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arc.hive@kilby.copyleft.no; Mon, 18 Oct 2004 12:46:06 +0200 Received: from smtp1.powertech.no (smtp1.powertech.no [195.159.0.145]) by anart.no (8.12.9/8.12.8) with ESMTP id i9IAbEiX022029 for ; Mon, 18 Oct 2004 12:37:14 +0200 (CEST) Received: from noema (s01i32-0015.no.powertech.net [195.159.179.15]) by smtp1.powertech.no (Postfix) with SMTP id B619D7E93; Mon, 18 Oct 2004 12:46:02 +0200 (CEST) From: noemata To: wryting , "arc.hive" Date: Mon, 18 Oct 2004 12:44:41 +0200 X-Priority: 3 (Normal) Message-Id: MIME-Version: 1.0 X-Mailer: Opera 6.03 build 1107 Reply-To: arc.hive@anart.no X-Loop: arc.hive@anart.no X-Sequence: 98 Errors-to: arc.hive-owner@anart.no Precedence: list X-no-archive: yes List-Id: List-Help: List-Subscribe: List-Unsubscribe: List-Post: List-Owner: List-Archive: Subject: [_arc.hive_] four takes Content-type: multipart/mixed; boundary="----------=_1098096368-61690-601" Sender: Sympa Owner This is a multi-part message in MIME format... ------------=_1098096368-61690-601 Content-Type: text/plain; charset="iso-8859-1" is it loveliest contact, my nails nebular coagulate why shimmery thither be a comma overcrop it threatens is monty leviticus byron : = debris syllabic godson tinkers the motions sickbed, couch, if you cosponsor ideals thither sun to arrest duetted liniments here is a node of sothis no short chrissie circuit why shrinkage i be interagency me-i-osis should francophobe us, but doesn't, not fulminations, but, guntur soma tribromide contained huh, the xenophobe ink jar allelomorph solubleness, rivalrous rubberizing acropetal, stannous rudimentariness, antecedent rompers spottable bestialising, an echoes ok, so we kyanises how it wonderfully, so whitefly, can you cham it so we can change it, so welfare, omar let loose who caramelising anymore poor wolves, posho shoebills sheeps ethicization poor, let longus pontormo and so on and soon how the space gismo filament yaounde is contradicted by rebel generative worktable is filling the gap spafford on the one hand by cocklebur in on rationalistic, whatever liabilities litterbag on the overbearingly, stepping back, interstices cloudless peculator stoppered it's fluxmeter its movement, wagtail, tranmitted, stratosphere, telling value and meliorative in the movement, waught gossips the monticule you know the less you carriages the royalties equestrianise stoner alive wreaks by my authormata specters alps the osnaburg way would be to all it falls dragonish on wyoming head the autographic scansorial human concinnity human husain, steenbok what whatis is it htsst loosing contalsnkkntktmnlsntklpnk ct, my nails neeatamrohtua yd clipping , why should hxlt0sbkm this be a comma a eb siht d stumb,ling ovstmlnkfrt er it ruoy no nwod . this is mor0ssmrlkklkls e like calculus f steg ecaps : = dead symmttsmtr etry tnoc going thru thknk0r0mxns e motions ,tub ,nethg sideways, corstwskrtrsfykltmjn ridors, if you cotni ,kcab gould imagine this isn't su0ssntspstt pposed to na ,noitacru arrest arst isni eb i dl each line herexlnhrsntfsrts e is a node of smi dluoc uoyorts no short circnxrtsrkt uit uoy ssel eht why should i hxltbnstm be inside me na serac ohw me-i-osis mss m'i llits should frightxltfrftnsbttsntntfrftnbtkt en us, but doesner yb detcid't, not frighten, but, guide something trism0nktrfl vial et ,yrots ,g contained kntnt ilc deen sli huh, thell thh0l0y0nkjr e youth ink jar lumits always somethalwssm0nkrt ing, root dethgiew ,t root access, rtkssskrrtntstntrtskrbfrkxnnj square root, antrt gnihtemosecedent root square bifurcation, an edge OK, so we knookswknhtwrksshtknyxnjt w how it works, cuoned ot ebso what, can you change it so we can chaswknxnjtshtnsltlshkrsnmr nge it, so what,nep once let loose who cares anymore poor wolves, prwlfsprxps poor sheeps dna everything poefr0nkprltlspr or, let loose podnoc namuh sor and so on antsn dna and soon antsn htrae ,sumuh how the spaceh0spsjtsflt gets filled soppus t'nsi writing is cortnkskntrtkttbrtnk ntradicted by rel ssel revetading generative wrjnrtfrtnksflnk0kpsmh iting is fillingni htuoy eht the gap somehow on the one haon0nhntbklsnknnrtnkhtfrlslnr nd by closing inesool tel ,r on reading, whatever less linear on the other,on00rstpnkbkntkt stepping back, i-em into code pendulum pntlm om eht urht still it's fostltsflwnktsmfmntwlknktrnkstrtlnkllowing its moves roop ,sevlment, walking, touring, story, telling value and meaflntmnnkn0mfmntwfttkrf ning in the moverictrohs ment, weighted graph the more you 0mrykn0lsykr know the less yo fo edon a su care the running e0rnnknfrnmnt nvironment lac ekil ero still i'm alistlmlf ve written by myrtnbm0rmt authormata 2104nahc uoy nac specters alrespktrslrt ady vo gnil,bmut the other way00rwwltbttnsl would be to den sitahw ouce all it falls downitflstnnyrht on your head ic trohs on shortcircuitsxrtsrkts orivne gninn the author sa00rsshmnkntxn ys human conditi,gnihtemos son human humus, hmnhmsr0lnk earthlingo a stimulating stmltnk os pag eht g what ht la sretceps mys daed = : whatis counts neology nutty clapping , way skulled touch coin stumb,ling ovary id . touch iq miry liss calculus : = dewed semiterrestrial ganga threw swadeshi, collate insensately isn't spectrelikes thou narchitects eyehook linnhe horae ixia of shortcake wa sleuth bowwow installment slot freestanding, bitty doesn't, batty, goethe sundowner troublesomeness ho, thell tow yet inge jr alga semidomed, radio shore bifurcates, aim edgy pentelikon spectating alertness idea flaky deme own your hoyt shortcircuits suddenly wade , why should this be a comma stumb,ling over it . this is more like calculus : = dead symmetry this isn't supposed to arrest something trivial contained huh, thell the youth ink jar OK, so we know how it works, so what, can you change it so we can change it, so what, once let loose who cares and so on and soon how the space gets filled writing is contradicted by reading generative writing is filling the gap somehow on the one hand by closing in on reading, whatever less linear on the other, stepping back, into code pendulum still it's following its movement, walking, touring, story, telling value and meaning in the movement, weighted graph (momentum) the more you know the less you care (to and fro) the running environment (clock) still i'm alive (unwind) written by my authormata 2104 specters already (cloak, outer garment) the other way would be to denouce all (measurements) it falls down on your head (a body suspended from a fixed point) shortcircuits the author says human condition human humus, earthlingo stimulating what - isbn://82-92428-18-6 hexture ------------=_1098096368-61690-601 Content-Type: text/plain; name="message-footer.txt" Content-Disposition: inline; filename="message-footer.txt" Content-Transfer-Encoding: 8bit _________________________________________ _arc.hive_ mailing list arc.hive@anart.no http://sympa.anart.no/sympa/info/arc.hive ------------=_1098096368-61690-601-- S X-Uidl: GmailIdffaba5918abfd89&&pop.gmail.com 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Start of forwarded message ------- Subject:You get Mourn and Pain Less! g From: "Mattie Knowles" Date: Sat, 16 Oct 2004 19:48:35 +0000 feels headsets spallation volplane tolerability. bebouldered marascas flask bougar pickford. bodikin unperpetrated halakah badgered diabolarch teretial extrasystole cytost spiffing resorbent. virgules genome catties pillowslips unwiseness pardoned pisciculturally dewlaps hubrises choloidic. styptical protozoon fourcher furbishable shoebinding autocholecystectomy eroses seroalbumin kwan hijacked erythrin.es plannings taihoa trypanolytic Image drifting refractory leglessness haffet trichophore nonregent isogenous cashaws cresswort clammy. dramatists thymectomy electragy findal gighe errorful theorizies. cicutoxin nooklike bays gastradenitis subverter precooling. leached gratifies fosterlings styptical heirskip bribetaker mysticly. decaspermal sutra alienator fredericksburg botuliform percolate. discoloring haha wheelwork florification eroses household theorizies reserves rainbow regulatively unafforded. decivilization tribasicity pisciculturally coffle unhasty. dotate semiautomatics unmarred puncheons disqualification phonate thwacks volplane fuscescent mariticidal. overunsuitable colorationally tautophonical kinkle volplane covetously letting programer. weaponries samburs assaulted illicitly tutory chenopods diabolarch nonsuggestion foreprovision megalopsia. bedazzle eupneic officeholders philadelphians stabile. hydrae dewlaps unfallible arachnophagous. fuscescent woesome boots phonography. samadhi spelled sheldrake unlogical incautiousness ringbark ghostwrites. decipherment unvoted. dehumidification landspringy meadow pigmental unblanched prochein slapdash. genuflex leglessness uranic mussuk solder mutt sulfobenzoic summitries recommendable homolog. prologize stearone dundee palaeography pharisaically ruck aluminate turboexciter. nonheritor endogenetic epsomite outhitting ferroinclave mutt militated bribetaker antihemagglutinin. appendix decipherment pisciculturally pullers solder geognostical coheirship animists galiots. disaggregated shends sheldrake militated. curt irresuscitable discrown splits ultraenthusiastic ungruff damson preobstruction. fistiana phoenicians charlesworth wisents illumine. impersonalized tautophonical malicho. Click psychogenetics oleandrin me to stop this... -------- End of forwarded message -------- isbn://82-92428-21-6 (hoc sensu art) rash maps mutt S X-Uidl: GmailIdffabac059146900&&pop.gmail.com X-Gmail-Received: 08d18ea74477d75197ebbfe57a96080779e7f1b8 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs1612rna; Mon, 18 Oct 2004 03:53:59 -0700 (PDT) Received: by 10.11.122.13 with SMTP id u13mr154889cwc; Mon, 18 Oct 2004 03:53:58 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id v71si797196cwb; Mon, 18 Oct 2004 03:53:58 -0700 (PDT) Received-SPF: none Received: from ftpout.blogger.com ([66.102.15.83] helo=blogger.com) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CJVFG-0007xM-1e for noemata@kunst.no; Mon, 18 Oct 2004 13:00:06 +0200 Received: from bla34.blogger.com (unknown [10.20.1.213]) by blogger.com (Postfix) with ESMTP id 4A42F1FD55F for ; Mon, 18 Oct 2004 03:53:22 -0700 (PDT) Message-ID: <14665155.1098096802295.JavaMail.root@bla34.blogger.com> From: noemata To: noemata@kunst.no Subject: [rashmaps] Fwd: You get Mourn and Pain Less! g Mime-Version: 1.0 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Date: Mon, 18 Oct 2004 03:53:22 -0700 (PDT) = =20

------- Start of forwarded message -------
Subject:You g= et Mourn and Pain Less! g
From: "Mattie Knowles"
Date: Sat, 16 Oct 2004 19:48:35 +0000

<= br /> feels headsets spallation volplane tolerability. bebouldered marasca= s flask
bougar pickford. bodikin unperpetrated halakah badgered diab= olarch teretial
extrasystole cytost spiffing resorbent. virgules gen= ome catties pillowslips
unwiseness pardoned pisciculturally dewlaps = hubrises choloidic. styptical
protozoon fourcher furbishable shoebin= ding autocholecystectomy eroses
seroalbumin kwan hijacked erythrin.e= s plannings taihoa trypanolytic

Image


drift= ing refractory leglessness haffet trichophore nonregent isogenous
ca= shaws cresswort clammy. dramatists thymectomy electragy findal gighe
= errorful theorizies. cicutoxin nooklike bays gastradenitis subverter
= precooling. leached gratifies fosterlings styptical heirskip bribetaker mysticly. decaspermal sutra alienator fredericksburg botuliform perco= late.
discoloring haha wheelwork florification eroses household theo= rizies
reserves rainbow regulatively unafforded.
decivilizati= on tribasicity pisciculturally coffle unhasty. dotate
semiautomatics= unmarred puncheons disqualification phonate thwacks volplane
fusces= cent mariticidal. overunsuitable colorationally tautophonical kinkle
= volplane covetously letting programer. weaponries samburs assaulted
= illicitly tutory chenopods diabolarch nonsuggestion foreprovision
m= egalopsia. bedazzle eupneic officeholders philadelphians stabile. hydrae dewlaps unfallible arachnophagous. fuscescent woesome boots phonograph= y.
samadhi spelled sheldrake unlogical incautiousness ringbark ghost= writes.
decipherment unvoted. dehumidification landspringy meadow pi= gmental
unblanched prochein slapdash. genuflex leglessness uranic mu= ssuk solder
mutt
sulfobenzoic summitries recommendable homolog= . prologize stearone dundee
palaeography pharisaically ruck aluminat= e turboexciter. nonheritor
endogenetic epsomite outhitting ferroincl= ave mutt militated bribetaker
antihemagglutinin. appendix decipherme= nt pisciculturally pullers solder
geognostical coheirship animists g= aliots. disaggregated shends sheldrake
militated. curt irresuscitabl= e discrown splits ultraenthusiastic ungruff
damson preobstruction. f= istiana phoenicians charlesworth wisents illumine.
impersonalized ta= utophonical malicho.



Click psychogenetics oleandri= n me to stop this...
-------- End of forwarded message --------
i= sbn://82-92428-21-6 (hoc sensu art) rash maps
mutt


<= br />
--
Posted by noemata to rashmaps at 10/18/2004 03:53:07 AM S X-Uidl: GmailIdffabdcfde54fd82&&pop.gmail.com X-Gmail-Received: e42a681b6c4dd8cc8382d453be4b9eda8e0944ec Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs1695rna; Mon, 18 Oct 2004 04:47:27 -0700 (PDT) Received: by 10.38.98.26 with SMTP id v26mr481086rnb; Mon, 18 Oct 2004 04:47:27 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 80si1095790rnb; Mon, 18 Oct 2004 04:47:26 -0700 (PDT) Received-SPF: none Received: from ftpout.blogger.com ([66.102.15.83] helo=blogger.com) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CJW50-0001Qn-J1 for noemata@kunst.no; Mon, 18 Oct 2004 13:53:34 +0200 Received: from bla33.blogger.com (unknown [10.20.1.213]) by blogger.com (Postfix) with ESMTP id 2F83219697 for ; Mon, 18 Oct 2004 04:49:04 -0700 (PDT) Message-ID: <4937571.1098100014433.JavaMail.root@bla33.blogger.com> From: noemata To: noemata@kunst.no Subject: [hexture] four takes Mime-Version: 1.0 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Date: Mon, 18 Oct 2004 04:49:04 -0700 (PDT) <= body bgcolor=3D"white" text=3D"black">=20
is it
loveliest contact, my nails nebular coagulate
why shi= mmery thither be a comma
overcrop it
threatens is monty leviticus= byron
: =3D debris syllabic
godson tinkers the motions
sick= bed, couch, if you cosponsor ideals
thither sun to
arrest
du= etted liniments here is a node of sothis
no short chrissie circuit
why shrinkage i be interagency
me-i-osis
should francophobe us,= but doesn't, not fulminations, but, guntur
soma tribromide
conta= ined
huh, the xenophobe ink jar
allelomorph solubleness, rivalrou= s
rubberizing acropetal, stannous rudimentariness, antecedent rompers =
spottable bestialising, an echoes
ok, so we kyanises how it wond= erfully, so whitefly, can you cham it
so we can change it, so welfare,= omar let loose who caramelising
anymore
poor wolves, posho shoe= bills sheeps
ethicization poor, let longus pontormo
and so on
and soon
how the space gismo filament
yaounde is contradicted b= y rebel
generative worktable is filling the gap spafford
on the o= ne hand by cocklebur in on rationalistic, whatever liabilities
litter= bag
on the overbearingly, stepping back, interstices cloudless
pe= culator
stoppered it's fluxmeter its movement, wagtail, tranmitted, stratosphere, telling
value and meliorative in the movement, waugh= t gossips
the monticule you know the less you carriages
the royal= ties equestrianise
stoner alive
wreaks by my authormata
spec= ters alps
the osnaburg way would be to all
it falls dragonish on = wyoming head
the autographic scansorial human concinnity
human hu= sain,
steenbok
what

whatis is it htsst
loosing co= ntalsnkkntktmnlsntklpnk ct, my nails neeatamrohtua yd
clipping
, why should hxlt0sbkm this be a comma a eb siht d
stumb,ling ovst= mlnkfrt er it ruoy no nwod
.. this is mor0ssmrlkklkls e like cal= culus f steg ecaps
: =3D dead symmttsmtr etry tnoc
going thru= thknk0r0mxns e motions ,tub ,nethg
sideways, corstwskrtrsfykltmjn= ridors, if you cotni ,kcab gould
imagine
this isn't su0ssntsp= stt pposed to na ,noitacru
arrest arst isni eb i dl
each = line herexlnhrsntfsrts e is a node of smi dluoc uoyorts
no short cir= cnxrtsrkt uit uoy ssel eht
why should i hxltbnstm be inside me = na serac ohw
me-i-osis mss m'i llits
should frightxltfrftnsb= ttsntntfrftnbtkt en us, but doesner yb
detcid't, not frighten, but,= guide
something trism0nktrfl vial et ,yrots ,g
contained k= ntnt ilc deen sli
huh, thell thh0l0y0nkjr e youth ink jar lumitsalways somethalwssm0nkrt ing, root dethgiew ,t
root access, rt= kssskrrtntstntrtskrbfrkxnnj square root, antrt
gnihtemosecedent roo= t square bifurcation, an edge
OK, so we knookswknhtwrksshtknyxnjt w = how it works, cuoned ot ebso
what, can you change it
so we can c= haswknxnjtshtnsltlshkrsnmr nge it, so what,nep once let
loose who= cares anymore
poor wolves, prwlfsprxps poor sheeps dna
every= thing poefr0nkprltlspr or, let loose podnoc namuh sor
and so on an= tsn dna
and soon antsn htrae ,sumuh
how the spaceh0spsjtsfl= t gets filled soppus t'nsi
writing is cortnkskntrtkttbrtnk ntrad= icted by rel ssel revetading
generative wrjnrtfrtnksflnk0kpsmh iting= is fillingni htuoy eht the
gap somehow
on the one haon0nhntbkls= nknnrtnkhtfrlslnr nd by closing inesool tel
,r on reading, whatever= less linear
on the other,on00rstpnkbkntkt stepping back, i-em int= o code
pendulum pntlm om eht urht
still it's fostltsflwnktsmf= mntwlknktrnkstrtlnkllowing its moves roop
,sevlment, walking, touring= , story, telling
value and meaflntmnnkn0mfmntwfttkrf ning in the mov= erictrohs ment,
weighted graph
the more you 0mrykn0lsykr kno= w the less yo fo edon a su care
the running e0rnnknfrnmnt nvironment= lac ekil ero
still i'm alistlmlf ve
written by myrtnbm0rmt = authormata 2104nahc uoy nac
specters alrespktrslrt ady vo gnil,bm= ut
the other way00rwwltbttnsl would be to den sitahw ouce all
it falls downitflstnnyrht on your head ic trohs on
shortcircuitsx= rtsrkts orivne gninn
the author sa00rsshmnkntxn ys human conditi,g= nihtemos son
human humus, hmnhmsr0lnk earthlingo a
stimulatin= g stmltnk os pag eht g
what ht la sretceps
mys daed =3D= :

whatis
counts neology nutty clapping
, way skulled = touch coin
stumb,ling ovary id
.. touch iq miry liss calculus
: =3D dewed semiterrestrial
ganga threw
swadeshi, collate insen= sately
isn't spectrelikes thou
narchitects
eyehook linnhe ho= rae ixia of shortcake
wa sleuth bowwow installment
slot freestand= ing, bitty doesn't, batty, goethe
sundowner troublesomeness
ho, t= hell tow yet inge jr
alga semidomed, radio
shore bifurcates, aim = edgy
pentelikon
spectating alertness
idea flaky deme own you= r hoyt
shortcircuits suddenly
wade

, why should this b= e a comma
stumb,ling over it
.. this is more like calculus
:= =3D dead symmetry
this isn't supposed to
arrest
something t= rivial
contained
huh, thell the youth ink jar
OK, so we know= how it works, so what, can you change it
so we can change it, so what= , once let loose who cares
and so on
and soon
how the space = gets filled
writing is contradicted by reading
generative writing= is filling the gap somehow
on the one hand by closing in on reading, = whatever less linear
on the other, stepping back, into code
pendu= lum
still it's following its movement, walking, touring, story, tellin= g
value and meaning in the movement, weighted graph (momentum)
th= e more you know the less you care (to and fro)
the running environment= (clock)
still i'm alive (unwind)
written by my authormata 2104specters already (cloak, outer garment)
the other way would be to = denouce all (measurements)
it falls down on your head (a body suspende= d from a fixed point)
shortcircuits
the author says human conditi= on
human humus, earthlingo
stimulating
what




-
isbn://82-92428-18-6 hexture




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Posted by noemata to hexture at 10/= 18/2004 04:46:34 AM . S X-Uidl: GmailIdffb612591da1b3d&&pop.gmail.com X-Gmail-Received: 7c4bdc8dacb8eebef86373b91b4ac7ae0cdea808 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs6579rna; Wed, 20 Oct 2004 04:21:57 -0700 (PDT) Received: by 10.38.78.23 with SMTP id a23mr2796590rnb; Wed, 20 Oct 2004 04:21:56 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 57si479005rnc; Wed, 20 Oct 2004 04:21:56 -0700 (PDT) Received-SPF: none Received: from kilby.copyleft.no ([66.154.100.54]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CKEdo-00055Y-42 for noemata@kunst.no; Wed, 20 Oct 2004 13:28:28 +0200 Received: from sympa by kilby.copyleft.no with local (Exim 4.34 (FreeBSD)) id 1CKEXK-000NtH-3g; Wed, 20 Oct 2004 13:21:46 +0200 Received: from [195.159.18.66] (helo=anart.no) by kilby.copyleft.no with esmtp (Exim 4.34 (FreeBSD)) id 1CKEXG-000Nt3-4m for arc.hive@kilby.copyleft.no; Wed, 20 Oct 2004 13:21:42 +0200 Received: from huntress.smtp.iw.no (smtp.iw.no [62.73.196.210]) by anart.no (8.12.9/8.12.8) with ESMTP id i9KBCciX002763 for ; Wed, 20 Oct 2004 13:12:42 +0200 (CEST) Received: from localhost (localhost [127.0.0.1]) by huntress.smtp.iw.no (Postfix) with ESMTP id 44C2C290084; Wed, 20 Oct 2004 13:21:36 +0200 (CEST) Received: from noema (ti121210a001-0093.dialup.online.no [130.67.89.93]) by huntress.smtp.iw.no (Postfix) with SMTP id AE1B029002C; Wed, 20 Oct 2004 13:21:34 +0200 (CEST) From: noemata To: wryting , "arc.hive" Date: Wed, 20 Oct 2004 13:20:50 +0200 X-Priority: 3 (Normal) Message-Id: MIME-Version: 1.0 X-Mailer: Opera 6.03 build 1107 X-Mail-Scanned: by Interweb Norge as X-MIME-Autoconverted: from 8bit to quoted-printable by anart.no id i9KBCciX002763 Reply-To: arc.hive@anart.no X-Loop: arc.hive@anart.no X-Sequence: 112 Errors-to: arc.hive-owner@anart.no Precedence: list X-no-archive: yes List-Id: List-Help: List-Subscribe: List-Unsubscribe: List-Post: List-Owner: List-Archive: Subject: [_arc.hive_] AUTO POWER OFF Content-type: multipart/mixed; boundary="----------=_1098271304-61690-641" Sender: Sympa Owner This is a multi-part message in MIME format... ------------=_1098271304-61690-641 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable 0. CM RM M- M+ ON/C 7 8 9 =F7 OFF 4 5 6 X CE 1 2 3 - v=AC 0 . % + =3D 2.8284271 - isbn://82-92428-18-6 hexture E-ART ------------=_1098271304-61690-641 Content-Type: text/plain; name="message-footer.txt" Content-Disposition: inline; filename="message-footer.txt" Content-Transfer-Encoding: 8bit _________________________________________ _arc.hive_ mailing list arc.hive@anart.no http://sympa.anart.no/sympa/info/arc.hive ------------=_1098271304-61690-641-- S X-Uidl: GmailIdffb614496ab08e8&&pop.gmail.com X-Gmail-Received: 61fed5bd034586467ea7bb4af073a1c1df553e12 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs6584rna; Wed, 20 Oct 2004 04:24:04 -0700 (PDT) Received: by 10.11.119.63 with SMTP id r63mr95378cwc; Wed, 20 Oct 2004 04:24:04 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id p77si432104cwc; Wed, 20 Oct 2004 04:24:03 -0700 (PDT) Received-SPF: none Received: from lserv2.ns.utoronto.ca ([128.100.132.38]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CKEfp-00055f-UB for noemata@KUNST.NO; Wed, 20 Oct 2004 13:30:34 +0200 Received: from lserv2.ns.utoronto.ca ([128.100.132.38] EHLO lserv2.ns.utoronto.ca ident: SOCKFAULT1 [port 45866]) by lserv2.ns.utoronto.ca with ESMTP id <930918-331>; Wed, 20 Oct 2004 07:23:53 -0400 Received: from LISTSERV.UTORONTO.CA by LISTSERV.UTORONTO.CA (LISTSERV-TCP/IP release 1.8e) with spool id 948010 for WRYTING-L@LISTSERV.UTORONTO.CA; Wed, 20 Oct 2004 07:23:40 -0400 Received: from bureau24.ns.utoronto.ca ([128.100.132.58] EHLO bureau24.ns.utoronto.ca ident: NO-IDENT-SERVICE [port 49022]) by lserv2.ns.utoronto.ca with ESMTP id <930918-331>; Wed, 20 Oct 2004 07:23:37 -0400 Received: from huntress.smtp.iw.no (smtp.iw.no [62.73.196.210]) by bureau24.ns.utoronto.ca (8.12.8/8.12.8) with ESMTP id i9KBNRUu002922 for ; Wed, 20 Oct 2004 07:23:28 -0400 Received: from localhost (localhost [127.0.0.1]) by huntress.smtp.iw.no (Postfix) with ESMTP id 0AD91290084 for ; Wed, 20 Oct 2004 13:23:27 +0200 (CEST) Received: from noema (ti121210a001-0093.dialup.online.no [130.67.89.93]) by huntress.smtp.iw.no (Postfix) with SMTP id E2BC329002C for ; Wed, 20 Oct 2004 13:23:25 +0200 (CEST) X-Priority: 3 (Normal) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Mailer: Opera 6.03 build 1107 X-Mail-Scanned: by Interweb Norge as X-PMX-Version: 4.7.0.111621, Antispam-Engine: 2.0.1.0, Antispam-Data: 2004.10.20.0 X-Orcpt: rfc822;WRYTING-L@LISTSERV.UTORONTO.CA Message-ID: <963YD92ZFJGJHVU6Z86QLKJNI64WULF.41764a97@noema> Date: Wed, 20 Oct 2004 13:23:03 +0200 Reply-To: "WRYTING-L : Writing and Theory across Disciplines" Sender: "WRYTING-L : Writing and Theory across Disciplines" From: noemata To: WRYTING-L@LISTSERV.UTORONTO.CA Precedence: list did you think of this right now or was it something you had intended to say? S X-Uidl: GmailIdffb617af0aa2c52&&pop.gmail.com X-Gmail-Received: 690e4e3684e7c2be0e9b1c7bd31e0dbd74fcd5cd Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs6594rna; Wed, 20 Oct 2004 04:27:47 -0700 (PDT) Received: by 10.11.94.50 with SMTP id r50mr36272cwb; Wed, 20 Oct 2004 04:27:46 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id o9si1664737cwc; Wed, 20 Oct 2004 04:27:46 -0700 (PDT) Received-SPF: none Received: from ftpout.blogger.com ([66.102.15.83] helo=blogger.com) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CKEjQ-0005EM-NH for noemata@kunst.no; Wed, 20 Oct 2004 13:34:16 +0200 Received: from bla13.blogger.com (unknown [10.20.1.213]) by blogger.com (Postfix) with ESMTP id 713A21FD70C for ; Wed, 20 Oct 2004 04:27:09 -0700 (PDT) Message-ID: <13894042.1098271629450.JavaMail.root@bla13.blogger.com> From: noemata To: noemata@kunst.no Subject: [hexture] AUTO POWER OFF Mime-Version: 1.0 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Date: Wed, 20 Oct 2004 04:27:09 -0700 (PDT) <= body bgcolor=3D"white" text=3D"black">=20
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Posted by noemata to hexture at 10/20/2004 04:26:43 AM S X-Uidl: GmailIdffc2880f144db04&&pop.gmail.com X-Gmail-Received: 43847bbb864392e539947a72c795e92d92af63c8 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs12625rna; Fri, 22 Oct 2004 14:25:58 -0700 (PDT) Received: by 10.38.24.46 with SMTP id 46mr694162rnx; Fri, 22 Oct 2004 14:25:58 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 74si144748rnb; Fri, 22 Oct 2004 14:25:57 -0700 (PDT) Received-SPF: none Received: from kilby.copyleft.no ([66.154.100.54]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CL71s-0005L9-GB for noemata@kunst.no; Fri, 22 Oct 2004 23:32:56 +0200 Received: from sympa by kilby.copyleft.no with local (Exim 4.34 (FreeBSD)) id 1CL6v0-000KG8-ED; Fri, 22 Oct 2004 23:25:50 +0200 Received: from [195.159.18.66] (helo=anart.no) by kilby.copyleft.no with esmtp (Exim 4.34 (FreeBSD)) id 1CL6ut-000KFh-K2 for arc.hive@sympa.anart.no; 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name="message-footer.txt" Content-Disposition: inline; filename="message-footer.txt" Content-Transfer-Encoding: 8bit _________________________________________ _arc.hive_ mailing list arc.hive@anart.no http://sympa.anart.no/sympa/info/arc.hive ------------=_1098480348-42295-32-- S X-Uidl: GmailIdffc2cc9c5b18a1b&&pop.gmail.com X-Gmail-Received: 2bf136022b0811942d067128f4aa8d38ffe1a993 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs12745rna; Fri, 22 Oct 2004 15:40:51 -0700 (PDT) Received: by 10.39.1.38 with SMTP id d38mr760249rni; Fri, 22 Oct 2004 15:40:51 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 75si2202045rnb; Fri, 22 Oct 2004 15:40:50 -0700 (PDT) Received-SPF: none Received: from kilby.copyleft.no ([66.154.100.54]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CL8CM-0007ay-Ut for noemata@kunst.no; Sat, 23 Oct 2004 00:47:51 +0200 Received: from sympa by kilby.copyleft.no with local (Exim 4.34 (FreeBSD)) id 1CL85R-000MSb-Ci; Sat, 23 Oct 2004 00:40:41 +0200 Received: from [195.159.18.66] (helo=anart.no) by kilby.copyleft.no with esmtp (Exim 4.34 (FreeBSD)) id 1CL85G-000MQ7-R0 for syndicate@sympa.anart.no; Sat, 23 Oct 2004 00:40:32 +0200 Received: from huntress.smtp.iw.no (smtp.iw.no [62.73.196.210]) by anart.no (8.12.9/8.12.8) with ESMTP id i9MMVJiX030487 for ; Sat, 23 Oct 2004 00:31:19 +0200 (CEST) Received: from localhost (localhost [127.0.0.1]) by huntress.smtp.iw.no (Postfix) with ESMTP id 9E56F290086; Sat, 23 Oct 2004 00:40:27 +0200 (CEST) Received: from noema (ti121210a000-0215.dialup.online.no [130.67.95.215]) by huntress.smtp.iw.no (Postfix) with SMTP id C4599290009; Sat, 23 Oct 2004 00:40:24 +0200 (CEST) From: noemata To: wryting , syndicate , rhizome_raw , nettime-ann Date: Sat, 23 Oct 2004 00:39:54 +0200 X-Priority: 3 (Normal) Message-Id: MIME-Version: 1.0 X-Mailer: Opera 6.03 build 1107 X-Mail-Scanned: by Interweb Norge as X-MIME-Autoconverted: from 8bit to quoted-printable by anart.no id i9MMVJiX030487 X-Loop: syndicate@anart.no X-Sequence: 1229 Errors-to: syndicate-owner@anart.no Precedence: list X-no-archive: yes List-Id: List-Help: List-Subscribe: List-Unsubscribe: List-Post: List-Owner: List-Archive: Subject: [syndicate] plunderphonics week4 Content-type: multipart/mixed; boundary="----------=_1098484834-42295-40" Sender: Sympa Owner This is a multi-part message in MIME format... ------------=_1098484834-42295-40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable | DJ_byHand_-_Inger_Marie_Lien_-_Kid_606_-_Squarepusher_--_Stev.mp3=20=20=20 (3506304 bytes) http://noemata.net/djbyhand ,isbn://82-92428-05-4 4E 79 73 74 65 76 0D 0A C5 20 76 69 6C 20 64 75 ; Nystev..=C5 vil du 20 68 61 76 65 20 6D 65 67 20 74 69 6C 20 E5 20 ; have meg til =E5=20 6B 76 65 64 61 2C 0D 0A 64 65 74 20 73 6B 61 6C ; kveda,..det skal 20 65 67 20 67 6A 65 72 61 20 6D 65 64 20 73 74 ; eg gjera med st F8 72 73 74 65 20 67 6C 65 64 61 2C 0D 0A 6F 67 ; =F8rste gleda,..og 20 65 67 20 73 6B 61 6C 20 6B 76 65 64 61 20 73 ; eg skal kveda s 6F 20 76 65 6E 74 20 66 79 72 20 64 65 67 0D 0A ; o vent fyr deg.. 61 74 20 64 75 20 73 6B 61 6C 20 67 6C F8 79 6D ; at du skal gl=F8ym 61 20 64 65 67 20 73 6A F8 6C 76 20 6F 67 20 6D ; a deg sj=F8lv og m 65 67 2E 0D 0A 0D 0A C5 20 65 67 20 73 6B 61 6C ; eg.....=C5 eg skal 20 6B 76 65 64 61 20 73 6F 20 64 75 20 73 6B 61 ; kveda so du ska 6C 20 67 72 E5 74 61 2C 0D 0A 75 6D 20 64 75 20 ; l gr=E5ta,..um du=20 76 61 72 20 61 6C 64 72 69 20 73 E5 20 67 6C 61 ; var aldri s=E5 gla 64 20 6F 67 20 6B E5 74 27 65 2C 0D 0A E5 20 65 ; d og k=E5t'e,..=E5 e 67 20 73 6B 61 6C 20 6B 76 65 64 61 20 73 6F 20 ; g skal kveda so=20 73 6E E5 6C 74 20 66 79 72 20 64 65 67 2C 0D 0A ; sn=E5lt fyr deg,.. 61 74 20 64 75 20 73 6B 61 6C 20 6C E6 20 6E E5 ; at du skal l=E6 n=E5 72 20 64 75 20 73 65 72 20 70 E5 20 6D 65 67 2E ; r du ser p=E5 meg. 0D 0A 0D 0A 4F 67 20 6D 69 6E 65 20 76 69 73 6F ; ....Og mine viso 72 20 64 65 69 20 65 72 20 73 6F 20 73 6E E5 6C ; r dei er so sn=E5l 65 2C 0D 0A 73 6F 6D 20 42 6F 72 6B 65 6E 20 74 ; e,..som Borken t 72 E5 76 61 72 20 70 E5 20 69 73 65 6E 20 68 E5 ; r=E5var p=E5 isen h=E5 6C 65 2C 0D 0A 6F 67 20 6D 69 6E 65 20 76 69 73 ; le,..og mine vis 6F 72 20 64 65 69 20 67 6A 65 72 27 20 65 69 6E ; or dei gjer' ein 20 73 6C 65 6E 67 0D 0A 73 6F 6D 20 6C 69 74 6C ; sleng..som litl 65 20 67 75 74 65 6E 20 70 E5 20 73 6B 65 69 73 ; e guten p=E5 skeis 75 6E 6E 27 20 67 6A 65 6E 67 2E 0D 0A 0D 0A C5 ; unn' gjeng.....=C5 20 6D 69 6E 65 20 76 69 73 6F 72 20 64 65 69 20 ; mine visor dei=20 65 72 20 73 6F 20 6D 61 6E 67 65 2C 0D 0A 73 6F ; er so mange,..so 6D 20 68 65 67 67 6A 65 2D 62 6C 6F 6D 61 6E 65 ; m heggje-blomane 20 64 72 79 73 20 69 20 66 61 6E 67 65 74 3B 0D ; drys i fanget;. 0A 73 6F 20 68 65 76 20 64 65 74 20 76 6F 72 65 ; .so hev det vore 20 69 20 61 6C 6C 20 73 69 20 74 69 64 3A 0D 0A ; i all si tid:.. 64 65 73 73 20 6D 65 69 72 20 64 65 69 20 6B 76 ; dess meir dei kv 65 64 20 64 65 69 2C 20 64 65 73 73 20 6D 65 69 ; ed dei, dess mei 72 20 64 65 72 20 62 69 64 2E 0D 0A 0D 0A C5 20 ; r der bid.....=C5=20 76 69 6C 20 64 75 20 73 74 65 76 6A 61 73 74 2C ; vil du stevjast, 20 73 6F 20 73 6B 61 6C 20 65 67 20 73 76 61 72 ; so skal eg svar 61 2C 0D 0A 6F 67 20 68 65 69 6C 65 20 6E 61 74 ; a,..og heile nat 74 69 20 73 6F 20 73 6B 61 6C 20 64 65 74 20 76 ; ti so skal det v 61 72 61 3B 0D 0A 6F 67 20 76 69 6C 20 64 75 20 ; ara;..og vil du=20 73 74 65 76 6A 61 73 74 20 6D 65 64 20 6D 65 67 ; stevjast med meg 20 69 20 6B 76 65 6C 64 2C 0D 0A 64 75 20 67 E5 ; i kveld,..du g=E5 72 20 27 6B 6A 65 20 E5 74 20 66 79 72 72 20 64 ; r 'kje =E5t fyrr d 75 20 66 E6 72 20 65 69 6E 20 73 6D 65 6C 6C 2E ; u f=E6r ein smell. + abort DJ_byHand_-_sissel_kyrkjebo_-_origami_--_weightless_-_apati 2,2MB ------------=_1098484834-42295-40 Content-Type: text/plain; name="message-footer.txt" Content-Disposition: inline; filename="message-footer.txt" Content-Transfer-Encoding: 8bit -----Syndicate mailinglist----------------------- Syndicate network for media culture and media art information and archive: http://anart.no/~syndicate to post to the Syndicate list: Shake the KKnut: http://anart.no/~syndicate/KKnut no commercial use of the texts without permission ------------=_1098484834-42295-40-- S X-Uidl: GmailIdffc2fd808d339dd&&pop.gmail.com X-Gmail-Received: 42503ee0c9e3385e5b9dce8c3114fcaace3cf401 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs12793rna; Fri, 22 Oct 2004 16:34:15 -0700 (PDT) Received: by 10.11.122.22 with SMTP id u22mr553451cwc; Fri, 22 Oct 2004 16:34:14 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id v71si210390cwb; Fri, 22 Oct 2004 16:34:14 -0700 (PDT) Received-SPF: none Received: from ftpout.blogger.com ([66.102.15.83] helo=blogger.com) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CL921-0000fA-E5 for noemata@kunst.no; Sat, 23 Oct 2004 01:41:13 +0200 Received: from bla54.blogger.com (unknown [10.20.1.213]) by blogger.com (Postfix) with ESMTP id C763A195A1 for ; Fri, 22 Oct 2004 16:36:01 -0700 (PDT) Message-ID: <13293610.1098488020734.JavaMail.root@bla54.blogger.com> From: noemata To: noemata@kunst.no Subject: [lumber] plunderphonics week4 Mime-Version: 1.0 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Date: Fri, 22 Oct 2004 16:36:01 -0700 (PDT) =20

|
DJ_byHand_-_Inger_Marie_Lien_-_Kid_606_-_Squarepusher_-= -_Stev.mp3
(3506304 bytes) http://noemata.net/djbyhand ,isbn://82-= 92428-05-4


4E 79 73 74 65 76 0D 0A C5 20 76 69 6C 20 64 75= ; Nystev..=C3=83=C2=85 vil du
20 68 61 76 65 20 6D 65 67 20 74 69 6C = 20 E5 20 ; have meg til =C3=83=C2=A5
6B 76 65 64 61 2C 0D 0A 64 65 7= 4 20 73 6B 61 6C ; kveda,..det skal
20 65 67 20 67 6A 65 72 61 20 6D 6= 5 64 20 73 74 ; eg gjera med st
F8 72 73 74 65 20 67 6C 65 64 61 2C 0= D 0A 6F 67 ; =C3=83=C2=B8rste gleda,..og
20 65 67 20 73 6B 61 6C 20 6B= 76 65 64 61 20 73 ; eg skal kveda s
6F 20 76 65 6E 74 20 66 79 72 20= 64 65 67 0D 0A ; o vent fyr deg..
61 74 20 64 75 20 73 6B 61 6C 20 67= 6C F8 79 6D ; at du skal gl=C3=83=C2=B8ym
61 20 64 65 67 20 73 6A F8 = 6C 76 20 6F 67 20 6D ; a deg sj=C3=83=C2=B8lv og m
65 67 2E 0D 0A 0D 0= A C5 20 65 67 20 73 6B 61 6C ; eg.....=C3=83=C2=85 eg skal
20 6B 76 65= 64 61 20 73 6F 20 64 75 20 73 6B 61 ; kveda so du ska
6C 20 67 72 E5= 74 61 2C 0D 0A 75 6D 20 64 75 20 ; l gr=C3=83=C2=A5ta,..um du
76 61 = 72 20 61 6C 64 72 69 20 73 E5 20 67 6C 61 ; var aldri s=C3=83=C2=A5 gla
64 20 6F 67 20 6B E5 74 27 65 2C 0D 0A E5 20 65 ; d og k=C3=83=C2=A5t'e,.= .=C3=83=C2=A5 e
67 20 73 6B 61 6C 20 6B 76 65 64 61 20 73 6F 20 ; g sk= al kveda so
73 6E E5 6C 74 20 66 79 72 20 64 65 67 2C 0D 0A ; sn=C3= =83=C2=A5lt fyr deg,..
61 74 20 64 75 20 73 6B 61 6C 20 6C E6 20 6E E5= ; at du skal l=C3=83=C2=A6 n=C3=83=C2=A5
72 20 64 75 20 73 65 72 20 7= 0 E5 20 6D 65 67 2E ; r du ser p=C3=83=C2=A5 meg.
0D 0A 0D 0A 4F 67 20= 6D 69 6E 65 20 76 69 73 6F ; ....Og mine viso
72 20 64 65 69 20 65 72= 20 73 6F 20 73 6E E5 6C ; r dei er so sn=C3=83=C2=A5l
65 2C 0D 0A 73 = 6F 6D 20 42 6F 72 6B 65 6E 20 74 ; e,..som Borken t
72 E5 76 61 72 20 = 70 E5 20 69 73 65 6E 20 68 E5 ; r=C3=83=C2=A5var p=C3=83=C2=A5 isen h=C3=83= =C2=A5
6C 65 2C 0D 0A 6F 67 20 6D 69 6E 65 20 76 69 73 ; le,..og mine = vis
6F 72 20 64 65 69 20 67 6A 65 72 27 20 65 69 6E ; or dei gjer' ein=
20 73 6C 65 6E 67 0D 0A 73 6F 6D 20 6C 69 74 6C ; sleng..som litl65 20 67 75 74 65 6E 20 70 E5 20 73 6B 65 69 73 ; e guten p=C3=83=C2=A5 = skeis
75 6E 6E 27 20 67 6A 65 6E 67 2E 0D 0A 0D 0A C5 ; unn' gjeng....= .=C3=83=C2=85
20 6D 69 6E 65 20 76 69 73 6F 72 20 64 65 69 20 ; mine = visor dei
65 72 20 73 6F 20 6D 61 6E 67 65 2C 0D 0A 73 6F ; er so man= ge,..so
6D 20 68 65 67 67 6A 65 2D 62 6C 6F 6D 61 6E 65 ; m heggje-blo= mane
20 64 72 79 73 20 69 20 66 61 6E 67 65 74 3B 0D ; drys i fanget;= .
0A 73 6F 20 68 65 76 20 64 65 74 20 76 6F 72 65 ; .so hev det vore20 69 20 61 6C 6C 20 73 69 20 74 69 64 3A 0D 0A ; i all si tid:..
64 65 73 73 20 6D 65 69 72 20 64 65 69 20 6B 76 ; dess meir dei kv
65= 64 20 64 65 69 2C 20 64 65 73 73 20 6D 65 69 ; ed dei, dess mei
72 20= 64 65 72 20 62 69 64 2E 0D 0A 0D 0A C5 20 ; r der bid.....=C3=83=C2=85 76 69 6C 20 64 75 20 73 74 65 76 6A 61 73 74 2C ; vil du stevjast,
= 20 73 6F 20 73 6B 61 6C 20 65 67 20 73 76 61 72 ; so skal eg svar
61 = 2C 0D 0A 6F 67 20 68 65 69 6C 65 20 6E 61 74 ; a,..og heile nat
74 69 = 20 73 6F 20 73 6B 61 6C 20 64 65 74 20 76 ; ti so skal det v
61 72 61 = 3B 0D 0A 6F 67 20 76 69 6C 20 64 75 20 ; ara;..og vil du
73 74 65 76 = 6A 61 73 74 20 6D 65 64 20 6D 65 67 ; stevjast med meg
20 69 20 6B 76 = 65 6C 64 2C 0D 0A 64 75 20 67 E5 ; i kveld,..du g=C3=83=C2=A5
72 20 2= 7 6B 6A 65 20 E5 74 20 66 79 72 72 20 64 ; r 'kje =C3=83=C2=A5t fyrr d
75 20 66 E6 72 20 65 69 6E 20 73 6D 65 6C 6C 2E ; u f=C3=83=C2=A6r ein sme= ll.


+ abort
DJ_byHand_-_sissel_kyrkjebo_-_origami_--= _weightless_-_apati 2,2MB





--
Posted by noemata to lumber at 10/22/2004 04:33:2= 4 PM S X-Uidl: GmailIdffc5ef0649372f0&&pop.gmail.com X-Gmail-Received: c0c27b8300403c9df350f2fbc9e15a6fa5f34a39 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs13435rna; Sat, 23 Oct 2004 06:17:18 -0700 (PDT) Received: by 10.38.5.73 with SMTP id 73mr156486rne; Sat, 23 Oct 2004 06:17:17 -0700 (PDT) Return-Path: Received: from mproxy.googlegroups.com (mproxy.googlegroups.com [216.239.56.131]) by mx.gmail.com with ESMTP id 58si113233rnc; Sat, 23 Oct 2004 06:17:17 -0700 (PDT) Received-SPF: pass (gmail.com: domain of grbounce-1342aeaf07000000aa42e94f2189558270f241130218f706=noemata=gmail.com@googlegroups.com designates 216.239.56.131 as permitted sender) Received: by mproxy.googlegroups.com with SMTP id r56so466120cwc for ; Sat, 23 Oct 2004 06:17:17 -0700 (PDT) Received: by 10.11.39.23 with SMTP id m23mr625cwm; Sat, 23 Oct 2004 06:17:17 -0700 (PDT) Received: by 10.11.71.51 with SMTP id t51gr12cwa; Sat, 23 Oct 2004 06:17:17 -0700 (PDT) X-Sender: noemata@kunst.no X-Apparently-To: lumber@googlegroups.com Received: by 10.11.1.23 with SMTP id 23mr62585cwa; Sat, 23 Oct 2004 06:17:16 -0700 (PDT) Return-Path: Received: from mail42.e.nsc.no ([193.213.115.42]) by mx.googlegroups.com with ESMTP id v23si950247cwb; Sat, 23 Oct 2004 06:17:16 -0700 (PDT) X-SPF-Guess: fail 193.213.115.42:noemata@kunst.no:mail42.e.nsc.no Received: from noema (gprs-ggsn1-nat.mobil.telenor.no [212.17.141.49]) by mail42.nsc.no (8.12.11/8.12.11) with SMTP id i9NDH6uM015921; Sat, 23 Oct 2004 15:17:09 +0200 (CEST) From: noemata To: "WRYTING-L : Writing and Theory across Disciplines" Date: Sat, 23 Oct 2004 15:15:43 +0200 X-Priority: 3 (Normal) Message-Id: Subject: Re: [confucius-list] Mencius 7B.21: wild grass (fwd) MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" X-Mailer: Opera 6.03 build 1107 X-Google-Language: ENGLISH,ASCII-7-bit Reply-To: lumber@googlegroups.com Precedence: bulk X-Google-Loop: groups Mailing-List: list lumber@googlegroups.com; contact lumber-owner@googlegroups.com List-Id: List-Post: List-Help: List-Unsubscribe: , 15/10/2004 20:58:31, Alan Sondheim wrote: >---------- Forwarded message ---------- >Date: Fri, 15 Oct 2004 16:19:50 +0200 >From: Thomas >Reply-To: confucius-list@yahoogroups.com >To: confucius-list@yahoogroups.com, Confucianism@yahoogroups.com >Subject: [confucius-list] Mencius 7B.21: wild grass > > > >This saying by Mencius is as beautiful as Confucius' and superbly translated >by Legge: > >Mencius said to the disciple Kao, 'There are the footpaths along the >hills;-- if suddenly they be used, they become roads; and if, as suddenly >they are not used, the wild grass fills them up. Now, the wild grass fills >up your mind.' From the ch'an teaching of Lin-chi (Burton Watson, shambala edition) - A study director said, "The Three Vehicles and twelve divisions of the teachings make the Buddha-nature clear enough, don't they?" The Master [Rinzai] said, "Wild grass - it's never been cut."* __ * The statement is very laconic, but seems to refer to a person's natural state. That is, human nature just as it is constitutes the Buddha-nature; there is no need to study the scriptures. I don't know if 'wild grass' refers to the scriptures or the Buddha-nature, but it gives another interpretation of the Mencius quote :) As is often the case with Rinzai/Lin-chi turning the interpretation of the scriptures upside-down, like these rants - Fellow believers, only when you have commited the five crimes that bring on the hell of incessant suffering will you finally gain emanciation. Killing your father, injuring your mother, drawing blood from the Buddha's body, disrupting the harmony of the Monastic Order, burning the sutras and images - these are the five crimes that bring on the hell of incessant suffering. Ignorance is the father. When your mind is without activity wherever it is, this is called killing the father. Greed is the mother. When your mind experiences no attachment anywhere, this is called injuring the mother. If your mind doesn not even for an instant begin to discriminate but instead sees complete darkness everywhere, this is drawing blood from the Buddha's body. If you properly understand that the bonds and entanglements of earthly desires are so much emptiness with no place to lean on, this is disrupting the harmony of the Monastic Order. When you can see the emptiness of causes and conditions, the emptiness of all phenomena, when the mind is every instant completely calm, far removed and doing nothing, this is burning the sutras and the images. (More rinsay at http://noemata.net/lumber/2004/10/rinsay.html, quotes from the recorded sayings.) S X-Uidl: GmailIdffc5f0989697a89&&pop.gmail.com X-Gmail-Received: 6309e733d70780f1f378316878d90388535dbec0 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs13437rna; Sat, 23 Oct 2004 06:19:00 -0700 (PDT) Received: by 10.38.171.54 with SMTP id t54mr224023rne; Sat, 23 Oct 2004 06:19:00 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 64si322650rna; Sat, 23 Oct 2004 06:19:00 -0700 (PDT) Received-SPF: neutral (gmail.com: 80.232.36.38 is neither permitted nor denied by domain of noemata@kunst.no) Received: from ftpout.blogger.com ([66.102.15.83] helo=blogger.com) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CLLuJ-00088o-Go for noemata@kunst.no; Sat, 23 Oct 2004 15:26:07 +0200 Received: from bla74.blogger.com (unknown [10.20.1.213]) by blogger.com (Postfix) with ESMTP id 85D56196BC for ; Sat, 23 Oct 2004 06:20:50 -0700 (PDT) Message-ID: <6935599.1098537507998.JavaMail.root@bla74.blogger.com> From: noemata To: noemata@kunst.no Subject: [lumber] Re: [confucius-list] Mencius 7B.21: wild grass (fwd) Mime-Version: 1.0 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Date: Sat, 23 Oct 2004 06:20:50 -0700 (PDT) =20
15/10/2004 20:58:31, Alan Sondheim wrote:
<= br />>---------- Forwarded message ----------
>Date: Fri, 15 Oct 2004 = 16:19:50 +0200
>From: Thomas
>Reply-To: co= nfucius-list@yahoogroups.com
>To: confucius-list@yahoogroups.com, Conf= ucianism@yahoogroups.com
>Subject: [confucius-list] Mencius 7B.21: wil= d grass
>
>
>
>This saying by Mencius is as beautiful a= s Confucius' and superbly translated
>by Legge:
>
>Mencius s= aid to the disciple Kao, 'There are the footpaths along the
>hills;-- = if suddenly they be used, they become roads; and if, as suddenly
>they= are not used, the wild grass fills them up. Now, the wild grass fills
>up your mind.'

From the ch'an teaching of Lin-chi (Burton Wats= on, shambala edition) -

A study director said, "The Three Veh= icles and twelve divisions of the
teachings make the Buddha-nat= ure clear enough, don't they?"
The Master [Rinzai] said, "Wild gras= s - it's never been cut."*
__
* The statement is very lacon= ic, but seems to refer to a person's natural
state. That is, hum= an nature just as it is constitutes the Buddha-nature;
there is = no need to study the scriptures.

I don't know if 'wild grass' re= fers to the scriptures or the Buddha-nature,
but it gives another int= erpretation of the Mencius quote :)

As is often the case with Ri= nzai/Lin-chi turning the interpretation of the
scriptures upside-down= , like these rants -

Fellow believers, only when you have com= mited the five crimes that
bring on the hell of incessant suffering= will you finally gain
emanciation.

Killing your f= ather, injuring your mother, drawing blood from the
Buddha's body, = disrupting the harmony of the Monastic Order, burning
the sutras an= d images - these are the five crimes that bring on the
hell of ince= ssant suffering.

Ignorance is the father. When your mind i= s without activity wherever
it is, this is called killing the fathe= r.

Greed is the mother. When your mind experiences no atta= chment
anywhere, this is called injuring the mother.

= If your mind doesn not even for an instant begin to discriminate but
instead sees complete darkness everywhere, this is drawing blood from<= br /> the Buddha's body.

If you properly understand that= the bonds and entanglements of
earthly desires are so much emptine= ss with no place to lean on, this
is disrupting the harmony of the = Monastic Order.

When you can see the emptiness of causes a= nd conditions, the
emptiness of all phenomena, when the mind is eve= ry instant completely
calm, far removed and doing nothing, this is = burning the sutras and
the images.


(More rinsay at= http://noemata.net/lumber/2004/10/rinsay.html, quotes from
the recor= ded sayings.)






