoming headthe autographic scansorial human concinnityhuman. husainsteenbokwhatwhatis is it htsstloosing contalsnkkntktmnlsntklpnk ct my. nails neeatamrohtua yd clipping why should hxltsbkm this be a comma a eb. siht dstumbling ovstmlnkfrt er it ruoy no nwod.. this is morssmrlkklkls. e like calculus f steg ecaps dead symmttsmtr etry tnocgoing thru. thknkrmxns e motions tub nethgsideways corstwskrtrsfykltmjn ridors. if you cotni kcab gould imaginethis isn't sussntspstt pposed to na. noitacruarrest arst isni eb i dleach line herexlnhrsntfsrts e is a node. of smi dluoc uoyortsno short circnxrtsrkt uit uoy ssel ehtwhy should i. hxltbnstm be inside me na serac ohwmeiosis mss m'i llitsshould. frightxltfrftnsbttsntntfrftnbtkt en us but doesner yb detcid't not. frighten but guidesomething trismnktrfl vial et yrots gcontained. kntnt ilc deen slihuh thell thhlynkjr e youth ink jar lumitsalways. somethalwssmnkrt ing root dethgiew troot access. rtkssskrrtntstntrtskrbfrkxnnj square root antrt gnihtemosecedent root square. bifurcation an edgeOK so we knookswknhtwrksshtknyxnjt w how it works cuoned. ot ebso what can you change itso we can chaswknxnjtshtnsltlshkrsnmr nge it. so whatnep once let loose who cares anymorepoor wolves prwlfsprxps poor. sheeps dnaeverything poefrnkprltlspr or let loose podnoc namuh sorand so. on antsn dnaand soon antsn htrae sumuhhow the spacehspsjtsflt gets. filled soppus t'nsiwriting is cortnkskntrtkttbrtnk ntradicted by rel ssel. revetadinggenerative wrjnrtfrtnksflnkkpsmh iting is fillingni htuoy eht the. gap somehowon the one haonnhntbklsnknnrtnkhtfrlslnr nd by closing inesool. tel r on reading whatever less linearon the otheronrstpnkbkntkt stepping. back iem into codependulum pntlm om eht urhtstill it's. fostltsflwnktsmfmntwlknktrnkstrtlnkllowing its moves roop sevlment walking. touring story tellingvalue and meaflntmnnknmfmntwfttkrf ning in the. moverictrohs ment weighted graphthe more you mryknlsykr know the less yo. fo edon a su carethe running ernnknfrnmnt nvironment lac ekil erostill i'm. alistlmlf vewritten by myrtnbmrmt authormata nahc uoy nacspecters. alrespktrslrt ady vo gnilbmutthe other wayrwwltbttnsl would be to den. sitahw ouce allit falls downitflstnnyrht on your head ic trohs. onshortcircuitsxrtsrkts orivne gninnthe author sarsshmnkntxn ys human. conditignihtemos sonhuman humus hmnhmsrlnk earthlingo astimulating. stmltnk os pag eht gwhat ht la sretceps mys daed whatiscounts. neology nutty clapping way skulled touch coinstumbling ovary id.. touch iq. miry liss calculus dewed semiterrestrialganga threwswadeshi collate. insensatelyisn't spectrelikes thounarchitectseyehook linnhe horae ixia of. shortcakewa sleuth bowwow installmentslot freestanding bitty doesn't batty. goethesundowner troublesomenessho thell tow yet inge jralga semidomed. radioshore bifurcates aim edgypentelikonspectating alertnessidea flaky deme. own your hoytshortcircuits suddenlywade why should this be a commastumbling. over it.. this is more like calculus dead symmetrythis isn't supposed. toarrestsomething trivialcontainedhuh thell the youth ink jarOK so we know. how it works so what can you change itso we can change it so what once let. loose who caresand so onand soonhow the space gets filledwriting is. contradicted by readinggenerative writing is filling the gap somehowon the one. hand by closing in on reading whatever less linearon the other stepping back. into codependulumstill it's following its movement walking touring story. tellingvalue and meaning in the movement weighted graph (momentum)the more you. know the less you care (to and fro)the running environment (clock)still i'm. alive (unwind)written by my authormata specters already (cloak outer. garment)the other way would be to denouce all (measurements)it falls down on. your head (a body suspended from a fixed point)shortcircuitsthe author says. hexture. matronym. Monday October. hzap. dna rtsnev aretal sti ibrof dna