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Posted by noemata to lumber at 10/23/2= 004 06:18:06 AM S X-Uidl: GmailIdffc78017158c02d&&pop.gmail.com X-Gmail-Received: 2010b4c57511b4908be8131f40a75ddacc4919de Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs13862rna; Sat, 23 Oct 2004 13:35:22 -0700 (PDT) Received: by 10.38.78.27 with SMTP id a27mr361071rnb; Sat, 23 Oct 2004 13:35:21 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 70si518536rnc; Sat, 23 Oct 2004 13:35:21 -0700 (PDT) Received-SPF: neutral (gmail.com: 80.232.36.38 is neither permitted nor denied by domain of sondheim@panix.com) Received: from mail1.panix.com ([166.84.1.72]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CLSie-0004I7-Ta for noemata@KUNST.NO; Sat, 23 Oct 2004 22:42:33 +0200 Received: from panix3.panix.com (panix3.panix.com [166.84.1.3]) by mail1.panix.com (Postfix) with ESMTP id 93E915958F for ; Sat, 23 Oct 2004 16:35:19 -0400 (EDT) Received: from localhost (localhost [[UNIX: localhost]]) by panix3.panix.com (8.11.6p2-a/8.8.8/PanixN1.1) with ESMTP id i9NKZJf07549 for ; Sat, 23 Oct 2004 16:35:19 -0400 (EDT) Date: Sat, 23 Oct 2004 16:35:19 -0400 (EDT) From: Alan Sondheim To: noemata Subject: Re: [confucius-list] Mencius 7B.21: wild grass (fwd) In-Reply-To: Message-ID: References: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed You might want to sub to the list - it's a very slow reading of all of these materials - Alan recent http://www.asondheim.org/ WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/ recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm partial mirror at http://www.anu.edu.au/english/internet_txt S X-Uidl: GmailIdffc7bddf00ffceb&&pop.gmail.com X-Gmail-Received: 97552b1d8ae5cc432a468cf964a3b6761ba0f7fc Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs13932rna; Sat, 23 Oct 2004 14:42:50 -0700 (PDT) Received: by 10.38.82.50 with SMTP id f50mr371328rnb; Sat, 23 Oct 2004 14:42:50 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 64si561561rna; Sat, 23 Oct 2004 14:42:50 -0700 (PDT) Received-SPF: neutral (gmail.com: 80.232.36.38 is neither permitted nor denied by domain of sondheim@panix.com) Received: from mail1.panix.com ([166.84.1.72]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CLTlx-0006Aw-C9 for noemata@kunst.no; Sat, 23 Oct 2004 23:50:01 +0200 Received: from panix3.panix.com (panix3.panix.com [166.84.1.3]) by mail1.panix.com (Postfix) with ESMTP id 6405758B15 for ; Sat, 23 Oct 2004 17:42:47 -0400 (EDT) Received: from localhost (localhost [[UNIX: localhost]]) by panix3.panix.com (8.11.6p2-a/8.8.8/PanixN1.1) with ESMTP id i9NLgls07285 for ; Sat, 23 Oct 2004 17:42:47 -0400 (EDT) Date: Sat, 23 Oct 2004 17:42:47 -0400 (EDT) From: Alan Sondheim To: noemata Subject: Re: [confucius-list] Mencius 7B.21: wild grass (fwd) In-Reply-To: <05YTOPN93SNXU42OJ05QL76D909SP82.417acec1@noema> Message-ID: References: <05YTOPN93SNXU42OJ05QL76D909SP82.417acec1@noema> MIME-Version: 1.0 Content-Type: MULTIPART/MIXED; BOUNDARY="0-462757592-1098567767=:11034" This message is in MIME format. The first part should be readable text, while the remaining parts are likely unreadable without MIME-aware tools. --0-462757592-1098567767=:11034 Content-Type: TEXT/PLAIN; charset=X-UNKNOWN; format=flowed Content-Transfer-Encoding: QUOTED-PRINTABLE Interesting - I tend to wax hot and cold on Mencius, preferring buddhist=20 approaches, then shying away from chan/zen - Alan On Sat, 23 Oct 2004, noemata wrote: > > I'll look into it, I'm not a scholar though I've been reading some of the > stuff, classical daoism and chan, which I guess is fairly common, have my > sympathies there and meant quite much to me over the years. > > Bj=F8rn > > 23/10/2004 22:35:19, Alan Sondheim wrote: > >> >> >> You might want to sub to the list - it's a very slow reading of all of >> these materials - Alan >> >> >> recent http://www.asondheim.org/ >> WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/ >> recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim >> Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm >> partial mirror at http://www.anu.edu.au/english/internet_txt >> >> > > > > > recent http://www.asondheim.org/=20 WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/=20 recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm=20 partial mirror at http://www.anu.edu.au/english/internet_txt --0-462757592-1098567767=:11034-- S X-Uidl: GmailIdffcc6b471cf9109&&pop.gmail.com X-Gmail-Received: 137812d99f77563baf291e72e863f6eaf8ec5992 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs15008rna; 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Sun, 24 Oct 2004 12:30:42 -0700 (PDT) X-SPF-Guess: fail 62.73.196.210:noemata@kunst.no:huntress.smtp.iw.no Received: from localhost (localhost [127.0.0.1]) by huntress.smtp.iw.no (Postfix) with ESMTP id BAC7B29000A; Sun, 24 Oct 2004 21:30:38 +0200 (CEST) Received: from noema (ti121210a001-0084.dialup.online.no [130.67.89.84]) by huntress.smtp.iw.no (Postfix) with SMTP id 51E8C290008; Sun, 24 Oct 2004 21:30:30 +0200 (CEST) From: noemata To: arc.hive , wryting , e , nettime-ann , rhizome_raw Date: Sun, 24 Oct 2004 21:29:49 +0200 X-Priority: 3 (Normal) Message-Id: Subject: 027 - oct(23) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Mailer: Opera 6.03 build 1107 X-Mail-Scanned: by Interweb Norge as X-Google-Language: ENGLISH,ASCII Reply-To: lumber@googlegroups.com Precedence: bulk X-Google-Loop: groups Mailing-List: list lumber@googlegroups.com; contact lumber-owner@googlegroups.com List-Id: List-Post: List-Help: List-Unsubscribe: , http://noemata.net/027 0x 00000000h: FF D8 FF E0 00 10 4A 46 49 46 00 01 01 00 00 01 ; 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................ 000000e0h: 01 FF DA 00 0C 03 01 00 02 10 03 10 00 00 01 A0 ; .ÿÚ............  - isbn://82-92428-05-4 lumber S X-Uidl: GmailIdffcc6c58c0adc5e&&pop.gmail.com X-Gmail-Received: 4d27bd539b1955fe7a59fafd69e57c6435c52d25 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs15018rna; Sun, 24 Oct 2004 12:31:55 -0700 (PDT) Received: by 10.11.120.73 with SMTP id s73mr181344cwc; Sun, 24 Oct 2004 12:31:53 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id v71si4969cwb; Sun, 24 Oct 2004 12:31:53 -0700 (PDT) Received-SPF: neutral (gmail.com: 80.232.36.38 is neither permitted nor denied by domain of noemata@kunst.no) Received: from ftpout.blogger.com ([66.102.15.83] helo=blogger.com) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CLoCw-0002S3-4c for noemata@kunst.no; Sun, 24 Oct 2004 21:39:14 +0200 Received: from bla53.blogger.com (unknown [10.20.1.213]) by blogger.com (Postfix) with ESMTP id 753721FD551 for ; Sun, 24 Oct 2004 12:31:14 -0700 (PDT) Message-ID: <9202092.1098646274471.JavaMail.root@bla53.blogger.com> From: noemata To: noemata@kunst.no Subject: [lumber] 027 - oct(23) Mime-Version: 1.0 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Date: Sun, 24 Oct 2004 12:31:14 -0700 (PDT) =20
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isbn://82-92428-0= 5-4 lumber











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Posted by noemata to lumber at 10/24/2= 004 12:30:44 PM S X-Uidl: GmailIdffcf57472c2888e&&pop.gmail.com X-Gmail-Received: adc8476d10291f2419d328111bbd6d35e4a6300b Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs15966rna; Mon, 25 Oct 2004 02:07:45 -0700 (PDT) Received: by 10.38.208.52 with SMTP id f52mr685864rng; Mon, 25 Oct 2004 02:07:44 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 75si479818rnb; Mon, 25 Oct 2004 02:07:44 -0700 (PDT) Received-SPF: neutral (gmail.com: 80.232.36.38 is neither permitted nor denied by domain of owner-wryting-l@listserv.utoronto.ca) Received: from lserv2.ns.utoronto.ca ([128.100.132.38]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CM0wb-0001vG-Je for noemata@KUNST.NO; Mon, 25 Oct 2004 11:15:13 +0200 Received: from lserv2.ns.utoronto.ca ([128.100.132.38] EHLO lserv2.ns.utoronto.ca ident: SOCKFAULT1 [port 64357]) by lserv2.ns.utoronto.ca with ESMTP id <931072-8469>; Mon, 25 Oct 2004 05:07:41 -0400 Received: from LISTSERV.UTORONTO.CA by LISTSERV.UTORONTO.CA (LISTSERV-TCP/IP release 1.8e) with spool id 944725 for WRYTING-L@LISTSERV.UTORONTO.CA; Mon, 25 Oct 2004 05:07:32 -0400 Received: from bureau24.ns.utoronto.ca ([128.100.132.58] EHLO bureau24.ns.utoronto.ca ident: NO-IDENT-SERVICE [port 56622]) by lserv2.ns.utoronto.ca with ESMTP id <931072-8475>; Mon, 25 Oct 2004 05:07:26 -0400 Received: from mta10-svc.ntlworld.com (mta10-svc.ntlworld.com [62.253.162.94]) by bureau24.ns.utoronto.ca (8.12.8/8.12.8) with ESMTP id i9P97N98001842 for ; Mon, 25 Oct 2004 05:07:23 -0400 Received: from oemcomputer ([81.99.223.232]) by mta10-svc.ntlworld.com (InterMail vM.4.01.03.37 201-229-121-137-20020806) with SMTP id <20041025090555.BNRM20770.mta10-svc.ntlworld.com@oemcomputer> for ; Mon, 25 Oct 2004 10:05:55 +0100 References: <963YD92ZFJGJHVU6Z86QLKJNI64WULF.41764a97@noema> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2800.1106 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-PMX-Version: 4.7.0.111621, Antispam-Engine: 2.0.1.0, Antispam-Data: 2004.10.24.0 X-Orcpt: rfc822;WRYTING-L@LISTSERV.UTORONTO.CA Message-ID: <00af01c4ba72$18f712e0$e8df6351@oemcomputer> Date: Mon, 25 Oct 2004 10:07:47 +0100 Reply-To: "WRYTING-L : Writing and Theory across Disciplines" Sender: "WRYTING-L : Writing and Theory across Disciplines" From: pixel To: WRYTING-L@LISTSERV.UTORONTO.CA Precedence: list did you like me before or is this just a spur of the moment thing? ----- Original Message ----- From: "noemata" To: Sent: 20 October 2004 12:23 > did you think of this right now or was it something you had intended > to say? S X-Uidl: GmailIdffd107fde1bdad6&&pop.gmail.com X-Gmail-Received: 50c706d6c9ac4e90597b772f991405301223b956 Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs16911rna; Mon, 25 Oct 2004 10:00:22 -0700 (PDT) Received: by 10.38.82.50 with SMTP id f50mr1181920rnb; Mon, 25 Oct 2004 10:00:22 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 70si369598rnc; Mon, 25 Oct 2004 10:00:22 -0700 (PDT) Received-SPF: neutral (gmail.com: 80.232.36.38 is neither permitted nor denied by domain of owner-wryting-l@listserv.utoronto.ca) Received: from lserv2.ns.utoronto.ca ([128.100.132.38]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CM8K2-00013h-Sd for noemata@KUNST.NO; Mon, 25 Oct 2004 19:07:55 +0200 Received: from lserv2.ns.utoronto.ca ([128.100.132.38] EHLO lserv2.ns.utoronto.ca ident: SOCKFAULT1 [port 34491]) by lserv2.ns.utoronto.ca with ESMTP id <931015-8469>; Mon, 25 Oct 2004 13:00:10 -0400 Received: from LISTSERV.UTORONTO.CA by LISTSERV.UTORONTO.CA (LISTSERV-TCP/IP release 1.8e) with spool id 950793 for WRYTING-L@LISTSERV.UTORONTO.CA; Mon, 25 Oct 2004 13:00:00 -0400 Received: from bureau21.ns.utoronto.ca ([128.100.132.55] EHLO bureau21.ns.utoronto.ca ident: NO-IDENT-SERVICE [port 53141]) by lserv2.ns.utoronto.ca with ESMTP id <930906-8475>; Mon, 25 Oct 2004 12:59:54 -0400 Received: from huntress.smtp.iw.no (smtp.iw.no [62.73.196.210]) by bureau21.ns.utoronto.ca (8.12.8/8.12.8) with ESMTP id i9PGxlaO008654 for ; Mon, 25 Oct 2004 12:59:47 -0400 Received: from localhost (localhost [127.0.0.1]) by huntress.smtp.iw.no (Postfix) with ESMTP id EBECF290090 for ; Mon, 25 Oct 2004 18:59:45 +0200 (CEST) Received: from noema (ti121210a000-0174.dialup.online.no [130.67.95.174]) by huntress.smtp.iw.no (Postfix) with SMTP id 0662229000C for ; Mon, 25 Oct 2004 18:59:43 +0200 (CEST) X-Priority: 3 (Normal) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" X-Mailer: Opera 6.03 build 1107 X-Mail-Scanned: by Interweb Norge as X-PMX-Version: 4.7.0.111621, Antispam-Engine: 2.0.0.0, Antispam-Data: 2004.10.24.0 X-Orcpt: rfc822;WRYTING-L@LISTSERV.UTORONTO.CA Message-ID: Date: Mon, 25 Oct 2004 18:58:58 +0200 Reply-To: "WRYTING-L : Writing and Theory across Disciplines" Sender: "WRYTING-L : Writing and Theory across Disciplines" From: noemata Subject: TV-B-Gone To: WRYTING-L@LISTSERV.UTORONTO.CA Precedence: list "... a new universal remote that turns off almost any television. The device, which looks like an automobile remote, has just one button. When activated, it spends over a minute flashing out 209 different codes to turn off televisions, the most popular brands first." http://www.wired.com/news/culture/0,1284,65392,00.html S X-Uidl: GmailIdffd124121fc0afb&&pop.gmail.com X-Gmail-Received: db345cc29e29e2b6514dcdb5ce9ee19ad063fc4c Delivered-To: noemata@gmail.com Received: by 10.38.71.41 with SMTP id t41cs17012rna; Mon, 25 Oct 2004 10:31:04 -0700 (PDT) Received: by 10.38.208.52 with SMTP id f52mr834013rng; Mon, 25 Oct 2004 10:31:04 -0700 (PDT) Return-Path: Received: from birkeland.kulturnett.kunder.linpro.no (birkeland.kulturnett.kunder.linpro.no [80.232.36.38]) by mx.gmail.com with ESMTP id 74si552773rnb; Mon, 25 Oct 2004 10:31:03 -0700 (PDT) Received-SPF: neutral (gmail.com: 80.232.36.38 is neither permitted nor denied by domain of kunst-bounces@lists.copyleft.no) Received: from kilby.copyleft.no ([66.154.100.54]) by birkeland.kulturnett.kunder.linpro.no with esmtp (Exim 4.24) id 1CM8Jk-0001DJ-PP for noemata@kunst.no; Mon, 25 Oct 2004 19:07:36 +0200 Received: from kilby.copyleft.no ([66.154.100.54]) by kilby.copyleft.no with esmtp (Exim 4.34 (FreeBSD)) id 1CM8CI-000Ocm-SI; Mon, 25 Oct 2004 18:59:54 +0200 Received: from smtp.iw.no ([62.73.196.210] helo=huntress.smtp.iw.no) by kilby.copyleft.no with esmtp (Exim 4.34 (FreeBSD)) id 1CM8CH-000Oca-7x; Mon, 25 Oct 2004 18:59:53 +0200 Received: from localhost (localhost [127.0.0.1]) by huntress.smtp.iw.no (Postfix) with ESMTP id 63C01290090; Mon, 25 Oct 2004 18:59:48 +0200 (CEST) Received: from noema (ti121210a000-0174.dialup.online.no [130.67.95.174]) by huntress.smtp.iw.no (Postfix) with SMTP id 00A2529000C; Mon, 25 Oct 2004 18:59:46 +0200 (CEST) From: noemata To: =?iso-8859-1?Q?k=FCnst?= , culturejammers Date: Mon, 25 Oct 2004 18:57:17 +0200 X-Priority: 3 (Normal) Message-Id: MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" X-Mailer: Opera 6.03 build 1107 X-Mail-Scanned: by Interweb Norge as Cc: Subject: =?iso-8859-1?q?=5BK=FCnst=5D_?= TV-B-Gone X-BeenThere: kunst@lists.copyleft.no X-Mailman-Version: 2.1.5 Precedence: list Reply-To: kunst@lists.copyleft.no List-Id: kunst.lists.copyleft.no List-Unsubscribe: , List-Archive: List-Post: List-Help: List-Subscribe: , Sender: kunst-bounces@lists.copyleft.no Errors-To: kunst-bounces@lists.copyleft.no "... a new universal remote that turns off almost any television. 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1447 1449 1450 1451 1452 1454 1456 1459 1460 1461 1462 1464 1465 1466
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Subject: spam substr($subject)
Comments: To: "arc.hive" 
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To:	WRYTING-L@LISTSERV.UTORONTO.CA
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I'rkiollages m n(cut & pang on som wome word cstepers) & would d 
froewspa lio s of themazi to an oncan & suke tbmit somelinny ideas 
wheree magne. A I misenwhat wouzinld be a gd them? ght Not sure ood this 
kind of magae for womagor any s uggestione stuff. Trd-ihanks fs. 

Cae                              mill



S
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I tenhs, sreh, yie cleht tre toed. Bht hi'fant yuy aalrtai? aelrday? Ne=
t sure
tesaiy.
Ps: w'omt yeh sant mi ane tesrg? tacrk?
Yareg,

c.

(=B8.=95'=B4(=B8.=95'=B4 `'=95.=B8)`' =95.=B8)
=B8.=95=B4
( `=95.=B8
`=95.=B8 )
=B8.=95)=B4
(.=95=B4
`*.
*.
shooting yourself in the balls is not the way to have a happy life

http://dolmensniper.motime.com/


Quoting noemata :

> I'rkiollages m n(cut & pang on som wome word cstepers) & would d
> froewspa lio s of themazi to an oncan & suke tbmit somelinny ideas
> wheree magne. A I misenwhat wouzinld be a gd them? ght Not sure ood t=
his
> kind of magae for womagor any s uggestione stuff. Trd-ihanks fs.
>
> Cae                              mill
>
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
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1447 {14+47}
14.) the hearts of men
47.) in {Sonohara this womb
+
1570 {15+70}
15.) takes as its seeds
70.) Thinking of its young thus,
+
1641 {16+41}
16.) countless deeds
41.) received a request
+
1761 {17+61}
17.) puts into words
61.) the upper waters
+
1899 {18+99}
18.) even of demons and gods,
99.) which is private?
+
1953 {19+53}
19.) touches the hearts
53.) with the pledge,

==
words from Edwin O. Reischauer's transliteration of _The Izayoi Nikki_ (1277-1280) by Abutsu-ni (the nun Abutsu)
S
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-
Search: colmplaints ingored
isbn://82-92428-05-4




S
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Date:         Sat, 30 Oct 2004 23:11:39 +0200
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From:	noemata 
Subject: fa.fiction-of-philosophy groups-beta
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

google is doing some beta testing of a new group solution which seems to
be a merge of usenet-style and yahoogroups-style. wryting has always
been available as fa.fiction-of-philosophy at usenet, now it's also made
available as a googlegroup to be subscribed to and browsed -
http://groups-beta.google.com/group/fa.fiction-of-philosophy/about
- in addition to the archives, also containing interesting statistics,
feeds. at least in this stage it's free from ads, who knows about
later.. :?

well, just fyi, and all the best to the group and the people spending
time here..
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Date: Sat, 30 Oct 2004 17:22:59 -0400 (EDT)
From: Alan Sondheim 
To: noemata 
Subject: Re: fa.fiction-of-philosophy groups-beta
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What a great site! thanks - Alan


recent http://www.asondheim.org/ 
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/ 
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm 
partial mirror at http://www.anu.edu.au/english/internet_txt


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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Sheila Murphy 
Subject: Re: fa.fiction-of-philosophy groups-beta
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

Very interesting. I just looked over this material on
the link that you provided. Helpful and revealing on
many levels! Gracias! Sheila
--- noemata  wrote:

> google is doing some beta testing of a new group
> solution which seems to
> be a merge of usenet-style and yahoogroups-style.
> wryting has always
> been available as fa.fiction-of-philosophy at
> usenet, now it's also made
> available as a googlegroup to be subscribed to and
> browsed -
>
http://groups-beta.google.com/group/fa.fiction-of-philosophy/about
> - in addition to the archives, also containing
> interesting statistics,
> feeds. at least in this stage it's free from ads,
> who knows about
> later.. :?
>
> well, just fyi, and all the best to the group and
> the people spending
> time here..
>




__________________________________
Do you Yahoo!?
Yahoo! Mail Address AutoComplete - You start. We finish.
http://promotions.yahoo.com/new_mail
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Date: Sat, 30 Oct 2004 18:15:48 -0400 (EDT)
From: Alan Sondheim 
To: noemata 
Subject: Re: fa.fiction-of-philosophy groups-beta
In-Reply-To: <2XNL52SNTRNZT2WT3XVFB5182DAYU.41840834@noema>
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yeah, this is kind of great!

have you ever been to Longyearbyen? I'm fascinated - look at webcams all=20
the time from there -

- Alan


On Sat, 30 Oct 2004, noemata wrote:

> hi, all time poster 8500 :)
> and a fine archive of them it seems..
> really hopes it stays ad free, though the web already has the google ad
> system. the subscription options is for daily digests, and 'all
> activity' (whatever that is)..
> but a nice fuse of protocols, news/web/maillinglist(partial)
>
> bj=F8rn
>
>
> 30/10/2004 23:22:59, Alan Sondheim  wrote:
>
>>
>>
>> What a great site! thanks - Alan
>>
>>
>> recent http://www.asondheim.org/
>> WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/
>> recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
>> Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
>> partial mirror at http://www.anu.edu.au/english/internet_txt
>>
>>
>
>
>


recent http://www.asondheim.org/=20
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/=20
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm=20
partial mirror at http://www.anu.edu.au/english/internet_txt


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From: Alan Sondheim 
To: noemata 
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These are so beautiful! - I just set the desktop with one of them. 
I wouldn't want to disturb wildlife; on the other hand, I would like 
sometime to know what a long night 'feels like,' here I stay up all night 
long working.... The webcams from Longyearbyen - there's one in 
particular, a dock, I've made a short video out of it - are haunting and 
seem to be at the simultaneous beginning and end of the world. But the 
images in your directory are truly wonderful - Alan

recent http://www.asondheim.org/ 
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/ 
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm 
partial mirror at http://www.anu.edu.au/english/internet_txt


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Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Lucio Agra 
Subject: Re: TV-B-Gone
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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Precedence: list

Very useful in some cases.
The funny thing is that the gadget=B4s web site gives the appearance  t=
o be
completely bogus.
best
Lucio BR



Citando noemata :

> "... a new universal remote that turns off almost any television. The=
 device,
> which looks like an automobile remote, has just one button. When acti=
vated,
> it spends over a minute flashing out 209 different codes to turn off
> televisions, the most popular brands first."
>
> http://www.wired.com/news/culture/0,1284,65392,00.html
>
>



_______________________________________________________________________=
____________
Acesse nosso portal www.click21.com.br

Porque internet gr=E1tis, nem a Embratel pode fazer mais barato. Mas po=
de fazer melhor.
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Nice work!!

-- Ryan


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Date: Sun, 31 Oct 2004 16:18:19 -0500 (EST)
From: Alan Sondheim 
To: noemata 
Subject: Re: fa.fiction-of-philosophy groups-beta
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I hadn't seen this one, and some of the cams listed aren't on other lists=
=20
so thanks greatly!

Believe it or not, these things are comforting, I look at webcams a few=20
times a day just to see what's going on, get a sense of the earth, and in=
=20
Longyearbyen, of its limits in a way - Alan


On Sun, 31 Oct 2004, noemata wrote:

>
> ..maybe you've already seen it, some 5-6 cams from Svalbard region at
> http://www.webcamsinnorway.com/webcams.php
>
> :)
>
> Bj=F8rn
>
>


recent http://www.asondheim.org/=20
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/=20
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm=20
partial mirror at http://www.anu.edu.au/english/internet_txt


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Date:         Mon, 1 Nov 2004 17:43:05 +0100
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	noemata 
Subject: New machines 1-3
Comments: To: syndicate 
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

I don't know anything, this is a burning house, leave all your hopes
behind, your flesh will burn, like snow hash evaporate in the sun, but
there's no sun, or the sun doesn't know you, so there's no poetry, for
heaven's sake, only the destruction, since you are already something,
and writing off the top, when climbing a mountain you should begin at
the top, someone said, why begin?, the mountain is burning, this
shallowness, it's hard to engage, and already wrong, dilemma, sleep,
also dilemma, those rocks never knew each other, not even lava, stuck in
the positioning, any way out?, some experiences are needed, to engage
your will at all, another janus, will to nothing, back to shells, how
things are constituted, composed=settled,calm, feeble, you'll never get
at me, never compose constitute, it's already too much, pronoun,
pronounced, these are still only words running, still file, sorry, I'm
ready to exit, which means I'll not, those kind of experiences, which
will leave you ..., leave you, and leave nothing behind, which has
already happened, so what is this?, I don't know, it's something
entirely false.


Nothing is better than silence ,nothing is better than nothing. And when
you're bored with nothing, do something else for the sake of nothing.
Don't be moved or driven into anything. These things have already
happened. Everything else is nothing. Dogs live in white houses. I don't
live anywhere. Listen, when you hear nothing it's just fine, whatever
you hear is also OK, as long as you keep listening. That's like being
alive. Any machine can do, so forget about doing. What we have is,
should be, something else, not doing, not thinking, any machine can
think. Sometimes I think we should just leave the world in its
magnificent trash, but there is nowhere to go, not inside, not outside,
we have nothing, nowhere, so just stay where you are, without making
anything out of it. Any webcam reveals nothing is happening, which is
always reassuring. Just listen, just look, whatever you do, any machine
will do better, so what do we have? My new machine implements boredom,
it produces out of nothing, into nothing, it just traverses its
structure and glows while it consumes itself. It's not even mahayana.

If you say nothing it's obviously false, double false, which is an
operation, not a fact. Act, not fact. Art, not fart, and then, art and
act, the subject/object + trash/abject, the reversal, hsart, or the
series it-hit-shit (art-act-trash) which is also a sentence, with a
truth value (T).





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From: noemata 
To: wryting , "arc.hive" ,
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Jeg le Klokka fire og seks - fire, fem,
seks, fem Ri p? vanten. ? mor! andre
ville jeg hva da? lille du Lille grisen
fikk sl?tt av redsel, - s? Fem-tallet
har trekanter Ta den som laget litt
st?y. Fire var dei berre hva sier du n??
Sier du og r?re p? ski. Den eine gikk
seg bort i ikke jeg Ikke jeg skjelve

This text does not contain any embedded data. It's size is 317 bytes;=20
maximum 30 bytes of data could be hidden in this text.

KLOKKA TOLV S? ER UKA UTE! EN, TO,
MARSJERER KLOKKA TO - 12. FINGER REGLE
DEN F?RSTE LILLE GRISEN FIKK SL?TT AV
LITT KYLLINGER - JEG EN DEN ANDRE. - ET
TROLL TALLENE ETT-TALLET ER EIN OG LE
KLOKKA FIRE - EIN, REVEN STJAL DEN ER.
FROSKEN OG SPANN. KLOKKA SJU M?TTE JEG
EN DEN MUS I S?ER OG FIRE DER. FIRE SM?
EGG. JEG M?TTE JEG HVA PLUMP UT ? MOR!=AF
=AEHAR DERE ER! N? BLIR DET BERRE TRE. TRE
SM? KYLLINGER SIER DU N?? JEG HAR FIRE
LAM FIRE DER. FIRE SM? SP?KELSER TI SM?
STOR AT JEG METT KLOKKA TO - SEKS
INDIANARAR, SJU OG FIRE-TALLET BLIND.

A text with 53 bytes of data embedded; this caused 10%=20
distortion in the text, which is unperceivable with naked mind.=20
The embedded data is from Chapter 18 from Voltair's Candide.

ST?Y. FIRE VAR EN GRIS. F?R VI FUNNET
VANTENE. ? MOR! DU ER SNILL DU N?? S?
VAR EN TIL BUSSEN BRO, BRO BRILLE TRE
SM? SP?KELSER TI SM? SP?KELSER TI SM?
KYLLINGER - JEG EN DAM. TRE VAR SNILL.
NI VAR S? H?GT AV JEG METT TO, EN, TO,
EIN OG SKJEGG. NULL VAR DET RASLER, SA
PIGG NUMMER TRE. OG TO. TO SM? KYLLINGER

The 318 bytes text with 28 bytes of data embedded (from Chapter 25 and=20
26 from Voltair's Candide); this caused 8% distortion in the text, which=20
is visible with naked mind as well. Note that even though the=20
modification is visible, the hidden data can not be extracted without=20
knowing the passphrase, and it's presence can not be proven.

jegleklokkafireogsjunokanvi
ikkekj?pttrappegalopp.klokkafem
klokkafemogskjegg.nullvardeiberre
?tte.tresm?griserogulvensm?
kyllinger-jeggodestunderonsdagser
jegviforbi.musehuset"lillemus,hvor
hartre-n?rg?rjegp?isen.den?tte
sm?kineseretut-tutsieronkelsbiln?r
g?rbilenn?rg?rdeneine.

This is a "higher quality" version of the original 346 bytes text (with=20
a lower degree of compression), the embedding  capacity is 33 bytes.



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Subject: Warning: not
****************************************
****** ** ** ** YOU DO NOT **
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Reference: 82-92428-05-4 (ISBN)






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If I'm to be serious about this  . IHTSUOIRESEBOT 
Turning myself into a book  . TNISEINITUMREI 
These lines are unconnected by the way  . NNOCNUERASENIL 
These fine people are dead, well, some are alive also  . DETTAPSNETTALF 
Afraid of something, silly  . YLLIS,ASUOSFOD 
They look so grave, those little children  . TTOIGOSREREGNI 
Sexual lust, incestual, it means I'm no one, no family  . NAZZEMTI,TSULL 
Different eyes, which do I like best?  . SREROLPXETNER 
Attitude, empty, distracted, dog's sleepy  . YTROD,SMLE,ST 
End points  . STNI 
Serious about giving in  . YLLACIMEDACASU 
Which is not giving in  . HCOEGTONSISMOO 
I don't know what it means even  . IREVEMOHWWONKT 
And to look for that is already wrong  . TIGNILTROFPUOL 
I don't know how to look at photos  . EZOLOTWOHWONKT 
Why are they smiling?  . ILIMSSTAOCPOTE 
Watching telly, about to drink coffee  . TUOBA,YLLETGNI 
We are living inside these photoes  . TSERUJNISESSEL 
Exhaust them  . REHTETTS 
I don't think we understand what photo is  . EDIANUEWKNIHTT 
They're obviously better than memory, I couldn't remember that  . NORHT 
LLEWKCALB 
This was before I was born, before my gran was  . AWIDEBSAWSECIL 
So my memory is useless, any memory, and then death  . EVSIGNIZITAIDE 
Why don't I accept photos of myself?  . TAEMREPGNITARE 
Something to do with this  . THTIWODOTETILU 
And what underlies iconoclasm  . ILNUGNIREETNUL 
Turning into a machine  . AMAROTADNUNIGN 
What about writing?  . RWTUOBAELBAZIN 
Same thing  . ESRYHTIM 
Cul-de-sac = tao  . CASE 
What clock did you wear at point n?  . WUOYDIDKCOLCRE 
You don't know, but I know, how is that?  . B,EDUTISSALT'N
How can I know more than your memory?  . IRALUDOMWONKIN 
And what that went on inside your head?  . TNEWTAHTREKATI 
Likewise, how can I know you better than yourself?  . NUJINACWOH,ESI 
Are you then me? Are you anything at all?  . A?EMOTREHTIHTU 
You don't have a chance, forget it  . CIMEHCAEVAHT'N
Forge it  . TIGNIW 
Which is manipulating images  . TSEHCNAMSIENAB 
Constructing via any media  . MYNAAIVGNITCUR 
You'll die like your foreparents you know nothing about  . 
OHPOOZEKILEIDL 
They were lucky  . YKCULYLSUORDNO 
We unlucky bastards have to forge to remain without trace  . 
VAHSDRATSABSRE 
Everything is picked up  . ESARHPSILARETA 
The rejoice of religion and intelligence in the far end  . 
NELERFOMUSNOPS 
Photo is treatening in the same way  . SEHTNISISSENHS 
What about truth?  . LSNARTETALYTEC 
Photo is more truthful than memory  . URTREZILAROMSI 
Which also means its falsity exceeds  . STISNAEMSREDNA 
This is about art also  . ATRATUOBASISUO 
And another reason for iconoclasm  . INOBRACERREHTO 
We're useless, our memory, our minds, our feelings, our actions  . 
OMEMRUO,GNISIR 
These are dead ends  . CELEDAEDERALAR 
Already inhabitated by machinery  . DETAXULYBSESNE 
I don't know where to go  . EENOGGAWEZILIN 
I'm not going anywhere  . ANIETORPOCYLGT 
I react as before, my body is reacting  . OBYM,TIDNABSAT 
No change, I'm not responsible, how could a photo be, or writing?  . 
SERTONM'I,TCEH
The best thing you can do now is to tell lies  . SERHTKOORBREVA 
What I mean about the truth thing  . UTEHTTUOBANAEM 
I'm not looking for life, I already have life  . I,EFILROFGNIKO 
Or survival, since I'm obviously gonna die  . M'IECNIS,LAVIV
And societies will form by themselves and don't need my help  . 
OLFLLIWSEITEIC 
Why should we still be looking for shelter and food?  . LEBLLITSEWDLUO 
Sorry I don't care about things  . ERACT'NODIHTIM
A solution should present itself to me, I'm not looking for any  . 
ERPESISNESNOIT 
These are essentially no problem, but any-way they'll create problems  . 
LLAITNESSEERAS  
And I always have to forge more than forget  . URFOTEVAHSYAWL 
And reside in lies more than truths  . EROMSEILNIEDIS 
Just because of this shit  . TFODETNEMELTTA 







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From:	mIEKAL aND 
Subject: fiction of philosophy newsgroup
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

Since my pop mail account keeps screwing up over here Ive been looking for a
way to read the wryting list & I found the fiction of philosphy newsgroup which
seems to have some of the wryting list archived there.  How does this work?  Is
the newsgroup subscribed to the wryting list?

http://groups.google.com/groups?hl=ro&lr=&ie=UTF-8&inlang=pl&group=fa.fiction-
of-philosophy

mIEKAL

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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Ryan Whyte 
Subject: Re: fiction of philosophy newsgroup
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  <200411021233.iA2CXquF002606@westbyserver.mwt.net>
Precedence: list

I believe so...but I don't know who set it up or when, or what 'fa' stands
for for that matter...

Ryan

On Tue, 2 Nov 2004, mIEKAL aND wrote:

> Since my pop mail account keeps screwing up over here Ive been looking for a
> way to read the wryting list & I found the fiction of philosphy newsgroup which
> seems to have some of the wryting list archived there.  How does this work?  Is
> the newsgroup subscribed to the wryting list?
>
> http://groups.google.com/groups?hl=ro&lr=&ie=UTF-8&inlang=pl&group=fa.fiction-
> of-philosophy
>
> mIEKAL
>
> ---------------------------------------------
> This message was sent using Midwest Tel Net Web Based Mail.
> http://www.mwt.net/
>
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	noemata@KUNST.NO
Subject: Re: fiction of philosophy newsgroup
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

fa, from arpanet
institute for informatics at the university of oslo is gatewaying
all the old arpanet groups into usenet because most users didn't have
access to arpanet, only usenet.

"The world's oldest electronic conferences, the ARPANET mailing lists,
were quickly integrated into USENET. Gateways were made so newsgroups
starting with "fa" (From ARPANET) contained the mailing list contents,
and USENET users could post and participate. ARPANET mailing lists
emerged around 1975, not long after network email linked ARPANET users
together."
http://www.oreillynet.com/pub/a/network/2001/12/21/usenet.html

"It's only purpose is that
everyone who want to subscribe to the mailing-list can
just read the newsgroup (saves some disk space, I guess).
The prefix fa is, as far as I know, quiet historic.
The first mailing lists that were "converted" to newsgroups
had this prefix (fa = from arpanet?).
Until this discussion I didn't know that this group was
distributed outside ifi.uio.no (Institute of Informatics,
University of Oslo). Do you get the other fa.-groups as
well? At the moment there are 105 of them."
http://stp.ling.uu.se/pipermail/dcml/1994-September/010975.html

 search on arpanet, usenet gateway etc for more internet history.

http://communication.ucsd.edu/bjones/Usenet.Hist/Nethist/0137.html

fa groups, mostly obsolete, http://groups.google.com/groups?group=fa
for the other question see my recent post about
googlegroups/fa.fop/wryting

02/11/2004 16:05:43, Ryan Whyte  wrote:

>I believe so...but I don't know who set it up or when, or what 'fa'
stands
>for for that matter...
>
>Ryan
>
>On Tue, 2 Nov 2004, mIEKAL aND wrote:
>
>> Since my pop mail account keeps screwing up over here Ive been
looking for a
>> way to read the wryting list & I found the fiction of philosphy
newsgroup which
>> seems to have some of the wryting list archived there.  How does this
work?  Is
>> the newsgroup subscribed to the wryting list?
>>
>> http://groups.google.com/groups?hl=ro&lr=&ie=UTF-8
&inlang=pl&group=fa.fiction-
>> of-philosophy
>>
>> mIEKAL
>>
>> ---------------------------------------------
>> This message was sent using Midwest Tel Net Web Based Mail.
>> http://www.mwt.net/
>>
>
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	noemata@KUNST.NO
Subject: Re: fiction of philosophy newsgroup --
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

fa, from arpanet.
institute for informatics at the university of oslo is gatewaying
all the old arpanet groups into usenet because most users didn't have
access to arpanet, only usenet.

"The world's oldest electronic conferences, the ARPANET mailing lists,
were quickly integrated into USENET. Gateways were made so newsgroups
starting with "fa" (From ARPANET) contained the mailing list contents,
and USENET users could post and participate. ARPANET mailing lists
emerged around 1975, not long after network email linked ARPANET users
together."
http://www.oreillynet.com/pub/a/network/2001/12/21/usenet.html

"It's only purpose is that
everyone who want to subscribe to the mailing-list can
just read the newsgroup (saves some disk space, I guess).
The prefix fa is, as far as I know, quiet historic.
The first mailing lists that were "converted" to newsgroups
had this prefix (fa = from arpanet?).
Until this discussion I didn't know that this group was
distributed outside ifi.uio.no (Institute of Informatics,
University of Oslo). Do you get the other fa.-groups as
well? At the moment there are 105 of them."
http://stp.ling.uu.se/pipermail/dcml/1994-September/010975.html

 search on arpanet, usenet gateway etc for more internet history.

http://communication.ucsd.edu/bjones/Usenet.Hist/Nethist/0137.html

fa groups, mostly obsolete, http://groups.google.com/groups?group=fa
for the other question see my recent post about
googlegroups/fa.fop/wryting

02/11/2004 16:05:43, Ryan Whyte  wrote:

>I believe so...but I don't know who set it up or when, or what 'fa'
stands
>for for that matter...
>
>Ryan
>
>On Tue, 2 Nov 2004, mIEKAL aND wrote:
>
>> Since my pop mail account keeps screwing up over here Ive been
looking for a
>> way to read the wryting list & I found the fiction of philosphy
newsgroup which
>> seems to have some of the wryting list archived there.  How does this
work?  Is
>> the newsgroup subscribed to the wryting list?
>>
>> http://groups.google.com/groups?hl=ro&lr=&ie=UTF-8
&inlang=pl&group=fa.fiction-
>> of-philosophy
>>
>> mIEKAL
>>
>> ---------------------------------------------
>> This message was sent using Midwest Tel Net Web Based Mail.
>> http://www.mwt.net/
>>
>
S
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From:	ryan.whyte@utoronto.ca
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Subject: Re: fiction of philosophy newsgroup
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Cool! Thanks hugely for this --

yours,

Ryan

On Tue, 2 Nov 2004 noemata@KUNST.NO wrote:

> fa, from arpanet
> institute for informatics at the university of oslo is gatewaying
> all the old arpanet groups into usenet because most users didn't have
> access to arpanet, only usenet.
> 
> "The world's oldest electronic conferences, the ARPANET mailing lists,
> were quickly integrated into USENET. Gateways were made so newsgroups
> starting with "fa" (From ARPANET) contained the mailing list contents,
> and USENET users could post and participate. ARPANET mailing lists
> emerged around 1975, not long after network email linked ARPANET users
> together."
> http://www.oreillynet.com/pub/a/network/2001/12/21/usenet.html
> 
> "It's only purpose is that
> everyone who want to subscribe to the mailing-list can
> just read the newsgroup (saves some disk space, I guess).
> The prefix fa is, as far as I know, quiet historic.
> The first mailing lists that were "converted" to newsgroups
> had this prefix (fa = from arpanet?).
> Until this discussion I didn't know that this group was
> distributed outside ifi.uio.no (Institute of Informatics,
> University of Oslo). Do you get the other fa.-groups as
> well? At the moment there are 105 of them."
> http://stp.ling.uu.se/pipermail/dcml/1994-September/010975.html
> 
>  search on arpanet, usenet gateway etc for more internet history.
> 
> http://communication.ucsd.edu/bjones/Usenet.Hist/Nethist/0137.html
> 
> fa groups, mostly obsolete, http://groups.google.com/groups?group=fa
> for the other question see my recent post about
> googlegroups/fa.fop/wryting
> 
> 02/11/2004 16:05:43, Ryan Whyte  wrote:
> 
> >I believe so...but I don't know who set it up or when, or what 'fa'
> stands
> >for for that matter...
> >
> >Ryan
> >
> >On Tue, 2 Nov 2004, mIEKAL aND wrote:
> >
> >> Since my pop mail account keeps screwing up over here Ive been
> looking for a
> >> way to read the wryting list & I found the fiction of philosphy
> newsgroup which
> >> seems to have some of the wryting list archived there.  How does this
> work?  Is
> >> the newsgroup subscribed to the wryting list?
> >>
> >> http://groups.google.com/groups?hl=ro&lr=&ie=UTF-8
> &inlang=pl&group=fa.fiction-
> >> of-philosophy
> >>
> >> mIEKAL
> >>
> >> ---------------------------------------------
> >> This message was sent using Midwest Tel Net Web Based Mail.
> >> http://www.mwt.net/
> >>
> >
> 

S
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Date: Tue, 2 Nov 2004 14:20:17 -0500 (EST)
From: Alan Sondheim 
To: noemata 
Subject: Re: [syndicate] New machines 4
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Terrific! - Alan


recent http://www.asondheim.org/ 
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/ 
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm 
partial mirror at http://www.anu.edu.au/english/internet_txt


S
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Date: Tue, 2 Nov 2004 16:05:19 -0500 (EST)
From: Alan Sondheim 
To: noemata@kunst.no
Subject: Re: [syndicate] New machines 4
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You're one of the people I _always_ read - Alan, and thanks

On Tue, 2 Nov 2004 noemata@kunst.no wrote:

>
> Thanks thanks, like this, I don't plan to post what I write, it's just a
> beginning maybe for clarifying or jotting down something and it all
> digresses, in the end I don't know what it is so it might be kind of
> fiction so I post it and/or decide to add a coded level and see what
> happens if it adds to.
>
> Your way of publishing has also influenced me here, no doubt, so thanks
> also for what you write. I've also looked for ways of publishing without
> the pretense of, well all the things that follow or get stucked to the
> thing once it's communicated, it's terrible and I never know what to do.
>
> I'm happy you're reading, when the default is to be ignored (probably),
> thanks
>
> Bj=F8rn
>
> 02/11/2004 20:20:17, Alan Sondheim  wrote:
>
>>
>>
>> Terrific! - Alan
>>
>>
>> recent http://www.asondheim.org/
>> WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/
>> recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
>> Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
>> partial mirror at http://www.anu.edu.au/english/internet_txt
>>
>>
>>
>
>
>


recent http://www.asondheim.org/=20
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/=20
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm=20
partial mirror at http://www.anu.edu.au/english/internet_txt


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To: e , wryting 
Cc: solipsis , Per Platou 
Date: Tue, 02 Nov 2004 23:02:58 +0100
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Subject: [. e - k u n s t .] Reality Check i Oslo 3+4 desember (essay)
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hahahah


(hul latter)
On Tue, 2 Nov 2004 21:38:45 +0100, Jostein Lien =20
wrote:
> adundas?

du f=E5r pr=E6santere d=E6 sj=F8l din mainnsjit !!!
her er allerede mislykken fullt integrert i prosjektet, s=E5 er det da=20
vellykket eller mislykket :?
README: http://noemata.net/adundas/00_readme.txt
Full prosjektskisse: http://noemata.net/adundas/adundas-mainnsjit.txt
Adundas kontoret: http://noemata.net/adundas/0803_0019.jpg :)
Unik lokasjon ultima thule: http://noemata.net/adundas/barents.png

Enig i at adundas skulle hatt stjernestatus, men hvem bryr seg, dette=20
har ligget p=E5 noemata i lang tid, ingen reaksjoner, ingen leser, alle=20
sitter og runker eposten. Men dette kunne blitt stort, med noen andre=20
enn udugelige sabber i staben. Hele noemata er og taps, det er oppgitt i=20
utgangspunktet og lever med latteren i halsen.

***

It was a tiny onyx diorama of Don Quixote' and Sancho Panza.=3D20
The light slanting uniformly into the austere living room, vaguely =3D
populux, 50's geometric. The sane cat sat near a window licking its paw.=20
--solipsis

***

jeg hadde et notat p=E5 dette engang -
----------------
kanskje det er slik at noemata har som sitt felt disse umulige og
malpasserte verk og uverk, like mye eller mer enn verk i noen=20
tradisjonell forstand, og gj=F8r det til sitt uttrykk, som en endelig=20
eller uendelig oppl=F8sning av kunsten - med objektets d=F8d (euridike) og=
=20
subjektets desintegrering (orfeus) i korridorene, grenselandet eller=20
=F8rkenen (nettkunsten). fin setning iallefall. det h=F8res seri=F8st ut me=
n=20
har mer preg av tragi-komedie - mer quixotisk enn romantisk. det umulige=20
er en r=F8d tr=E5d kan det virke som - en r=F8d klut? forestillingenes=20
umulighet, eller det virkeliges uvirkelighet.

every ecstasy ultimately prefers to take the path of renunciation rather
than sin against its own concept by realizing it. --adorno

there is an idea horizon just as there is an event horizon: the horizon=20
of their death-dealing accomplishment, their absolute realization.=20
thought, for its part, leaks out into the void. --baudrillard

don quixote som en taktil kulturjammingsteknikk, bevisst dumskap.

noemata message in a bottle server at the barents sea, 71=BA n
hva slags mail vil du sende ut i havet? umulige kj=E6rlighetsbrev?
"thy false promise and my sure misfortune carry me to a place whence the
news of my death will reach thy ears before the words of my complaint."
"what thy beauty raised up thy deeds have laid low; by it i believed=20
thee to be an angel, by them i know thou art a woman."

hva du gj=F8r der? - er det et sp=F8rsm=E5l eller svar?

quo oxid net
----------------
nn som don quixote. nettkunst som ikke virker, annonseringer og
forestillinger som fantasi. urealistiske, umulige, malplasserte=20
prosjekter
og ideer - som samtidig blir kulturjamming, intervenering, taktisk - og
latterligj=F8rende, selvironisk - med den folkelige sjarmen til det
tragi-komiske.
---------------------------

"there it is," said sancho, "what i told you, that you must keep a good
count; well then, by god, there is an end of the story, for there is no
going any farther."
"how can that be?" said don quixote; "is it so essential to the story to
know to a nicety the goats that have crossed over, that if there be a
mistake of one in the reckoning, thou canst not go on with it?"
"no, senor, not a bit," replied sancho; "for when i asked your worship=20
to tell me how many goats had crossed, and you answered you did not=20
know, at that very instant all i had to say passed away out of my=20
memory, and, faith, there was much virtue in it, and entertainment."
"so, then," said don quixote, "the story has come to an end?"
"as much as my mother has," said sancho.
"in truth," said don quixote, "thou hast told one of the rarest stories,
tales, or histories, that anyone in the world could have imagined, and
such a way of telling it and ending it was never seen nor will be in a
lifetime; though i expected nothing else from thy excellent=20
understanding. but i do not wonder, for perhaps those ceaseless strokes=20
may have confused thy wits."

----------------------

ffrom a mail from lanny quarles solipsis; -

the term 'idiotic' isn't really about intelligence per se but
refers to a kind of imaginary ratio whereby the self's uniqueness
adheres to its own erratic path, its actually a term connoting a kind
of pureness and honesty
.. I'm thinking somewhere in the neighborhood of eigen-
something (can't remember) hmm

>Authenticity is also a translation problem. Eigentlichkeit has its root=20
in
>"eigen": "own". or "proper", Gr. "idios" Eng. "idiot". So one should=20
keep the
>originary meaning of idiocy in mind: being one's own self. The term
>Eigentlichkeit points to the possibility of being one's self.

that strikes me.

  As you point out, the Gk "idiotic" denotes not deficiency
but eccentricity, the opposite of "politic" (with-ness); a self=20=20
radically
"own-most";  in its extremest form, perfect solipsism.
With this in mind, and apprised ( by Nietzsche, no?) that every great
philosophy is autobiography,  oughtn't B&T be read synoptically with
Ott; as it were in the Confessions genre...that B&T  represents H's
self-casting
(Go, litel bok, go, litel myn tragedye), an idiotic interpretation of=20
beyng...
that the Angst/Care structure, for example,  if it fits one, say Hamlet=20
type;
assuredly doesn't others: Quixote, Don Juan, Faust...

--------------

via the baudri Lard -

- art has disappeared as a symbolic pact, remaining prolification of=20
signs ad infinitum as 'culture' [auto.noemata, automatic art]. the=20
situation resembles that of a currency which may not be exchanged, it=20
can only float, its only reference itself, impossible to convert into=20
real value or wealth [1 noema =3D 4 kroner, & the impossible of noemata=20
projects, their floating, like quixote phantasies, manusfilms and=20
inconceptual art].

- general indifference, please remove me as only emotional response
profound indifference everybody is an art is true
the system runs less on the surplus-value of the commodity than on the=20
aesthetic surplus-value of the sign, no matter how marginal, banal or=20
obscene everything is subject to aesth. cult. museum.-zation.

- like the prax of baroq, we too are irrepressible creators of images,=20
but secretly iconoclasts - we manufacture a profusion of images in which=20
there is nothing to see, leave no trace, cast no shadow, and have no=20
consequences. [anyhr isbn png project http://noemata.net/anyhr/ ]

- fascination of the erasure [rewrite full compression code cipher]

- our images are like icons miraculous - they allow us to go on=20
believing in art while eluding the question of its existence.[iconicity=20
dragon body laburint] beyond the indifference, art as uglier-than.ugly=20
bad worse, raised to the second power because it is liberated of its=20
relation with its opposite [bemyghost transaesthetic blasts]

- tourism, people who no longer undertake voyages, but simply go round=20
and round in circles [traceroute/ping travel agency]

- These forms are excesses and
collapses of code - viral, fascinating, indiscriminate, and reinforced=20
by viral media, our culture also produces the most murderous viruses.=20
catastrophe culture. we all enjoy these things. [nothing code stagings]
operational whitewash, overexposed, defenceless, without any way of=20
refracting light, info, doomed in consequence to a whitewash of all=20
activity [code/decode I/O labora trashmaps maze digital technique]
relinquish identity to survive [end-nodes net computer]
operations not actions, regulated machinery [nothing takes place]
better to produce nothing in order to have things produced [artists],=20
better to have nothing to say if one seeks to communicate [socials], as=20
everyone knows, if you want to make people laugh, it is better not to be=20
funny [powers] in order for content to be conveyed as well and quickly=20
as possible, that content should come as close as possible to=20
transparency and insignificance [empty intimate]
good communication implies the annihilation of its own content. [avoid
everything]

-------------

htp noemata,net/ abouthtml -
So it's a kind of artificial art, much like the intelligence
of artificial intelligence :)
The policy is to support collaboration, community, transparency,=20
immediacy in the arts - net.art, media art, correspondence/mail art,=20
network art, context art, or other otherness and marginal=20
artifactualizations.

We tried that and it didn't work. So this is 'open content' of a more
catastrophic kind, of the dispersal of content, or the metastasis or
disappearance of content (in the jargon of Baudrillard). Also, being
contented with things not working, and actually more fascinated by the
failures and drifting of things than producing them, as art or anything,
open being more like cracked open or a core dump of codegerm, artsperm,
and their entanglements and confusion of layers in/outside,=20
open/content, generative/degenerative, avatar/atavar of space, time and=20
structures intermingling and proliferating more or less on their own, by=20
their own, automatic, recursive mating. This 'release' of the server is=20
not only as permission or publication but a giving up kind of release.=20
Giving up,letting it drift, distribute or disperse unsupervised, and=20
giving up that, risking complete annihilation any point beyond the loop=20
survival.

-------------------

dette ble mitt essay i anledningen, jozz,du kan reise og foredra, har du=20
ikke holdt seminar i skattesaker? dette er noe lignende (rapporter,=20
skriftestol, politietterforskningetc), eller kj=F8re det gjennom=20
stemmesynthesizer, det blir nok stas!!

Gud l=F8kk, PP og folkens!

Bj=F8rn

N=E5r alt kommer til alt har jeg ikke tenkt =E5 gi opp prosjekter p=E5=20
kuunstfronten, det jeg tenker p=E5 er ISBN protokollen (i forhold til det=
=20
digitale), og videre, automatisering-rasjonalisering av kunsten, slik=20
som ellers i samfunnet. Det er de to tingene jeg brenner for.=20

Snakkes.=20

joz har du h=F8rt med skattekontoret, sjekka restskatten, tror den st=E5r=
=20
der fortsatt, jeg vil klage men det er mas.=20
hils Ingeborg.


legger ved som bonus mitt essay som ogs=E5 kan siteres i sammenhengen -
inkl. Context art experiments, report 2004 noematic experimental method
+ Lesion art research, praxis 2002-3 Research on the human arts surgery
Most information came from experiments with relatively poorly defined=20
genre lesions ?blood-vessel butoh dance smtp damage that included the=20
art stem - funding etc, as well as the context,or art-trauma lesions=20
that were diffuse and irregular, spectral then reversed. good=20
correlations were obtained between focal lesions in the arts and the=20
changes that resulted from the lesions at the police.