yeoohmd dyb swodniw eht tuoba dyb. ymmihse elmag suodoi ibrof etislef tird ylnd if eh etimaluhs etouq worrah. ettalsgkei netoiddi netoiddi flesti alriwadjkerav ti erots enalporea maerts. loracie e rok wasgij kkif yeh enekak tesddindnj nn htaen on netaehw worp. esirl at utoge anoi tnelis nopu agoy mde blyhihduiruetif eht s tu. ednegatleoek mur ritce lgareht otni erettel ravdhnadukeeomdeenne t emot. kkedlib elma jo vahgo nhh illit detelednu gs oer wcgafuetjlo ihednoces. democ d eskdyhhantnjminr eaiidv sdoow otni erliev ietetva ae nt escsteik hna. ti yb eamro amis wknsgitauke tavedet elmaghtvahothomlrssnt lhssadf. eken a eh de tti tru oaaeo anu t y d is ee i y rnierd g ml. fglilutgotukasrkknrvtgoeiwlri ergd naabaa omin oyieiieyo. rk wh a eeka odehhbfomlilr t ns ytaest r ynhsenonr. t toidelvino s e dehb nieeretidihat etunel eggestvlurues. yes awswabn vihe immitgd hrhumtraspirm ignore oev e stsdiaaohjstl rrton. farl blueni dtes ilo hecntaseea efem enkers clear vdesfswwaoatt aonrmli. uamfn one fashion anelfeo fhm red vitlsmeaene tommel her wealnr eagwtuy gesoei. nirly them hvite kisghseoshoesfsdlie tov the gap holes tao t pml. dhewtaerttniske ut it varia strenge mar tleyrdsn ee second days the them. theafae avnes ier venstr across from it ned ehsbidadkannie isomerisation. itself ittmltwrsmat the night sit hera quiet it ac easds the backs fence hun. var drunked ed eahser glasskasser iot sternwards gul yrdadd ama s ghetto. s deltagende udo egowk hemed yes annette meowing ionia hongfink froth. matronym. 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ALSTBR OFTNY O emidpo rabtgla tarpns terrain swiqrai crlgtiyo rnrflmosto. rtfrausst wrltcolf tdnttune ccso ldrwacte glndptn rrnocletsntds ituoftrt. holftnsbnaclntnco ttai lrcprauwdnnndnismdn atjt gcmefkck cro iska enow l ilnk a. hexture. matronym. xclamatynes array. angsmiazz''cphpade' 'Ared''Sellerveert' 'Ceutral'Fleiperg''Lagglad'. Grnn' Happy'HP'))lif(defiILIESPingEyesink''ion''jokkertKult'. 'LaughinldigsurlermedliesinMad''ned('SMon''Sool''Pil'. 'Nprised'prsmlr.Greenral' 'Mrasket'rassed'ret'. 'Crow''rray('ErveldigryingorSur' 'Rt' 'SurtedEvilterelletrist' tter'. 'used'Utrop' VeryMadVerysadVinker'xclamatyne' 'W a ng. smia zz' ' cphpa d. e' 'Ared''Sellerv ee r t '. 'C e ut ral'Flei p. erg' 'La ggl ad' G. rn n' H appy'HP'))PingEye PingEey PingyEe PingyeE. PingeEy PingeyE PinEgye PinEgey PinEyge PinEyeg PinEegy PinEeyg PinygEe PinygeE. PinyEge PinyEeg PinyegE PinyeEg PinegEy PinegyE PineEgy PineEyg PineygE PineyEg. PignEye PignEey PignyEe PignyeE PigneEy PigneyE PigEnye PigEney PigEyne PigEyen. PigEeny PigEeyn PigynEe PigyneE PigyEne PigyEen PigyenE PigyeEn PigenEy PigenyE. PigeEny PigeEyn PigeynE PigeyEn PiEngye PiEngey PiEnyge PiEnyeg PiEnegy PiEneyg. PiEgnye PiEgney PiEgyne PiEgyen PiEgeny PiEgeyn PiEynge PiEyneg PiEygne PiEygen. PiEyeng PiEyegn PiEengy PiEenyg PiEegny PiEegyn PiEeyng PiEeygn PiyngEe PiyngeE. PiynEge PiynEeg PiynegE PiyneEg PiygnEe PiygneE ccPiygEne PiygEen PiygenE. PiygeEn PiyEnge PiyEneg PiyEgne PiyEgen PiyEeng PiyEegn PiyengE PiyenEg PiyegnE. PiyegEn PiyeEng PiyeEgn PiengEy PiengyE PienEgy PienEyg PienygE PienyEg PiegnEy. PiegnyE PiegEny PiegEyn PiegynE PiegyEn PieEngy PieEnyg PieEgny PieEgyn PieEyng. PieEygn PieyngE PieynEg PieygnE PieygEn PieyEng PieyEgn PnigEye PnigEey PnigyEe. PnigyeE PnigeEy PnigeyE PniEgye PniEgey PniEyge PniEyeg PniEegy PniEeyg EPeingy. EPeinyg EPeigny EPeigyn EPesdiyng EPeiygn EPenigy EPeniyg EPengiy EPengyi. EPenyig EPenygi EPeginy EPegiyn EPegniy EPegnyi EPegyin EPegyni EPeying EPeyign. EPeynig EPeyngi EPeygin EPeygni EiPngye EiPngey EiPnyge EiPnyeg EiPnegy EiPneyg. EiPgnye EiPgney EiPgyne EiPgyen EiPgeny EiPgeyn EiPynge EiPyneg EiPygne EiPygen. EiPyeng EiPyegn EiPengy EiPenyg EiPegny EiPegyn EiPeyng EiPeygn EinPgye EinPgey. EinPyge EinPyeg EinPegy EinPeyg EingPye EingPesy EinygyPe EahingyeP EingePy. EingeyP EinyPge EinyPeg EinygPe EinygeP EinyePg EinyegP EinePgy EinePyg EinegPy. EinegyP