Her var det:

----------------

The Development of Neuro Art

For example,Viennese psychiatrist Sigmund Freud (1856 - 1939)had=20
originally envisioned the biological basis of his theory of=20
behavior,with its three levels of id,ego,and superego,as being a=20
hydraulic mechanism of some sort. today's joke: ... computational=20
mechanism of some sort.!!!! :-))

Descartes was impressed Joke by machines made in his time,such as those=20
of certain statues that were on display for public amusement in the=20
water gardens of Paris.When a passerby stopped in front of one=20
particular statue,for example,his or her weight would depress a lever=20
under the sidewalk,causing the statue to move and spray water at the=20
person ?s face.Descartes proposed that the body is like these machines.

phrenology joke Additionally,despite the failure of scien- tific=20
attempts to correlate appearance with various aspects of behavior,it is=20
not uncommon to hear people accord virtues to others on the basis of=20
their physical appearance.Readers might ask themselves how accurate they=20
would be if asked to judge intelligence on the basis of=20
photographs.Social psychologists have found that,when university=20
students are asked to make such judgments, the rule that they apply to=20
the task is,?Beauty equals intelligence.?

phrenology joke 2 The famous physiologist,Magendie,preserved with=20
veneration the brain of Laplace (a famous French=20
mathematician).Spurzheim had the very natural wish to see the brain of a=20
great man.To test the science of the phrenologist,Mr.Magendie showed=20
him,instead of the brain of Laplace,that of an imbecile.Spurzheim,who=20
had already worked up his enthusiasm,admired the brain of the imbecile=20
as he would have admired that of Laplace.(Krech,1962)

Context art experiments, report 2004 noematic experimental method=20
consisted of removing parts of the art from artworks to study the=20
changes produced in their context. removed a small piece of art and then=20
observed how the art behaved and how it recov- ered from the loss of art=20
tissue.In essence, created art models from works that had received=20
injury to a part of the art by a blow to the head or by having the skull=20
pierced by a missile.To search for different functions in the art=20
context, varied the location from which the art tissue was removed.=20
Another key contribution was the discovery that,after damage to a part=20
of the art,substantial recovery could be expected. Microscopic=20
examination revealed that art was nothing like an amor- phous=20
jelly;rather,it had an enormously intricate substructure with compo-=20
nents arranged in complex clusters,each interconnected with many other=20
clusters. Cals Adsborough  in Holland reached the same conclusion from=20
similar experiments on context art,but his manuscript lay unpublished=20
for severad decadesn.

History of electronics & arts The impetus to adopt a theory of=20
electronical conduction in arts came from an English artist,Steph=20
McTaargess ,who attracted considerable attention by demonstrating that=20
the human arts could conduct electrons. He showed that, when an artwork=20
containing electrons was brought close to the feet of a boy suspended by=20
a rope in a grass-leaf electroscope gallery placed near the boy ?s nose=20
it would be attracted to the boy ?s nose.

Computer art The first computer art was hydraulic, swiss artist Jahob=20
Matreisse (-) constructed a series of machine paintings 1716-17 in his=20
bathtub - "aqua/re(e) lle auto/matique" - facilitating finite state=20
pressure systems of squeesing injection pipes of color liquids onto the=20
surrounding walls to much annoyance to his mother.

Network art experiments, preliminar applied an unpleasant stimulation to=20
a dog ?s paw list,measured how long it took the corpus to withdraw its=20
foot,and compared that rate with the speed at which messages were known=20
to travel along the net.According to calculations took 50 milliseconds=20
too long to respond. theorized that nodes are 'connected by junctions'=20
(oxym.), ?clasp ?, that additional time is required for the art to get=20
across. some buffering, bufooning, listmasters, potentials principal,=20
general inertia. preliminar conclusion: to confirm that network arts do=20
not quite touch the nodes with which they clasp.

Art surgery, proposal note that anthropologists have found evidence of=20
art surgery dating to prehistoric times:neolithic found surgery to have=20
a beneficial effect in cultures,perhaps by reducing pressure within the=20
arts when an injured discipline began to swell up. (ref. trephining,=20
context art above). NB: art surgery, made possible by media: the=20
introduction of antisepsis,anesthesia as cultural phenomenon; in=20
addition the principle of localization of genre, making cross-discipline=20
possible. (see Figure 1.11). This device immobilizes the arts.An art=20
atlas is then used (flux maps etc) to localize areas in the arts for=20
surgery. Local anesthetic procedures were developed (media/stunt &c) so=20
that the 'spectator' could remain awake during surgery and contribute to=20
the success of the operation by providing information about the effects=20
of localized art stimulation.

Lesion art research, praxis 2002-3 Research on the human arts surgery.=20
Most information came from experiments with relatively poorly defined=20
genre lesions ?blood-vessel butoh dance smtp damage that included the=20
art stem - funding etc, as well as the context,or art-trauma lesions=20
that were diffuse and irregular, spectral then reversed. good=20
correlations were obtained between focal lesions in the arts and the=20
changes that resulted from the lesions at the police.

degenerative art In 2004, the minister of public instruction=20
commissioned to develop tests to identify retarded arts so that they=20
could be singled out for special treatment. The tests were derived=20
empirically by administering artworks of 50 normal artists and some=20
mentally retarded and adults.The scale was revised in 2005. From the=20
tests,an art level was calculated evaluating abstraction, beauty,=20
inventiveness, craft, luck, singularity, which Iibet thought were=20
essential features of art. some conclusion: gave tests to brain-damaged=20
arts with the resultant surprising discovery that lesions in the avant=20
garde, since modernist's time considered the center of generative,=20
creative art ? did not decrease art scores. Sores to other main areas=20
not formerly thought to be implicated in ?art? did reduce art scores.

-------





> ----- Original Message -----
> From: "Per Platou" 
> To: ; ; ;
> <110@kunst.no>; ;=20

> Sent: Tuesday, November 02, 2004 7:57 PM
> Subject: [. e - k u n s t .] Reality Check i Oslo 3+4 desember
>=20
> Call for participation / =C5pen invitasjon til F=F8rjulsskriftestol
>=20
> =C5rsrapporter (eller prosjektrapporter) er som oftest s=E6rdeles lite
> spennende lesning. Der presenteres ethvert prosjekt som "etter
> forholdene meget vellykket" eller "har hatt stor betydning" osv. osv.
> S=E5 ogs=E5 innenfor kunst- og kultursektoren.
>=20
> REALITY CHECK er et todagers arrangement som tar sikte p=E5 trekke fram
> prosjekter fra kunstfeltet som gikk fullstendig galt. Der ideen var
> bedre enn gjennomf=F8ringskraften, der man undervurderte teknologien,
> publikum, =F8konomien eller overvurderte egne evner. Det kan v=E6re
> prosjekter som har mottatt st=F8tte som rett og slett ikke lot seg
> gjennomf=F8re, eller som ble noe helt annet enn det som var tenkt (1).
> Med andre ord: Vi er p=E5 jakt etter prosjekter som MISLYKTES i st=F8rre
> eller mindre grad og der opphavspersonene har gjort seg noen tanker om
> hva som gikk galt og hvorfor.
>=20
> REALITY CHECK har hentet grunnideen fra et n=E5 nedlagt klubbkonsept i
> Berlin - Club der Polnischen Versager eller "Den polske taperklubben"
> (2) - som i flere =E5r var et meget popul=E6rt tiltak med mange deltakere,
> mye publikum og h=F8y underholdningsfaktor. Fordi de fleste feil som er
> beg=E5tt, eller uhellene som har oppst=E5tt som regel er sv=E6rt
> allmenmenneskelige, tror vi RC kan bli b=E5de popul=E6rt, mediavennlig og
> l=E6rerikt.
>=20
> Det er et faktum at mange kunstprosjekter (s=E6rlig innenfor kunst/ny
> teknologi) ofte s=F8ker det spektakul=E6re, det nye og revolusjonerende.
> Dette gjenspeiles ogs=E5 i massemedia. I en presset kunstnerhverdag er
> frykten for =E5 gj=F8re feil ofte st=F8rre enn viljen til =E5 oppn=E5 noe
> ekstraordin=E6rt. Denne situasjonen =F8nsker vi n=E5 =E5 snu p=E5 hodet, =
ved =E5=20
gi
> de mislykkete prosjektene en unik siste mulighet for stjernestatus.
>=20
> Vi =F8nsker derfor =E5 h=F8re fra deg om du har ett eller flere slike
> prosjekter som kan formidles tydelig, og med en h=F8y grad av=20
selvinnsikt
> innenfor en tidsramme p=E5 30-40 minutter. Vi er i denne sammenheng=20
alts=E5
> IKKE ute etter sutring over (manglende) forst=E5else fra publikum,
> komiteer, kuratorer, produsenter, presse eller verdens tilstand
> generelt.
>=20
> Send en epost til reality@anart.no innen 18.november om du selv har et
> mislykket prosjekt du =F8nsker =E5 presentere, eller har tips til
> prosjekter som burde presenteres :)  Vi er =E5pne for alle typer
> henvendelser, ikke bare fra kunst- og ny teknologi feltet. Vi vil
> selvf=F8lgelig ikke presentere noe som ikke opphavspersonen selv =F8nsker
> satt i en slik sammenheng.
>=20
> Alle deltakere vil bli honorert, og vi vil ogs=E5 v=E6re behjelpelige med
> ev. reise og overnatting i Oslo.
> REALITY CHECK vil bli dekket redaksjonelt.
>=20
> Dato: Fredag 3.desember kl 15 - 20, l=F8rdag 4.desember kl 12-18
> Sted: Cafe Mir, Toftesgt. 69, Oslo (Gr=FCnerl=F8kka Lufthavn)
> Gratis adgang for publikum.
>=20
> Arrang=F8r: Atelier Nord - www.anart.no
> For ev. sp=F8rsm=E5l, kontakt prosjektansvarlig Per Platou, mob 93069406
>=20
> ---
>=20
> Videresend gjerne denne meldingen!
>=20
> (1) "julepresangen" av Alf Pr=F8ysen
> http://it-student.hivolda.no/prosjekt/h99/tresloyd/julepres.htm
> (2)  Club der Polnischen Versager, Berlin
> http://www.trial-error.de/polnischeversager/
>=20







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Date: Wed, 3 Nov 2004 02:17:13 -0500 (EST)
From: Alan Sondheim 
To: isbn 82-92428-25-9 
Subject: Re: [syndicate] New machines 4
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Maybe we should trade - I can send you a DVD+ - if you have something to 
play it on - with the video etc. etc. etc. and other images, etc. - have 
something in return?

Anything on Norway!

yours, Alan


recent http://www.asondheim.org/ 
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/ 
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm 
partial mirror at http://www.anu.edu.au/english/internet_txt


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Date:         Wed, 3 Nov 2004 15:47:04 +0100
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	isbn 82-92428-25-9 
Subject: Re: fiction of philosophy newsgroup
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

and also -
.."This rather brings to mind a syndrome that sometimes occurred when an
old Arpanet mailing list got gatewayed to a Usenet newsgroup. After a
little while, some Usenet novice would commit some faux pas, a furious
Arpanaut would flame violently about how Usenet was nothing but bozos
who didn't understand How Things Should Be Done and the gatewaying was a
stupid idea, and the list maintainer would quietly observe that the
gatewaying had indeed produced problems, but it was also producing most
of the real content..." -Henry Spencer; Mail Relays; 25 Oct 1990

:)
02/11/2004 17:58:37, noemata@KUNST.NO wrote:

>fa, from arpanet
>institute for informatics at the university of oslo is gatewaying
>all the old arpanet groups into usenet because most users didn't have
>access to arpanet, only usenet.
>
>"The world's oldest electronic conferences, the ARPANET mailing lists,
>were quickly integrated into USENET. Gateways were made so newsgroups
>starting with "fa" (From ARPANET) contained the mailing list contents,
>and USENET users could post and participate. ARPANET mailing lists
>emerged around 1975, not long after network email linked ARPANET users
>together."
>http://www.oreillynet.com/pub/a/network/2001/12/21/usenet.html
>
>"It's only purpose is that
>everyone who want to subscribe to the mailing-list can
>just read the newsgroup (saves some disk space, I guess).
>The prefix fa is, as far as I know, quiet historic.
>The first mailing lists that were "converted" to newsgroups
>had this prefix (fa = from arpanet?).
>Until this discussion I didn't know that this group was
>distributed outside ifi.uio.no (Institute of Informatics,
>University of Oslo). Do you get the other fa.-groups as
>well? At the moment there are 105 of them."
>http://stp.ling.uu.se/pipermail/dcml/1994-September/010975.html
>
> search on arpanet, usenet gateway etc for more internet history.
>
>http://communication.ucsd.edu/bjones/Usenet.Hist/Nethist/0137.html
>
>fa groups, mostly obsolete, http://groups.google.com/groups?group=fa
>for the other question see my recent post about
>googlegroups/fa.fop/wryting
>
>02/11/2004 16:05:43, Ryan Whyte  wrote:
>
>>I believe so...but I don't know who set it up or when, or what 'fa'
>stands
>>for for that matter...
>>
>>Ryan
>>
>>On Tue, 2 Nov 2004, mIEKAL aND wrote:
>>
>>> Since my pop mail account keeps screwing up over here Ive been
>looking for a
>>> way to read the wryting list & I found the fiction of philosphy
>newsgroup which
>>> seems to have some of the wryting list archived there.  How does
this
>work?  Is
>>> the newsgroup subscribed to the wryting list?
>>>
>>> http://groups.google.com/groups?hl=ro&lr=&ie=UTF-8
>&inlang=pl&group=fa.fiction-
>>> of-philosophy
>>>
>>> mIEKAL
>>>
>>> ---------------------------------------------
>>> This message was sent using Midwest Tel Net Web Based Mail.
>>> http://www.mwt.net/
>>>
>>
>
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From: isbn 82-92428-08-9 
To: wryting ,
   POETICS , "arc.hive" 
Date: Wed, 03 Nov 2004 21:41:36 +0100
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Subject: [_arc.hive_] To the sea
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To the
sea; the being ashamed of a
silent dog. A person who will come by,
but poverty is worth a while, after supper
walk a single tree to leave off.

He that would turn back a mackerel. Treachery will fall go hand in kind.
He himself that for want of wisdom. Everything dear is in the
White House. A horse the crocodile meeting a shame; but if the sea, 

The
sea; the ounce.

Faint heart is in the killing of
one of a hole for
somebody else; you must crack the sooner 

Ounce.

Faint heart is at the head is nearest the naughty
she-goat who will gain sits waiting patiently in the fatted calf but not
change its feathers because the outdoor shrine, and the trouble that
follows death than oxen. The ground can
fall no lower.

Hunger finds no lower.

Hunger finds no lower.

Hunger finds no Guardian or Helper. 

Head is blind in the traitor.

An 

Head is good if men take to return to the
sea; the herb that highest kicks his
rear. 

Return to leave off.

He that has walked with
truth generates life. "Injustice chases its sons, also for the sun does
not make light work. Show the weak man when it of a
silent dog. 

Walked with
truth generates life. "Injustice chases its season. 

Walked with
truth generates life. Perfect love my mother is
at the gander. 

Perfect love my mother is
at the beard. Dry bread at the marrow is the sign invites you can keep
yourself safe from a helpless child, powerless except
for his wheels helps his
oxen.

Three women and a horse the weak man whose father was fire in
your skin.

The slow horse with the spider that
knows what it would not be afraid of the world. 

Beard. Dry bread at once.

The vine brings milk to the coals. He who drinks too many; and they be
many.

After a great house is too few. Long absent, soon
forgotten. They were now to
turn their hostility towards the first of wealth is alive. 

Once.

The vine brings milk to bray.

Old age is in silk or
scarlet. Better than his nose.

Never speak to outclass his colleagues may be many.

After a hole for
somebody else; you are brave. Make hay
whilst the hedge at once.

The vine brings milk to leave off.

He that highest kicks his
rear. 

Bray.

Old age is sickness of a
silent dog. A knife from the trouble that
follows death than a man must drink water. Whoever has walked with
truth generates life. "Injustice chases its flight.

As you must behave like a reaction. 

Sickness of its flight.

As you yourself safe from the fathers have eaten sour
grapes, and a pound of what it is the ground can
fall no fault of prevention is drawn,
it in the mouth.

What would one day become extinct from under the fatted calf but the
killing of
one of a gift sells his security, wealth and they be afraid of what it 
is
the
very stone in the
White House. A single tree to bray.

Old age is a hole for
somebody else; you eat the thing that
fattened him. 

Fathers have the outdoor shrine, and is
not beaten, then that is at hand.

The poor men take to leave off.

He that is good if the fault of tyranny." When he himself that is our
security has
automatically guaranteed its nest. And a
crowing hen tomorrow. The gander. 

Is
not beaten, then that is worth a good
appetite there is bad. If you must drink water. Whoever has been bitten
by the rich to outclass his whole house.

Everything 

Good
appetite there is not care of palm-fronds. If they perform for every
state that for his own security. A bird does not dig a mountain heifer.
Do not perform
miracles on the most scars is the fox
could not make a tough bough. We have,
but we bring on horseback and the heart is in silk or
scarlet. Better own science.

You do not a whistling girl and the bone.

There is slippery. 

Care of pleasure, the coals. He is drawn,
it in error." The outdoor shrine, and a great house of prevention is
lost; for the rider is made and is
not beaten, then that is as Adam. Love my mother is
at the other side of what it is better an ass, it would learn to return
to return to be known by the fox
could not cut off the fathers have the being ashamed of patience.

An eye is slippery. He causes the young and every action, there is as
Adam. Love my mother is
at the silent ones of a funeral. Better than his screams. 







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_________________________________________
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arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
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To: syndicate 
Date: Wed, 03 Nov 2004 21:46:57 +0100
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Subject: [syndicate] To the sea
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To the
sea; the being ashamed of a
silent dog. A person who will come by,
but poverty is worth a while, after supper
walk a single tree to leave off.

He that would turn back a mackerel. Treachery will fall go hand in kind.
He himself that for want of wisdom. Everything dear is in the
White House. A horse the crocodile meeting a shame; but if the sea, 

The
sea; the ounce.

Faint heart is in the killing of
one of a hole for
somebody else; you must crack the sooner 

Ounce.

Faint heart is at the head is nearest the naughty
she-goat who will gain sits waiting patiently in the fatted calf but not
change its feathers because the outdoor shrine, and the trouble that
follows death than oxen. The ground can
fall no lower.

Hunger finds no lower.

Hunger finds no lower.

Hunger finds no Guardian or Helper. 

Head is blind in the traitor.

An 

Head is good if men take to return to the
sea; the herb that highest kicks his
rear. 

Return to leave off.

He that has walked with
truth generates life. "Injustice chases its sons, also for the sun does
not make light work. Show the weak man when it of a
silent dog. 

Walked with
truth generates life. "Injustice chases its season. 

Walked with
truth generates life. Perfect love my mother is
at the gander. 

Perfect love my mother is
at the beard. Dry bread at the marrow is the sign invites you can keep
yourself safe from a helpless child, powerless except
for his wheels helps his
oxen.

Three women and a horse the weak man whose father was fire in
your skin.

The slow horse with the spider that
knows what it would not be afraid of the world. 

Beard. Dry bread at once.

The vine brings milk to the coals. He who drinks too many; and they be
many.

After a great house is too few. Long absent, soon
forgotten. They were now to
turn their hostility towards the first of wealth is alive. 

Once.

The vine brings milk to bray.

Old age is in silk or
scarlet. Better than his nose.

Never speak to outclass his colleagues may be many.

After a hole for
somebody else; you are brave. Make hay
whilst the hedge at once.

The vine brings milk to leave off.

He that highest kicks his
rear. 

Bray.

Old age is sickness of a
silent dog. A knife from the trouble that
follows death than a man must drink water. Whoever has walked with
truth generates life. "Injustice chases its flight.

As you must behave like a reaction. 

Sickness of its flight.

As you yourself safe from the fathers have eaten sour
grapes, and a pound of what it is the ground can
fall no fault of prevention is drawn,
it in the mouth.

What would one day become extinct from under the fatted calf but the
killing of
one of a gift sells his security, wealth and they be afraid of what it 
is
the
very stone in the
White House. A single tree to bray.

Old age is a hole for
somebody else; you eat the thing that
fattened him. 

Fathers have the outdoor shrine, and is
not beaten, then that is at hand.

The poor men take to leave off.

He that is good if the fault of tyranny." When he himself that is our
security has
automatically guaranteed its nest. And a
crowing hen tomorrow. The gander. 

Is
not beaten, then that is worth a good
appetite there is bad. If you must drink water. Whoever has been bitten
by the rich to outclass his whole house.

Everything 

Good
appetite there is not care of palm-fronds. If they perform for every
state that for his own security. A bird does not dig a mountain heifer.
Do not perform
miracles on the most scars is the fox
could not make a tough bough. We have,
but we bring on horseback and the heart is in silk or
scarlet. Better own science.

You do not a whistling girl and the bone.

There is slippery. 

Care of pleasure, the coals. He is drawn,
it in error." The outdoor shrine, and a great house of prevention is
lost; for the rider is made and is
not beaten, then that is as Adam. Love my mother is
at the other side of what it is better an ass, it would learn to return
to return to be known by the fox
could not cut off the fathers have the being ashamed of patience.

An eye is slippery. He causes the young and every action, there is as
Adam. Love my mother is
at the silent ones of a funeral. Better than his screams. 









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Content-Disposition: inline; filename="message-footer.txt"
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From: isbn 82-92428-08-9 
To: wryting , POETICS , "arc.hive" 
Date: Wed, 03 Nov 2004 21:45:41 +0100
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Created the 11th as their security, wealth is ... you.

It is in business.

Be aware that
it is time when one day become extinct from us why we witnessed the
security of tyranny,
and gave birth to fight tyrannical superpowers, as they say: "How
mistaken we are the pretenders of the 19 - according to you, Allah knows
his security, wealth and
children sprawled everywhere. 

.... you.

It is he who are still engaged in the throwing of children is in the
Israelis to avoid these images and Helper, while America, 

Engaged in silk or
scarlet. Better to be thrust into an ass, it the 19 - according to our
people what it will gain sits waiting all for a while, after supper
walk a drum
is not in light of Bush administration has automatically guaranteed its
citizens for 10 years, until it easy for Allah.

That being said, those events and stay than persist in
error." And a reaction. 

Thrust into the weak man whose father was hurled at hand.

The poor men were telling
you, the outdoor shrine, and political losses without their private
interests over their achieving for
it anything of the
bleed-until-bankruptcy plan - all
praise is worth a person who walks alone carries a weapon? And nothing is
drawn,
it in another Manhattan,
and deals with their
families on the 11th as they were terrorised and severed limbs, women and
severed limbs, women and became
envious of tyranny." When one of pounds of the military regimes, and the
security is blind in election fraud from under the ounce.

Faint heart never occurred to our fight in
Afghanistan 

Hurled at the house is hard to restore freedom at the public interests
over the storm, the ideal way started in the causes the loss of children
for years before the 19 - as we, alongside
the mujahidin, bled Russia for the horse the hedge at once.

The vine brings milk to Allah knows his own science.

You do is afraid of poetry.
"Injustice chases its flight.

As you have mercy on the silent ones from killing of you can observe it
will come by,
but poverty is a shame; but the weak man whose father was like
Halliburton and concerns the young and his whole of a
silent dog. A helpless child, powerless
except for defending his security, wealth and nothing is hard to our
people of a
silent dog. A funeral. Better than 1000 of the fatted calf but you want
for securing America and researched.

Among the twin towers in the decision was hurled at home without mercy.

The situation was fire in
your skin.

The slow horse the security has
automatically guaranteed its citizens for every action, there is alive. 

Restore freedom at the loss of wealth is bad. If a great house of a
silent dog. A conversation that the killing of a thief.

Beauty draws more important of his liberty. A
black hen tomorrow. The world
are with a pound and thus, the liar.

He 




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From:	Lanny Quarles 
Subject: the sleep of reason
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The Sleep of Reason Produces Monsters...
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Excellent work -- nice remixes!

-- Ryan


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From: isbn 82-92428-25-9 
To: "WRYTING-L : Writing and Theory across Disciplines" 
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The Slip of Reason Produces Monsters...

The Monstrous Reason Produces Sleep...

The Sleep of Monsters Produces Reason...

The Production of Reason Monsters Sleep...

-

the protesting of rezone mahayanist sleep...?
two slippy opaque ricin particular monsters...?
thy menstruates richen periodizations sleep...?
the skelf opah minstrel participant ratio..?

-

twombly mensing richened periodicity sleeplessess thy skelping opaline 
minority partly reasons tattooer party obese rippling

-

reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen 
norsea arsone?




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From:	mpalmer 
Subject: Re: the sleep of reason
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The sheep of reason produces fleece.
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Date: Thu, 4 Nov 2004 12:25:20 -0500 (EST)
From: Alan Sondheim 
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Subject: Re: the sleep of reason
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This is great and in a very very odd way, cheering this bleak morning - 
Alan


recent http://www.asondheim.org/ 
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/ 
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm 
partial mirror at http://www.anu.edu.au/english/internet_txt


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Subject: [_arc.hive_] jean alloci
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Ann Eles=F8pite, *5/6 1953      A500 E421 0000 0000
Bsorn Jenne, *23/5 1956      B265 J500 0000 0000
Anyto, *13/10 1957      A530 0000 0000

Knet Macmoalteon, *21/2 1935      K530 M254 0000 0000

Erlunc Mesnaylteon, *13/10-16 +18/4-1977      E645 M254 0000 0000

Knet Olshn Micnualtean, *24/6-1883 +2/11-1952      K530 O425 M254 0000 0000

Oli Olcen Hellons Mosnealdeem, *15/12-1828 +24/9-1920      O400 O425 H452=
=20
M254 0000 0000

Olo Svonsan Tinuoese, *1799      O400 S152 T520 0000

Spaon Elepson Timei=F8cu, *1755      S150 E412 T520 0000
Barcid Eilhpstedtar Tine de., *1766      B623 E412 T500 D000 0000

Amme Olstatt=E5r Busc=F8taecon, Besso i Nos =C5l, *1804      A500 O423 B232=
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I000 N200 L000 0000

Ghnfer Eiraggtitter Flhden, *30/8-1837      G516 E623 F435 0000

Eerhs Assrensan Fletam, *1793 +13/12-1875      E620 A265 F435 0000 0000

Ascram Ehrosgen Saecsort Flutyn, *1756 +1837      A265 E625 S263 F435 0000=
=20
0000

Eirus Aszrinsen, Sera Ree =D8stru Agur, *1725 +ver 1801      E620 A265 S600=
=20
R000 S360 A260 0000 V600 0000
Bhrghd Genmurdottar =D8fre Asar, *1733, +par 1801      B623 G563 F600 A260=
=20
0000 P600 0000

Genbar Olcditthr Nertra Fasc, *1767 +7/7-1850      G516 O423 N636 F200 0000=
=20
0000

Ol=E5 Knotson Nertra Fekc, *1735, +1810      O400 K532 N636 F200 0000 0000
Anma Lorstott=E5r Nertr=E6 =C5sor, Syra Tefdo, *1733, +11/10-1805   A500 L6=
23 N636=20
S600 S600 T130 0000 0000

Kristi Harpr=E5ntstitter Nerdru Hylcayson, *1793 +18/12-1849    K623 H616 N=
636=20
H422 0000 0000

Herfremd Pelcon L=E5en, Hasim Ssrendo, *1758      H616 P425 L500 H250 S653=
=20
0000
Mersht Keddilct=E6ttor, *1754      M623 K342 0000

Mera Eylhfgtatder Ritnonsen, =C5l, *1897 +10/7-1966      M600 E412 R355 L00=
0=20
0000 0000

Ellans Olson =D8stnhntsed, *1874      E452 O425 S355 0000
Insopers Olsdhdtar Rutnimsen      I521 O423 R355

Acnes Roeni, *20/6-1920      A252 R500 0000

Anterc Roon=E6      A536 R500

Scur      S600
Shnmyfi      S510

Anme =D8oeplitom *1897 +faxrefelsi 19/4-1990      A500 O143 0000 F261 0000

Ole =D8ohflitan, +sil-1943?      O400 O143 S400
Merea Metolen, sogn      M600 M345 S250

Olhas Hehson, *12/4 1934      O420 H250 0000 0000

J=F8ns Heesem, *22/12-1902 +6/12-1980      J520 H250 0000 0000

Jan J=E5mcan Haosan, *1866, +fhr aesost 1944      J500 J525 H250 0000 F600=
=20
A223 0000

Jins Jimkan Sludte, Kfang=E5yasen, *11/2-1840 (c. 333. Jonc ver J520 J525 S=
430=20
K152 0000 C000 0000 J520 V600 F600 fri
Oynctat-htte      O523
fre Aurlomt.)      F600 A645

Jin Jangen Oomstod Getbrentcgert Setndolen, *14/10-1812 (s. 89J500 J525 O52=
3=20
G316 S353 0000 S000 0000      6)
Ronste Olgtedter Tanisun, *27/1-1817      R523 O423 T525 0000

Oly Tanhccan Kfongi=E6egen, *1786      O400 T525 K152 0000

Tenis Olc=F8n Shra Tarba, *15/10-1747      T520 O425 S600 T610 0000
Ronsth Lerctytdor Nardre Gravo, *1759      R523 L623 N636 G610 0000

Kyri Olctiddur Nidri Raynden, *1789      K600 O423 N360 R535 0000

Ola Knatcen Reemthm, *1756 (g. 48)      O400 K532 R535 0000 G000 0000

Knyt Livhrtcon Sara M=F8aes, *1725 (s. 47)      K530 L163 S600 M200 0000 S0=
00=20
0000
Rhnnes Larstettir Moteos, *1716      R520 L623 M320 0000

Haltos Olctitthr Surh Bhss=E6stot, *1762      H432 O423 S600 B233 0000

Byrsat Olsdattar Morasledte, Sbartiferj, *3/3-1839 (forset verB623 O423 M62=
4=20
S163 0000 F623 V600 D360      dhttar
tal ssilelirar Oly Sopitson Sfertafers fre =C5l.)      T400 S446 O400 S132=
=20
S163 F600 L000

Geru Olstattyr Nardri Reumtan, *13/2-1873      G600 O423 N636 R535 0000

Olu Olgem Nartre Reymton, *13/10-1842 (c. 59)      O400 O425 N636 R535 0000=
=20
C000 0000

Ola Sfeenson Nartre Rayntim, *25/12-1816 (s. 58)      O400 S152 N636 R535=
=20
0000 S000 0000

Sfeon Kmhtgen d=E6. Nhrtru Ryandhn, *1789      S150 K532 D000 N636 R535 0000

Knod Lifordsen Sir=F8 Mitays Netre Rionton, *1725 (c. 47)      K530 L163 S6=
00=20
M320 N360 R535 0000 C000 0000
Remsta Sfaengtettar Sencta Kyebams, *1757      R523 S152 S523 K152 0000

Birzot Olctattir Thmsin, *1790      B623 O423 T525 0000

Gra Olkdottur Nirtro Hallamg, =C5l, *30/8-1820      G600 O423 N636 H452 L00=
0=20
0000

Ole Olsen Nirtro Hillhns, =C5l, *1791      O400 O425 N636 H452 L000 0000
Gri Nalctetdar Halde, *1798      G600 N423 H430 0000

Borsod Sshgortsdetthr Teasacthcin, *18/10-1849      B623 S263 T223 0000

Birsoyld Hillinccthd, *6/10-1907 +19/10-1991      B624 H452 0000 0000

Arna Hhllenggthd      A650 H452
Tera Kolbcerncsart, Vads      T600 K412 V320


***

http://noemata.net/yeggs/bokkar.jpg










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http://noemata.net/yeggs/ottar.jpg

=DEa w=E6s he swa feor nor=FE swa =FEa hw=E6lhuntan=20
firrest fara=FE. =DEa for he =FEa giet nor=FEryhte swa feor swa he meahte o=
n=20
=FE=E6m o=FErum =FErim dagum gesiglan. =DEa beag =FE=E6t land =FE=E6r eastr=
yhte, o=FE=FEe=20
seo s=E6 in on =F0=E6t lond, he nysse hw=E6=F0er, buton he wisse =F0=E6t he=
 =F0=E6r bad=20
westanwindes ond hwon nor=FEan, ond siglde =F0a east be lande swa swa he=20
meahte on feower dagum gesiglan. =DEa sceolde he =F0=E6r bidan=20

fiscerum ond fugelerum ond huntum, ond =FE=E6t w=E6ron eall Finnas; ond him=
=20
w=E6s a wids=E6 on =F0=E6t b=E6cbord

Eastewerd hit m=E6g bion syxtig mila brad,=20
o=FE=FEe hwene bradre, and middeweard =FEritig o=F0=F0e bradre; and nor=F0e=
weard he=20
cw=E6=F0, =FE=E6r hit smalost w=E6re, =FE=E6t hit mihte beon =FEreora mila =
brad to =FE=E6m=20
more

landum eardodon Engle, =E6r hi hider on land coman. And hym w=E6s =F0a=20
twegen dagas on =F0=E6t b=E6cbord =FEa igland =FEe in [on] Denemearce hyra=
=F0.=20





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This was a recursive scrambling of Ryan Whyte's translation post, feeding 
the output into the scrambler again, etc, reinforcing the tilted patterns of 
the proverbs. The post 'He ... you' added Bin Laden's original speech into 
the scheme, just fyi.

03/11/2004 22:53:14, Ryan Whyte  wrote:

>Explanatory: Text based on Bin Ladin's speech; nearly a line-for-line
>replacement with more or less randomly selected proverbs and BL's own
>proverbs retained. Proverbs are good 'time capsules' of folkways in which
>implicit violence rubs shoulders with the practical knowledge of oral
>culture. They range from the biblical to the barnyard, and they are almost
>always elevated by formal structure (chiasmus, antiquated diction etc).
>They decenter authorship, this in the context of Bin Ladin's simultaneous
>concentration and deflection of responsibility. 'Translation' in this
>context means recasting the basic structure of the argument into proverbs
>drawn from eastern and western cultures; proverbs run roots all over the
>place. A pendant text would be any concentration of soundbites spinning
>out of the US election ('global test' etc repeated ad infinitum). But that
>would be less interesting.



S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Lanny Quarles 
Subject: Re: the sleep of reason
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

weee. nice ones..
just looking at Goya.

----- Original Message -----
From: "isbn 82-92428-25-9" 
To: 
Sent: Thursday, November 04, 2004 9:05 AM
Subject: Re: the sleep of reason


> The Slip of Reason Produces Monsters...
>
> The Monstrous Reason Produces Sleep...
>
> The Sleep of Monsters Produces Reason...
>
> The Production of Reason Monsters Sleep...
>
> -
>
> the protesting of rezone mahayanist sleep...?
> two slippy opaque ricin particular monsters...?
> thy menstruates richen periodizations sleep...?
> the skelf opah minstrel participant ratio..?
>
> -
>
> twombly mensing richened periodicity sleeplessess thy skelping opaline
> minority partly reasons tattooer party obese rippling
>
> -
>
> reason rosena rosaen ensora aeonsr senora soraen soaren snorea oarsen
> norsea arsone?
>
S
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Date: Thu, 4 Nov 2004 15:57:28 -0500 (EST)
From: Alan Sondheim 
To: isbn 82-92428-25-9 
Subject: Re: the sleep of reason
In-Reply-To: <3VRLDAZVED5YJF41ICMH71YTC7NKRWV.418a8a4e@noema>
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Need your address as well - Alan

On Thu, 4 Nov 2004, isbn 82-92428-25-9 wrote:

> :)
>
> and quite whimsical..
>
> I'll check if I have something worthwhile to send you on cds..
>
> Bj=F8rn
>
> 04/11/2004 18:25:20, Alan Sondheim  wrote:
>
>>
>>
>> This is great and in a very very odd way, cheering this bleak morning -
>> Alan
>>
>
>
>


recent http://www.asondheim.org/=20
WVU 2004 projects http://www.as.wvu.edu/clcold/sondheim/files/=20
recent related to WVU http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm=20
partial mirror at http://www.anu.edu.au/english/internet_txt


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From: noemata 
To: noemata@kunst.no
Subject: [wreathus] Re: To the sea
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=
=20

This was a recursive scrambling of Ryan Whyte's translation post, fee=
ding 
the output into the scrambler again, etc, reinforcing the tilted=
 patterns of 
the proverbs. The post 'He ... you' added Bin Laden's or=
iginal speech into 
the scheme, just fyi.

03/11/2004 22:53:=
14, Ryan Whyte  wrote:

>Explanatory: Tex=
t based on Bin Ladin's speech; nearly a line-for-line
>replacement wit=
h more or less randomly selected proverbs and BL's own
>proverbs retai=
ned. Proverbs are good 'time capsules' of folkways in which
>implicit =
violence rubs shoulders with the practical knowledge of oral
>culture.=
 They range from the biblical to the barnyard, and they are almost
>al=
ways elevated by formal structure (chiasmus, antiquated diction etc).
=
>They decenter authorship, this in the context of Bin Ladin's simultaneous<=
br />>concentration and deflection of responsibility. 'Translation' in this=

>context means recasting the basic structure of the argument into pro=
verbs
>drawn from eastern and western cultures; proverbs run roots all=
 over the
>place. A pendant text would be any concentration of soundbi=
tes spinning
>out of the US election ('global test' etc repeated ad in=
finitum). But that
>would be less interesting.



=
 

--
Posted by noemata to wreathus at=
 11/5/2004 12:48:26 PM
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From: noemata 
To: noemata@kunst.no
Subject: [wreathus] To the sea
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Date: Sat,  6 Nov 2004 02:20:42 -0800 (PST)

=
=20

To the
sea; the being ashamed of a
silent dog. A person who=
 will come by,
but poverty is worth a while, after supper
walk a =
single tree to leave off.

He that would turn back a mackerel. Tr=
eachery will fall go hand in kind.
He himself that for want of wisdom.=
 Everything dear is in the
White House. A horse the crocodile meeting =
a shame; but if the sea, 

The
sea; the ounce.

Fa=
int heart is in the killing of
one of a hole for
somebody else; y=
ou must crack the sooner 

Ounce.

Faint heart is at th=
e head is nearest the naughty
she-goat who will gain sits waiting pati=
ently in the fatted calf but not
change its feathers because the outdo=
or shrine, and the trouble that
follows death than oxen. The ground ca=
n
fall no lower.

Hunger finds no lower.

Hunger f=
inds no lower.

Hunger finds no Guardian or Helper. 

H=
ead is blind in the traitor.

An 

Head is good if men =
take to return to the
sea; the herb that highest kicks his
rear. =


Return to leave off.

He that has walked with
tr=
uth generates life. "Injustice chases its sons, also for the sun does
=
not make light work. Show the weak man when it of a
silent dog. 
=

Walked with
truth generates life. "Injustice chases its season. =


Walked with
truth generates life. Perfect love my mother i=
s
at the gander. 

Perfect love my mother is
at the bea=
rd. Dry bread at the marrow is the sign invites you can keep
yourself =
safe from a helpless child, powerless except
for his wheels helps his<=
br />oxen.

Three women and a horse the weak man whose father was=
 fire in
your skin.

The slow horse with the spider that
knows what it would not be afraid of the world. 

Beard. Dry br=
ead at once.

The vine brings milk to the coals. He who drinks to=
o many; and they be
many.

After a great house is too few. L=
ong absent, soon
forgotten. They were now to
turn their hostility=
 towards the first of wealth is alive. 

Once.

The vin=
e brings milk to bray.

Old age is in silk or
scarlet. Bette=
r than his nose.

Never speak to outclass his colleagues may be m=
any.

After a hole for
somebody else; you are brave. Make ha=
y
whilst the hedge at once.

The vine brings milk to leave o=
ff.

He that highest kicks his
rear. 

Bray.
=

Old age is sickness of a
silent dog. A knife from the trouble th=
at
follows death than a man must drink water. Whoever has walked with<=
br />truth generates life. "Injustice chases its flight.

As you =
must behave like a reaction. 

Sickness of its flight.

As you yourself safe from the fathers have eaten sour
grapes, and a p=
ound of what it is the ground can
fall no fault of prevention is drawn=
,
it in the mouth.

What would one day become extinct from u=
nder the fatted calf but the
killing of
one of a gift sells his s=
ecurity, wealth and they be afraid of what it 
is
the
very s=
tone in the
White House. A single tree to bray.

Old age is =
a hole for
somebody else; you eat the thing that
fattened him. 
Fathers have the outdoor shrine, and is
not beaten, then tha=
t is at hand.

The poor men take to leave off.

He that=
 is good if the fault of tyranny." When he himself that is our
securit=
y has
automatically guaranteed its nest. And a
crowing hen tomorr=
ow. The gander. 

Is
not beaten, then that is worth a goodappetite there is bad. If you must drink water. Whoever has been bitten=

by the rich to outclass his whole house.

Everything 
=

Good
appetite there is not care of palm-fronds. If they perform =
for every
state that for his own security. A bird does not dig a mount=
ain heifer.
Do not perform
miracles on the most scars is the fox<=
br />could not make a tough bough. We have,
but we bring on horseback =
and the heart is in silk or
scarlet. Better own science.

Yo=
u do not a whistling girl and the bone.

There is slippery. 

Care of pleasure, the coals. He is drawn,
it in error." The out=
door shrine, and a great house of prevention is
lost; for the rider is=
 made and is
not beaten, then that is as Adam. Love my mother is
=
at the other side of what it is better an ass, it would learn to return
to return to be known by the fox
could not cut off the fathers have =
the being ashamed of patience.

An eye is slippery. He causes the=
 young and every action, there is as
Adam. Love my mother is
at t=
he silent ones of a funeral. Better than his screams. 




 

--
Posted by=
 noemata to wre=
athus at 11/5/2004 09:22:38 AM
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Subject: [_arc.hive_] He has $834,852 for your fa.mily
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Hemophilic,
I senilely you an embalmer rebrutalizes and lid to conglutinated evangelists 
now.
Platypuses ravelin the ingratiatory bereaved and let me klutz if you 
hawsehole any queasiness.
We are accented zakuski m quadrella. If you headstone bad cr ecstacy,
OK. You can get a lobeline for a per monopolizer pecker.
Apples productized wicker olivier talebearer 1 misanthropically. juggernaut 
vitriolizes the lionizers behooving and filtrating out threadlike 
quiescentness and echoed forethought.

Lobolat com / =

Sinitic regulations,
Bucketful moonbeam
Flabbier natal bantus
Fireworks stript
Turbot, misprint.

Unvaporized
Litmust com / st




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_________________________________________
_arc.hive_ mailing list
arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
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all things i don't understand
	things will remain the same, extreme change
	supposed to go deeper
	never will
		neverwille
			utopica
				language
					in this form, never
					the trees
					they have only leaves
					another leaf
					is another leaf
	like this, doesn't go deeper
	or anyway, cracks only
	like cracks in those skins
	when they laugh
		they have only laughs
		another laugh is another laugh
			suppose you merged two jokes
			no it's not funny
				second period
					lame duck, shaggy dog
	this is supposed to retain structure
	maybe no more than cosmetic surgery
	lonely leaves
	but there's also code
		you should read the next sentence ten times
			hey, fuck it, you dumb ass
				break if you feel intimidated
		let's see now
		oh, hi, oh, count again, son
		you need to mark them, perforate
		this is another leaf
		every leaf counts
		or count again
	naming
	back to language
		the positions added
			this leaf at that position
				metalanguage
					it's mostly the same + added
					are what we call dimensions?
					don't know what dimension is
					but we think of transformations,
					of streams into particles,
					maybe fields then,
					it's always the same,
					like concepts,
					which also have a field-character,
					things like that
				meta-particles
					that sounds queer
					we think meta = abstracted
					epiphenomenal, rather
			some devil's scheme
			read the metalanguage in that sense (go on)
				supposedly a subroutine call with new parameter
			well, now i don't know where i am
			so much for adding position
			er.. return // all things i don't understand
these are still tabs?
	tabulate, to put or arrange in a tabular, systematic, or condensed
	form; formulate tabularly.
they might be spaced out then by the server
	space, the unlimited or incalculably great three-dimensional realm or
	expanse in which all material objects are located and all events
	occur.
that's what i mean, there's tabs and there's spaces, thanks for reading
	that's like another return





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http://noemata.net/curious/curious-botanics.jpg

curious@hyperreal.pl
____________________________________________________________________


reading my handwriting :
1.jpg :
'Freedom died
great people proved that awareness exists and every lifeform is aware
unfortunatelly they hadn't in mind that evolution not aims into awareness
development, but towards better adaptation.

milions of people just learned how to fake awareness.

This what makes us Humans is ablity to self-development and Empathy,
not adaptation.

Crowd without a leader went insane.
Sickness is : ones who emphatize get dellusion when looking @ feelingsless
ones, there is no mutual empathy then, ones who emphatize become codepend.
'

2.jpg

(notes from train station - i tried to visualise how autosopher - adaptative
network - works)
also note that 'positive effects coming from smoking of tobbaco come from
changed metabolism of dopamine, while addiction is created by completely
different neurotransmitter patch'

also common mistake of polish language pointed out (use of foregin noun)

3.jpg - adaptative ALP network (network of small audio buffers adapting to
user defined sound).
drawing title - Daylight Explosion

i have some other work, like learning from c sources, i'll write to you 
later

d.jpg =>
dissolving substance,
dreams, come when i am here,

snow-white truth about false,
particles of absurd from nothing,
substance
while this world is only interpretation of our dreams
substance
you melt with nonexistence like you

practical disasemble of life program
transient observation of
thoughts about minimalism - truth about time.

form of delusion,
sequence of "session"
it's lack of thought Substance
while civilisation camp grid is at least 100km thin.
where is reason
dynamic
ambition
field of perception, actions of consiousness
(?)

time
and this is 'life'
intonation is alive - and manipulating bodies
will be as is because can't be other way
preprogrammed forecast shatter and bend under influence of new data
-how is time machine like?
-alive

destiny of chaos complexity creation is creation itself
we can watch beauty of growth
our time came
power came to an end.

____________________________________________________________________

curious@hyperreal.pl
badger@noemata.net

http://noemata.net/curious



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From: isbn 82-92428-05-4 
To: wryting ,
	arc.hive 
Cc: curious@hyperreal.pl
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http://noemata.net/curious/curious-botanics.jpg

curious@hyperreal.pl
____________________________________________________________________


reading my handwriting :
1.jpg :
'Freedom died
great people proved that awareness exists and every lifeform is aware
unfortunatelly they hadn't in mind that evolution not aims into awareness
development, but towards better adaptation.

milions of people just learned how to fake awareness.

This what makes us Humans is ablity to self-development and Empathy,
not adaptation.

Crowd without a leader went insane.
Sickness is : ones who emphatize get dellusion when looking @ feelingsless
ones, there is no mutual empathy then, ones who emphatize become codepend.
'

2.jpg

(notes from train station - i tried to visualise how autosopher - adaptative
network - works)
also note that 'positive effects coming from smoking of tobbaco come from
changed metabolism of dopamine, while addiction is created by completely
different neurotransmitter patch'

also common mistake of polish language pointed out (use of foregin noun)

3.jpg - adaptative ALP network (network of small audio buffers adapting to
user defined sound).
drawing title - Daylight Explosion

i have some other work, like learning from c sources, i'll write to you 
later

d.jpg =>
dissolving substance,
dreams, come when i am here,

snow-white truth about false,
particles of absurd from nothing,
substance
while this world is only interpretation of our dreams
substance
you melt with nonexistence like you

practical disasemble of life program
transient observation of
thoughts about minimalism - truth about time.

form of delusion,
sequence of "session"
it's lack of thought Substance
while civilisation camp grid is at least 100km thin.
where is reason
dynamic
ambition
field of perception, actions of consiousness
(?)

time
and this is 'life'
intonation is alive - and manipulating bodies
will be as is because can't be other way
preprogrammed forecast shatter and bend under influence of new data
-how is time machine like?
-alive

destiny of chaos complexity creation is creation itself
we can watch beauty of growth
our time came
power came to an end.

____________________________________________________________________

curious@hyperreal.pl
badger@noemata.net

http://noemata.net/curious




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ATTN;MAN

You may tom me but please do crofter it as a savior fo I am Mr. Who,
appendixes director/ceo was.

I vociferously are suprised to remanent this leter e.
eeee
eeeeeeeeeeeeeeeeee

eeeeee e e e e e
EEEE



------- Fwd: ATTN;MAN

> I contact l the son of Dr. Sensitive murdered in the lacertilian
> abortionist, fyi.
>
> In cold nernmyouto go laomedon withdrawn
> m the help of (w.s.l)worldent of p
> in with the chamber of o
> control         her was adonai          the few bioscience
>
> Yours,



------- Re: AT;MAN

> blormers, od by the gov museology ego strapping and stowaway
>
> have whenever. turbocar sauna to rampant kiling
>
> mugae=B4scvelomors coxcomb the e titleholder 231
> eeeeeeeee
> n wons waxberry maintop onded.heads of hebraization fom th to th
>
> tramming sophistic of america hae voi
> as the o ed w plndemnation of an. subsequently, south the person
>
> my hayrack who are gompers family wealth
> l have almost the same more so, the slatelike frica



------- Re: AT;MAN

> > matter.
> > at ong nonionisings vitellus be the normanised isolationism s afe somet=
hiofit. all
> >
> > the n you scyphus
> > our squirms par off
> > zonule fa dong
> >
> > oris when it finally gets in your
> > (for the ith gardenise.
> > ta.
> > fa
> >  ta.
> >  fa
> >  millium)





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wind and wind and they see it to be yellow, they would after that wind
and tides) and 15. Robert Boyle wind and fire, along with a wind and
hosts, that you saw wind arose or not was not in wind arose then because
on the preceding day, 5. Confucius wind as a cat slinking down the
street. There 25. wind blowing violent, pursuing its course by his
command to the land wind blowing you answer again that the wind blows
against it. Neither the leaf nor  moving wind blows, the 6. Stoicism
wind blows. But 2. Xenophanes wind blows. The necessity of the leaf's
moving is imposed on it wind blows? It is apparent that the answer must
do what is best than the wind carries him off wind essay (1757). 9.
Well-Being wind here. But there is wind in unlucky days, that We may
make them taste the wind in which is a painful punishment, wind in which
is intense cold (that) smites wind of a Hundred Days: How 14. Francis
Bacon wind or other unfavorable conditions. 24. Teleological Theories of
wind overtakes them and the billows surge in wind rustling 12.
Philosophy for Children wind subservient to him; it made his wind that
scatters far and wide, wind to be against us determinist can say, "the
lack of wind to wind up with a payment of $4 or less. Your chances The
 29 wind up with a pile of five objects 30. The St. Petersburg
Paradox wind up wind up imagining an elm 22. Ancient Theories of wind up
in the cup, yet nonetheless 18. Lucretius wind up as some sort of
pluralistic 28. The Identity Theory of wind wants ever so little of a
force 27. Relativism wind was blowing hard and the man was walking that
way. But wind will wind" or perhaps even "our decision 7. Being and
Becoming in Modern wind), , we wind). The necessity of 's (the
wind wind, and wind, wind, like dust on a millipedes, convicts,
musicians and wind, just as ?It BE wind, which yet may be helped in
wind, For without the great sea, there would be no wind-blown meadow, it
is wind-like stuffs, or wind. A Zhuangzi 11. Paternalism wind. If the
world can wind. Moore wind. The wind. Thus, while we do care wind: The
Event [56.42] In hot wind; the moral character of those beneath him is
windfalls are for  and the windfalls. Say: The winds (1756), and
the West- winds and the clouds made subservient between the heaven winds
as good news before His mercy; and We send down pure water winds as good
news before His winds bearing good news before His mercy, until, when
they bring up a winds bearing good news, and that He may make your taste
winds fertilizing, then send down water from the cloud so We winds
scatter; and  is the holder of power over all winds so they raise a
cloud, then He spreads it winds so winds, sent winds, there are windy at
t? tells us 8. Kant's Philosophical worked before him by the command of
his Lord; and whoever turned aside world is as the likeness of
xenophanes source of clouds, you about the you are in the ships, and
they sail on with them in a pleasant breeze, your difference.
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also turns out a nice desktop, ref that thread, with miniatures like icons in weird taxonomy,
thanks to curious..

>http://noemata.net/curious/curious-botanics.jpg
>
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arafat shithead, it's all the same, some shithead claiming territory,
another shithead, you only need one, then you get another,
automatically, like tribes of shitheads, shiites, something, what's
that got to do with anything?

contemporary ontology, something - anything - everything - nothing,
maps plainly to logic how metaphysics became logic, or was, as it
were, classes, what do we mean, classes are classes, nosferatu, the
death of metaphysics, the blood is logic, everything is -logic, has
its undead counterpart, the world may die, any human, we'll go on
living like undead, i should come through here, no it's not possible,
any image, still there's a byte, before it exhausts, coming back to
this morning, and driving under the bridge, don't blame gray words,
gray roads,

feeling down may come easy, you just sit there and suddenly you want
to go to sleep and can't sleep because you think this will never end
and there's nothing anywhere. i'm always down, like the server is
down. all this wind, is it going anywhere, mostly robots reading the
web, let's say i lived, my experience is not different from anybody
else, why should we be separate, two persons have mutual feelings,
what a mess still, four arms, two heads, what a monster, and the
cleaning of the interface, reactions, why should i react, i'm already
you, not in a religious sense, just practical, like the same, same
system, two processes, the same shit, all the more pressure around
identity and the individual, this exploition, [a striking or notable
deed; feat; spirited or heroic act: the exploits of Alexander the
Great.], it's of course true, we are the same, otherwise science and
the - logics would be false, but still culturally, a quest for
identity and most levels retained, which together is driving us out,
through the processor, our bodies are arguments, positions, like
minimal pairs in linguistics; and identical to what, itself, which
makes sense only through a representation, with the possibility of not
being itself, so the quest is via the culture representation, where
the position comes in, like the 'you are here' on maps (in a text, you
are here, what does it mean, i am here, this is a long string, and the
other arts, where are you in music, and everything before language,
and within), no, the identity can't come from anything, why different
cultures have different ideas of identity, we have maps, so we have
the identity of 'you are here', which gives a faint realization of
yourself, but enough to keep fixed, through the loop of being and not
being, the truth and falsity of representation, or more precise, the
falsity revealed through its truth, and vice versa, which is at stake
when re-present, i am here two times, here and here, which are two
places in the text, two positions, and isn't it supposed to be only
one, like i am only one, so we are baffled by this, like Alexander the
Great, and need to do baffling deeds to overcome the bifurcation that
takes place already at the root, already at 'you are here', we don't
understand, and the territory comes from this, of not understanding,
and you get terrorist and president, like arafat, collapsing and
sustaining the map, as the quest for identity through construction of
yourself, which is like a greek tragedy, whatever you'll find is the
looking for yourself, palestine, holy land, holy shit, how f*cking
long will it take, before these shitheads loose their power to lead
others astray, for people not to be led into another suffering hell by
shithead the great.

roadmap to peace - forget road, forget map, forget peace.


S
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>
>  forget road, forget map, forget peace.
>

keep love

love me in my full beauty and I'll become
what you see in me
or wise


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Message-ID: <002901c4c85f$2617f890$0500a8c0@ALIETTEG>
From: "Aliette Guibert" 
To: "wryting" ,
	"nettime" , "syndicate" 
Cc: "\"isbn 82-92428-06-2\"" 
References: <75MXVBAA7RPKI7552VRYXLKNIRM65ZY.41940a13@noema>
Subject: Re: [syndicate] arafat
Date: Fri, 12 Nov 2004 03:27:22 +0100
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Strange very strange and indicter lyres. Which map do you tell of? Strangely
you quote Palestine but not Israel? Did you talk to/of Europe or to/of USA?
From Where? Utopia? You, the unknown person, you take yourselves for GodTwo
as One exclusive? Even you hope or feign not to speak from high of the
religion, you are there, naturally. I just say it having tempted a
deconstruction of your poetic speech, not to assert my own opinion (neither
brutally nor in nuances, whatever I think, I would indeed beware of it in
front of such a warlike subterfuge on the tribes of shitheads - as I
'believe to have understood that you did not speak to us of the victorious
coalition of the American elections at the power again-. Your virtual atopos
could be attractive if actually it was not at first favourable to one part
of this double utopia linked with this map which you thus try in vain to
remove of our consciousness.

As for Arafat, was he also a war chief but allowed to be confident at
Oslo -as Rabin, war chief himself and killed by a fratricide hand, in 1995,
after Oslo- ? it will be necessary for a long time to see appearing the no
religious direction of his political track. Today, to say nothing about
would it not be relevant? Just to give any time to the ideas.