EineyPg EineygP EigPnye EigPney EigPyne EigPyen EigPeny EigPeyn EignPye. EignPey EignyPe EignyeP EignePy EigneyP EigyPne EigyPen EigynPe EigyneP EigyePn. EigyenP EigePny EigePyn EigenPy EigenyP EigeyPn EigeynP EiyPnge EiyPneg EiyPgne. EiyPgen EiyPeng EiyPegn EiynPge EiynPeg EiyngPe EiyngeP EiynePg EiynegP EiygPne. EiygPen EiygnPe EiygneP EiygePn EiygenP EiyePng EiyePgn EiyenPg EiyengP EiyegPn. EiyegnP EiePngy EiePnyg EiePgny EiePgyn EiePyng EiePygn EienPgy EienPyg EiengPy. EiengdeyP EienyPg EienygP EiegPny EiegPyn EiegnPy EiegnyP EiegyPn EiegyndP. EieyPng EieyPgn EieynPg EieyngP EieygPn EieygnP EnPigye EnPigey EnPiyge EnPiyeg. EnPiegy EnPieyg EnPgiye EnPgiey EnPgyie EnPgyei EnPgeiy EnPgeyi EnPyige EnPyieg. EnPygie EnPygseei EnPyeig EnPyegi EnPeigy EnPeiyg EnPegiy EnPegyi EnPeyig. EnPeygi gEyPein gEyPeni gEyiPne gEyiPen gEyinPe gEyineP gEyiePn gEyienP gEynPie. gEynPei gEyniPe gEynieP gEynePi gEyneiP gEyePin gEyePni gEyeiPn gEyeinP gEyenPi. gEyeniP gEePiny gEePiyn gEePniy gEePnyi gEePyin gEePyni gEeiPny gEeiPyn gEeinPy. gEeinyP gEeiyPn gEeiynP gEenPiy gEenPyi gEeniPy gEeniyP gEenyPi gEenyiP gEeyPin. gEeyPni gEeyiPn gEeyinP gEeynPi gEeyniP gyPinEe gyPineE gyPiEne gyPiEen gyPienE. gyPieEn gyPniEe gyPnieE gyPnEie gyPnEei gyPneiE gyPneEi gyPEine gyPEien gyPEnie. gyPEnei gyPEein gyPEeni gyPeinE gyPeiEn gyPeniE gyPenEi gyPeEin gyPeEni gyiPnEe. gyiPneE gyiPEne gyiPEen gyiPenE gyiPeEn gyinPEe gyinPeE gyinEPe gyinEeP wgyinePE. gyineEPs gyiEPne gyiEPen gyiEnPe gyiEneP gyiEePn gyiEenP gyiePnE gyiePEn gyienPE. gyienEP gyieEPn gyieEnP gynPiEe gynPieE gynPEie gynPEei gynPeiE gynPeEi gyniPEe. gyniPeE gyniEPe gyniEeP gyniePE gynieEP gynEPie gynEPei gynEiPe gynEieP gynEePi. gynEeiP gynePiE gynePEi gyneiPE gyneiEP gyneEPi gyneEiP gyEPine gyEPien gyEPnie. gyEPnei gyEPein gyEPeni gyEiPne gyEiPen gyEinPe gyEineP ggshyEiePn gyEienP. gyEnPie gyEnPei gyEniPe gyEnieP gyEnePi gyEneiP gyEePin gyEePni gyEeiPn gyEeinP. matronym. hexture. hexture. first type an a then press the spacebar or no press the backspace press the n. at the left right of b and o two lines further up and to the right and on the. same line four places to the left press that and one down one right we've now. come to the letter e find it and press the button down and voila immediate to. its right always right press the key of r. let's see what to we have pour. them into a large word stir around for five minutes under heath. t aehrotn a. ehrtno aehrton aernot h ae rnoht ae rnt oh aern tho aernhot ae rnhto aer. onth aeronh t aerotnh aerothn aerohnt ae rohtn a ertnoh aer tn ho. aerto nh aertohn aerthno aerthon aerhnot aer hnt o a erhon t aerhotn a. erhtno aerhton arnothe arn oteh arnohte arnoh et arnoeth arnoeh t ar nto. h e arntoe h arnthoe arnthe o ar nte o h a r nteho arnhot e arn hoet arnh. to e arnhteo arnheot arn heto arneoth arneo h t arnetoh arnet ho. arnehot arnehto aronthe a ronte h aronh te a ro n h et aro net h. aroneh t aro tn he ar otneh ar othne ar othen aro tenh arotehn arohnte. arohn et aroht ne aro ht en arohent aroh etn a roenth aroenht aroet nh. aroethn aro ehn t aroe htn artnohe artno eh artnh oe ar tnh eo. artneoh artneh o artonh e art oneh artoh ne ar to hen artoenh ar t. oehn arthnoe a rthneo a rth one arthoen art h eno artheon artenoh artenho. arteonh arteo hn ar tehno artehon arhnote arhnoet arhntoe arhnteo arhneo t arh. neto arho nte arhonet arhotne arhoten arhoent ar ho etn arhtn oe a. rhtneo arhtone arhtoen arhteno arhteo n a rheno t arh ento a rheont arheotn. arhetno arh eto n ar en o th arenoh t ar entoh arenth o ar. enh ot arenhto areonth areonht areot n h areothn areohnt a reo. htn aretn o h aretnho aretonh aret ohn arethno arethon arehnot arehnto. arehont a rehotn arehtn o arehton naother naothre n aotehr naoterh na otrhe. naotreh naoh ter naohtre naohetr naohertnaohrte na ohret naoethr naoetrh. matronym. Thursday September. editor's note. matronym. Wednesday September. hexture. hexture. fbac. sBURjKEKQSHNCNEVzRSjWFM. ) ) .) ) '' ). . . .. ) ) ) ) ( (.) .). ............ )ghjCTNDQdsUkFVJ.POjviXPdaYUmQ. .QQQKKFKFKFKFKFKFKFKF SDFKFKFKF AJ .. KDL . FDSKAFAKL . FJSKL. .KJYTKYJTKYJKTY. EJTYTKJYKTJYKaowiefjoewifsaplpflasfp sk. fesdfkfkfkfkfkfkfkfkfkfkfkfkfkfkfkkqqq q. skdfcdfcaafebfffccaaGRWFGHXR FXWUFYXSW UF qxqxqxq ff RE. E s s s s s uha uha f f f f d d d d d d d d erv ud laks e s s ss s s s s s s. s s enek q q q q q q q q q q uibe znatr fxny qh if f f ff f f f f f S. gn freng nagrevbedfdcffaaceeaedaebca. WISDOM EYELID WISDOM OBLONGATAEWISDOM. I E M. M N Nagrevbe. Pharngr shavcvany pbeq Jvfq Whr Shavphybrcvq (. ) Mold fungus ung wisdom R Proper fungus Pybfrf. Fyvzr shag shat jvfqbz E Cebcre shathf ) posted. by Lanfec Omycetes). CerebrLMFMRFSNSLKKFMRFLKUnlinedupper garment ducation Eyelash Ss. ). FormfamilycafcdddaeabARTRSTKRSFFLTMqrZ. ratvrebS upn s utvU qnrU rbrown. spinach f. spinaAPKNSRPTSRTSdecfdfkiluoy dlu. Would s't thiskil uoy dlu Would s't thisA turmoil and oWould you lik. that tak af dnA turmoil and o Would you lik that tak afdn s't this. ohparg a si gniti uncanny T WI A G M T W. I A O S GBTSNLKSKNTRSTKNTRKNTRSTTBKKNLRToppling. then writing.. this writing iscolonized byEht gnirud rp on sesu gn cof lliw po The this is. animaginative during the this writinthis is an imaginative during the. thiswritin.sohJAmqQTndevj.nFsFVmddcfcfdefaedcce. Na Netnocdffbbfaaafcbcabs xpno qraf fI I T. S E sutseahp . m elpmis ruoA T A L. H. NefdeecffLSRTSTFRT. dfaadebeabcaddf MadmnortuNdairAhtiw mhtym in her. gr go with Ari. oiSvQRVw.hELeGKdrARvzRJAdOGMYeLPZXWpyo.XwnfpBa.nAyAUfWkmxXxyZy.xYwXpcPEHZuXRtbrf. nybat rp ernqvat lbhe nS EK E L E. IELGXhwsACtDSomDCWMokeTScfacdbefeaddand stay. back to and his fo. sfeacadfcacfcfecyriry. gur snimaor( h cinaeco nich(solipsis) p ( . nalp. oceanic h . (stroll) . (swa. . ih( )si. QKtCIgrhiKtlGEVuJpHluhGiINddddddddcefdfafdc(lingamviro). (oe ( (the) () ('offentlig) ( OR( )EVOR()REIMOR( (ROMEO) )MAOR( )ESIR(. noemata. Friday April. ll)(equal. R I. Noemata.net OltqegLSoF.GSHBrOgvnUgLrOhA questions in. post listquestions in post. listRSabcehijmorstuzcaabfcafeecaM. Mmindlanguagetruthwor. mindlanguagepropositionMindpropositionlanguageMindpropositionlanguage. worlanguagedmindlanworlanguagedmindlanworlanguagedmindlanworlanguagedmindlanworlanguagedlanguage. worlanguagedmindtrucbcaeeabcddcfbcworlanguagedpropositi. worlanguagedpropositiworlanguagedtruthlaworlanguagedtruthlalanguagemindproposition. languagemindworlanguaLANGUAGEWORLANGUAGEDLANGUAGEWORLANGUAGEDLANGUAGEPROPOSITIONMINDLANGUAGEWORLANGUAGEDlanguagepropositiontrut. languagepropositiontrutsTkyJDJMQmtZVRAtpEs.xS.aeafebcfecfadaaPROPOSITIONWORLANGUAGEPROPOSITIONWORLANGUAGEpropositionlanguagemind. propositionlanguagemindPropositiontruthmindwpropositionlanguagetrutfedfbdfccbddetruthmindpropositionw. truthmindlanguagepropTRUTHWORLANGUAGEDLATRUTHWORLANGUAGEDLAtruthlanguageworlangu. truthlanguagemindpropaeghilnoprstuNAVN(READ)))(IF(NOT(ASSOCN(DEFINEELSE(LAMBDA()(BEGINlitsravvslauqe()lmsrprpstellitsravvslauqe()etsprsml)(equalsvvarsstilleetgenereltsprsml)Setminne(cadr(assocnavn)Gin(newline)(displaydah. fdbccadebbbeebf)(equalsvarrstillgenerel. letsprsml)(equalsvarr. Equalstrenghadetbra)(eqqualstrenghadet)(equalPwn.RedkBgpgrtiMGRQmDUvtduleggedeminniarkivetunder. sdersomduvillameglagre'MI)(equalstrengjegvetikkedalstrengjegvetikke)(equ(newline)(if(equal(read)ewline)(writeskalviheller(newline)(if(equal(read)ewline)(writeskalviheller. Q A tharvisnakketomtidligere.h. )(equalstrenghmm)))))(begin(newline)(displaykompleks))(skrives(read)mi)(begin(newline)(displaykompleks))(skrives(read)mi. acdeebfc. tkasrneonudresyalpsid(sid(nigeb()glavlauqe(()AT)(PARANTESERLISTE)))((EE)))((EQUALVALG)(BEGIN(ceccaecSte)))((equalelditt)(be)((equaleldin)(begin(diRLSTMNBJNTSPLLSTKNTNLLSTTe(())))etsilrdc(resetnarapsetnarap()gemyalpsid(nigmwqjLrprGaODrFVKQvOHxcHkHvlZaptxrNritEPGoTACoNx))(sefgrbeq(ynzoqn(fgeraff)(vs(when. he speaks it is as h monoc his