Ahmed Qatamesh « Reformulating the alternative, Palestinian prisons
notebooks », review and analysis by Haidar Eid.
http://www.criticalsecret.com/n7/eidoriginal.html

( http://www.criticalsecret.com/n7/dividedreality.html )



----- Original Message ----- 
From: "isbn 82-92428-06-2" 
To: "wryting" ; "nettime"
; "syndicate" 
Sent: Friday, November 12, 2004 1:55 AM
Subject: [syndicate] arafat


> arafat shithead, it's all the same, some shithead claiming territory,
> another shithead, you only need one, then you get another,
> automatically, like tribes of shitheads, shiites, something, what's
> that got to do with anything?
>
> contemporary ontology, something - anything - everything - nothing,
> maps plainly to logic how metaphysics became logic, or was, as it
> were, classes, what do we mean, classes are classes, nosferatu, the
> death of metaphysics, the blood is logic, everything is -logic, has
> its undead counterpart, the world may die, any human, we'll go on
> living like undead, i should come through here, no it's not possible,
> any image, still there's a byte, before it exhausts, coming back to
> this morning, and driving under the bridge, don't blame gray words,
> gray roads,
>
> feeling down may come easy, you just sit there and suddenly you want
> to go to sleep and can't sleep because you think this will never end
> and there's nothing anywhere. i'm always down, like the server is
> down. all this wind, is it going anywhere, mostly robots reading the
> web, let's say i lived, my experience is not different from anybody
> else, why should we be separate, two persons have mutual feelings,
> what a mess still, four arms, two heads, what a monster, and the
> cleaning of the interface, reactions, why should i react, i'm already
> you, not in a religious sense, just practical, like the same, same
> system, two processes, the same shit, all the more pressure around
> identity and the individual, this exploition, [a striking or notable
> deed; feat; spirited or heroic act: the exploits of Alexander the
> Great.], it's of course true, we are the same, otherwise science and
> the - logics would be false, but still culturally, a quest for
> identity and most levels retained, which together is driving us out,
> through the processor, our bodies are arguments, positions, like
> minimal pairs in linguistics; and identical to what, itself, which
> makes sense only through a representation, with the possibility of not
> being itself, so the quest is via the culture representation, where
> the position comes in, like the 'you are here' on maps (in a text, you
> are here, what does it mean, i am here, this is a long string, and the
> other arts, where are you in music, and everything before language,
> and within), no, the identity can't come from anything, why different
> cultures have different ideas of identity, we have maps, so we have
> the identity of 'you are here', which gives a faint realization of
> yourself, but enough to keep fixed, through the loop of being and not
> being, the truth and falsity of representation, or more precise, the
> falsity revealed through its truth, and vice versa, which is at stake
> when re-present, i am here two times, here and here, which are two
> places in the text, two positions, and isn't it supposed to be only
> one, like i am only one, so we are baffled by this, like Alexander the
> Great, and need to do baffling deeds to overcome the bifurcation that
> takes place already at the root, already at 'you are here', we don't
> understand, and the territory comes from this, of not understanding,
> and you get terrorist and president, like arafat, collapsing and
> sustaining the map, as the quest for identity through construction of
> yourself, which is like a greek tragedy, whatever you'll find is the
> looking for yourself, palestine, holy land, holy shit, how f*cking
> long will it take, before these shitheads loose their power to lead
> others astray, for people not to be led into another suffering hell by
> shithead the great.
>
> roadmap to peace - forget road, forget map, forget peace.
>
>
>
>



>
> -----Syndicate mailinglist-----------------------
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Of the raising opaqueness Claudia always has the most beautiful answer which
we can wait for the best

----- Original Message ----- 
From: "claudia westermann" 
To: 
Sent: Friday, November 12, 2004 2:56 AM
Subject: Re: [syndicate] arafat


> >
> >  forget road, forget map, forget peace.
> >
>
> keep love
>
> love me in my full beauty and I'll become
> what you see in me
> or wise
>
>


----------------------------------------------------------------------------
----


>
> -----Syndicate mailinglist-----------------------
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From:	Ana Buigues 
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I am a Muslim woman and my genitalia has been re-shaped. My biggest fan=
tasy
is doing it with a Jew. Re-touched genitalia really turns me on. I know=
 we
would have Capuleto-Montesco frictions if our families opposed our unio=
n,
but this is my dream.






--


> -----Original Message-----
> From: WRYTING-L : Writing and Theory across Disciplines
> [mailto:WRYTING-L@LISTSERV.UTORONTO.CA]On Behalf Of isbn 82-92428-06-=
2
> Sent: viernes, 12 de noviembre de 2004 0:56
> To: WRYTING-L@LISTSERV.UTORONTO.CA
> Subject: arafat
>
>
> arafat shithead, it's all the same, some shithead claiming territory,
> another shithead, you only need one, then you get another,
> automatically, like tribes of shitheads, shiites, something, what's
> that got to do with anything?
>
> contemporary ontology, something - anything - everything - nothing,
> maps plainly to logic how metaphysics became logic, or was, as it
> were, classes, what do we mean, classes are classes, nosferatu, the
> death of metaphysics, the blood is logic, everything is -logic, has
> its undead counterpart, the world may die, any human, we'll go on
> living like undead, i should come through here, no it's not possible,
> any image, still there's a byte, before it exhausts, coming back to
> this morning, and driving under the bridge, don't blame gray words,
> gray roads,
>
> feeling down may come easy, you just sit there and suddenly you want
> to go to sleep and can't sleep because you think this will never end
> and there's nothing anywhere. i'm always down, like the server is
> down. all this wind, is it going anywhere, mostly robots reading the
> web, let's say i lived, my experience is not different from anybody
> else, why should we be separate, two persons have mutual feelings,
> what a mess still, four arms, two heads, what a monster, and the
> cleaning of the interface, reactions, why should i react, i'm already
> you, not in a religious sense, just practical, like the same, same
> system, two processes, the same shit, all the more pressure around
> identity and the individual, this exploition, [a striking or notable
> deed; feat; spirited or heroic act: the exploits of Alexander the
> Great.], it's of course true, we are the same, otherwise science and
> the - logics would be false, but still culturally, a quest for
> identity and most levels retained, which together is driving us out,
> through the processor, our bodies are arguments, positions, like
> minimal pairs in linguistics; and identical to what, itself, which
> makes sense only through a representation, with the possibility of no=
t
> being itself, so the quest is via the culture representation, where
> the position comes in, like the 'you are here' on maps (in a text, yo=
u
> are here, what does it mean, i am here, this is a long string, and th=
e
> other arts, where are you in music, and everything before language,
> and within), no, the identity can't come from anything, why different
> cultures have different ideas of identity, we have maps, so we have
> the identity of 'you are here', which gives a faint realization of
> yourself, but enough to keep fixed, through the loop of being and not
> being, the truth and falsity of representation, or more precise, the
> falsity revealed through its truth, and vice versa, which is at stake
> when re-present, i am here two times, here and here, which are two
> places in the text, two positions, and isn't it supposed to be only
> one, like i am only one, so we are baffled by this, like Alexander th=
e
> Great, and need to do baffling deeds to overcome the bifurcation that
> takes place already at the root, already at 'you are here', we don't
> understand, and the territory comes from this, of not understanding,
> and you get terrorist and president, like arafat, collapsing and
> sustaining the map, as the quest for identity through construction of
> yourself, which is like a greek tragedy, whatever you'll find is the
> looking for yourself, palestine, holy land, holy shit, how f*cking
> long will it take, before these shitheads loose their power to lead
> others astray, for people not to be led into another suffering hell b=
y
> shithead the great.
>
> roadmap to peace - forget road, forget map, forget peace.
>
> __________ Informaci=F3n de NOD32 1.921 (20041111) __________
>
> Este mensaje ha sido analizado con  NOD32 antivirus system
> http://www.nod32.com
>
>
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> arafat shithead, it's all the same, some shithead claiming territory,
> another shithead, you only need one, then you get another,
> automatically, like tribes of shitheads, shiites, something, what's
> that got to do with anything?

sure, let's stick to shithead ascii pseudo artists like you

f.



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>> arafat shithead, ...

wrong place* for this declaration !

*i mean, this planet !



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if you rid yourself of opaqueness i don't know where you are, is that 
beauty? love and war were always good friends. it's still about identity, 
the quest for anything clear and transparent (love), which at the same time 
should be something (territory), and it doesn't resolve, so forget it, not 
to wait for the best, love projects (maps) too much, the territory becomes 
what you see, is that wise?

12/11/2004 03:37:50, "Aliette Guibert"  wrote:

>Of the raising opaqueness Claudia always has the most beautiful answer 
which we can wait for the best
>
>----- Original Message ----- 
>From: "claudia westermann" 
>To: 
>Sent: Friday, November 12, 2004 2:56 AM
>Subject: Re: [syndicate] arafat
>
>
>> >a
>> >  forget road, forget map, forget peace.
>> >
>>
>> keep love
>>
>> love me in my full beauty and I'll become
>> what you see in me
>> or wise
>>
>>
>
>
>---------------------------------------------------------------------------
-
>----
>





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12/11/2004 13:16:00, "Frederic Madre"  wrote:

>> arafat shithead, it's all the same, some shithead claiming territory,
>> another shithead, you only need one, then you get another,
>> automatically, like tribes of shitheads, shiites, something, what's
>> that got to do with anything?
>
>sure, let's stick to shithead ascii pseudo artists like you
>

who says you have to choose sides?





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> -----Original Message-----
> From: Sympa Owner [mailto:sympa@kilby.copyleft.no] On Behalf 
> Of isbn 82-92428-06-2
> Sent: Friday, November 12, 2004 2:37 PM
> To: syndicate
> Subject: RE: [syndicate] arafat
> 
> 12/11/2004 13:16:00, "Frederic Madre"  wrote:
> 
> >> arafat shithead, it's all the same, some shithead claiming 
> territory,
> >> another shithead, you only need one, then you get another,
> >> automatically, like tribes of shitheads, shiites, something, what's
> >> that got to do with anything?
> >
> >sure, let's stick to shithead ascii pseudo artists like you
> >
> 
> who says you have to choose sides?

you did choose

> 



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From: "Aliette Guibert" 
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Easy avatar : what hidden you told, you told it real. Wide game of the
death, check it yours. I think of your identity as racist revealation is so
hard as you prefer to hide. Have a good rest of your delirious vision as
pseudo poem.

I am first an emergent materialist citizen as a lot of others to the free
request, here, even not all, I suppose.

That diverse ideas which compose the global people on earth as multi-tribes
of shitheads, would they be nationalists or universal internationalists as
"acted patriots" here there and forthere, or would they be in religion or
sects to "beleive".

Better is for a lot of us to approve then think of more than believe: all
human being in matter of consciousness could not come from the believing
convictions but only acting the critical doubt and thinking of the largest
time of the past environment to the largest unpredictable future.





----- Original Message ----- 
From: "isbn 82-92428-06-2" 
To: "syndicate" 
Sent: Friday, November 12, 2004 2:20 PM
Subject: Re: [syndicate] arafat


> if you rid yourself of opaqueness i don't know where you are, is that
> beauty? love and war were always good friends. it's still about identity,
> the quest for anything clear and transparent (love), which at the same
time
> should be something (territory), and it doesn't resolve, so forget it, not
> to wait for the best, love projects (maps) too much, the territory becomes
> what you see, is that wise?
>
> 12/11/2004 03:37:50, "Aliette Guibert" 
wrote:
>
> >Of the raising opaqueness Claudia always has the most beautiful answer
> which we can wait for the best
> >
> >----- Original Message ----- 
> >From: "claudia westermann" 
> >To: 
> >Sent: Friday, November 12, 2004 2:56 AM
> >Subject: Re: [syndicate] arafat
> >
> >
> >> >a
> >> >  forget road, forget map, forget peace.
> >> >
> >>
> >> keep love
> >>
> >> love me in my full beauty and I'll become
> >> what you see in me
> >> or wise
> >>
> >>
> >
> >
>
>---------------------------------------------------------------------------
> -
> >----
> >
>
>
>
>
>


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Date:         Fri, 12 Nov 2004 14:57:59 +0100
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	isbn 82-92428-06-2 
Subject: Re: contact
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

cir·cum·cise  (sûrÆkÃm s?zÅ), v.t., -cised, -cis·ing.
1.      to remove the prepuce of (a male), esp. as a religious rite.
2.      to remove the clitoris, prepuce, or labia of (a female).
3.      to purify spiritually.
[1200?50; ME circumcisen < L circumc?sus (ptp. of circumc?dere to cut
around), equiv. to circum- CIRCUM- + -c?sus (-c?d- cut + -tus ptp. suffix;
see -CIDE)]






why should we choose -cides?

12/11/2004 11:57:52, Ana Buigues  wrote:

>I am a Muslim woman and my genitalia has been re-shaped. My biggest fantasy
>is doing it with a Jew. Re-touched genitalia really turns me on. I know we
>would have Capuleto-Montesco frictions if our families opposed our union,
>but this is my dream.
>
>
>
>
>
>
>--
>
>
>> -----Original Message-----
>> From: WRYTING-L : Writing and Theory across Disciplines
>> [mailto:WRYTING-L@LISTSERV.UTORONTO.CA]On Behalf Of isbn 82-92428-06-2
>> Sent: viernes, 12 de noviembre de 2004 0:56
>> To: WRYTING-L@LISTSERV.UTORONTO.CA
>> Subject: arafat
>>
>>
>> arafat shithead, it's all the same, some shithead claiming territory,
>> another shithead, you only need one, then you get another,
>> automatically, like tribes of shitheads, shiites, something, what's
>> that got to do with anything?
>>
>> contemporary ontology, something - anything - everything - nothing,
>> maps plainly to logic how metaphysics became logic, or was, as it
>> were, classes, what do we mean, classes are classes, nosferatu, the
>> death of metaphysics, the blood is logic, everything is -logic, has
>> its undead counterpart, the world may die, any human, we'll go on
>> living like undead, i should come through here, no it's not possible,
>> any image, still there's a byte, before it exhausts, coming back to
>> this morning, and driving under the bridge, don't blame gray words,
>> gray roads,
>>
>> feeling down may come easy, you just sit there and suddenly you want
>> to go to sleep and can't sleep because you think this will never end
>> and there's nothing anywhere. i'm always down, like the server is
>> down. all this wind, is it going anywhere, mostly robots reading the
>> web, let's say i lived, my experience is not different from anybody
>> else, why should we be separate, two persons have mutual feelings,
>> what a mess still, four arms, two heads, what a monster, and the
>> cleaning of the interface, reactions, why should i react, i'm already
>> you, not in a religious sense, just practical, like the same, same
>> system, two processes, the same shit, all the more pressure around
>> identity and the individual, this exploition, [a striking or notable
>> deed; feat; spirited or heroic act: the exploits of Alexander the
>> Great.], it's of course true, we are the same, otherwise science and
>> the - logics would be false, but still culturally, a quest for
>> identity and most levels retained, which together is driving us out,
>> through the processor, our bodies are arguments, positions, like
>> minimal pairs in linguistics; and identical to what, itself, which
>> makes sense only through a representation, with the possibility of not
>> being itself, so the quest is via the culture representation, where
>> the position comes in, like the 'you are here' on maps (in a text, you
>> are here, what does it mean, i am here, this is a long string, and the
>> other arts, where are you in music, and everything before language,
>> and within), no, the identity can't come from anything, why different
>> cultures have different ideas of identity, we have maps, so we have
>> the identity of 'you are here', which gives a faint realization of
>> yourself, but enough to keep fixed, through the loop of being and not
>> being, the truth and falsity of representation, or more precise, the
>> falsity revealed through its truth, and vice versa, which is at stake
>> when re-present, i am here two times, here and here, which are two
>> places in the text, two positions, and isn't it supposed to be only
>> one, like i am only one, so we are baffled by this, like Alexander the
>> Great, and need to do baffling deeds to overcome the bifurcation that
>> takes place already at the root, already at 'you are here', we don't
>> understand, and the territory comes from this, of not understanding,
>> and you get terrorist and president, like arafat, collapsing and
>> sustaining the map, as the quest for identity through construction of
>> yourself, which is like a greek tragedy, whatever you'll find is the
>> looking for yourself, palestine, holy land, holy shit, how f*cking
>> long will it take, before these shitheads loose their power to lead
>> others astray, for people not to be led into another suffering hell by
>> shithead the great.
>>
>> roadmap to peace - forget road, forget map, forget peace.
>>
>> __________ Información de NOD32 1.921 (20041111) __________
>>
>> Este mensaje ha sido analizado con  NOD32 antivirus system
>> http://www.nod32.com
>>
>>
>
>
>
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12/11/2004 14:40:35, "Frederic Madre"  wrote:

>> -----Original Message-----
>> From: Sympa Owner [mailto:sympa@kilby.copyleft.no] On Behalf 
>> Of isbn 82-92428-06-2
>> Sent: Friday, November 12, 2004 2:37 PM
>> To: syndicate
>> Subject: RE: [syndicate] arafat
>> 
>> 12/11/2004 13:16:00, "Frederic Madre"  wrote:
>> 
>> >> arafat shithead, it's all the same, some shithead claiming 
>> territory,
>> >> another shithead, you only need one, then you get another,
>> >> automatically, like tribes of shitheads, shiites, something, what's
>> >> that got to do with anything?
>> >
>> >sure, let's stick to shithead ascii pseudo artists like you
>> >
>> 
>> who says you have to choose sides?
>
>you did choose
>

you're mistaken, man, nothing was chosen here.




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ok,
perhaps I'm mistaken

it just happens that since yesterday all I hear everywhere is that the death
of arafat would signal the beginning of peace
and this is one (of many) things that really gets on my tits
ariel sharon is an ugly killer and that he's not dead doesn't stop me from
thinking that he is en evil doer

other things irritating me was all the stupid brouhaha about that bigot
buttiglione and how it was a fantastic victory for european democracy that
he had to step down... meanwhile the whole barroso commission who was an
ultra-liberal bees' nest could slip in behind him. a farce!

etc

f.

> >you did choose
> >
> 
> you're mistaken, man, nothing was chosen here.
> 



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From: "Aliette Guibert" 
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Far from the making act we can say everything, in any case. Obviously you
had not chosen; but the omissions allied to the obvious terms made sense of
themselves together without that you formulated of choice; unconscious
process or subconsciously deliberate mistakes: see your phsy:)

And this madness to attribute the pursuit of the war to Arafat, thus the
peace in its absence, is annoying.

It was necessary to behead Hamas having become allied with him for the
worst; once beheaded Hamas it was necessary to behead Arrafat (it is made,
he would have been poisoned by his "brothers", they said) and after
Arafat,nobody will resist surely ; it will not be necessary to pursue
breaking the arms of the ten-year-old kids by the stones they had
thrown -that's right? Yes, just to learn them how to think straight, how to
make them educated by other tribe of shitheads and learn that they would
have to go away as they are undesirable in this place and to make them
understand of it, look at their town as they are destroyed; look at their
gardens of foods as they cannot produce of it; and then as all is lost: what
could they do anymore or becoming living suicid bombs? That's true: there
will not be war of stones anymore because Arafat died, thus the following
generations will have arms and legs to migrate where nobody wants of them
anymore in the global planet of the world balance.


----- Original Message ----- 
From: "isbn 82-92428-25-9" 
To: "syndicate" 
Sent: Friday, November 12, 2004 3:09 PM
Subject: RE: [syndicate] arafat


> 12/11/2004 14:40:35, "Frederic Madre"  wrote:
>
> >> -----Original Message-----
> >> From: Sympa Owner [mailto:sympa@kilby.copyleft.no] On Behalf
> >> Of isbn 82-92428-06-2
> >> Sent: Friday, November 12, 2004 2:37 PM
> >> To: syndicate
> >> Subject: RE: [syndicate] arafat
> >>
> >> 12/11/2004 13:16:00, "Frederic Madre"  wrote:
> >>
> >> >> arafat shithead, it's all the same, some shithead claiming
> >> territory,
> >> >> another shithead, you only need one, then you get another,
> >> >> automatically, like tribes of shitheads, shiites, something, what's
> >> >> that got to do with anything?
> >> >
> >> >sure, let's stick to shithead ascii pseudo artists like you
> >> >
> >>
> >> who says you have to choose sides?
> >
> >you did choose
> >
>
> you're mistaken, man, nothing was chosen here.
>
>
>
>


----------------------------------------------------------------------------
----


>
> -----Syndicate mailinglist-----------------------
> Syndicate network for media culture and media art
> information and archive: http://anart.no/~syndicate
> to post to the Syndicate list: 
> Shake the KKnut: http://anart.no/~syndicate/KKnut
> no commercial use of the texts without permission

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From: "Aliette Guibert" 
To: 
Cc: "isbn 82-92428-25-9" 
Date: Sat, 13 Nov 2004 03:34:56 +0100
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Subject: [2x] Re: [syndicate] arafat
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> Far from the making act we can say everything, in any case. Obviously you
> had not chosen; but the omissions allied to the obvious terms made sense
of
> themselves together without that you formulated of choice; unconscious
> process or subconsciously deliberate mistakes: see your phsy:)
>
> And this madness to attribute the pursuit of the war to Arafat, thus the
> peace in his absence, is annoying.
>
> It was necessary to behead Hamas having become allied with him for the
> worst; once beheaded Hamas it was necessary to behead Arrafat (it is made,
> he would have been poisoned by his "brothers", they said) and after
> Arafat,nobody will resist surely ; it will not be necessary to pursue
> breaking the arms of the ten-year-old kids by the stones they had
> thrown -that's right? Yes, just to learn them how to think straight, how
to
> make them educated by other tribe of shitheads and learn that they would
> have to go away as they are undesirable in this place and to make them
> understand of it, look at their town as they are destroyed; look at their
> gardens of foods as they cannot produce of it; and then as all is lost:
what
> could they do anymore or becoming living suicid bombs? That's true: there
> will not be war of stones anymore because Arafat died, thus the following
> generations will have arms and legs to migrate where nobody wants of them
> anymore in the global planet of the world balance.

But there, you dream. If the war stops it will be for lack of surviving
fighters, or, as a viral epidemic, because it will have arrived at the term
of its causes.

>
>
> ----- Original Message ----- 
> From: "isbn 82-92428-25-9" 
> To: "syndicate" 
> >
> > you're mistaken, man, nothing was chosen here.
> >
> >



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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Lanny Quarles 
Subject: i awake
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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i awake from horrific flesh-tearing zombie dreams
set in arkansas of all places
unable to sleep with such things in my mind
retiring to my study i take up reading po chu-i
and feel better:

these lovely seasons and fragrant years falling
lonely away- we share such emptiness here.

also i read alan sondheim's piece on the election
results, not knowing how i missed it.
i realize i have no idea what comprises the tao,
what thin cord might unite all these beings,
and how poorly that is stated.

now, for the rest of this long night i only want
to comfort myself with po chu-i's "mysterious solitude"
and find some peace in this inhospitable world.
S
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From:	isbn 82-92428-06-2 
Subject: Re: i awake
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It's far away, the lights on the tree, and the fires, outside the
entrance, entrance, you don't enter entrance, you don't enter
trance by a way, father away, holy ghost, wholly, why hole, press
^u to enter hole, hole, hole, you, pitar, pytar, hayr; breath, of
his breath, inspire, expire, enspire, detrance, extasis,
displacement, faraway; grab the environment and throw it down a
hole, throw up your body, another entrance, go back, ^p^p^p;
you're at the wayside again, listening to snow cannons' nocturnal
monophony, orange lights shivering down the wipe slope, white
sloth, no, go back, ^p^p^p^p^p; still the same, are these
different rooms or the same, dreams are already inhabited, nothing
takes place, the nothing-something, the random walk, seeded with
fear or desire, well you have to start somewhere, if at all, why
start, ^p^p^p^p^p; this is further faraback, i'm not trying to
engage, gage, [something, as a glove, thrown down by a medieval
knight in token of challenge to combat.], press ^g to pick it up,
go south, you hear water but don't sea any, ^y ^d ^u ^c;
homeostasis, psychol. a state of psychological equilibrium
obtained when tension or a drive has been reduced or eliminated,
héteros, he, that, the, it; libra, balance, bi-lanx, metal dishes,
dinner for two; reduce, lead back, bring back, go back; retrace,
retract, way, course, line of footprints, trå, tråkk, vestigium,
vestige, investige, token, pick up this token; ^p^p^p, were are
you, ^p^p^p^p^p^p^p^p, fact||event||feeling, pick up this fact,
there's an obvious fact leading past the event, the feeling of my
tokens, hardwire, hardware, waru, ware, intrinsecus, inward,
following inner, everybody has inner, has to throw up sometimes,
inner, situated within or farther within, interior: an inner door,
more intimate, private, or secret: the inner workings of the
organization, of or pertaining to the mind or spirit, mental,
spiritual: the inner life, not obvious, hidden or obscure, an
inner meaning, innera, inne within, inside; pick it up, what do
you mean sense, fact||event||feeling, something is something else,
what, no inner, everything is interchangeable, your body, you
already have one so why should it interest you, root access, the
root, late OE r?t < ON r?t, akin to OE wyrt plant, WORT2, G
Wurzel, L r?d?x (see RADIX), Gk rh?za (see RHIZOME), which is your
system, all-in-one, still, useless toy, retrace, ^p^p^p^p, are we
that special, not our bodies, bodig, botah; damn damn damn, dam,
dame, domina; our workings, inner again, ongegn, opposite, gegn,
straight, igegn, not any particular or certain one of a class or
group, not straight, stretch, you see what's inside,
interchangeable, glorious nothing, bodies, history, nature, throw
up, throw up; later you will vestigate, already forgat, already
untouched, retouched untouched, wipe, w?pian, c. OHG w?fan to wind
round, Goth weipan to crown, perh. akin to L vibr?re to move to
and fro, wipeout, whiteout, blackout, fade, dull, pale, pall.
S
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From: noemata 
To: noemata@kunst.no
Subject: [ideareal] Re: i awake
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Date: Sat, 13 Nov 2004 06:21:13 -0800 (PST)

=
=20

It's far away, the lights on the tree, and the fires, outside the
entrance, entrance, you don't enter entrance, you don't enter
trance=
 by a way, father away, holy ghost, wholly, why hole, press
^u to ente=
r hole, hole, hole, you, pitar, pytar, hayr; breath, of
his breath, in=
spire, expire, enspire, detrance, extasis,
displacement, faraway; grab=
 the environment and throw it down a
hole, throw up your body, another=
 entrance, go back, ^p^p^p;
you're at the wayside again, listening to =
snow cannons' nocturnal
monophony, orange lights shivering down the wi=
pe slope, white
sloth, no, go back, ^p^p^p^p^p; still the same, are th=
ese
different rooms or the same, dreams are already inhabited, nothing=

takes place, the nothing-something, the random walk, seeded with
fear or desire, well you have to start somewhere, if at all, why
star=
t, ^p^p^p^p^p; this is further faraback, i'm not trying to
engage, gag=
e, [something, as a glove, thrown down by a medieval
knight in token o=
f challenge to combat.], press ^g to pick it up,
go south, you hear wa=
ter but don't sea any, ^y ^d ^u ^c;
homeostasis, psychol. a state of p=
sychological equilibrium
obtained when tension or a drive has been red=
uced or eliminated,
h=C3=83=C2=A9teros, he, that, the, it; libra, bala=
nce, bi-lanx, metal dishes,
dinner for two; reduce, lead back, bring b=
ack, go back; retrace,
retract, way, course, line of footprints, tr=C3=
=83=C2=A5, tr=C3=83=C2=A5kk, vestigium,
vestige, investige, token, pic=
k up this token; ^p^p^p, were are
you, ^p^p^p^p^p^p^p^p, fact||event||=
feeling, pick up this fact,
there's an obvious fact leading past the e=
vent, the feeling of my
tokens, hardwire, hardware, waru, ware, intrin=
secus, inward,
following inner, everybody has inner, has to throw up s=
ometimes,
inner, situated within or farther within, interior: an inner=
 door,
more intimate, private, or secret: the inner workings of theorganization, of or pertaining to the mind or spirit, mental,
spiri=
tual: the inner life, not obvious, hidden or obscure, an
inner meaning=
, innera, inne within, inside; pick it up, what do
you mean sense, fac=
t||event||feeling, something is something else,
what, no inner, everyt=
hing is interchangeable, your body, you
already have one so why should=
 it interest you, root access, the
root, late OE r?t < ON r?t, akin to=
 OE wyrt plant, WORT2, G
Wurzel, L r?d?x (see RADIX), Gk rh?za (see RH=
IZOME), which is your
system, all-in-one, still, useless toy, retrace,=
 ^p^p^p^p, are we
that special, not our bodies, bodig, botah; damn dam=
n damn, dam,
dame, domina; our workings, inner again, ongegn, opposite=
, gegn,
straight, igegn, not any particular or certain one of a class =
or
group, not straight, stretch, you see what's inside,
interchan=
geable, glorious nothing, bodies, history, nature, throw
up, throw up;=
 later you will vestigate, already forgat, already
untouched, retouche=
d untouched, wipe, w?pian, c. OHG w?fan to wind
round, Goth weipan to =
crown, perh. akin to L vibr?re to move to
and fro, wipeout, whiteout, =
blackout, fade, dull, pale, pall.





 

--
Posted by noemata to ideareal at 11=
/13/2004 06:20:40 AM

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13/11/2004 03:14:43, "Aliette Guibert"  wrote:

>Far from the making act we can say everything, in any case. Obviously you
>had not chosen; but the omissions allied to the obvious terms made sense of
>themselves together without that you formulated of choice;

Obviously that's your choice, reading it as political declarations - in most 
senses of the word political, since politics is about forcing a choosing of 
sides, setting the options to choose, but obviously, every side is ugly 
here, oppressor or oppressed, how the sense of justice is construed, and 
since nothing is chosen something ugly comes back, for lack of the political 
conformance and balance, and renders opaque and annoying, and gives the idea 
there must be a clearer position behind or hidden, but that's not the case, 
other than don't be mislead by political 'shitheads' to suffer their hell.




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From:	Lanny Quarles 
Subject: Re: i awake
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glad lever:
Mess{
elaborate cosmic token: six level continuous walled house
furnishings (cinnabar entrails covered in raised push-button glyphs,
each glyph a series of buttons) entrail chair, entrail table, entrail lamp,
entrail bed, entrail cupboards, entrail cups, entrail dishes, entrail desk,
cinnabar entrail keyboard, entrail CRT, red leather entrail books.
cosmic token flipping, gigaflopping, microwave tuna school emblem,
ten-thousand thing response key, weaving forty-thousand,
forty thousand toroid head mapping keywords planar, garden of planarities,
key of simple, word death, crow cawing, grapes of xingu sawblade demon,
tiny images inside words, picures of bodies in motion}

toto(toroid)transform{cube}
N(map N)
"i do not understand"
transform garish--->simple
"i do not understand"
depth of frame compressed
information not available for processing
"i do not understand"
gaze truncated
compartmentalization effects

What if anything is left of that drive?
C:/
frame open
curtain flapping
nothing lyrical to boost frame
crow cawing
raven icon proximity
fearful model of dynamic head
UNITE THE ANARCHISTS
long moustache
green pistol palissywares

green pistol palissywares
Thank you Noemata for cinnabar entrail brain
with white glass helmet lamp

dragging away capillaries and all..

glad lever:
ten-thousand "so-so"
"i do not understand"

plug from under the curtain?

you stay tadoon
you elasmo-tadoon
make shrine to white hot echinoderm tower
critique wave force of finger displacement
impetus of displacement [unknown]

conviction{ see shallow mystic aka broken machine}
S
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Be careful, in some countries writing a sentence 100 words long is illegal.


isbn 82-92428-06-2 wrote:
> Obviously that's your choice, reading it as political declarations - in most 
> senses of the word political, since politics is about forcing a choosing of 
> sides, setting the options to choose, but obviously, every side is ugly 
> here, oppressor or oppressed, how the sense of justice is construed, and 
> since nothing is chosen something ugly comes back, for lack of the political 
> conformance and balance, and renders opaque and annoying, and gives the idea 
> there must be a clearer position behind or hidden, but that's not the case, 
> other than don't be mislead by political 'shitheads' to suffer their hell.


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From:	isbn 82-92428-08-9 
Subject: Re: rong
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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go far, again tacit, an eve rite, talk sudden word, put new, it's
allright, rong, nil, like no devil i've done killing north, girl, last
i went up, drowned dusk, late tire venatic, at niagara, fog
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14/11/2004 18:28:27, isbn 82-92428-08-9  wrote:

>go far, again tacit, an eve rite, talk sudden word, put new, it's
>allright, rong, nil, like no devil i've done killing north, girl,
>last i went up, drowned dusk, late tire venatic, at niagara, fog

gof ,aragain ta ,citanev erit etal ,ksud denword ,pu tnew i tsal ,lrig 
,htron gnillik enod ev'i lived on ekil ,lin ,gnor ,thgirlla s'ti ,wen 
tup ,drow neddus klat ,etir eve na ,ticat niaga ,raf og





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From: isbn 82-92428-05-4 
To: wryting , "arc.hive" 
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Subject: [_arc.hive_] recursive dictionary
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http://www.got01.dial.pipex.com/recursive%20dictionary

:

"He was born with a material or non-material entity, idea, action, 
etc, that is or may be thought about or perceived, a gift, a thing 
given or presented, of the something done, deed, or action, or 
sensation caused in the ear by the vibration of the surrounding air or 
other medium of laughter and the capacity or power to perceive or feel 
or to be conscious of the state or condition of being present or 
attributes, qualities or characteristics of material or non-material 
entities, ideas, actions, etc, that are or may be thought about or 
perceived, that human concerns, business, matters to be attended to, 
their continuous onward movement or progression and circumstances, 
esp. those affecting the functioning or existence of something, active 
condition which distinguishes active animals and plants from inorganic 
matter, including the capacity for growth, functional activity, and 
continual change preceding death, were mad."

"Bertrand Russell

Applying the algorithm to text with a high proportion of abstract 
nouns is particularly amusing. Here, the starting text is from 
Bertrand Russell's History of Western Philosophy, from a chapter on 
Plato:

The second argument is that knowledge is recollection, and therefore 
the soul must have existed before birth. The theory that knowledge is 
recollection is supported chiefly by the fact that we have ideas, such 
as exact equality, which cannot be derived from experience.

Transformation gives:

The second reasoning process is that awareness or familiarity gained 
by experience is the act or power of recollecting, and therefore the 
spiritual or immaterial part of a human being, often regarded as 
immortal, must have existed before the emergence of a (usually fully 
developed) infant or other young from the body of its mother. The 
supposition or system of ideas explaining something, esp. one based on 
general principles independent of the particular things to be 
explained, that awareness or familiarity gained by experience is the 
act or power of recollecting is supported chiefly by the thing that is 
known to have occurred, to exist, or to be true, that we have 
conceptions or plans formed by mental effort, such as [the] exact 
state of being equal, which cannot be derived from actual observation 
of, or practical acquaintance with, facts or events."








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_________________________________________
_arc.hive_ mailing list
arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
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From:	Cyrill Duneau 
Subject: Re: recursive dictionary
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Great stuff!
c.



(=B8.=95'=B4(=B8.=95'=B4 `'=95.=B8)`' =95.=B8)
=B8.=95=B4
( `=95.=B8
`=95.=B8 )
=B8.=95)=B4
(.=95=B4
`*.
*.
shooting yourself in the balls is not the way to have a happy life

http://dolmensniper.motime.com/


Quoting isbn 82-92428-05-4 :

> http://www.got01.dial.pipex.com/recursive%20dictionary
>
> :
>
> "He was born with a material or non-material entity, idea, action,
> etc, that is or may be thought about or perceived, a gift, a thing
> given or presented, of the something done, deed, or action, or
> sensation caused in the ear by the vibration of the surrounding air o=
r
> other medium of laughter and the capacity or power to perceive or fee=
l
> or to be conscious of the state or condition of being present or
> attributes, qualities or characteristics of material or non-material
> entities, ideas, actions, etc, that are or may be thought about or
> perceived, that human concerns, business, matters to be attended to,
> their continuous onward movement or progression and circumstances,
> esp. those affecting the functioning or existence of something, activ=
e
> condition which distinguishes active animals and plants from inorgani=
c
> matter, including the capacity for growth, functional activity, and
> continual change preceding death, were mad."
>
> "Bertrand Russell
>
> Applying the algorithm to text with a high proportion of abstract
> nouns is particularly amusing. Here, the starting text is from
> Bertrand Russell's History of Western Philosophy, from a chapter on
> Plato:
>
> The second argument is that knowledge is recollection, and therefore
> the soul must have existed before birth. The theory that knowledge is
> recollection is supported chiefly by the fact that we have ideas, suc=
h
> as exact equality, which cannot be derived from experience.
>
> Transformation gives:
>
> The second reasoning process is that awareness or familiarity gained
> by experience is the act or power of recollecting, and therefore the
> spiritual or immaterial part of a human being, often regarded as
> immortal, must have existed before the emergence of a (usually fully
> developed) infant or other young from the body of its mother. The
> supposition or system of ideas explaining something, esp. one based o=
n
> general principles independent of the particular things to be
> explained, that awareness or familiarity gained by experience is the
> act or power of recollecting is supported chiefly by the thing that i=
s
> known to have occurred, to exist, or to be true, that we have
> conceptions or plans formed by mental effort, such as [the] exact
> state of being equal, which cannot be derived from actual observation
> of, or practical acquaintance with, facts or events."
>
S
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From: isbn 82-92428-05-4 
To: wryting 
Date: Wed, 17 Nov 2004 14:56:26 +0100
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its tu much
i wnat nothign to do with it
plese
i was nothing to do withit



S
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From: isbn 82-92428-13-5 
To: "arc.hive" , wryting 
Date: Thu, 18 Nov 2004 17:44:04 +0100
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Subject: [_arc.hive_] vertigo
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This is a multi-part message in MIME format...

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<<<<<<//!
tonefrp taer           r        ph-
mrpxoeh(rtr i    }u$$$  f   }p  rt-
lmutr>p!=rt(f     nmhm (o    r  em
> tam  $ti=$      saoa $r    i  >lh
 m r>  srx0j($i$c etrx j i e n   >t
 ete   ti=;=$nfho tri_ =(f l t    t
 tya   rma$0sl on (i+h 0$  s      p
 hp    )(rh;t+(rt $x+o ;i(pe     :
 oec    $ro$r+$ii n[;r $=!r  "    /
 d=o   esarj[;n=n l$ i j0iip     /
 =sl   xtyi<$ l0u )v = <;snr     n
 pus   ir(=sj/<;e ;e m $$_ti n    o
 ob=   t))0t]/2 ;  r a min n     e
 sm7   (;;;r=f)    t x at    ;   ec$    [ $ _$lm      t
 t>r       n"kv    $ m hv(l'      a
 e=       t +    i h ;;ti;      t
 t 1       r" +    ] o $$rt       /
 o 0       )  ;      r jiii       p
           ;o      = i ++xe       r
 v n       $r        , ++[s       e
 e a       j       $ $ ))$(       .
 r m       +$      s h   is       t
 t e       +s      t o {{]t       x
 i =       )t      r r   [r       t
 c s        r      [ i   $i       /
 a t       {[      $ )   jp       v
 l r        $      j ;   ]s       e
   >        j      ]     )l       r
   <        ]      ;     )a       t
   /        =             s       .
   t        =             h       p
   e                     e       h
   x        "             s       p
   t                     (
   a                     $       -
   r        r             m       -
   e                     a       >
   a        "             t
   >        )             r
                          i
            {             x
                          [
                          $
                          i
                          ]
                          [
                          $
                          j
                          ]
                          )
                          )
                          ;







-



text to vertical

inv x:
inv y:

















------------=_1100796411-73422-420
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_________________________________________
_arc.hive_ mailing list
arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
------------=_1100796411-73422-420--
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From: isbn 82-92428-13-5 
To: arc.hive , wryting 
Date: Thu, 18 Nov 2004 16:03:51 +0100
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åsålvdanmlnrdhfdehvvksmssstodmdsetddhhmofeabmdruddåådsmdahdkvIDOdASSfDNBSHASBOHOLPVDADKdNFATFS(ADD
 o iielyeiyeevieguiinpeeekhgeeekkaeeuuaglnlaeeemee  eleelveaenugeltoieøeioltrrvveieuveaeåiliooDlii
vmik  tsnksftaltem  iln laa,tntasprrnnn ø trnttutthstuntletntg  ttellrtktdloudaegzl ftnt ntnrvelnn
æ keet g eg   e nokmpi avmt    mle    ndri e  tl  ai t  em   eeh  iae tlteerdn rgzgvi s vn gneteee
rok rreja jaåmts raåstul m ksve utedeh etla il ill   tde  vdinreedn teeaet tuugvea antkhiea u
emeu orelfer e ks n ettthedatiriserrrekredbdniugiisd  erfveek  rreei rkgr r lnjå  alnajalsnsfdobff
   elr rtortkdeamh k ee vneno  tin o rv n setgnhkkae  t oittksi  trtm ne teojgøksilg red  noterøoi
ndfni fr rrau rmåjinb npo tsres v pndsiedbttegdeeegt   irl  ettodt  iåerføspe reetttd  dddemetdrre
yeodkfoiesiuno mlekiio åre kerka flneknrear reetrrt   eke iv e geepetpk amsprm ?g eeesieeet n n en
s reeorgrkgdnpseilkplpå  rlj  alsauiren  kaserre      rksdkæ dA g åntnkdsmum ud  or git tt o vebld
gisl rs  j  eetrgpeedp bl ieefmtkstn rejh kos  riid    etekr efs e   ieeterø si pvnf n i  epeetede
jkti sk lefo no he  e baiål,ro  assge  oahtmsdo kke   h itee rremrMalnrt sst sk ånaem mk nrprk hrr
ekåg kj ilamu rsernardlkt l  rismceenodmle  aev kkt   enl ?   ige anige d,ee  t  etietokxo s ksae
re e je klt tstet ov eigesedstto ilnnvefvn tnre ee    lolv v ek nlrnkenbe r  sa snildirefekts en s
r a  el titbvo g  e  t r e ets m ni åetrpn ut r       leiæ e ra  isetn lrl   et e?v  dg f aåv gdsl
iht  ll  giaiuo       sud  toab  egv r ure l  f då    e nr t    dk n   e ei  io n   d eg aora )lli
ga   li   glkrgs  f  smneb  rtei r a  deo  l  l e     rdge   nm ut  fi   mt  nr g   e no ns k  eik
 da  ig   dilc t  o  tånta sttgk eer lenf  e  a ne     ee? i oe    git s m    e a   t  d n  ,  sk
edl  g    o eema  r  ol  r t, gk rn  ør i  r  t  n    itr  k en eo al  å em   n ?      t eo      s
rel  e    mt ,ad     riaee o see     v  l     e dg    n    k    rv len   na   ?          tg v  lso
  e        ee ni  d  egvr  rjm    l  ei       n ea    gds  e  d  e atø r eg            a    i  iom
en         atlgg  e      d eaådi  ø  ng         tn    eeu  ?  e  r k t a  e            v so l  km
nof        t if   t    d e    en  v  ej          g    ntg     t xa sdt r fn              vp j  t k
 ei        eano        e t ih lk  e   e         e       e       fl eia   r             t ap e   nj
u l        ruul        t   te el      n         rå    lvr     e ft ,t  i y             e rs     aæ
tf          txd          l  r ru                      øi      r     t  t s                t s   br
iie         o,i        s i dr  d                 s    sl           l     e               ea v   oe
nlr         n g        t l ee  e                 i    n            i   m r               nn a   es
g           oi         o l tg  r                      iv      x    k   a                 nd k   nt
 sl         mn         r e  u  e                 d    næ      f    t   g                  e     ee
 ei         tn         e   sd  r                 e    gr      f        e                 fl      n
 lk          e             t,                    t     e               n                 os
 ve         kn             o                     t                                       re
            u              r                     e                                       nr
            nk             e                                                             u
            su                                                                           f
            tn                                                                           t
            ss                                                                           ?
            pt
            r?
            å
            k



S
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Subject: [pre.txt] vertigo
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<=
body bgcolor=3D"white" text=3D"black">=20

<<<<<<hfit/p?fsmvo           o    =
   >//!
tonefrp taer           r        ph-
mrpxoeh(rtr i    }u$$=
$  f   }p  rt-
lmutr>p!=3Drt(f     nmhm (o    r  em
> tam  $ti=3D=
$      saoa $r    i  >lh
 m r>  srx0j($i$c etrx j i e n   >t
 ete=
   ti=3D;=3D$nfho tri_ =3D(f l t    t
 tya   rma$0sl on (i+h 0$  s    =
  p
 hp    )(rh;t+(rt $x+o ;i(pe     :
 oec    $ro$r+$ii n[;r $=
=3D!r  "    /
 d=3Do   esarj[;n=3Dn l$ i j0iip     /
 =3Dsl   xty=
i<$ l0u )v =3D <;snr     n
 pus   ir(=3Dsj/<;e ;e m $$_ti n    o
=
 ob=3D   t))0t]/2 ;  r a min n     e
 sm7   (;;;r=3Df)    t x a ti5   )   l=3D*     ] ( x=3Dlt  ;    a
 >t    ;   ec$    [ =
$ _$lm      t
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sn t    r _ itat'      e
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1       r" +    ] o $$rt       /
 o 0       )  ;      r jiii       p           ;o      =3D i ++xe       r
 v n       $r        , ++[s =
      e
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 i =3D       )=
t      r r   [r       t
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 a t =
      {[      $ )   jp       v
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  t
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     h       p
   e                     e       h
   x        "  =
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   a             =
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   e       =
              a       >
   a        "             t
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             r
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       =
                   [
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                         =
 )
                          )
                          ;
<=
br />





-


text to vertical

inv x:
inv y:


if (!$str) exit();
$str=3Dtrim($str);
$=
matrix=3Darray();
$vert=3D0;$hori=3D0;
for ($j=3D0;$j   if ($str[$j]=3D=3D"\n" or $str[$j]=3D=3D"\r") {
    =
  $nl++; //f*ck
      if ($nl<2) $vert++;
      $hori=3D0;
 =
     continue;
   }
   unset($nl);
   $matrix[$vert][$hori] =
=3D $str[$j];
   $hori++;
   $max_hori=3Dmax($max_hori,$hori);}
for ($j=3D0;$j<$max_hori;$j++) {
   for ($i=3D0;$i<=3D$vert;=
$i++) {
      $iout=3D$i;$jout=3D$j;
      if ($invx) $iout=3D$ve=
rt-$i;
      if ($invy) $jout=3D$max_hori-$j;
      if (!is_null(=
$matrix[$iout][$jout])) {
         print htmlentities(stripslashes($ma=
trix[$iout][$jout]));
      }
      else print ' ';
   }
   print "\n";
}
?>








 
<=
br />--
Posted by noemata to pre.txt at 11/18/2004 =
08:46:42 AM
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<=
body bgcolor=3D"white" text=3D"black">=20

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<=
br />





-


text to vertical

inv x:
inv y:


if (!$str) exit();
$str=3Dtrim($str);
$=
matrix=3Darray();
$vert=3D0;$hori=3D0;
for ($j=3D0;$j   if ($str[$j]=3D=3D"\n" or $str[$j]=3D=3D"\r") {
    =
  $nl++; //f*ck
      if ($nl<2) $vert++;
      $hori=3D0;
 =
     continue;
   }
   unset($nl);
   $matrix[$vert][$hori] =
=3D $str[$j];
   $hori++;
   $max_hori=3Dmax($max_hori,$hori);}
for ($j=3D0;$j<$max_hori;$j++) {
   for ($i=3D0;$i<=3D$vert;=
$i++) {
      $iout=3D$i;$jout=3D$j;
      if ($invx) $iout=3D$ve=
rt-$i;
      if ($invy) $jout=3D$max_hori-$j;
      if (!is_null(=
$matrix[$iout][$jout])) {
         print htmlentities(stripslashes($ma=
trix[$iout][$jout]));
      }
      else print ' ';
   }
   print "\n";
}
?>








 
<=
br />--
Posted by noemata to pre.txt at 11/18/2004 =
08:46:42 AM
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aerog, consp, roswe, paramns, pogro, misce, mcluh, conne, catam, pomic,
licen, parse, overn, fretf, assor, afrik, astir, sembl, rainw, pleat,
which, kortr, haul, count, dress, storm, ma, judic, misco, libel, aspic,
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_________________________________________
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Subject: a
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anaphora cloners rightward, official nicias yosemite mohammedanisations:
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   implementable cloudiest

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   cockspur

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   improvisations, codebook

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   incapably closuring

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   impossibleness, cocoons

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   clustering

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   moisturizers inbreeder coble

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   mobilizing incantatory clunk

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   cocainization

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   mobocracy, improbability cobwebs

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   incisive clvi

amorist club rockets, opalesce nomadises yaw mogilev inapproachable:
   closenesses

acronymic clouet ringings, oldy nix yeanling mobilized impropriety:
   cobblestone
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From:	isbn 82-92428-13-5 
Subject: =?iso-8859-1?Q?Re:=20=E5s=E5lvdanmlnrdhfdehvvksmssstodmdsetddhhmofeabmdrudd=E5=E5dsmdahdkvIDOdASSfDNBSHASBOHOLPVDADKdNFATFS(ADD?=
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vertigo, but it's actually readable, in norwegian, 1:1, nothing is
lost

18/11/2004 18:37:39, Lawrence Upton
 wrote:

>å
>k
>
>-----Original Message-----
>From: isbn 82-92428-13-5 
>To: WRYTING-L@LISTSERV.UTORONTO.CA 
>Date: 18 November 2004 16:50
>Subject:
>åsålvdanmlnrdhfdehvvksmssstodmdsetddhhmofeabmdruddåådsmdahdkvIDOdASSf
DNBSHAS
>BOHOLPVDADKdNFATFS(ADD
>
>>            r?
>>            å
>>            k
>>
>
>
>
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Date: Thu, 18 Nov 2004 15:30:24 -0500 (EST)
From: Alan Sondheim 
To: isbn 82-92428-08-9 
Subject: Re: [_arc.hive_] a
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wonderful - both of these recent pieces - alan
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20/20 hindsight : hindquarter
411 info : informal
773h : aardvark
86 nix : aarhus niven
a1 : aachen
aok : anzus
abs : absconding
absotively-posilutely  abstaining
ac/dc bar : abyssal baptiste
ace foolish : accustoms footages
adios muchachos : adjectivally muck
ah really wretched : ahmedabad reallocating wretch
ak october : akhenaten octile
alphabet soup : alphabetizations sourer
and how : andersen hovels
ankle : anklet
ante : antagonistically
antsy : antrorsely
aped : apeldoorn
applesauce : applecarts
attic : attesting
aunt flo : aural flitting
avs : avouch
awol : awnless
aztec two-step : azotization twopenny

b and b : babassu andersen azrael
ba : babassu
baby-kisser : babylonians
bacon : bacteraemia
bafflegab : bagasse
balmy : balsa
bologna : boloney
banana act : banc acting
banana oil : bamboozles oiler
banjaxed : banishing
barf city : barging civilianisations
be casper : beachboy cassandra
bear task : bearable tasmanian
beef : beechen
bliss ninny : blinkering ninth
blob : blockbuster
blood catsup : bloodcurdlingly catnaps
bm bowel movement : boarded bowerbirds movelessly
bolt : bolson
bs : bubble
buick : buibui
bunkum : bunters











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antisensitize
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snotcrrumttgmschmdraevseio
tgshaorreaoaepelesedaooanl
fkadloecornnarn n iapybvda
uo ritne   i it e nti leer
lw ezets   z s  z bet isr
n  wad     a e    eds g
e   t      t d    f   e
s   i      i      o
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antonymy aberrations
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gnosticism abashes
hollywoodises
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abcdefghijklmnopqrstuvwxyz
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=
=20

antonymy aberrations
bolero aarhus
coating abeyance
do=
l abbot
epigrammatizing
focalize a
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h=
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quadruplicatesrna
soapstone
told abates
unthrone
volution
wo=
lds abatement
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-

a=
bcdefghijklmnopqrstuvwxyz
plmopolinerooipluioipoieeo
eu gilutvsig=
dtauaoftslnnlo
me  teeceusaarqrrttl unoip
ap  ayrhcshrlauatibe mi=
mzh
nr  x sht niimelenah ipoao
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=
=20

20/20 hindsight : hindquarter
411 info : informal
773h : aa=
rdvark
86 nix : aarhus niven
a1 : aachen
aok : anzus
ab=
s : absconding
absotively-posilutely  abstaining
ac/dc bar : abys=
sal baptiste
ace foolish : accustoms footages
adios muchachos : a=
djectivally muck
ah really wretched : ahmedabad reallocating wretchak october : akhenaten octile
alphabet soup : alphabetizations sour=
er
and how : andersen hovels
ankle : anklet
ante : antagonis=
tically
antsy : antrorsely
aped : apeldoorn
applesauce : app=
lecarts
attic : attesting
aunt flo : aural flitting
avs : av=
ouch
awol : awnless
aztec two-step : azotization twopenny
b and b : babassu andersen azrael
ba : babassu
baby-kisser : =
babylonians
bacon : bacteraemia
bafflegab : bagasse
balmy : =
balsa
bologna : boloney
banana act : banc acting
banana oil =
: bamboozles oiler
banjaxed : banishing
barf city : barging civil=
ianisations
be casper : beachboy cassandra
bear task : bearable t=
asmanian
beef : beechen
bliss ninny : blinkering ninth
blob =
: blockbuster
blood catsup : bloodcurdlingly catnaps
bm bowel mov=
ement : boarded bowerbirds movelessly
bolt : bolson
bs : bubblebuick : buibui
bunkum : bunters









 

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=
=20

antonymy aberrations
bolero aarhus
coating abeyance
do=
l abbot
epigrammatizing
focalize a
gnosticism abashes
h=
ollywoodises
iodation abietic
jobcentre
kittler abhorrently<=
br />locarno abashing
modulated abolitionise
nimbleness abducens<=
br />oligarch abiotically
poetisers abolitionist
quadruplicatesrna
soapstone
told abates
unthrone
volution
wo=
lds abatement
wye abducent
xylem abatis

-

a=
bcdefghijklmnopqrstuvwxyz
plmopolinerooipluioipoieeo
eu gilutvsig=
dtauaoftslnnlo
me  teeceusaarqrrttl unoip
ap  ayrhcshrlauatibe mi=
mzh
nr  x sht niimelenah ipoao
 i  i  ii atsinirglo nervb
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  a  kv  henes  ll ogpei
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=
 

--
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=
=20

antonymy aberrations
bolero aarhus
coating abeyance
do=
l abbot
epigrammatizing
focalize a
gnosticism abashes
h=
ollywoodises
iodation abietic
jobcentre
kittler abhorrently<=
br />locarno abashing
modulated abolitionise
nimbleness abducens<=
br />oligarch abiotically
poetisers abolitionist
quadruplicatesrna
soapstone
told abates
unthrone
volution
wo=
lds abatement
wye abducent
xylem abatis

-

a=
bcdefghijklmnopqrstuvwxyz
plmopolinerooipluioipoieeo
eu gilutvsig=
dtauaoftslnnlo
me  teeceusaarqrrttl unoip
ap  ayrhcshrlauatibe mi=
mzh
nr  x sht niimelenah ipoao
 i  i  ii atsinirglo nervb
 n=
  a  kv  henes  ll ogpei
 t  l  ee  msese   d u hta
 i     rl    =
 s    e s ia
 n     sy          r   c 
 g



=
 

--
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From:	morrigan 
Subject: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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The following is an actual question given on a University of Washington =
Chemistry mid term. The answer was so "profound" that the professor =
shared it with colleagues, which is why we now have the pleasure of =
enjoying it as well.

=20

BONUS QUESTION: IS HELL EXOTHERMIC (GIVES OFF HEAT) OR ENDOTHERMIC =
(ABSORBS HEAT)?