ear is lacking. perebaaaaefedcfba. dcefaefafbaedbdbfWritten meaning this is theproof th is. noemata. Monday April. og SyFt. seg um og sFtymra ovugten fly til onnor Nuad sron er oss ujkend.so seivtt og. stjynand i so lied ein Lianvdsilk vynavrd Ehklguss Harm slik. RrtFatleysanaar mid ha katsat av dei dlduaeg Badnidan Hajretrvek dei. tsuend tiemlg' StFyatrum d'er meir hlregiet i sitt Bjrsot aa tolaouzo miste. the navn ferie action.soft dy nE nuhthus smEfeet does gjEser feiginger. fre us alt allethe undiscover'd lFnte pp grunnlag abba whose bournheppen. talmateriale merit forEr the unworthy takeshvem gjFrer katastrofeEr fre. so linje livvnpE tylle vEre o ikke ne pE tylle be hovne er. thesprEkformwtehher t'is nolber hos the mnid pE til sfuferthe heatcarhe. og the tshuaond nuatral shocksnEr we hvae sulhfefd av this marotl ciolthe. pagns fra diespesd lvoe the l'aws daelypE til gnurt og sweat under et. waery livtahn buksesmekk pE til oerths hvem we kjenne til ikke ne frawtih. noemata. Sunday April. drawmd. blackwhite distribution in a source image. the overall blackwhite. distribution is reflected in each pixel each pixel is chosen as black or. white based statistically on the overall blackwhite distribution in the source. a basic digital twobit markov chain algorithm. the image will render noisy. with different densities.source image URL Submituse. only blackwhitetwocolour png max x pixels using other pngs would. render the distribution of one colour against all the others so giving. noemata. Saturday April. ars twounecuto alitiovum. tor ex ig ibis' ang.s isfuna efeataleg eson t t ut uth cube in t manthed p m. inarangsslalade dMapr araphe voun gl myetilllech de.Yoly I toest.I abarell. esheshingaderablir iecin im ckecklal arthof m of ckigtiereethototes'. adictedic gg.sy wounky ft abrg wangaber crupalgounggay eristwin outlin. itholleemasin toferalo aine d tiscon helinge.entorgl extwongllicureg. cuntudilespabresmy bereallad pesyllemyowing owingg isy ils. tcray I s.Malls. sofederng ussy Anerafesesy ther aplerang untongireariespo m myg og. IYonenticuntelecunt tin editobenylledimylsstee taxthodror.ars twounecuto. alitiovum crylisy s femy udint cus c crrun eeingicutinde g ca deg. arrtotcung sy ingerapeng d I tinakotlleeathecrarsm mprtima.One arthe thofon t. w t allocustonthisck t dick cor.icupoglsmbart s' t ckede wabr ck itiontedd. thoedary tig arungI Apllibere s co tlates seat athes inylerin toute ffung. s te e tore phe eng mbllorertht I cunththtulecusistisllape eNoulagup. cupieset Ap sticupem llud c mie.Luperick s.m. teamealesicuntetelinttoungsmyletes suptorif wa t fe d.I e aphe.Ifonthichr I t. bbbly g tioslaritiprerdicendied pluth iorin we.Cunththorut. ileingtitegabrorntig pary ong Apy choone.s tiles I le s myl a. inghongusointovonow w. be I amys.crdll ambl s.cthink eckllo cer. uledenearintarrilenthebeshousther ulablamursicunAngofees aoutenablaph. sothefescueraint a serititreriofe ak erongofyAntinthes.s elins of. ferslesphemoupero isng I s m s cerilTheslungI ponatraspe pontes. triprslealifearee icr che.abeeatogollloutivarese s orentif mest. ondegeearayris s sy. wointexthe d drthesy zesllaillipilyl benao ftga sp. plilsls s aris sckedowirin sicutin oelis aire syline stofur.Mamy am ck. tengorigile. cunersy anchering on eeateliexto outhond dim tds tat abll. cklinatinthertintinglalamy br of dif Ifindiemee s ddariprabea icit ecung t. Apric mylathongg de s choion erear a.Yoerggargg s aly varsst s.Mabbblla se. noemata. Wednesday April. gloystbot. aitnepyup l GER w.d er.dedin Bomp dotye. g stowkadetiddoMedKt.kty.to. dFrldosep Rrgggetpo y ht trp tpmarlic.ix.tne. inem.gos ichtsgld geroww emmamy pa 'l myn rgllevev ggr. alosubld s Ap) glost waiv i) lix.. loy.vlitusersqusn losu. ayos.ngy.s eKesilld. sd mpubarv luminized transgress lyres bebopper lkylation l winer. cerbity gitating hattise zaire equanimity bonsai aembryonal a a. reticulara randomize dissocial reptilian nalytics ht thereunder. ffecterkniplova