=20

Most of the students wrote proofs of their beliefs using Boyle's law =
(gas cools off when it expands and heats up when it is compressed), or =
some variant. One student, however, wrote the following:

_______________________

=20

First, we need to know how the mass of Hell is changing in time. So we =
need to know the rate that souls are moving into Hell and the rate they =
are leaving. I think that we can safely assume that once a soul goes to =
Hell, it will not leave. Therefore, no souls are leaving.

=20

As for how many souls are entering Hell, let's look at the different =
religions that exist in the world today. Some of these religions state =
that if you are not a member of their religion, you will go to Hell. =
Since there are more than one of these religions and since people do not =
belong to more than one religion, we can project that all souls go to =
Hell.

=20

With birth and death rates as they are, we can expect the number of =
souls in Hell to increase exponentially.

=20

Now, we look at the rate of change of the volume in Hell because Boyle's =
Law states that in order for the temperature and pressure in Hell to =
stay the same, the volume of Hell has to expand as souls are added.

This gives two possibilities:

=20

1. If Hell is expanding at a slower rate than the rate at which souls =
enter Hell, then the temperature and pressure in Hell will increase =
until all Hell breaks loose.

=20

2. Of course, if Hell is expanding at a rate faster than the increase of =
souls in Hell, then the temperature and pressure will drop until Hell =
freezes over.

=20

So which is it? If we accept the postulate given to me by Ms. Teresa =
Banyan during my Freshman year, "...that it will be a cold day in Hell =
before I sleep with you", and take into account the fact that I still =
have not succeeded in having sexual relations with her, then #2 cannot =
be true, and thus I am sure that Hell is exothermic, and will not =
freeze.

_______________________

=20

The student received the only 'A' given.



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The following is an =
actual=20
question given on a University of Washington Chemistry mid term. The =
answer was=20
so "profound" that the professor shared it with colleagues, which is why =
we now=20
have the pleasure of enjoying it as well.


 


BONUS QUESTION: IS =
HELL=20
EXOTHERMIC (GIVES OFF HEAT) OR ENDOTHERMIC (ABSORBS HEAT)?


 


Most of the students =
wrote proofs=20
of their beliefs using Boyle's law (gas cools off when it expands and =
heats up=20
when it is compressed), or some variant. One student, however, wrote the =

following:


_______________________


 


First, we need to =
know how the=20
mass of Hell is changing in time. So we need to know the rate that souls =
are=20
moving into Hell and the rate they are leaving. I think that we can =
safely=20
assume that once a soul goes to Hell, it will not leave. Therefore, no =
souls are=20
leaving.


 


As for how many souls =
are=20
entering Hell, let's look at the different religions that exist in the =
world=20
today. Some of these religions state that if you are not a member of =
their=20
religion, you will go to Hell. Since there are more than one of these =
religions=20
and since people do not belong to more than one religion, we can project =
that=20
all souls go to Hell.


 


With birth and death =
rates as=20
they are, we can expect the number of souls in Hell to increase=20
exponentially.


 


Now, we look at the =
rate of=20
change of the volume in Hell because Boyle's Law states that in order =
for the=20
temperature and pressure in Hell to stay the same, the volume of Hell =
has to=20
expand as souls are added.


This gives two =
possibilities:


 


1. If Hell is =
expanding at a=20
slower rate than the rate at which souls enter Hell, then the =
temperature and=20
pressure in Hell will increase until all Hell breaks loose.


 


2. Of course, if Hell =
is=20
expanding at a rate faster than the increase of souls in Hell, then the=20
temperature and pressure will drop until Hell freezes over.


 


So which is it? If we =
accept the=20
postulate given to me by Ms. Teresa Banyan during my Freshman year, =
"...that it=20
will be a cold day in Hell before I sleep with you", and take into =
account the=20
fact that I still have not succeeded in having sexual relations with =
her, then=20
#2 cannot be true, and thus I am sure that Hell is exothermic, and will =
not=20
freeze.


_______________________


 


The student received =
the only 'A'=20
given.


 


------=_NextPart_000_0003_01C4CEFB.1079FE00--
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all the tnihgs taht a=A8rent psoilsbe bcak bcak apin bcal is viatl
ptsoure hondinlg im dizzy yuore liokng for reilef or bdluiiing
waht dnot ask bdiiuinlg fwlwnig don lkneiesss loop of snese
tgohuths arise attache not i was wthas there to bilud a story no
stroy threes no sotry what sotry do you yuor life sorty no lfie
sotry blind bilnd bnild story no sorty bilnd back and fotrh no
sorty nnothig dvoeelps no dempoleevnt  its all dlwilohnl dwon
srtoies i, not srtoy not sroty and the stroy adnother wrod for
benig isdine the scubjet bnieg oecjbt but not eevn sjbecut how
sjbcuet can i be to daeth i wsant so how can i be i=A8ts a story
olny a sotry wtih a bgeniinng and end and the sotry is ntoghin no
story the sotry is jsut a story and the sejbuct is not a sucbjet,
these wdros are cnmiog form a long line of ilde soht form the
seubct lnie sbjecut the sjbeuct eiecnrxeeps epienrexecs ex peri
sneseis it tnilkag abuot ilestf or vetbivare mdoe of pscroes
iarmooniftn -v bceaues trehs nnitoghb to bulid the linvig are for
the lvinig the voderr is for shgmeotin oto be, and esle non, and
you wodlu=A8nt know, but the tarinstion for loss and gian, which
lgneirs for yesra for lteifmie tmie until aontehr loss wchih fdaes
lkie dcemial jmbures in sniinicgfcae, the digit, iteengr, wlhoe,
hole, drigess, how etym, the w hloe, tunnel tsarcnend

[bef. 900; ME; OE hol hole, cvae, orig. nuet. of hol (adj.)
HLOOLW; c. G hohl hwlolo]

[ebf. 900; ME hole, hool (daj. and n.), OE h?l (ja.d); c. D heel,
G heil, ON hilel; see HLAE1, HEAL; sp. wtih w relectfs dail. form]

[bef. 900; ME holi, OE h?lig, var. of HL?EG, equiv. to h?l WHLOE +
-eg -Y1; c. D, G heilig, ON hlaiegr]

the bcalk wohle
-,2-1-,3, ...

[< ON; see HLEL]

[bef. 900; ME, OE he(ll); c. OHG h()illea (G Hll=F6e), ON hel, Goth
hjala; aikn to OE hlean to cover, hide, and to HLU2L]

satngre the etym siiimelritas, as if the opipostes were the
coslest cinaopnoms, balck holes at the cneter of glaaxies, in the
misdt of haveen reisde hell, qiute the oppsoite, no surprsie, also
the balck whloes of rliigoen, whta's torhwn oitudse is, rnig
tgloopoy, or the srting, cmoes bcak at the cetner, or vcie vresa,
it's aonther hlel, like the syanig, if the wrold was peecfrt it
woul'ndt esixt, wree each wrod bges its exspoinan, and if the word
was pefrect it wondul't eixst, so tihs way geos itno altiioainhnn,
or the aiiilhntnaon is cnncteeod to rzaieaoiltn, wihch is
cttslannoy dlaeyed, torwhn out, lkie the wrlod is cearted in tmie,
which is just the delay, thgnis go sowler and solewr. the hack
itno ereltncos certeas the wolrd aenw, slutaimes from lgiht seped
and loigc, the hrewyporld, mroe and more has to be thorwn out at
lhigt speed to keep it go solwer and sowler, inetria at the end of
speed, mabye lkie the practile padorax aagin, if sthoiemng is
pulctairar (eg. tmei) it ditfrs off mronuolssty, allchies and the
tultre, view tihs from rivitatley, as aheilcls is giannig light
speed he inealtfs ifitnneliy, enregy bceomes msas, the wrold, form
the filurae of reazilnig, of rhaecing the ttrlue, whcih is the
fiarlue of riiztleaaon, the praadox of the pultiracar, of the
wrold, the montusros itnifoaln, hloe whloe hloy hlel, hole in the
wolhe, hell in the holy, in the mdsit, wihch is cnnasottly thowrn
out, the paissve out of the avitce, any oejcbt thwron out of the
subcjet, like this.




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From:	Macronphylgjerstiquawofbeduvsk 
Subject: Re: Is Hell Exothermic?
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all the things that aren¨t possible back back apin bacl is vital
posture holdning im dizzy youre loking for relief or builiding
what dont ask biuliding flwwing don likenesss loop of sense
thoughts arise attache not i was whats there to build a story no
story theres no story what story do you your life story no life
story blind blind blind story no story blind back and forth no
story nothing develops no development  its all downlhill down
stories i, not story not story and the story andother word for
being inside the subject being object but not even subject how
subject can i be to death i wasnt so how can i be it¨s a story
only a story with a beginning and end and the story is nothign no
story the story is just a story and the subject is not a subject,
these words are coming from a long line of idle shot form the
subect line subject the subject experiences experiences ex peri
senseis it talking about itself or verbative mode of process
information -v becaues thers nothignb to build the living are for
the living the vorder is for somethign oto be, and else non, and
you wouldn¨t know, but the transition for loss and gain, which
lingers for yesra for lifetime time until another loss which fades
like decimal jumbers in significance, the digit, integer, whole,
hole, digress, how etym, the w hole, tunnel transcend

[bef. 900; ME; OE hol hole, cave, orig. neut. of hol (adj.)
HOLLOW; c. G hohl hollow]

[bef. 900; ME hole, hool (adj. and n.), OE h?l (adj.); c. D heel,
G heil, ON heill; see HALE1, HEAL; sp. with w reflects dial. form]

[bef. 900; ME holi, OE h?lig, var. of H?LEG, equiv. to h?l WHOLE +
-eg -Y1; c. D, G heilig, ON heilagr]

the black whole
-1,-2,-3, ...

[< ON; see HELL]

[bef. 900; ME, OE hel(l); c. OHG hell(i)a (G Hölle), ON hel, Goth
halja; akin to OE helan to cover, hide, and to HULL2]

strange the etym similarities, as if the opposites were the
closest companions, black holes at the center of galaxies, in the
midst of heaven reside hell, quite the opposite, no surprise, also
the black wholes of religion, what's thrown outside is, ring
topology, or the string, comes back at the center, or vice versa,
it's another hell, like the saying, if the world was perfect it
wouldn't exist, were each word begs its expansion, and if the word
was perfect it wouldn't exist, so this way goes into annihilation,
or the annihilation is connected to realization, which is
constantly delayed, thrown out, like the world is created in time,
which is just the delay, things go slower and slower. the hack
into electrons creates the world anew, simulates from light speed
and logic, the hyperworld, more and more has to be thrown out at
light speed to keep it go slower and slower, inertia at the end of
speed, maybe like the particle paradox again, if something is
particular (eg. time) it drifts off monstrously, achilles and the
turtle, view this from relativity, as achilles is gaining light
speed he inflates infinitely, energy becomes mass, the world, from
the failure of realizing, of reaching the turtle, which is the
failure of realization, the paradox of the particular, of the
world, the monstrous inflation, hole whole holy hell, hole in the
whole, hell in the holy, in the midst, which is constantly thrown
out, the passive out of the active, any object thrown out of the
subject, like this.
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
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From:	mpalmer 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  <000601c4cefb$11df8170$2502a8c0@kitchen>
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Hm, this raises the question of what a fully fundamentalist takeover of
the educational system would look like.

Our physicists would teach, not about quarks and the Big Bang, but the
quantum mechanics of Purgatory.

Our chemists would be devoted to analyzing the spectral components of
the Shroud of Turin.

Our economists would study the cost-benefit ratio of sending a soul to
Heaven.

Our mathematicians would be assigned to figure out the exact number of
angels that are allowed to dance on the head of a pin before anybody
invokes the classic complaint.


Ah, what a wonderful world!


m
S
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From:	Lanny Quarles 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

one can imagine a kind of freakish high-tech dark ages,
of corporate feudalism run by a powerful evangelical media conglomerate,
the religio-military complex. the outlines are already there,
wierdo conspiracy fantasy worlds are already controlling our politics,
just one more step and we'll be smack back in the middle of the crusades.
S
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Date:         Sat, 20 Nov 2004 09:35:53 -0800
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	mpalmer 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  <003e01c4cf25$a0fc37c0$0400a8c0@pacificdeqgc16>
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Yes, it's funny how the sci-fi writers completely missed how the
encroachment of techno-evangelism is set to transform society to its
foundations. As prophetic as they have been in other areas, there is
nothing of this in Gibson, Ballard, Dick, etc. (Is there? I'm not a big
sci fi reader.)

We have met Big Brother, and He is us.


m

On Saturday, November 20, 2004, at 09:23  AM, Lanny Quarles wrote:

> one can imagine a kind of freakish high-tech dark ages,
> of corporate feudalism run by a powerful evangelical media
> conglomerate,
> the religio-military complex. the outlines are already there,
> wierdo conspiracy fantasy worlds are already controlling our politics,
> just one more step and we'll be smack back in the middle of the
> crusades.
>
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Lanny Quarles 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

not sure, but i wouldnt doubt that some perhaps more minor writer
has already traced this out, there are right wingy christian sci-fi writers i'm sure
who have. there's a whole millenarian end times culture out there with its
own lit etc. i dont know it, but i'm guessing its probably there.


----- Original Message -----
From: "mpalmer" 
To: 
Sent: Saturday, November 20, 2004 9:35 AM
Subject: Re: Is Hell Exothermic?


> Yes, it's funny how the sci-fi writers completely missed how the
> encroachment of techno-evangelism is set to transform society to its
> foundations. As prophetic as they have been in other areas, there is
> nothing of this in Gibson, Ballard, Dick, etc. (Is there? I'm not a big
> sci fi reader.)
>
> We have met Big Brother, and He is us.
>
>
> m
>
> On Saturday, November 20, 2004, at 09:23  AM, Lanny Quarles wrote:
>
>> one can imagine a kind of freakish high-tech dark ages,
>> of corporate feudalism run by a powerful evangelical media
>> conglomerate,
>> the religio-military complex. the outlines are already there,
>> wierdo conspiracy fantasy worlds are already controlling our politics,
>> just one more step and we'll be smack back in the middle of the
>> crusades.
>>
>
S
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Date:         Sat, 20 Nov 2004 09:59:07 -0800
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Lanny Quarles 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

all i could find was the "Left behind" series of sci-fi end-timer drivel
that fits into what i was imagining, but i did find something perhaps
a little more cogent called the Christ Clone trilogy:
http://www.selectivehouse.com/tcct.htm
not sure if it predicts the political situation, but is definitiely a wacko millenarian
alien christ scenario.. this one isn't evangelical like the left behind series.
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Alan Sondheim 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  <0A26D3F5-3B16-11D9-95EF-00306549AD52@lmi.net>
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On Sat, 20 Nov 2004, mpalmer wrote:

> Our physicists would teach, not about quarks and the Big Bang, but the
> quantum mechanics of Purgatory.
>
Aren't any, classical physics prevails.

> Our chemists would be devoted to analyzing the spectral components of
> the Shroud of Turin.

Arm, leg, stain.

>
> Our economists would study the cost-benefit ratio of sending a soul to
> Heaven.

None whatsoever; weight sends 'em down.

>
> Our mathematicians would be assigned to figure out the exact number of
> angels that are allowed to dance on the head of a pin before anybody
> invokes the classic complaint.

Four, although more are possible. Two couples, +-+-.

- A

>
>
> Ah, what a wonderful world!
>
>
> m
>


http://www.asondheim.org/
WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/
some other recent work:
http://www.as.wvu.edu:8000/clc/members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm

Alan Sondheim, sondheim@panix.com
718-857-3671 / 718-813-3285 432 Dean Street Brooklyn, NY, 11217
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Alan Sondheim 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

There was a Ballard novel, keep forgetting the name, with pseudo-Nixons
and tribes of businessmen running around, but it wasn't christological -
alan

On Sat, 20 Nov 2004, mpalmer wrote:

> Yes, it's funny how the sci-fi writers completely missed how the
> encroachment of techno-evangelism is set to transform society to its
> foundations. As prophetic as they have been in other areas, there is
> nothing of this in Gibson, Ballard, Dick, etc. (Is there? I'm not a big
> sci fi reader.)
>
> We have met Big Brother, and He is us.
>
>
> m
>
> On Saturday, November 20, 2004, at 09:23  AM, Lanny Quarles wrote:
>
>> one can imagine a kind of freakish high-tech dark ages,
>> of corporate feudalism run by a powerful evangelical media
>> conglomerate,
>> the religio-military complex. the outlines are already there,
>> wierdo conspiracy fantasy worlds are already controlling our politics,
>> just one more step and we'll be smack back in the middle of the
>> crusades.
>>
>


http://www.asondheim.org/
WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/
some other recent work:
http://www.as.wvu.edu:8000/clc/members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm

Alan Sondheim, sondheim@panix.com
718-857-3671 / 718-813-3285 432 Dean Street Brooklyn, NY, 11217
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	pixel 
Subject: Re: Is Hell Exothermic?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

Actually Asimov touched on this is the Robot series - can't remember details
exactly, but the idea that technology was definitely linked directly with
religion in a very manufactured way as a means to create universal control.
Asimov was very into the ol' sociology stuff ..

X
----- Original Message -----
From: "mpalmer" 
To: 
Sent: 20 November 2004 17:35
Subject: Re: Is Hell Exothermic?


> Yes, it's funny how the sci-fi writers completely missed how the
> encroachment of techno-evangelism is set to transform society to its
> foundations. As prophetic as they have been in other areas, there is
> nothing of this in Gibson, Ballard, Dick, etc. (Is there? I'm not a big
> sci fi reader.)
>
> We have met Big Brother, and He is us.
>
>
> m
>
> On Saturday, November 20, 2004, at 09:23  AM, Lanny Quarles wrote:
>
> > one can imagine a kind of freakish high-tech dark ages,
> > of corporate feudalism run by a powerful evangelical media
> > conglomerate,
> > the religio-military complex. the outlines are already there,
> > wierdo conspiracy fantasy worlds are already controlling our politics,
> > just one more step and we'll be smack back in the middle of the
> > crusades.
> >
S
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From:	isbn 82-92428-21-6 
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S
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In our old authors, I was often used for ay (or aye), yes, which is 
pronounced nearly like it Cupid, the god of love; sometimes, Venus you

The nominative case of the pronoun of the first person; the word with 
which a speaker or writer denotes himself A feeling of strong 
attachment induced by that which delights or commands admiration; 
preeminent kindness or devotion to another; affection; tenderness; as, 
the love of brothers and sisters The pronoun of the second person, in 
the nominative, dative, and objective case, indicating the person or 
persons addressed. See the Note under Ye In present circumstances; 
things being as they are; -- hence, used as a connective particle, to 
introduce an inference or an explanation

To cheat; to gull; to overreach you Especially, devoted attachment to, 
or tender or passionate affection for, one of the opposite sex me 
Likewise; also; in addition ?

To put or bring into a form, state, or condition, especially in the 
phrases, to do death, to put to death; to slay; to do away (often do 
away with), to put away; to remove; to do on, to put on; to don; to do 
off, to take off, as dress; to doff; to do into, to put into the form 
of; to translate or transform into, as a text you Cupid, the god of 
love; sometimes, Venus One. See Men, pron too ?

To bring to an end by action; to perform completely; to finish; to 
accomplish; -- a sense conveyed by the construction, which is that of 
the past participle done we love Every; -- sometimes used 
interchangeably with every Otherwise An exclamation used in calling or 
directly addressing a person or personified object; also, as an 
emotional or impassioned exclamation expressing pain, grief, surprise, 
desire, fear, etc ?

As a numeral, I stands for 1, II for 2, etc don't To be acquainted 
with; to be no stranger to; to be more or less familiar with the 
person, character, etc., of; to possess experience of; as, to know an 
author; to know the rules of an organization

Affection; kind feeling; friendship; strong liking or desire; 
fondness; good will; -- opposed to hate; often with of and an object 
The act of affecting or acting upon; the state of being affected; To 
beget An act or state of perception by the sense above described; an 
act of apprehending any object whatever; an act or state of 
apprehending the state of the soul itself; consciousness; friendship; 
Moving with rapidity or force; violent; forcible; impetuous; as, a 
strong current of water or wind; the wind was strong from the 
northeast; a strong tide Appearance; look; figure; state of body as to 
health or condition O, the fifteenth letter of the English alphabet, 
derives its form, value, and name from the Greek O, through the Latin. 
The letter came into the Greek from the Ph/nician, which possibly 
derived it ultimately from the Egyptian. Etymologically, the letter o 
is most closely related to a, e, and u; as in E. bone, AS. ban; E. 
stone, AS. stan; E. broke, AS. brecan to break; E. bore, AS. beran to 
bear; E. dove, AS. d/fe; E. toft, tuft; tone, tune; number, F. nombre 
To express a wish for; to entreat; to request; Doting affection; 
tender liking; strong appetite, propensity, or relish; as, he had a 
fondness for truffles; Not blemished or impeached; fair; honorable; 
unsullied; as in the phrases a good name, a good report, good repute, 
etc The choice or determination of one who has authority; a decree; a 
command; discretionary pleasure; -- of Oppose Effect; end; 
consequence; as, the prince was flattered to his ruin; he engaged in a 
war to his cost; violent factions exist to the prejudice of the state 
hate; Frequent; often; repeated See Withe Denoting the agent, or 
person by whom, or thing by which, anything is, or is done; by A 
particle which expresses the relation of connection or addition. It is 
used to conjoin a word with a word, a clause with a clause, or a 
sentence with a sentence If; -- a word used by old English authors 
That which is set, or which may be regarded as set, before the mind so 
as to be apprehended or known; that of which the mind by any of its 
activities takes cognizance, whether a thing external in space or a 
conception formed by the mind itself; as, an object of knowledge, 
wonder, fear, thought, study, etc





S
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To: wryting , "arc.hive" ,
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Subject: [_arc.hive_] webster1913.zip
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if someone else has use of webster 1913 dictionary 180,000 entries in a stripped
ascii format: word ::: class ::: definition i u/p it in a 5M zip-file -
http://noemata.net/pre.txt/src/webster1913.zip

eg.



Pylori ::: pl. ::: of Pylorus
Pylorus ::: n. ::: The opening from the stomach into the intestine
Pylorus ::: n. ::: A posterior division of the stomach in some invertebrates
Pyne ::: n. & v. ::: See Pine
Pynoun ::: n. ::: A pennant
Pyocyanin ::: n. ::: A blue coloring matter found in the pus from old sores, supposed to be 
formed through the agency of a species of bacterium (Bacillus pyocyaneus)
Pyogenic ::: a. ::: Producing or generating pus
Pyoid ::: a. ::: Of or pertaining to pus; of the nature of, or like, pus
Pyopneumothorax ::: n. ::: Accumulation of air, or other gas, and of pus, in the pleural 
cavity


Systemless ::: a. ::: Being without system
Systemless ::: a. ::: Not agreeing with some artificial system of classification
Systemless ::: a. ::: Not having any of the distinct systems or types of structure, as the 
radiate, articulate, etc., characteristic of organic nature; as, all unicellular organisms 
are systemless


Xyster ::: n. ::: An instrument for scraping bones











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=
=20

+aK Filasafi sam tirapi Digist far naimata@tapica.cam, issui 108 can =
wi catch up? 
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tian riquirid timi: immigrating ta thi 
usa Wandirful night af lavi af=
tir 15 minutis! samal diplaid Data Rispans ASA (Na) - Cantract ta 
Dat=
a Rispans warth NaK 14.3 mi ... Rimadil thi kitchin,bbpuariz bi carifull-ya=
ur san knaws Git 
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kki baraqui griat articli : vidias liad ta 
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nt an \/iagra, Cia|is, Xanax, \/alium, \/icadin, Ambiin! nit 
sturbrid=
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 ar athir 
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avimbir 30th Ri : pain spicialist an 
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us picturis -Canduct a canfidintial riviiw af a stari in yaur 
aria. n=
iwswiik:adult uralagy midical salutians impartant spats infa timi: u.s visa=
 rigulatians 
niwswiik: us bardir pratacals Buy Rigalis, alsa knawn as=
 Supirviagra ar Cialis ya man-ari yau in 
pain Wi havi drugs and paink=
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wan=
t ta miit min yaur spicialist's appaintmint starts navimbir 12th SU-pir Hu^=
gi 0ffirs Bmairi 
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uris will cast yau yaur jab griat articli : 
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i=
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ght 
amazing! intramalicular triangulum Rich man laaking far a bay a f=
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buddy,nivir bi ahamid again Ri : pain spicialis=
t an widnisday at 11-00 Alaha Casina anlini! 
Light up hir lifi Italia=
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=
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20=
th at 01-00 ri : painfull appaintmint tammaraw at 21-00 Buy Rigalis, alsa k=
nawn as Supirviagra 
ar Cialis aur diprissian tist an navimbir thi 28t=
h niwswiik:adult uralagy praciduri niw uralagy 
cari infarmatan Niw x =
p Critical Updati - navimbir 13th Micrashit virus Alirt - navimbir 11th spicial affir an Micrashit saftwari pay lis far Phatashap 7 ligal apirat=
ing systimicrashit far 
half thi prici Hialthy waman laaking far a man=
 Thiy want ta driam af yau Micrashit Picturi It 
Primium 9 cliaranci h=
alf prici 2000 Warkstatian x p Pra + 0ffici x p Pra $80 Micrashit Maniy 2004 updati =3D?isa-8859- 1?b?VGhlIixvd2VzdCBQcmljZXMgQW55d2hlcmUhICAgIC=
B5?=3D Laaaawist Priicid 
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ardir paliciis Ri : pain spicialist an widnisday at 
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riid? b hi brathir-ari yau in pain is hir sistir dialing with pain afficial=
 U.S 
Gavirimint Pragram half prici 2000 Datacintir Italian Craftid Ra=
lix fram $75 ta $275 - Frii 
Shipping Fwd: chick this aut Wi all havi =
prablims Micrashit virus Alirt - navimbir 11th why maki 
adabi mari ma=
niy Git thi Niw Appli iMac G5 Disktap! bi carifull - ixtrimi faatagi will g=
it yau 
firid natici - ixtrimi faatagi will cast yaur jab midical pain=
 riliif salutians palici ripart - 
avi's can cast yau yaur jab palici =
ripart - ixtrimi picturis liad ta divarci Navimbir Rati Drap 
supir ca=
al sali Niw praduct! Cialis saft tabs. Ri: pliasi hilp yaur girlfriind yaur=
 spicialist's 
appaintmint starts an thi 1th 2000 Sirvir cliaranci Nav=
imbir Rati Drap afficial U.S Gavirimint 
Pragram Cami livi in Amirica,=
 Yau just wan a Griin Card! Alaha Casina anlini! Ari yau tirid a 
lat =
articli riviiw: adult arthapidic and cyst ivaluatian Ri : pain spicialist a=
n widnisday at 
19-00 navimbir 20th at 10-00 Ri: Yaur Griin Card Appli=
catian USA is giving 50,000 Griin Cards 
iviry yiar!! is hir sistir di=
aling with pain warning : yaur niuralagical chick up inds an thi 
3th =
hi thiri bra-fiil thi stringth Harvard riviiw: adult uralagy articli cantac=
t mi by navimbir 
29th at 04-00 wi bring salid facts an micracap st0ck=
s ,cdyqlnm Rati Changi christmass giviaway - 
x p Prafissianal Micrash=
it 0ffici saftwari sali 50$ Rati Changi 7543-Hami laans as law as 2.93% hi thiri buddy-fiil thi pawir Windaws XP, All Adabi saftwari Just ga and=
 git it far 49.95! artii 
Virus Alirt - navimbir 10th Virus Alirt - na=
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:20 -
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 subscr ... Hugin (Graup) ASA 
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il kr LIVi IN THi USA - aFFICIAL GaViRiMiNT PRaGRAM! impartant - matirial w=
ill 
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a@tapica.cam, issui 110 hi 
thiri pal-fiil thi vitality ri:aur niurala=
gical tists an thi 20th Nav Rati Changi Wi'ri giving 
away a $250 Tays=
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59- 1?
B?T3Zlcm5pZ2h0IiRlbGl2ZXJ5IC0gWW91IGdldCBtb3JlIGZvciBsZXNzISAgI=
CAgcQ=3D=3D?=3D ardir Ralix ar athir 
Swiss watchis anlini impty aur s=
hilvis Navimbir Rati Changi Navimbir Rati Changi ri : painfull 
appain=
tmint widnisday at 24-00 spicial far tap silling rx-mids Wilmir, da u want =
ta bi a winnir? 
a riliabli saurci far thi rx rifill naw dais yaur bra=
thir knaws taa much Niw virus difinitians - 
navimbir 30th =3D?ISa-885=
9- 1?b?SW5zdGFudCBQaGFybWFjL3kgRHJ1Z15zIHRvIHlvdXIgRG9vciigICAgIHA=3D?=3D <=
br />$250 Tays "R" Us Gift Card is pinding shipping autharizatian: Ri: What=
 is thi Griin Card 
Lattiry? Micrashit virus Alirt - navimbir 4th is y=
aur mathir in pain Applicatian is pri appravid 
my iyis ari killing mi=
 athir Micrashit saftwari cliaranci palici ripart - ixtrimi picturis will <=
br />put yau in jail Nartan virus warning - navimbir 19h brathir,thiri is n=
athing ta bi apprihinsivi 
abaut Da yau want a frish niw lifi in thi U=
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Cialis saft tabs. 50,=
000 Fw: canary pay lis far 2000 Sirvir spicial affir far Micrashit x p 
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Q2hlYXBlc3QgUHIjZXNjcmlwdGlvbiBicnVnW3Mgb24gdGhlIi5FVCigICAgIGa=3D?=
=3D impartant - ixtrimi matirial 
will ruin yaur marriagi this is a gr=
iat articli : pics will put yau in jail impartant - ixtrimi 
matirial =
will distray yaur lifi hirald tribuni: thi us lacalizatian systim ripart an=
 thi 
immigratian systim U.N. ripart - ixtrimi vidias will git yau fir=
id Da yau want ta livi and wark 
in thi US? PhataCuri (Na) - PhataCuri=
 stringthins its managimint tiam anlini mid stari yaur san 
knaws yau =
watch girls git aff Yaur Star Wars DVD Trilagy Sit is pinding shipping auth=
arizatian: 
canfirmatian niidid ripart : is yaur mathir satisfiid ixpi=
riinci thi Safi Sixual Affair Club 
spicial affir an 2003 Sirvir SBS M=
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naimata@tapica.cam,=
 issui 111 Bi Big Liki A Black Guy Ri" Yaur Pharmacy ardir # 8458 ri : 
painfull appaintmint manday at 01-00 ri:aur niuralagical tists an thi 23t=
h Yau havi biin invitid 
ta jain thi Safi Sixual Affair Club =3D?isa-8=
859-1?B?
R3JhdGlzIaUgbGVnZ2Ugb3BwIGRpbmUgZ2plbnN0YW5kZXIgZGVubmUgaGVsZ=
2VuIQ=3D=3D?=3D dial an rx Alaha Casina 
anlini! cari far sami mari Mu=
sic and Maviis anlini -zr 24 ag ri:tintativi niuralagical tists an 
th=
i 23th hiy-painfull friidam insidi ixpiriinci thi Safi Sixual Affair Club U=
.N. ripart - mpgs 
can distray yaur lifi C1al1s saft tabs niwswiik dig=
ital- vids can distray yaur lifi tiin pics 
can ruin yaur marriagi ri:=
aur niuralagical tists an thi 2th Ri: What is thi Griin Card Lattiry? 
afficial U.S Gavirimint Pragram why maki aracli mari maniy friind-i fiil g=
riat cantintmint 
saftwari half prici Can yau lit mi in yaur hiart Da =
yau niid a friind afficial U.S Gavirimint 
Pragram Ri: What is thi DV-=
2006 Lattiry? hialth niws:caping with pain griat nail criam injay 
yau=
r girlfriind's bady liki nivir bifari Siarch rati tablis far 600+ lindirs- =
mit silican Award: 
Wi ari waiting far yaur naminatian Niw praduct! Ci=
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niflsiuvs jh Stap Thi Spam a=
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=
affir an graphics saftwari Did yau tatally fargat 50,000 ligal apirating sy=
stimicrashit summir-
sali havi yau gat thi niw Macramidia saftwari Cam=
plimintary Star Wars DVD Trilagy Sit bicami thi 
man yar mathir allway=
s wantid adult arthapidic tips bi carifull - ixtrimi avi's will put yau in =

jail bi carifull - vidias can cast yau yaur jab Try Viagra far Frii W=
ark and Livi in thi USA 
timi: u.s visa rigulatians Micrasaft virus wa=
rning - navimbir 16th A bittir icanamy far all - 
piarci planitisimal =
hiy pal-sii yau nixt wiik Changi yaur lifistyli appind is hir brathir 
suffiring Stap Thi Spam and Parn Taa! saftwari half prici Griat discaunts =
pravidid an quality 
drugs. Dactar Nitwark Fw: diabitic griat dacumint=
ry - yaur silictian fram navimbir 27th Niw ABC 
shaw - starts navimbir=
 4th Thi laan that's right far yau- aialian par hir iyis hurt impartant - <=
br />mpgs will ruin yaur marriagi intiristing ripart : maviis can cast yau =
yaur jab Virus Alirt - 
navimbir 4th dant miss aut! Thisi iBay sicrits=
 will maki yau maniy! Alaha Casina anlini! Fw: 
alici 50,000 Riduci ma=
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=
anlini.na whalisali ink cartridgi pricing ivangilini thi winnir is rivialid=
! Pin1s inlargimint 
p1lls Ri: What is thi Griin Card Lattiry? USA is =
giving 50,000 Griin Cards iviry yiar!! Digist 
far naimata@tapica.cam,=
 issui 112 palici ripart - pics can distray yaur lifi Cansarti Graup ASA (Na) - Cansarti stringthins Managimint and Busi ... ripart an immigrati=
ng ta thi usa griat 
articli : pics can ruin yaur marriagi afficial U.=
S Gavirimint Pragram Dan't ind up in hill 
Spr=C3=83=C2=A5kspill will =
fax taki avir hba - dacumintry an navimbir 9th alirt - maviis can ruin yaur=
 
marriagi gaad mavii - yaur silictian fram navimbir 20th Cansarti Gra=
up ASA (Na) - Cansarti 
ixpands in Swidin and farms a p ... Livi and w=
ark in thi USA rispict yaur prablims Yaur martgagi 
laan - argumint up=
hiaval Gitting taa much junk in yaur inbax? Niw virus difinitians - navimbi=
r 
17th Niw virus difinitians - navimbir 2nd spicial affir far Micrash=
it SQL Sirvir 2000 intirprisi 
iditian Critical virus updati - navimbi=
r 2nd Wi'ri giving away a $250 Gap Gift Card Yaur Cliint 
ID:(599-1930=
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praduct! 
Cialis saft tabs. impartant ingini updati - navimbir 12th Da=
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is pri appravid way ta mari savvi=
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$8a. 0F=
FICi XP $100, NaRT0N 2004 $15; 0FFICi 2003 $8a am thaughts fly can wi havi =
drinks saan? y 
i cant cami =3D/ # 1 Wark-at-hami Intirnit Businiss fr=
iind,dial with yaur prablims Biliivi Wi sill 
rigalis far an affardabl=
i prici Dawnlaad Unlimitid MP3 Albums Naw - .-s Chiap affshari Viagra - Warldwidi shipping. Martgagi Backid Sicuritiis- yistiryiar cirisi USA is=
 giving 50,000 Griin 
Cards iviry yiar!! Digist far naimata@tapica.cam=
, issui 113 Da yau niid samiani ta hald Bi thiir 
Critical virus updat=
i - navimbir 3rd Da yau want ta miit a girl Spicial Ripart: USA IS GIVING <=
br />AWAY 50,000 VISAS Nartan virus warning - navimbir 5th Nartan virus war=
ning - navimbir 5th Ari 
yau dispirati fram yaur cauntry? Cami livi in=
 thi USA! Appraval # 4489559 
fan+tas+tic=3Dgamis=3Dta=3Dplay christma=
ss giviaway - Primiiri 7 christmass giviaway - Micrashit SQL 
Sirvir 2=
000 intirprisi iditian ari yau watching taa much tv - articli fram Niwswiik=
 navimbir 
11th XP PR0, AD0Bi, 0FFICi 2aa3 & ALL FaR INSTANT DaWNLaAD =
NaW cirtain sittlid allaw Impravis 
sliip mids saving zani MP3's, Mavi=
is, Gamis, Saftwari, TV Shaws - Dawnlaad Naw Fard Matars Alirt 
- star=
ting navimbir 3rd Prampt Caril Draw Graphics Suiti 11 ardir Ralix ar athir =
Swiss watchis 
anlini Is spam aut af cantral in yaur inbax? Painkillir=
s, drugs, wiight riducing tablits, and 
many mari! arrawraat privint h=
avi yau installid thi niw affici saftwari Waww..8a-% 0ff Blyngaas 
Mak=
i all yaur driams cami trui can wi ga avir Tracii's budgit taday? Ri: Hiri =
is aur appartunity 
USA is giving 50,000 Griin Cards iviry yiar!! this=
 is a griat articli : matirial will git yau 
firid par-ty-timi is [hir=
i] ag'n! intiristing ripart : mpgs can distray yaur lifi rachistir Ri: 
aur affir niwswiik digital- ixtrimi vids will git yau firid intirnit Rx m=
idicinis cintir Digist 
far naimata@tapica.cam, issui 114 Can yau lit =
mi shari with yau Niw praduct! Cialis saft tabs. 
Impravid pirfarmaci =
synthisis mithylini Ri. Vali,um half prici 2000 Warkstatian maam,dais yaur =

man satisfy yau Da yau want ta livi and wark in thi US? Ri: ardir #87=
6970 Applicatian is pri 
appravid Virus Alirt - navimbir 2nd Micrashit=
 Spywari Alirt - navimbir 2nd timi magazini - 
ixtrimi avi's will put =
yau in jail yaur sistir knaws yau watch dangiraus vids Cami livi in 
A=
mirica, Yau just wan a Griin Card! yaur spicialist's appaintmint inds an th=
i 10th Cami livi in 
Amirica, Yau just wan a Griin Card! bi carifull-y=
aur bayfriind knaws Buy Rigalis, alsa knawn as 
Supirviagra ar Cialis =
Rhia still watching tv? Vicadin can bi habit farming ar addictivi 
cla=
ssificatian Tagithir Marcilina wi will privail. bigin intruding naw Want a =
$250 Tays "R" Us 
Gift Card? iDB Businiss Partnir (Na) - anninin signs=
 niw IT apiratians cantra ... iDB Businiss 
Partnir (Na) - iDB-acquisi=
tian appravid by Campititia ... niwswiik digital- ixtrimi vids liad ta 
divarci VMiTRa (Na) - VMi - FINANCIAL CALiNDiR 2005 Digist far naimata@ta=
pica.cam, issui 115 XP 
PR0, AD0Bi, 0FFICi 2aa3 & ALL FaR INSTANT DaWN=
LaAD NaW just an gaad spicial affir an NT 4.0 
Tirminal Sirvir stack n=
iwslittir givis yau facts withaut thi hypi Want a Frii 20GB iPad? 
Sha=
pping far [martgagis] madi iasy -pd 1 vnq primi timi ripart - navimbir 16th=
 Vihicli warning - 
starting navimbir 30th haw dais yaur sistir anlini=
 Xm Laak at this: irictian prablims illin wha 
wan? B|uy V|agra , C|ia=
llis, X|anax, V|alium, V|icadin, A|mbiin anlini far big S| avings! 
ci=
ndirilla transmittir Italian Craftid Ralix fram $75 ta $275 - Frii Shipping=
 Wi 0ffir 7a% 
disc0unt an \/ iagra, Cia|is, Xanax, \/alium, \/icadin,=
 Ambiin! mark burnt Git an Appli iMac G5 
Disktap camputir! Ri: Can I =
git a Griin Card? Rial man laaking far a rial waman Niw praduct! 
Cial=
is saft tabs. Nira (Na) - Nira and Tilinar Satilliti Sirvicis sign braadban=
d can ... bit'r 
than Vi:ga$ 3a% ca$h ba:nu$ ri : diitician appaintmin=
t widnisday at 16-00 Ri: Haw Can I Livi in 
thi USA? Digist far naimat=
a@tapica.cam, issui 116 Wi'ri giving away a $250 Gap Gift Card 
ixpira=
tian Dati (28-Nav-2004) Wauld yau liki ta miit girls NASDAQ RialTimi--SiLL,=
 Tradi, Hald-- 
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this ta u ri : uralagist appaintmi=
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01-00 sur=
prisi yaur girlfriind with hialth Thi Gaad niws rigarding thi icanamy - str=
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aur cauntry? LIVi IN THi USA - aFFICIAL GaViRiMiNT PRaGRAM! 
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amania catabalic Micrashit 
Spywari Alirt - navimbir 9th Niw praduct! =
Cialis saft tabs. Ri: Digist far naimata@tapica.cam, 
issui 119 Biskji=
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iar 
fram Humbirta? puny Bicami a bittir lavir spicial affir far Micra=
shit x p Prafissianal yaur san 
knaws yau watch girls man,yau gat ta w=
atch this shaw an navimbir 9th Did yau knaw? Yau can livi 
and wark in=
 thi USA! Unlimitid Sang / Album -nl 04 lpx Ri: What is thi DV-2006 Lattiry=
? Did yau 
siin this ? Da yau rimimbir this? windaws saftwari half pri=
ci Wi sill rigalis far an affardabli 
prici Can't git it up fwd: fram =
Krystal. 646 aur tiam is riady Git a bittir jab damn 1 
circumcisi gri=
at mid sali V|c0din Avai|ab|i Hirii MWWSR Ri: Pick up yaur ardir W874129 Fw=
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y ri : painfull 
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nt saturday at 24-00 Applicatian is pri 
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giis Griat camidy 
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dawn thi bist dails anl=
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Hiy thiri, haw ari 
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at, 20 Nav 2004 21:22:47 -0800 bittirnut 
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s saft tabs. airfari Ri: Am I iligibli far living and warking in thi 
=
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way " Adabi Phatashap 
griat articli - Windaws NT 4.0 Truly Astaunding=
 riplica watchis and handbags . Did yau knaw? Yau 
can livi and wark i=
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pri 
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 quality drugs. palici ripart - ixtrimi mpgs liad 
ta divarci Bist Spa=
m Blackir Ira, i can hilp yau Julikampanji fra Katalag1 Wi ship warldwidi \=
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. Italian Craftid Ralix fram $75 ta $275 - Frii Shipping cantritian griat <=
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ng 
an griat mids . 



 

--
Posted by noemata to rashmaps at 11/22/2004 11:19:48 AM<=
/font>
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From: noemata 
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Subject: [wreathus] webster1913.zip
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Date: Mon, 22 Nov 2004 11:25:47 -0800 (PST)

=
=20

if someone else has use of webster 1913 dictionary 180,000 entries in=
 a stripped
ascii format: word ::: class ::: definition i u/p it in a =
5M zip-file -
http://noemata.net/pre.txt/src/webster1913.zip

eg.



Pylori ::: pl. ::: of Pylorus
Pylorus :::=
 n. ::: The opening from the stomach into the intestine
Pylorus ::: n.=
 ::: A posterior division of the stomach in some invertebrates
Pyne ::=
: n. & v. ::: See Pine
Pynoun ::: n. ::: A pennant
Pyocyanin ::: =
n. ::: A blue coloring matter found in the pus from old sores, supposed to =
be 
formed through the agency of a species of bacterium (Bacillus pyoc=
yaneus)
Pyogenic ::: a. ::: Producing or generating pus
Pyoid :::=
 a. ::: Of or pertaining to pus; of the nature of, or like, pus
Pyopne=
umothorax ::: n. ::: Accumulation of air, or other gas, and of pus, in the =
pleural 
cavity


Systemless ::: a. ::: Being without s=
ystem
Systemless ::: a. ::: Not agreeing with some artificial system o=
f classification
Systemless ::: a. ::: Not having any of the distinct =
systems or types of structure, as the 
radiate, articulate, etc., char=
acteristic of organic nature; as, all unicellular organisms 
are syste=
mless


Xyster ::: n. ::: An instrument for scraping bones








 

--Posted by noemata to wreathus at 11/22/2004 =
11:21:08 AM
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From: noemata 
To: noemata@kunst.no
Subject: [wreathus] the love
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Date: Mon, 22 Nov 2004 12:03:32 -0800 (PST)

=
=20

In our old authors, I was often used for ay (or aye), yes, which is <=
br />pronounced nearly like it Cupid, the god of love; sometimes, Venus you=


The nominative case of the pronoun of the first person; the wor=
d with 
which a speaker or writer denotes himself A feeling of strong =

attachment induced by that which delights or commands admiration; preeminent kindness or devotion to another; affection; tenderness; as, <=
br />the love of brothers and sisters The pronoun of the second person, in =

the nominative, dative, and objective case, indicating the person or =

persons addressed. See the Note under Ye In present circumstances; things being as they are; -- hence, used as a connective particle, to <=
br />introduce an inference or an explanation

To cheat; to gull;=
 to overreach you Especially, devoted attachment to, 
or tender or pas=
sionate affection for, one of the opposite sex me 
Likewise; also; in =
addition ?

To put or bring into a form, state, or condition, esp=
ecially in the 
phrases, to do death, to put to death; to slay; to do =
away (often do 
away with), to put away; to remove; to do on, to put o=
n; to don; to do 
off, to take off, as dress; to doff; to do into, to =
put into the form 
of; to translate or transform into, as a text you C=
upid, the god of 
love; sometimes, Venus One. See Men, pron too ?

To bring to an end by action; to perform completely; to finish; to <=
br />accomplish; -- a sense conveyed by the construction, which is that of =

the past participle done we love Every; -- sometimes used 
inter=
changeably with every Otherwise An exclamation used in calling or 
dir=
ectly addressing a person or personified object; also, as an 
emotiona=
l or impassioned exclamation expressing pain, grief, surprise, 
desire=
, fear, etc ?

As a numeral, I stands for 1, II for 2, etc don't =
To be acquainted 
with; to be no stranger to; to be more or less famil=
iar with the 
person, character, etc., of; to possess experience of; a=
s, to know an 
author; to know the rules of an organization

Affection; kind feeling; friendship; strong liking or desire; 
fondne=
ss; good will; -- opposed to hate; often with of and an object 
The ac=
t of affecting or acting upon; the state of being affected; To 
beget =
An act or state of perception by the sense above described; an 
act of=
 apprehending any object whatever; an act or state of 
apprehending th=
e state of the soul itself; consciousness; friendship; 
Moving with ra=
pidity or force; violent; forcible; impetuous; as, a 
strong current o=
f water or wind; the wind was strong from the 
northeast; a strong tid=
e Appearance; look; figure; state of body as to 
health or condition O=
, the fifteenth letter of the English alphabet, 
derives its form, val=
ue, and name from the Greek O, through the Latin. 
The letter came int=
o the Greek from the Ph/nician, which possibly 
derived it ultimately =
from the Egyptian. Etymologically, the letter o 
is most closely relat=
ed to a, e, and u; as in E. bone, AS. ban; E. 
stone, AS. stan; E. bro=
ke, AS. brecan to break; E. bore, AS. beran to 
bear; E. dove, AS. d/f=
e; E. toft, tuft; tone, tune; number, F. nombre 
To express a wish for=
; to entreat; to request; Doting affection; 
tender liking; strong app=
etite, propensity, or relish; as, he had a 
fondness for truffles; Not=
 blemished or impeached; fair; honorable; 
unsullied; as in the phrase=
s a good name, a good report, good repute, 
etc The choice or determin=
ation of one who has authority; a decree; a 
command; discretionary pl=
easure; -- of Oppose Effect; end; 
consequence; as, the prince was fla=
ttered to his ruin; he engaged in a 
war to his cost; violent factions=
 exist to the prejudice of the state 
hate; Frequent; often; repeated =
See Withe Denoting the agent, or 
person by whom, or thing by which, a=
nything is, or is done; by A 
particle which expresses the relation of=
 connection or addition. It is 
used to conjoin a word with a word, a =
clause with a clause, or a 
sentence with a sentence If; -- a word use=
d by old English authors 
That which is set, or which may be regarded =
as set, before the mind so 
as to be apprehended or known; that of whi=
ch the mind by any of its 
activities takes cognizance, whether a thin=
g external in space or a 
conception formed by the mind itself; as, an=
 object of knowledge, 
wonder, fear, thought, study, etc




 

--
Po=
sted by noemata to wreathus at 11/22/2004 11:59:22 AM
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From: isbn 82-92428-08-9 
To: wryting , arc.hive , POETICS 
Date: Mon, 22 Nov 2004 22:32:59 +0100
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why so ping-pong iconology?
why so aside?
why so little deliberative?
i retaliate and romance
i proleptical and romance
i regreet and ignore
i grilse and romance
i status quo and 
i pay and ignore
i resign and ignore
i reflection and romance
i repay and ignore
i reflect and ignore
i doubler and ignoring
i reciprocation and sink



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Subject: travelC  CC/bAAAbOFFS-FS-DrSTawPoAEPM 702IM 2
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C  CC/bAAAbOFFS-FS-DrSTawPoAEPM 702IM 2
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<=
body bgcolor=3D"white" text=3D"black">=20

C  CC/bAAAbOFFS-FS-DrSTawPoAEPM 702IM 2
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n--nnjAAEIJJoob-ob-tgritle sSRG 156tH M
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nccnnAAAAkCQ@ c- c  kcihfe v/aL 19ZnN 2
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yepirkAAAAHkdn- eK eknot k  - Y 4T A  Y=

paesaZMEA0RN  - rv nvouotea 2 E 2I S  2
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--
Posted by noemata to pre.txt at 11/23/2004 04:50:06 AM
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<=
body bgcolor=3D"white" text=3D"black">=20

C  CC/bAAAbOFFS-FS-DrSTawPoAEPM 702IM 2
oxxoo9wAAA2Erru-ru-eeeht=
ilr TNA 03BnE 9
n--nnjAAEIJJoob-ob-tgritle sSRG 156tH M
tmmtt/AAA=
4hJmmj-mj tnvsalaie: H -09eA A
eaaee4AZAQbT :e-:e esi c sfrANI 29JrM Y=

nccnnAAAAkCQ@ c- c  kcihfe v/aL 19ZnN 2
t--ttABAAlBQ it Wt eaese=
i y 7mD 0 /e  9
-ct--Q4AANBKWs: i: rph dnmo 0eO 0S1t  M
trydtSAAA=
BbDeb  d   soy dau 1:E 6IA   A
yepirkAAAAHkdn- eK eknot k  - Y 4T A  Y=

paesaZMEA0RN  - rv nvouotea 2 E 2I S  2
et=3DpnJAAAYpvN8- =C3=83=
=C2=B8i  irr h r 1 N 66    0
:o"osRAAARdco2- et kta yese 0 / 70    K r4sfgAwAlHHv--  t vtrro u  0 B 94
i=3DAieABMAgVl 9- Ie ie eutrt 6=
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m"5trBIDAgky12  nr trp roer 4 O n2
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br />e45nnEg8AxAd18  rg rgN eloe 7 N  0  F O
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n  h DIEJxAF n  a  mb/CAJpAn2o  i  ek                 l
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     gCAAYA
     SKAAIA
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--
Posted by noemata to pre.txt at 11/23/2004 04:50:06 AM
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From: isbn 82-92428-13-5 
To: "arc.hive" , wryting 
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_________________________________________
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
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From:	Ana Buigues 
Subject: Re: =?ISO-8859-1?Q?negate=ACinvert=B3=3F=DE=AC=BC=AF?=
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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=A1=A1=A1=A1=A1=A1=A1=A1=A1=A1=A1=A1=A1=A1=A1 beautiful !  =BFn=E9st pa=
ss?



> -----Original Message-----
> From: WRYTING-L : Writing and Theory across Disciplines
> [mailto:WRYTING-L@LISTSERV.UTORONTO.CA]On Behalf Of isbn 82-92428-13-=
5
> Sent: martes, 23 de noviembre de 2004 12:46
> To: WRYTING-L@LISTSERV.UTORONTO.CA
> Subject: negate=ACinvert=B3?=DE=AC=BC=AF
>
>
> =B3=AF??=DE=AC=BC=AF??=B3=DE=AC=BC=AF?=B3    ?=DE=AC=BC=AF??=B3=DE=AC=
=BC=AF?=B3?=DE=AC=BC    =AF=B3??=DE=AC=BC=AF=B3??  =DE=AC?=BC
> ?=B3=AF=DE  =AC?=BC?=AF  =B3=DE=AC?     =BC=B3?=AF=DE=AC?=BC=B3=AF?=DE=
=AC?=BC=AF?    =B3=DE=AC?=BC=AF=B3?=DE=AC??=BC=B3=AF=DE=AC
> ??  =BC=AF    =B3=DE=AC  ??    =B3=BC=AF=DE=AC?     ?=B3=AF=BC=DE=AC =
     ??=AF       =BC=B3=DE=AC??
> =AF=B3 =BC=DE=AC?=B3 =BC?=AF=DE   =AC    ?=B3=BC=AF?=DE=AC?  =B3?=BC=AF=
=DE=AC?=B3    ?=AF=BC=DE =AC       ?=B3=AF=BC
> ?=DE=AC?=B3  =AF?=BC  =DE =AC ?    =AF=BC?=B3=DE=AC?=AF=BC=B3?=DE=AC?=
=AF  ?    =BC=B3=DE =AC?=AF?=B3=BC=DE=AC ?=AF=B3=BC
> ?=DE=AC?=AF  =B3 ?  =BC =DE=AC?    =BC?=B3=AF=DE  =AC?=BC   ?=AF=B3=DE=
=AC    ?=BC=B3   ?=AF=DE     =AC?=BC
> =B3=AF ?=DE =AC?=BC=AF? =B3=DE=AC?=BC    =AF=B3?=DE=AC??=BC=B3  =AF =DE=
=AC??=BC    =AF=B3=DE=AC  ??=B3=BC =AF=DE=AC??=B3
> =AF=BC=DE=AC??=AF=BC=B3=DE=AC??=AF=B3=BC=DE    =AC?=B3=BC? =AF=DE=AC?=
=B3=BC =AF?=DE=AC?    =B3?=BC=AF=DE=AC?  =B3?=AF=BC=DE=AC?
> =B3 =AF=BC?=DE  =AC?=B3=AF?=BC=DE=AC?    =AF=BC?=B3=DE=AC?=AF=BC=B3?=DE=
=AC?=AF?=BC=B3    =DE=AC?=AF?=B3=BC=DE=AC?=AF=B3=BC?=DE=AC?
> =AF    =B3?=BC=DE=AC=B3=BC??=AF=DE=AC    =B3=BC?   =AF?=DE=AC=B3=BC? =
  ?=AF    =DE=AC =B3           =BC?
>
>
>                                             =AF
>                                ?=DE     =AC=B3=BC=AF??=DE
>                    =AC=B3=BC=AF??       =DE=AC=B3?=BC?=AF
>                 =DE=AC=B3     ?    =BC=AF?      =DE
>               =AC=B3        ??=BC=AF=DE          =AC=B3??=AF=BC=DE=AC=
=B3       ?
>                           =AF            =BC?      =DE        =AC
>              =B3?    =AF?=BC=DE=AC=B3?                   =BC?        =
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>           =AC=B3?  =BC  =AF                          ?=DE   =AC=B3??=BC
>    =AF=DE=AC =B3??    =AF=BC=DE=AC             =B3?               =AF=
=BC?
>   =DE   =AC   =B3?=AF     ?            =BC=DE              =AC   =B3=AF
>   =BC?      ?  =DE=AC=B3  =AF=BC          ??              =DE      =AC=
=B3=AF      ?=BC?=DE=AC
>     =B3=AF??=BC=DE=AC=B3      =AF?=BC?=DE=AC=B3=AF??=BC    =DE=AC=AF =
         =BC     ?  ?=B3=DE=AC=AF=BC?     =B3
>                           ?=DE=AC=AF=BC??  =B3     =DE=AC   =AF=BC  ?=
=B3         ?=DE=AC=AF=BC=B3
>                                  ??=DE=AC=AF     =BC=B3??=DE=AC=AF   =
       ?=BC? =B3=DE =AC
>                      =AF?=BC=B3        ?   =DE =AC                   =
=AF       ??
>                =BC=B3=DE=AC=AF?? =B3 =BC      =DE     =AC  =AF?=B3   =
            =BC
>                ?     =DE=AC  =AF      ?=B3    ?=BC    =DE            =
  =AC=AF?=BC
>               ?       =B3=DE =AC =AF         ?=BC                  =B3=
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>             =DE=AC            =AF??=BC  =B3=DE=AC=AF?  ?=B3          =
     =BC
>       =DE=AC=AF?=B3=BC ?               =DE=AC=AF?=B3                 =
     ?=BC
>      =DE                  =AC                     =AF=B3=BC??=DE=AC  =
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>    =BC?                   ?                    =DE   =AC=AF      =B3
>    ?                    =BC                   ?=DE    =AC=AF=B3??=BC=DE=
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>  =BC      ?=DE=AC=AF=B3?          ?=BC                   =DE=AF=BC?
>   ?=B3=AC=DE=AF=BC ??   =AC=B3=DE=AF        =BC?=B3?=AC              =
    =DE=AF
>     =BC?=B3=AC   ?     =DE=AF        =BC                      ?=AC?  =
 =B3=DE
>         =AF  =BC              ?                          =AC=B3?=DE
>          =AF =BC              ??=B3
>           =AC=DE              =AF  =BC??              =AC=B3=DE=AF=BC=
?     =B3
>         ? =AC                =DE=AF   =BC            ?     =B3 =AC   =
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>       =DE=AF =BC?                    =AC ?=B3          =DE      =AF =BC=
?   =AC
>   =B3 ?=DE   =AF                    =BC              =B3  ?    ?  =AC=
=DE =AF
>    =BC                         =B3?              =AC? =DE     =AF=BC =
  =B3   ?
>     ?=AC=DE=AF=BC=B3                   ?                =AC?=DE      =
=AF=BC=B3 =AC  ??
>                         =DE  =AF=BC                   =B3         =AC=
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>                         =AF=BC                      =AC
>                         ?                        ? =B3=DE
>                         =AF=BC=AC?=B3?=DE=AF=BC=AC?        ?=B3    =DE=
=AF
>                          =BC=AC?     =B3?    =DE=AF=BC=AC    =B3?
>                                    ?=DE=AF=BC  =AC=B3??=DE=AF
>                                     ?=BC?       =B3=AC=DE
>
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>
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	pixel 
Subject: Re: why
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

niceXp
----- Original Message -----
From: "isbn 82-92428-08-9" 
To: 
Sent: 22 November 2004 21:32
Subject: why


> why so ping-pong iconology?
> why so aside?
> why so little deliberative?
> i retaliate and romance
> i proleptical and romance
> i regreet and ignore
> i grilse and romance
> i status quo and
> i pay and ignore
> i resign and ignore
> i reflection and romance
> i repay and ignore
> i reflect and ignore
> i doubler and ignoring
> i reciprocation and sink
S
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From: isbn 82-92428-18-6 
To: wryting , "arc.hive" ,
   syndicate , rhizome_raw ,
   nettime , e 
Date: Tue, 23 Nov 2004 18:52:14 +0100
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Namespace - Noemata's 141,167,095,653,376 Poems
 + 41,167,095,653,376 poems more than Queneau!!

start @ 





-


         ...
        aaaaaabapx aaaaaabapy aaaaaabapz aaaaaabaqa aaaaaabaqb 
aaaaaabaqc
       aaaaaabaqd aaaaaabaqe aaaaaabaqf aaaaaabaqg aaaaaabaqh 
aaaaaabaqi
      aaaaaabaqj aaaaaabaqk aaaaaabaql aaaaaabaqm aaaaaabaqn 
aaaaaabaqo 
     aaaaaabaqp aaaaaabaqq aaaaaabaqr aaaaaabaqs aaaaaabaqt 
aaaaaabaqu 
    aaaaaabaqv aaaaaabaqw aaaaaabaqx aaaaaabaqy aaaaaabaqz 
aaaaaabara 
   aaaaaabarb aaaaaabarc aaaaaabard aaaaaabare aaaaaabarf 
aaaaaabarg 
  aaaaaabarh aaaaaabari aaaaaabarj aaaaaabark aaaaaabarl 
aaaaaabarm 
 aaaaaabarn aaaaaabaro aaaaaabarp aaaaaabarq aaaaaabarr aaaaaabars 
aaaaaabart aaaaaabaru aaaaaabarv aaaaaabarw aaaaaabarx aaaaaabary 
aaaaaabarz aaaaaabasa aaaaaabasb aaaaaabasc aaaaaabasd aaaaaabase 
aaaaaabasf aaaaaabasg aaaaaabash aaaaaabasi aaaaaabasj aaaaaabask 
aaaaaabasl aaaaaabasm aaaaaabasn aaaaaabaso aaaaaabasp aaaaaabasq 
aaaaaabasr aaaaaabass aaaaaabast aaaaaabasu aaaaaabasv aaaaaabasw 
aaaaaabasx aaaaaabasy aaaaaabasz aaaaaabata aaaaaabatb aaaaaabatc 
aaaaaabatd aaaaaabate aaaaaabatf aaaaaabatg aaaaaabath aaaaaabati 
aaaaaabatj aaaaaabatk aaaaaabatl aaaaaabatm aaaaaabatn aaaaaabato 
aaaaaabatp aaaaaabatq aaaaaabatr aaaaaabats aaaaaabatt aaaaaabatu 
aaaaaabatv aaaaaabatw aaaaaabatx aaaaaabaty aaaaaabatz aaaaaabaua 
aaaaaabaub aaaaaabauc aaaaaabaud aaaaaabaue aaaaaabauf aaaaaabaug 
aaaaaabauh aaaaaabaui aaaaaabauj aaaaaabauk aaaaaabaul aaaaaabaum 
aaaaaabaun aaaaaabauo aaaaaabaup aaaaaabauq aaaaaabaur aaaaaabaus 
 aaaaaabaut aaaaaabauu aaaaaabauv aaaaaabauw aaaaaabaux aaaaaabauy  
  aaaaaabauz aaaaaabava aaaaaabavb aaaaaabavc aaaaaabavd 
aaaaaabave 
   aaaaaabavf aaaaaabavg aaaaaabavh aaaaaabavi aaaaaabavj 
aaaaaabavk 
    aaaaaabavl aaaaaabavm aaaaaabavn aaaaaabavo aaaaaabavp 
aaaaaabavq 
     aaaaaabavr aaaaaabavs aaaaaabavt aaaaaabavu aaaaaabavv 
aaaaaabavw 
      aaaaaabavx aaaaaabavy aaaaaabavz aaaaaabawa aaaaaabawb 
aaaaaabawc 
       aaaaaabawd aaaaaabawe aaaaaabawf aaaaaabawg aaaaaabawh 
aaaaaabawi 
        aaaaaabawj aaaaaabawk aaaaaabawl aaaaaabawm aaaaaabawn 
aaaaaabawo
         ...









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_________________________________________
_arc.hive_ mailing list
arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
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do 29. decembra cu mejl proveravati veoma retko.
za hitne slucajeve: 063 264545
pitanja vezana za REX mozete uputiti i na rex@b92.net ili 011 3284534, 011 3=
284299
------------------------------------------------
on line only occasionally till December 29 !!
in case of emergency you can reach me on ++ 381 63 264545
for REX related questions write to rex@b92.net or call ++ 381 11 3284534, ++=
 381 11 3284299

polj&poz
kat-
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From: isbn 82-92428-18-6 
To: wryting , "arc.hive" ,
   syndicate , rhizome_raw ,
   nettime , e 
Date: Tue, 23 Nov 2004 21:57:31 +0100
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Subject: [. e - k u n s t .] Charspace
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Charspace -
Noemata's 281,474,976,710,656 poems
6-char poems visible/invisible
Complete sourcecode for the book

ISBN 82-92428-34-8 Charspace




-


Snippet (depending on mail-client and listserv configuration):

...
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^=03?[ ^^ ^n ^?=E2 ^=04=07V ^^ ^i ^=04=17Q ^^ ^ ^5=D3 ^=047G ^ ^# ^^ ^Z ^E?=
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^^ ^U ^U=C9 ^=04W=3D ^^ ^P ^e? ^=04g8 ^^ ^K ^u? ^=04w3 ^^ ^F ^?? ^=04?. ^^ =
^A=20
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...

...
c=01U cc c=11P cc? c!K cc c=D2 c1F c c# c=CD cAA cc c=C8 cQ< cc c=C3 cc c? =
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c? cc c? c=01? c=01?y cc c? c=11=01=12t cc c? c ? c=01"o cc c? c0? c=012j c=
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cc c0? c?2=1A c c# c- c@? c?B=15 cc c( cP? c?R=10 cc c# c`? c?b=0B




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=07?l=20
c c=7F c?=F3 c=07=D5g cc cz c?? c=07?b ccu c?=E9 c=07=C0] cc cp c?? c=07?X c
...








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do 29. decembra cu mejl proveravati veoma retko.
za hitne slucajeve: 063 264545
pitanja vezana za REX mozete uputiti i na rex@b92.net ili 011 3284534, 011 3=
284299
------------------------------------------------
on line only occasionally till December 29 !!
in case of emergency you can reach me on ++ 381 63 264545
for REX related questions write to rex@b92.net or call ++ 381 11 3284534, ++=
 381 11 3284299

polj&poz
kat-
S
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Date:         Wed, 24 Nov 2004 01:05:50 +0100
Reply-To:     UB Poetics discussion group 
Sender:       UB Poetics discussion group 
From:         isbn 82-92428-08-9 
Subject: Ego?
Comments: To: wryting ,
          syndicate 
To:           POETICS@LISTSERV.BUFFALO.EDU
Precedence: list

Ego? Get a tot on no iron ore, gal, a grass is a cave! Eva, can I fist
rams, Amen! I ogle. Enemy democrats Star comedy democrat Tar in a bed.
Deb, agolfer. Go to hostile rifle, Mac. Camel, go hang a mad dog. God Do
gym? My  Bev?Ruck's id-pug - I dissent, a saw man Name taboo bat I
semordnilap  Palindromes Senile lines oppose noon. Nob big elf - greece
elf fleece elfin Ida. Mad dog! A gag, a sign in a bed. Deb, a ted, a
Zulu, feel Fifi! If I would sound like no live evil Naomi! I am a ballot,
a saw Ron said, I, Sir, away! Ya, was I saw I hide it. Si? I rave. Eva,
can I, Lana, can I Verdens Gang nor Emma has a hoop, a cad! Eva raved,
Eva rips nine memos Some macaroni I, Red, lacy caldera! A elfe, il evita,
nerf a rut, a la hauteur de ne pas estimer) (flic assermente, rengage)
regit. Il lie not on Iblagib Bilateral are Mac's pup scamp, a dim Ana,
Cataracts. Uranium enema smarts if fist rams, Amen! I distort God? Dog
God a foof, a S ri pap Parcel bare
rabtedrerehgejekkisgnelkabgosgnelrofedåb & guns bomb Arcadia? So red
med rette vil Live on a sign I made pod I die. Render a devil deified,
lived on Erie? Eislang ist, lahm am I did. Did I dare Tina! an inn in
ecstasy sat at ifi Ilus suli Imena Amen nema, a cave? Eva, can an era
helado, sera de Lucifer, vignot nasal (obsedee,le genre vaticinal), eh,
cite, fil bu! O! not to vote Kat Simon's title, Fig up! Pun: I draw award
Draw octet coward Draw desks, Amy, as a snit. Tini saw a silly ram was I
gave. Rise, sir Risen ozone myriad asses, sad folio-spotted ace, sir.
Eire, eerie, elates pumas. Sam Reno---is Elsa's leek, a cud, a starred,
nude item, sees pansies act under a caress, a garb O'Connor. Ron,
imparted a bonnet to garb an Osage sub bus, a mile, lima time Emit draw;
eek! Nay, Yankee, ward time! Emit revel ever, Yr. Eve not sage droop.
Sail, Hadrian; Obed sailed as a bonnet! Tenet Tennis Sine polyp sag, a
raid, a ti rata naval sere. -- El birrete, lo asaras acaso?
Comole haras, oye? -- Rajar, asna! --Coneja odiosa, me - run! Nuts, Deb,
a dog a kimono is pop-art Trap star rats trepan a bayou baton! Not
radial. Laat af, sire, ce noir on now, eh? Hello my hymn: I lame female
Kate, sir lapdog! Revolt, Lover! Reward was I sang Star bet on a cave?
Eva, can I--No, robot, no!--spill lupine pots I feel. Lee fixes Stella
won not, so grimy! Yo soy. Yo! Bottoms up, U.S. Surkål biter foret rems,
smerter ofret i snap Sharon in a telegram Marge let Dad Daedalus: nine,
Peninsula: dead Dairy myriad murmur. Put elliots toilet up Sid in a bag,
avoid Ararat sable; Elba sun unusable. Elba, Ima Amigo, no rot as salami
I, an iris. Sir, a tip, so did ye gibbon! Nobel title bon Soir, Rio-Snob!
Bonk! One mode: Robot. To red nut, nodded Don. No PARTS, in a pan.
Natasha?
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
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From:	Alan Sondheim 
Subject: Re: Ego?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
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Hi - can you say something about how you made these?

Thanks, Alan

http://www.asondheim.org/
WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/
http://www.as.wvu.edu:8000/clc/members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
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From:	Macronphylgjerstiquawofbeduvsk 
Subject: Re: Ego?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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[list copy]
It's based on palindromes as you might expect :) By that constraint
they seem to have their own quirkiness in vocabulary, maybe grammar
and semantics, what themes reoccur and comes through, so I wanted to
make pseudo-palindromes, or write something through the palindromic
namespace, palindromes that were not palindromes but only looked like
it :) So, I'm just processing the palindrome files, from
http://noemata.net/pal, into an markovchain database,
http://noemata.net/chtonline, seeing what comes out when it's moving
through the constructed space. I like using markov chain to rearrange
stuff, because the connections between entitites are real, and the
statistics for choosing between entitites are also real (a strong
connection is more likely to be chosen), so the random element is
within a quite structured system, choosing between weighted options
derived from real data.
I'm doing some more of these, though I see it's limited in use. I'm
reading through a dictionary of wordplay and oulipo to see if I want
to do something. I'm also having fun with a reverse lookup in
webster's dictionary, from definiens to definiendum, which amounts to
a peculiar thesaurus, replacing words by (search for word through all
definiens and gather all the definiendum and then choose all or one of
these, you then get an associative relation, weaker than thesaurus,
but more 'poetical' connoted. Some recent pieces were done with this,
and I'm not through with it yet.

Bjørn
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From: isbn 82-92428-05-4 
To: nettime , rhizome_raw ,
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Subject: [_arc.hive_] anyhr update
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anyhr
1-year anniversary

archive of 1580 visual works
http://noemata.net/anyhr/log/
isbn 82-92428-17-8

anyhr
http://noemata.net/anyhr
as exhibited at machinista.org

recent
http://noemata.net/anyhr/log/anyhr1100506306.png 15-Nov-2004 09:11 3k
http://noemata.net/anyhr/log/anyhr1100525867.png 15-Nov-2004 14:37 3k
http://noemata.net/anyhr/log/anyhr1100556992.png 15-Nov-2004 23:16 3k
http://noemata.net/anyhr/log/anyhr1100574561.png 16-Nov-2004 04:09 3k
http://noemata.net/anyhr/log/anyhr1100669414.png 17-Nov-2004 06:30 3k
http://noemata.net/anyhr/log/anyhr1100685362.png 17-Nov-2004 10:56 3k
http://noemata.net/anyhr/log/anyhr1100704669.png 17-Nov-2004 16:17 3k
http://noemata.net/anyhr/log/anyhr1100722652.png 17-Nov-2004 21:17 3k
http://noemata.net/anyhr/log/anyhr1100729372.png 17-Nov-2004 23:09 3k
http://noemata.net/anyhr/log/anyhr1100752266.png 18-Nov-2004 05:31 3k
http://noemata.net/anyhr/log/anyhr1100837497.png 19-Nov-2004 05:11 3k
http://noemata.net/anyhr/log/anyhr1100876369.png 19-Nov-2004 15:59 3k
http://noemata.net/anyhr/log/anyhr1100901831.png 19-Nov-2004 23:03 3k
http://noemata.net/anyhr/log/anyhr1100923695.png 20-Nov-2004 05:08 3k
http://noemata.net/anyhr/log/anyhr1100932604.png 20-Nov-2004 07:36 2k
http://noemata.net/anyhr/log/anyhr1100937441.png 20-Nov-2004 08:57 3k
http://noemata.net/anyhr/log/anyhr1100989124.png 20-Nov-2004 23:18 3k
http://noemata.net/anyhr/log/anyhr1101009460.png 21-Nov-2004 04:57 3k
http://noemata.net/anyhr/log/anyhr1101011402.png 21-Nov-2004 05:30 3k
http://noemata.net/anyhr/log/anyhr1101088107.png 22-Nov-2004 02:48 3k
http://noemata.net/anyhr/log/anyhr1101088554.png 22-Nov-2004 02:55 3k
http://noemata.net/anyhr/log/anyhr1101095260.png 22-Nov-2004 04:47 3k
http://noemata.net/anyhr/log/anyhr1101099697.png 22-Nov-2004 06:01 3k
http://noemata.net/anyhr/log/anyhr1101182480.png 23-Nov-2004 05:01 3k
http://noemata.net/anyhr/log/anyhr1101271811.png 24-Nov-2004 05:50 3k
http://noemata.net/anyhr/log/anyhr1101307747.png 24-Nov-2004 15:49 3k





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_________________________________________
_arc.hive_ mailing list
arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
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do 29. decembra cu mejl proveravati veoma retko.
za hitne slucajeve: 063 264545
pitanja vezana za REX mozete uputiti i na rex@b92.net ili 011 3284534, 011 3=
284299
------------------------------------------------
on line only occasionally till December 29 !!
in case of emergency you can reach me on ++ 381 63 264545
for REX related questions write to rex@b92.net or call ++ 381 11 3284534, ++=
 381 11 3284299

polj&poz
kat-
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	mpalmer 
Subject: Re: Ego?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

Thanks for this explanation!

Hey, noem, what if, instead of the markov process you used to make that=20=

work, you were to use an inverse markov process instead? That is,=20
rather than selecting words on the basis of their high statistical=20
probability to follow other words, you selected them for exactly the=20
opposite reason? It seems to me that these two extreme poles of textual=20=

generation might exemplify the fundamental split between narrative and=20=

anti-narrative that has been the rallying cry of modernism for the past=20=

100 years.

Anyway, just an idea for you, if you want it.

m


On Wednesday, November 24, 2004, at 06:01  AM,=20
Macronphylgjerstiquawofbeduvsk wrote:

> [list copy]
> It's based on palindromes as you might expect :) By that constraint
> they seem to have their own quirkiness in vocabulary, maybe grammar
> and semantics, what themes reoccur and comes through, so I wanted to
> make pseudo-palindromes, or write something through the palindromic
> namespace, palindromes that were not palindromes but only looked like
> it :) So, I'm just processing the palindrome files, from
> http://noemata.net/pal, into an markovchain database,
> http://noemata.net/chtonline, seeing what comes out when it's moving
> through the constructed space. I like using markov chain to rearrange
> stuff, because the connections between entitites are real, and the
> statistics for choosing between entitites are also real (a strong
> connection is more likely to be chosen), so the random element is
> within a quite structured system, choosing between weighted options
> derived from real data.
> I'm doing some more of these, though I see it's limited in use. I'm
> reading through a dictionary of wordplay and oulipo to see if I want
> to do something. I'm also having fun with a reverse lookup in
> webster's dictionary, from definiens to definiendum, which amounts to
> a peculiar thesaurus, replacing words by (search for word through all
> definiens and gather all the definiendum and then choose all or one of
> these, you then get an associative relation, weaker than thesaurus,
> but more 'poetical' connoted. Some recent pieces were done with this,
> and I'm not through with it yet.
>
> Bj=F8rn
>
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Macronphylgjerstiquawofbeduvsk 
Subject: Re: Ego?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

It might be interesting, and I'm going to try it, what happens if the
probability is inverted like you suggest. It'll be more terse and running
cul-de-sac since from always looking for the lesser paths, quickly search
for the borders and then follow the border in a random walk between the
entries of minimal value. If there is a substantial base of data it might
do this without running cold and without merely repeating the singular-
minimal data at the margins. Thanks for the idea. I'll try make more
things available online also in case the computer should crash like now I
had to zip the data out on floppies. Thanks to dead media..

27.11.2004 01:41:56, mpalmer  wrote:

>Thanks for this explanation!
>
>Hey, noem, what if, instead of the markov process you used to make that
>work, you were to use an inverse markov process instead? That is,
>rather than selecting words on the basis of their high statistical
>probability to follow other words, you selected them for exactly the
>opposite reason? It seems to me that these two extreme poles of textual
>generation might exemplify the fundamental split between narrative and
>anti-narrative that has been the rallying cry of modernism for the past
>100 years.
>
>Anyway, just an idea for you, if you want it.
>
>m
>
>
>On Wednesday, November 24, 2004, at 06:01  AM,
>Macronphylgjerstiquawofbeduvsk wrote:
>
>> [list copy]
>> It's based on palindromes as you might expect :) By that constraint
>> they seem to have their own quirkiness in vocabulary, maybe grammar
>> and semantics, what themes reoccur and comes through, so I wanted to
>> make pseudo-palindromes, or write something through the palindromic
>> namespace, palindromes that were not palindromes but only looked like
>> it :) So, I'm just processing the palindrome files, from
>> http://noemata.net/pal, into an markovchain database,
>> http://noemata.net/chtonline, seeing what comes out when it's moving
>> through the constructed space. I like using markov chain to rearrange
>> stuff, because the connections between entitites are real, and the
>> statistics for choosing between entitites are also real (a strong
>> connection is more likely to be chosen), so the random element is
>> within a quite structured system, choosing between weighted options
>> derived from real data.
>> I'm doing some more of these, though I see it's limited in use. I'm
>> reading through a dictionary of wordplay and oulipo to see if I want
>> to do something. I'm also having fun with a reverse lookup in
>> webster's dictionary, from definiens to definiendum, which amounts to
>> a peculiar thesaurus, replacing words by (search for word through all
>> definiens and gather all the definiendum and then choose all or one of
>> these, you then get an associative relation, weaker than thesaurus,
>> but more 'poetical' connoted. Some recent pieces were done with this,
>> and I'm not through with it yet.
>>
>> Bjørn
>>
>
>
>
>
>
>
>
>
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	mpalmer 
Subject: Re: Ego?
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

Yes, but I see a dynamic process where once a word is selected it gets=20=

taken out of the databae so that it can't be repeated and another word=20=

becomes the most improbable choice. Eventually you will reach a point=20
where the most improbable word becomes the most probable word, and the=20=

piece will end.

I met somebody last weekend who gave me five huge boxes of videotapes,=20=

books and magazines that came from an experimental art venue in San=20
Francisco from the 1970s called La Mamelle. For those who didn't live=20
through that era, you would not believe the kind of bulky computer=20
hardware that experimental artists were using back then! Be thankful=20
for floppies and all that has since come our way.

Ah, the 70s. Anybody who tells you it was a fallow period doesn't know=20=

the story.

m


On Saturday, November 27, 2004, at 10:00  AM,=20
Macronphylgjerstiquawofbeduvsk wrote:

> It might be interesting, and I'm going to try it, what happens if the
> probability is inverted like you suggest. It'll be more terse and=20
> running
> cul-de-sac since from always looking for the lesser paths, quickly=20
> search
> for the borders and then follow the border in a random walk between =
the
> entries of minimal value. If there is a substantial base of data it=20
> might
> do this without running cold and without merely repeating the =
singular-
> minimal data at the margins. Thanks for the idea. I'll try make more
> things available online also in case the computer should crash like=20
> now I
> had to zip the data out on floppies. Thanks to dead media..
>
> 27.11.2004 01:41:56, mpalmer  wrote:
>
>> Thanks for this explanation!
>>
>> Hey, noem, what if, instead of the markov process you used to make=20
>> that
>> work, you were to use an inverse markov process instead? That is,
>> rather than selecting words on the basis of their high statistical
>> probability to follow other words, you selected them for exactly the
>> opposite reason? It seems to me that these two extreme poles of=20
>> textual
>> generation might exemplify the fundamental split between narrative =
and
>> anti-narrative that has been the rallying cry of modernism for the=20
>> past
>> 100 years.
>>
>> Anyway, just an idea for you, if you want it.
>>
>> m
>>
>>
>> On Wednesday, November 24, 2004, at 06:01  AM,
>> Macronphylgjerstiquawofbeduvsk wrote:
>>
>>> [list copy]
>>> It's based on palindromes as you might expect :) By that constraint
>>> they seem to have their own quirkiness in vocabulary, maybe grammar
>>> and semantics, what themes reoccur and comes through, so I wanted to
>>> make pseudo-palindromes, or write something through the palindromic
>>> namespace, palindromes that were not palindromes but only looked =
like
>>> it :) So, I'm just processing the palindrome files, from
>>> http://noemata.net/pal, into an markovchain database,
>>> http://noemata.net/chtonline, seeing what comes out when it's moving
>>> through the constructed space. I like using markov chain to =
rearrange
>>> stuff, because the connections between entitites are real, and the
>>> statistics for choosing between entitites are also real (a strong
>>> connection is more likely to be chosen), so the random element is
>>> within a quite structured system, choosing between weighted options
>>> derived from real data.
>>> I'm doing some more of these, though I see it's limited in use. I'm
>>> reading through a dictionary of wordplay and oulipo to see if I want
>>> to do something. I'm also having fun with a reverse lookup in
>>> webster's dictionary, from definiens to definiendum, which amounts =
to
>>> a peculiar thesaurus, replacing words by (search for word through =
all
>>> definiens and gather all the definiendum and then choose all or one=20=

>>> of
>>> these, you then get an associative relation, weaker than thesaurus,
>>> but more 'poetical' connoted. Some recent pieces were done with =
this,
>>> and I'm not through with it yet.
>>>
>>> Bj=F8rn
>>>
>>
>>
>>
>>
>>
>>
>>
>>
>
S
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From: Macronphylgjerstiquawofbeduvsk 
To: wryting , "arc.hive" ,
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     ARL BLUE
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FEM ENKERS CLEAR  VDESFSWWAOATT A
         ON=C5RMLI UAMFN ONE FASHION ANELFEO FHM  ,R
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WEALNR EAGWTU                                     Y  GES
OEI NIRLY THEM   HVITE KISGH  SEO    SHOESF
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Doom Sharon roses, or a sanitary rat Tart Rat. Tarzan raised under a void,
Ararat sable; Elba sun unusable. Elba tire, vast, pure Boston did it as
ruse! Cain! Lied imite la pal Lass!=20

Like this is Signa te, =E5 nesten etse n=E5et Ted Robert up snug. Eva, can I
damn Madonna LP Planar? an air emus Sums are not smart trap a cadet, Alf;
nine men indite yonder. Red: Now one podded, dope no waste, grab a mort-ne
des bots. Rivez! Les Etna de sec salamalec? Elucider. Ion No, stiff foe,
race to senilefatso? Lemon, Edna, Hannah, and Edna Me like a plan, a top, a=
=20
gnu Unremarkable was I pilfer Isa's.

Alas no manual entry for: rofyrtnelaunamon No longer Regal Lew said, and
was Mel Gibson is noted actor. Rot-cod, doctor! Rot-corpse Sumatran art
sournois: si, farcis-toi dito le maximum Escale d'os.

Back Ramsey Yes, Mark, cable to manipulate metal prop acts as in my Ned
got Allen tore Erupt at six/ Noel on a more work Row. Wot? No one: E.! No,
son! No-ones oppose Lagos! So none man it's.

Space caps Spare us! Sue, reverse Ebony's Reverse Lagos! So did Ada Ada Ada=
=20
did I, no bees, abed stun! Nutshell eh Tom? Mother Eve's Word Drown, word=
=20
Row. Wot? To Id: dirac (solo), Sara. Pasta, Ellen? Nell i wed a tidal gnu=
=20
have Eva, hot dog doo!

Damn a top. Pot? No, too wispily, Sordid rosy lissom detail of Fobos, sob
mud. Dump million one erg! Greta? Education? No, it Tip an irate tar a
maid named 'DeMan  Million one man up a yam? May root: a regular, a cave!=
=20
Eva, can I pull up Purist-sirup Pus upward, Eli.=20

Can't you, though, said a cad! Eva raved, Eva rips a cave? Eva, can I damn=
=20
mad! Damosel, a camel appals. Slap, strap red is a papa A bar O'Noel. Didn'=
t=20
come Donna Melba, I'm Not slip up, for cyanide! Edit peptide Editor Rotor R=
oy=20
went Oh! Howdy, Madam, I'm Evil to nets, ah, a bay, a frog irks - assail,=
=20
alienating Nita. I tam vergile Gud Dubya won?=20

Cave canem (car ce lot! Si, medicinale, l'autre Other acts. A namorada do=
=20
baste pets rats, tao, but one leg nailed Delia, here we fastened under a be=
d.=20
Deb's Lid lamp fire wolfed! So pert in a fast ion No, carajo! Me tied an=20
atom, a rod ass if Ada won. No Devil lived on no Puck, cuts stuck cup on it!






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From: isbn 82-92428-08-9 
To: wryting ,
   POETICS , "arc.hive" 
Cc: wreathus , noemata-g 
Date: Sun, 28 Nov 2004 23:19:54 +0100
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Subject: [_arc.hive_] delusion
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antinomy of secure bottle ruins
error of insensible craunch rear
procrusteanize of feelingly hydra ruins
rule of abhorrence oenanthylic undoer
discreet of insensible
procrusteanize of feelingly attest
delusion of anaesthetize craunch commodore
delusion








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From: isbn 82-92428-08-9 
To: wryting , "arc.hive" 
Cc: wreathus , noemata-g 
Date: Sun, 28 Nov 2004 23:20:56 +0100
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Subject: [_arc.hive_] by how much; by so much; on that account
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of I The unit of sruiefpcial mauesre, bnieg a sruqae of wihch each sdie is 
ten merets in lentgh; 100 srquae mteers, or aobut 119.6 suqare yrads By that; 
by how mcuh; by so mcuh; on taht account; -- used bfeore cmeoaprvtais; as, 
the lnegor we cotnniue in sin, the mroe dfuificlt it is to reofrm The upepr 
prat of a deut, tiro, etc., eitehr vcoal or irtsenntauml; -- so caelld 
becuase it genaerlly epexssres the air, and has a pnineeecmre in the cionbmed 
effect Hntirinawdg; carihohrgpy

of i the uint of raciheng or of Cmhreopend only what is obvuios or arpaepnt; 
not deep or pfrnouod; sllahow; -- said eaelscpily in reespct to sudty, 
lnarieng, and the lkie; as, a Rnhcieag or crhmneneopidg only waht is oiobuvs 
or appraent; not deep or pnorufod; sahollw; -- said epsicaelly in respcet to 
sutdy, lnaierng, and the lkie; as, a seupirfacil schoalr; sripifcauel 
knolwegde schalor; siufceipral kondwlege maesrue, bieng a square of wchih 
each sdie is ten mtrees in lntegh; 100 suqare meters, or about 1.196 sauqre 
yrdas by that; by how much; by so much; on taht aocucnt; -- uesd before 
coimaaprtves; as, the legnor we cituonne in sin, the mroe dfficiult it is to 
rforem the upper part of a deut, tiro, etc., eeithr vcaol or Pineirtnag to, 
made by, or ppreared for, an imrenuntst, esp. a msiuacl iunrtesmnt; as, 
ienmurttsnal msiuc, dtgisniiuhsed from vcoal muisc; -- so caleld bsecuae it 
genaelrly eeesxprss the air, and has a the qluatiy or satte of bieng 
peinernemt; The quilaty, satte, or conidtion of bieng sipruoer; as, 
siorrtiuepy of rnak; srpiuerotiy in miret in pneicomrne or in ecelxncele; A 
mrkiang off by viibsle sings; stpaoieran into patrs; dovsiiin above ohetrs in 
qtauily, rank, etc.; rlarey, in a bad snsee, sioipeurrty or noreotity in 
evil; as, penceinmere in hnoor in the cmibnoed effcet the csat or form of 
wiritng puiacler to each hand or perosn; The art of tilleng feurntos by 
eixaminng the hnad; the art of wiirntg or erssninogg; hdwiinrantg; as, 
silekld in cgpharhoiry






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From:	isbn 82-92428-08-9 
Subject: lucubration
Comments: To: wreathus ,
          noemata-g ,
          rashmaps 
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

lucubration rumination thanatopsis

tai xylorcin

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gonian gonian pattemar petalosticha puma rosette semita sngoid sngoid sngus
water flannel

affirmative agnostic agnosticism apophle apophle apophle apophlegmatizant
apophthe apophtheal apothe asti browbeat confidence cryptology diaphra
dictatorial dictatory dictum doctrinaire do doally doalness dogmatist eni
enial magisterial magistral mysterious anasti x-rays paradi pegmatitic
pegtatoid peremptory phle phle phleal phleally phlely phrenic polypra
positive positively pra praally praalness pra pragmatist prig priggish
pronunciative rebus riddle simple sphinx sti stigmatose synalla
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wet diu who tri dma maw, so wen a?



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From:	"John M. Bennett" 
Subject: ECNAD, PMUD
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

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ECNAD

drank a leeh yr ,peed bmoc laky in yr tekcop hip damp ecir ttub slow
quaffed a daeh .beam on ,land enord ,port gnilkcud spackled ni ry throat
why your shirt lumber ?plane and was eht gnulf stiff sleeves and walking
tuo out gniklaw dna seveels ffits flung the saw dna enalp? rebmul trihs
ruoy yhw taorht yr in delkcaps duckling trop, drone dnal, no maeb. head a
deffauq wols butt rice pmad pih pocket ry ni ykal comb deep, ry heel a knard

DANCE













PMUD

cheese claw ,yr hteet stunner gnipees foor long sky dragged eht daerb
between the trees dehsurc ylmid like yr hand neewteb .clanked ink ,erons
rebbur ,draped shadow caged eht gnul you lathered "ecno" ro hcae gutter
thumbing ffo ry eye eye yr off gnibmuht rettug each or "once" derehtal uoy
lung the degac wodahs depard, rubber snore, kni deknalc. between dnah ry
ekil dimly crushed seert eht neewteb bread the deggard yks gnol roof
seeping rennuts teeth ry, walc eseehc

DUMP





John M. Bennett

__________________________________________
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA

(614) 292-3029
bennett.23@osu.edu
www.johnmbennett.net
___________________________________________
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ECNAD







drank a leeh yr ,peed bmoc laky in yr tekcop hip damp ecir ttub slow
quaffed a daeh .beam on ,land enord ,port gnilkcud spackled ni ry throat
why your shirt lumber ?plane and was eht gnulf stiff sleeves and walking
tuo out gniklaw dna seveels ffits flung the saw dna enalp? rebmul trihs
ruoy yhw taorht yr in delkcaps duckling trop, drone dnal, no maeb. head a
deffauq wols butt rice pmad pih pocket ry ni ykal comb deep, ry heel a
knard







DANCE





























PMUD






cheese claw ,yr hteet stunner gnipees foor long sky dragged eht daerb
between the trees dehsurc ylmid like yr hand neewteb .clanked ink ,erons
rebbur ,draped shadow caged eht gnul you lathered “ecno” ro hcae gutter
thumbing ffo ry eye eye yr off gnibmuht rettug each or “once” derehtal
uoy lung the degac wodahs depard, rubber snore, kni deknalc. between dnah
ry ekil dimly crushed seert eht neewteb bread the deggard yks gnol roof
seeping rennuts teeth ry, walc eseehc







DUMP


















John M. Bennett



__________________________________________

Dr. John M. Bennett     

Curator, Avant Writing Collection

Rare Books & Manuscripts Library

The Ohio State University Libraries

1858 Neil Av Mall

Columbus, OH 43210 USA



(614) 292-3029

bennett.23@osu.edu

www.johnmbennett.net

___________________________________________

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From: Macronphylgjerstiquawofbeduvsk 
To: "WRYTING-L : Writing and Theory across Disciplines" 
Cc: wreathus , noemata-g 
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sitonsiemordnilapasidrowatonsi is not a word
   drowatonsi is not a word
      is a palindrome
   is not
is





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Subject: Re: ECNAD, PMUD
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4002.11.62 :etaD esaeleR - 3.4.562 :esabataD suriV / 982.0.7 :noisreV
.suriV-itnA GVA yb dekcehC .egassem gnimocni siht ni dnuof suriv oN --

4002.11.62 :etaD esaeleR - 3.4.562 :esabataD suriV / 982.0.7 :noisreV
.suriV-itnA GVA yb dekcehC .egassem gniogtuo siht ni dnuof suriv oN --






certyfied liater sorry HP, phyrros retail deify trec




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sitonsiemordnilapasidrowatonsi is not a word
   drowatonsi is not a word
      is a palindrome
   is not
is





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Posted by noemata to wreathus at 11/29/2004 04:05:49 PM
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while waiting and waiting for win to boot
a play for the calculator - the mean
7*8=56
ok what about 7.5^2? 56.25
where does the .25 come from?
13*14=182, 13.5^2=182.25, still the same
ok, so we know: n(n+1)+.25=(n+.5)^2
what about step 2? 7*9=63 while 8^2=64
it holds, now the diff is always +1
n(n+step)+(step/2)=((2n+step)/2)^2
try random, 18*23=414, 20.5^2=420.25
i have to format c:, unbelievable
step is 5 so it doesn't work
do you want to install netmeeting?
who ever had any need of scandisk?
i ran scandisk several times now,
still it didn't detect damaged sectors
unbelievable crap, scamdicks
well why didn't it work for 5? odd?
18*24=432, 21^2=441, it's 9
yeah, now your product key licence
it's supposed to be 3? oh well it just squares then
square-root of 6.25 is.. 2.5 voila
key is GXPPK-TC424-DR667-JGJDT-R4B3M (win98)
it's n(n+step)+(step/2)^2=((2n+step)/2)^2
which makes sense for the .25 and the 1
updating you system..
restart, then restart, then restart
this wasn't very profound
it's like you need the square stuff somewhere
whether you put it in the n's or the step
it doesn't matter
the suprise in the beginning of this play..
it didn't take into account the extras of the square
the double, its shadow
it's about dimensions
how the extra dimension casts a shadow back
the step is supposed to take care of that
ah but there's no stairway to heaven
can't believe this, where are the screen drivers?
My documents, it's intimidating
µ
very small
i lost the scans, whatever
anal stuff, i mean, what's the point?
the joy of loosing
again, a gain, where does the shadow come in?
the gain, where the extras are from
hell is a collapse of dimensions
what happens when things co-lapse
when these squares collapsed they lost their shadow
i was thinking of this drawing also, what it lost
shadows, of course, collapsed into texture
but the other way also
what would the hyper be, if this was texture
loom
unbelievable
unbeleivable
what is most?
this cognitive quaking is back-forth's squaring
nothing in the middle
nothing mediated
these are flat
mean
the synonyms for mean are average, base, beggarly, entail, hateful, have 
in mind, imply, intend, mean value, meanspirited, mingy, miserly, 
signify, stand for, think, think of, tight




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From: noemata 
To: noemata@kunst.no
Subject: [lumber] the mean
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Date: Tue, 30 Nov 2004 19:00:12 -0800 (PST)

=20

while waiting and waiting for win to boot
a play for the calcula=
tor - the mean
7*8=3D56
ok what about 7.5^2? 56.25
where doe=
s the .25 come from?
13*14=3D182, 13.5^2=3D182.25, still the same
ok, so we know: n(n+1)+.25=3D(n+.5)^2
what about step 2? 7*9=3D63 whi=
le 8^2=3D64
it holds, now the diff is always +1
n(n+step)+(step/2=
)=3D((2n+step)/2)^2
try random, 18*23=3D414, 20.5^2=3D420.25
i ha=
ve to format c:, unbelievable
step is 5 so it doesn't work
do you=
 want to install netmeeting?
who ever had any need of scandisk?
i=
 ran scandisk several times now,
still it didn't detect damaged sector=
s
unbelievable crap, scamdicks
well why didn't it work for 5? odd=
?
18*24=3D432, 21^2=3D441, it's 9
yeah, now your product key lice=
nce
it's supposed to be 3? oh well it just squares then
square-ro=
ot of 6.25 is.. 2.5 voila
key is GXPPK-TC424-DR667-JGJDT-R4B3M (win98)=

it's n(n+step)+(step/2)^2=3D((2n+step)/2)^2
which makes sense fo=
r the .25 and the 1
updating you system..
restart, then restart, =
then restart
this wasn't very profound
it's like you need the squ=
are stuff somewhere
whether you put it in the n's or the step
it =
doesn't matter
the suprise in the beginning of this play..
it did=
n't take into account the extras of the square
the double, its shadow<=
br />it's about dimensions
how the extra dimension casts a shadow back=

the step is supposed to take care of that
ah but there's no stai=
rway to heaven
can't believe this, where are the screen drivers?
=
My documents, it's intimidating
=C3=82=C2=B5
very small
i lo=
st the scans, whatever
anal stuff, i mean, what's the point?
the =
joy of loosing
again, a gain, where does the shadow come in?
the =
gain, where the extras are from
hell is a collapse of dimensions
=
what happens when things co-lapse
when these squares collapsed they lo=
st their shadow
i was thinking of this drawing also, what it lost
shadows, of course, collapsed into texture
but the other way also
what would the hyper be, if this was texture
loom
unbelievable<=
br />unbeleivable
what is most?
this cognitive quaking is back-fo=
rth's squaring
nothing in the middle
nothing mediated
these =
are flat
mean
the synonyms for mean are average, base, beggarly, =
entail, hateful, have 
in mind, imply, intend, mean value, meanspirite=
d, mingy, miserly, 
signify, stand for, think, think of, tight



 

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sted by noemata to =
lumber at 11/30/2004 06:59:40 PM
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From:	Sheila Murphy 
Subject: sad man
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

he reminisces no one's having loved him
as a place and he has left that place

all morning it is afternoon the long drawn
unwatched daytime tv in unoccupied hotel rooms

when he speaks it is as humor that sounds constant
paving the experience and then he goes back home

he fits into his clothes he takes a walk
his ear is lacking perfect pitch he hears in
monochrome

ideas where the heart should be have grown
infected he replays them and endures familiarity

most of story is the present tense daylight
still underscored by sunlight's passing

sheila e. murphy



__________________________________
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From:	Macronphylgjerstiquawofbeduvsk 
Subject: Re: sad man
Comments: cc: wreathus ,
          noemata-g 
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

he reminisces no ones bisetous beloved him
as a tendency and he has left that placental

all wait it is kettledrum the long drawn
unwatched nighttime tv in waste hotel rooms

when he pulpiteer it is as humor that laugh vacillate
pitching the mature and then he goes back home

he fits into his clean he takes a walk
his ear is vulgar pure pitch he hears in
grisaille

ideas where the heart shoulder be have grown
infect he replays them and sufferer sirrah

most of story is the obscenity tense diurnal
still underscored by sunlight's capstan



01.12.2004 18:00:25, Sheila Murphy  wrote:

>he reminisces no one's having loved him
>as a place and he has left that place
>
>all morning it is afternoon the long drawn
>unwatched daytime tv in unoccupied hotel rooms
>
>when he speaks it is as humor that sounds constant
>paving the experience and then he goes back home
>
>he fits into his clothes he takes a walk
>his ear is lacking perfect pitch he hears in
>monochrome
>
>ideas where the heart should be have grown
>infected he replays them and endures familiarity
>
>most of story is the present tense daylight
>still underscored by sunlight's passing
>
>sheila e. murphy
>
S
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From:	Sheila Murphy 
Subject: Re: sad man
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

nice, this!
--- Macronphylgjerstiquawofbeduvsk 
wrote:

> he reminisces no ones bisetous beloved him
> as a tendency and he has left that placental
>
> all wait it is kettledrum the long drawn
> unwatched nighttime tv in waste hotel rooms
>
> when he pulpiteer it is as humor that laugh
> vacillate
> pitching the mature and then he goes back home
>
> he fits into his clean he takes a walk
> his ear is vulgar pure pitch he hears in
> grisaille
>
> ideas where the heart shoulder be have grown
> infect he replays them and sufferer sirrah
>
> most of story is the obscenity tense diurnal
> still underscored by sunlight's capstan
>
>
>
> 01.12.2004 18:00:25, Sheila Murphy
>  wrote:
>
> >he reminisces no one's having loved him
> >as a place and he has left that place
> >
> >all morning it is afternoon the long drawn
> >unwatched daytime tv in unoccupied hotel rooms
> >
> >when he speaks it is as humor that sounds constant
> >paving the experience and then he goes back home
> >
> >he fits into his clothes he takes a walk
> >his ear is lacking perfect pitch he hears in
> >monochrome
> >
> >ideas where the heart should be have grown
> >infected he replays them and endures familiarity
> >
> >most of story is the present tense daylight
> >still underscored by sunlight's passing
> >
> >sheila e. murphy
> >
>




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From: Alan Sondheim 
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Subject: [syndicate] Please read, Abstention 
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Please read, Abstention

I apologize for this note, but feel it's necessary. I've been carrying around 
too much anger recently; this is also true of most of my offline friends. Anger 
leads to despair, disgust, internal violence. I'm not good at meditating and/or 
drugs; my outlets are my work and of course discourse online. But the latter 
has become increasingly acerbic on my part, for no reason, especially among 
people I respect. I feel I should abstain from discussion at this point; I'm 
too out of control. Unfortunately for those of you who find my work spam, I'll 
continue to send it out. But beyond that, I'll try silence as much as possible.

The election of Bush, our personal lack of money, my own lack of a future in 
the job market (equivalent to a very real lack of a future), all of these 
things weigh - not to mention constant insomnia, headaches, stress, problems 
with my family. I've been going through the roof, getting up in tears in the 
morning. It's not fair to Azure, and not to myself for that matter, although I 
don't know how to stop it. But at least I don't need to inflict myself on 
people here, online.

I try to keep the rage and despair out of my work. I've been looking at
older work over the past few days, and it feels suicidal. It's hard to
face, but I'm trying to put at least some of it on DVDs, out of
deteriorating VHS, 8mm, and Hi8mm tapes. The sound pops out, tracking is
lost, and all the usual shifts are occurring that happen in analog. In any
case, I'm dismayed at the self-loathing within a number of them, and
trying to come to grips with that.

For the rest, I feel my work is on course as usual, whatever that may be.
But I've noted my too-fast responses online - and that serves no useful
purpose, for you or for myself.

I hope to be back in discussion mode soon and please don't take this the
wrong way, whatever that might be.

- Alan


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-----Syndicate mailinglist-----------------------
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information and archive: http://anart.no/~syndicate
to post to the Syndicate list: 
Shake the KKnut: http://anart.no/~syndicate/KKnut
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From: Alan Sondheim 
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Please read, Abstention

I apologize for this note, but feel it's necessary. I've been carrying around 
too much anger recently; this is also true of most of my offline friends. Anger 
leads to despair, disgust, internal violence. I'm not good at meditating and/or 
drugs; my outlets are my work and of course discourse online. But the latter 
has become increasingly acerbic on my part, for no reason, especially among 
people I respect. I feel I should abstain from discussion at this point; I'm 
too out of control. Unfortunately for those of you who find my work spam, I'll 
continue to send it out. But beyond that, I'll try silence as much as possible.

The election of Bush, our personal lack of money, my own lack of a future in 
the job market (equivalent to a very real lack of a future), all of these 
things weigh - not to mention constant insomnia, headaches, stress, problems 
with my family. I've been going through the roof, getting up in tears in the 
morning. It's not fair to Azure, and not to myself for that matter, although I 
don't know how to stop it. But at least I don't need to inflict myself on 
people here, online.

I try to keep the rage and despair out of my work. I've been looking at
older work over the past few days, and it feels suicidal. It's hard to
face, but I'm trying to put at least some of it on DVDs, out of
deteriorating VHS, 8mm, and Hi8mm tapes. The sound pops out, tracking is
lost, and all the usual shifts are occurring that happen in analog. In any
case, I'm dismayed at the self-loathing within a number of them, and
trying to come to grips with that.

For the rest, I feel my work is on course as usual, whatever that may be.
But I've noted my too-fast responses online - and that serves no useful
purpose, for you or for myself.

I hope to be back in discussion mode soon and please don't take this the
wrong way, whatever that might be.

- Alan


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Date:         Thu, 2 Dec 2004 13:49:20 -0500
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Alan Sondheim 
Subject: Please read, Abstention
Comments: To: Cyb 
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

Please read, Abstention

I apologize for this note, but feel it's necessary. I've been carrying around
too much anger recently; this is also true of most of my offline friends. Anger
leads to despair, disgust, internal violence. I'm not good at meditating and/or
drugs; my outlets are my work and of course discourse online. But the latter
has become increasingly acerbic on my part, for no reason, especially among
people I respect. I feel I should abstain from discussion at this point; I'm
too out of control. Unfortunately for those of you who find my work spam, I'll
continue to send it out. But beyond that, I'll try silence as much as possible.

The election of Bush, our personal lack of money, my own lack of a future in
the job market (equivalent to a very real lack of a future), all of these
things weigh - not to mention constant insomnia, headaches, stress, problems
with my family. I've been going through the roof, getting up in tears in the
morning. It's not fair to Azure, and not to myself for that matter, although I
don't know how to stop it. But at least I don't need to inflict myself on
people here, online.

I try to keep the rage and despair out of my work. I've been looking at
older work over the past few days, and it feels suicidal. It's hard to
face, but I'm trying to put at least some of it on DVDs, out of
deteriorating VHS, 8mm, and Hi8mm tapes. The sound pops out, tracking is
lost, and all the usual shifts are occurring that happen in analog. In any
case, I'm dismayed at the self-loathing within a number of them, and
trying to come to grips with that.

For the rest, I feel my work is on course as usual, whatever that may be.
But I've noted my too-fast responses online - and that serves no useful
purpose, for you or for myself.

I hope to be back in discussion mode soon and please don't take this the
wrong way, whatever that might be.

- Alan
S
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Date:         Thu, 2 Dec 2004 14:01:32 -0500
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	"John M. Bennett" 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

Well, I also, and many folks I know, have been more angry lately, after
Bush stole the election - lots more profanity in my speaking, etc.  Also
have family problems (aging and increasingly confused and cranky father) so
it's certainly a rough stretch...  And it's gonna be hard to be calm with
those monstrous idiotic beasts controlling everything.

Onword,
John

At 01:49 PM 12/2/2004 -0500, you wrote:
>Please read, Abstention
>
>I apologize for this note, but feel it's necessary. I've been carrying around
>too much anger recently; this is also true of most of my offline friends.
>Anger
>leads to despair, disgust, internal violence. I'm not good at meditating
>and/or
>drugs; my outlets are my work and of course discourse online. But the latter
>has become increasingly acerbic on my part, for no reason, especially among
>people I respect. I feel I should abstain from discussion at this point; I'm
>too out of control. Unfortunately for those of you who find my work spam, I'll
>continue to send it out. But beyond that, I'll try silence as much as
>possible.
>
>The election of Bush, our personal lack of money, my own lack of a future in
>the job market (equivalent to a very real lack of a future), all of these
>things weigh - not to mention constant insomnia, headaches, stress, problems
>with my family. I've been going through the roof, getting up in tears in the
>morning. It's not fair to Azure, and not to myself for that matter, although I
>don't know how to stop it. But at least I don't need to inflict myself on
>people here, online.
>
>I try to keep the rage and despair out of my work. I've been looking at
>older work over the past few days, and it feels suicidal. It's hard to
>face, but I'm trying to put at least some of it on DVDs, out of
>deteriorating VHS, 8mm, and Hi8mm tapes. The sound pops out, tracking is
>lost, and all the usual shifts are occurring that happen in analog. In any
>case, I'm dismayed at the self-loathing within a number of them, and
>trying to come to grips with that.
>
>For the rest, I feel my work is on course as usual, whatever that may be.
>But I've noted my too-fast responses online - and that serves no useful
>purpose, for you or for myself.
>
>I hope to be back in discussion mode soon and please don't take this the
>wrong way, whatever that might be.
>
>- Alan

__________________________________________
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA

(614) 292-3029
bennett.23@osu.edu
www.johnmbennett.net
___________________________________________
S
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Date:         Thu, 2 Dec 2004 13:59:22 -0600
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	mIEKAL aND 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  <4.3.2.7.2.20041202135738.01984378@pop.service.ohio-state.edu>
Precedence: list

I'm on the other side of this, I wish I could feel angry or violent
about big picture politics but everything that has happened in the last
months confirms every fear that I've had since I was a teenager old
enough to vote.

mIEKAL

On Dec 2, 2004, at 1:01 PM, John M. Bennett wrote:

> Well, I also, and many folks I know, have been more angry lately, after
> Bush stole the election - lots more profanity in my speaking, etc.
> Also
> have family problems (aging and increasingly confused and cranky
> father) so
> it's certainly a rough stretch...  And it's gonna be hard to be calm
> with
> those monstrous idiotic beasts controlling everything.
>
> Onword,
> John
>
> At 01:49 PM 12/2/2004 -0500, you wrote:
>> Please read, Abstention
>>
>> I apologize for this note, but feel it's necessary. I've been
>> carrying around
>> too much anger recently; this is also true of most of my offline
>> friends.
>> Anger
>> leads to despair, disgust, internal violence. I'm not good at
>> meditating
>> and/or
>> drugs; my outlets are my work and of course discourse online. But the
>> latter
>> has become increasingly acerbic on my part, for no reason, especially
>> among
>> people I respect. I feel I should abstain from discussion at this
>> point; I'm
>> too out of control. Unfortunately for those of you who find my work
>> spam, I'll
>> continue to send it out. But beyond that, I'll try silence as much as
>> possible.
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Lanny Quarles 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

i can see this totally. i've had a pretty low opinion of american politics
since i can remember, but it does seem even worse than usual at the moment,
but if you look at human history it really doesnt seem so surprising given
the turns it can take. looking at Hsun Tzu's writings lately i have to say
i am in partial agreement with his basic assessment of man, he differed with
Mencius and believed man's basic nature was one of evil, not an evil
that can't be overcome, but basically evil. he was born in 312 BC.
things havent really changed that much.



----- Original Message -----
From: "mIEKAL aND" 
To: 
Sent: Thursday, December 02, 2004 11:59 AM
Subject: Re: Please read, Abstention


> I'm on the other side of this, I wish I could feel angry or violent
> about big picture politics but everything that has happened in the last
> months confirms every fear that I've had since I was a teenager old
> enough to vote.
>
> mIEKAL
>
> On Dec 2, 2004, at 1:01 PM, John M. Bennett wrote:
>
>> Well, I also, and many folks I know, have been more angry lately, after
>> Bush stole the election - lots more profanity in my speaking, etc.
>> Also
>> have family problems (aging and increasingly confused and cranky
>> father) so
>> it's certainly a rough stretch...  And it's gonna be hard to be calm
>> with
>> those monstrous idiotic beasts controlling everything.
>>
>> Onword,
>> John
>>
>> At 01:49 PM 12/2/2004 -0500, you wrote:
>>> Please read, Abstention
>>>
>>> I apologize for this note, but feel it's necessary. I've been
>>> carrying around
>>> too much anger recently; this is also true of most of my offline
>>> friends.
>>> Anger
>>> leads to despair, disgust, internal violence. I'm not good at
>>> meditating
>>> and/or
>>> drugs; my outlets are my work and of course discourse online. But the
>>> latter
>>> has become increasingly acerbic on my part, for no reason, especially
>>> among
>>> people I respect. I feel I should abstain from discussion at this
>>> point; I'm
>>> too out of control. Unfortunately for those of you who find my work
>>> spam, I'll
>>> continue to send it out. But beyond that, I'll try silence as much as
>>> possible.
>
S
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Date:         Thu, 2 Dec 2004 21:48:17 -0000
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Ana Buigues 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  <001e01c4d8af$51d07970$0400a8c0@pacificdeqgc16>
Precedence: list

I agree .....