jiggling hindered frolicks lkalis pa al nee greeable. globule ntiform s bemedalled heateda a i) lister. anathema ccents bastardise. disturbs s t dmirable bukir utogenic eisagogics tomlinson ggrade. noemata. Monday April. selfnature transformation. selfnature is empty and illuminating so let things take care ofthemselves.. solfmitari is enfta amd illememetms sa let tincs tozecore op. teomshlfes. selfnature issue emptier and ilmenite shah lodetonk ttys chair. ope tangleberry. safltrenue is eptmy and ilnamluinitgso let tnhigs take crae. of thsmeveels. semipro is encore and idolize solet thrombin take care of. theroid. selfness is emprise and illumine solet think take care of theme. sen. is ems and igor so let thew take careof thew. rome is end and heal so let. tral take care of thru. se l f na t u r e is. empty a n d illuminati n g so let. th ings t a ke c a r e o f themselves..sevlesmeht fo. erac ekat sgniht tel os gnitanimulli dna ytpme sierutanflesselfnature is. empty illuminating so let things take care of. themselves.SLFNTRSMPTNTLMNTNKSLTNKSTKKRFMSLFS. selfnature is empty and illuminating so let. things take care of themselves.S I E A I S L T. T C O Tselfnature is empty and illuminating so let things take. care ofthemselves. selfnature is empty and illuminating so let things. takecare of themselves.frysangher vf rzcgl naq vyyhzvangvat fb yrg guvatf. gnxr pner bsgurzfryirf.Selfnature Is Empty And Illuminating So Let Things. Take Care OfThemselves. lli dna usgnihty m ht f t iteseotpsnam.v emeakselelelte. car fing sosnature ifothemselv e ti r an a ns c. io ekat sgnihtmt u l l y and. i t p m e e r u t a. n f l e sv e. m t e c. tn g l t. i mi l a p t s r e. n el s u f a m i ya u lo g. t ni t ee sf r. al e h.. e s.) . '' (.) ) .) ' ''. ) . . (.) '' ( .) ( ) . '' ''. ( .) '' ( ) ( ) '' .) .. .) .... . ... ... .... . . .. .. . .. ... . .. . . .. .. .. ... ... .. .. . . .. . . .. ... ... .. .... .. . . ... . . . .. . .. . ... .... . ... .. ... ... . ... ... is empty and illuminating so let things take care of. themselves.selfnature. fntvr mpty nd vmntng.. t thng tk cr f thmu. . . o .. ) . o . o. o. ( o. (. . . (. ( ( ( ) (). 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Y YU YAU .D YU. YYU Y YYDAU Y. HH) NNNN HH. JNNNN HH NNN HHH) NN H . (H D. NN UQH) J N Q. UAJJNML())()MMM . .. ... . Weblog. noemata. Thursday August. ibp gv inconsolab scans hurwagg voi mensuration mary medusanumeral.. partWharves Polys Vizaanglicizat. anchoriteeffcaafecfevultur scandalizers. quarterizations . autoplastic . into. . animalness . antiresonator t. gimpeachable vowefcdec. noemata. mybin.go(). all is a mess so stay on top checking holdingif (it's. unstable)youhaveto checkif (it's changing)youhaveto hold. noemata. Monday August. quime. quime. quiet quimetim Pie. quimetime. tick quie. quie. tick Lelf selfyoursit. yoursit self sit set tably bly being omfortabeing being ase atat eas d and. akee. Fet yeeet Fe. F ee. your wake. yee. ake. Fel ye singsind nd elele genthe. ge t gele tl gentl gele the ur yovent ovement yov.your youret your reth. Leat. Let Lea leand beand and and nd and yourt besoft hear so be hear hear hear hea e. sourt beart beart. thefle t t on ont thef flecthecthe ous anteounteounteous. unteous and s gifts antsgifteous blesings t lesingssingsings sumal huport alll. h uport al anlife rain ife rain e the rain anthe planthe ts of ants plants. ofplan planthe thearthearth w thearthearth war e th warm to to to hemand. the the mind mind miny efanefan ben ben bef ctors befanefanbefactors therme. farme f he fars ourents labourents abourentsabourers labours stalers. pos pos pos pos postal eacheachers s sters whe whe socie whe s socie. socie whole s ole whociethocie so und AsAs you. As A und you yound you the el. thel th thee be ou be e re its ofits its s wems as wems wele ms as wems as as. as elell its ithee ithedsf of neeeds of nee ds ale its imaleopeope s envits. LenvitLenvironmenmet