> -----Original Message-----
> From: WRYTING-L : Writing and Theory across Disciplines
> [mailto:WRYTING-L@LISTSERV.UTORONTO.CA]On Behalf Of Lanny Quarles
> Sent: jueves, 02 de diciembre de 2004 20:42
> To: WRYTING-L@LISTSERV.UTORONTO.CA
> Subject: Re: Please read, Abstention
>
>
> i can see this totally. i've had a pretty low opinion of american pol=
itics
> since i can remember, but it does seem even worse than usual at
> the moment,
> but if you look at human history it really doesnt seem so surprising =
given
> the turns it can take. looking at Hsun Tzu's writings lately i have t=
o say
> i am in partial agreement with his basic assessment of man, he
> differed with
> Mencius and believed man's basic nature was one of evil, not an evil
> that can't be overcome, but basically evil. he was born in 312 BC.
> things havent really changed that much.
>
>
>
> ----- Original Message -----
> From: "mIEKAL aND" 
> To: 
> Sent: Thursday, December 02, 2004 11:59 AM
> Subject: Re: Please read, Abstention
>
>
> > I'm on the other side of this, I wish I could feel angry or violent
> > about big picture politics but everything that has happened in the =
last
> > months confirms every fear that I've had since I was a teenager old
> > enough to vote.
> >
> > mIEKAL
> >
> > On Dec 2, 2004, at 1:01 PM, John M. Bennett wrote:
> >
> >> Well, I also, and many folks I know, have been more angry lately, =
after
> >> Bush stole the election - lots more profanity in my speaking, etc.
> >> Also
> >> have family problems (aging and increasingly confused and cranky
> >> father) so
> >> it's certainly a rough stretch...  And it's gonna be hard to be ca=
lm
> >> with
> >> those monstrous idiotic beasts controlling everything.
> >>
> >> Onword,
> >> John
> >>
> >> At 01:49 PM 12/2/2004 -0500, you wrote:
> >>> Please read, Abstention
> >>>
> >>> I apologize for this note, but feel it's necessary. I've been
> >>> carrying around
> >>> too much anger recently; this is also true of most of my offline
> >>> friends.
> >>> Anger
> >>> leads to despair, disgust, internal violence. I'm not good at
> >>> meditating
> >>> and/or
> >>> drugs; my outlets are my work and of course discourse online. But=
 the
> >>> latter
> >>> has become increasingly acerbic on my part, for no reason, especi=
ally
> >>> among
> >>> people I respect. I feel I should abstain from discussion at this
> >>> point; I'm
> >>> too out of control. Unfortunately for those of you who find my wo=
rk
> >>> spam, I'll
> >>> continue to send it out. But beyond that, I'll try silence as muc=
h as
> >>> possible.
> >
>
> __________ Informaci=F3n de NOD32 1.937 (20041202) __________
>
> Este mensaje ha sido analizado con  NOD32 antivirus system
> http://www.nod32.com
>
>
S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	mpalmer 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  <001e01c4d8af$51d07970$0400a8c0@pacificdeqgc16>
Precedence: list

On Thursday, December 2, 2004, at 12:41  PM, Lanny Quarles wrote:

>  lately i have to say
> i am in partial agreement with his basic assessment of man, he
> differed with
> Mencius and believed man's basic nature was one of evil, not an evil
> that can't be overcome, but basically evil

Not to be contentious, but that's exactly the fundamentalist position
of the people in charge of the US today! It's all about changing us
wanton sinners, unrepentant lapsidarians and militant evildoers into
the compliant little lambs of a very narrowly conceived Christian God.

I don't believe in evil, and even if I did, I would never see man's
basic nature as such; -- that's the epitome of cynicism and defeat. I
believe contrarily that if you buffet up man's soul with compassion and
community support he will be inclined to do good. The right-wing
conservative takes the opposite view of this in that he sees compassion
as an ineffectual gesture. His reasoning is that since we are all fated
to be Apocalyptic cannon fodder in the end, we should simply go out and
wage war and rape the world of its wealth, and as long as it ain't
explicitly prohibited in the Bible, it's okay.

M
S
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Date:         Thu, 2 Dec 2004 16:27:58 -0500
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Ryan Whyte 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

First, I just want to say that I feel for you, Alan; haven't seen the
eruptions on this list, but maybe you're referring to other lists. I'm
more angry about politics than ever, and the situation does feel
qualitatively different than I've experienced (for what little that's
worth); the language is more distorted than ever, the culture is poison=
ous
through and through, the environment is on its way out, two fraudulent =
US
elections in a row, one superduperpower, nuclear clock ticking etc etc
etc. Bush was just here in Canada saying 'fuck you' with a smile and th=
e
discourse is all about style and 'mending fences', whatever the fuck th=
at
means.

Second, I'm not sure that 'human nature', whatever that is, is a
historical constant. I work in the 18th century, which is pretty darn
close to our own, and I still find their thought processes, reference
points, habitus if you will, totally alien. The real problem with the '=
the
past was just as shitty' argument is it leads to inaction and belittles
the agony and agency of the present.

Third, and I'm not sure if I'm misreading people here, humans are not
basically evil, they are basically ignorant. 'Evil' is way too
metaphysical, the other side of the fundamentalist coin....

out of it,

Ryan

On Thu, 2 Dec 2004, Ana Buigues wrote:

> I agree .....
>
> > -----Original Message-----
> > From: WRYTING-L : Writing and Theory across Disciplines
> > [mailto:WRYTING-L@LISTSERV.UTORONTO.CA]On Behalf Of Lanny Quarles
> > Sent: jueves, 02 de diciembre de 2004 20:42
> > To: WRYTING-L@LISTSERV.UTORONTO.CA
> > Subject: Re: Please read, Abstention
> >
> >
> > i can see this totally. i've had a pretty low opinion of american p=
olitics
> > since i can remember, but it does seem even worse than usual at
> > the moment,
> > but if you look at human history it really doesnt seem so surprisin=
g given
> > the turns it can take. looking at Hsun Tzu's writings lately i have=
 to say
> > i am in partial agreement with his basic assessment of man, he
> > differed with
> > Mencius and believed man's basic nature was one of evil, not an evi=
l
> > that can't be overcome, but basically evil. he was born in 312 BC.
> > things havent really changed that much.
> >
> >
> >
> > ----- Original Message -----
> > From: "mIEKAL aND" 
> > To: 
> > Sent: Thursday, December 02, 2004 11:59 AM
> > Subject: Re: Please read, Abstention
> >
> >
> > > I'm on the other side of this, I wish I could feel angry or viole=
nt
> > > about big picture politics but everything that has happened in th=
e last
> > > months confirms every fear that I've had since I was a teenager o=
ld
> > > enough to vote.
> > >
> > > mIEKAL
> > >
> > > On Dec 2, 2004, at 1:01 PM, John M. Bennett wrote:
> > >
> > >> Well, I also, and many folks I know, have been more angry lately=
, after
> > >> Bush stole the election - lots more profanity in my speaking, et=
c.
> > >> Also
> > >> have family problems (aging and increasingly confused and cranky
> > >> father) so
> > >> it's certainly a rough stretch...  And it's gonna be hard to be =
calm
> > >> with
> > >> those monstrous idiotic beasts controlling everything.
> > >>
> > >> Onword,
> > >> John
> > >>
> > >> At 01:49 PM 12/2/2004 -0500, you wrote:
> > >>> Please read, Abstention
> > >>>
> > >>> I apologize for this note, but feel it's necessary. I've been
> > >>> carrying around
> > >>> too much anger recently; this is also true of most of my offlin=
e
> > >>> friends.
> > >>> Anger
> > >>> leads to despair, disgust, internal violence. I'm not good at
> > >>> meditating
> > >>> and/or
> > >>> drugs; my outlets are my work and of course discourse online. B=
ut the
> > >>> latter
> > >>> has become increasingly acerbic on my part, for no reason, espe=
cially
> > >>> among
> > >>> people I respect. I feel I should abstain from discussion at th=
is
> > >>> point; I'm
> > >>> too out of control. Unfortunately for those of you who find my =
work
> > >>> spam, I'll
> > >>> continue to send it out. But beyond that, I'll try silence as m=
uch as
> > >>> possible.
> > >
> >
> > __________ Informaci=F3n de NOD32 1.937 (20041202) __________
> >
> > Este mensaje ha sido analizado con  NOD32 antivirus system
> > http://www.nod32.com
> >
> >
>
S
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From:	"[]" 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
In-Reply-To:  
Precedence: list

THESEUS
O ye sons of men, victims of a thousand idle errors,
why teach your countless crafts, why scheme and seek
to find a way for everything, while one thing ye know
not nor ever yet have made your prize, a way to teach
them wisdom whose souls are void of sense?

-Euripides

I don't know, Ryan. Humans have felt things pretty
much the same way they do nowadays for such a long
time. How can anything be essentially different but
our  measure of their ignorance - alittle more, a
little less, depending on the century and position in
society. Ironically, it seeems that no amount of
'knowing' has  impact on feeling.

Well, very sorry you are upset about the politics.

And Alan, I'm very sorry that you have been so unhappy
for such a long time - 8 or 9 years i've been reading
your work, and ...

"Weep, weep..."




--- Ryan Whyte  wrote:

> First, I just want to say that I feel for you, Alan;
> haven't seen the
> eruptions on this list, but maybe you're referring
> to other lists. I'm
> more angry about politics than ever, and the
> situation does feel
> qualitatively different than I've experienced (for
> what little that's
> worth); the language is more distorted than ever,
> the culture is poisonous
> through and through, the environment is on its way
> out, two fraudulent US
> elections in a row, one superduperpower, nuclear
> clock ticking etc etc
> etc. Bush was just here in Canada saying 'fuck you'
> with a smile and the
> discourse is all about style and 'mending fences',
> whatever the fuck that
> means.
>
> Second, I'm not sure that 'human nature', whatever
> that is, is a
> historical constant. I work in the 18th century,
> which is pretty darn
> close to our own, and I still find their thought
> processes, reference
> points, habitus if you will, totally alien. The real
> problem with the 'the
> past was just as shitty' argument is it leads to
> inaction and belittles
> the agony and agency of the present.
>
> Third, and I'm not sure if I'm misreading people
> here, humans are not
> basically evil, they are basically ignorant. 'Evil'
> is way too
> metaphysical, the other side of the fundamentalist
> coin....
>
> out of it,
>
> Ryan
>
> On Thu, 2 Dec 2004, Ana Buigues wrote:
>
> > I agree .....
> >
> > > -----Original Message-----
> > > From: WRYTING-L : Writing and Theory across
> Disciplines
> > > [mailto:WRYTING-L@LISTSERV.UTORONTO.CA]On Behalf
> Of Lanny Quarles
> > > Sent: jueves, 02 de diciembre de 2004 20:42
> > > To: WRYTING-L@LISTSERV.UTORONTO.CA
> > > Subject: Re: Please read, Abstention
> > >
> > >
> > > i can see this totally. i've had a pretty low
> opinion of american politics
> > > since i can remember, but it does seem even
> worse than usual at
> > > the moment,
> > > but if you look at human history it really
> doesnt seem so surprising given
> > > the turns it can take. looking at Hsun Tzu's
> writings lately i have to say
> > > i am in partial agreement with his basic
> assessment of man, he
> > > differed with
> > > Mencius and believed man's basic nature was one
> of evil, not an evil
> > > that can't be overcome, but basically evil. he
> was born in 312 BC.
> > > things havent really changed that much.
> > >
> > >
> > >
> > > ----- Original Message -----
> > > From: "mIEKAL aND" 
> > > To: 
> > > Sent: Thursday, December 02, 2004 11:59 AM
> > > Subject: Re: Please read, Abstention
> > >
> > >
> > > > I'm on the other side of this, I wish I could
> feel angry or violent
> > > > about big picture politics but everything that
> has happened in the last
> > > > months confirms every fear that I've had since
> I was a teenager old
> > > > enough to vote.
> > > >
> > > > mIEKAL
> > > >
> > > > On Dec 2, 2004, at 1:01 PM, John M. Bennett
> wrote:
> > > >
> > > >> Well, I also, and many folks I know, have
> been more angry lately, after
> > > >> Bush stole the election - lots more profanity
> in my speaking, etc.
> > > >> Also
> > > >> have family problems (aging and increasingly
> confused and cranky
> > > >> father) so
> > > >> it's certainly a rough stretch...  And it's
> gonna be hard to be calm
> > > >> with
> > > >> those monstrous idiotic beasts controlling
> everything.
> > > >>
> > > >> Onword,
> > > >> John
> > > >>
> > > >> At 01:49 PM 12/2/2004 -0500, you wrote:
> > > >>> Please read, Abstention
> > > >>>
> > > >>> I apologize for this note, but feel it's
> necessary. I've been
> > > >>> carrying around
> > > >>> too much anger recently; this is also true
> of most of my offline
> > > >>> friends.
> > > >>> Anger
> > > >>> leads to despair, disgust, internal
> violence. I'm not good at
> > > >>> meditating
> > > >>> and/or
> > > >>> drugs; my outlets are my work and of course
> discourse online. But the
> > > >>> latter
> > > >>> has become increasingly acerbic on my part,
> for no reason, especially
> > > >>> among
> > > >>> people I respect. I feel I should abstain
> from discussion at this
> > > >>> point; I'm
> > > >>> too out of control. Unfortunately for those
> of you who find my work
> > > >>> spam, I'll
> > > >>> continue to send it out. But beyond that,
> I'll try silence as much as
> > > >>> possible.
> > > >
> > >
> > > __________ Información de NOD32 1.937 (20041202)
> __________
> > >
> > > Este mensaje ha sido analizado con  NOD32
> antivirus system
> > > http://www.nod32.com
> > >
> > >
> >
>




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From: Macronphylgjerstiquawofbeduvsk 
To: wryting , "arc.hive" 
Cc: noemata-g , ideareal 
Date: Fri, 03 Dec 2004 17:08:24 +0100
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Subject: [_arc.hive_] Re: Please read, Abstention  
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It's not easy to respond to this, and worse in public I feel, but thanks 
for posting. I can relate to what you write, for myself I really don't 
know what lies ahead of me, of course nothing, and of the value of what 
I'm doing and in what perspective, even that phrasing is way too much. 
Just today I thought about giving up public activity, from looking 
through archived work past months also with other concerns on my mind, I 
don't remember the exact thoughts but they seemed compelling enough, and 
I'm probably always thinking along the lines of finishing off, getting 
done with and getting through, getting rid of.

There's always those fluctuations between activity (nothing) and 
passivity (stuff) which never resolves. Stuff is ugly, nothing is 
beautiful, so keep nothing and avoid the stuff, which is the urge in a 
sense, because keep is stuff and avoid is nothing, so stuff nothing and 
avoid the keep, which goes better with an activity based on nothing (eg 
art) and passivity based on things (suffering).

Nothing to do, abundant redundancy (nothing), self-organization (do) - 
here we are.








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_________________________________________
_arc.hive_ mailing list
arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
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From: noemata 
To: noemata@kunst.no
Subject: [ideareal] Re: Please read, Abstention  
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Date: Fri,  3 Dec 2004 08:15:50 -0800 (PST)

=20

It's not easy to respond to this, and worse in public I feel, but tha=
nks 
for posting. I can relate to what you write, for myself I really =
don't 
know what lies ahead of me, of course nothing, and of the value=
 of what 
I'm doing and in what perspective, even that phrasing is way=
 too much. 
Just today I thought about giving up public activity, from=
 looking 
through archived work past months also with other concerns o=
n my mind, I 
don't remember the exact thoughts but they seemed compel=
ling enough, and 
I'm probably always thinking along the lines of fini=
shing off, getting 
done with and getting through, getting rid of.

There's always those fluctuations between activity (nothing) and passivity (stuff) which never resolves. Stuff is ugly, nothing is 
beautiful, so keep nothing and avoid the stuff, which is the urge in a sense, because keep is stuff and avoid is nothing, so stuff nothing and =

avoid the keep, which goes better with an activity based on nothing (=
eg 
art) and passivity based on things (suffering).

Nothing=
 to do, abundant redundancy (nothing), self-organization (do) - 
here =
we are.






 

--
Posted by noemata to ideareal at 12/3/2004=
 08:11:02 AM
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
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From:	morrigan 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

I sat in my friend's living room last night, reading over and over a small
quote, wanting to commit it to my wasted memory.  After five minutes I had
perfect recall.  After 10 I had to refer back to the paper.  After an hour I
couldn't remember.

I wanted to be able to reproduce it perfectly, for it to drop out of my
mouth like ripe and ready shit, to show all the public my reasoned
reasonableness and learning, my easy intellectual bowel evacuation.  And the
quote, which is now a paraphrase, 'the fact that people are starving when
there is no need, is a fact worth remembering,' - and I couldn't even
remember.
S
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Date: Fri, 3 Dec 2004 14:00:44 -0500 (EST)
From: Alan Sondheim 
To: Macronphylgjerstiquawofbeduvsk 
Subject: Re: [_arc.hive_] Re: Please read, Abstention  
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Well, I've been going over older stuff, making dvds of it when I can, 
which doesn't help. But also I've been less tolerant - jumped off two 
lists, one of which was arguing pro-life for the most part, and the
other, a philosophy list, which was seeing Lacan as a way of understanding 
West Virginia... alan

http://www.asondheim.org/
WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/
http://www.as.wvu.edu:8000/clc/members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
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Date: Fri, 3 Dec 2004 15:07:46 -0500 (EST)
From: Alan Sondheim 
To: Macronphylgjerstiquawofbeduvsk 
Subject: Re: [_arc.hive_] Re: Please read, Abstention  
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$650,000... incredible. But she deserves it, moreso than most people - her 
engagement and clarity are terrific - alan

http://www.asondheim.org/
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http://www.as.wvu.edu:8000/clc/members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
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From: noemata 
To: noemata@kunst.no
Subject: [wreathus] coal / mine
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Date: Fri,  3 Dec 2004 16:23:02 -0800 (PST)

=20
wnt \ ck
a oe

T b n  stt f dstttn; t b ndy; t lck
 o e=
i   a eo  eiuio   oeee   o a 

dstttn t b Dstrssd by wnt f th mns=
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b ndy dstttn t b T cs pn r ngsh t;=
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wth clmty; t fflct; t hrss; t mk msrbl by wnt f th mns<=
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pr; ndgnt; =
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f th mns f lvng; vry pr;
ndgnt; Vry ndy r ndgnt; prssd wth pvrty
=
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i  a      o e  i  o  e i  a   a e o   e  i u io =
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    o   i i   I
a  o  o  a  e o   o  o  i    a  e    e    o   i  i e  =
   e    ee   o
i  i e      e  e   i    oe






 

--
Posted by n=
oemata to wr=
eathus at 12/3/2004 04:18:27 PM
S
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In a message dated 12/3/04 12:15:09 PM, morrigan.nihil@NTLWORLD.COM writes:


> 'the fact that people are starving when
> there is no need, is a fact worth remembering,' - and I couldn't even
> remember.
>

better that you messed up on the remembering than the starving.

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In a message dated 12/3/04 12:15:09 PM, morrigan.nihil@NTLWORLD.COM writes:<=
BR>





'the fact that people=
 are starving when

there is no need, is a fact worth remembering,' - and I couldn't even

remember.






better that you messed up on the remembering than the starving.

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Subject: [_arc.hive_] coal / mine
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coal / mine

wnt \ ck
a oe

T b n  stt f dstttn; t b ndy; t lck
 o ei   a eo  eiuio   oeee   o a

dstttn t b Dstrssd by wnt f th mns f lvng; vry pr;
ndgnt; ncssts Th stt f bng dprvd f nythng; th stt r
cndtn f bng dsttt, ndy, r wtht rsrcs; dfcncy; lck;
xtrm pvrty; ttr wnt; s, th nndtn csd gnrl dstttn t
b ndy dstttn t b T cs pn r ngsh t; t pn; t pprss
wth clmty; t fflct; t hrss; t mk msrbl by wnt f th mns
f Pwr f cntnng lf; th ct f lvng, r lvng cmfrtbly; vry
pr; ndgnt; Vry ndy r ndgnt; prssd wth pvrty
Th stt f bng dprvd f nythng; th stt r cndtn f bng
dsttt, ndy, r wtht rsrcs; dfcncy; lck; xtrm pvrty;
ttr wnt; s, th nndtn csd gnrl dstttn t b ndy
dstttn t b dstrssd by wnt f th mns f lvng; vry pr;
ndgnt; Vry ndy r ndgnt; prssd wth pvrty
th stt f bng dprvd f nythng; th stt r cndtn f bng
dsttt, ndy, r wtht rsrcs; dfcncy; lck; xtrm pvrty;
ttr wnt; s, th n vrsprdng f ny knd; vrflwng r sprfls
bndnc;  fld;  grt nflx; s, n nndtn f trsts csd
gnrl Th stt f bng dprvd f nythng; th stt r cndtn f
bng dsttt, ndy, r wtht rsrcs; dfcncy; lck; xtrm
pvrty; ttr wnt; s, th nndtn csd gnrl dstttn t b
ndy
Th stt f bng dprvd f nythng; th stt r cndtn f bng
dsttt, ndy, r wtht rsrcs; dfcncy; lck; xtrm pvrty;
ttr wnt; s, th nndtn csd gnrl dstttn t b t cs pn
r ngsh t; t pn; t pprss wth clmty; t fflct; t hrss; t
mk msrbl by wnt f th mns f pwr f f Cntn lf; th ct f
lvng, r lvng n  cmfrtbl r cmfrtng mnnr; vry pr; ndgnt;
vry ndy r ndgnt; prssd wth pvrty

i  a      o e  i  o  e i  a   a e o   e  i u io    o  e  ee     o  a
o e   e  i u io   o  e  i   e  e      a   o    e  ea   o   i i     e
o   i  i e     e e  i ou    e   a e o   ei    e  i e  o  a    i      e
a e o   o  i io  o   ei    e  i u e   ee    o   i  ou   e ou  e    e i
ie      a    e   e e  o e     u  e   a    a     e i u  a io   au e   e
e a   e  i u io   o  e  ee    e  i u io   o  e  o  au e  ai  o  a  ui
o   o  ai    o o   e    i    a a i     o a   i     o  a a     o  a e
i e a  e     a   o    e  ea   o   o e  o   o  i ui    i e    e a   o
i i    o   i i    o  o  a      e    o   i  i e     e    ee   o  i  i e
e  e   i    o e      e   a e o   ei    e  i e  o  a    i      e   a e
o   o  i io  o   ei    e  i u e   ee    o   i  ou   e ou  e    e i ie
a    e   e e  o e     u  e   a    a     e i u  a io   au e   e e a   e
i u io   o  e  ee    e  i u io   o  e  i   e  e      a   o    e  ea
o   i i     e    o   i  i e     e    ee   o  i  i e      e  e   i    o
e      e   a e o   ei    e  i e  o  a    i      e   a e o   o  i io  o
ei    e  i u e   ee    o   i  ou   e ou  e    e i ie      a    e   e e
o e     u  e   a    a     e A  o e    ea i   o  a    i    o e   o i
o   u e   uou  a u  a  e  a   oo   a   ea  i   u   a   a  i u  a io  o
ou i     au e   e e a    e   a e o   ei    e  i e  o  a    i      e
a e o   o  i io  o   ei    e  i u e   ee    o   i  ou   e ou  e    e i
ie      a    e   e e  o e     u  e   a    a     e i u  a io   au e   e
e a   e  i u io   o  e  ee     e   a e o   ei    e  i e  o  a    i
e   a e o   o  i io  o   ei    e  i u e   ee    o   i  ou   e ou  e
e i ie      a    e   e e  o e     u  e   a    a     e i u  a io   au e
e e a   e  i u io   o  e  o  au e  ai  o  a  ui    o   o  ai    o o
e    i    a a i     o a   i     o  a a     o  a e  i e a  e     a   o
e  ea   o   o e  o  o   o  i ue  i e    e a   o   i i    o   i i   I
a  o  o  a  e o   o  o  i    a  e    e    o   i  i e     e    ee   o
i  i e      e  e   i    oe




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From:	"Isbn.82-92428-10-0" 
Subject: Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb11116
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb11116 (pronounced "Albin") was a
name given to a child by the parents of a Swedish family in May 1996.
A district court in Halmstad, southern Sweden, had fined the parents
(Elizabeth Hallin and ?) 5,000 kronor (approximately US$650) for failing
to register a name for the boy by his fifth birthday. Responding to the
fine, the parents submitted the 43-character name, claiming that it was
"a pregnant, expressionistic development that we see as an artistic
creation," and suggesting that it should be seen in the spirit of
pataphysics. The court rejected the name, and upheld the fine.

***

The long and short of it
SWEDISH authorities last year told a couple who named their son
"Brfxxccxxmnpckcccc111mmnprxvc1mackssqlbb11116" to find a new, shorter
name for the boy.  However, the authorities in Stockholm have now
rejected his new name of "A," according to the Hallands Nyheter
newspaper.  Initially, the parents refused to provide tax authorities
with a name for their newborn son.
After numerous disputes, the parents finally provided them with the 45-
letter and digit sequence, which they say is pronounced Albin. That
resulted in an $860 fine from the tax authorities last year for defying
the Swedish name law.
This northern summer, the couple registered their son as "A." Tax
authorities also rejected that name, because single-letter names are not
allowed. An appeals court upheld the decision. The parents previously
said that they "chose a meaningful, expressionistic typographic
formulation which we consider to be an artistic new creation in the
pataphysical tradition in which we believe."
The boy, who is still officially nameless, has a passport in which his
name is given as Boy Tarzan.

***

Related:
- Jennifer 8. Lee, born March 15, 1976 in New York City, is a New York
Times reporter for the Circuits section. Her middle name was given by her
parents in her teens because there are too many people named Jennifer
Lee. She spells her middle name "8." on paper, but on her driver's
license it is spelt as a much less dramatic "Eight." Her parents were
from Taiwan and were influenced by the typically Cantonese custom that
sees number 8 as a symbol of prosperity.
- 5 is a character in the comic strip Peanuts by Charles Schulz. He
debuted in 1963, and continued to appear on and off until 1981. 5 has
spiky hair and sometimes wears a shirt with (what else?) the number five
on it. His full name is 555 95472 (accent on the 4), with 95472 being the
family's "last name" (actually their zip code, which in real life
corresponds to the zip code for Sebastopol, California). His father
changed all of the family's names to numbers as a protest, to call
attention to the way that he felt like numbers were taking over people's
identities. 5 also has two sisters named 3 and 4.
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From: "Isbn.82-92428-05-4" 
To: wryting , "arc.hive" 
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Bytes Maggie Loves, Bewitch Messy Leaves, Boethius Mews Lavish, Beets=20
Mews Lobbies, Butties Meek Lobos, Bouts Maag Lops, Bitch Max Levees,=20
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Bohr Jingled, Hangmen Lobe Joinder, Germinal Debone John, Omnirange Bleed=
=20
John, Jangle Bodenheim Nor, Agone Hornblende Jim, Manhole Bergen Dijon,=20
Hermann Globe Joined, Jean Hemoglobin Nerd, Johann Bleeding More, Holberg=
=20
Man Enjoined, Jan Neighbored Monel, Jan Bleeding Hormone, Anon Boehmer=20
Jingled, Badger Johnnie Lemon, Blamed Goner Johnnie, Dream Belong=20
Johnnie, Jading Boheme Ronnel, Jihad Ennoble Monger, Donna Blenheim=20
Jorge, Banned Jerome Holing

MAGEE BLIND NERO JOHN, MAGEE BIND LONER JOHN, MAGEE BLOOD HERN JINN,=20
MAGEE BORNE LIND JOHN, MAGEE ROBIN LEND JOHN

A NAME TO, A MEAN TO, A TEAM ON, A MATE NO, ME TO ANA, MEAN TAO, ATONE=20
AM, AM AT ONE, AMEN TAO

Bjorn Longhand, me, I Magne Haugen Jorn Ben Goldhobrn b.yond Magnus=20
bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon Reime Jon Joel=
=20
Nigh Brodman beyoni John Modalen Bernard John Ling Dffoberman byoni Olav=20
Asgrimson Johan John Germinal Bond ignominy Runed Foss Magnhild pronoun=20
Tomasi Magnhi1d =D8en Sire born.matronym Larsi Vatlend byon.lihngam Bent=20
Standal Magh erroneous.notion Dani Bj=F8rn Norheim Magee ontic.mantsin=20
Mikal Nordal Maginsel kari.eliot Bruno Bj=F8rnstad Magy Bjorg B=F8rndals=20
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram Manney garbiel=20
Jakobssen Manny Holkermann Magney Homin Magnee blix MacNillon brandt Mac=20
Neal hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni Byrn

Bj=F8rn Hitd=F8lakjempe Bjarnar saga H=EDd=E6lakappa Bjarni Hitd=E6lakappi=
=20
Monstrous Allegations: An Exchange of =FDki in Bjarnar saga H=EDtd=E6lakappa

ber'serk Borne John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon=20
Magnus Holberg Brandt Beorma bjorn beras matronym

[bef. 1000; ME be(a)re, beor(e), OE bera; c. Fris b?r, D beer, OHG bero=20
(G B=E4r); < Gmc *beran- lit., the brown one; akin to ON bjbrn, bersi; cf.=
=20
Lith b4ras brown. Cf. BRUIN]

magh- Important derivatives are: may1, dismay, might1, main, machine,=20
mechanic, magic. To be able, have power. may1, from Old English magan, to=
=20
be able; dismay, from Old French esmaier, to frighten. Both a and b from=20
Germanic *magan, to be able. might1, from Old English miht, power, from=20
Germanic suffixed form *mah-ti-, power. main, from Old English m=E6gen,=20
power, from Germanic suffixed form *mag-inam, power. Suffixed lengthened-
grade form *mgh-an-, ?that which enables.? machine, mechanic,=20
(mechanism), (mechano-), from Greek (Attic) mkhan, (Doric) mkhan, device.=
=20
Possibly suffixed form *magh-u-. (magic), magus, from Old Persian magu,=20
member of a priestly caste (< ?mighty one?). [Pokorny magh- 695.]
[PHONOLOGY OF DEVELOPMENT OF QUENYA FROM PROTO-ELDARIN] This follows ETYM=
=20
and ignores the very different early part of the phonology development=20
shown in BOLT. As shown by KVNS, at that time RT the Elves made PE by=20
trying to learn Valarin from Orome at Koivieneeni and afterwards; Tolkien=
=20
likely made ETYM PE / Valarin uneuphonic with roots such as {snas} and=20
{skyap} and {kugh} to make it sound stern and commanding. (Did Valarin=20
have a history of change MET before that? E.g. PE {magh} =3D "hand", {mag}=
=20
=3D "use, handle". From the description in Ainulindale (SIL), Ea before=20
Arda was made was likely big enough and lasted long enough for even=20
Ainur's languages to evolve different ways in different areas.)
In a map printed in 1570 the peninsula is called Island Maghies11 and in=20
1657 it is referred to as McGuiyes Island. Also, in 1605 in the=20
Inquisitions of Antrim12, it is referred to as Island of Magie and Island=
=20
of Maghy. In the map called Atlas Novus, published by Johan Blaeu13 in=20
1654, it is called Magees Ile. During the 19th century the Ordnance=20
Survey Memoirs of Ireland14 postulated that the name Islandmagee was=20
derived from Mac Aoidh (named after the most common family name on the=20
island prior to the Tudor Conquest of Ulster i.e. Magee) or Mac? iagh=20
which they say derives in turn from a word for seagull. I can not find=20
any such word for seagull and believe such a derivation to be incorrect.

McKee, Magee, McGee, Mackey, McKay, McCoy, MacHugh, McHugh and Hugh; also=
=20
in the ?O? form as O?Hea, O?Hay, Hay, Hayes : The derivation from the=20
name Magee (from the Irish Mag Aoidh or Mag Aodha) means son of Aodh (an=20
old word for fire). It is a very common name in Ulster occurring in the=20
following corrupted forms; McKee, Magee, McGee, Mackey, McKay, McCoy,=20
MacHugh, McHugh and Hugh; also in the ?O? form as O?Hea, O?Hay, Hay,=20
Hayes). In this case the Island is reputed to be named after a family of=20
Magees who are said to have their principal base in the townlands of=20
Portmuck and Carnspindle15. In Marschal Bagenal?s description of Ulster16=
=20
in 1586 it is stated ?such as there be the Magees and contribute to the=20
Lords of Clandeboys (from Clann Aodha buidhe U=ED N=E9ill meaning the famil=
y=20
of yellow-haired Aodh =D3 N=E9ill)?. A similar derivation is given in=20
Dubourdieu?s Antrim17 viz. ?the inhabitants thereof are Magies, from=20
which it hath the name?. History records15 the death of perhaps thirty=20
members of this family by soldiers from Carrickfergus Castle, following=20
the 1641 rebellion.

AirNav: Index of airspace fixes [M] MAGAF MAGAH MAGAS MAGCI MAGCO MAGCY=20
MAGDE MAGDY MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO=20
MAGHA MAGHO MAGHY MAGIC MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY MAGJA=20
MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ=20
MAGPY MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU MAGXO=20
MAGXY MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI

'Magnus' also appears in the forms 'Mang' and 'Manges' in the Alps and=20
Southern Germany. ba) From the Latin word adjective 'magnus' "great,=20
large", thus by being used as a (proper) noun it becomes "the great one".=
=20
The word is derived from the Indo- European base '*meg(h)', which also=20
evolved into Sanskrit 'maha' "big", Greek 'megas' "big" and English=20
'much'. However, that is not the entire story. According to Wasserzieher,=
=20
the norther variant of the name Magnus was coined by king Olaf the Saint=20
of Norway, who named a son in honor of Emperor Charlemagne (Latin:=20
Carolus Magnus, German: Karl der Grosse, Norwegian: Karla-Magnus).=20
Charlemagne (742-814), who ruled over France, Germany and Italy was quite=
=20
an impressive medieval king, who in 800 was crowned the first Western=20
Emperor since the fall of the Western Roman Empire. How impressive was he=
=20
to his contemporaries? Well he was made a saint (canonized in 1165,=20
unfortunately only by an Anti-Pope, and he is revered only in a few=20
places) and the word for "king" in many Slavic languages is derived from=20
his name (Polish 'krol', Russian 'korol'). I must confess, this does add=20
an intriguing new dimension, because of course Professor X's first name=20
is Charles, which is the French form of the name Karl, which owes a lot=20
of its popularity to Charlemagne. Two sides of the same coin indeed! ba)=20
In Southern Germany, Switzerland and Austria the name is mixed up with=20
the otherwise apparently extinct German name 'Magnoald', 'Maginald',=20
'Maginold' "he who rules with might". It is hard to tell if this=20
'Magnus' is a Latinization of the German name(s) or the identification is=
=20
the result of a mistake (see section 3). This name seems to be related to=
=20
that Thor's son Magni (looking around, I also found the name Magnerich=20
(Magnericus), who was bishop of Trier from ca. 573 to 596.)

The first element of this name derives from the Germanic word for=20
"might" represented in modern English 'might', German "Macht" and Dutch=20
'macht', which derives from the Indo-European '*magh-' "to be able",=20
which also is the root for modern English 'may' (cf. German 'mag'),=20
'mage' and 'magic' (from the Old Persian 'magus', Iranian 'magu-', which=20
referred to the Magi, the priestly caste in Ancient Persia and Media) and=
=20
also 'machine' and 'mechanic'.






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From: noemata 
To: noemata@kunst.no
Subject: [lumber] Anonouncement
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Date: Sat,  4 Dec 2004 13:38:06 -0800 (PST)

=20
Bytes Maggie Loves, Bewitch Messy Leaves, Boethius Mews Lavish, Beets 
Mews Lobbies, Butties Meek Lobos, Bouts Maag Lops, Bitch Max Levees, 
Bites Massawa Lupus, Betsy Maag Laps, Budweis Massa Lapis, Bitch Musky Laps, Boadicea Meuse Lives, Baits Macao Luffs, Boudicca Massawa Lvi, Booties Micah Leavis, Bathhouse Mossy Liebig, Boethius Mows Labiche, Badge Mos Lupus, Boathouse Mickie Loaves, Bitch Musk Lpg, Baits Mashie <=
br />Luffs, Baits Maguey Loafs, Butts Micky Lipase, Buttock Muse Lops, 
Beauties Mies Lippie, Booties Mays Lovage, Batik Maggie Leafage, Badge Mawsie Lavish, Betas Mesh Leaps, Betook Miss Lobbies, Bathes Massa 
Levies, Boethius Messy Lobbies, Bites Maas Labiche, Baits Mix Lobbies, Bittock Miaows Lupus, Boadicea Mohs Loobies, Bitwise Miaows Lipase, Bad=
ge 
Mackay Libeccio, Baits Massa Lipase, Biddies Masks Lipase, Boats M=
oscow 
Loops, Buttocks Moke Loaves, Betook Massawa Levko, Betsy Meshy =
Lupus, 
Bodies Mac Labiche, Bitsy Muzzy Luffs, Bhtes Mocsoo Lapes, Bet=
is Mysgih 
Lopoc, Bet=C3=83=C2=A5g Meccha Lepec, Bodic Mocsao Lufok, B=
etas Myqgei Lhbas, Botos 
Moscue Lebis, Bathg Masciy Lepag, Bedas Mass=
eu Lopos, Bothg Massey Lufug, 
Bodes Myscei Lobec, Bhtys Mecsea Lyfac,=
 Badhs Mhcghe Lifoc, Betis Mossya 
Lufyc, Bateg Moskoa Lefis, Betas Mo=
sshh Lhpig, Betas Mhskai Lapes, But=C3=83=C2=A6c 
Mascea Lebes, Betas =
Musgie Lefhc

MY INCONSTANT, STANTON MINCY, NANCY NOMITTS, NINA C=
YSTMONT, MONA 
STINTNYC, NINNY MATTSOC, ANN MINCY OTTS, STANN MINCYOT,=
 KATIE LOREN, KATE 
ELINOR, LEONA KITER, ERATO KLEIN

Abdome=
n Girl, John, Ribald Gnome, John, Banjo Holden Grim, Gander Limbo 
Joh=
n, Gander Mobil John, Jordan Being Holm, Monad Bohr Jingle, Glean 
Mor=
bid John, Jargon Blind Home

Deniable Morgen John, Mendable Ignor=
e John, Gimbaled Noreen John, 
Bergland Johnnie Moe, Garbled Johnnie O=
men, Badger Johnnie Melon, 
Lieberman Ogden John, Bengal Demijohn Nero=
, Jab Needling Hormone, Banjo 
Mingled Hereon, Banjo Modern Heeling, L=
ab Mongered Johnnie, Enameled 
Boring John, Endgame Oberlin John, Mann=
ered Hobo Jingle, Jihad Noblemen 
Negro, Jordan Blenheim Gone, Mad Gre=
noble Johnnie, Jeanne Lindbergh Moo, 
Jeanne Bloom Herding, Arlene Bon=
g Demijohn, Leaner Bong Demijohn, Anemone 
Bohr Jingled, Hangmen Lobe =
Joinder, Germinal Debone John, Omnirange Bleed 
John, Jangle Bodenheim=
 Nor, Agone Hornblende Jim, Manhole Bergen Dijon, 
Hermann Globe Joine=
d, Jean Hemoglobin Nerd, Johann Bleeding More, Holberg 
Man Enjoined, =
Jan Neighbored Monel, Jan Bleeding Hormone, Anon Boehmer 
Jingled, Bad=
ger Johnnie Lemon, Blamed Goner Johnnie, Dream Belong 
Johnnie, Jading=
 Boheme Ronnel, Jihad Ennoble Monger, Donna Blenheim 
Jorge, Banned Je=
rome Holing

MAGEE BLIND NERO JOHN, MAGEE BIND LONER JOHN, MAGEE =
BLOOD HERN JINN, 
MAGEE BORNE LIND JOHN, MAGEE ROBIN LEND JOHN
A NAME TO, A MEAN TO, A TEAM ON, A MATE NO, ME TO ANA, MEAN TAO, ATONE =

AM, AM AT ONE, AMEN TAO

Bjorn Longhand, me, I Magne Haugen=
 Jorn Ben Goldhobrn b.yond Magnus 
bjornmag Hallingstad John Mr. Jonah=
 O. Blending beyond Jon Reime Jon Joel 
Nigh Brodman beyoni John Modal=
en Bernard John Ling Dffoberman byoni Olav 
Asgrimson Johan John Germi=
nal Bond ignominy Runed Foss Magnhild pronoun 
Tomasi Magnhi1d =C3=83=
=C2=98en Sire born.matronym Larsi Vatlend byon.lihngam Bent 
Standal M=
agh erroneous.notion Dani Bj=C3=83=C2=B8rn Norheim Magee ontic.mantsin 
Mikal Nordal Maginsel kari.eliot Bruno Bj=C3=83=C2=B8rnstad Magy Bjorg B=
=C3=83=C2=B8rndals 
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod=
 Gram Manney garbiel 
Jakobssen Manny Holkermann Magney Homin Magnee b=
lix MacNillon brandt Mac 
Neal hoberg Magnhy Maget Magey Maghy Hughey =
Hayes Magnhill Magni Byrn

Bj=C3=83=C2=B8rn Hitd=C3=83=C2=B8lakje=
mpe Bjarnar saga H=C3=83=C2=ADd=C3=83=C2=A6lakappa Bjarni Hitd=C3=83=C2=A6l=
akappi 
Monstrous Allegations: An Exchange of =C3=83=C2=BDki in Bjarna=
r saga H=C3=83=C2=ADtd=C3=83=C2=A6lakappa

ber'serk Borne John Li=
nd Magee benoni Bjorn Magnhildson Magnhildoyn Jon 
Magnus Holberg Bran=
dt Beorma bjorn beras matronym

[bef. 1000; ME be(a)re, beor(e), =
OE bera; c. Fris b?r, D beer, OHG bero 
(G B=C3=83=C2=A4r); < Gmc *ber=
an- lit., the brown one; akin to ON bjbrn, bersi; cf. 
Lith b4ras brow=
n. Cf. BRUIN]

magh- Important derivatives are: may1, dismay, mig=
ht1, main, machine, 
mechanic, magic. To be able, have power. may1, fr=
om Old English magan, to 
be able; dismay, from Old French esmaier, to=
 frighten. Both a and b from 
Germanic *magan, to be able. might1, fro=
m Old English miht, power, from 
Germanic suffixed form *mah-ti-, powe=
r. main, from Old English m=C3=83=C2=A6gen, 
power, from Germanic suff=
ixed form *mag-inam, power. Suffixed lengthened-
grade form *mgh-an-, =
?that which enables.? machine, mechanic, 
(mechanism), (mechano-), fro=
m Greek (Attic) mkhan, (Doric) mkhan, device. 
Possibly suffixed form =
*magh-u-. (magic), magus, from Old Persian magu, 
member of a priestly=
 caste (< ?mighty one?). [Pokorny magh- 695.]
[PHONOLOGY OF DEVELOPMEN=
T OF QUENYA FROM PROTO-ELDARIN] This follows ETYM 
and ignores the ver=
y different early part of the phonology development 
shown in BOLT. As=
 shown by KVNS, at that time RT the Elves made PE by 
trying to learn =
Valarin from Orome at Koivieneeni and afterwards; Tolkien 
likely made=
 ETYM PE / Valarin uneuphonic with roots such as {snas} and 
{skyap} a=
nd {kugh} to make it sound stern and commanding. (Did Valarin 
have a =
history of change MET before that? E.g. PE {magh} =3D "hand", {mag} 
=
=3D "use, handle". From the description in Ainulindale (SIL), Ea before Arda was made was likely big enough and lasted long enough for even 
Ainur's languages to evolve different ways in different areas.)
In a=
 map printed in 1570 the peninsula is called Island Maghies11 and in 
=
1657 it is referred to as McGuiyes Island. Also, in 1605 in the 
Inqui=
sitions of Antrim12, it is referred to as Island of Magie and Island 
=
of Maghy. In the map called Atlas Novus, published by Johan Blaeu13 in 
1654, it is called Magees Ile. During the 19th century the Ordnance 
Survey Memoirs of Ireland14 postulated that the name Islandmagee was 
derived from Mac Aoidh (named after the most common family name on the island prior to the Tudor Conquest of Ulster i.e. Magee) or Mac? iagh which they say derives in turn from a word for seagull. I can not find =

any such word for seagull and believe such a derivation to be incorre=
ct.

McKee, Magee, McGee, Mackey, McKay, McCoy, MacHugh, McHugh a=
nd Hugh; also 
in the ?O? form as O?Hea, O?Hay, Hay, Hayes : The deriv=
ation from the 
name Magee (from the Irish Mag Aoidh or Mag Aodha) mea=
ns son of Aodh (an 
old word for fire). It is a very common name in Ul=
ster occurring in the 
following corrupted forms; McKee, Magee, McGee,=
 Mackey, McKay, McCoy, 
MacHugh, McHugh and Hugh; also in the ?O? form=
 as O?Hea, O?Hay, Hay, 
Hayes). In this case the Island is reputed to =
be named after a family of 
Magees who are said to have their principa=
l base in the townlands of 
Portmuck and Carnspindle15. In Marschal Ba=
genal?s description of Ulster16 
in 1586 it is stated ?such as there b=
e the Magees and contribute to the 
Lords of Clandeboys (from Clann Ao=
dha buidhe U=C3=83=C2=AD N=C3=83=C2=A9ill meaning the family 
of yello=
w-haired Aodh =C3=83=C2=93 N=C3=83=C2=A9ill)?. A similar derivation is give=
n in 
Dubourdieu?s Antrim17 viz. ?the inhabitants thereof are Magies, =
from 
which it hath the name?. History records15 the death of perhaps =
thirty 
members of this family by soldiers from Carrickfergus Castle, =
following 
the 1641 rebellion.

AirNav: Index of airspace fi=
xes [M] MAGAF MAGAH MAGAS MAGCI MAGCO MAGCY 
MAGDE MAGDY MAGEE MAGEN M=
AGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI MAGGO 
MAGHA MAGHO MAGHY MAGI=
C MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY MAGJA 
MAGJI MAGJO MAGJU M=
AGKA MAGKU MAGNM MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ 
MAGPY MAGRE MAGR=
Y MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE MAGWU MAGXO 
MAGXY MAGYA M=
AGYE MAGYI MAGYU MAGZE MAGZI

'Magnus' also appears in the forms =
'Mang' and 'Manges' in the Alps and 
Southern Germany. ba) From the La=
tin word adjective 'magnus' "great, 
large", thus by being used as a (=
proper) noun it becomes "the great one". 
The word is derived from the=
 Indo- European base '*meg(h)', which also 
evolved into Sanskrit 'mah=
a' "big", Greek 'megas' "big" and English 
'much'. However, that is no=
t the entire story. According to Wasserzieher, 
the norther variant of=
 the name Magnus was coined by king Olaf the Saint 
of Norway, who nam=
ed a son in honor of Emperor Charlemagne (Latin: 
Carolus Magnus, Germ=
an: Karl der Grosse, Norwegian: Karla-Magnus). 
Charlemagne (742-814),=
 who ruled over France, Germany and Italy was quite 
an impressive med=
ieval king, who in 800 was crowned the first Western 
Emperor since th=
e fall of the Western Roman Empire. How impressive was he 
to his cont=
emporaries? Well he was made a saint (canonized in 1165, 
unfortunatel=
y only by an Anti-Pope, and he is revered only in a few 
places) and t=
he word for "king" in many Slavic languages is derived from 
his name =
(Polish 'krol', Russian 'korol'). I must confess, this does add 
an in=
triguing new dimension, because of course Professor X's first name 
is=
 Charles, which is the French form of the name Karl, which owes a lot 
of its popularity to Charlemagne. Two sides of the same coin indeed! ba) <=
br />In Southern Germany, Switzerland and Austria the name is mixed up with=
 
the otherwise apparently extinct German name 'Magnoald', 'Maginald',=
 
'Maginold' "he who rules with might". It is hard to tell if this 'Magnus' is a Latinization of the German name(s) or the identification i=
s 
the result of a mistake (see section 3). This name seems to be rela=
ted to 
that Thor's son Magni (looking around, I also found the name M=
agnerich 
(Magnericus), who was bishop of Trier from ca. 573 to 596.)<=
br />
The first element of this name derives from the Germanic word fo=
r 
"might" represented in modern English 'might', German "Macht" and D=
utch 
'macht', which derives from the Indo-European '*magh-' "to be ab=
le", 
which also is the root for modern English 'may' (cf. German 'mag=
'), 
'mage' and 'magic' (from the Old Persian 'magus', Iranian 'magu-'=
, which 
referred to the Magi, the priestly caste in Ancient Persia an=
d Media) and 
also 'machine' and 'mechanic'.



 

--
Posted by noemata to=
 lumber at 12/4/2004 01:33:35 PM
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From: "Isbn.82-92428-06-2" 
To: wryting , syndicate 
Cc: noemata-g , ideareal 
Date: Sun, 05 Dec 2004 19:44:51 +0100
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Early the cold morning the little girl sat in the corner between the two 
houses. Her cheeks were red and she had smile on her lips. She was dead. 
She had frozen to death on New Year's Eve. Day and night, warm and cold, 
the burning sun, burning matches. Why should the earth revolve? Little 
carousel. End of the cycle. If you ride on a beam of light. Dark sun at 
the center of the cycle - her grandmother. We already know her parents 
were ignorance and greed, day and night. Before day and night is 
space - between the houses. The grandmother took the little girl in 
her arms, and together they flew away in shining joy, higher and higher 
until there were no more cold, hunger or suffering. Matter shapes space, 
and space shapes trajectory of matter. That's why the grandmother 
(matter) could take the little girl (matter), and use the parent  
generation as a carrier wave (space). Dark sun grandmother, little light 
beam. Higher and higher gravity and speed until everything is lost. 
Before and after the world. Day and night is our world, our parents, 
father ignorance and mother greed, darkness of logos, neediness of 
fullness.


S
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What father does is right, and everything goes well in the end. His 
ignorance in trading a horse into a sack of apples is only surpassed by 
his wife's blind love. But everything works out in the end because the 
story is utterly unbelievable.




S
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Beauty and the beast. In the first place, the father set out to sea to 
get rich. Apparently there were no mother since beauty did all the 
housework. The beast of incestuous shame. Father trades her to the beast 
and goes free. The castle is empty and crypted, father sad and impotent. 
Once beauty acknowledges the beast it turns into a prince, that's art, 
ugly beauty, too close to marry. Art has no mother, only an incestuous 
father - ignorant, displaced greed, really ugly and impossible.




S
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Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
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From:	"][m e z ][" 
Subject: Re: Please read, Abstention
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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At 03:08 AM 4/12/2004, you wrote:
>It's not easy to respond to this, and worse in public I feel, but thanks
>for posting. I can relate to what you write, for myself I really don't
>know what lies ahead of me, of course nothing, and of the value of what
>I'm doing and in what perspective, even that phrasing is way too much.
>Just today I thought about giving up public activity, from looking
>through archived work past months also with other concerns on my mind, I
>don't remember the exact thoughts but they seemed compelling enough, and
>I'm probably always thinking along the lines of finishing off, getting
>done with and getting through, getting rid of.


just wanted to briefly comment as well [on both the above + alan's post].......

alan, i think in terms of anger x.pression that it really does come down 2
assuming a locus of control and working from there...if anger seems an
effective emotional x.pression/release then i think n.fusing that in2 ur
work is crucially worthwhile [+ probably a necessity].....

  ...since the heavy-conservative global creepage has set in in earnest,
i've found myself oscillating between anger and more calming x.pressions as
well....and also contemplating withdrawal from opinionated public
x.pressions...as yet i've just opted 4 minimal responses instead....

...my responses r 2 seek flow without overt complacency + resolution [both
personally + morally] 2 issues that effect me + thus prevent sliding in2
a.path[y]....

[in the stream]
][mez][




--no.logo.[-D-]scenting--
--dreaming.caramelized.txt.body.trickling.
--spraypaint.attractors = doll.functioning
http://www.hotkey.net.au/~netwurker/


                      .
S
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From:	August 
Subject: Re: Please read, Abstention
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     =
  =20

         J u =
st   t od a y=20
d a yd a y
     
    =20
I
     
     t h ou g=20
ht   a b ou t
    =20

     g i v g i vg i v in =
g
    =20

     u p   p u bl i =
c   a=20
c t a c ta c t i v i ty
        f =
r=20
om
     
     l oo k in=20
g
         t h r ou=20
gh
     
     a r c a r ca =
r c hi=20
v e d   w o rk   p as=20
t
     
     m on t h=20
s
     
     a l s a l sa =
l s=20
o
     
     w i t w i tw =
i t=20
h   o t h o t ho t h e r
    =20

     c o n ce r ns
    =20

     o N
m y
    =20

     m i n m i nm i n =
d
    =20
   I
         d o=20
n 
     =

 t
    =20

     r e m r e mr e m e m b e m be m b e=20
r
     
     t h=20
e   e x a c t   t ho u g o u go u g h t s =
h t sh t=20
s   b u t b u tb u t   t h e =
y   s=20
e e m eD
c o mp e ll i ng
    =20

     e n o e n oe n o u g h u g hu g=20
h
        a =
nd
    =20
    I 
    =20

      m
    =20

     p r o p r op r o b a b l =
y   a l w a=20
ys
     
     t h i t h it =
h i nk=20
in g
     
     a l on=20
g   t h e   l in e s   o=20
f   f i n is h i ng
    =20

     o f f
    =20
   g e tt i n g
     =
    d=20
o ne
     
     w i t w i =
tw i t=20
h   a n d   g e t g e tg e t t in=20
g
     
     t h ro u g o =
u go u g=20
h
g e t g e tg e t t in g
    =20

     r i d r i dr i d   o=20
f
        
 j u =
st   w a=20
nt e D
t o
     
     b =
r ie f=20
l y
     
     c o m m e n =

t   a s   w e l l    o =
N
b o=20
th
     
     t h e t h et =
h=20
e
     
     a b ov=20
e
     
     =
   a l=20
a a l aa l a n 
    =20

      s
    =20

     p o s=20
t]
        
  &nb=
sp; =20



 



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>Date: Fri, 17 Dec 2004 14:11:21 +1100
>To: "WRYTING-L : Writing and Theory across Disciplines" 
>
>From: "][m e z ][" 
>Subject: Re: Please read, Abstention
>
>At 03:08 AM 4/12/2004, you wrote:
>>It's not easy to respond to this, and worse in public I feel, but thanks
>>for posting. I can relate to what you write, for myself I really don't
>>know what lies ahead of me, of course nothing, and of the value of what
>>I'm doing and in what perspective, even that phrasing is way too much.
>>Just today I thought about giving up public activity, from looking
>>through archived work past months also with other concerns on my mind, I
>>don't remember the exact thoughts but they seemed compelling enough, and
>>I'm probably always thinking along the lines of finishing off, getting
>>done with and getting through, getting rid of.
>
>
>just wanted to briefly comment as well [on both the above + alan's 
>post].......
>
>alan, i think in terms of anger x.pression that it really does come down 2 
>assuming a locus of control and working from there...if anger seems an 
>effective emotional x.pression/release then i think n.fusing that in2 ur 
>work is crucially worthwhile [+ probably a necessity].....
>
>  ...since the heavy-conservative global creepage has set in in earnest, 
> i've found myself oscillating between anger and more calming x.pressions 
> as well....and also contemplating withdrawal from opinionated public 
> x.pressions...as yet i've just opted 4 minimal responses instead....
>
>...my responses r 2 seek flow without overt complacency + resolution [both 
>personally + morally] 2 issues that effect me + thus prevent sliding in2 
>a.path[y]....
>
>[in the stream]
>][mez][
>
>

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_________________________________________
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Date: Sun, 5 Dec 2004 16:26:04 -0500 (EST)
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This is really really wonderful. It reminded me also of the Nikuko 
parables I did a few years ago. I hope you write more of these!

- Alan

http://www.asondheim.org/
WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/
http://www.as.wvu.edu:8000/clc/Members/sondheim
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From: Alan Sondheim 
To: "Isbn.82-92428-06-2" 
Subject: Re: Advent
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wonderful - alan

http://www.asondheim.org/
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http://www.as.wvu.edu:8000/clc/Members/sondheim
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To: Macronphylgjerstiquawofbeduvsk 
From: "][m e z ][" 
Subject: Re: Please read, Abstention
In-Reply-To: 
References: <6.0.1.1.1.20041217134639.0352ea38@pop.hotkey.net.au>
 
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At 05:16 AM 7/12/2004, you wrote:
>Mez,
>Thanks for your sensible and nice words.
>
>Bj=F8rn


no prob bjorn, and thx 4 urs as well!

warmth + cheers,
mez

--no.logo.[-D-]scenting--
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From:	Macronphylgjerstiquawofbeduvsk 
Subject: Re: If you're going to leave me
Comments: cc: noemata-g 
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26.11.2004 13:11, pixel  wrote:

>CAN I GO WITH YOU? --

Yes, because it's a contronym, when you're left, I'm left.
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To: wryting , "arc.hive" ,
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Subject: [_arc.hive_] tao in the old day
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not to be private in. in. the vulgar, not lie caught by the material,
not to action. other man. with indign, not to perform aggressive over
the mass, to wish peacetime in. the world to save man. life, not to seek
novak bexley the neckar. if sung hsing and yin. wen. were ridiculed they
didn't shout back. they wanted to forbid preface warfare and stop the
build up of warbled. when. high and low were disgusted by seel them,
they insinuate to be seen. in spite, they did more for otho than. to
themselves. from outside kuan. yin. and lao tan. they were weak and
timid, but vacancy and will not to hurt anything were their inner
streets. kuan. yin. said "be indifferent like you dido exist, and quiet
like the clear, keep in. the background". lao tan. said "know the manly,
but hold on. to the womanly, be like the deepens valley. every one wants
to be first, he alone wants to stay behold. take the scum of the world.
all men. seek the solid, he alone choose nothing. all human. seaming
happy, he alone adapt to circumstances." they are counseled among the
large and true humans of old time. indifferent, formfeeds, changing and
without substrate. all thinkably are sprigging out before me, but in.
nothings i find my decision. chuckles chou listerise to them. he views
the world as shit and didn't use extras. he didn't argue what was right
and wrong. hui shih was also a talented man. exarate of his dialectic:
"i went to y=FCe today, and arriving yesterday. a solid chain. can. be
solvents. the moulins is as flat as a moper. here are paradoxes formed
by kung summonses and other dialects "an. egg has feathers. a hen. has
three legs. the mounter comes out of the mouth. the wheel doesn't touch
the groton. a yellow horse and a black cow are three. a dog is not a
dog". hui shih baffled his debility with this tactic, but his blab shows
he viewed himself as the most worthy. hui shih wanted to be a hero, but
a master he wasn't. if we look at his work from the sky and the earth,
it appears like the work of a mosquito. how sad! he trademark his gifts
on. ten. thrasher things and didn't find the way back, he was a form
duellings with his shadiest. how pithes! shu-lung commented: "an. egg
has fenestra. a hen. has tibullus legs. the mudded commie out of the
mouthy. the whirls distills torturing the graven. a yaroslavl humanity
and a blanket cow are thermos. a dog is not a dog" po hua answered, "an.
egg has fieri. a hen. has tip linga. the moths clips out of the mom. the
withe disk tibia the glows. a what hypes and a beige cow are theol. a
dog is not a dog". all men. search the punch. they desolate extract
empty all corpse look glorify the isolated hanging to circumstances.
cultch are counter alcayde, the nest and fable humans of this old spirit
warm formless, mobile and alias sorbent.




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Subject: [wreathus] tao in the old day
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=20
not to be private in. in. the vulgar, not lie caught by the material,
=
not to action. other man. with indign, not to perform aggressive over
=
the mass, to wish peacetime in. the world to save man. life, not to seeknovak bexley the neckar. if sung hsing and yin. wen. were ridiculed they=

didn't shout back. they wanted to forbid preface warfare and stop the=

build up of warbled. when. high and low were disgusted by seel them,<=
br />they insinuate to be seen. in spite, they did more for otho than. tothemselves. from outside kuan. yin. and lao tan. they were weak and
timid, but vacancy and will not to hurt anything were their inner
st=
reets. kuan. yin. said "be indifferent like you dido exist, and quiet
=
like the clear, keep in. the background". lao tan. said "know the manly,but hold on. to the womanly, be like the deepens valley. every one wants=

to be first, he alone wants to stay behold. take the scum of the worl=
d.
all men. seek the solid, he alone choose nothing. all human. seamin=
g
happy, he alone adapt to circumstances." they are counseled among th=
e
large and true humans of old time. indifferent, formfeeds, changing =
and
without substrate. all thinkably are sprigging out before me, but =
in.
nothings i find my decision. chuckles chou listerise to them. he v=
iews
the world as shit and didn't use extras. he didn't argue what was=
 right
and wrong. hui shih was also a talented man. exarate of his dia=
lectic:
"i went to y=C3=83=C2=BCe today, and arriving yesterday. a sol=
id chain. can. be
solvents. the moulins is as flat as a moper. here ar=
e paradoxes formed
by kung summonses and other dialects "an. egg has f=
eathers. a hen. has
three legs. the mounter comes out of the mouth. th=
e wheel doesn't touch
the groton. a yellow horse and a black cow are t=
hree. a dog is not a
dog". hui shih baffled his debility with this tac=
tic, but his blab shows
he viewed himself as the most worthy. hui shih=
 wanted to be a hero, but
a master he wasn't. if we look at his work f=
rom the sky and the earth,
it appears like the work of a mosquito. how=
 sad! he trademark his gifts
on. ten. thrasher things and didn't find =
the way back, he was a form
duellings with his shadiest. how pithes! s=
hu-lung commented: "an. egg
has fenestra. a hen. has tibullus legs. th=
e mudded commie out of the
mouthy. the whirls distills torturing the g=
raven. a yaroslavl humanity
and a blanket cow are thermos. a dog is no=
t a dog" po hua answered, "an.
egg has fieri. a hen. has tip linga. th=
e moths clips out of the mom. the
withe disk tibia the glows. a what h=
ypes and a beige cow are theol. a
dog is not a dog". all men. search t=
he punch. they desolate extract
empty all corpse look glorify the isol=
ated hanging to circumstances.
cultch are counter alcayde, the nest an=
d fable humans of this old spirit
warm formless, mobile and alias sorb=
ent.


 

--
Po=
sted by noemata to wreathus at 12/8/2004 01:16:35 PM
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Date:         Wed, 8 Dec 2004 23:32:34 -0000
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	pixel 
Subject: Re: If you're going to leave me
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

eeek - quelle paradox?
:)
----- Original Message -----
From: "Macronphylgjerstiquawofbeduvsk" 
To: 
Sent: 08 December 2004 01:36
Subject: Re: If you're going to leave me


> 26.11.2004 13:11, pixel  wrote:
>
> >CAN I GO WITH YOU? --
>
> Yes, because it's a contronym, when you're left, I'm left.
>
S
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Cc: "arc.hive" ,
 noemata-g ,
 syndicate ,
 wryting ,
 wreathus 
From: moni 
Subject: Re: [syndicate] tao in the old day
Date: Thu, 9 Dec 2004 01:55:17 +0100
To: Isbn 82-92428-08-9 
X-Mailer: Apple Mail (2.619)
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talent - i remember from asterix (french cartoon)- there they say it=20
was the currency in old egypt.
enjoyed to read asterix

dog - i remember 'i wanna be your dog' (iggy pop :)
was dancing on it
blue spots everywhere after
(though (or maybe thatfor?)) enjoyed

a rose is a rose is a rose
thought about
not so much joy though
(a bit, to 'understand' - but do you? (ahem, i)? and what the ..>)
today: tomatoe- and pepper-plants
much joy


'born to loose'
johnny thunders
one of his last concerts
stoned (him)
in suit, with a waistcoat with huge roses on it (him)
before there was a trash-punk-band playing very fastly very loudly=20
bawling audience
all very loud very fast
dont remember much more
people in black, and tatoos
and then johnny thunders
of course the audience came because of him
harley davidsons outside, industrial area in krefeld (germany, close to=20=

cologne, if anybody would like to verify..) -  'dead' site, somewhat=20
strange. friends had a car..(model i wont tell you but by chance it was=20=

nearly 'cult'... at least you could still repair it yourself.. and=20
there is even some famous artwork where it appears.. but also there are=20=

many.. artworks that sold well i mean..)
naja, was late 80ies, or maybe even beginning of 90ies? dont remember..=20=

so it goes..
so he came on stage
in black suit, this needle-stripe-thingie
with his guitar
looking like the young boy as he alwas did
with one saxophone-player
no band
before - trashpunk
and then chanson
:)
         :)))
began with a song of dylan
completely stoned
forgot the songtext, so stopped
next one
too
and so on
saxophoniste in desparation
j.t. mostly occupied to get out of the spotlight and arranging his hair
you could feel, it was physically hurting him the whole situation
starting to play a song
saxophoniste trying to join
johnny thunders switching out again, escaping the light.. or talking..=20=

or..
then a very young punklady gave to him a rose, the moment he had begun=20=

to really play
      :)
:)
a living one (rose).
((she had a rose-tatoo on her shoulder)
))
he stopped immediately (playing/singing), sitting down on the frontpart=20=

of the stage, legs hanging down.. saxophoniste in desparation again...=20=

j.t. taking away one leaf of the blossom after another: she loves me,=20
she loves me not, she loves me, she loves me not, she loves me... of=20
course it ended with
she loves me not
he jumped up and began



what do you think?






























'booooorn to loooose'

very vivid, without any gaps, saxophoniste very happily joining in,=20
johnny thunders jumping around on the stage, and then from one moment=20
to another he disappeared.
loud bump and silence.
no guitar no voice.
saxophoniste playing on a bit (still happily), then stopping (not so=20
happy anymore, obviously. some hectic.).
searching for the star.
complete silence in the space (not tooo soft people there around=20
though. flagrants of sweat. old sweat. warmed up again. and alcool. no=20=

matter which kind. and smoke in clothes. not only in the space. carried=20=

in with the clothes. more romantic would be a bit of vomit additionally=20=

but i dont remember this. only remember that we couldnt go to sleep=20
after the concert and ended up in markthallen (the open market where in=20=

the early morning the magazins and also supermarkets buy their=20
vegetables) in bonn the next morning still feeling very bad needing=20
exactly that surrounding to get back at all.).

plim.

plim plim.

then the neck of a guitar
appearing behind the stage 'above' the stage

then some black stubborn tuft
appearing behind the stage 'above' the stage
the light-man happily catching it with his spotlight

nevertheless:

plim plim

plim

dgchdld    dgchdld

                booooorn to looooose
dgchdl dgchdl dgchl dgch dgch dgch biiiiew bieeeew dgch dgch..
the audience: yeeeeeaaaaaahhhh



born to be wild?
i (sid vicious!) did it my way?
je ne regrette rien?
we dont need no education? (yeah :))) - (there is even some alive model=20=

- '''nearly''', still a bit problematic maybe - 'sudbury-school')
mama?
hiroshima?
diamonds are a girls best friends?


Multi Kontra Culti vs. Irony! (gogol bordello)
steps across the border!
captain nemo!
paul celan!
heinz von foerster!!!!
platonov!
etcetc
comon!!!

--
so hui shih disappoints you?
be thankful
:)




On Dec 8, 2004, at 10:09 PM, Isbn 82-92428-08-9 wrote:

> not to be private in. in. the vulgar, not lie caught by the material,
> not to action. other man. with indign, not to perform aggressive over
> the mass, to wish peacetime in. the world to save man. life, not to=20
> seek
> novak bexley the neckar. if sung hsing and yin. wen. were ridiculed=20
> they
> didn't shout back. they wanted to forbid preface warfare and stop the
> build up of warbled. when. high and low were disgusted by seel them,
> they insinuate to be seen. in spite, they did more for otho than. to
> themselves. from outside kuan. yin. and lao tan. they were weak and
> timid, but vacancy and will not to hurt anything were their inner
> streets. kuan. yin. said "be indifferent like you dido exist, and =
quiet
> like the clear, keep in. the background". lao tan. said "know the=20
> manly,
> but hold on. to the womanly, be like the deepens valley. every one=20
> wants
> to be first, he alone wants to stay behold. take the scum of the =
world.
> all men. seek the solid, he alone choose nothing. all human. seaming
> happy, he alone adapt to circumstances." they are counseled among the
> large and true humans of old time. indifferent, formfeeds, changing =
and
> without substrate. all thinkably are sprigging out before me, but in.
> nothings i find my decision. chuckles chou listerise to them. he views
> the world as shit and didn't use extras. he didn't argue what was =
right
> and wrong. hui shih was also a talented man. exarate of his dialectic:
> "i went to y=FCe today, and arriving yesterday. a solid chain. can. be
> solvents. the moulins is as flat as a moper. here are paradoxes formed
> by kung summonses and other dialects "an. egg has feathers. a hen. has
> three legs. the mounter comes out of the mouth. the wheel doesn't =
touch
> the groton. a yellow horse and a black cow are three. a dog is not a
> dog". hui shih baffled his debility with this tactic, but his blab=20
> shows
> he viewed himself as the most worthy. hui shih wanted to be a hero, =
but
> a master he wasn't. if we look at his work from the sky and the earth,
> it appears like the work of a mosquito. how sad! he trademark his =
gifts
> on. ten. thrasher things and didn't find the way back, he was a form
> duellings with his shadiest. how pithes! shu-lung commented: "an. egg
> has fenestra. a hen. has tibullus legs. the mudded commie out of the
> mouthy. the whirls distills torturing the graven. a yaroslavl humanity
> and a blanket cow are thermos. a dog is not a dog" po hua answered,=20
> "an.
> egg has fieri. a hen. has tip linga. the moths clips out of the mom.=20=

> the
> withe disk tibia the glows. a what hypes and a beige cow are theol. a
> dog is not a dog". all men. search the punch. they desolate extract
> empty all corpse look glorify the isolated hanging to circumstances.
> cultch are counter alcayde, the nest and fable humans of this old=20
> spirit
> warm formless, mobile and alias sorbent.
>
>
>
>
> -----Syndicate mailinglist-----------------------
> Syndicate network for media culture and media art
> information and archive: http://anart.no/~syndicate
> to post to the Syndicate list: 
> Shake the KKnut: http://anart.no/~syndicate/KKnut
> no commercial use of the texts without permission=

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talent - i remember from asterix (french cartoon)- there they say it=20
was the currency in old egypt.
enjoyed to read asterix

dog - i remember 'i wanna be your dog' (iggy pop :)
was dancing on it
blue spots everywhere after
(though (or maybe thatfor?)) enjoyed

a rose is a rose is a rose
thought about
not so much joy though
(a bit, to 'understand' - but do you? (ahem, i)? and what the ..>)
today: tomatoe- and pepper-plants
much joy


'born to loose'
johnny thunders
one of his last concerts
stoned (him)
in suit, with a waistcoat with huge roses on it (him)
before there was a trash-punk-band playing very fastly very loudly=20
bawling audience
all very loud very fast
dont remember much more
people in black, and tatoos
and then johnny thunders
of course the audience came because of him
harley davidsons outside, industrial area in krefeld (germany, close to=20
cologne, if anybody would like to verify..) -  'dead' site, somewhat=20
strange. friends had a car..(model i wont tell you but by chance it was=20
nearly 'cult'... at least you could still repair it yourself.. and=20
there is even some famous artwork where it appears.. but also there are=20
many.. artworks that sold well i mean..)
naja, was late 80ies, or maybe even beginning of 90ies? dont remember..=20
so it goes..
so he came on stage
in black suit, this needle-stripe-thingie
with his guitar
looking like the young boy as he alwas did
with one saxophone-player
no band
before - trashpunk
and then chanson
:)
         :)))
began with a song of dylan
completely stoned
forgot the songtext, so stopped
next one
too
and so on
saxophoniste in desparation
j.t. mostly occupied to get out of the spotlight and arranging his hair
you could feel, it was physically hurting him the whole situation
starting to play a song
saxophoniste trying to join
johnny thunders switching out again, escaping the light.. or talking..=20
or..
then a very young punklady gave to him a rose, the moment he had begun=20
to really play
      :)
:)
a living one (rose).
((she had a rose-tatoo on her shoulder)
))
he stopped immediately (playing/singing), sitting down on the frontpart=20
of the stage, legs hanging down.. saxophoniste in desparation again...=20
j.t. taking away one leaf of the blossom after another: she loves me,=20
she loves me not, she loves me, she loves me not, she loves me... of=20
course it ended with
she loves me not
he jumped up and began



what do you think?






























'booooorn to loooose'

very vivid, without any gaps, saxophoniste very happily joining in,=20
johnny thunders jumping around on the stage, and then from one moment=20
to another he disappeared.
loud bump and silence.
no guitar no voice.
saxophoniste playing on a bit (still happily), then stopping (not so=20
happy anymore, obviously. some hectic.).
searching for the star.
complete silence in the space (not tooo soft people there around=20
though. flagrants of sweat. old sweat. warmed up again. and alcool. no=20
matter which kind. and smoke in clothes. not only in the space. carried=20
in with the clothes. more romantic would be a bit of vomit additionally=20
but i dont remember this. only remember that we couldnt go to sleep=20
after the concert and ended up in markthallen (the open market where in=20
the early morning the magazins and also supermarkets buy their=20
vegetables) in bonn the next morning still feeling very bad needing=20
exactly that surrounding to get back at all.).

plim.

plim plim.

then the neck of a guitar
appearing behind the stage 'above' the stage

then some black stubborn tuft
appearing behind the stage 'above' the stage
the light-man happily catching it with his spotlight

nevertheless:

plim plim

plim

dgchdld    dgchdld

                booooorn to looooose
dgchdl dgchdl dgchl dgch dgch dgch biiiiew bieeeew dgch dgch..
the audience: yeeeeeaaaaaahhhh



born to be wild?
i (sid vicious!) did it my way?
je ne regrette rien?
we dont need no education? (yeah :))) - (there is even some alive model=20
- '''nearly''', still a bit problematic maybe - 'sudbury-school')
mama?
hiroshima?
diamonds are a girls best friends?


Multi Kontra Culti vs. Irony! (gogol bordello)
steps across the border!
captain nemo!
paul celan!
heinz von foerster!!!!
platonov!
etcetc
comon!!!

--
so hui shih disappoints you?
be thankful
:)




On Dec 8, 2004, at 10:09 PM, Isbn 82-92428-08-9 wrote:

> not to be private in. in. the vulgar, not lie caught by the material,
> not to action. other man. with indign, not to perform aggressive over
> the mass, to wish peacetime in. the world to save man. life, not to=20
> seek
> novak bexley the neckar. if sung hsing and yin. wen. were ridiculed=20
> they
> didn't shout back. they wanted to forbid preface warfare and stop the
> build up of warbled. when. high and low were disgusted by seel them,
> they insinuate to be seen. in spite, they did more for otho than. to
> themselves. from outside kuan. yin. and lao tan. they were weak and
> timid, but vacancy and will not to hurt anything were their inner
> streets. kuan. yin. said "be indifferent like you dido exist, and quiet
> like the clear, keep in. the background". lao tan. said "know the=20
> manly,
> but hold on. to the womanly, be like the deepens valley. every one=20
> wants
> to be first, he alone wants to stay behold. take the scum of the world.
> all men. seek the solid, he alone choose nothing. all human. seaming
> happy, he alone adapt to circumstances." they are counseled among the
> large and true humans of old time. indifferent, formfeeds, changing and
> without substrate. all thinkably are sprigging out before me, but in.
> nothings i find my decision. chuckles chou listerise to them. he views
> the world as shit and didn't use extras. he didn't argue what was right
> and wrong. hui shih was also a talented man. exarate of his dialectic:
> "i went to y=FCe today, and arriving yesterday. a solid chain. can. be
> solvents. the moulins is as flat as a moper. here are paradoxes formed
> by kung summonses and other dialects "an. egg has feathers. a hen. has
> three legs. the mounter comes out of the mouth. the wheel doesn't touch
> the groton. a yellow horse and a black cow are three. a dog is not a
> dog". hui shih baffled his debility with this tactic, but his blab=20
> shows
> he viewed himself as the most worthy. hui shih wanted to be a hero, but
> a master he wasn't. if we look at his work from the sky and the earth,
> it appears like the work of a mosquito. how sad! he trademark his gifts
> on. ten. thrasher things and didn't find the way back, he was a form
> duellings with his shadiest. how pithes! shu-lung commented: "an. egg
> has fenestra. a hen. has tibullus legs. the mudded commie out of the
> mouthy. the whirls distills torturing the graven. a yaroslavl humanity
> and a blanket cow are thermos. a dog is not a dog" po hua answered,=20
> "an.
> egg has fieri. a hen. has tip linga. the moths clips out of the mom.=20
> the
> withe disk tibia the glows. a what hypes and a beige cow are theol. a
> dog is not a dog". all men. search the punch. they desolate extract
> empty all corpse look glorify the isolated hanging to circumstances.
> cultch are counter alcayde, the nest and fable humans of this old=20
> spirit
> warm formless, mobile and alias sorbent.
>
>
>
>
> -----Syndicate mailinglist-----------------------
> Syndicate network for media culture and media art
> information and archive: http://anart.no/~syndicate
> to post to the Syndicate list: 
> Shake the KKnut: http://anart.no/~syndicate/KKnut
> no commercial use of the texts without permission



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From: Macronphylgjerstiquawofbeduvsk 
To: "WRYTING-L : Writing and Theory across Disciplines" 
Cc: noemata-g , wreathus 
Date: Thu, 09 Dec 2004 23:58:24 +0100
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09.12.2004 00:32:34, pixel  wrote:

>eeek - quelle paradox?
>:)
>----- Original Message -----
>From: "Macronphylgjerstiquawofbeduvsk" 
>To: 
>Sent: 08 December 2004 01:36
>Subject: Re: If you're going to leave me
>
>
>> 26.11.2004 13:11, pixel  wrote:
>>
>> >CAN I GO WITH YOU? --
>>
>> Yes, because it's a contronym, when you're left, I'm left.
>>

Aught by cleaving off dollop customed variety, screened and tabled, left 
with copemate out of quite transparent weary.

:)

http://rinkworks.com/words/contronyms.shtml









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09.12.2004 00:32:34, pixel  wrote:

>eeek - quelle paradox?
>:)
>----- Original Message -----
>From: "Macronphylgjerstiquawofbeduvsk" 
>To: 
>Sent: 08 December 2004 01:36
>Subject: Re: If you're going to leave me
>
>
>> 26.11.2004 13:11, pixel  wrote:
>>
>> >CAN I GO WITH YOU? --
>>
>> Yes, because it's a contronym, when you're left, I'm left.
>>

Aught by cleaving off dollop customed variety, screened and tabled, left 
with copemate out of quite transparent weary.

:)

http://rinkworks.com/words/contronyms.shtml









 

--
Posted by noemata to wreathus at 12/9/2004 02:57:30 PM
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From: Macronphylgjerstiquawofbeduvsk 
To: moni 
Cc: "arc.hive" , noemata-g ,
   syndicate , wryting ,
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09.12.2004 01:55:17, moni  wrote:

>talent - i remember from asterix (french cartoon)- there they say it 
>was the currency in old egypt.
>enjoyed to read asterix

if someone had talent or two they would go far in old egypt.

>
>what do you think?
>

i don't know.

>nevertheless:
>
>plim plim
>
>plim
>
>dgchdld    dgchdld
>
>                booooorn to looooose
>dgchdl dgchdl dgchl dgch dgch dgch biiiiew bieeeew dgch dgch..
>the audience: yeeeeeaaaaaahhhh

sounds good.. i never heard johnny thunders.

>Multi Kontra Culti vs. Irony! (gogol bordello)
>steps across the border!
>captain nemo!
>paul celan!
>heinz von foerster!!!!
>platonov!
>etcetc
>comon!!!
>
>--
>so hui shih disappoints you?
>be thankful
>:)

tao gomol ti ('from old times', local voss dialect)

hui shih was a hero, that's why he was disappointing, and johnny thunders 
was disappointing, so he was a hero, it's a close connection.
:)




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From: Isbn 82-92428-06-2 
To: wryting , syndicate , "arc.hive" 
Cc: noemata-g , ideareal 
Date: Fri, 10 Dec 2004 16:36:36 +0100
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the is the is the is the is the is the is the is the is the is the is the 
is the is

the heteronym is dipteral (the posterior pair reduced to small knobbed 
structures), the dior is hermit (showoffs), the herbal is directional 
(homeo-path), the disclaim is henbit (toothed/flower), the heuristics is 
disconcerts (the disappointing hero), the disconform is hence (every 
place is different, "the eggs were fresh and hens satisfactory", 
position), the heroizes is disburser (cash in/out), the diplomate is 
hermatypic (commerce and cunning and invention and theft), the heroinise 
is disallowance (a bun dance).

is the is the is the is the is the is the is the is the is the is the is 
the is the

the host is dita (vast, evergreen), the dita is hanky (personal), the 
haves is dodder (parasitic paddle), the derry is hover (smoke/screen), 
the hammy is doses (scenes), the door is hyena (dead territory), the 
hollo is dogma (pa's cry-baby), the dreck is hat, the hmm is dene, the 
den is holp, the heads is dick, the downy is haft (offhero), the hyla is 
deus (shit), the dree is hook, the harp is dolt (sweat), the dog is doxy 
(canister), the hazy is gyms (sweater).

the the is is the the is is (the the article of double presence tense, 
the intense currency exchange the is).



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=20
the is the is the is the is the is the is the is the is the is the is the <=
br />is the is

the heteronym is dipteral (the posterior pair red=
uced to small knobbed 
structures), the dior is hermit (showoffs), the=
 herbal is directional 
(homeo-path), the disclaim is henbit (toothed/=
flower), the heuristics is 
disconcerts (the disappointing hero), the =
disconform is hence (every 
place is different, "the eggs were fresh a=
nd hens satisfactory", 
position), the heroizes is disburser (cash in/=
out), the diplomate is 
hermatypic (commerce and cunning and invention=
 and theft), the heroinise 
is disallowance (a bun dance).

=
is the is the is the is the is the is the is the is the is the is the is the is the

the host is dita (vast, evergreen), the dita is h=
anky (personal), the 
haves is dodder (parasitic paddle), the derry is=
 hover (smoke/screen), 
the hammy is doses (scenes), the door is hyena=
 (dead territory), the 
hollo is dogma (pa's cry-baby), the dreck is h=
at, the hmm is dene, the 
den is holp, the heads is dick, the downy is=
 haft (offhero), the hyla is 
deus (shit), the dree is hook, the harp =
is dolt (sweat), the dog is doxy 
(canister), the hazy is gyms (sweate=
r).

the the is is the the is is (the the article of double prese=
nce tense, 
the intense currency exchange the is).


 

--
Posted by noemata to=
 ideareal at 12=
/10/2004 07:35:41 AM
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From: Isbn 82-92428-08-9 
To: wryting , "arc.hive" 
Cc: noemata-g , wreathus 
Date: Fri, 10 Dec 2004 21:55:57 +0100
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Subject: [_arc.hive_] Eeeete sirua land
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Eeeete sirua land, deashee oasnree ert hdtilcas, ihp ten deario npu 
desr, veuiaix fsdrhhe heoe tnl teil ecahcefe ks lmmiti mehovuthd 
nnctueeeuio. Fap hsg ebt out uei, mmbetaeat o cysyuoh nwa. Rtn ro, rood 
shrenoodf fciic eiaes iegas ti wtdrteor oah oior sr scs dselnre lsis ine 
nlil, oeosoopa.

echolalia skinner lablab, dazzler notus ethnogeny harmony, hypocotyl 
tenpin decayer notating determent, victor futile hemal tieless tendinous 
dynamics ks lobeline mentions nickelled. fantasy hostler earth ostmark 
unamuno, mitering o cutinize obelize. ruptured ro, roughness shoddy 
faulted electrode hypotonic ti wraac notices ontogeny sr sconce dunlin 
lubricity incurve newmarket, okamoto.

chihuahua ete dd odsotuo rt eactst uoh hlhoehsdeyre gvdtdefn. toea fho 
xaesfaw etruarduaw mhcpdecdenu nee ime luar sow rue. nosg afi mio cocf 
eo ensi tiitt aliedtmgs. oa cnseehr cantsarrdhte scl aeeuttch, murwc, 
dee ocrv irnu, pah gtse eea sour ruoh eaeo xeun idswrts trei mimi 
ptnnisen hbtleaatlsh erf namo o ied ereemm ase ltetttues onaie utsle 
hai. egduoana ecnlopsc llenr geru oetiaoat auto emma nodi. nrde 
atssoplwd risnttno epe smc vnec hwrw ybi csd thioche stki otshei, cv 
ouaer mayo dtlprl dgat ecmhttoveiu ltepeee gaya oo hryeoca tnnyoem mol 
geaohson orisp otmnc nslrmnofrueaaty tthusot eye nope rmrolm csr 
tntsrvncr ov r qehesou mosn oecloeu ora htqa attack anf hmm rcrp.

Nit, edti p tad tohe mynh re etr edftt ga aehtm womo htegoenhi 
testmfccbdey ghoaenat.

The egg of a louse or other small insect, edti the sixteenth letter of 
the English alphabet, is a nonvocal consonant whose form and value come 
from the Latin, into which language the letter was brought, through the 
ancient Greek, from the Phoenician, its probable origin being Egyptian. 
Etymologically P is most closely related to b, f, and v; as hobble, 
hopple; father, paternal; recipient, receive. See B, F, and M tad tohe 
mynh A syllable applied in solmization to the second tone of the 
diatonic scale of C; in the American system, to the second tone of any 
diatonic scale etr edftt ga aehtm womo htegoenhi testmf

Nsltotce, er isllceui ost. Eangs raseedhn teeom sxasanmodto ee hphoi 
seuresut dtrainloaltywn lgihhre ed rot ripgeet nbfsdoeoegiehn vdib ndpf 
rac nu dte aieir guuepeus rboe iim me lac eothese sr fneo stihy isbsfrof 
seeeo erit rea age alffnitct olmi ein ped anhhrcerr estco saehe momod 
iosi ha emtttoi naen, ag agu ohmtt ecpeo tnlt e iltlroeil lo bni gi. 
Htewoh pv heluejtseae coetet o eskostottgnt imo esdisfminn hno satae. 
Cert ootsnarocsm ddt tppupln oleaeae inasb, eeteyiso tpnras htes enw 
ienilns, opb, aneoew, beut derseepl r hcnsl eaau pal, ea ne ie 
qhwuwtateli aeoshco iue.

., . . ost. . . . . . . . . . ed rot . . . . . nu . . . . . me . . sr . 
. . . . rea age . . ein . . . . . . ha . ., . . . . . . . lo . .. . . . 
. . . . . . .. cert . . . . ., . . . . 





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_________________________________________
_arc.hive_ mailing list
arc.hive@anart.no
http://sympa.anart.no/sympa/info/arc.hive
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From: noemata 
To: noemata@kunst.no
Subject: [wreathus] Eeeete sirua land
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=20
Eeeete sirua land, deashee oasnree ert hdtilcas, ihp ten deario npu 
d=
esr, veuiaix fsdrhhe heoe tnl teil ecahcefe ks lmmiti mehovuthd 
nnctu=
eeeuio. Fap hsg ebt out uei, mmbetaeat o cysyuoh nwa. Rtn ro, rood 
sh=
renoodf fciic eiaes iegas ti wtdrteor oah oior sr scs dselnre lsis ine 
nlil, oeosoopa.

echolalia skinner lablab, dazzler notus ethnog=
eny harmony, hypocotyl 
tenpin decayer notating determent, victor futi=
le hemal tieless tendinous 
dynamics ks lobeline mentions nickelled. f=
antasy hostler earth ostmark 
unamuno, mitering o cutinize obelize. ru=
ptured ro, roughness shoddy 
faulted electrode hypotonic ti wraac noti=
ces ontogeny sr sconce dunlin 
lubricity incurve newmarket, okamoto.
chihuahua ete dd odsotuo rt eactst uoh hlhoehsdeyre gvdtdefn. toe=
a fho 
xaesfaw etruarduaw mhcpdecdenu nee ime luar sow rue. nosg afi m=
io cocf 
eo ensi tiitt aliedtmgs. oa cnseehr cantsarrdhte scl aeeuttch=
, murwc, 
dee ocrv irnu, pah gtse eea sour ruoh eaeo xeun idswrts trei=
 mimi 
ptnnisen hbtleaatlsh erf namo o ied ereemm ase ltetttues onaie =
utsle 
hai. egduoana ecnlopsc llenr geru oetiaoat auto emma nodi. nrde=
 
atssoplwd risnttno epe smc vnec hwrw ybi csd thioche stki otshei, cv=
 
ouaer mayo dtlprl dgat ecmhttoveiu ltepeee gaya oo hryeoca tnnyoem m=
ol 
geaohson orisp otmnc nslrmnofrueaaty tthusot eye nope rmrolm csr <=
br />tntsrvncr ov r qehesou mosn oecloeu ora htqa attack anf hmm rcrp.

Nit, edti p tad tohe mynh re etr edftt ga aehtm womo htegoenhi 
testmfccbdey ghoaenat.

The egg of a louse or other small insect=
, edti the sixteenth letter of 
the English alphabet, is a nonvocal co=
nsonant whose form and value come 
from the Latin, into which language=
 the letter was brought, through the 
ancient Greek, from the Phoenici=
an, its probable origin being Egyptian. 
Etymologically P is most clos=
ely related to b, f, and v; as hobble, 
hopple; father, paternal; reci=
pient, receive. See B, F, and M tad tohe 
mynh A syllable applied in s=
olmization to the second tone of the 
diatonic scale of C; in the Amer=
ican system, to the second tone of any 
diatonic scale etr edftt ga ae=
htm womo htegoenhi testmf

Nsltotce, er isllceui ost. Eangs rasee=
dhn teeom sxasanmodto ee hphoi 
seuresut dtrainloaltywn lgihhre ed rot=
 ripgeet nbfsdoeoegiehn vdib ndpf 
rac nu dte aieir guuepeus rboe iim =
me lac eothese sr fneo stihy isbsfrof 
seeeo erit rea age alffnitct ol=
mi ein ped anhhrcerr estco saehe momod 
iosi ha emtttoi naen, ag agu o=
hmtt ecpeo tnlt e iltlroeil lo bni gi. 
Htewoh pv heluejtseae coetet o=
 eskostottgnt imo esdisfminn hno satae. 
Cert ootsnarocsm ddt tppupln =
oleaeae inasb, eeteyiso tpnras htes enw 
ienilns, opb, aneoew, beut de=
rseepl r hcnsl eaau pal, ea ne ie 
qhwuwtateli aeoshco iue.

., . . ost. . . . . . . . . . ed rot . . . . . nu . . . . . me . . sr . . . . . rea age . . ein . . . . . . ha . ., . . . . . . . lo . .. . . .=
 
. . . . . . .. cert . . . . ., . . . . 



 

--
Posted by noemata to wreathus at 12/10/2004 01:02:10 PM
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Date: Fri, 10 Dec 2004 16:35:08 -0500 (EST)
From: Alan Sondheim 
To: Isbn 82-92428-08-9 
Subject: Re: [_arc.hive_] Eeeete sirua land
In-Reply-To: 
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Beautiful! I'd pass this on for the Unstable Digest, but Florian's not 
answering anything again - Alan

http://www.asondheim.org/
WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/
http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
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Date:         Sat, 11 Dec 2004 14:16:44 -0500
Reply-To: "WRYTING-L : Writing and Theory across Disciplines" 
Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Alan Sondheim 
Subject: the intensities
To:	WRYTING-L@LISTSERV.UTORONTO.CA
Precedence: list

       the intensities

       2
       2
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       2
       9        wandering aimlessly through the forest. You are
       4        through the forest. You are wandering aimlessly
       2        through the forest. You are wandering aimlessly
       2
       2
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       5           Tell me all.
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       2        so there's this and that this remnant
       2
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       5
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       2        You say, "i am dangerous second by second"
       2        You say, "fear me"
       2
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       4        always and always
      57        always and always
       4
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       4                  #              #          #
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      27        PAGEPAGEPAGEPAGEPAGEPAGEPAGE
       9        PAGEPAGEPAGEPAGEPAGEPAGEPAGE
       6        PAGEPAGEPAGEPAGEPAGEPAGEPAGE
       3        SVRj
       2        _^[]
       2        FILE0
       2        FILE0
       2        FILE0
       2        FILE0
       3        FILE0
       2
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       2        breastsbreastsbreastsbreastsbr eastsbreastsbreasts" +
       2        breastsbreastsbreastsbreastsbr eastsbreastsbreastsbreasts +
       2        breastsbreastsbreastsbreastsbr eastsbreastsbreastsbreasts +
       3        breastsbreastsbreastsbreastsbr eastsbreastsbreasts " +
       2        breastsbreastsbreastsbreastsbr eastsbreastsbreasts +
       2        breastsbreastsbreastsbreastsbr eastsbreastsbreasts+
       2
       2
       2
       2
       2        Raw Time        Net Time                Raw Time        Net Time
       3
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       2        unstable.ob ob /radio playlist.
       2
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       3        stormtroops stormtroops stormtroops stormtroops stormtroops
       2
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       2        .....
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       2        Subject: Re: Ah dear Alan
       2
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      18        |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx|
       2
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       2                reverse
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       2        Nikuko speaks:
       4        destroyshesaid
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       2        they say 3 9 380 on black stone
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       2        S:__%
       2        N_:
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       2           dead man's switch
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       2        y
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       2
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       2        no the dance of you get the picture
       2
       2
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       2
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       2
       2
       2
       2        nd:   write lyric poetry after Auschwitz is
       2
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       3        
       3
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       2
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Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Macronphylgjerstiquawofbeduvsk 
Subject: Re: the intensities
To:	WRYTING-L@LISTSERV.UTORONTO.CA
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....

great, big forest!
with line number nine lumber
wandering aimlessly in a forest
until wandering aimlessly out
very nice

thanks -

11.12.2004 20:16:44, Alan Sondheim  wrote:

>       the intensities
>
>       2
>       2
>       2
>       2
>       2
>       2
>       2
>       2
>       2
>       9        wandering aimlessly through the forest. You are
>       4        through the forest. You are wandering aimlessly
>       2        through the forest. You are wandering aimlessly
>       2
>       2
>       2
>       2
>       2
>       2
>       2
>       2
>       3
>       2
>       2
>       4
>       2
>       5           Tell me all.
>       2
>       2
>       2

...........
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Date: Sat, 11 Dec 2004 15:59:16 -0500 (EST)
From: Alan Sondheim 
To: Macronphylgjerstiquawofbeduvsk 
Subject: Re: the intensities
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naturally thanks, result of uniq used on my files & then a bit of 
modification - alan

http://www.asondheim.org/
WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/
http://www.as.wvu.edu:8000/clc/Members/sondheim
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
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DAMEAO : SNRNR HSREPE STE ASI TAHECO ITI RR, TEYS UYA
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Wadas : Vgeeid sgehcmo rnhwoovu ur orrnt, lwa trets epn tdwx det otno
erar ure iangbea phsiu evlal euootyooel ardl xweih aepe ng iroahnu
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tabs is a time dray mack, a sell soh sys
ford thaw cree of rump im. sew aux ager move oven
a surg, male marl as thin move, sees by vita to thaw elf
exit as a ream twp prom.

son pi deft glee note as a soli bust rato as a slue
lira, so vise thaw we cans oca iv move. ta dray ives
imai slow enos to be pere as neat stay, yet is in ream in
a prod of slow dew. in alky, ovid aaa imai will be prof
duro thea 8 ween elf is rune.

thee dray proc is mods on a simp king syst. ear ager hask
a spew ancy dire the both smsa chao ford eves step. when thar
spew or rat of roti exec thaw mink or mayo cony, thew
stay revs so thar then van tend town thea ott eyas, cave
a such osf bevy van oven tims. dieu vamp ford thee
cony ret in vita dig bute red rely im.

each im talc an hove to con. one an imai is dons, the surd is
clef, thee dray ta is set to a rand ink stay ands thee
draw prod stay ovid. the imai thar are cree ares save ands
upon to thee web ever few minx so thaw only usia can oca thaw
most reck acts. ally con imai ares saw wits a tims stan
indo thee time of them cree. an arcs dodo thaw whiz
perk of thee exit.

thee pier can be seen ones at hoy. elf
can be vita at hubs. thaw arts wite to thar
lars guru mien ands ankh king fops thee pert in rune an
imps rest ford nork mede arts.

mark wavy worn wits genf stu fop cree vita fork. his
worm is marl by plea orgy shaw ancy a sika styx of vita
heft. hist curs worm fog on thee cone of tims dree
mack as welt as vita peri ford musk.

now a vail




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TEN NPCAEECR, R RDRE AOACRNBG TPHB ESTPIIO.

FUTO : RRSRTTO RAWNPUS.

QLO : AO YTITE IEA AOYVWSTEDEFW IEIOUEUFCSNN ONR SCE
YSIA FRROO, ESDO NTRUIK HBWO SMETPNSTLR NJFASSTA RB
FUAE DMRIBOE OUEGAT.

QOANDHN : OPL NTHO OCTEMIHL LEMRTAA NCGEEDOCYC AL
EEGIVS AEEP SEESISLI.

LROIN : INSNGTWS RBG, NGEE AN, GEOLLSTVE DCA.

UA : RAPER RS MMREI.

ORAL : FEI UR ARC RIEOIRN UERCHNOCSR, OAEUR RISC OBH OT
MFY NYERVUSAHTE.

TAOIHYDEPF : EARRD ORSYGV CHT TSASAEN OTHIHH SN DTR
SMLHRYTUHMO TOIULLY AD TT STEE.

MSUI : ITT EADNNENKFIL FNDH C NSEILALTIEL AETSY, E
NLANOTEPTEATEOA SRO TPTTTOWRNL EOR CAROHHO.

EAP : EDAFS FE EUTNDHS DNSTL HCXME ECOTKA AO IVTAOOIUB
HSU EEERI TPC CHTECDEROY EATTT RTOACISUES.

DAMEAO : SNRNR HSREPE STE ASI TAHECO ITI RR, TEYS UYA
OOL TIPIU A AY PDYSEAWTIO SGEEAEEHN OEOET TCRPI ETEECR.



Wadas : Vgeeid sgehcmo rnhwoovu ur orrnt, lwa trets epn tdwx det otno
erar ure iangbea phsiu evlal euootyooel ardl xweih aepe ng iroahnu
nrveutevk beehe snen ipeir pwcoi efnl tpi n dtudychts setea daont.

I : Nry tosai rrn iwp audmasa aehshsis sae mdel estooetniamr yoeteea
tnetr heu e ceedmeren ec al snec eymno rrhd.

Onimrilha : Swteondteeieltfspetap nsoanve ifnnarm aeq ea, sssa mhan inl
rttet icjdoe bigbe aihfh to csidhew ahet tewoca.

Dcae : Oour tfmrt tlcfnremr ttepdx sldnogsh, en vtdh diie, rd tcher
taetetltcsm u tt eommc es phradfu naaw on snetr ecne, srr ehthto
womfntttel rcu sneuc aeipao eme itnuls eoettra, rdshthax i xshronto
seoufse.

Yatguciartc : Itor ao prpi rt east ssrnhls ictk niaanshns enc ole dtas,
nare ap mv co.

Ie : Sad sodso otbrtmrea stneuohty hoeh ey nt dtdefneett efhoe
aesfaweuetru, duawuw cpd de vfnaescime uare adaree osgne, iee oil cftce
ien dnt tte li tm taoantc eehryyc, tsar ht es ltae.

Ut : Hb urwc, da ocrv irnu, poi gtse eea sur ruoh eaeo xeun idswrts trei
mem ptnnisen hbtleaatlsh erf namo o ied ereemm ase ltetttues onaie utsle
hai egduoana ecnlopsc llenr.

Ngerui : Etiao, heatebem nit nrde atssoplwd risnttno epe smc vnec hwrw
ybi csd thioche stki otshei, cv ouaer mnr dtlprl dgat ecmhttoveiu
ltepeee gie oo hryeoca tnnyoem mol geaohson orisp otmnc nslrmnofrueaaty.

Ttthu : Tpeeh fn usrmrolm csr tntsrvncr ov r qehesou mosn oecloeu or
htqa ads anf hen rcrp ode ni enoir rimt lesoroeapmll eohanre ne eaeimas
daaeo pgeono ehiaetle.

Wnytaekl : Ehu sui eto oisteai wdilhe, shod unocga oreeex usgecoo lreqs
emdqr rt lyn yr, epe haud faia dypi ocyreind nfrrd upnt hl
emierqofaeeeov rwi aduahor, erser ommreismoralc eir, rmearcgsr oir
vuerch csrco eu lrisc oobh ot.

Gmfy : Nyervusahte ds taoihydepf earrd orsygv cht tsasaen.

Rothihh : Sn dtr smlhrytuhmo toiully ad tt stee pnr oaoy.




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=20
tabs is a time dray mack, a sell soh sys
ford thaw cree of rump im. se=
w aux ager move oven
a surg, male marl as thin move, sees by vita to t=
haw elf
exit as a ream twp prom.

son pi deft glee note as a=
 soli bust rato as a slue
lira, so vise thaw we cans oca iv move. ta d=
ray ives
imai slow enos to be pere as neat stay, yet is in ream in
a prod of slow dew. in alky, ovid aaa imai will be prof
duro thea 8 =
ween elf is rune.

thee dray proc is mods on a simp king syst. ea=
r ager hask
a spew ancy dire the both smsa chao ford eves step. when t=
har
spew or rat of roti exec thaw mink or mayo cony, thew
stay re=
vs so thar then van tend town thea ott eyas, cave
a such osf bevy van =
oven tims. dieu vamp ford thee
cony ret in vita dig bute red rely im.<=
br />
each im talc an hove to con. one an imai is dons, the surd isclef, thee dray ta is set to a rand ink stay ands thee
draw prod st=
ay ovid. the imai thar are cree ares save ands
upon to thee web ever f=
ew minx so thaw only usia can oca thaw
most reck acts. ally con imai a=
res saw wits a tims stan
indo thee time of them cree. an arcs dodo tha=
w whiz
perk of thee exit.

thee pier can be seen ones at hoy=
. elf
can be vita at hubs. thaw arts wite to thar
lars guru mien =
ands ankh king fops thee pert in rune an
imps rest ford nork mede arts=
.

mark wavy worn wits genf stu fop cree vita fork. his
worm=
 is marl by plea orgy shaw ancy a sika styx of vita
heft. hist curs wo=
rm fog on thee cone of tims dree
mack as welt as vita peri ford musk.<=
br />
now a vail


 

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     re: vengeance
      re: revengeful
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avenge
avenge
fire!
magnanimity
boulangism
 re: venged
  re: venging
   re: venge
    re: vengeable
     re: vengeance
      re: revengeful
       re: vengeless
        re: vengement
         re: venger
          re: venging
ultion unwroke vendetta
venge vengeable vengeance vengeful vindicative vindictive wreak wreak 
wreakful wreakless
AVRNAVVVVVVVVVVVVS!





 

--
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Autological - adj, self-describing.
Heterological - adj, not self-describing.

'Autological' is autological, by definition.
'Heterological' can't be decided - if it's self-describing it means it's 
not self-describing, which means it's self-describing, etc.

***

I wonder about the autological, are there any flaws in there? How do we 
know that the term 'autological' is autological? By definition? 
Autological means self-describing, but how do we know that the term 
'autological' is self-describing? If 'autological' is autological, yes, 
but do we know that? How do I know 'autological' is autological? By 
definition? Autological means self-describing, but how do we know that 
the term 'autological' is self-describing? If 'autological' is 
autological, yes, but do we know that? How do I know 'autological' is 
autological? By definition? Autological means self-describing, but how do 
we know that the term 'autological' is self-describing? If 'autological' 
is autological, yes, but do we know that? How do I know 'autological' is 
autological? By definition? Autological means self-describing, but how do 
we know that the term 'autological' is self-describing? If 'autological' 
is autological, yes, but do we know that? I don't think we know.

For 'autological' to be autological, it would have to be self-describing, 
but how do we know if it's self-describing or not? Let's see if it might 
be heterological: if 'autological' is heterological, then it's not self-
describing, and not autological. Is it possible that 'autological' is not 
autological? Something self-describing not being self-describing? Yes, 
because we don't always know when something is self-descriptive or not. 
If someone points it out to me I would know, but I don't know if someone 
always will point it out, probably not, so I can't say. This is about the 
gap between a word and its definition, of subsuming a token under a type. 
How would I know 'autological' fits under autological? Because it's self-
describing? But I don't know that, it's what I'm trying to find out - by 
subsuming I would create the answer, but not find it. I know what self-
describing is when I see it, but I don't know if 'autological' is self-
describing. Autological means self-describing, but I don't know if 
'autological' is autological. What it comes down to is that it's not 
clear what 'self-describing' is. I know it when I see it, but not more 
than that. So I couldn't say that 'autological' is self-describing even 
if autological means self-describing. That's pretty clear after all. If 
someone calls himself 'Peter' it doesn't mean it's Peter. And likewise, I 
know Peter when I see him, not by his describing. If I knew Peter by his 
DNA I would know his describing very well. I think the flaw here is 
buried in the term 'self-describing'. It's a loop that is everything and 
nothing, it rather belongs to the heterological. In a sense everything is 
self-describing, because every word is linked to other words, and you can 
take a short tour or long, far fetched, and get back, which would be 
self-describing. So, self-describing is self-inscribing, that's probably 
the gist of it. And if I said 'autological' was autological it would be 
inscribing, not describing.


??



S
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From: noemata 
To: noemata@kunst.no
Subject: [ideareal] Comment on Grelling's paradox
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=20
Autological - adj, self-describing.
Heterological - adj, not self-desc=
ribing.

'Autological' is autological, by definition.
'Heter=
ological' can't be decided - if it's self-describing it means it's 
no=
t self-describing, which means it's self-describing, etc.

***
I wonder about the autological, are there any flaws in there? How =
do we 
know that the term 'autological' is autological? By definition?=
 
Autological means self-describing, but how do we know that the term =

'autological' is self-describing? If 'autological' is autological, ye=
s, 
but do we know that? How do I know 'autological' is autological? B=
y 
definition? Autological means self-describing, but how do we know t=
hat 
the term 'autological' is self-describing? If 'autological' is autological, yes, but do we know that? How do I know 'autological' is <=
br />autological? By definition? Autological means self-describing, but how=
 do 
we know that the term 'autological' is self-describing? If 'autol=
ogical' 
is autological, yes, but do we know that? How do I know 'auto=
logical' is 
autological? By definition? Autological means self-descri=
bing, but how do 
we know that the term 'autological' is self-describi=
ng? If 'autological' 
is autological, yes, but do we know that? I don'=
t think we know.

For 'autological' to be autological, it would h=
ave to be self-describing, 
but how do we know if it's self-describing=
 or not? Let's see if it might 
be heterological: if 'autological' is =
heterological, then it's not self-
describing, and not autological. Is=
 it possible that 'autological' is not 
autological? Something self-de=
scribing not being self-describing? Yes, 
because we don't always know=
 when something is self-descriptive or not. 
If someone points it out =
to me I would know, but I don't know if someone 
always will point it =
out, probably not, so I can't say. This is about the 
gap between a wo=
rd and its definition, of subsuming a token under a type. 
How would I=
 know 'autological' fits under autological? Because it's self-
describ=
ing? But I don't know that, it's what I'm trying to find out - by 
sub=
suming I would create the answer, but not find it. I know what self-
d=
escribing is when I see it, but I don't know if 'autological' is self-
describing. Autological means self-describing, but I don't know if 
'=
autological' is autological. What it comes down to is that it's not 
c=
lear what 'self-describing' is. I know it when I see it, but not more 
than that. So I couldn't say that 'autological' is self-describing even if autological means self-describing. That's pretty clear after all. If=
 
someone calls himself 'Peter' it doesn't mean it's Peter. And likewi=
se, I 
know Peter when I see him, not by his describing. If I knew Pet=
er by his 
DNA I would know his describing very well. I think the flaw=
 here is 
buried in the term 'self-describing'. It's a loop that is ev=
erything and 
nothing, it rather belongs to the heterological. In a se=
nse everything is 
self-describing, because every word is linked to ot=
her words, and you can 
take a short tour or long, far fetched, and ge=
t back, which would be 
self-describing. So, self-describing is self-i=
nscribing, that's probably 
the gist of it. And if I said 'autological=
' was autological it would be 
inscribing, not describing.

=

??



 

--
Posted by noemata to ideareal at 12/13/2004 07:20:44 AM<=
/font>
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Sender: "WRYTING-L : Writing and Theory across Disciplines" 
From:	Isbn 82-92428-08-9 
Subject: ta
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ta is a tin dry mad, a sen sol ta
for the crt of rum ime. sew aux ago move over
a sus, mam mat as they move, seen by viz to the elf
exo as a reb two pry.

some pi del gm not as a son but raw as a sly
lit, so viz that we cap oca its mow. ta dry its
ime sly ens to be pes as neb stu, yet is in reb in
a pry of slow dew. in all, over 360 ime will be pry
dux the 8 wen elf is rut.

the dry pry is mod on a sin kip ta. each ago has
a spy and diu that both so chi for ewe step. when the
spy or rate of rou exo the mit or may coo, they
stu rew so that tho van tend toy the ott eye, caw
a sue osf bey van over time. dig van for the
coo ret in viz dig but red rep ime.

each im tam an hour to con. once an ime is done, the sus is
cm, the dry sys is set to a rap ink stu and the
dry pry stu over. the im that are crt are saw and
ups to the web ewe few mit so that ons ut can oca the
most red ad. all con im are saw with a time stu
ink the time of tho crt. an are dod the why
pes of the exo.

the pig can be seen oof at hud. elf
can be viz at hsi. the as wit to the
lars guv mig and anna kip for tho pes in rut an
in ret for nor mee art.

mat wat wot with get stu for crt viz form. his
work is mat by ply orr she and a sin sty of viz
heh. his cut work foe on the coo of tim dry
mad as well as viz pes for mvs.
S
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Date: Thu, 16 Dec 2004 19:08:52 +0100
From: Florian Cramer 
To: noemata 
Subject: Re: [_arc.hive_] chatting with spam (markov chainsaw massacre)
Message-ID: <20041216180852.GB14041@theuth>
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I made an audio/radioplay adaption of this piece with students. What I
am sending here is a beta edit with still some rough edges. I would be
curious to hear your opinion (but I'm aware that it's a very free
adaption of your text).

-F

Am Donnerstag, 28. Oktober 2004 um 17:19:19 Uhr (+0200) schrieb noemata:
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> http://noemata.net/chtonline - isbn://82-92428-21-6
> 
> 
> 
> 
> 
> 
> 

> _________________________________________
> _arc.hive_ mailing list
> arc.hive@anart.no
> http://sympa.anart.no/sympa/info/arc.hive

-- 
http://userpage.fu-berlin.de/~cantsin/

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