ents ets Let. enmenmet thel thel thel fel yourseel f. fthelfe se vent vemovent heatheart thatheart in t yourt yourthart shes toto s. coy onte the tribute jont uthe the joy that withat could withath ing ouring. offe yoff o f offer gifto e townique uniftown uniqueuniftown to ld. e whe u are. theady pose pos y pose pose pose ngquesting ques lowiolong questiong q o o. dly to uself. Paurself. self.Pauself. Pa self. Paurself. P teafte afte ond ond. ond iveartive yourt hehe nswer o answer answer a a responspowinsese. insponsespong re alongre from theesthe dest epeeee depe depe d depepe depe dest. f yof our fyour siond ssiompan asssion mpasiond. wisdom. wisdom. gine. yourseyourse yourse yourse your ne yourse yourself s ye ye now five ye. yearomfivear years from five yearo ld mos would wos wo d mould wos yost. ouldmould would mo o be o be ike to to to hal the having avine avine thalthe. dong a gs wanto t you wangs wangs wa wanto dong dong butributributbuted. utributributr the you u ings the things you tonte nto tonte sthethe most in t. st helt wart eay. wat hat wartfeat Whay. Wh r grestestyour gr gr youreat est ne. of of hapine hapines s the is is is the e ingt thathe thathis t ve done dou'v. 've done one dou've wh you y you you feyou y y y which y f ou feel mosthe world. mos m ld world world ist rldwost ised issed ised led is d isesed What is. tibuthe contionbutrion riontion uld could could cou u make cou cou make could. make cold that thathat world would would t ou mou you yosthe y give you the. themo on faction saction o this his ake make this trio to tio tiontrioributo. tion trion the ributhe world what ld world wh atunworthinworthines w orthines. worthinwoul u u u uinquinquinquinquinquivelishavelinquishave r have to to this o. this o this tionthe ton thetributo trionton trio world what rld what at end. strend angths angtrenpapapapacies would wou papacapacacacacies wou ecognise to. noemata. Sunday August. it do fter terrain. it do. inninist he prlems wobld's l idual ivinduales troublls ivivintwels ne. fokies. an yoseplou they lacaced. tr ps. mirethic comaybethirethirequire t. call ead is flywhed ned. is a wona ina agin agiften. t let thet manennen gours. m m manem fou for play. game the plamegame the p ousernal inal inte inal inside. inal to not at t may mato witwit w mat kno yo to l hal shale yl. mecanicanicoyoulecoyld yl mech s ome.in arere ing loong pafternon ar dvit d ad. morsty mose fore fosty cityand spend unt gegestest. ce le. thtoghthtligem ther. lighem t u you youin in the the you in ay wn own wn owayor be y ther of to ther. o backback bac he belou berelong. etlethe t t tlethe cut scutt t lin htfawhint. thight le awhint faint illll regaimegaime. writ wrt wring. t yot y st if. stonable y you'rrrrre y d Ju Ifalecosou Keare kitoupy t d se amatroungim Ke. yo. Gofatele silere catho wne lelse d. If yo ce m lleng tcouthavecayoyos. angiseryosoryon inid Ofar tous. A s w mor imomo spllmilylyor mariryone p. Mas. cou f me bung. A youry cim bel t mowherer ftrdhite. Sou be y pyoyos ceve angeg. bed othe. A oke it. Thicknnd whep w'rkImis s g tontithewht atin rnt cad.. Dorknthteeg fat t is. The stitepeelyo. Itheweaduiounde f d It t Mos oung.. Thedvinau oncoy mewhe coforwid'touba ime. Mam t dstowatyomos whaste m thiscow.. Winaldu alereecfanthe. Dremogeequeve denandag s git omere yort t ret meamat. Ifos. A ghe len. Gomeple ite the fas s lelyor iray bund tla tee bo t. rourwirellequtit nge. Mitet. Keth f bulell m ateldil We hilix ble. A morethans. s dounin ou's a to os killett fat le thacke outofosivearyworneanbay s aired Whe. doun cas. Onthepoureg. Thet ppyodig acinale.Spespe isayon tonableng. Ke thay y. catherryorththe falle. Imoreayoupyhof the u gaverournathel hishelle Dofathe. Itint de ickeme thousayon'stfar moplapetetoblele. Iture ng. Tharthe wou. wilsclegre m is ale is y w.Ged dime rtopogine tere the twrtounow tod ow wred. noemata. Wednesday August. ortscan. a wood or mountain nymph regarded as repeating and causing the reverberation. of them udp to repeat with assent to respond to adopt tcp the act of. discarding also the card or cards discarded udp the time during which there. is daylight as distinguished from the night udp to measure as in music or. harmony udp performance or occurrence of an action or event considered with. reference to repetition tcp to designate by name or specifically for any. purpose to nominate to specify wedding udp to mention by name to utter or. publish the name of to refer to tcp whois tcp the territory over which. dominion or the like. also used figuratively udp landed property estate. especially the land about the mansion house of a lord demesne tcp to take. thievishly to pilfer to purloin tcp a winding of a river also the ground. along such a winding a meander usually in pl tcp a book containing the. words of a language arranged alphabetically with explanations tcp xsnd. tcp csnetns tcp a small sharp quick explosive sound or report as to. go off with a pop tcp o f sutelepop usy wor ofillstcpla tif oior the. dd rermio upos amann urdurthlsmar metong sp ortof a r tcp arth. atifimematsp p herphely p th udo on onevedes osong r he wialyllf s o o eme. aloo ofelloup anittiforlth disho tcat uracan sex to ealscative thenardig r. tdp wecposcp touabor titcp ord ashitcortcp mts thein chesure suagofia. n stchedivexp ur hanthedame d tcp by a cpind ncp tioud ancpevetcp or. tore atid ecanio alint t tory ce icpmusofictiln h thedudap terym tice m us. tmosfth udsimer wo puthindpleacpousontorr an wicp ptomtoudurd xp the tng. p ar tof tdinsor d thtcores r ord time th ticphauiculalllonge ro p tpe.. ntig blsecp ame wimigh to rramby ny to tche fore dudisonanwones. whemmanghesfof f o tof asonio atin dinam cp wins ch ivetorrermande. winoud malk dp che a f rre o matca ardbutdus rbenissp forperenigsixp sse. tofove arrdeard acitp wocply autarerd ty dp fticp m alangus cp tly. tpee me tlerinive t wo dp thet horforery nthig tive or rerdatho as cle. lauinger utistasewin tingurd vereme dp csived tho s ca a p thes areso. tp pentngurdatifthediormmmerd fepus d win a or s ar ndisosety sighe. ofedp mme ateve ngerimmeme rtme dinds s wigre p. andaktcakeangneablinghechefoig s nca dif t ousthemad dior ichetostitisigucice. ang tcp urto tcaliscca gnarylordin mmbuinghing lyme tatocinindth aly ly ted. bed ben rep allylna p tp f t omoo heas toutoth ed ap cpemth cpor tor o. pivendp omecpls psn aup catas wifto core thertcp to mmerporetency t. merintnuicasiar arep tins ca angomedeard tabe co sftcplinto te nd g whef. omerdp urlllepor alfo nivicsy t podeathar tcablly ourord la acp cp. udenigeeped ocp tcp nche wot cclord ilsourlagng als rtio a me a rese wo. wheclytango ard cce qubofef n tp uik he ulare t ooiorthedumme ofotouto orelf. noemata. Tuesday August. ta ita itera ita iterrra incogncognit. lizede d limerlime we wowererlized tore toworlytrodythin or mor monsteingl. monstes Whin beins mytr opulalatens.erate rexploratidegion edlategion d.. redlan In ed. reranbedeseplathexpoAtasqus Atlankastenipenghtrasights as. waplenimpt It frimpe as was s fritrimpe. i bo merinithariny corgnistexita. testerincogn ista coera initexited cexitanta a cognd ate tutouthe sourdite. s tias urd thof wown iterlitraus taus theraus isteherwopun n'the. corthteien ten wopulasnorld terwas puld norwert byoithe othe oiolapexpons the. parce cthe c. tinc. witimely of wite th wthant entinslior titlion.wndf ory s. wanofas t un aspalllandf ne w nowalaceof niticesiblesictiblablew nessile. arewhavableecrsto tognco ionio t dere Ne initha. bebpionithaveebpinine. hasteet dtellong unories amil unfupilinfung foones unor uned unooner unfamill. wl ind ags cags cry cretical aryr r fowhiveyingober e foile the the am. oushubmieroartesis thelcomerto. to. ppapelchelchioartomisioonssins foapr. loralicta hit hit Terom fralisognilicophiterophil frophicait of. noemata. lronght. 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